PORTfolio D Y A H
K U R N I A
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He l l o. My name is Dyah Kur nia, I develop indescribable joy from small-minded multidisciplinar y design an d art. I’m also ver y drawn to furr y mammalian, music and nature I am a sanguine person with easy going personality that makes me work well with others. I’m willing to challenge my self to lear n something new especially in Architecture and Landscape Architecture.
“Ar ch ite ctu r e is th e m o st wonderful profession in the world. Bec ause this is a small planet, where e ve r yth in g h a s a lr e a d y b e e n disc overed, designing is still one of the grea test possible adventures”
- Re nz o P i a no -
Personal Information
CV
Name Date of Birth Nationality Residential Status Marital Status Address
: Dyah Kur nia Sekar Sari : Yog yakarta, 04 May 1988 : Indonesian : Per manent Resident : Married : 10 Lorong Ah Soo, 534051, Singapore
Language
Contact Detail dyahkur niasekarsari@gmail.com
Indonesia
English
N at iv e
Good
+65 9028 0732 https://issuu.com/dyah.kur nia/docs http s:/ / www.linked in.co m/ in/ d yah-kur niasekar-sari-06388613a/
Education
Relevant Experiences
1999
Junior High School (SMP N) 5, Yogyakarta
2006
Drafter, for POSYANIS (Yogyakarta Earthquake Recover y Center)
2002
Science Program of Senior High School (SMA N) 3, Yogyakarta
2007
2005
Department of Architecture, Gadjah Mada University, Yogyakarta, Indonesia. Graduated on Nov 2009 with 3.70 / 4.00 GPA (Cum Laude) from 144 Credit Hours
2008 2008 2008
Voluntar y work for GTZ” as Field Super visor for House Renovation after Yogyakarta Earthquake Design and Built,”Entrance Gate of Wolrd Culture Festival” at P4TK 3 Month Inter nship, at “Nawasanga Studio Architect” ,Bali. 3 Month Inter nship, at “Housing Resources Center” ,Yogyakarta
Interest furry mamals
nature
travel
photo graphy
books
food
music
2008
Working as Junior Architect at “Global Rancang Selaras” , Yogyakarta, Indonesia.
2009
Design Proposal, for “Muhammadiyah High School” Building Renovation, Yogyakarta.
2010
Working as Architectural Assistant at “Gary Fell Architecture Bureau” , Bali, Indonesia.
2012
Working as Landscape Designer at “AECOM” , Singapore.
2017
Working as Freelance Architect at “Manyar Architect”
2018
Working as Architect at “Topo Design Studio”, Singapore.
Objectives E x pandi ng m y sk ills a nd c ompeta n c y A ccel er at ed by good influenc es at th e e n v i r o n m e n t I w o r k i n O v e rcom e pr o blem by wok ing tog e th e r a s a te a m R e mappi ng ar chitec tura l ma nner th r o u g h i n te r n a ti o n a l d e si g n sta n d a r d
Skills Summary Autocad Photoshop Illustrator Corel InDesign
Microsoft Office Sketch Up Lumion Artlantis Visualizer
• • • • •
7 years experiences in architectural project and building construction Involved in tender process (including document drawing preparation) Good knowledge in detail drawings and materials Good in preliminary design and model study Coordinate design in team with various party
I con fi r m to my be s t kn ow l e dge, th e i n f o r m a t i o n d e c l a r e d i s c o r r e c t a n d t r u e a n d i h a v e n o t w i t h h e l d i n f o r m a t i o n
2005
ARCHITECT STUDENT
2009
2010- 2012
FESTIVAL ENTRANCE GATE
MADRASAH INTERNATIONAL
ISTANA NAITHON
( Wo rk w i t h G R S)
( L and s cap e Fe at u r e )
2009
2007
POSYANIS
(Arch. Pro ject - Ho sp itality)
C on s tr u c ti on D r a w i n g for V i l l a #1 and Villa #16 C on s tr u c ti on C oor di n a ti on w i th oth e r c on s u l ta n t
( Com pe t i t i on - En t r y)
D e s i gn P r opos a l
D D D r a w i n g P r e pa r a ti on Te n de r C on s tr u c ti on D r a w i n g
D e s i gn P r opos a l D D D r a w i n g P r e pa r a ti on Te n de r C on s tr u c ti on D r a w i n g
De s ig n Pr o p osal
2007
2008
GTZ
HRC
2008
Int er nship P ro g ra m at HRC (Hou si ng Resources C ent er) . Housing Assesm ent f or people l i vi ng a t Sorosut an, Yo g ya
2007
(Int er nship P rogram at Nawasanga St udio)
AUDITORIUM P4TK
HU’U BAR & VILLA
(Arc h . Pr o j e c t - Pu b l i c B u i l d i n g )
2010
2009
2008
D esi g n Pro p o sa l
Vo lu n tar y work as F ie ld S u p er visor. To p r e p ar e const ruct ion d r aw in g a nd monito r in g co nt ruct ion p r o g r e s s of GTZ b e n e ficiar ies
2009
TASPEN
( Wo rk w i t h G R S)
2010- 2011
2011- 2012
LIME VILLA
SADA RESIDENCE
( Wor k w i th G FA B )
( Com pe t i t i on - En t r y)
GONDOMANAN MEDICAL CENTER
( Wor k w i th G FA B )
(Arch. Pro ject - Ho sp itality)
(Arch. Pro ject - Ho sp itality)
( A rc h . P roj e c t - P u bl i c Bu i l di n g)
D esi g n Pro p o sa l
2009
( A r ch . P r o ject - H o s p it alit y )
Design Proposal
( Wo rk w i t h G R S)
2009
D D D ra w i ng Prep a ra t i o n Tend er C o nst ruc t i o n Sup er vi so r
D e si g n Pr o p o s al
BANGKA BELITUNG ECO PARK
(Arch. Pro ject - Ho sp itality)
ILLAM VILLA
(Arch. Pro ject - Pub lic Build ing )
2010
JOYCELLINE HOTEL
( C ol l a bor a ti on w i th K h a tu l i s ti w a )
D esi g n Pro p o sa l
2007
2006
2005
G o ve r m e n t s u b mis s i o n ( I M B ) Dr aw in g p r e p ar ati o n fo r Yo g y akar t a E ar th q u ake R e co v e r y C e n te r
2010- 2011
ADISUTJIPTO INT. AIRPORT
D esi g n Pro p o sa l
Design Proposal DD Drawing P reparat ion Const ruct ion Super visor
2006
( Wor k w i th G R S )
( A rc h . P roj e c t - P u bl i c Bu i l di n g)
(C o mp e t it io n - 2 n d P r ize )
(Arch. Pro ject - Ho sp itality)
2010
( A rc h . P roj e c t - M a st e rpl a n )
MUHAMMADIYAH SENIOR HIGH SCHOOL
SMALL ETHNIC HOUSE
( C ol l a bor a ti on w i th K h a tu l i s ti w a )
( Wor k w i th G FA B )
2011
A t t e n d i n g D e p ar tm en t o f Ar ch i t e ct u re, Ga dj a h M ad a U n i v e r s it y, Yo g yakar t a , I n don e s i a
2011- 2012
2008
2010
2011
CIBE BUILDING ITB
SURAMADU MOSQUE
( Com pe t i t i on - E ntr y)
BACHELOR OF ARCHITECTURE
G ra d ua t ed o n N o v 2 0 0 9 w i t h 3 . 7 0 / 4 . 0 0 G PA ( C um L a ud e) f ro m 1 4 4 C red i t H o urs
D esi g n Pro p o sa l
D D D r a w i n g P r e pa r a ti on C on s tr u c ti on D r a w i n g for Villa #2 and Villa #4 C on s tr u c ti on C oor di n a ti on w i th oth e r c on s u l ta n t
(Co mp etitio n - E ntr y)
D e s i gn P r opos a l
2011
( Wor k w i th G FA B ) D D D r a w i n g P r e pa r a ti on Te n de r C on s tr u c ti on D r a w i n g C on s tr u c ti on C oor di n a ti on w i th oth e r c on s u l ta n t
ASHOK NIRVAAN (Arch. Pro ject - Ho sp itality)
D e s i gn P r opos a l
2015
2012
( Wo r k w ith GFAB)
PASAR BAR U
KAMPALA VILLA
LAMBORGHINI
1 ARE HOUSE
D e s i gn P r opos a l
D e s i gn P r opos a l
(Co mp etitio n)
ROL PHASE2 - 1C
(Work wit h AECOM)
P ETER ELSEY
ROL EARLY WORK
( Wor k w i th A EC O M)
SJ 7 2014
SAWITSARI
De s ig n Proposal
D esi g n Pro p o sa l
( In t e ri or De si gn - Hospi t a l i t y)
(L and s. Desig n - Masterp lan)
2016
( Wo rk w i t h AE C OM)
(Arc h. Projec t - Pu b l i c B u i l d i n g )
AL-MARYAH
D esi g n Pro p o sa l C o nst ruc t i o n C o o rd i na t i o n w i t h o t her c o nsul t a nt
(Arc h. Projec t - H o sp i ta l i ty )
TERAS TIDAR
D e s i gn P r opos a l
D e s i gn P r opos a l
(Co mp etitio n)
2017
C o nst ruc t i o n D ra w i n g
2016
2013-2015
2015
ROL - P7
FORGOTTEN SPACE
(Work wit h AECOM)
BONSAI HOTEL
2017
SURAKARTA D e s i gn P r opos a l
2016
2013
2012
2014
DD Drawing Preparat ion Tender Const ruct ion Drawing Const ruct ion Coordinat ion wit h ot her consult ant
2015
D esi g n Pro p o sa l Sc hem a t i c D esi g n D D D ra w i ng Prep a ra t i o n Tend er
2016 (Co mp etitio n)
( La n ds. De si gn - Co mmercial)
20 1 1 -2 0 1 2
(Co mp etitio n)
2016
( La n ds. De si gn - P u bl i c Re a l m )
( L an d s. D e s ig n - P ub lic R ealm)
De s i g n P r o p o s al
2017
( Wo rk w i t h AE C O M )
2012-2014
(Wo r k w i t h G FA B)
( Com pe t i t i on )
2014-2016
(Ar ch . P r o ject - P u b lic B u ild ing )
2 012
2016
( L an d s. D e s ig n - P ub lic R ea l m )
2017
PEMALANG
(Co mp etitio n)
2017
ABC Project
YOGYAKARTA
D e s i gn P r opos a l
D e s i gn P r opos a l
(L and s. Desig n - Pub lic Realm)
(Co mp etitio n)
( Com pe t i t i on )
2014-2015
2012
2014-2016
( Wo r k wit h AECOM)
MALL BEKASI De s ign P r o p o sal DD Dr a w i n g P r e p ar a tio n
( Wo rk w i t h AE C O M )
( L and s. D es ig n - C o mme r cial)
Design Proposal Schemat ic Design DD Drawing P reparat ion Tender
De s ig n Proposal S ch e ma t ic Design
( Wo rk w i t h AE C O M )
ARCA SOUTH
( La n ds. De si gn - M a st e rpl a n )
D e s i gn P r opos a l
MEDINI
( La n ds. De si gn - M i xe d Use d)
D esi g n Pro p o sa l
2016
2016
( Wor k w i th A EC O M)
2017
COLOMBO
JID
GREEN ROOF
( Wor k w i th A EC O M) (L and s. Desig n - Masterp lan)
(JURONG I NNOVAT ON DI ST RI CT ) (L and s. Desig n - Masterp lan)
D esi g n Pro p o sa l D esi g n Pro p o sa l Sc hem a t i c D esi g n D D D ra w i ng Prep a ra t i o n Tend er
D e s i gn P r opos a l D e s i gn P r opos a l
D e s i gn P r opos a l
(Co mp etitio n)
Selected Works
02
04
ISTANA NAITHON
06
KAMPALA VILLA
ASHOK NIRVAAN
Arc hi t ec t ura l Pro j ec t - H o sp i t a l i t y
Arc hi te c tu r a l P r oj e c t - H os pi ta l i ty
A r c h i te c tu r a l P r oj e c t - H os pi ta l i ty
2010-2012
2012
2011
01
03
05
LIME VILLA
SADA RESIDENCE
Arc hi t ec t ura l Pro j ec t - H o sp i t a l i t y
ILLAM VILLA
A r c h i te c tu r a l P r oj e c t - H os pi ta l i ty
2010-2011
2011-2012
2010- 2011
A r ch ite ctu r al Project - Hospit alit y
08
10
12
PEMALANG MOSQUE
SURAKARTA MOSQUE
TERAS TIDAR
2016
2016
2017
Compet it ion
C o m p et i t i o n
C ompe ti ti on
07
09
11
FESTIVAL ENTRANCE GATE
LAMBORGHINI MONUMENT
1 ARE HOUSE
2008
2016
2017
L a nds c ap e D e si g n - Fe atu r e Gate
C o m p et i t i o n
C o mpe ti ti on
01
Lime Villa “Simple Beauty concept offer an uncompromised living spaces, blending modern architechture perfectly into its surroundings” Location Area Type Client
: : : :
Samui, Thailand 3000 sqm Residence Colin Baker
Lime comprises a collection of 16 luxury villas derived from 3 basic prototypes. Set on high, steep and densely wooded land overlooking the sunset views on the west of the popular holiday island in the gulf of Thailand. The site’s topography ensures every villa is able to maximize the views available whilst enjoying the highest standards of design, privacy and luxury.
s p ace
a m bi e n ce s
In addition to either 3, 4 or 5 bedrooms, each property also features a gym, study and extensive poolside “salas “ which increase the living spaces dramatically.
Framing the unspoiled west coast of Koh Samui view over the marine park and the 5 island in front of site from every room in the Villa (living-dining room, bedroom, master, gym, spa, and sala)
Outdoor Shower
Sunken Living Room
Unobstructed view from every room
s e qu e nce s Steep topography of the coconut palm hill side setting become guideline to placing the main body’s villa (living-dining room and pool area) and its connection with road and entrance.
Swimming pool Bedroom 3 Gym
Bedroom 4 Bedroom 5
Mini Bar
Spa
Villa Entrance
The idea is to have single line circulation from entrance through the cultivated landscape toward living area and pool. This arrangement create dramatic sequences where people can enjoy the unobstructed panoramic view while going down to villa
Roofs are, as usual designed to maximize the drama of entry with a combination of reflecting pools and planters whilst offering passive thermal cooling to help reduce the dependence on mechanical ventilation. Reflective pools Roof planter
3D
Roof planter
C on c e p t
p assi v e c ooling
Natural ventilation
Swimming Pool
Study Room
Kitchen & Bar
Pool Deck
C o m p le t e d
Reflective pools
Construction
Natural ventilation
02
Istana Naithon “Istana is prominently located on a hillside overlooking stunning Naithon Beach with spectacular uninterrupted views of beach, ocean and forested hillsides.” Location Area Type Client
: : : :
Phuket, Thailand 24 ha Residence Prime Estate
Stuated in Asia’s most exclusive resort property region on Phuket’s sunny Northwest coast. The word “Istana” is a Sanskrit term meaning “palace” and that is what we set out to build for each and every owner. The villas cascading down the sloping site, at times anchored into the hill, and at other times springing from it with audacious cantilevers. Each villa is designed to merge with the rain forest environment, becoming part of the site itself.
Is t an a Be a ch
Is t an a V ie w
Is t an a Co n c e pt
Is t an a Re a l i t y
co n ce pt
Low density planning with spectacular uninterrupted views of beach, ocean and forested hillsides Landscaping integrated to the topography of each individual villa guaranteeing abundant space and privacy Individually designed villas, ensuring a unique and exclusive feeling from each and every one. Villas that are sensitive to their surrounding environment The villas encourage outdoor living in harmony with the natural setting, They respect the environment, but are strong, beautiful pieces of architecture whose character will hold value and interest in the future.
p assi v e c ooling Passive and environmentally friendly cooling techniques, with abundant reflecting pools, garden terraces and breeze inducing pavilions. All these features facilitate outdoor tropical living and reduce energy needs. Mature trees and native vegetation are preserved wherever possible and integrated into the architecture itself.
Reflective pools
Existing Trees
2
Viabizzuno Lighting
Integrated lighting to Rain Shower
Antonio Lupi’s Closet
Antonio Lupi’s Wash Basin
Antonio Lupi’s Bath-up
Marble Stone
Andesite Stone
Rough Concrete
Polished Sandwash
Upholstery Panel
Timber Ceiling
1
Roof planter
Existing Trees Reflective pools
Reflective pools
3
Roof planter Natural ventilation
1
2
3
03
Sada Residence “soft fresh clean interiors create a sophisticated contemporary lifestyle, natural materials and texture enhanced by natural light filtered through the building� Location Area Type Client
: Bogor, Indonesia : 1200 sqm : Residence : Alvin Sada
Sada Residence is situated in the middle of luxury housing settlement surrounded by golf course. In almost 1800 sqm land area the idea is to have a privacy while the owner still enjoy the atmosphere of Bogor. The building shape create from 2 superimposed box with about 1 m overhang arround the building. the cantilever use to prevent ground floor area from weather and rain. facade of the building use screen , planter and green wall that bring depth and intrigue by layering of material to bring richness to the inner treatments.
co n ce pt Circulation
Function
Greenery
s i te
f o rm
1.
The building shape create from 2 superimposed box with about 1 m overhang arround the building. the cantilever use to prevent ground floor area from weather and rain. facade of the building use screen , planter and green wall that bring depth and intrigue by layering of material to bring richness to the inner tretments.
2.
3.
The openings in the east side have been minimized by the using of screen and wall to reduce the visual access to and from the neighbour. Service area is also located in this side of the building to buffer from the neighbour. In the south side, living room and dining room is located with the orientation to the swimming pool, in order to gain view to the river and Mt. Salak.
1 2
The west side, which is surrounded by greeneries, is dedicated to the private area, such as bedroom and AV/study room.
Back View
Front View
1
Green Wall
2
Timber Screen
C omp leted
Entrance
Living Room
Walkway
3 D
Study Room
C o n c e p t
Entrance
Planter
Guest Reception
Entrance
Walkway
Courtyard
Living Room
Swimming Pool
Lawn
Dining Room
04
Kampala Villa “The concept of this house is Garden house, where every room in this house have a view and direct access to the courtyard. ” Location Area Type Client
: : : :
Uganda, Africa 2600 sqm Residence Dragomir
This house is set on sloping site in the heart of Uganda’s capital, Kampala. in what is it premier residential areas. The client is the head of one of the region’s contractors and the house Is envisaged for his own use. In addition to the 4 suite like bedrooms, the property teaiures a large gym and spa, fully enclosed living area and cinema, kitchens and staff quarters, all grouped around a 25 m pool.
g ar de n c onc ep t From entry level we can see this house as 1 storey building so people can enjoy the beauty of the house from human eyes level. The main building blocked view from pedestrian and become barrier that create private ambience in the courtyard. The idea is to make courtyard became a center of activities in this whole house, with lawn, private garden. pool, private deck, outdoor sitting area, and barbeque. The concept of this house is Garden house, where every room in this house have a view and direct access to the courtyard. Form and Function
Main building : Living, Dining, Master Bedroom, Guest Bedroom, Main Kitchen
Upper Floor
Main Terrace to enjoy view to the inner court
Gym, Spa, Study Room, Library, BOH
Courtyard with Swimming Pool, Pool Deck, Outdoor Seating area, bbq, and Garden
Ground Floor
Front View
Image ref. - Study Room
Image ref. - Garden Seating Area
Image ref. - Master Bedroom
Image ref. - Swimming Pool
-View From Entry DrivewayKampala is often referred to the greenest city in Africa. It is also the heart of Uganda. serving as the center of commercial life and the seat of government. It is a vibrant modern metropolis with many beautiful gardens and park which provides a colorful oasis in the midst of the urban landscape.
-View From CourtyardFacade of the main building is created from a 50mm thk timber louver to create shading and depth of the house. The timber louver also provide protection from rain and direct sun. Local stone are also introduce to the facade, with random pattern and square cutting together with timber and white painting dominating the material selection to create an elegant and fresh ambience. Big screen inspired from local african pattern is placed in between living room and courtyard.
05
Illam Villa “Strong modern tropical design with the use of recycled woods and stones coupled with some metal element to give that modern accent� Location Area Type Client
: : : :
Canggu, Bali 250 sqm Residence Illam
Villa Illam is located at Batu Belig, that is in the North Seminyak area. It is a private stand alone villa, with 2 bedrooms, a private swimming pool, garden, and large open air living + dining area. The renovation project was brought with a concept to create a modern tropical house that blend with the landscape.
Existin g Master Bedroom
Master Bathroom
1
co nce pt
s u m m ar y
Provide big opening to garden, maximize natural light and ventilation
Villa Illam is located at Batu Belig, that is in the North Seminyak area. It is a private stand alone villa, with 2 bedrooms, a private swimming pool, garden, and large open air living + dining area.
Kitchen
This villa has only been recently fully renovated, it is now carries a strong modern tropical design with the use of recycled woods and stones coupled with some metal element to give that modern accent.
Open this side to inner garden 2
Use elected material such us, teak, stone, paras, glass and tile
It is also equipped with modern styled furniture, made from teak woods, that bring that overall warmth feeling to those who stay in the villa.
Living Room
3
Re-design facade and entrance
4
Enrich landscape by adding artwork, feature, lighting and vegetation arround of site to bring the ambiences of tropical building
Feature Wall
Dining Room
Inner Garden
Planter Signage
C omp leted
Kitchen
Plan Living Room
Master Bedroom
Dining Room
Bathroom
Master Bedroom
Swimming Pool & Inner Garden
Living Room
Entrance
Section
Inner Garden
Master Bathroom
06
Ashok Nirvaan “Truly enchanting and magically alluring, Ashok Nirvaan Villa remains so close and yet so desirable� Location Area Type Client
: : : :
Lonavala, India 18 Ha Residence Peninsula Land
Ashok Nirvaan is a development of 51 private villas in Lonavala, a former hill station and now a town located roughly half way between the states two major urban centres of Mumbai and Pune. Thoughtfully planned with abundant space and exclusive privacy. The Villa layouts are designed meticulously to ensure all copious villas open to views of surrounding landscapes. Modern contemporary architecture incorporating private pool and Jacuzzi - an open airy design ensures you and your family feels pampered.
s p a ce All the villas offer 4 bedrooms but are set on sites varying from 600 to 1500 square metres. As expected from a site with such complex topography, the project features several different designs of each villa type (total 11 different models) each conceived to follow the topography of the individual site.
Plan - Upper
Plan - Ground
Plan - Basement
Master Ensuite Bedroom Bedroom
B.O.H Family room
Living & Dining
Deck Living & Dining
Home Theater
Home Theater
Section 1 0
100
500m
Kitchen
Section 2
f or m The buildings share a common language of detail and the pitched roofs, a pre-requisite of the developer since the neighbouring development by Tata Housing has a flat roof design and it was important to them to differentiate the two projects.
Master Bedroom
A1 Type - Villa
Massing Study
3D sketch up
Rendered view
Living Room
B1 Type - Villa
Bar
Entrance Feature
Screen Detail
Road Detail
C3 Type - Villa
07
Festival Entrance Gate “ Bentar gate was a form of javanesse traditional entry gate made from two separated identical object sandwiching an entry point” Location Area Type Client
: : : :
Sleman, DIY 12 m height Landscape Feature PPPPTK
Bamboo was the decoration theme of the International art festival held by “P4TK Seni dan Budaya” in July 2008. It was meant to represent the sense of locality. This concept also adopted in the design, in the use of bamboo as the gate’s main material.
b ac kdro p co nce pt
The shape of two identical objects sandwiching an entry point was adopted from the form of “bentar gate� in indonesia. Bentar gate was a form of javanesse traditional entry gate made from two separated identical object sandwiching an entry point. Unlike the traditional form of bentar gate, the curvy shape of the symmetrical object was made to show dynamism, artistry, festivity and playfulness, representing the art festival that was going on inside. The unconventional shape of the gate also meant to act as an attraction for people around to come and join in.
Model Study
Detail Design
Knock down system applied to meet the tight deadline at that time. The structure system was designed to minimize as much construction time as possible, it was pre-assembled before being set up on its site. The join was made by iron pipe that connect 2 or more bamboo stick. The construction on site took only 2 day. The application of knock down system in the gate’s construction, so the structure can be rebuilt and demolish whenever needed. The iron join are permanent , yet can be recycled when not used anymore, and the bamboo stick can be renew anytime needed.
Construction
r e bui l t and recy c le
Bamboo as main body
Steel as joint
Rubble stone as base
Bamboo was the decoration theme of the International art festival held by “P4TK Seni dan Budaya” in July 2008. It was meant to represent the sense of locality. This concept also adopted in the design, in the use of bamboo as the gate’s main material. Bamboo is suitable for numerous end products/purposes because of The strength of the culms, their straightness, smoothness, lightness combined with hardness and greater hollowness; the facility and regularity with which they can be split; the different sizes, various lengths and thickness of their joints.
C o m p le t e d
mater ial c onc ep t
08
Pemalang Mosque “design as a solution from each condidered aspect” Location Area Type Client
: : : :
Pemalang, Indonesia 2142 sqm Competition Pemalang City Council
Pemalang Regency is a regency on the north coast of Central Java province in Indonesia. The regency is bordered by the Java Sea in the north. On Fiscal Year 2016 Pemalang District Government through the Public Works Department were carried out the Design Contest for their Great Mosque. The idea of Pemalang’s Great Mosque Design Contest itself is based on the concept of “prospered the mosque”.
LOCAL CONTEXT
S PA C E R E Q U I REMEN T
LOW ENERGY
PEDESTRIAN ACCESS
G R E E N E R Y & P U B L I C S PA C E
N AT U R A L V E N T I L AT I O N E N V I R O M E N TA L I N T E R P R E TAT I O N
GREEN BUILDING
ISLAMIC ARCHITECTURE CONCEPT
NATURAL LIGHTING
MODERN ARCHITECTURE
KABAH ORIANTATION
ACCESSIBILITY
ZONING : FUNCTION
fo rm
circu lat ion
1
2
Cater the area need as per tha program requirement
4
Room
Area (m2) 1750 350 150 70 18 16 16 250 16 200 60 50 15 25
Total
2986
15 M&E 16 Carpark 17 Motorcycle parking Total (With M&E and parking)
150 225 81
3442
Shaped the building according to the site conditions 5
Zoning: Public, semi-public and praying area Main Praying Area Woman Praying Area Terraced (Praying room extention) Ablution & Toilet Locker Mosque Office IRMA Office Multipurpose Hall TPQ Office TPQ Study Room Library Mini Studio (Radio & Multimedia) Medical room Storage
23.7o
3442 m2
p r o gr a m require men t
1 2 3 4 5 6 7 8 9 10 11 12 13 14
3
Adjust the orientation of the building in direction of qibla. (23.7 o from west)
Main Road Circulation
6
The necessity of having a balanced relationship with The Divine and also fellow human beings
This concept is applied to vertical zoning of the building
Access to building and internal circulation
4
5 towers added to represent 5 point of the pillars of islam. the tower is arranged to form calligraphy silhoutte of Allah. Tower arrangement to match with surrounding context
in
Ra
er at W
Exterior
Rain Garden
Rain Water Harvesting System
irrigation
irrigation
Rain Garden
Water tank
Shade
Shade
Shade
Exterior
Natural lighting & Ventilation
Siteplan
Interior - Praying Room
09
Lamborghini “Gravity defying design”
Location Area Type Client
: Sant’Agata Bolognese : 1150 sqm (2 roundabout) : Competition : Automobili Lamborghini
It is difficult to predict the future. Especially in our ever-changing world, our vision of the future is merely a prognostication. What lies beyond tomorrow stays as a mystery everyday but that doesn’t stop human beings from seeking to peer past the horizon.
d efy i ng gravit y
Throughout our history, each era of advancement technology is hallmarked by the progression of transportation — from steam engine to internal combustion, jet propulsion, space travel and so on. This is why flying cars and self-drive taxis remain a staple in our science fiction narratives.This idea is further translated as the main idea of the monument.
Continuum Both of the monuments are formed by an imaginary inverted arc that spreading accross Museo Lamborghini from boulevard 1 to boulevard 2. These imaginary arcs represent the monuments as one unified structure and as a symbol of bridge between our future and our present. The existence of the monuments compared to its vast plain surrounding, incorporates the ambivalent concept into each of the mass. The monument is designed to evoke ones perception of calm and motion, and also dissolution and density. Both are the representation of the esteemed history of Lamborghini’s masterpieces and the limitless future of Lamborghini.
Progression Taking cue from Lamborghini typography , the spirit of progression is embodied in the design through the warped mass of the monument while retaining the iconic shield form that has been the identity of Lamborghini. Purity Our proposal is set to bond complex elements together, build the pure elegance of one. The monuments utilizes Voronoi diagrams to model a number of different architecture structures, facets and cells into one mass. This represents the various bodies that contribute to the great business of Lamborghini. Purity in the form of the mass design also forces the intended impression into the user’s emotion, imprinting the image upcoming presence of the Automobili Lamborghini.
Roundabout 2
The design proposal of the two monuments allows the illusion of a structure that floats mid-air. This concept breaks not only the laws of physics but also our belief in the norm. The underlining idea is that one-day the force of gravity could be overcome. Just like in our science fiction narratives.
f o rm Roundabout 1
Siteplan
Roundabout 2
Corporate identity - inspired
Extrude + Levitate
Bend to oriented toward main axis
Voronoi system as structural element as well as monument’s skin
Roundabout 1
Final Form
Diagram Section
75mm Dia Stainless Steel Round Bar with Corrosion Resistant Coating Bracket Fixing to Manufacturer Detail Steel Beam with Powder Coated Finish
Steel Beam with Powder Coated Finish Outer Skin 10mm Thk Fiber Glass Moulded Black Color, Glossy Paint Finish 75mm Dia Stainless Steel Round Bar with Corrosion Resistant Coating
Outer Skin 10mm Thk Fiber Glass Moulded Black Color, Glossy Paint Finish Inner Skin 10mm Thk Fiber Glass Moulded Gold Color, Glossy Paint Finish 75mm Dia Stainless Steel Round Bar with Corrosion Resistant Coating Concrete Base Steel Planter Box with Grass & Low Shrubs
Section
10
Surakarta Mosque “The circle shape is represent the circle of life, as a reminder that everything have its begining and an end� Location Area Type Client
: : : :
Surakarta, Indonesia 15,000 sqm Competition Surakarta City Council
Wayang kulit is a traditional puppet-shadow play found in the culture of Java, Bali, and Lombok, Indonesia. In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut-oil (or electric) light. The Dalang (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. Kayon is an important requisite in the wayang kulit (Javanese shadow puppet) theatre. Kayon or also called gunungan is a representation of the ancient Tree motif.
Siteplan
Extrude
Re-shaped
slam
Facing Qiblat
Building Facade transformation
lingku
ngan
e t riy adi
jalan
jln. bh
ayangk ar
a
Kayon is an important requisite in the wayang kulit (Javanese shadow puppet) theatre. Kayon or also called gunungan is a representation of the ancient Tree motif. the meaning of it’s shape is that Allah is the almighty. This Kayon formation we further transformed by multipled it 33 times as a representation of praise of Allah in dzikir. The Kayon formation are then arranged in a circle form. This interwoven arrangement is expected to represant a relationship in between fellow human beings. Tampah is commonly used as a kitchen tool in java. Primarily to seperate the grain to get the best result for cooking.
useum
Kayon & Tampah
f or m the circle shape of tampah, is tranformed as a base of the mosque. The circle shape is represent the circle of life, as a reminder that everything have its begining and an end. a symbol of life in this world and hereafter. Human nature is originated from God and will return again to God.
jln keban
jln. m
c o ncept
gkitan na
sional
main Access
Vehicular Circulation
Source: “https://www.flickr.com/photos/hartanto_photography/8637332012”
Pedestrian Circulation
Qiblat Direction
Ground Floor
m at erial con cep t
Perforated Metal Roof
Green Roof
Brick Wall
Upper Floor
Aerial View
Ground Floor
Pavilion
Kayon
Basement Access
Indoor Paving
Aerial View
Main Praying Area
Koi Pond
Outdoor Paving
11
1 Are House “The young creative and independent Bali family can be an example for the young generation of Bali in the future. In the hope to build Bali as a modern province, creative and embracing culture.� Location Area Type Client
: : : :
Denpasar, Bali, Indonesia 100 sqm / 1 Are Competition Indonesian Young Architect
House to accommodate the primary functions as a home, as well as additional functions as small food stalls and hostel. The Typology of Bale Sakutus (8 pillars Bali House) adopted as the morphological architectural transformation. Our design is influenced by Balinese philosophy. The use of used wood materials, local materials, the application of cross ventilation, and the provision of green open space are implemented to design an environmentally friendly and sustainable.
Concept The Typology of Bale Sakutus (8 pillars Bali House) adopted as the morphological transformation base of Balinese architecture into our design. Based on building functions typology, Bale Sakutus is used as Paturon (bedroom). With that in mind we want the house to be function as a place to comeback and a place to rest, aside its secondary function.
pl a ce mak ing Our design is influenced by Balinese architecture philosophy below: •
Tri Hata Karana - the concept of harmony and balance consists of three elements. We introduce a natural lighting concept, cross ventilation, and bringing in green space into the building, and sustainability concept to create a balance and harmony between the human world and the spiritual world.
•
Tri Mandala – rules of space division and zoning. We propose a vertical zoning as the embodiment of the philosophy of space and zoning division Balinese architecture.
•
Sanga Mandala – also a set of rules of space division and zoning based on directions. The origin layout of the spaces were interpreted into horizontally or vertically zoning function.
•
Tri Angga & Tri Loka - the conception of hierarchy from microcosm, middle realm, and macrocosm. We interpreted it into a hierarchy zone of public, semi-public, and private.
•
Asta Kosala Kosali – 8 guidelines of architectural designs regarding symbols, shrines, stages, and measurement units. We interpreted it into building proportion balance, and open green spaces layout, and the small shrine location.
•
Arga Segara – sacred axis between mountain and sea. The axis of mountains in the North and sea at the South use as an opportunity to design cross micro ventilation of house.
The use of used wood materials, local materials, the application of cross ventilation, and the provision of green open space are implemented to design an environmentally friendly and sustainable architecture building.
12
Teras Tidar “With a vision of research-based University in developing science, technology, art, and entrepreneurship, UNTIDAR rectorate building development will be able to compete with other universities in Indonesia.� Location Area Type Client
: Magelang, Indonesia : 43,850 sqm : Competition : Tidar University
The existing conditions around the site currently is a rice field with a fairly high contour difference. To respond to this condition, the building massing is arranged to resamble teracing concept in agriculture. A terrace is a piece of sloped plane that has been cut into a series of successively receding flat surfaces or platforms, which resemble steps, for the purposes of more effective farming.
s i te l o c at ion
Wind Direction
vi s i o n & s tra te g i e s
The building also adopt the university vision to protect, Open and transparent. 1.
3. Secang
Sun Position Magelang Utara
1
2
Summer Solstice JUNI
Magelang Tengah
Tegalrejo Magelang Selatan
On summer solstice the sun reaches the furthest position in the northern sky
Equinox MARCH - SEPTEMBER
ROAD NETWORKS Primary Road Secondary Road Collector street Collector street
In the Equinox the sun reaches the highest position directly above the head
Winter Solstice DECEMBER On Winter solstice the sun reaches the furthest position in the southern sky
rektor
P RI V ATE
w a k i l rektor u
p
t
u
p
t
meeting room
SEMI-PUBLIC
lpmpp a
u
l
a r s i p
a b
u
bakpk a
P UBLI C
u
l
a
parkir+M&E
k c s
c o r e
urw
Mertoyudan
Ke Yogyakarta
ore jo
Candimulyo
Ke P
Site UNTIDAR
Bandongan
Ke Se maran g
2.
The Rectorate has the duty to protect the entire academic community in UNTIDAR. This vision is then transformed into a shelter-shaped building, as a protective emblem. The Rectorate is open to all UNTIDAR academic community and also creates closeness between rector and students. In addition, the rectorate is also open minded towards criticism and constructive suggestions for the development of UNTIDAR.This vision is transformed into a building’s mass placement, consisting of two masses that separated by open spaces. This open space visually become connections between the inner and outer space of the building. Rectorate as campus head and protector expected to be transparent and accountable in all governance and procedure of administration. So that all the academic community can monitor the policy and activities of the rectorate. This vision is transformed into a building that is lifted from the ground, thus creating an open plaza area for all academicians. 3
Thank you! d y a h k u r n i a s e k a r s a r i @ g m a i l . c o m + 6 5
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