Fourteen days and two hundred thousand lines later ...
The Art of Recycling
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Written and Designed by // Tutor // Head of Architecture //
Emmanuel Anim-Ayekoh Claudia Dutson Oliver Froome-Lewis
Proposal for a final third year architecture project completed at the Canterbury School of Architecture (CSA).
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This publication delivers a detailed walk-through the atmospheres that the proposal is designed to play host to. The young creative community of Marseille will be able to use the school daily and the success of this in the Belle du Mai area opens the model up to be used across the city as a test-bed of creative experimentation. The cultural benefits of working together will move the city forward in aspects of inter-communal public relations. The design decisions will be commented on and justified as the publication goes through the programme and processes within the proposal made. Cette publication fournit une soluce détaillée les atmosphères que la proposition est conçue à accueillir. La jeune communauté créative de Marseille sera en mesure d’ utiliser l’école tous les jours et le succès de ce dans la zone Belle du Mai ouvre le modèle pour être utilisé à travers la ville comme un banc d’essai d’expérimentation créatrice. Les avantages culturels de travailler ensemble se déplacera la ville avant dans les aspects des relations publiques inter- communales. Les décisions de conception seront commentés et justifiés comme la publication passe par le programme et les processus au sein de la proposition .
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Part One // Wood Recycling Programme
Pg. 13
Part Two // Aluminium Recycling Programme
Pg. 35
Part Three // Educational Programme
Pg. 53
Part Four // Environmental Strategy - Power
Pg. 59
Part Five // Environmental Strategy - Ventilation
Pg. 67
Part Six // Environmental Strategy - Lighting
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The proposal combines creative and recycling programmes into one building. The recycling element of the proposal deals with both aluminium and wood. This section looks through the spaces devoted to making recycling wood as efficient as possible. La proposition combine des programmes créatifs et de recyclage dans un seul bâtiment. L’élément de recyclage de la proposition traite à la fois avec l’aluminium et le bois. Cette section regarde à travers les espaces consacrés à la fabrication de bois de recyclage aussi efficace que possible.
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Part One //
Wood Recycling Programme
Première partie //
Programme de recyclage du bois
The Art of Recycling
Delivery Initial delivery of wooden material is brought to the docking station in one of the four biodiesel flat-bed trucks. This will working in partnership with the new proposed biodiesel plant proposed for Marseille with a 2020 completion date.
Scale 1:100
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The Busserade School of Design
Transition Space Wood is lifted from the transport vehicles to the inspection bays in the wood workshop via the wood goods lift. This goods lift has a glazed facade to allow the people of Marseille and more locally the Belle du Mai region, to be able to see the wood recycling process going on within the building. Scale 1:100
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Docking Bay This area of the building is where the influx of wood is inspected and moved onto the circular saw for cutting. This process allows the technicians to measure up the wood to be efficiently used.
Scale 1:100
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The Busserade School of Design
Cutting, Sanding, Treatment & Storage The industrial circular saw takes on the job of cutting the wooden material down to usable and pre-designed pieces ready for use by the student body. The circular saw is the machine of choice for this job; band saws where not chosen because of the intensity that the saw will be used at making this circular saws more efficient over time. Scale 1:100
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The following section looks into parts of the programme that are devoted to recycling aluminium from aluminium can to finished sheets of aluminium. The ingots produced can also be sold off and with the price fluctuating, a good amount of money can be made.
La section suivante se penche sur les parties du programme qui sont consacrés à l’aluminium de recyclage de l’aluminium peut finis feuilles d’aluminium . Les lingots produits peuvent également être vendus et le prix fluctuant , une bonne quantité d’argent peuvent être faites.
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Part Two //
Aluminium Recycling Programme
Deuxième partie //
Programme de recyclage d’aluminium
The Art of Recycling
Delivery Initial delivery of alumium comes in to the site in electirc road sweepers that patrol the streets constantly. This is the vehicle of choice because they are quiet and can work at all times of the day without disurbing the local residents.
Scale 1:100
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The Busserade School of Design
Containment The delivery vessels offload aluminium material into the containment pit. The pit has the volume to hold two weeks worth of aluminium cans before they have to more forward in the buildings programme. That is room for approximately 211,500 cans.
Scale 1:100
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Transition Space The void that runs through the concrete frame substructure allows free movement of material from the pit below to the upper decks for further processing.
Scale 1:100
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The Busserade School of Design
Crushing The aluminium is craned up via industrial machinery and analogue grappling hooks to the observation deck where the material is crushed. This allows the recycling facility to cope with a higher aluminium capacity and the emptying of the containment pit allows room for more cans to be brought in. Scale 1:100
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Aluminium Bale Storage After crushing the cans into bales, they are craned up and stored on a framework located on the concrete substructure so that the users of the building can also observe how much aluminium is being housed within the facility.
Scale 1:100
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The Busserade School of Design
Shredding When the full capacity is reached, the bales are craned down and lowered onto a conveyor belt to be moved to the shredder. Here the material is shredded down to small 50 pence size pieces allowing for easier transportation and allowing the material to melt down quicker due to the increase surface area. Scale 1:100
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The Art of Recycling
Transition Space The shredded material is churned off the shredder and onto conveyor belts that weave their way around the building. This allows the users of the building to see the volume of aluminium being moved and it hints to the users that an ingot of aluminium will be smelted imminently.
Scale 1:100
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The Busserade School of Design
Transition Space The aluminium makes its procession around the building and the route has been specifically designed to take part in key moments that show poetry in the cans being recycled into a product of creative purpose and cultural importance.
Scale 1:100
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The Art of Recycling
Transition Space There is a key moment where shredded aluminium is sprayed onto the wind beasts as the go on their procession out of the building and toward the Boulevard National. This is a key moment where the raw material is showered over polished final product and shows a connection between the different stages of the material. Scale 1:100
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The Busserade School of Design
Transition Space Material is lifted up via bucket lifts and is deposited into a containment vessel. Here the material is carefully deposited and transported in an archimedes screw that is controlled with the computers in the smelting control centre.
Scale 1:100
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Storage The containment container has glazed elements to allow users to view the mass of the shredded aluminium about to enter the smelter.
Scale 1:100
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The Busserade School of Design
Loading The Archimedes screw with the help of a robotic crane, allows direct loading of material into the smelter and once capacity is full, the screw is pulled back and the smelter is activated.
Scale 1:100
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The Art of Recycling
Smelting The smelter is turned on and heats up to a relatively low melting temperature of 750 degrees Celsius. Within minutes the melting proceeds and the molten material is deposited in ingots to cool.
Scale 1:100
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The Busserade School of Design
Safety The fumes that come off the smelting needs to be extracted sensibly and safely and therefore filters are put in place to scrub the air of any pollutants.
Scale 1:100
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The Art of Recycling
Safety There is an area of dead space around the cast concrete chimney to allow fresh air to pull cold air over the super heated chimney. The layer of insulation and profiled concrete act as a heat sink for the chimney stack.
Scale 1:100
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Safety Pollution sensors at the mouth of the chimney sense the composition of gases being released and alert the control room to any faults in the chimney’s filtration system ensuring that any gases emitted are clean and safe.
Scale 1:50
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The Art of Recycling
Aluminium Mine After three hours the aluminium would of cooled down, the ingot (if they are not being sold) is then ready to be rolled into sheets of aluminium ready for use in the creative model making process in the studios above.
Scale 1:100
30 1208854_EMMANUEL ANIM-AYEKOH
The Busserade School of Design
Transition Space The aluminium goods lift allows transport of the aluminium to the wind beast production workshop directly from the mine where it is stored for safe keeping.
Scale 1:100
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Transition Space The lift shaft is designed to allow everyone in the building the ability to see all the goods being moved from the different sectors of the building.
Scale 1:100
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The following section delves into the creative element of the proposal, it follows the building through the perspective of a student as they work toward completing the production of a wind beast from concept stage all the way through to finished product. La section suivante se penche sur l’élément créatif de la proposition , il suit le bâtiment par la perspective d’un étudiant comme ils travaillent vers l’achèvement de la production d’une bête de vent de stade de concept tout au long au produit fini .
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Part Three //
Educational Programme
Partie trois //
Programme ĂŠducatif
The Art of Recycling
The Busserade School Entrance This is the entrance to the studio spaces within the building; this pathway leads directly to the observation decks. This entry way wraps around the building allowing the student body to view the chimney and context of the site from an elevated.
Scale 1:100
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The Busserade School of Design
Collaborative workspace This is a peek into the workspaces for the furthest progressed students as they work in a modular aluminium framework lattice and can really make the flexible space their own. This type of space allows students to interact and learn from each other in a creative environment that stimulates the creation of a comfortable and relaxed atmosphere. Scale 1:100
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The Art of Recycling
Tutor advice Tutors mingle in between work stations to provide advice on design decisions the students could make as they continue on developing their proposal.
Scale 1:50
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The Busserade School of Design
Testing designs The students can test all manner of devices that can possibly power the wind beasts to walk out on the Boulevard National and utilise the mistral winds that blow over Marseille. This results in a lot of drawing and model making of iterations, testing whether or not they will work. Scale 1:50
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The Art of Recycling
Presenting Work There are spaces designed to allows students to present work to collect constructive feedback on their designs. In doing this, the students can act on the feedback and work on enhancing the designs to make them ready for reality as they strive to build their creations.
Scale 1:50
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The Busserade School of Design
Relaxing There are spaces in the studios that allow the students to relax and converse about things outside work. This helps to forge relationships that cross-cultural barriers and stimulate a fun creative and culturally inclusive atmosphere.
Scale 1:50
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Model making Space This collaborative workspace allows for people to make big group models or smaller models. There are racks behind to store material on and keep the surface clean for people to use at any time.
Scale 1:50
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Private Work Hub These spaces allow people a moment to consolidate ideas by themselves and go through the motions of deciding how to proceed with their project.
Scale 1:50
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Exhibition Space Work is exhibited by the student body and open for critique by other peers and figures within the user base. These boards are for any drawings of importance to be shown off.
Scale 1:50
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The Busserade School of Design
Beast Production Station The approved technical drawings are turned into working 1:1 wind beasts after the iterative models show that the scale drawings will work in reality.
Scale 1:50
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Wind Testing Nest After the 1:1 beasts are made, they are tested in the wind nest and with the help of the wind tunnel, the walking mechanics of the machines are checked and refined changes are made.
Scale 1:50
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The Busserade School of Design
Beast Public Unveiling After all the refinement, the finished wind beast is publicly unveiled within the grand hall and this marks the beginning of the beasts as they make their way toward the Boulevard National to run down the kilometre straight and be the jewel in a inter community parade down the street as they celebrate the recycled creations. Scale 1:50
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Wind Beast Exit The beasts flee the studios and exit into the Belle du Mai area; as it makes its way toward the Boulevard National, people gather around it and during the mistral, the beasts will run the full length of the kilometre long road powered by the powerful winds.
Scale 1:100
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Roof
The Art of Recycling
Fifth
Fourth
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Second First Ground
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Power generation is a key aspect of the proposal due to the amount that it is proposing to use, the following section will go through the different built-in features that help to offset the amount of energy used and if possible, could help to provide clean energy to the french national grid at certain times of the year. La production d’énergie est un élément clé de la proposition en raison de la quantité qu’il propose d’utiliser , la section suivante passera par les différentes fonctionnalités intégrées qui aident à compenser la quantité d’énergie utilisée et, si possible , pourrait aider à fournir une énergie propre l’énergie au réseau national français à certains moments de l’année
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Part Four // Environmental Strategy - Power Quatrième partie //
stratĂŠgie environnementales - Puissance
The Art of Recycling
Biodiesel wood collectors The flat-bed trucks that will venture out into Marseille to collect wood will be powered with biodiesel. This will be viable because there will soon be a biodiesel production plant on the outskirts of the city. The plant has been earmarked for completion in the year 2020.
Scale 1:100
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The Busserade School of Design
Aluminium Collection road sweepers A fleet of green environmentally friendly road sweepers will venture out of site and into the area to collect aluminium cans from one collection point at a time. They will be charged at the site with the electricity produced from the pavegen kinetic recovery pads that they activate.
Scale 1:100
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Binary Geothermal Power Unit To offset the energy used when the smelters are activated, the proposal comes with three binary geothermal turbine units, that constantly recycles steam to drive turbines and charge industrial batteries.
Scale 1:100
56 1208854_EMMANUEL ANIM-AYEKOH
The Busserade School of Design
Wind Tunnel Turbines The building is angled at an axis allowing the winds to drive the turbines within the building. This turning allows energy to be stored and saved for later use in the building for later periods when power demands increase.
Scale 1:100
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With free flowing air going through the building, it only seems fitting to utilise it to help with the ventilation strategy. The means by which this is done is explained in the following section. Avec de l’air à écoulement libre en passant par le bâtiment , il semble approprié de l’utiliser pour aider à la stratégie de ventilation . Les moyens par lesquels cela se fait est expliqué dans la section suivante.
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Part Five //
Environmental Strategy - Ventilation
Cinquième partie //
StratĂŠgie environnementales Ventilation
The Art of Recycling
Ventilation updraught controller As the wind traverse through the tunnel, the fins alter in angle to control the flow of air being pulled out of the ventilation core below. This utilises natural passive stack ventilation then forces all that air into a strategic path around and out of the building.
Scale 1:100
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Wind gates If the wind testing facility is not being used, the fins close shut to divert all the air up and over the nest.
Scale 1:100
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Smooth architecture Smooth concrete panels are designed to divert air from the wind tunnel efficiently up toward the chimney and the design ensures there are no eddy currents are generated by its flow. This allows the architecture to cope with such high internal stresses due to the forces of the wind.
Scale 1:100
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Smelting Heat from the smelter causes air to rise up and out of the chimney. This air heads straight up and pulls cold air up and out of the building. The smelting facility is housed in a separate structure of the proposal to ensure there is no bridging of heat that could over time damage the architecture. Scale 1:100
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One Way Valve The built in one way valve ensures that the heat can pull cold air through the building. The air can only travel into the chimney space and not double back on itself thus ensuring that all the air in the studio and recycling spaces are clean and fresh.
Scale 1:100
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Light is a key aspect of designing a creative space and key decisions as to how to get light into specific zones are designed with a lot of though behind them. Those decisions and specific designs are described in the following section. La lumière est un élément clé de la conception d’un espace de création et de décisions clés quant à la façon d’obtenir la lumière dans des zones spécifiques sont conçus avec beaucoup de bien derrière eux. Ces décisions et conceptions spécifiques sont décrites dans la section suivante.
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Part Six //
Environmental Strategy - Lighting
Sixième partie //
Stratégie environnementales Éclairage
The Art of Recycling
North Facing Sawtooth Windows The windows ensure that a good amount of northern light falls into the space. The cladded aluminium above reflects heat off the building ensuring that the air within stays cool. The northern light helps artists to design in light that doesn’t cast.
Scale 1:100
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Roof-light The roof-light in the central sawtooth allows natural light to fall through the entire core of the building. This allows light from the studio space to fall straight on to the aluminium pit and ensures that even from the top of the building, the activities can be seen and appreciated.
Scale 1:100
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