Dustin T. Locke Architectural
Portfolio
|
2010
-
2014
introduction
I have come to understand that architecture not only serves a particular inter nal program, but also has lasting effects upon the interactions of people and their patter ns of activity around it. The great cities of the world are designed for people using buildings as a means to forge the interstitial spaces where everyday life plays out, which serve as much an integral part as the buildings themselves For this reason, I believe that the beauty of design will be revealed through the building’s ability to meet the needs of its urban context, both socially and ecologically, simultaneously evolving with the people who depend upon it. As architects our hearts and minds must be driven by the needs for inclusivity and collaboration between the arts and sciences to lay the foundation for the development of comprehensive place, without which life cannot thrive. 01
02
P R OFES S I ONA L |
VA SO RC C H E ALT H C L I N I C
4 SAF F RO N F I E L D S W I N E RY
6 SMAL L FARME RS PRO J E C T
8
content
L O N D O N RE SE ARC H PRO J E C T
12 PO RT L AN D U RBAN AG RI C U LT U RE PROJEC T
UNIVER S I T Y |
18 99% CITY
24 S. C . I . SAL E M PO L I C E STAT I O N
30 BO AT H O U SE F O R D E X T E R RE SE RV O I R
32 I ST I T U T O D I RO MA PE R G L I ST U D I O SI
36 COM P ETITI O N |
T H E PAT T E RN BO X
40 DES I G N B UIL D |
L O C K E -SMI T H T H E SI S MO D E L
42 N O RT H W E ST PO RT L AN D SI T E MO D E L
44 D RAF T I N G BO ARD
46 R ésum é |
48
R EFER ENCE S |
50
CONTA C T |
51 03
P ROJECT | CATEGORY | LO CATION |
Professional March, 2011 - June, 2011
ROLE |
Architectural Internship
FIRM |
Rowell Brokaw Architects
IDEA |
Historical and Modern Connection and Complement
D E S CRIPTION |
MEDIA |
A BOV E | M a in e n tr y c o v e re d wa lk wa y. S te e l c olu m n s a n d b e a ms h old u p th e e le ga n t wo o d c l a d roof .
White City, Oregon
TIME |
CLIENT |
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VA SORCC HEALTH CLINIC
Veteran Affairs Southern Oregon Rehabilitation Center The VA Southern Oregon Rehabilitation Center & Care Clinic (VA SORCC) is located in White City, Oregon, and serves as a regional and national resource for underserved special populations, e.g., homeless, chronically mentally ill, and substance abuse, providing quality residential treatment in psychiatry, addictions, medicine, bio-psychosocial, physical and vocational rehabilitation. The facility provides veterans with individualized, compassionate, and high quality care, and emphasizes rehabilitation as it provides safe residential rehabilitative care to inpatients and accessible primary and mental health care to its outpatients. As an Intern at RBA my tasks included design, Sketchup modeling an AutoCAD detailing of the Main Lobby stairs, and also the cantilevered canopies over the windows along with numerous smaller details. I worked with a team completing the construction document set working through red lines all the way to 100% submittal. AutoCAD, Sketchup, Hand Sketching
RI GH T | S e c tion c u t th roug h w a i t in g room wa ll re ve a ls th e p l a c e m e n t of th e c a n tile ve re d c a n o p i e s a bove th e ir re spe c te d w i n d o w s .
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P ROJECT | C ATEGORY | LO CATION |
Professional Yamhill, Oregon
TIME |
September, 2012 - February, 2013
ROL E |
Architectural Internship
FIRM |
2form Architecture
IDEA |
Connection, Intimacy, Wine Tasting, Restaurant, Personality
CLIENT | D E S CRIPTION |
MEDIA |
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SAFFRON FIELDS WINERY
Saffron Fields Winery The new tasting room located atop a mid-hill rise will connect views of the uphill vineyards and down-slope gardens. The orientation of the building plan takes cues from the old barn structure: a portion of the tasting room is canted to welcome guests as they arrive and to capture views across the landscape. Visitors are drawn to the copper-clad tasting bar that provides corner views out to the surrounding hills. As an intern at 2form, my tasks included all portions of the construction document set with an incredible amount of freedom to explore design opportunities at multiple key details throughout the building. I worked directly with the project architect and principal to achieve the level of design the clients were striving to achieve. Revit, AutoCAD, Sketchup, Hand Sketching
A BOV E | V ie w A c ross S ou th f a c a d e w i t h vie ws of th e win e r y in th e ba c k g ro u n d a n d th e J a pa n e se ga rde n in t h e f o re grou n d.
Photos by Lincoln Barbour
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P ROJECT | C ATEGORY | LO CATION |
SMALL FARMERS PROJECT Professional Eugene, Oregon
TIME |
September, 2010 - September, 2011
IDEA |
Deconstructible Structures, Community Involvement, Build, Student Led, and Carried out Process
CLIENT |
A BOV E | M a r ga r ito c u ttin g the r i b b o n a t th e off ic ia l r ibbon c u ttin g c e re mo n y m a r k in g th e c om ple tion of th e p ro j e c t . Th e re wa s live m u sic , f ood, f r ie n d s a n d f a m ily.
Design
Huerto de la Familia
D E S CRIPTION |
The Small Farmers Project is a young co-op farming group of Latino families in North Eugene. Due to the fact that the farm was increasing its production (needing a walk-in cooler and tractor shed) and the possibility that their leased land would be taken from them; DesignBridge, a student-run designbuild program, looked to find a way to help. Our project, which lasted one year, became focused around encapsulating the identity and function of a community into one simple, affordable, allpurpose, (and moveable) structure. What began as merely an architectural project became an interdependent relationship, based on trust and truly good will. What developed was a clear and concise form, which in its detail was unique. With just a wrench more than 2/3 of the building may be disassembled. In the fall, we began conceptualizing and scheming with our incredibly patient clients. During the winter we developed the design in detail, and by spring we started to build our nearly 600 sqft building. Through all kinds of real world challenges our ideas and intent persevered.
MEDIA |
Hand Sketching, Rhino, SketchUp, InDesign, Photoshop, Illustrator, V-Ray
P R O FESSOR |
08
Juli Brode
LEFT | These conceptual models were solely to explore spatial variation. After a vote from our clients the design in the middle was chosen
LEFT | These represent a few of the conceptual ideas the team had pertaining to the design. During the early phases of design the team would produce upwards of ten a day just to flush out all design possibilities. The favorites would then go up for review with the clients for their opinion and concerns.
LEFT | Client meetings were an integral part of the design process for the team. Presentation,design charrettes and group discussions were the beginning of a life-long friendship with our peers and our clients.
LEFT | When not meeting with clients or designing in studio, we would be reviewing with faculty and peers from the architecture department. Their help and commitment to meet helped us to stay grounded and reach our goals.
LEFT | Our final presentation to our faculty, clients, families, and friends consisted of a full-scale mock-up, which housed all of our process work and final construction drawings. It was an amazing accomplishment, which I personally shared and will always remember with the team.
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LEFT | This series of images display the process from pre-construction to the base foundation footings to fill gravel being delivered.
LEFT | The steel plate t-junctions were designed and fabricated by the team, and then installed into the columns before being assembled at the site. This process allowed the team to work indoors during crummy weather, and make sure that there was a maintained level of consistency.
LEFT | The completed framing, before the installation of the cooler, side panels, or roof. It is easy to see how this building can come apart very quickly with nothing more than a wrench.
LEFT | The installation of the trusses was a fun, yet time consuming task. While a crane lifted them up onto the roof, the team had to shimmy them across the ceiling beams, place them up-right, brace them and then anchor them in place.
LEFT | The roof marked a huge milestone in the construction process. To cover the building meant it would finally be a place of shelter.
LEFT | The last remaining details were the doors, cross bracing, electricity, and paneling. These all proved to be some of the most tedious, but rewarding work. To see the fine details being expressed was definitely a joy.
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ABOVE | The building rests on the edge of a grove of trees overlooking the raspberry fields to the east and strawberry fields to the west. Its orientation allows for a more private ‘family room’ to exist between the grove and the barn, while the front addresses the public in a clean and easily understandable manner, which focuses on the sale of goods.
LEFT | This series of images shows the finished building’s deft and elegant design. The layout, which is easily seen, allows for maximum flexibility for the variation of activities - from harvesting, and packaging, to selling goods from under cover.
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P ROJECT | C ATEGORY | LO CATION |
LONDON RESEARCH PROJECT Profe ssi on a l Lo n don | E n gl a n d
TIME |
Ma rc h , 2012 - Ma rc h , 2013
IDEA |
Bui l di n g Morph ol ogy, Mi c ro-E n t e r p r is e , G e n t r if ic a t io n , M ix e d Us e D e ve l opm e n t , Com m u n i t y
CL IENT | D E S CRIPTION |
MEDIA | P R O FESSOR |
Col l a bora t i ve for In c l u si ve U rba n is m My i n i t i a l i n t e re st i n P rof. Ho w a rd Da v is ’s re s e a rc h le d t o a ye a r l on g pa rt n e rsh i p w h e re I c h a n g e d t h e s u r v e y me t h odol ogy f rom a n a n a l ogu e t o a c o m p le t e ly d ig it a l p ro c e s s . Wh a t t ook a ye a r t o a n a l yze u si n g t h e o r ig in a l d a t a e n t r y m e t h o d n ow t ook a f e w w e e k s t o a ggre g a t e , e d it , a n d t h e n p ro d u c e g ra ph i c s. Th e l e ve l of e rror w a s re d u c e d t o a lm o s t z e ro d u e t o st a n da rdi zi n g qu e st i on s u si ng a s u r v e y in g a p p v ia d ro id ce l l ph on e s. D u t i e s i n L on don in c lu d e d t r a in in g , m a n a g in g , o pe ra t i n g, a n d orga n i zi n g a l l a spe c t s o f t h e s u r v e y in g p ro c e s s . A grou p of 8 st u de n t s 2 prof e ss o r s a n d 1 p ro f e s s io n a l m a d e up t h e t e a m s, w h i c h h i t t h e st re e t s d o c u m e n t in g b u ild in g s . U si n g t h e n e w m e t h od t h e t e a m s w e re a b le t o d o c u m e n t 2 t i m e s t h e a m ou n t of bu i l di ng s w it h h a lf t h e n u m b e r o f pe opl e w h i l e on l y n e e di n g t w o - t h ird s t h e a m o u n t o f t im e . Arc G IS , K obo Tool k i t , XML c o d e w r it in g , M ic ro s o f t Ex c e l, Droi d Ce l l P h on e A pp. A dobe Il l us t r a t o r, Ph o t o s h o p How a rd D a vi s
A BOV E | Th e te a m sits in f ron t of th e p ro j e c t o r sc re e n a n a lyzin g m a ps f rom th e da t a w h i c h wa s c olle c te d on ly a f e w h ou r s be f o re . T h i s a llowe d u s to r u n qu e r ie s da ily, wh ic h w o u l d dr ive th e su r ve y f or th e f ollowing d a y s .
RESEARCH
BUILD
IDEA
SURVEY
HANDHELD
FORM
D I G I TA L
D ATA
COLLECTION
MOBILE
COLLECTION
OF
D ATA O N D R O I D C E L L P H O N E
S Y N C & A G G R E G AT E D ATA F O R A C C E S S W I T H A R C GIS
C R E AT E M A P S , USERS R E S U LT S
12
AN
WHICH LET
EXPLORE
SURVEY
LEFT | These are the three neighborhoods, that were surveyed over the four day period. Brick Lane was a continuation of previous years research while Dalston and Upton Park were new and specific to this years research.
LEFT | A closer look at the neighborhoods reveals the culmination of buildings around major collection streets. These buildings were the focus of our research both in the surveying portion, and in the interview process.
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SINGLE CHOICE
M U LT I P L E S E L E C T
SINGLE SELECT
BUILDING USE
FLOOR OR FLOORS DOES BUILDING USE?
SOUTH ASIAN?
R E - R E S I D E N T I A L (P L A C E S
FOOD, SIT-DOWN
&
TA K E A W AY
SHOP
BASEMENT
YES
GROUND FLOOR
NO
ABOVE GROUND FLOOR
U NS U R E
WHERE
P E O P L E A R E L I V I N G P E R M A N E N T LY
F - P R E PA R E D
SI
S - SERVICES CS - C O N S U M E R
SERVICES OFFERING SER-
V I C E S T H AT D O N O T R E Q U I R E A P R O F E S S I O N A L Q U A L I F I C AT I O N : E . G . B A R B E R , A U T O R E PA I R , C O M P U T E R R E PA I R , TA N N I N G S A L O N , T R AV E L AGENCY, MONEY TRANSFER
...
CP - P R O F E S S I O N A L
S E R V I C E S T H AT R E Q U I R E A P R O F E S S I O N A L Q U A L I F I C AT I O N : E . G . S O L I C I T O R , A C C O U N TA N T , TA X A D V I S O R , D E N T I S T , FA M I LY D O C T O R , M E D I A P R S P E C I A L I S T ...
TC - T A X I , ERY DEPOT,
R - G E N E R A L R E TA I L ( N O N NON-SERVICES
COURIER, CAR HIRE, GOODS DELIVP E T R O L F U E L L I N G S TAT I O N
2 0 1 2 L O N D O N B U I L D I N G S U R V E Y M AT R I X
FOOD,
R E P E AT Q U E S T I O N TEXT
TEXT
TEXT
SINGLE CHOICE
B U I L D I N G ID #
STREET NAME
BUILDING ADDRESS #
BUILDING TYPE
INTEGER
NUMBER
OF
BUILDING USE
T H1 - T E R R A C E D H O U S I N G S I N G L E B AY W I D E - O N E S TA I R
F - P R E PA R E D
A P PA R E L , A C C E S S O R I E S
CS - C O N S U M E R
B E T W E E N PA I R S
(THINGS
MH - M I X E D - T Y P E H O U S I N G M U L TIPLE UNITS COMPLEX PLAN UP TO
NO: THE
SERVICES OFFERING SER-
GLOBAL?
ADD
ANOTHER BUILDING USE?
YES
NO
NO
YES
USE IS NOT
C L E A R LY V I S I B L E F R O M THE STREET
...
TC - TAXI, COURIER, CAR HIRE, GOODS DELIVE R Y D E P O T , P E T R O L F U E L L I N G S TAT I O N
R - G E N E R A L R E TA I L ( N O N NON-SERVICES
SH - SHED-SINGLE STORY BUILDINGS, NON-RESIDENTIAL
O T H E R R E TA I L ( S E L L I N G P H Y S I C A L P R O D OTHER THAN CLOTHING, FOOD AND GROCERY AND NOT A CONVENIENCE STORE
SINGLE SELECT
OR
CP - P R O F E S S I O N A L S E R V I C E S T H AT R E Q U I R E A P R O F E S S I O N A L Q U A L I F I C AT I O N : E . G . S O L I C I T O R , A C C O U N TA N T , TA X A D V I S O R , D E N T I S T , FA M I LY DOCTOR, MEDIA PR SPECIALIST...
STOREYS
OB - O F F I C E O R FA C T O R Y B U I L D I N G , M U LT I S T O R Y , N O N -
CR UCTS,
UN SUR E
Q U A L I F I C AT I O N : E . G . B A R B E R , A U T O R E PA I R ,
RESIDENTIAL
B U - P U R P O S E - B U I LT
A B O V E G R O U N D FL O O R
O W N E R S H I P C O R P O R AT E
YES: T H E PA R T I C U LAR USE HAS A GLAZED ENTRANCE WHERE THE GOODS OR SERVICES A R E C L E A R LY A N D D E L I B E R AT E E LY V I S I B L E FROM THE STREET
C O M P U T E R R E PA I R , TA N N I N G S A L O N , T R AV E L AGENCY, MONEY TRANSFER
COMERCIAL/MIXED
UNIT
NO
V I C E S T H AT D O N O T R E Q U I R E A P R O F E S S I O N A L
A H - A PA R T M E N T B U I L D I N G MANSION BLOCK, TOWER BLOCK, SLAB BLOCK
45
&
SINGLE SELECT
S H O P F R O N TA G E ? YES S
S - SERVICES
T H2 - T E R R A C E D H O U S I N G D O U B L E B AY W I D E - S H A R E D S TA I R
T H AT O N E W E A R S )
FOOD, SIT-DOWN
TA K E A W AY
PER
BUILDING
SINGLE SELECT
SOUTH ASIAN?
BASEMENT GROUND FLOOR
WHERE
P E O P L E A R E L I V I N G P E R M A N E N T LY HOUSING
SINGLE SELECT
FLOOR OR FLOORS DOES BUILDING USE?
R E - R E S I D E N T I A L (P L A C E S
D H - D E TA C H E D
CA - R E TA I L
M U LT I P L E S E L E C T
SINGLE CHOICE
STOREYS
RESIDENTIAL MIXED
FOOD,
CA - R E TA I L
BUSINESS
A P PA R E L , A C C E S S O R I E S
T H AT O N E W E A R S )
S T - M A R K E T S TA L L , T E M P O RARY, MOBILE
(THINGS
CR - O T H E R R E TA I L ( S E L L I N G P H Y S I C A L P R O D UCTS, OTHER THAN CLOTHING, FOOD AND GROCERY AND NOT A CONVENIENCE STORE
OTHER
G - GROCERY, CONVENIENCE, P R O D U C E , U N P R E PA R E D F O O D
IN - I N S T I T U T I O N UN - UNUSED/OTHER
CC - C O N V E N I E N C E
STORE, TOBACCONIST,
NEWS AGENT
CG - G R O C E R Y , C A S H & C A R R Y , MARKET, BUTCHER, FRUITS & VEG OFF-LICENCE
SUPER VENDOR,
CO - COMMUNITY GS - C O M M U N I T Y
G AT H E R I N G S PA C E :
COMMUNITY HALL, INDOOR PUBLIC MEETING S PA C E - N O N - R E L I G I O U S
G - GROCERY, CONVENIENCE, P R O D U C E , U N P R E PA R E D F O O D
RL - RELIGIOUS: MOSQUE, SYNAGOGUE, C H U R C H , R E L I G I O U S O R G A N I Z AT I O N O F F I C E S , S PA C E S W I T H A R E L I G I O N - O R I E N T E D F U N C T I O N NP - N O N - P R O F I T : C O M M U N I T Y O R G A N I Z AT I O N NOT SERVING A RELIGIOUS FUNCTION
H T - H O T E L , S H O R T S TAY , H O S T E L IN - I N S T I T U T I O N ,
GOVORNMENT:
N O N - R E L I G I O U S S TAT E A G E N C Y
-
SCHOOL, UNIVERSITY, FIRE, POLICE, NHS, PUBLIC TRANSPORT BUILDING, COUNCIL OFFICES
MF - MAKING:
PLACES WHERE
GOODS ARE BEING MADE
PA - P A R K I N G
L O T , PA I D PA R K
AREA
PA - P A R K I N G
CC - C O N V E N I E N C E
L O T , PA I D PA R K
AREA
STORE, TOBACCONIST,
WH - WHOLESALE UN - U N U S E D , O T H E R FL - UNOCCUPIED,
FOR LET
U D - U N D E V E L O P E D , VA C A N T LOT, CONDEMNED BUILDING
NEWS AGENT
OT - O T H E R : C AT C H A L L F O R ANY USE NOT OTHERWISE DEFINED UK - UNKNOWN USE
CG - G R O C E R Y , C A S H & C A R R Y , MARKET, BUTCHER, FRUITS & VEG OFF-LICENCE
SUPER VENDOR,
R E P E AT Q U E S T I O N INTEGER
T O TA L N U M B E R
OF
INTEGER
BUSINESSES?
T O TA L N U M B E R
OF
INTEGER
NUMBER
MICRO BUSINESSES?
A - ORDINARY SHOPFRONT B - SHOP/OFFICE
AT B A S E M E N T F L O O R
C - SHOP/OFFICE
ABOVE GROUND FLOOR
D - BUSINESS E - SHOP
ANOTHER
INTEGER
MICRO ENTERPRISE GROUP?
TAKE
ONE OR MORE
SINGLE SELECT
PICTURES
TAKE
ANOTHER
SINGLE SELECT
PICTURE?
NOTES
ON
MAP
FOR THIS
BUILDING?
NO
NO
NO
YES
YES
YES
END OF SURVEY ( S AV E F O R M A N D E X I T )
AT TA C H E D T O A N O T H E R S H O P
G - STNAD
S TA N D
ALONE POD
H - TEMPORARY I - TROLLEY, OU -
R E P E AT Q U E S T I O N
SINGLE SELECT
ADD
INSIDE A SHOP
F - MICRO-MALL
CO - COMMUNITY
OF SPECIFIED
M I C R O B U S I N E S S S PAT I A L T Y P E ?
ANSWER > 0
S T R E E T M A R K E T S TA L L
A MOBILE PUSH CART OR TRAILER
OTHER
ANSWER = 0
G S - C O M M U N I T Y G AT H E R I N G S PA C E : COMMUNITY HALL, INDOOR PUBLIC MEETING S PA C E - N O N - R E L I G I O U S RL - R E L I G I O U S : M O S Q U E , S Y N A G O G U E , C H U R C H , R E L I G I O U S O R G A N I Z AT I O N O F F I C E S , S PA C E S W I T H A R E L I G I O N - O R I E N T E D F U N C T I O N NP - N O N -P R O F I T :
C O M M U N I T Y O R G A N I Z AT I O N NOT SERVING A RELIGIOUS FUNCTION
H T - H O T E L , S H O R T S TAY , H O S T E L IN - I N S T I T U T I O N , G O V O R N M E N T : N O N - R E L I G I O U S S TAT E A G E N C Y SCHOOL, UNIVERSITY, FIRE, POLICE, NHS, PUBLIC TRANSPORT BUILDING, COUNCIL OFFICES
MF - MAKING:
PLACES WHERE
GOODS ARE BEING MADE
PA - P A R K I N G
L O T , PA I D PA R K
AREA
PA - P A R K I N G
L O T , PA I D PA R K
AREA
WH - W H O L E S A L E UN - UNUSED, OTHER FL - U N O C C U P I E D ,
FOR LET
UD - U N D E V E L O P E D , VA C A N T LOT, CONDEMNED BUILDING O T - O T H E R : C AT C H
ALL FOR ANY USE NOT OTHERWISE DEFINED
UK - U N K N O W N U S E
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R E P E AT Q U E S T I O N
ABOVE | The image above is the question matrix for the entire London survey. It is too large to show a legible image on a single page so instead a series of three questions has been enlarged to allow an individual to read through the question process, and also see how the questions can create variations in the corresponding sequence.
R E P E AT Q U E S T I O N
LEFT | The group of research students were broken into groups of two, and then given one cell phone, and a clipboard with a map of the area in which to survey. There were six teams in total, which meant two teams per neighborhood.
LEFT | This is a series of sample questions, and how they would appear on the phones in real time. The surveys were specific to each neighborhood, and had a wide range in question capability including, but not limited to multiple choice, trigger, and repeat questions.
LEFT | This is a sample of the maps, which every team would carry. These maps were used to guide the surveyor through the neighborhoods, and allowed them to document changes to the building which were not accurate on the maps.
LEFT | In addition to the surveys ability to collect numerical data, it could also collect pictures, which made the job of the surveyor much easier. In the end the program aggregated all the pictures into a file then attached them to their corresponding file name to the excel spread sheet, which could be queried from ArcGIS.
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BRICK LANE TOTAL BUSINESSES
Total Businesses 0 1 2 3 4 5 6 7 8 1 12 25
BRICK LANE TYPE
TYPE Commercial/Mixed Residential/Mixed Other Null
LEFT | A series of maps were produced from the data collected, which represent a variety of factors. From very simple queries like the use of a building, to complicated multi-tiered logic equations. For example,finding a building with a specific square footage, is three stories, sells South East Asian food on the first floor, acting as a travel agent on the second floor, and has a residential space on the third floor. Maps are then produced for all three neighborhoods, which reflect our findings. Then the process of analysis began. A group of students and faculty would sit down with all the maps posted up and look for patterns or rhythms, which can be observed across all three neighborhoods. The findings have been recorded and will be available in Prof. Howard Davis’s next book.
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P ROJECT | C ATEGORY | LO CATION |
PORTLAND URBAN AGRICULTURE PROJECT Stu di o Po rt l a n d, O re gon
TIME |
Ja n u a ry, 2013 - J u n e , 2013
IDEA |
Com m u n i t y, Hype r-L oc a l , F ood P ro d u c t io n , N e t - Z e ro , Aq u a p o n ic s , Ana e robi c D i ge st i on , Wa t e r Col l e c t io n
D E S CRIPTION |
Lo c a l a n d re gi on a l a gri c u l t u re i s v it a l t o t h e s t a b ilit y a n d s e c u r it y o f n ot on l y O re gon , bu t a l so t h e e n t ire p la n e t . C it ie s w e re f o r m e d from t h e se c u ri t y of food. Ca rol y n St e e l, p e r s u a s iv e ly a r g u e s t h a t t he ve ry e xi st e n c e of c u l t u re a nd s o c ie t y is t h e re s u lt o f f a r m ing . A t i t s root s f a rm i n g i s t h e v e r y a c t w h ic h f o re v e r t ie s u s t o t he n a t u ra l w orl d a n d t h e n a t u ra l w o r ld t o u s . “ A re - a w a k e n in g o r c o-e vol u t i on a ry se n si t i vi t y t o t h e lif e o f t h e p la n e t t h e re h a s de ve l ope d a se ri e s of i n si gh t s, m e t h o d o lo g ie s a n d t e c h n o lo g ie s t ha t m a k e i t possi bl e t o c re a t e a p o s t o r m e t a - in d u s t r ia l s o c iet y w i t h ou t vi ol a t i n g fu n da m e n t a l e c o lo g ic a l in t e g r it y. ” - J o h n To d d T h i s bu i l di n g l ook s t o e xpl ore h o w t h e s e t w o w o r ld s ( u b a n & r ura l ) m i gh t l ook w h e n t h e y c on v e r g e a s a p la c e o f f o o d p ro duc t i on w i t h i n t h e c i t y. Th i s a g r ic u lt u r a l e x p e r im e n t lo o k s in t o o n e spe c i f i c m ode l , of w h i c h t h e g o a l is t o c re a t e t h e f ir s t co m pl e t e l y se l f -su st a i n e d c i t y i n t h e w o r ld . I t h in k it c a n b e d o n e .
MEDIA | P R O FESSOR |
Ha n d S k e t c h i n g, InDe si gn How a rd D a vi s
Rh i n oc e ros,
V- R a y,
I llu s t r a t o r,
Ph o t o s h o p ,
ABOVE | This perspective is looking east at ground floor across the vibrant completely open-air market. This is a place where food vendors from all over Portland can come and sell their goods year round. Included will be the sale of produce which is grown on site.
ENERGY
THE AMERICAN INDUSTRIALIZED FOOD CHAIN ACCOUNTS FOR 20% OF AMERICAS T O TA L F O S S I L F U E L USAGE
425 GALLONS O R A P P R O X I M A T E LY 42 BARRELS OF FOSSIL FUEL ARE NEEDED TO FEED ONE INDIVIDUAL A N N U A L LY U S I N G CONVENTIONAL METHODS OF FARMING
AQUAPONICS OFFERS A 90%-100% REDUCTION IN SHIPPING AND FOSSIL FUEL DEPENDENCY
18
BUILDING PRODUCTION SYSTEM INPUTS & OUTPUTS V E G E TA B L E S
W AT E R C AT C H M E N T
A Q U A C U LT U R E
ELECTRICITY
COMPOST SOIL V E R M I C U LT U R E S O L D I E R F LY HARVEST CHICKENS - E G G S / P O U LT R Y BEES/HONEY ORGANIC M AT E R I A L GREEN ROOF
ABOVE | The diagram above attempts to break down the hard production program of the building. It is specifically looking at adjacencies, input\output relationships, and very loosely attempting to include areas.
LEFT | This perspective is crucial for its ability to convey to the viewer the upper level of this facility’s look, and feel. The top floor is solely for the production of food using the aquaponics method, which is suitable and appropriate for urban use.
W AT E R
MODERN AGRICULTURE CONSUMES FULLY 85% OF ALL FRESHWATER RESOURCES
THE PRODUCTION OF 1 POUND OF MAIZE ALONE REQUIRES 1,400 POUNDS OR 175 GALLONS OF WATER
= 1 LB
1,400LBS
AQUAPONICS USES 90% LESS WATER THAN CONVENTIONAL METHODS OF FARMING
19
O R A P P R O X I M A T E LY 42 BARRELS OF FOSSIL FUEL ARE NEEDED TO FEED ONE INDIVIDUAL A N N U A L LY U S I N G CONVENTIONAL METHODS OF FARMING
WORMS EAT FOOD AND HELP DECOMPOSITION. THEY ARE ALSO A STUDY FOOD SOURCE FOR FISH.
WORMS EAT FOOD SCRAPS AND FEED FISH
VEGETABLES HARVESTED
AQUAPONICS OFFERS A 90%-100% REDUCTION IN SHIPPING AND FISH ARE FED FOOD F O S(WORMS, SIL FUEL D E PPRODUCE ENDENCY SOLDIER FLIES) AND
FILTERED WATER RETURNS TO FISH TANKS
PRODUCE SCRAPS, AND AMMONIA RICH WASTE. TOO MUCH WASTE SUBSTANCE IS TOXIC FOR THE FISH BUT THEN CAN WITHSTAND HIGH LEVELS OF NITRATES
VEGETABLES ABSORBS NITRATES
SOIL
WATER IN THE SYSTEM IS FILTERED THROUGH THE GROW MEDIUM IN THE GROW BEDS. THE WATER ALSO CONTAINS ALL THE NUTRIENTS FOR THE FISH.
OXYGEN INTRODUCED INTO WATER
AQUAPONICS CYCLE
WATER CARRIES NITRATES
2
BACTERIA IS CULTURED IN THE GROW BEDS AS WELL AS 150 YEARS RIOR O N AV E R A G E H A L F THE FISH TANK THIS AMMONIA P INTO O F A LBREAKS L T O P S O I L DOWN IN M E R I C ATO HAS BEEN NITRATES ANDDATHEN NITRITES, WHICH IS THEN TRANSESTROYED WITHIN PRESENT LEVEL T H E P A PLANT S T 1 5 0 Y EBEDS ARS FERED TO THE AS FOOD FOR THEM. DUE TO LARGE SCALE FARMING
FISH EXCRETE AMONIA
ON CURRENT TRENDS THE
I T TA K E S 5 0 0 Y E A R S F O R N AT U R E T O REPLACE 1” OF TOPSOIL
2
NITROBACTER SP. CONVERTS NITRITES TO NITRATES NITROSOMONAS SP. CONVERTS AMONIA TO NITRITES
60 YEARS FROM THE PRESENT
E A R T H HTHE A S A P P RSYSTEM O X I M A T E LY OXYGEN ENTERS THROUGH AN AIR PUMP 60 YEARS OF TOPSOIL LEFT AND DURING DRY PERIODS. THIS OXYGEN IS ESSENTIAL FOR PLANT GROWTH AND FISH SURVIVAL.
1” = 500 YEARS
PLANTS TAKE IN THE CONVERTED NITRITES AS 150 YEARS NUTRIENTS. THE NUTRIENTS ARE FERTILIZER FEEDING PRIOR 60 YEARS THE PLANTS.SALSO ROOTS HELP FILTER THE O I L I S NTHE O T U PLANTS SED IN FROM AQUAPONICS THEREPRESENT WATER AS F OITR I T RETURNS THE FISH P RTANK. S W A S T E C A N TO ESENT
FISH HARVESTED
BE USED TO SUPPLEMENT DAMAGED FIELDS AND BRING THEM BACK TO PREINDUSTRIAL FARMING QUALITY AND DEPT
LEVELS
ABOVE | The aquaponics cycle is shown here, which is a completely closed-loop ecosystem production method. There is no waste that is not used or re-used in this cycle.
LAND
CURRENTLY THERE ARE 1.8 ACRES OF FARMLAND
LEFT | ThisTO exploded axonometric diagram AVAILABLE GROW 1.2 ACRES NEEDED TO FOOD FOR EACH U.S. S U S T A I N E A Cin H C Ia T I Zway, EN shows all parts of the program which OF THE U.S. CITIZEN. BY 2050, THIS allows one to TOsee between WILL DECREASE 0.6 the2 0 1interaction 2=1.8 ACRES ACRES. 1.2 ACRES IS systems, education, and public entities. REQUIRED IN ORDER TO MAINTAIN CURRENT DIETARY STANDARDS
8-10 ACRES OF FARMLAND IS NEEDED TO PRODUCE THE SAME QUANTITY OF FOOD AS 1 ACRE OF AQUAPONICS FARMING
2050=0.6 ACRES
P R E S E N T- D A Y P R A C T I C E
=
AQUAPONICS
=
NUTRITION MM CO
L ITY UN
IBR
Y AR
CE
FFI P/O
RY
D SEE
A CL
SSR
E ME
A IB R
L
W
M OO
GR T IN
LLA GA
M
OO
A CL
SSR
RY
LL GA
ONE WOULD HAVE TO EAT 8 ORANGES TODAY TO DERIVE THE SAME AMOUNT OF VITAMIN A AS OUR GRANDPARENTS WOULD HAVE GOTTEN FROM ONE.
M OO
A UR STA E R Y AR
EXPLODED AXON
20
HO KS OR
BETWEEN 1975, AND ‘97 A KUSHI INST. STUDY FOUND THAT SERIOUS NUTRIENT DEFICIENCIES HAD DEVELOPED AMONG THE 20 DIFFERENT VEGETABLE VARIETIES STUDIED DUE TO MODERN INDUSTRIAL AGRICULTURAL PRACTICES.
NT
AQUAPONICS IS ORGANIC. NATURAL FISH WASTE PROVIDES ALL THE FOOD THE PLANTS NEED. PESTICIDES WOULD BE HARMFUL TO FISH HORMONES, ANTIBIOTICS, AND OTHER FISH ADDITIVES WOULD BE HARMFUL TO THE PLANTS. THE RESUT IS EVERY BIT AS FLAVORFUL AND NUTRIENT RICH AS SOIL BASED ORGANIC PRODUCE.
-14% -21% -27% -37%
1950-60
=
-30%
2013 -
ORGANIC
+25% NUTRIENTS CONTENT
CONVENTIONAL
I T TA K E S 5 0 0 Y E A R S F O R N AT U R E T O REPLACE 1” OF TOPSOIL
1” = 500 YEARS
150 YEARS PRIOR 60 YEARS FROM PRESENT
SOIL IS NOT USED IN AQUAPONICS THEREFOR ITS WASTE CAN BE USED TO SUPPLEMENT DAMAGED FIELDS AND BRING THEM BACK TO PREINDUSTRIAL FARMING QUALITY AND DEPT
PRESENT LEVELS
LAND CURRENTLY THERE ARE 1.8 ACRES OF FARMLAND AVAILABLE TO GROW FOOD FOR EACH U.S. CITIZEN. BY 2050, THIS WILL DECREASE TO 0.6 ACRES. 1.2 ACRES IS REQUIRED IN ORDER TO MAINTAIN CURRENT DIETARY STANDARDS
8-10 ACRES OF FARMLAND IS NEEDED TO PRODUCE THE SAME QUANTITY OF FOOD AS 1 ACRE OF AQUAPONICS FARMING
1.2 ACRES NEEDED TO S U S TA I N E A C H C I T I Z E N OF THE U.S. 2012=1.8 ACRES
2050=0.6 ACRES
P R E S E N T- D A Y P R A C T I C E
=
AQUAPONICS
=
NUTRITION
BETWEEN 1975, AND ‘97 A KUSHI INST. STUDY FOUND THAT SERIOUS NUTRIENT DEFICIENCIES HAD DEVELOPED AMONG THE 20 DIFFERENT VEGETABLE VARIETIES STUDIED DUE TO MODERN INDUSTRIAL AGRICULTURAL PRACTICES.
-14% ABOVE | This diagram shows the current food deserts within the Portland-21% city limits. The dots indicate individual food sources -27% both public and private. The diagram is -30% -37% intended to show where future development is needed, and how this urban model could ONE WOULD HAVE TO be replicated in these neighborhoods to EAT 8 ORANGES TODAY TO DERIVE THE SAME alleviate hunger at a hyper local level.
AMOUNT OF VITAMIN A AS OUR GRANDPARENTS WOULD HAVE GOTTEN FROM ONE.
1950-60
=
2013 -
AQUAPONICS the IS LEFT | Beneath hanging gardens lie ORGANIC. NATURAL FISH ORGANIC public and indoor platforms, WASTE outdoor PROVIDES ALL THE FOOD PLANTS which are THE designated as flexible space NEED. PESTICIDES to WOULD be utilized BE HARMFULby TO the public. The im+25% HORMONES, ANTIBINUTRIENTS ageFISH here shows one of the platforms CONTENT OTICS, AND OTHER FISH ADDITIVES WOULD BE being used for artwork, and as a place to HARMFUL TO THE reflect and see the city beyond. PLANTS. THE RESUT IS EVERY BIT AS FLAVORFUL AND NUTRIENT RICH AS SOIL BASED ORGANIC PRODUCE.
CONVENTIONAL
REGIONAL IN THE ‘50-’60S MORE THAN 75% OF WHAT WE ATE WAS GROWN IN THE WILLAMETTE VALLEY
TODAY WE EAT BETWEEN 2% AND 5% LOCALLY GROWN FOOD IN THE WILLAMETTE VALLEY
THIS FACILITY WILL HELP CONVERT THE IMPORT BASED MARKET BACK TO A HYPER LOCAL FOOD SYSTEM. ONE WHICH INTEGRATES THE COMMUNITY INTO THE VERY FABRIC, ULTIMATELY SECURING FOOD FOR THE ENTIRE VALLEY.
21
I N TDOUTSATLR IFAOLS FSAI LR M I NEGL FU Q U A L I T Y A N D UDSEAPGTE
LAND 425 GALLONS O R A P P R O X I M A T E LY 42 BARRELS OF CURRENTLY F O S S I L THERE F U E L AARE RE N E E D EOF D FARMLAND TO FEED 1.8 ACRES O N E I NTO DIVID UAL AVAILABLE GROW A N N U A L LY U S I N G FOOD CFOR O N V EEACH N T I O NU.S. AL CITIZEN. M BY E T 2050, H O D S THIS OF WILL DECREASE F A RTO M I N0.6 G ACRES. 1.2 ACRES IS REQUIRED IN ORDER TO MAINTAIN CURRENT DIETARY STANDARDS AQUAPONICS O FFARMFERS 8-10 ACRES OF 9 0 % - 1 0 0TO % LAND IS A NEEDED R U C T I OSAME N IN PRODUCEE D THE SHIPPING AND QUANTITYFOF O SFOOD S I L F AS U E L1 ACRE OFD EAQUAPONICS PENDENCY FARMING
1.2 ACRES NEEDED TO S U S TA I N E A C H C I T I Z E N OF THE U.S. 2012=1.8 ACRES
2050=0.6 ACRES
P R E S E N T- D A Y P R A C T I C E
=
AQUAPONICS
=
SOIL
NUTRITION 150 YEARS PRIOR
O N AV E R A G E H A L F OF ALL TOP SOIL IN AMERICA HAS BEEN DESTROYED WITHIN T H E PA S T 1 5 0 Y E A R S DUE TO LARGE SCALE FARMING
PRESENT LEVEL 60 YEARS FROM THE PRESENT
ON CURRENT TRENDS THE E A R T H H A S A P P R O X I M A T E LY 60 YEARS OF TOPSOIL LEFT
I T TA K E S 5 0 0 Y E A R S F O R 1975, N A T UAND R E T‘97 O BETWEEN R E P LINST. ACE 1 ” OF A KUSHI STUDY TOPSOIL FOUND THAT SERIOUS NUTRIENT DEFICIENCIES HAD DEVELOPED AMONG THE 20 DIFFERENT VEGETABLE VARIETSOIL IS NOT USED IN AIES Q U ASTUDIED P O N I C S DUE T H E R TO EINDUSTRIAL FMODERN OR ITS WA STE CAN BE U S E D T O S U PPRACPLEAGRICULTURAL M E N T D A M ATICES. GED FIELDS AND BRING THEM BACK TO PREI NONE D U S WOULD TRIAL FA R M I NTO G HAVE Q U A8L ORANGES ITY AND D EPT EAT TODAY TO DERIVE THE SAME AMOUNT OF VITAMIN A AS OUR GRANDPARENTS WOULD HAVE GOTTEN FROM ONE.
1” = 500 YEARS -14% 150 YEARS PRIOR
-21%
60 YEARS FROM PRESENT
-27%
-30%P R E S E N T
-37%
1950-60
LEVELS
=
LAND
AQUAPONICS IS ORGANIC. NATURAL FISH WASTE PROVIDES ALL THE FOOD THE PLANTS NEED. PESTICIDES WOULD BE HARMFUL TO FISH HORMONES, ANTIBIOTICS, AND OTHER FISH ADDITIVES WOULD BE CURRENTLY THERE ARE HARMFUL TO THE 1.8 ACRES OF FARMLAND PLANTS. THE RESUT IS AVAILABLE TO GROW EVERY BIT AS FLAVORFUL FOOD FOR EACH U.S. AND NUTRIENT RICH AS CITIZEN. BY 2050, THIS SOIL BASED ORGANIC WILL DECREASE TO 0.6 PRODUCE. ACRES. 1.2 ACRES IS REQUIRED IN ORDER TO MAINTAIN CURRENT DIETARY STANDARDS
8-10 ACRES OF FARMLAND IS NEEDED TO PRODUCE THE SAME QUANTITY OF FOOD AS 1 ACRE OF AQUAPONICS FARMING
SITE PLAN
2013 -
ORGANIC
+25% NUTRIENTS CONTENT
1.2 ACRES NEEDED TO S U S TA I N E A C H C I T I Z E N OF THE U.S.
CONVENTIONAL 2012=1.8 ACRES
2050=0.6 ACRES
P R E S E N T- D A Y P R A C T I C E
REGIONAL
=
AQUAPONICS
=
IN THE ‘50-’60S MORE THAN 75% OF WHAT WE ATE WAS GROWN IN THE WILLAMETTE VALLEY
NUTRITION TODAY WE EAT BETWEEN 2% AND 5% LOCALLY GROWN FOOD IN THE WILLAMETTE VALLEY
SECTION CUT 1 BETWEEN 1975, AND ‘97 THIS FACILITY WILL HELP A KUSHI THE INST. IMPORT STUDY CONVERT FOUND THAT BACK SERIOUS BASED MARKET TO DEFICIENA NUTRIENT HYPER LOCAL FOOD CIES HAD SYSTEM. ONEDEVELOPED WHICH INAMONG THE DIFFERTEGRATES THE20COMMUENT VEGETABLE NITY INTO THEVARIETVERY IES STUDIED DUE SETO FABRIC, ULTIMATELY MODERN INDUSTRIAL CURING FOOD FOR THE AGRICULTURAL PRACENTIRE VALLEY. TICES. ONE WOULD HAVE TO EAT 8 ORANGES TODAY TO DERIVE THE SAME AMOUNT OF VITAMIN A AS OUR GRANDPARENTS WOULD HAVE GOTTEN FROM ONE.
22
-14% -21% -27% -37%
1950-60
=
FOOD SECURITY AQUAPONICS IS ORGANIC. NATURAL FISH
-30%
2013 -
BETWEEN 1975, AND ‘97 A KUSHI INST. STUDY FOUND THAT SERIOUS NUTRIENT DEFICIENCIES HAD DEVELOPED AMONG THE 20 DIFFERENT VEGETABLE VARIETIES STUDIED DUE TO MODERN INDUSTRIAL AGRICULTURAL PRACTICES. ONE WOULD HAVE TO EAT 8 ORANGES TODAY TO DERIVE THE SAME AMOUNT OF VITAMIN A AS OUR GRANDPARENTS WOULD HAVE GOTTEN FROM ONE. AQUAPONICS IS ORGANIC. NATURAL FISH WASTE PROVIDES ALL THE FOOD THE PLANTS NEED. PESTICIDES WOULD BE HARMFUL TO FISH HORMONES, ANTIBIOTICS, AND OTHER FISH ADDITIVES WOULD BE HARMFUL TO THE PLANTS. THE RESUT IS EVERY BIT AS FLAVORFUL AND NUTRIENT RICH AS SOIL BASED ORGANIC PRODUCE.
-14% -21% -27%
-30%
-37%
1950-60
=
2013 -
ORGANIC
+25% NUTRIENTS CONTENT
CONVENTIONAL
REGIONAL SECTION CUT 2 IN THE ‘50-’60S MORE THAN 75% OF WHAT WE ATE WAS GROWN IN THE WILLAMETTE VALLEY
TODAY WE EAT BETWEEN 2% AND 5% LOCALLY GROWN FOOD IN THE WILLAMETTE VALLEY
LEFT | This perspective shows the front facade from Burnside St. looking west. This THIS FACILITY WILL HELP view is important because it shows how the CONVERT THE IMPORT BASED MARKET BACK TO entire first floor is open to the public and A HYPER LOCAL FOOD SYSTEM. a ONEplace WHICH INcreates for community interaction THE COMMUat TEGRATES the ground. The more private spaces can NITY INTO THE VERY ULTIMATELY be FABRIC, seen above theSE-ground plane. The louvers, CURING FOOD FOR THE which stretch over the building, are meant to ENTIRE VALLEY. catch rain water to be stored for the aquaponics system. Below this the building begins to pull back revealing the public space within both open and protected from the elements.
FOOD SECURITY 60%
100%
60% OF CONSUMED VEGETABLES IN THE UNITED STATES ARE IMPORTED 10M
+238%
FOOD IMPORTS INCREASED 238% OVER THE PAST 10 YEARS
4.2M
2002
2012
1.5% OF THE 10 MILLION FOOD SHIPMENTS IMPORTED INTO THE UNITED STATES IS CHECKED BY THE FDA. 11% IS REJECTED 80% IS REJECTED FOR POTENTIALLY DANGEROUS VIOLATIONS INCLUDING PATHOGENS, CHEMICAL CONTAMINATION AND OTHER SANITARY VIOLATIONS
OF THE 10,000,000 FOOD IMPORTS IN AMERICA, 1,080,000 SHIPMENTS CAN BE CONSIDERED BAD, AND OF THIS TOTAL 870,000 OR ROUGHLY 9% OF ALL IMPORTED FOOD IS CONTAMINATED WITH HARMFUL CHEMICALS OR PATHOGENS
23
P ROJECT | C ATEGORY | LO CATION |
99% CITY Stu di o Eu ge n e , O re gon
TIME |
Ap ri l , 2012 - J u n e , 2012
IDEA |
Con c e pt u a l de si gn f or a n e w h ou s in g mo de l , c om m u n i t y, i n c l u si on
D E S CRIPTION |
T h i s i s a n e w w a y of l ook i n g a t a n ag e -ol d i de a w h i c h h a s be e n lo s t in m a n y pa rt s of t h e c ou n t ry d u e t o su bu rba n spra w l , a n d c orpo r a t e dy sf u n c t i on . Th e proj e c t f oc u se s o n de ve l opi n g a m i xe d u se h a l f bl o c k , wh i c h a l l ow s for t h e e vol u t i on of t h e g rou n d f l oor t o h a ppe n n a t u ra l l y f ro m resi de n t i a l t o c om m e rc i a l spa c e s a s sm a l l bu si n e ss w i t h i n t h e dow n to w n regi on of t h e c i t y be c om e s m o re v ia bl e . Th e proj e c t a l so f oc u se s o n allow i n g for a l l e c on om i c l e v e ls , afforda bi l i t y, a n d l u xu ry w i t h i n t h e sa m e h ou si n g st ru c t u re .
MEDIA | P R O FESSOR |
Ha n d S k e t c h i n g, A u t oCA D , S k e t c hUp , Phot ogra ph y, P h ot osh op, Il l u st r a t o r
1st QUINTILE
1st QUINTILE
1st QUINTILE
1st QUINTILE
1st QUINTILE
$171, 741 A NNUA L LY
$78,783 ANNUALLY
$49,956 ANNUALLY
$29,508 A N N U A L LY
Pe t e r K e ye s
RIGHT | According to the U.S. census data, the wealth of the country is broken into a five-tiered system, or economic quintile. This diagram proportionally shows the median income of each group and assigns to it a specific color, which one can follow throughout the project.
24
ABOVE | This image shows the main square, which connects the design for the new city hall with the 99% City project. This square would become part of the proposed river walk from downtown.
$11,307 A N N U A L LY
ANNUAL MEDIAN INCOME QUINTILE
FOR EUGENE
MARRIED PARENTS W/ KIDS YOUNG COUPLES UNDER 65
SENIOR COUPLES OVER 65 OTHER NON-FAMILY
22.3%
14.9%
5.1%
12.3%
OTHER FAMILY
6.7%
YOUNG SINGLE UNDER 65
SINGLE PARENT W/ KIDS
SENIOR SINGLE OVER 65
10.8%
17.3%
10.5%
HOUSEHOLD TYPE
ABOVE | This graph shows the different types of households and their respective percentage dictated by the U.S. Census. These percentages are specifically focusing on the city of Eugene and its’ household types.
6.4%
5% .3%
1.1%
.5%
4.3%
2.4%
2%
2.9%
3.1%
3.4%
1.5%
1.2%
.8% 3.1%
ABOVE | This is the view as one is heading down High Street. Over time the ground floor will convert to commercial spaces with opportunity for expansion.
.8%
1.4%
1.3%
1.8%
2.1%
3%
1% .9%
.3%
1.3%
1.5% 5%
1.3% 1.8%
1.3% ABOVE | This image shows the individual housing units, closest to the courtyard.
.6% 1.2%
4.2%
1.2%
5.3%
3.1% 1.3%
5.9% 7.8%
6.6%
INCOME QUINTILE BY TYPE
ABOVE | These graphics indicate the percentage of households within each economic quintile with respect to their household type. The percentage of each type adds up to the total percentage indicated above in Household type.
50% 30%
}
OF MEAN INCOME $85,870
$14,754 $8,852 $5,654 $3,392
$24,978 $14,987
$39,392 $23,635
ANNUAL HOUSING INCOME ALLOTMENT
$51,522
ABOVE | The figures shown in this diagram represent the average amount families, or individuals spend on housing relative to their economic security portrayed by the quintiles.
ABOVE | Walkway between up with the entry to the city hall.
buildings,
which
lines
25
A BO V E | Peo ple in t he lower q uintiles a re l i v i n g at s u bs is t en ce in c om e lev els so they a re l o o k in g fo r a place t o l ive b ased on need i n ste a d of people in t h e up p er q uintile, who w i l l b e l oo kin g for amen it ies as well as need s. T h i s a l l o w s fo r t h e u n it s t o b e d esigned in a w a y g i v es peo ple wh at t h ey need as a m inim u m . T he u pper level con dos and stud io flats w i l l h a v e a h igh er percentage of am enities fo r th e h i g h er payin g t en an t s .
40% OF ALL AMERICANS LIVE @ OR BELOW SUBSISTENCE LIVING WAGES. 20% OF THESE AMERICANS LIVE WELL BELOW THE U.S. POVERTY LINE.
26
Court Entry 1,470 sq ft
Court Entry 1,470 sq ft
Court Entry 1,470 sq ft
Loft 1,470 sq ft
Street Entry 1,186 sq ft
ABOVE | Looking down on the courtyard, not only reveals a great recreation area for children and public activity, but also how these two programs share the space maintaining a level of balance.
Street Entry 1,186 sq ft
Studio Loft 735 sq ft
Street Studio 475 sq ft HOUSING TYPE BREAKDOWN
ABOVE | Each specific unit is designed with a different user group in mind. Depending on one’s income, family type, and work related needs a unit can be specified or desired to maximize efficiency and comfort for each individual tenant or family.
200%
100% HOUSING STOCK
72%
110% 85%
121%
A BOV E | Th is sim ple dia gr a m sh ows th e i n c re a s e in h om e va lu e ve r su s th e growth in f a m ily in c ome l e v e l s . Th e im ba la n c e h a s h a d a da m a gin g e ff e c t o n t h e re side n ts in th e lowe r qu in tile br a c k e ts . These a re th e grou ps m ost a t r isk f or toxic loa n s , w h i c h u ltim a te ly le a d to de f a u lt a n d ba n k r u ptc y.
225%
105% 68%
24% >$10,000 $10-14,999 $15-24,999 $25-34,999 $35-49,999 $50-74,999 $75-99,999 $100-149,999 >$150,000
ANNUAL HOUSING INCOME ALLOTMENT
ABOVE | The housing market in Eugene indicates a large housing gap for low income and povertystricken families. The unfortunate reality is that the opposite is true for the wealthiest of society.
27
FLEXIBLE FIRST FLOOR UNITS
ABOVE | This image shows the interior courtyard balconies and the upper terraced pathway for the Studio flats.
ABOVE | The Image shows the pathway for the upper terrace residents, while also showing their private outdoor patio space. This ultimately allows for a continuous walkway without the resident losing a level of privacy from having people walk right by their front door to get to their own unit. It also could inspire community.
RIGHT | These floor plans show the versatility in the ground floor design. The corner units are flexible hybrid units, which can be adapted and used for multiple purposes - from an individual studio flat for a college student to a granny flat attached to an upper dwelling. They can convert to shop space, which can also be accessed by the adjacent units. Both the front and back units have the option of conjoining to the shop/studio flat.
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SMALL UNIT W/ LARGE SHOP
LARGE UNIT W/ LARGE SHOP
S M A L L U N I T W / G R A N N Y F L AT
S M A L L F A M I LY W / S M A L L S H O P
SMALL GROUND FLOOR STUDIO
LARGE GROUND FLOOR STUDIO
A BOV E | Th is im a ge sh ows th e bu ild i n g a s a wh ole , a n d its c on n e c tion to th e bu i l d i n g t o th e sou th , a n d a lso to th e c ity h a ll to t h e w e s t . Th e sa wtooth roof f or m wa s u se d to c o n n e c t to th e N W in du str ia l bu ildin g t y p o l o g y, wh ic h has be e n lost du e to urban re n e wa l in th e 1950’s. Th e roof f o r m a l s o a llows f or sof t n or th e r n ligh t to p e n e t r a t e in to th e u ppe r stu dio f la ts.
L E F T | Th e site pla n sh ows th e re la t i o n s h i p be twe e n a ll th e bu ildin gs, wh ic h ma k e u p th e la r ge 300’ X 300’ c ity bloc k in E u g e n e . Th e c ou r tya rd a c ts a s a c on n e c ti o n p o i n t a n d or ie n ts visitor s be twe e n a ll th e b u i l d i n g s . Th e bu ildin g la you t is on e of re p e t i t i o n , wh ic h a llows f or c h e a pe r c on str u c tio n c o s t s A t th e n or th e n d of th e site th e re is a r a mp , w h i c h le a ds to u n de r grou n d pa r k in g f or th e re s i d e n t s .
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P ROJECT | CATAGORY | LO CATION |
SCI SALEM POLICE STATION Stu di o Sa l e m , O re gon
TIME |
Se pt e m be r, 2010 - D e c e m be r, 20 1 0
IDEA |
Con c e pt u a l de si gn f or c i t y re v ie w, R e - a c t iv a t io n o f p u b lic sp a c e a n d u rba n c on n e c t i vi t y i n e x is t in g c o n t e x t
D E S CRIPTION |
As part of the Sustainable Cities Initiative, our studio was asked to design a new police station for the city of Salem. The department had a very specific program, which hinged almost entirely on access and adjacencies. These internal needs coupled with the desire to create a vibrant public space drove the design toward creating a building as a link between the city hall, council chamber, and city library. Together they would create an exciting and vibrant plaza, which ultimately reflects the ideas originally put forth by the city.
MEDIA | O UTCOME | P R O FESSOR |
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Ha n d S k e t c h i n g, S k e t c h U p, V-Ra y, I llu s t r a t o r, Ph o t o s h o p Stu di o a w a rde d NCA RB P ri ze 20 1 1 Josh Hi l t on
A BOV E | Th e S a le m Ci t y Ha l l c om ple x is a n isla n d t r a p p e d be twe e n th e n or th a nd s o u t h bou n d la n e s of H WY 9 9 . T h i s vie w of th e n e w polic e s t a t i o n sh ows th e in c re a se d de ns i f i c a t i o n a lon g th e sou th -bou n d l a n e a n d h ow it will h e lp br in g s c a l e t o th e wide a n d im pe r son a l s t re e t , wh ic h will e ve n tu a lly re la t e t o t h e propose d down town m a l l g o i n g in a c ross th e stre e t.
A BO V E | Th is is t h e in t er n a l p iazza, which the four b uild ings crea te b e tw een t h em. B y react ivating this centr al core, the connection be tw e e n t h e bu ildin g s can once again b e ob ser ved and exp er ienced . T h e u l ti m at e g o al is t o h ave the r iv er walk p ass through this centr al c o u r t, w h ich will beco me an integr al p ar t of the d owntown land scap e.
R I GHT | The inter ior of the p olice station is a re f le c tion of th e ex t erior p iaz za. It is an op en atr ium sp ac e with its progr a m lin in g the outsid e in four sep ar ate inter io r bu ildin g pie c e s. Th e atr ium allows for natur al d efused ligh t to re a c h e ve r y s ect ion of the office d ur ing all hour s of op er a tion .
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P ROJECT | C ATEGORY | LO CATION |
Stu di o Lo w e l l , O re gon
TIME |
Ap ri l , 2010 - J u n e , 2010
IDEA |
Con t e xt u a l a n d e c ol ogi c a l re spon s e t o la n d s c a p e a n d p ro g r a m at si t e .
CLIENT | D E S CRIPTION |
MEDIA | MODEL | P R O FESSOR |
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B OATHOUSE FOR DEXTER RESERVOIR
A BOV E | L ook in g sou th f rom th e e n t r y d r i v e a t th e boa th ou se . Th e str u c tu re is b u r i e d i n th e la n dsc a pe with its roof lin e s s p a n n i n g ou t f rom th e e n tr y wa lk wa y. Th is im a g e i s a c om bin a tion of m ode l site ph otos a n d P h o tosh op ove r la ys.
La n e Cou n t y row i n g c l u bs De xt e r Re se rvoi r i s h om e t o t h e Un iv e r s it y o f O re g o n ’s ro w in g club, a n d t h e O re gon A ssoc i a t i on o f R o w e r s , c o n s is t s o f a c o llec t i on of h i gh sc h ool a n d i n di vid u a l g ro u p s b ro u g h t t o g e t h e r t hrou gh t h e i r pa ssi on f or row i n g . A n e w f a c ilit y is n e e d e d t o ac c om m oda t e t h e i n c re a si n g n um b e r o f p e o p le t o t h e s p o r t and a l so t o pu t L a n e Cou n t y on t h e m a p f o r h a v in g a s t a t e - o f t he -a rt row i n g f a c i l i t y w i t h i n i t s b o rd e r s . T h i s si t e i s a n a re a u se d by bot h lo c a l w ild lif e a n d h u m a n s . T h e ba l a n c e of t h e si t e m u st be m a i n t a in e d . T h e s p a c e is b e a u t if u l in i t s n a t u ra l st a t e a n d doe s n o t n e e d m u c h t in k e r in g . Su p pre ssi n g t h e bu i l di n g i n t o t h e l a n d s c a p e a llo w s f o r a c o n n e c t io n be t w e e n t h e bu i l di n g a n d t he s it e t o t h e n o r t h . T h e v ie w s are t o t h e sou t h , a n d by ope n i n g o r f re e in g t h e re s t r a in t s o f t h e bui l di n g a s on e t ra ve l s f rom on e e n d t o t h e o t h e r w ill c o n c lu d e a c om pl e t e t ra n si t i on from n a t u re t o b u ild in g a n d t h e n b a c k t o na t u re a ga i n . Ha n d S k e t c h i n g, P h ot ogra ph y, P h o t o s h o p Ba ss w ood, Mu se u m boa rd Die go U rru t i a
C on c e ptu a l s k e t c h e s
NORTH
E L E V AT I O N
SOUTH
E L E V AT I O N
LEFT | The view looking directly toward the entrance reveals the intricacy of the roof lines, and how they play off the subtle curve in the landscape. The entrance itself is their pivoting point.
L E F T | F rom th e wa te r th e b u i l d i n g proje c ts a c le a r a n d prof ou n d i d e n t i t y wh ile still c on f or m in g to th e la n d s c a p e in a n a tu r a l a n d h olistic m a n n e r. T h e c om bin a tion ba la n c e s th e re la t i o n s h i p be twe e n th e bu ilt a n d n a tive e n v i ro n m e n t. Th e boa th ou se progr a m c a n b e c le a r ly se e n f rom th e wa te r, w i t h t h e c re w ga r a ge s a t gr a de on the w a t e r s e dge , a llowin g dire c t a c c e ss t o t h e doc k s.
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ABOVE | The site plan gives the viewer a chance to see the program in full detail, and how it is engaging with the overall site. The contours move elegantly around the water’s edge and up the property to the north. The change in topography acted as regulating lines for not only the shape of the building, but also for the main program circulation. The entry to the building is marked by a line, which acts as a division through the center of the building. This terminates twenty five feet above the water, at the main staircase to the downstairs boat storage and docks. The overall intentions of the building were to fit into the landscape in a way that has minimal impact, and strengthens the relationship between the built and natural environment. The building’s north side is buried in the landscape, and houses circulation and core program needs, while the south end of the building focuses on social program and views out over the lake.
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ABOVE | The image above shows the building from the water on the southeast side. Its intention is to show how the structure works in tandem with the surrounding landscape, while also going beyond the programmatic requirements to allow for complete interaction and engagement with the reservoir at every level and part of the building.
SECTION CUT 2
SECTION CUT 1
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P ROJECT | C ATEGORY | LO CATION |
ISTITUTO DI ROMA GLI STUDIOSI Stu di o Ro m e , It a l y
TIME |
Ju n e , 2010 - S e pt e m be r, 2010
IDEA |
Historical Context, Public Integration & interaction through design
D E S CRIPTION |
The Rome study abroad studio focused on the conversion of the Montastero Santi Quattro Coronati to an educational institution. Our initial goal of this project was to respect the existing context, while creating new spaces and experiences. We achieved this through various connections throughout the site and program. The interactions between old and new, outdoor and indoor, public and private, built and natural all work toward communicating a successful academy environment.
MEDIA |
Ha n d S k e t c h i n g, Ha n d D ra ft i n g
TEAM |
Da n i e l l e N Th i re a u l t a n d m yse l f
P R O FESSOR |
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Est h e r Ha ge n l oc h e r
ABOVE | The image of the front facade ties the contemporary building to its historical context. There is a series of glass doors, which open to the courtyard and connect to the adjacent cathedral. This reactivates and transforms it to a useful piazza where activities and events can take place.
ABOVE | Section cuts show the simplicity of the design. The buildings were meant to have an open floor plan to facilitate a range of activities, from banquets to gallery showings.
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ABOVE | In designing the north face of the building, we considered the program of the surrounding facilities. The live/work studios and the gardens are directly tied to the north facade. Garnishing the building with a lattice-like structure allows the building to become part of the landscape,softening its presence and tying it into the surrounding environment.
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ABOVE | The live/work studio is where the artist or scholar will reside and study or work. The floor plan is set up to provide the user with flexible living quarters, which will allow for activities as simple as typing to more complex situations like painting or sculpting.
LEFT | The axonometric drawing allows one to see the variability in spatial configuration. It shows the built in storage and the interior / exterior relationships within the small, yet efficient space.
BELOW | This small perspective shows the built on patio and its relationship to the altana, which is prevalent throughout the Mediterranean. This will serve the user as a place of rest, a working area or a place to entertain guests.
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P ROJECT | C ATEGORY | LO CATION |
THE PATTERN BOX
A BOV E | C on c e ptu a l re n de r in g of th e P a t t e r n Box in pla c e a s a m in te r a c tive c om ple me n t t o th e H igh lin e br idge a bove a n d th e ou t d o o r a r t wor k wh ic h is pla c e d a rou n d it.
Com pe t i t i on Ne w York , Ne w York
TIME |
Ju n e , 2011 - J u l y, 2011
IDEA |
Sim pl i c i t y, F l e xi bi l i t y f or t h e a rt s, p a r a m e t r ic s , k in e t ic s
CLIENT | D E S CRIPTION |
MEDIA | MODEL | TEAM | O UTCOME |
Anon ym ou s. D , Ma ri a n n e Boe sk y G a lle r y The competition called for an installation for the space between two galleries, below the recently renovated New York “Highline” rail park. The installation would then become an outdoor extension of the nearby galleries. Our entry was based upon creating a simple system from which many things could happen acoustically, visually, spatially, volumetrically and artistically. What developed was the “Pattern Box,” an otherwise nondescript mass of wooden members that without intervention would remain dormant, until awokened through use for art or performance. These pattern boxes may allow for as much as one can imagine them to be. Ha n d S k e t c h i n g, A u t oCA D , S k e t c h Up , V- R a y, Ph o t o g r a p h y, Phot osh op
C on c e ptu a l s k e t c h
She e t S t e e l - L a se r c u t , Ba ss Wo o d , M u s e u m B o a rd W i l l i a m F. S m i t h , Mi n h K . L e da o a n d M y s e lf Short L i st e d
steel tabs allow a delicate reveal of the interior structure while giving the impression of floating wooden members
The structural frame is braced internally allowing the wooden members visual prominence.
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standard members allows artists more creativity with their work, and allow the public an ever changing experience
PATTERN BOX
the beginning point
SHIFT
set back for sculptures and art
GATEWAY
threshold to the following room
A BOV E | A su btle , ye t provoc a tive im a ge of th e P a tte r n Box a s a n in te r a c tive s c u l p t u re , or poin t of re st.
VALLEY
a s l o w i n g o f c i r c u l at i o n , a chance for climbing
AMPHITHEATER p u b l i c s e at i n g f o r performances
WALL
a barricade, or backing for art and performance
A BOV E | S im ple im a ge of th e P a tte r n Box in its sta tic f or m be f ore be in g a c tiv a t e d . I t s u se r s a re f re e to pu sh or pu ll th e obje c t in to a n or igin a l, or pre -de sign e d f or m . BE L OW | Th e m ode l sh ows th e sim ple c om pon e n ts of th e de sign th ro u g h t h e ste e l f r a m e , a n d th e 4 X 4 in . wood th a t m a k e u p th e pa tte r n b o x . Th e de sign c on sists of sta n da rd dim e n sion 12’ lon g 4 X 4 in . lu m be r, wh ic h c a n b e re -pu r pose d f or th e f u tu re a f te r th e lif e of th e proje c t.
NOOK
a backdrop for art and performance
CANYON
a s u b v e r t i n g c i r c u l at i o n and visual perspective
NOOK
a p r i m a l g at e w ay , c o n t r o l l i n g light
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P ROJECT | C ATEGORY | LO CATION |
LOCKE-SMITH THESIS MODEL De si gn Bu i l d Eu ge n e , O re gon
TIME |
Se pt e m be r, 2012 - J a n u a ry, 2013
IDEA |
Flo a t i n g F orm , U se r In t e ra c t i on , C u r io s it y, Sim p lif ie d F o r m
D E S CRIPTION |
A c ol l e a gu e a n d I de si gn e d a n d b u ilt t h is m o d e l t o re p re s e n t o u r t h e si s proj e c t se pa ra t e l y a nd t o g e t h e r. T h e d e s ig n w a s dr i ve n by t h e i de a of m a k i n g a m o d e l w h ic h c o u ld o p e n a n d clo se l i k e dra w e rs c re a t i n g a se r ie s o f d u a l d ire c t io n a l s e c t io n cut s a l on g t h e e n t i re m ode l . We w a n t e d t o s h o w t h e t e r r a in a s a sol i d e n t i t y e l e ga n t l y su spe n d e d f re e f ro m t h e s u b s t r u c t u re be l ow t h rou gh a n i l l u si on of pe r s p e c t iv e . T h e s t r u c t u r a l s u p po rt i s t h e n re ve a l e d a s on e pu l l s a s e c t io n f ro m t h e m a s s .
MEDIA |
Ha n d S k e t c h i n g, Rh i n oc e ros, A u t o C AD, Ph o t o g r a p h y, I llu s t r a t o r, Phot osh op
MODEL | TEAM | P R O FESSOR |
ABOVE | The complexity of form conveyed in the built structures above is balanced by the simplification of parts. The horizontal Douglas Fir member, which cantilevers out from the center structure acts as the dividing plane between the two. The steel base brings the model up to the viewer and touches the ground in a way which re-inforces the identity of the floating mass above.
Tube a n d P l a t e S t e e l , Re c l a i m e d a n d n e w Do u g la s F ir W i l l i a m S m i t h , a n d m yse l f Horw a rd D a vi s
LEFT | This view reveals both, the elegance and simplicity of form. The steel plates spanning between the frame are pulled in to give the illusion of a floating mass above.
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LEFT | These images show the complete building process of the model, from construction of the frame to the final touches on the individual buildings, which reside on the top portion of the model with welding, CNC routing, laser cutting, sawing, sanding, painting, staining, drilling, and gluing every part of the model was hand crafted by Will and me. It was a learning experience in craft, attention to detail, and teamwork.
BELOW | This image sequence shows the interactive component of the model. There is a series of three section cuts, which can be pulled out via minimalist knobs at the front of each “drawer�. The section cuts allow the viewer to glimpse into the heart of each structure and then view the building as a whole, all in the same experience.
LEFT | Image allows one to see the defining parts and ideas of the model. Light reflecting off the face draws attention to the horizontality of the interactive top layer. ABOVE | Top down image sequence of the interactive pull out section cuts, which reveals the mechanical workings of the model.
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P ROJECT | C ATEGORY | LO CATION |
NORTH WEST PORTLAND SITE MODEL De si gn Bu i l d Eu ge n e , O re gon
TIME |
Se pt e m be r, 2012 - J a n u a ry, 2013
IDEA |
Flo a t i n g F orm , S u pe r S t u di o, K i t o f Pa r t s
CLIENT | D E S CRIPTION |
MEDIA | MODEL |
A BOV E | Th e tre e lin e s i n t h e birc h plywood re pre s e n t 2 ’ in c re m e n ts in th e top o g r a p h y of P or tla n d a n d ma i n t a i n s accuracy th rou gh ou t the m ode l.
T h e si s S t u di o A f e w c ol l e a gu e s a n d I t ook on t h e t a s k o f d e s ig n in g a n d b u ild ing t h e st u di o si t e m ode l for t h e e n t ire s t u d io t o u s e . We w a n t ed t o f l oa t t h e c i t y a bove a grid - lik e p a t t e r n , w h ic h lo o s e ly co n ve ys t h e t h ou gh t s pu t f ort h by Su p e r St u d io in t h e 8 0 ’s , a n d ho w t h e i de a of t h e gri d c a n n ow b e u s e d t o re p re s e n t p la c e . T h e c on st ru c t i on c on si st e d of a la s e r c u t s t e e l b a s e , a n d m u lt ip l e sh e e t s of pre sse d Ru ssi a n - B irc h p ly w o o d f o r t h e g ro u n d pla n e , w h i c h w a s t h e n CNC’ d u s in g a 3 D R h in o f ile . T h e b u ild ing s w e re c u t f rom a pi e c e of 12 ” x 2 4 ” x 4 8 ” re c la im e d d o u g la s fir. E a c h possi bl e c i t y bl oc k w h i c h c o u ld b e u s e d a s a s it e w a s de si gn e d t o pu l l ou t of t h e m ode l t o a llo w f o r t h e p la c e m e n t o f ea c h pe rson ’s i n di vi du a l proj e c t m o d e l. Ha n d S k e t c h i n g, Rh i n o, A u t oCA D, Ph o t o g r a p h y, I llu s t r a t o r, Phot osh op Russi a n Bi rc h P l yw ood - CNC Mi l le d , 0 . 1 2 5 Sh e e t St e e l - L a s e r
C on c e ptu a l s k e t c h
cut , Re c l a i m e d D ou gl a s F i r TEAM | P R O FESSOR |
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W i l l i a m F S m i t h , J e rom e J Tryon a n d m y s e lf How a rd D a vi s
BELOW | The relationship between the ground plain to the air above the model can be seen here. All pieces of the model manage to balance one another, and keep harmony.
RIGHT | On the back side of the model we ran a much cruder pass on the CNC. In order to achieve the desired surface we had to break out the angle grinder to smooth out the newly shaped contours.
RIGHT | After the CNC router completed its program we chiseled and sanded the entire model until it was smooth. This was a very long, but rewarding process.
RIGHT | This image conveys the variation of form, light, shadow, and texture of the completed site model.
A BO V E | Th e ex plo ded ax o n om etr ic m od el ab ove not only sh o w s h ow t h e model was c onstr ucted , b ut also allows o n e to see h o w t h e des ign was to let the user p lug their o w n bu i l din g model in t o t h e lar ger site m od el. While also a l l o w i n g fo r in dividu al bu ildings to b e p ulled so that the u se r c a n t ake pict u res o r o b tain views, which m ay not h a v e be en pos s ible w it h ou t the rem ov al. This axon also sh o w s h ow t h is model is a kit of p ar ts, which can b e d ec o n str u c t ed an d pu t back together like a lar ge jigsaw pu z z l e .
RIGHT | The underside of the model conveys a simplified vision or representation of the rigidity and elegance of the grid, juxtaposed with the organic form and emotion emanating from the floating mass above.
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P ROJECT | C ATEGORY | LO CATION |
STUDIO DRAFTING TABLE Design Build Veneta, Oregon
TIME |
October, 2008
IDEA |
Cra ft , A t t e n t i on t o de t a i l , P e rson a l De v e lo p m e n t
CLIENT | D E S CRIPTION |
MEDIA | MODEL |
ABOVE | Completed board with retractable legs deployed. A 48� Mayline straight edge was fitted to the board along with a large sheet of Borco as a drafting surface.
Personal Project Wh e n I st a rt e d t h e A rc h i t e c t u re p ro g r a m a t t h e Un iv e r s it y o f Ore gon I w a n t e d t o de si gn a n d b u ild m y o w n d r a f t in g t a b le . Af t e r sk e t c h i n g ou t t h e de si gn m y f a t h e r a n d I b u ilt it u s in g ma h oga n y a n d Ru ssi a n bi rc h pl yw o o d . At t h e p ly w o o d e d g e w e us e d a si m pl e t on gu e -a n d-groove jo in t , a n d a t t h e d re s s e d g e s o f t h e m a h oga n y w e u se d a m ore c o m p lic a t e d d o v e t a il jo in t . We t h e n a dde d f ol d dow n l e gs t o a llo w f o r a 1 5 d e g re e in c lin e . T h e l e gs c on ve n i e n t l y t u c k u n de r n e a t h w h e n o n e w a n t s t o la y t he t a bl e f l a t . Hand Sketching, SketchUp, Illustrator, Photography, Photoshop Mahogany Hardwood, Russian Birch Plywood, Mayline, Borco
C on c e ptu a l s k e t c h
ABOVE | This view shows the back of the drafting board with its retractable louvers, which allow for the board to either lay flat on a table or have a fifteen degree incline.
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KIT O F PART S
AS SEMBLY
RIGHT | Dovetail at corners with a slightly angled face, which extends slightly to hold pencils and other hand media.
RIGHT | Retractable legs at the back of the table allows for a 15 degree incline.
COM PLETIO N A BO V E | T h es e imag es depict the constr uction pro c e ss, fro m kit o f part s t o com p letion. The Id ea h e re i s t o co n vey h o w a re fined ap p roach can m a k e f o r a complet ely u n iqu e easy -to-b uild p rod u c t.
RI GH T | Dove ta il a t c or n e r with sm a ll dowe l protr u din g to h old re tr a c ta ble le gs in pla c e .
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education |
University of Oregon School of Architecture and Allied Arts B a c he lor of Arc hit e c t ure , 2013 NAAB a c c re dit e d progr a m Minor in Phot ogr a phy 9 a rc hit e c t ur a l st udios c omple t e d 5 st ud i o commend s Cumula t iv e G PA of 3.28
rĂŠsumĂŠ
St udy a broa d in R ome , I t a ly | 2010 Sc hola r ship a w a rde d for R ome st udy a broad R e se a rc h or ga niz e r in London, E ngla nd | 2012 N o tabl e co urs es : B uilding Const r uc t ion E nv ironme nt a l Cont rol Sy st e ms I & I I St r uc t ur a l B e ha v ior I & I I Wood a nd St e e l B uilding Sy st e ms B uilding E nc losure s, Huma n Cont e xt of Arc hit e c t ure
skills |
S o f tware R e v it Aut oCAD Ske t c hUp R hinoc e ros V- R a y Arc G I S Phot oshop I nDe sign I llust r a t or Light room O ffic e Suit e XML Code M o del i ng Q uic k Ske t c h Mode ls Sit e Mode ls Mode l B a se s Fina l Pre se nt a t ion Mode ls
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experience |
BLRB
Architects
|
Architectural
Designer
|
11/2013
-
Current
Responsibilities include SD-CA Process, Project Architect, Collaborative design with clients, Managed and maintained coordination with contractors. Responsibility for small working teams, multi-tasking.
|
Bend, OR. UGB Remand
Employment Committee Member
|
07/2014 - Current
As a UGB remand committee member I am tasked with reviewing and projecting the cities growth potential and restrictions as they relate to land and the cities estimated population for the year 2026.
2Form
Architecture
Construction
document
Architectural
| w/
Revit.
Conceptual
Internship design,
as-built
|
6/2012
measurements,
-
3/2013
collaboration,
3D modeling, renderings, product research drawing revisions,client meetings & presentations.
Rowell
Brokaw
Architects
|
Architectural
Internship
|
4/2011
-
6/2011
Completion of construction document set using AutoCAD, as built measurements, 3D modeling, product research, drawing revisions, and collaboration.
Collaborative for Inclusive Urbanism | R e se a rc h O r ga nize r | 3/2012 - 3 / 2013 London, England Digital Survey methodology, design, programing, implementation, trained and lead group of 10 in London. Trained research analysis team of 3, produced presentation materials using ArcGIS.
Design Bridge + Small Farmers Project | Proje c t Ma na ge r | 9/2010 - 9 / 2011 Leader of 8 fellow students from conceptual design to building completion. Responsible for all phases of design process, client relations, construction administration, budgeting, and zoning.
H .O .P.E .S .
19
C o n f e re nce
|
Spe a k e r
Coordina t or
|
10/2012
-
3/ 2013
Ecological Design Center Re spon si bi l i t i e s i n c l u de d a rr iv a l / d e p a r t u re , s t u d e n t / p ro f e s s o r s p o n s o r s h ip s , c o ntr acts , sc h e du l i n g, l odgi n g a n d bu dg e t in g . Als o le d p o s t le c t u re d is c u s s io n .
A rc h ite c tu r a l S tu d io Te achi ng A s s i s tant | Univ e r sit y of O re gon | 1/2011 - 4 / 2011
P a tte r n
Bo x
U n ite d
S ta te s
|
A n o n y m ous.D
Navy
|
Av ionic s
De sign
Compe t it ion
Ele c t ronic s
Te c hnic ia n
|
06/2011
|
12/2002
-
07/ 2011
-
12 / 2006
49
references
John Rowell | Rowell Brokaw Architects Pr inc ipa l, AI A (541) 485- 1003 john@ row e llbroka w.c om 1 E a st B roa dw a y, Suit e 300 E uge ne , O R 97401
Ri chard S hug ar | 2f o rm A rchi tecture Pr inc ipa l, AI A, LE E D AP (541) 342- 5777 r ic ha rd@ 2- for m.c om 121 La w re nc e St . E uge ne , O R 97401
P ro f . H o ward D av i s | U ni v ers i ty o f O reg o n ACSA, Dist inguishe d Profe ssor (541) 346- 3665 hda v is@ uore gon.e du 1206 Univ e r sit y of O re gon 321 La w re nc e Ha ll E uge ne , O R 97403
50
contact
Telephone E-mail Address
| (541) 515-4665 | lockedustin@gmail.com | 1420 Tyler St. Eugene, OR. 97402 ABOVE | This was an image I completed for a final project while attending the University. It is a view up a back alley in Lisbon, Portugal. The media used were charcoal and pencil.
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