Danyu Zeng architecture portfolio

Page 1

PORTFOLIO Danyu Zeng Selected Works 2013-2016


OUTLINE

CONTENTS

Split House Adaptation is a recurring theme in everyday life: plants adapt to the nature in terms of temperature and humidity; humans adapt to their indeginous culture by inheriting traditional behavior; architecture also needs to adapt to its surrounding environment.

Photographer's Villa Design, Guangzhou, China

Romantic Verticality Infrastructure Revolution Architectural Design, Beijing, China

Kahn has said: " It is the role of design to adjust to the circumstantial." In its physical presence, architectural adaptation is the connection between the built-environment and the natural landscape – it interrelates different groups of specific users, regardless of the users being plants, animals or exhibits. Conceptually, architectural adaptation connects time and space – bridging the past and future as well as making the pre-programmed functions permeable. Adaptation creates a visual and perceptual continuity. In this so-called flowing space, function is no longer constrained by traditional boundaries such as walls or floors so that people are able to surpass the limit of boundaries, forgetting that they are standing in a physical concrete box or frame.

Unexpected Contradiction Architecture for Lion and Zebra, Beijing, China

Folding Stage Fashion Design College Complex Architectural Design, Manhattan, New York

Nomadic Community Design Resilient for Vulnerable Community, Valenzuela, Philippines

Adaptive architecture should be sensitive to all habitants of our planet, both the nature and the urban environment. With the impact of rapid urbanization, it becomes an emergency to create environmentally sensitive designs that respond to the natural surroundings and the Culture of Congestion in metropolis.

Complementary Works Architectural Designs, Fine Art, Fashion Design, Photography


OUTLINE

CONTENTS

Split House Adaptation is a recurring theme in everyday life: plants adapt to the nature in terms of temperature and humidity; humans adapt to their indeginous culture by inheriting traditional behavior; architecture also needs to adapt to its surrounding environment.

Photographer's Villa Design, Guangzhou, China

Romantic Verticality Infrastructure Revolution Architectural Design, Beijing, China

Kahn has said: " It is the role of design to adjust to the circumstantial." In its physical presence, architectural adaptation is the connection between the built-environment and the natural landscape – it interrelates different groups of specific users, regardless of the users being plants, animals or exhibits. Conceptually, architectural adaptation connects time and space – bridging the past and future as well as making the pre-programmed functions permeable. Adaptation creates a visual and perceptual continuity. In this so-called flowing space, function is no longer constrained by traditional boundaries such as walls or floors so that people are able to surpass the limit of boundaries, forgetting that they are standing in a physical concrete box or frame.

Unexpected Contradiction Architecture for Lion and Zebra, Beijing, China

Folding Stage Fashion Design College Complex Architectural Design, Manhattan, New York

Nomadic Community Design Resilient for Vulnerable Community, Valenzuela, Philippines

Adaptive architecture should be sensitive to all habitants of our planet, both the nature and the urban environment. With the impact of rapid urbanization, it becomes an emergency to create environmentally sensitive designs that respond to the natural surroundings and the Culture of Congestion in metropolis.

Complementary Works Architectural Designs, Fine Art, Fashion Design, Photography


SPLIT HOUSE PHOTOGRAPHER'S VILLA DESIGN

2013 November - 2014 January Site: Guangzhou, China Tutor: Ping Su Solo work The 3rd Award of Peng Jiwen Scholarship

Functionalism has split the space completely for various use to make sure the schism will not interfere with the other activities that take place in the same house. Lead by a main Grid system, the project was injected an oblique line to activate the regular space. Split by the art gallary in the oblique line system, the house has two separated parts - living and working space. Both parts are connected by another corridor with balconies in the straight-line system, while each half has its own stairs. The overlapping part of the two system weakens the sense of spatial depth; nevertheless, it is also a reminder – the space is now switching to another function.


SPLIT HOUSE PHOTOGRAPHER'S VILLA DESIGN

2013 November - 2014 January Site: Guangzhou, China Tutor: Ping Su Solo work The 3rd Award of Peng Jiwen Scholarship

Functionalism has split the space completely for various use to make sure the schism will not interfere with the other activities that take place in the same house. Lead by a main Grid system, the project was injected an oblique line to activate the regular space. Split by the art gallary in the oblique line system, the house has two separated parts - living and working space. Both parts are connected by another corridor with balconies in the straight-line system, while each half has its own stairs. The overlapping part of the two system weakens the sense of spatial depth; nevertheless, it is also a reminder – the space is now switching to another function.


art gallary

partition walls

indoor courtyard

connection of entrance and living room

dependent stairs for living and working space

dependent stairs for living and working space

Planar, Axonometric and Sectional Logic


art gallary

partition walls

indoor courtyard

connection of entrance and living room

dependent stairs for living and working space

dependent stairs for living and working space

Planar, Axonometric and Sectional Logic


entrance +2.700

1-1 Section - Working & Living Space The brige on the second floor penetrates the walls in the oblique system and connect the office and the bedroom. The photographer get up in the morning, after enjoying a cup of capuccino, he then go through the corridor to start working.

Second Floor Plan 1

2

entrance 0.000

1

2-2 Section - Courtyard & Photo Studio Work is intensive and busy; life is cozy and carefree. The nature is the nearest space of no intendtion. Introducing a courtyard inside the house can help the photographer ease his or her mind.

2

First Floor Plan

2m


entrance +2.700

1-1 Section - Working & Living Space The brige on the second floor penetrates the walls in the oblique system and connect the office and the bedroom. The photographer get up in the morning, after enjoying a cup of capuccino, he then go through the corridor to start working.

Second Floor Plan 1

2

entrance 0.000

1

2-2 Section - Courtyard & Photo Studio Work is intensive and busy; life is cozy and carefree. The nature is the nearest space of no intendtion. Introducing a courtyard inside the house can help the photographer ease his or her mind.

2

First Floor Plan

2m


glass ceiling

9:00 AM

art gallary 8:00 AM 8:00 AM get up and enjoy breakfast

9:00 AM client comes to meet the photographer

9:00 AM - 4:00 PM work in photo studio

living space bedrooms 4:30 PM

second floor

12:00 AM have a simple lunch and get back to work

4:30 PM have a rest on the balcony

6:00 PM the whole family have dinner together

12:00 AM 6:00 PM

first floor 9:00 AM - 4:00 PM

7:00 PM sit on the leather sofa to take a break after dinner

8:30 PM work place photo studio & office

8:30 PM work out in the gym

8:30 PM beautify photographs


glass ceiling

9:00 AM

art gallary 8:00 AM 8:00 AM get up and enjoy breakfast

9:00 AM client comes to meet the photographer

9:00 AM - 4:00 PM work in photo studio

living space bedrooms 4:30 PM

second floor

12:00 AM have a simple lunch and get back to work

4:30 PM have a rest on the balcony

6:00 PM the whole family have dinner together

12:00 AM 6:00 PM

first floor 9:00 AM - 4:00 PM

7:00 PM sit on the leather sofa to take a break after dinner

8:30 PM work place photo studio & office

8:30 PM work out in the gym

8:30 PM beautify photographs


äş­ [ CHINESE PAVILION ]

ROMANTIC VERTICALITY

Site: Houhai, West City District, Beijing, China 2014 Autumn September - October Solo Work

In comparisons with the phenomenological arguments on space and place by Husserl and Heidegger, the construction of thinking on garden architecture with Chinese philosophy is further clarified. The pavilion intends to provide a place of viewing the world, instead of that of being viewed. It gathers people and space around, as well as retains the time of life as a stop. The meanings of emptiness derived from Zhuangzi philosophy is projected into the narrative of pavilion, which caused its transformation from a "ready-to-hand" to superfluous thing. The statement results its being an independent thing along with the "useless" person herein. A world established by the vacant pavilion comes into presence along with its subjectivity- people inside, who inhabits here as a permanent guest. The design shows cultural sensitivity and expression of a historic site in Beijing. The narrative space in Chinese is characterized by its serene peacefulness among urban chaos. By re-purposing a public restroom into a pavilion, the design provides a place of viewing the cultural heritage of Beijing. It changes the city's skyline quietly but chronically, proving its value and existence in a modest way. The structure continues to grow with an increasing number of bricks made by polluted dusts from Beijing's air pollution.


äş­ [ CHINESE PAVILION ]

ROMANTIC VERTICALITY

Site: Houhai, West City District, Beijing, China 2014 Autumn September - October Solo Work

In comparisons with the phenomenological arguments on space and place by Husserl and Heidegger, the construction of thinking on garden architecture with Chinese philosophy is further clarified. The pavilion intends to provide a place of viewing the world, instead of that of being viewed. It gathers people and space around, as well as retains the time of life as a stop. The meanings of emptiness derived from Zhuangzi philosophy is projected into the narrative of pavilion, which caused its transformation from a "ready-to-hand" to superfluous thing. The statement results its being an independent thing along with the "useless" person herein. A world established by the vacant pavilion comes into presence along with its subjectivity- people inside, who inhabits here as a permanent guest. The design shows cultural sensitivity and expression of a historic site in Beijing. The narrative space in Chinese is characterized by its serene peacefulness among urban chaos. By re-purposing a public restroom into a pavilion, the design provides a place of viewing the cultural heritage of Beijing. It changes the city's skyline quietly but chronically, proving its value and existence in a modest way. The structure continues to grow with an increasing number of bricks made by polluted dusts from Beijing's air pollution.


49.500

28.000

9.600 5.600 2.700

The pavilion is a little higher than Hutong buildings.

The pavilion seems floating in this distance.

The pavilion becomes invisible.

49.500

28.000 18.300 12.600 5.600 2.700

People can see the pavilion floating but in a rather closed distance.

When people can only see the top of the pavilion, It seems like it is part of hutong buildings.

The pavilion becomes invisible.

Visotors to the Drum Tower can see the whole pavilion but it is not high enough to have a direct eye contact horizontally.

49.500

33.500 28.300 21.300 12.600 5.600 2.700

People in the pavilion can have eye contacts with the ones who standing on the top of the Drum Tower.

Walking in Hutongs, People can see the pavilion floating in the sky. The traditional shops in Hutongs present their commodities in the pavilion, which may attract tourists to visit hutongs.

In this distance, people can only see the top of the pavilion. It seems like it is part of hutong buildings.

The Drum Tower is an icon in this area, a place of interest which have attracted most tourists to come and visit the site.

Respond to Historic Area As Height Growing Walking in the Hutongs, people obtain the sense of direction by observing the Drum Tower and the Pavilion. Their perceptions of the pavilion are constantly varying according to different positions in the Hutong.

Building Upon Everyday Life Hutongs, which reflect the culture of grassroots Beijingers, are considered an icon of Beijing Culture. The hutongs are residential neighborhoods which still form the heart of Old Beijing, gathering local foods, handmade gadgets and antique shops. Shichahai Area, located to the northwest of the Forbidden City, is renowned for riverbank park, Drum Tower and Bell Tower, attracting tourists from all over the world. A vertical infrastructure can provide public space for tourists and residents to communicate with each other and view the tangible culture heritage of Beijing – river, tower and Hutongs.


49.500

28.000

9.600 5.600 2.700

The pavilion is a little higher than Hutong buildings.

The pavilion seems floating in this distance.

The pavilion becomes invisible.

49.500

28.000 18.300 12.600 5.600 2.700

People can see the pavilion floating but in a rather closed distance.

When people can only see the top of the pavilion, It seems like it is part of hutong buildings.

The pavilion becomes invisible.

Visotors to the Drum Tower can see the whole pavilion but it is not high enough to have a direct eye contact horizontally.

49.500

33.500 28.300 21.300 12.600 5.600 2.700

People in the pavilion can have eye contacts with the ones who standing on the top of the Drum Tower.

Walking in Hutongs, People can see the pavilion floating in the sky. The traditional shops in Hutongs present their commodities in the pavilion, which may attract tourists to visit hutongs.

In this distance, people can only see the top of the pavilion. It seems like it is part of hutong buildings.

The Drum Tower is an icon in this area, a place of interest which have attracted most tourists to come and visit the site.

Respond to Historic Area As Height Growing Walking in the Hutongs, people obtain the sense of direction by observing the Drum Tower and the Pavilion. Their perceptions of the pavilion are constantly varying according to different positions in the Hutong.

Building Upon Everyday Life Hutongs, which reflect the culture of grassroots Beijingers, are considered an icon of Beijing Culture. The hutongs are residential neighborhoods which still form the heart of Old Beijing, gathering local foods, handmade gadgets and antique shops. Shichahai Area, located to the northwest of the Forbidden City, is renowned for riverbank park, Drum Tower and Bell Tower, attracting tourists from all over the world. A vertical infrastructure can provide public space for tourists and residents to communicate with each other and view the tangible culture heritage of Beijing – river, tower and Hutongs.


Meditation Rooms

00

39.0

00

34.5

00

Public Space

31.3

00

29.3

00

26.3

00

22.3

00

20.3

00

Grid Exhibition

14.6

00

12.6

nd

he E 06 T

0

8.60

0

5.60

ish

- Fin

0 3.60

g br

mo 04 S

i

g atin

0

ricks

og b

sm out

th

n wi

o avili 03 P

n le ca eop p d n ce a urfa he s t e g han 02 C

roof the n o walk

These bricks as performance art itself are accumulating on the pavilion.

Artist turns toxic fumes into a brick after collecting dust from Beijing's polluted air.

t Toile

o

d op

uil 01 B

sisti n ex

bilc

Pu ing-

uild

ng b

When this architecture finished, it may be the end of the world. We may hope that the construction work will never be finished.

As one getting higher, the space is getting more private. At this moment, a world established by the vacant pavilion comes into presence along with its subjectivity- people inside, who inhabits here as a permanent guest.

0.00

mul

ccu cks a

View from Meditation Rooms

Public Toilet

e utur 05 F

ork ed w

ast 00 P

Phasing - Unfinished Work as Art Performance Itself Adding floors upon the public lavatory is a revolution for existing infrastructure; accumulating bricks that are made of toxic fumes is a performance art which aims to raise people's awareness to protect our environment. Using these bricks as walls and handrails, we never know when the construction work will finish but we hope it will maintain unfinished because the more bricks we make, the more devastated environment we have.

View opposite Meditation Rooms Coming out of the meditation rooms, one can see directly into the Drum Tower. Speak to it, speak to Chinese culture, speak to the whole world.


Meditation Rooms

00

39.0

00

34.5

00

Public Space

31.3

00

29.3

00

26.3

00

22.3

00

20.3

00

Grid Exhibition

14.6

00

12.6

nd

he E 06 T

0

8.60

0

5.60

ish

- Fin

0 3.60

g br

mo 04 S

i

g atin

0

ricks

og b

sm out

th

n wi

o avili 03 P

n le ca eop p d n ce a urfa he s t e g han 02 C

roof the n o walk

These bricks as performance art itself are accumulating on the pavilion.

Artist turns toxic fumes into a brick after collecting dust from Beijing's polluted air.

t Toile

o

d op

uil 01 B

sisti n ex

bilc

Pu ing-

uild

ng b

When this architecture finished, it may be the end of the world. We may hope that the construction work will never be finished.

As one getting higher, the space is getting more private. At this moment, a world established by the vacant pavilion comes into presence along with its subjectivity- people inside, who inhabits here as a permanent guest.

0.00

mul

ccu cks a

View from Meditation Rooms

Public Toilet

e utur 05 F

ork ed w

ast 00 P

Phasing - Unfinished Work as Art Performance Itself Adding floors upon the public lavatory is a revolution for existing infrastructure; accumulating bricks that are made of toxic fumes is a performance art which aims to raise people's awareness to protect our environment. Using these bricks as walls and handrails, we never know when the construction work will finish but we hope it will maintain unfinished because the more bricks we make, the more devastated environment we have.

View opposite Meditation Rooms Coming out of the meditation rooms, one can see directly into the Drum Tower. Speak to it, speak to Chinese culture, speak to the whole world.


LevelÂą0.000 Plan

Level 3.600 Plan

Level 5.600 Plan

Level 8.600 Plan

Level 12.600 Plan

Level 14.600 Plan

Level 20.300 Plan

Level 22.300 Plan

Level 26.300 Plan

Level 29.300 Plan

Level 31.300 Plan

Level 34.500 Plan

2m

Ever-changing Views As people climbing up to each floor, they will have different attitudes towards the sceneries, the traditional culture, even their own lives and surrounding environment. They can encounter different moments of sun rising or setting. Time is palpable in here.

Hollow=Table=Exhibition The whole climbing is spiral around a hollow, composed of display racks on lower floors and see-through furniture on upper floors. Activities carry out in this center, which connect the up and down, traditional culture and modern culture, or we can say, past and future.


LevelÂą0.000 Plan

Level 3.600 Plan

Level 5.600 Plan

Level 8.600 Plan

Level 12.600 Plan

Level 14.600 Plan

Level 20.300 Plan

Level 22.300 Plan

Level 26.300 Plan

Level 29.300 Plan

Level 31.300 Plan

Level 34.500 Plan

2m

Ever-changing Views As people climbing up to each floor, they will have different attitudes towards the sceneries, the traditional culture, even their own lives and surrounding environment. They can encounter different moments of sun rising or setting. Time is palpable in here.

Hollow=Table=Exhibition The whole climbing is spiral around a hollow, composed of display racks on lower floors and see-through furniture on upper floors. Activities carry out in this center, which connect the up and down, traditional culture and modern culture, or we can say, past and future.


Hey, it's quite interesting to see people through the table!

You can go to Hutongs. There are some bontiques and many traditional foods are also available.

These gadgets are so lovely! Where can I buy them?


Hey, it's quite interesting to see people through the table!

You can go to Hutongs. There are some bontiques and many traditional foods are also available.

These gadgets are so lovely! Where can I buy them?


UNEXPECTIED CONTRADITION Drinking Park

ARCHITECTURE FOR ANIMAL

Zebra Park

Site : The Olympic Forest Park, Beijing, China Tutor: Yutian Wang 2016 Autumn September - October Solo Work

Lion Park

Zebra Park Sou Fujimoto said, “Nature is the nearest space of no intention. Its uncertainty has provided multi-functional space for people. They are the ones who actually define the space.� The design explores an architecture for animals rather than for people by investigating the variation of scales, forms, materials, structures and environments. The process of design not only considers different sizes of space visually, but also attempts to simulate a comprehensive experience involving different senses of hearing, smelling, temperature and humidity, etc. In order to find a more appropriate relationship among the users, their shelters, and nature, my design captures the animals' physical demand for water by featuring a structure that flows along a meandering river for two opposing species, lion and zebra. While this seemingly creates an uneasy atmosphere between the two, the design aims to facilitate cohabitation and sharing of natural resources. Animal aggression reflected on the three-dimensional apertures protrudes though the walls. The design also allows peoples to observe both animals' behaviors and emotions. The wall, constructed with different materials and density, are to some extent transparent, leading to a closer relationship between animals and humans, architecture and nature.

Entrance Bus Stop


UNEXPECTIED CONTRADITION Drinking Park

ARCHITECTURE FOR ANIMAL

Zebra Park

Site : The Olympic Forest Park, Beijing, China Tutor: Yutian Wang 2016 Autumn September - October Solo Work

Lion Park

Zebra Park Sou Fujimoto said, “Nature is the nearest space of no intention. Its uncertainty has provided multi-functional space for people. They are the ones who actually define the space.� The design explores an architecture for animals rather than for people by investigating the variation of scales, forms, materials, structures and environments. The process of design not only considers different sizes of space visually, but also attempts to simulate a comprehensive experience involving different senses of hearing, smelling, temperature and humidity, etc. In order to find a more appropriate relationship among the users, their shelters, and nature, my design captures the animals' physical demand for water by featuring a structure that flows along a meandering river for two opposing species, lion and zebra. While this seemingly creates an uneasy atmosphere between the two, the design aims to facilitate cohabitation and sharing of natural resources. Animal aggression reflected on the three-dimensional apertures protrudes though the walls. The design also allows peoples to observe both animals' behaviors and emotions. The wall, constructed with different materials and density, are to some extent transparent, leading to a closer relationship between animals and humans, architecture and nature.

Entrance Bus Stop


01 Wall+Ramp

B

01

A C A

B

C

A

B

C

A

B

C

A

B

C

02 Wall

C A

B

03 Wall+In-between

C

A

The protrusions on the wall create distinctive inner or outer space by different way of organization, including overlapping, penetrating, sticking out or sticking in. The various distance between the walls therefore has a spatial rhythm.

B

04 Wall+In-between

C A B

Spatial Development of Wall & Aperture Exploration of Permeable Walls The infiltration of the domain makes the boundary ambiguous but still clearly divided. Lions can lurk behind a stone or bush to and suddenly jump out to scare humans or zebras yet cannot hurt them.

01 The river seperate the habitats of the zebra and the lion, but the apertures provide the chance for the two kinds of animals to see each other. 02 The "protrusion" on the wall provide the opportunity for the animals to extend their own domain into the other's. 03 When the wall turns to a corridor, the space becomes more complecated. It is hard to tell the area in the protrusion " inside" or "outside". 04 If the branches penetrate the wall and extend to the other specie's domain, the feeling of area invaded emerges. The atmosphere can be incisively conflicting.


01 Wall+Ramp

B

01

A C A

B

C

A

B

C

A

B

C

A

B

C

02 Wall

C A

B

03 Wall+In-between

C

A

The protrusions on the wall create distinctive inner or outer space by different way of organization, including overlapping, penetrating, sticking out or sticking in. The various distance between the walls therefore has a spatial rhythm.

B

04 Wall+In-between

C A B

Spatial Development of Wall & Aperture Exploration of Permeable Walls The infiltration of the domain makes the boundary ambiguous but still clearly divided. Lions can lurk behind a stone or bush to and suddenly jump out to scare humans or zebras yet cannot hurt them.

01 The river seperate the habitats of the zebra and the lion, but the apertures provide the chance for the two kinds of animals to see each other. 02 The "protrusion" on the wall provide the opportunity for the animals to extend their own domain into the other's. 03 When the wall turns to a corridor, the space becomes more complecated. It is hard to tell the area in the protrusion " inside" or "outside". 04 If the branches penetrate the wall and extend to the other specie's domain, the feeling of area invaded emerges. The atmosphere can be incisively conflicting.


Entrance

4

3

JAN

FEB

MAR

APR

MAY

JUN

JUL

AUG

SEP

OCT

NOV

DEC

2 20

Preferrence Temperature

200

100

0

-20

Average Low Temp

0

Percipitation - mm

Temperature -℃

1 4

Average High Temp

Temperature & Percipitation in Beijing

The site is located in Beijing Olympic Forest Park, between two main roads with a river going through.

Ent

ran ce

The architecture function as a bridge to connect the current routes and a wall to separate two animal parks. It also provides shelters for animals to live during winter though some of the tropical animals seems to enjoy the low temperature and snow.

5m

First Floor Plan

15m 1 2 3 4

30m Lion Shelter Zebra Shelter Lion Park Zebra Park


Entrance

4

3

JAN

FEB

MAR

APR

MAY

JUN

JUL

AUG

SEP

OCT

NOV

DEC

2 20

Preferrence Temperature

200

100

0

-20

Average Low Temp

0

Percipitation - mm

Temperature -℃

1 4

Average High Temp

Temperature & Percipitation in Beijing

The site is located in Beijing Olympic Forest Park, between two main roads with a river going through.

Ent

ran ce

The architecture function as a bridge to connect the current routes and a wall to separate two animal parks. It also provides shelters for animals to live during winter though some of the tropical animals seems to enjoy the low temperature and snow.

5m

First Floor Plan

15m 1 2 3 4

30m Lion Shelter Zebra Shelter Lion Park Zebra Park


guest room

touring route

solid wall

wall disappearing zebra shelter lion shelter

Open & Close the Walls When humans are involed in the scenario, they give the architecture a subjective definition of their feelings,which are showed by two different kinds of materials of the "wall". The cold wall between human and lion is made of reinforce concrete so that people can hide behind it to peep at lion.The relationship between human and zebra, on the contrary, is more mitigatory.Therefore the other wall is decomposed. People can still feel a wall when walking but it is no longer a wall when they stop as they can always observe the life of zebra.

Rhythm of the Wall As animals or humans walking along the wall, they can enjoy an ever-changing transparency of the view from indoor or outdoor space. Only a specific scenario can be seen from one spot.


guest room

touring route

solid wall

wall disappearing zebra shelter lion shelter

Open & Close the Walls When humans are involed in the scenario, they give the architecture a subjective definition of their feelings,which are showed by two different kinds of materials of the "wall". The cold wall between human and lion is made of reinforce concrete so that people can hide behind it to peep at lion.The relationship between human and zebra, on the contrary, is more mitigatory.Therefore the other wall is decomposed. People can still feel a wall when walking but it is no longer a wall when they stop as they can always observe the life of zebra.

Rhythm of the Wall As animals or humans walking along the wall, they can enjoy an ever-changing transparency of the view from indoor or outdoor space. Only a specific scenario can be seen from one spot.


2m

5m

Conflict in Summer BreathtakingPeople will not know what happen next before they turn around the corner. The zebra is running and being watched by human while the lion is ready to attack them.

2m

5m

Different Life in Winter StrangeAlthough lions and zebras are both come from African savanna, they are not afraid of the freezing winter in Beijing. Influenced by the low temperature, the male lions would grow thicker mane. It is also sometimes common to see zebra playing in the snow.


2m

5m

Conflict in Summer BreathtakingPeople will not know what happen next before they turn around the corner. The zebra is running and being watched by human while the lion is ready to attack them.

2m

5m

Different Life in Winter StrangeAlthough lions and zebras are both come from African savanna, they are not afraid of the freezing winter in Beijing. Influenced by the low temperature, the male lions would grow thicker mane. It is also sometimes common to see zebra playing in the snow.


Screen HarmonyThe water is the source of life. If you are lucky enough to see the harmonious scenario, please taste the greatness that the nature gives you when all the life beings put down their hostility and share with each other.

Ambivelence NervousEven though the river has separated it and the lion, the zebra still hesitate to move forward to drink water. Drink or not? It feels ambivalent.

Peephole InversionPeople may choose to live with the animals here and observe their life. But who knows which ones are being observed?


Screen HarmonyThe water is the source of life. If you are lucky enough to see the harmonious scenario, please taste the greatness that the nature gives you when all the life beings put down their hostility and share with each other.

Ambivelence NervousEven though the river has separated it and the lion, the zebra still hesitate to move forward to drink water. Drink or not? It feels ambivalent.

Peephole InversionPeople may choose to live with the animals here and observe their life. But who knows which ones are being observed?


Peephole The room provides the chances for human to peep at animal's life

Screen Are you lucky enough to see the harmony between lion and zebra?

Ambivelence How would zebra choose when it has to drink with the lion?

Trap

Zebra Wonder into Lion's Domain

Conflict

Aggression of Lion


Peephole The room provides the chances for human to peep at animal's life

Screen Are you lucky enough to see the harmony between lion and zebra?

Ambivelence How would zebra choose when it has to drink with the lion?

Trap

Zebra Wonder into Lion's Domain

Conflict

Aggression of Lion


FOLDING STAGE VERTICAL SCHOOL OF ART & DESIGN

2015 Autumn September - December Site: Soho, New York Tutor: Gang Song Solo work

It seems like a paradoxical intention to solve congestion, but as Rem Koolhaas put it: “by creating more congestion comes to an adaptive strategy� Urban congestion has forced architecture to grow in vertical direction. Soho is also undergoing a significant land shortage currently. As most new buildings in this area cater to more profitable high-end markets, the complex functions of the school are adapted to the site. With a mixture of art, commence and residence, the new school becomes a epitome of Soho. The process of art design is open to the street, so as fashion shows. Art vision prompts people's consuming desires, whereas market incents students' creativities. The linear stage for fashion show or display is folded and changed into a spiral rising circulation to adapt to the congested block. The long stage is disassembled into floors in different level where an infinite number of simultaneous performances can be given in either the same time or the separated time. The structure is maximized for urban uses, with a mixture of commerce, education, entertainment and residence.


FOLDING STAGE VERTICAL SCHOOL OF ART & DESIGN

2015 Autumn September - December Site: Soho, New York Tutor: Gang Song Solo work

It seems like a paradoxical intention to solve congestion, but as Rem Koolhaas put it: “by creating more congestion comes to an adaptive strategy� Urban congestion has forced architecture to grow in vertical direction. Soho is also undergoing a significant land shortage currently. As most new buildings in this area cater to more profitable high-end markets, the complex functions of the school are adapted to the site. With a mixture of art, commence and residence, the new school becomes a epitome of Soho. The process of art design is open to the street, so as fashion shows. Art vision prompts people's consuming desires, whereas market incents students' creativities. The linear stage for fashion show or display is folded and changed into a spiral rising circulation to adapt to the congested block. The long stage is disassembled into floors in different level where an infinite number of simultaneous performances can be given in either the same time or the separated time. The structure is maximized for urban uses, with a mixture of commerce, education, entertainment and residence.


SoHo, New York Influenced by the Skyscraper History of Manhattan and the mixed culture of SoHo, the new design school should show both characteristics of congestion culture and the combinition of art and commerce.

Developmental Logic There is a paradoxical intention to solve congestion by creating more congestion. Manhattan's blocks are so tiny; human's culture is amplified to the collosus in this highly dense space. It is the maximun unit of urbanistic. The typology explores the possibilities of massing and floors that can fit accrordingly with the congested block in SoHo area.


SoHo, New York Influenced by the Skyscraper History of Manhattan and the mixed culture of SoHo, the new design school should show both characteristics of congestion culture and the combinition of art and commerce.

Developmental Logic There is a paradoxical intention to solve congestion by creating more congestion. Manhattan's blocks are so tiny; human's culture is amplified to the collosus in this highly dense space. It is the maximun unit of urbanistic. The typology explores the possibilities of massing and floors that can fit accrordingly with the congested block in SoHo area.


Planar Logic - Growing Stages The stages grow from the bottom, starting from a single fashion show; in order to prolong the show time in a congested site, the stages overlap in the vertical direction. On one hand, the life inside the building is correspondingly fractured; incidents on te floors are so brutally disjointed that they cannot conceivably be part of a single scenario. On the other hand, the stages inside the building is interrelated; contingency can be deliberately arranged to make it a continuous stage, decorated by the same group of people with different shows.

Folded Floors Stepped floors can be used for design studio, exhibition or resting place. Different floors overlapping and interspersed with each other, making the three functions interrelating through the sight of users in each floor.


Planar Logic - Growing Stages The stages grow from the bottom, starting from a single fashion show; in order to prolong the show time in a congested site, the stages overlap in the vertical direction. On one hand, the life inside the building is correspondingly fractured; incidents on te floors are so brutally disjointed that they cannot conceivably be part of a single scenario. On the other hand, the stages inside the building is interrelated; contingency can be deliberately arranged to make it a continuous stage, decorated by the same group of people with different shows.

Folded Floors Stepped floors can be used for design studio, exhibition or resting place. Different floors overlapping and interspersed with each other, making the three functions interrelating through the sight of users in each floor.


shop entrance school entrance

Functional Mixture - Shop and School In spite of see-through space, the shop is separated with the school by an openrable partition. Students' fashion designs are showed in the shop; consumers also have the opportunities to see the manuscripts and design process; these two groups of people are mixed when the partition opened.

shop entrance school entrance

Functional Uncertainty - Fashion Show or Exhibition Architecture is not only a generator of cultural mixture, but also an incubator of future uncertainty. The continuous ramp is split by a openable wall. Separated from the school, the shop display its commodities independently; connected with the hall, the shop display fashion shows. The ramp can grow up gradually, incubating the possibility of a long long show.

Fashion Show as Street Art The fashion show is no longer a private and luxurious activity that only belongs to distinguished personages; it becomes a street art that are open to the public.


shop entrance school entrance

Functional Mixture - Shop and School In spite of see-through space, the shop is separated with the school by an openrable partition. Students' fashion designs are showed in the shop; consumers also have the opportunities to see the manuscripts and design process; these two groups of people are mixed when the partition opened.

shop entrance school entrance

Functional Uncertainty - Fashion Show or Exhibition Architecture is not only a generator of cultural mixture, but also an incubator of future uncertainty. The continuous ramp is split by a openable wall. Separated from the school, the shop display its commodities independently; connected with the hall, the shop display fashion shows. The ramp can grow up gradually, incubating the possibility of a long long show.

Fashion Show as Street Art The fashion show is no longer a private and luxurious activity that only belongs to distinguished personages; it becomes a street art that are open to the public.


dormitory

restaurant roof garden swimming pool

classroom design studio classroom design studio office discussion

Look from Outside to the Swimming Pool With design classrooms, swimming pool, nearby residence and street involved in the building, the design of the school responds to the high-efficient complexity by inclining floors, seethrough space for study and sports and regular rooms for office and science.

office design studio exhibition & fashion show openrable partition fashion shop

1

2

1 2

Look from Inside to the Swimming Pool The combination of study and sports might be disruptive on one hand, but it might also be an inspiration of a design work. Great art is always born in an irregular environment. This multifunctional architecture is a creative production due to urban congestion


dormitory

restaurant roof garden swimming pool

classroom design studio classroom design studio office discussion

Look from Outside to the Swimming Pool With design classrooms, swimming pool, nearby residence and street involved in the building, the design of the school responds to the high-efficient complexity by inclining floors, seethrough space for study and sports and regular rooms for office and science.

office design studio exhibition & fashion show openrable partition fashion shop

1

2

1 2

Look from Inside to the Swimming Pool The combination of study and sports might be disruptive on one hand, but it might also be an inspiration of a design work. Great art is always born in an irregular environment. This multifunctional architecture is a creative production due to urban congestion


38.200

31.800 31.300

27.800 26.600

23.600

15.500 13.300 11.500

8.500

4.000

0.000

Interwined Design Studios The interwined floors that are used for different design studios give the students more chances to learn from or inspired by other students' ideas. The process of design is open to all faculty.

1-1 Section


38.200

31.800 31.300

27.800 26.600

23.600

15.500 13.300 11.500

8.500

4.000

0.000

Interwined Design Studios The interwined floors that are used for different design studios give the students more chances to learn from or inspired by other students' ideas. The process of design is open to all faculty.

1-1 Section


58.000

55.000

52.000

49.000

46.000

43.000

40.000 38.200 36.000

31.800 27.800

27.800

23.600

23.600

19.600

19.600

15.500

11.500

8.000

4.000

Roof Garden & Canteen As the end of the stage, the floor of roof garden and canteen provide a private space for students' activities, where they can also have a full view of the street. It is a floor for switching function from education and exhibition environment on the floors below to dormitories on the floors upon.

2-2 Section


58.000

55.000

52.000

49.000

46.000

43.000

40.000 38.200 36.000

31.800 27.800

27.800

23.600

23.600

19.600

19.600

15.500

11.500

8.000

4.000

Roof Garden & Canteen As the end of the stage, the floor of roof garden and canteen provide a private space for students' activities, where they can also have a full view of the street. It is a floor for switching function from education and exhibition environment on the floors below to dormitories on the floors upon.

2-2 Section


NOMADIC COMMUNITY INTERNATIONAL COMPETITION " DESIGN RESILIENCE IN ASIA"

2016 Spring March - June Site: Valenzuela, Philippines Tutor: Yiqiang Xiao, Haohao Xu Team work Team member: Shiqi Chen, Jieqiang Chen Role in Team: Team Leader, Concept Development, Site Research & Analysis Architecture Design What is "Nostalgia" ? "Nostalgia' is an unknown. It can develop a feeling of dating back to the past." —— Fujimori Teunobu The competition aims to design preventive and adaptive architecture that allows communities to become more resilient in floods in the low-lying rural site. A central idea was extracted from an indigenous word "Barangay", which demonstrates Filipinos' willingness to help each other to move their entire house to avoid floods. This social behavior is regarded as a consistent strategy that integrates the community's cultural identity. Social and cultural values can be optimized by bringing a greater level of flexibility into this living pattern. Our team focused on the underprivileged families living in vulnerable huts that are most susceptible to floods by accounting for factors such as local construction techniques and construction feasibility based on a limited budget. The proposal is a group of houses that can be aggregated into a community and separated as individual dwellings. The simple design scheme would allow the residents to have the flexibility to decide when or how to aggregate their houses depending on their functional needs.


NOMADIC COMMUNITY INTERNATIONAL COMPETITION " DESIGN RESILIENCE IN ASIA"

2016 Spring March - June Site: Valenzuela, Philippines Tutor: Yiqiang Xiao, Haohao Xu Team work Team member: Shiqi Chen, Jieqiang Chen Role in Team: Team Leader, Concept Development, Site Research & Analysis Architecture Design What is "Nostalgia" ? "Nostalgia' is an unknown. It can develop a feeling of dating back to the past." —— Fujimori Teunobu The competition aims to design preventive and adaptive architecture that allows communities to become more resilient in floods in the low-lying rural site. A central idea was extracted from an indigenous word "Barangay", which demonstrates Filipinos' willingness to help each other to move their entire house to avoid floods. This social behavior is regarded as a consistent strategy that integrates the community's cultural identity. Social and cultural values can be optimized by bringing a greater level of flexibility into this living pattern. Our team focused on the underprivileged families living in vulnerable huts that are most susceptible to floods by accounting for factors such as local construction techniques and construction feasibility based on a limited budget. The proposal is a group of houses that can be aggregated into a community and separated as individual dwellings. The simple design scheme would allow the residents to have the flexibility to decide when or how to aggregate their houses depending on their functional needs.


Popolation

568,928

4.93%

in Valenzuela 2.04%

Population Explosion

Flooding

4.93% in site 2.04% in the Philippines

Typhoon - 6 times per year Flood - 8 times per year

Typhoon Flood Landslide Storm

Completely Seperated Private Six households live in different parts of the site. They are living a private life.

Flood-proned

" When the floods come, there is water everywhere in our home. We need to move out but we don't a disaster shelter Area have nearby.

Partly Seperated Semi Private Some households may move their houses and combine with the other families. The space is therefore becomes semi-private.

Undeveloped Area "I hope I can have somewhere to play. My house is too small and there is no playground. I have to play in the corner of my backyard."

"I have six people in my family. Next

there will be seven. Our home High Density Urban Areayear is too crowd for us. Maybe we will

consider changing the warehouse into a bedroom"

Aggregated Pubilc All the families assemble their houses together to celebrate a festival or help each other coming through the frequent floods. Thus the space eventually becomes relatively public.


Popolation

568,928

4.93%

in Valenzuela 2.04%

Population Explosion

Flooding

4.93% in site 2.04% in the Philippines

Typhoon - 6 times per year Flood - 8 times per year

Typhoon Flood Landslide Storm

Completely Seperated Private Six households live in different parts of the site. They are living a private life.

Flood-proned

" When the floods come, there is water everywhere in our home. We need to move out but we don't a disaster shelter Area have nearby.

Partly Seperated Semi Private Some households may move their houses and combine with the other families. The space is therefore becomes semi-private.

Undeveloped Area "I hope I can have somewhere to play. My house is too small and there is no playground. I have to play in the corner of my backyard."

"I have six people in my family. Next

there will be seven. Our home High Density Urban Areayear is too crowd for us. Maybe we will

consider changing the warehouse into a bedroom"

Aggregated Pubilc All the families assemble their houses together to celebrate a festival or help each other coming through the frequent floods. Thus the space eventually becomes relatively public.


Floor Plan Traditional Way to Avoid Floods In today's Philippines, " moving house" still happens in rural area. However, citizens can only hold competitions of this activity to commemorate their tradition. The idea of combining two architectures together is a reproduction of human activity.

2700

1800 3500

4600

5000

3500

1800 3600

3000

Total weight : 1.0 tons

4400

4000

Total weight : 1.2 tons

1800

1800 5200

4200

Total weight : 1.0 tons

Total weight : 1.5 tons

4000

3400

5000 2700

2000 5000

8000

Total weight : 2.5 tons

2000

2000 4400

4400

Total weight : 1.0 tons

4000

4000

Total weight : 1.0 tons

Public Hall

Size & Weight Analysis

Section

2m

In traditional nipa hut, kitchen and toilet are sperated with the living space. In order to make a more flexible house, the unecessisary space is rearranged into the community center to serve the whole community. In normal days, multiple activities held in community center and during disasters, the lighter new nipa huts can be moved onto the second floor of the community center to avoid floods.


Floor Plan Traditional Way to Avoid Floods In today's Philippines, " moving house" still happens in rural area. However, citizens can only hold competitions of this activity to commemorate their tradition. The idea of combining two architectures together is a reproduction of human activity.

2700

1800 3500

4600

5000

3500

1800 3600

3000

Total weight : 1.0 tons

4400

4000

Total weight : 1.2 tons

1800

1800 5200

4200

Total weight : 1.0 tons

Total weight : 1.5 tons

4000

3400

5000 2700

2000 5000

8000

Total weight : 2.5 tons

2000

2000 4400

4400

Total weight : 1.0 tons

4000

4000

Total weight : 1.0 tons

Public Hall

Size & Weight Analysis

Section

2m

In traditional nipa hut, kitchen and toilet are sperated with the living space. In order to make a more flexible house, the unecessisary space is rearranged into the community center to serve the whole community. In normal days, multiple activities held in community center and during disasters, the lighter new nipa huts can be moved onto the second floor of the community center to avoid floods.


Mental Corrugated Sheet Roof

200mmx35mm Coco Lumber Framework

Public Shelter During normal days, some of the neighbors or relatives will come to the public shelter to cook and have dinner together, especially during festivals and weddings. 2x200mmx35mm Coco Lumber Column

Ventilated Surface Transparency 0% Protection Against the Rain Private Space Transparency 25% Ventilated Surface Semi-private Space Transparency 50% Ventilated Surface Semi-public Space Transparency 75% See-through Surface Public Space

100mm Coco Lumber Trunk-like Foundation

Disaster Shelter During flooding period, the public shelter can provide a temporary place for the nearby households whose homes collapse and are flooded.

Nipa weaving is a handicraft in Philippines. Filipinos prefer to make it a wall as it is light-weighted and can be reproduced quickly. The pattern can be changed creatively in terms of the aesthetics, ventilation and transparency. Thus the wall becomes a window.


Floor Plan

1m

Section

3m

5m


Floor Plan

1m

Section

3m

5m


Mental Corrugated Sheet Roof

200mmx35mm Coco Lumber Framework

Public Shelter During normal days, some of the neighbors or relatives will come to the public shelter to cook and have dinner together, especially during festivals and weddings. 2x200mmx35mm Coco Lumber Column

Ventilated Surface Transparency 0% Protection Against the Rain Private Space Transparency 25% Ventilated Surface Semi-private Space Transparency 50% Ventilated Surface Semi-public Space Transparency 75% See-through Surface Public Space

100mm Coco Lumber Trunk-like Foundation

Disaster Shelter During flooding period, the public shelter can provide a temporary place for the nearby households whose homes collapse and are flooded.

Nipa weaving is a handicraft in Philippines. Filipinos prefer to make it a wall as it is light-weighted and can be reproduced quickly. The pattern can be changed creatively in terms of the aesthetics, ventilation and transparency. Thus the wall becomes a window.


COMPLEMENTARY WORKS

Architecture Department Hall | Design Studio II Site : SCUT, Guangzhou, China 2014.03-2014.04 Solo Work

South 9-class Kindergarten | Design Studio III Site : SCUT, Guangzhou, China 2014.09-2014.11 Solo Work

Waterside Backyard | Urban Planning & Architecture Design For Guming Rammed Earth Village Finalist, 2015 International Architecture Design Compitition - "Back to the Future" Site : Nanning, China 2015.09-2015.11 Team Work

Dancing with the Rainbow | Interacting Device of Light Velux International Competition 2016.04-2016.06 Team Work

South China Art Museum | Design Studio IV

Jinan University Canteen Project

Site : Xiaoguwei Island, Guangzhou, China 2015.03-2015.06 Team Work

Architecture Design & Research Institute of SCUT, Guangzhou 2015.09-2015.11 Intern Architect


COMPLEMENTARY WORKS

Architecture Department Hall | Design Studio II Site : SCUT, Guangzhou, China 2014.03-2014.04 Solo Work

South 9-class Kindergarten | Design Studio III Site : SCUT, Guangzhou, China 2014.09-2014.11 Solo Work

Waterside Backyard | Urban Planning & Architecture Design For Guming Rammed Earth Village Finalist, 2015 International Architecture Design Compitition - "Back to the Future" Site : Nanning, China 2015.09-2015.11 Team Work

Dancing with the Rainbow | Interacting Device of Light Velux International Competition 2016.04-2016.06 Team Work

South China Art Museum | Design Studio IV

Jinan University Canteen Project

Site : Xiaoguwei Island, Guangzhou, China 2015.03-2015.06 Team Work

Architecture Design & Research Institute of SCUT, Guangzhou 2015.09-2015.11 Intern Architect


COMPLEMENTARY WORKS

Silk | Creative Office Design Crossover Fshion Design & Architecture Design, 2rd A+E Design Scholarship 2015.09-2015.12,Team Work

Nanhai National Museum Project | Intern Architect Architecture Design&Research Institute of SCUT, Guangzhou 2015.09-2015.11

Guanzhou Village Project SCUT-UC Berkeley Workshop Intern architect in Urban Elephant Architects+Design Laboratory, Guangzhou 2015.09-2015.11


COMPLEMENTARY WORKS

Silk | Creative Office Design Crossover Fshion Design & Architecture Design, 2rd A+E Design Scholarship 2015.09-2015.12,Team Work

Nanhai National Museum Project | Intern Architect Architecture Design&Research Institute of SCUT, Guangzhou 2015.09-2015.11

Guanzhou Village Project SCUT-UC Berkeley Workshop Intern architect in Urban Elephant Architects+Design Laboratory, Guangzhou 2015.09-2015.11


Watercolour

Watercolour

Gouache

Fashion Design


Watercolour

Watercolour

Gouache

Fashion Design


Photography My fascination with traveling and photography drives me to embark on my journey continously. I have been to over half of the provinces in China, as well as oversea countries such as Japan, Switzerland, Netherland, Italy, Singapore, Vietnam. The uncertainty and unpredictability of adventures in nature have injected novelty into my urban life of being surrounded by manmade structures with pre-programmed functions.


Photography My fascination with traveling and photography drives me to embark on my journey continously. I have been to over half of the provinces in China, as well as oversea countries such as Japan, Switzerland, Netherland, Italy, Singapore, Vietnam. The uncertainty and unpredictability of adventures in nature have injected novelty into my urban life of being surrounded by manmade structures with pre-programmed functions.


EDUCATION 2012.09 - Present

South China University of Technology Bachelor of Architecture | Degree expected June 2017

PROFESSIONAL EXPERIENCE 2016.08 - 2016.10

Intern Architect | Urban Elephant Architects Group, Guangzhou

Preliminary Research, Urban Design, Architecture Design, Master Plan, 3D Modelling | Guanzhou Village Project, Guangzhou, China Reference: Haohao Xu, arhaohaoxu@scut.edu.cn

2016.04 - 2016.11

SCUT Sudent Research Project | Architectural Aesthetics of Traditional Villages in South China

2015.09 - 2015.11

Intern Architect | Architecture Design&Research Institute of SCUT,Guangzhou

Research paper on "Traditional Village Layout And Architecture Form Research With Cultural Mixture of Hakka Clan and Kuangfu Clan" Concept Development, Preliminart Researcg, Landscape Design, Master Plan, 3D Modelling,Rendering | Nanhai Museum Project, Hainan, China Analysis, Modelling, Rendering| Jinan University Canteen Project, Guangzhou, China Reference: Jingtang He, dejthe@scut.edu.cn

2014.07 - 2014.08

Intern Architect | Guangxi Hualan Group Company Limited, Nanning Master Plan, Sections, Modelling| Jixiang Residential Area Project, Nanning, China

Concept Development, Plan, 3D Modelling, Interior Design, Communicating With Clients | Huangshi Office Project, Guangzhou, China Reference: Zhao Liu, Liuliang78825@163.com

2013.07 - 2013.08

Ancient Building Survey for Imperial Maritime Customs, Guangzhou Site Survey & Measuring, Technical Drawings, Modelling

ACADEMIC AWARDS 2015.10

Finalist, 2015 International Architecture Design Competition - "Back to the Future"

2014.12

Finalist, 2014 Huayang Zhujue Cup National Architecture Design Competition

- "Waterside Backyard" Urban Planning & Architecture Design For Guming Rammed Earth Village - "Urban Green Growing" Architecture Eco-surface Design

HONORS 2016.12 2013.09 - 2016.11 2014.09 - 2015.09 2014.12 2013.11 2013.10

The 2rd Award of A+E Design Scholarship, " Creative Office Design" Second-class College Scholarship / Third-class College Scholarship [Twice] Excellent Student Leader [Twice] The 3rd Award of Peng Jiwen Scholarship, " Photographer's Villa Design" SCUT Student Device Design Exhibition, " Best Content" Prize 2nd Prize, Student Garment Drawing Design Competition

ACTIVITIES 2016.01 2015.07 - 2015.08

SCUT-UC Berkeley BIGI Urban Design Workshop, Guangzhou Guangzhou International Biotech Island (GIBI) Joint Research & Urbandesign

Planning Design With Water TU Delft Summer School, Delft Overall Strategy & Urban Design-Bongding Waterfront Community

2015.03 - 2015.05

Organizer of Kazunari Sakamoto Architecture Exhibition

- Volunteer, in charge of guest reception, schedule, exhibition& forum arrangement

Organizer of Archi-neering Design Exhibition & Forum, Architectural Institute of Japan 2014.10 - 2014.12 2014.03 - 2015.03 2014.03 - 2015.03

- Volunteer, in charge of guest reception, schedule, exhibition & forum arrangement

Minister of General Affairs Department, Student Union, SCUT - Elected, in charge of freshmen reception, food festival and the flea market

Captain of Etiquette team, Women's Committee, SCUT - Elected, in charge of prize-giving and reception

SKILLS Software | Rhino, Google Sketch Up, AutoCAD, Vray for Rhino, Vray for Sketch Up, Keyshot, Adobe Photoshop, Adobe Illustrator, Adobe Indesign, Lazer Cut Language | English, Chinese, Japanese (Entry Level)

Danyu Zeng Address: Room 524, N0.7 West Dormitory, N0.381,Wushan Road, Tianhe District, Guangzhou, China Postcode: 510641 Email: zdy0330@gmail.com Tel: +86 13393646125


EDUCATION 2012.09 - Present

South China University of Technology Bachelor of Architecture | Degree expected June 2017

PROFESSIONAL EXPERIENCE 2016.08 - 2016.10

Intern Architect | Urban Elephant Architects Group, Guangzhou

Preliminary Research, Urban Design, Architecture Design, Master Plan, 3D Modelling | Guanzhou Village Project, Guangzhou, China Reference: Haohao Xu, arhaohaoxu@scut.edu.cn

2016.04 - 2016.11

SCUT Sudent Research Project | Architectural Aesthetics of Traditional Villages in South China

2015.09 - 2015.11

Intern Architect | Architecture Design&Research Institute of SCUT,Guangzhou

Research paper on "Traditional Village Layout And Architecture Form Research With Cultural Mixture of Hakka Clan and Kuangfu Clan" Concept Development, Preliminart Researcg, Landscape Design, Master Plan, 3D Modelling,Rendering | Nanhai Museum Project, Hainan, China Analysis, Modelling, Rendering| Jinan University Canteen Project, Guangzhou, China Reference: Jingtang He, dejthe@scut.edu.cn

2014.07 - 2014.08

Intern Architect | Guangxi Hualan Group Company Limited, Nanning Master Plan, Sections, Modelling| Jixiang Residential Area Project, Nanning, China

Concept Development, Plan, 3D Modelling, Interior Design, Communicating With Clients | Huangshi Office Project, Guangzhou, China Reference: Zhao Liu, Liuliang78825@163.com

2013.07 - 2013.08

Ancient Building Survey for Imperial Maritime Customs, Guangzhou Site Survey & Measuring, Technical Drawings, Modelling

ACADEMIC AWARDS 2015.10

Finalist, 2015 International Architecture Design Competition - "Back to the Future"

2014.12

Finalist, 2014 Huayang Zhujue Cup National Architecture Design Competition

- "Waterside Backyard" Urban Planning & Architecture Design For Guming Rammed Earth Village - "Urban Green Growing" Architecture Eco-surface Design

HONORS 2016.12 2013.09 - 2016.11 2014.09 - 2015.09 2014.12 2013.11 2013.10

The 2rd Award of A+E Design Scholarship, " Creative Office Design" Second-class College Scholarship / Third-class College Scholarship [Twice] Excellent Student Leader [Twice] The 3rd Award of Peng Jiwen Scholarship, " Photographer's Villa Design" SCUT Student Device Design Exhibition, " Best Content" Prize 2nd Prize, Student Garment Drawing Design Competition

ACTIVITIES 2016.01 2015.07 - 2015.08

SCUT-UC Berkeley BIGI Urban Design Workshop, Guangzhou Guangzhou International Biotech Island (GIBI) Joint Research & Urbandesign

Planning Design With Water TU Delft Summer School, Delft Overall Strategy & Urban Design-Bongding Waterfront Community

2015.03 - 2015.05

Organizer of Kazunari Sakamoto Architecture Exhibition

- Volunteer, in charge of guest reception, schedule, exhibition& forum arrangement

Organizer of Archi-neering Design Exhibition & Forum, Architectural Institute of Japan 2014.10 - 2014.12 2014.03 - 2015.03 2014.03 - 2015.03

- Volunteer, in charge of guest reception, schedule, exhibition & forum arrangement

Minister of General Affairs Department, Student Union, SCUT - Elected, in charge of freshmen reception, food festival and the flea market

Captain of Etiquette team, Women's Committee, SCUT - Elected, in charge of prize-giving and reception

SKILLS Software | Rhino, Google Sketch Up, AutoCAD, Vray for Rhino, Vray for Sketch Up, Keyshot, Adobe Photoshop, Adobe Illustrator, Adobe Indesign, Lazer Cut Language | English, Chinese, Japanese (Entry Level)

Danyu Zeng Address: Room 524, N0.7 West Dormitory, N0.381,Wushan Road, Tianhe District, Guangzhou, China Postcode: 510641 Email: zdy0330@gmail.com Tel: +86 13393646125


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