Webinar on Choral Repertoire | PPT Presentation

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You can watch the recording on Youtube or Facebook www.EuropeanChoralAssociation.org


WELCOME - Introduction

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How will this Webinar work? 1. Please note – we are recording

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How will this Webinar work? 2. What will you see & what can you do? • Webinar topic covered by 4 speakers • Presentation slides • Short clips & live website demos • Polls to get to know you • Possibility to ask questions: The attendees are muted, so please use the Question & Answer Function • Possibility to send a message to all participants through the chat (choose „to all panelists and attendees“ to reach everbody!) • At the end: info on where to download presentation Make sure you will get the best out of this Webinar -> Close other programmes if possible www.EuropeanChoralAssociation.org


Answers: - 23 % know Musica and use it - 30 % have heard about it but have never used it - 42 have never heard about it - 5% are not sure

Poll – we would like to know who is watching

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How to create a programme

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Starting point Favorite piece

Special concert location

Event

Need / Desire

Coorperation

Sing along


What is the common thread? Contrast or convergence?

New repertoire versus old music?

Monothematic program

Thematic concert

Mix different genres


What needs do I have to consider?

CONDUCTOR

CHOIR

AUDIENCE

BOARD


Do I want to add an extra? Light design

Special concert dress

Choireography

Presentation

Soloists


What are the general conditions? Budget

Choir level

Number of rehearsals

Length of the program

Singing by heart

Age of singers


Critical questions        

What is the vocal range? Are there a lot of extreme high or low passages? Good balance of slow and fast pieces? Is the choir familiar with the language? What are the expectations of the audience, the choir and the conductor? Do the transitions of the individual pieces fit? Is the program unique? Does it attract attention in town? Does the program give an importance to the choir?


Where can I find the repertoire?        

Own music library (scores, discs, playlists) Listen to music (spotify, youtube, etc.) Be in contact with your colleagues! Go to concerts  Visit festivals (Europa Cantat!) Reference books (Harenbergs, Reclams, etc.) Shops and libraries (music schools, universities) Internet


Female composers!     

www.archiv-frau-musik.de/repertoire-listen www.composerdiversity.com/ www.ocwomenschorus.org/women-composers www.musica-femina-muenchen.de/projekte/chorprojekt www.cpdl.org/wiki/index.php/Category:Women_composers


The most important at the end:  Take

your time  Keep a list  Copy the good ideas, but stay yourself  Dream and be patient


Examples for inspiration

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Christmas concert











Robert Schumann Johannes Brahms Volker Ochs Benjamin Britten Morten Lauridsen Encore

Other music

Cyrill Schürch Eric Whitacre Hansruedi Willisegger Otto Maurer Arthur Furrer Hermann Schroeder Othmar Schoeck

Heidenröslein Op 62: 1. Rosmarin, 3.Waldesnacht & 4. Dein Herzlein mild Heiteres Herbarium Five Flowersongs Les Chansons des Roses Ein kleiner grüner Kaktus / Comedian Harmonists

Du verblühst ja, holde Rose Three Flowersongs Rose, Minne, Freude Acht Ritornelle / Blumenlieder (with piano) Blumenlieder (opt. Piano) Das Rosen-Innere (Sechs Chorsätze nach Rilke) from „Fünf Lieder für gem. Chor a cap.“







Composer “families“   

Robert Schumann Clara Schumann Johannes Brahms

Leopold Mozart Wolfgang Amadeus Mozart

Felix & Fanny Mendelssohn


20th century 

John Rutter - Gloria - Open thou myne eyes - God be in my head

Lukas Vogelsang (swiss composer *1978) - „und alleine schlaf ich“ (first performance; comissioned piece)

Leonard Bernstein - Chichester psalms


French music 

Maurice Duruflé Requiem (Organ version + Cello in Nr. 5 Pie Jesu) Notre Père (Choir a cappella)

Jehan Alain Première Fantaisie (Organ solo)

Olivier Messiaen Louange à l‘Eternité de Jésus (Organ & Cello)


MOZART BEWEGT








Thank you for listening ď Š Thanks to Marco Amherd and Beat Sieber for sharing their ideas with me


Any questions to Patrick Secchiari?

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The Musica Database

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Answers: - 23 % know Musica and use it - 30 % have heard about it but have never used it - 42 have never heard about it - 5% are not sure

Poll – are you familiar with the Musica database? Have you ever used it? www.EuropeanChoralAssociation.org


Live Demonstration

www.musicanet.org

Privileged access for members of ECA-EC!






You can find … - An excerpt of the score - The text - A pronunciation guide - A translation - A recording


www.musicanet.org

Privileged access for members of ECA-EC!


Any questions to Sonja Greiner?

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Creating a unique programme

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Merel did not have a powerpoint. She spoke about rhytmic music and she used the following keywords: - Experience - Comfort - expand comfortzone - Original - Cover - Improvisation - Score She also shared some music and some resources with the audience. Two main resurces she shared are: https://www.chorusonline.com/ https://www.musikalspezial.de/ To fully appreciate Merel‘s presentation please watch the recording of this Webinar on Faceebook or Youtube. www.EuropeanChoralAssociation.org


Any questions to Merel Martens?

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The role of publishers / Some legal issues www.EuropeanChoralAssociation.org


Jean-Claude did not have a powerpoint. He spoke about intellectual property rights, what is allowed and what is not. Since there were many questions ECA-EC will consider offering a separate Webinar about this topic. To fully appreciate Jean-Claude‘s presentation please watch the recording of this Webinar on Faceebook or Youtube. www.EuropeanChoralAssociation.org


Any questions to Jean-Claude Wilkens? Any other questions?

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Regional office of IFCM for Europe info@EuropeanChoralAssociation.org

Thank you very much for your attention! We will send you an e-mail with a link to these slides and short evaluation form www.EuropeanChoralAssociation.org


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