Ece Kavalci Portfolio

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place of birth date of birth nationality contact

Ankara 8 September 1995 Turkish 533 389 33 67 ecekvlci@gmail.com

WORK EXPERIENCE 2016, 1st June - 1st July 2015, 1st June - 1st July 2018, September - December

ECE MERYEM KAVALCI

CERTIFICATES AND WORKSHOPS 2016 Summer 2018 January - April 2018 September - December

Summer Internship Office Work ; M-OFIS Architecture , Istanbul , TURKEY Summer Internship Site Work ; New High Speed Train Rail Station , Ankara , TURKEY LIGAS-Tischlerarbeiten GmbH / Berlin

Leed Certificate Inform Tutorial ControlMAD Master Parametric Design Certificate HNEE-LIGAS Digital Fabrication Certificate

2018 February

Advanced Grasshopper Workshop (inst. Andres Gonzales)

2018 February

Arduino & Grasshopper Workshop (inst. David Lozano)

2018 March 2018 September 2018 October 2018 November

Kangaroo & Grasshopper Workshop (inst. Arturo Tedeschi) CNC 5-axis Workshop Robotics 7-axis Workshop (inst. Simon Lullin) C# for Grasshopper Workshop


EDUCATION Sep 2018 - Dec 2018

Parametric Design Digital Fabrication Course (400Hr) / HNEE & Ligas Berlin [3D Print, CNC Milling, Laser, Robotics with Grasshopper]

Jan 2018 - April 2018

Master Course Parametric Design (400Hr) / ControlMAD Madrid [Advanced Grasshopper Mesh Modelling and Plugins]

Sep 2013 - June 2017

Bilkent University Faculty of Art, Design and Architecture, Department of Architecture , Ankara , TURKEY

Sep 2009 – June 2013

METU Development Foundation High School , Ankara , TURKEY

SKILLS

LANGUAGE

Rhinoceros Grasshopper Lumion 3Ds Max Design AutoCAD Revit Adobe Photoshop Adobe InDesign Adobe Illustrator Microsoft Office

Turkish (mother tongue) English (C1) Spanish(A1)

ACHIEVEMENTS 2015-2016 Spring Semester

Honour Degree, Faculty of Fine Arts, Bilkent University

2016-2017 Fall Semester

Honour Degree, Faculty of Fine Arts, Bilkent University

2016-2017 Spring Semester

High Honour Degree, Faculty of Fine Arts, Bilkent University



INDEX ORIGAMI PAVILION

HNEE & LIGAS DIGITAL FABRICATION WORKSHOP

DIGITAL FOREST

EXPLORE

PARAMETRIC SHELF

FOR CONTROLMAD ADVANCED DESIGN CENTER

BREATHING RESEARCH CENTER

FOR THE ENDANGERED SPECIES IN THE ANATOLIA REGION

UNIFORMED TURKISH BATH

FOR THE RESIDENTS

THE CONTEMPORARY NEST

FOR THE KIDS

TIME INTERACTIVE CENTRE

FOR TRAVELERS IN AMASRA

TENSEGRITY STRUCTURE

FOR OUTDOOR SPACE

PHOTOGRAPHY


ORIGAMI PAVILION

HNEE & LIGAS WORKSHOP

Through the research of the origamic patterns the final form of the pavilion is created. The objective of the project is to create a closed meeting space which is self supported and lightweight so that it could be easily constructed. Through the manufactiring process, some additional support elemnts needed to have the degrees between the triangular panels fixed. These elements are 3dprinnted to fit the rods and the angels perfecty. The panels are CNC milled and they are connected tot the fabrics with double sided tape and finally; sections are joined by the sewed zippers on their sides.

1:2 CONSTRUCTED MODEL


The final 1:2 scale model is a production of an earlier form which then modified into a higher pavilion as seen above on the technical drawings to be fit human scale better.

STUDY MODEL 1:20 TECHNICAL DRAWINGS

After the form of the pavilion finalised the base elements which will be cast in concrete are created. During this process what is important is to find a base which supports the pavilion with less material in order to be carried during the manufacturing process without any external help. The manufacturing plan for the base is to produce molds using foam by hot wire cutting with KUKA quantec KR 210 R3100 c ultra. The paths for the robot is created in Grasshopper by defining the planes.

320mm

ROBOTICS:CONCRTETE MOLDS

400mm


DIGITAL FOREST

EXPLORE

This project is created through several experiments on Grasshopper/Rhino plugins. The main plugin that was experimented is the “shortest walk� which calculates and chose the shortest paths through web of curves from a point to several points. The topography created is a trial to create the mountain and valleys through these shortest paths which en up in a very organic mesh that could be CNC milled on foam and wood. The other parts of the project; rotten pavilion and the complex connector bridges are the parts of the digital forest located on the created topography.


CREATION PROCESS Rotten pavilion is based on a flower like geometry. The geometry is calculated through Milipede and the weakest parts shown through the gradient coloring after the calculations. A network of curves created through the weakest points and two external points on the ground. The shortest paths are obtained and a structure which supports the pavilion is created. the top parts released to gravity as if they are the parts of a rotten flower.

DIGITAL FABRICATION

The topography mesh is CNC milled and the first trials for the pavilion structure is 3D Printed through another plugin called “Cacoon� which joins the meshes together in one piece as seen above which result in a scuccessful print. The connector bridges are several curves pass through each other in a cylindirical form in different thicknesses.


PARAMETRIC SHELF

FOR CONTROLMAD ADVANCED DESIGN CENTER

This is a group design project held in ControlMad to experiment with CNC Milling Machine and parametric design tools. The purpose is to create a shelf which is suitable for the new classroom in the design center.After the milling process the shelf structure assembled on the floor and then mounted to the wall with several holders.


MAKING 2D CONSTRUCTING

PTOTOTYPE 1:3

SITE ANALYSIS

Group Members: Ece Kavalci, Manuel Sandoval, Estela San Millan, Diana Vaccaro, Renato Silveira


BREATHING RESEARCH CENTER

FOR THE ENDANGERED SPECIES IN THE ANATOLIA REGION

The main philosophy behind this research center is to keep these endangered animals alive. To keep them alive they need to “breathe�. The architectural methodology of this building is developed with the system of breathing. The lungs of the building are the two movable structures and the main building works as the heart which is where all the circulation begin and ends. The structural system of the building will be work as the veins of the heart. All those systems that keeps an animal alive is going to be interpreted to the architectural methodology to keep this building alive and for the architecture to complete its meaning.


LAND USE, EXISTING ROADS AND RIVER AROUND THE SITE

SITE PLAN WITH FUNCTIONS ZOOLOGICAL BOTANICAL GREEN HOUSE BIOMASS

WATER MANAGEMENT RIVER LIBRARY SQUARE DECK

THEATRE TOWNHALL POST OFFICE LOCAL SHOP

WORKSHOP COFFEE SHOP RESTAURANT CAFE

SCHOOLS MOSQUE INFRASTRUCTURE POOL SPORTS

LIVE-WORK UNIT SEPERATED HOUSE DORMITORES HOTEL-GUESTHOUSE

TRANSPORTATION

EXISTING ROADWAY EXISTING RIVER PROPOSED RIVER

PROPOSED TRAMWAY PROPOSED ROADWAY EXISTING AND PROPOSED SUBWAY

PROPOSED WATER PIPE

BUSINESS DISTRICT MILITARY EXISTING GREEN RESIDENTAL

RELIGIOUS EDUCATIONAL GOVERMENTAL INDUSTRIAL

VACANCY AOÇ SHEEP FOLD AOÇ LAND PROPOSED SITE

ROADWAY RAILWAY ANKARA RIVER


GROUND FLOOR PLAN

BB’

FIRST FLOOR PLAN AA’

SECOND FLOOR PLAN


SECTION BB’

BREATHING HABITAT

VISITOR PLATFORM

SITE PHILOSOPHY

SECTION AA’

In Ankara there is a lack of environmentally focused research centers. We tried to create a site which includes a botanical and zoological research center which is focused on the endangered species of Ankara and central Anatolia. In the era of technological developments, there should be a center which could increase the awareness on the nature and how we effect the natural life. We should be more concerned about this issue as a nation because these species that are endangered are very important part of the ecological cycle.


PRIVATE

Zoological Research Center Philosophy & Methodology The zoological center is going to be a research center for the endangered species in Turkey, mostly in central Anatolia. The special thing about this center is that it offers two structures which are proposed as natural habitats for the endangered species and visitors can visit and experience their habitats in real life. These two structures are designed by an exclusive architectural methodology. These building are “breathing structures�. They have a specific roof structure that moves upwards in summer&spring and in the cold climates it moves down to create an enclosed structure. In hot climates

the roof moves up to create a semi open structure. In platforms the visitors get the chance to experience the habitats of these endangered species without disturbing them in their habitat. Other than these structures there is the main building which consist of an animal hospital, research laboratories & offices and educational & exhibition center which is open to the public. The philosophy behind this research center is to increase the awareness of the dangers that these species are facing and to educate the public in this issue.

RESEARCH LABS & OFFICES

PUBLIC ANIMAL HOSPITAL EDUCATION & EXHIBITION

WORKSHOP & RESTAURANT PUBLIC ENTRANCE

SECOND STRUCTURAL SYSTEM SEMI-OPEN SPACE PUBLIC EXIT


sustainable research institute in Ankara Reuse of land as it was(AOÇ) and the closeness of AOÇ zoo that will be •TheA mainmostbuilding • laboratories, offices, a restaurant and an auditorium open soon are effective in decision making •A series of separatewithbuildings for botanical and zoological research for sustainable production •(3 main universities have already had their own technocities, rather than •TheGreenlatestbelttechnology • through revitalised river integrated with the site technology, this centre is focused on botanical and zoological research) .


UNIFORMED TURKISH BATH

FOR THE RESIDENTS

For the panels a plastic material chosen in order to make sure the extensive water slide away from the panels to waste water outlets located on the base. Each panel has a 50cm width, and in total there are 5 ‘kurna’s which are one of the most important part of traditional Turkish baths. They are designed accordingly in order to be a part of the uniformed design so that it could be seen like the panels grow away into another direction and formed the basin of the baths. The Turkish pattern is used to define the forms of the ceiling where the panels slightly changed their shapes as they go higher in the wall. The voids that created by this form change are used to create indirect lighting. On the other hand on the center part of the space there is direct lighting which directly lighten the platform in the middle.

USING A PATTERN TO CREATE THE LIGHT EFFECT DIRECT LIGHT INDIRECT LIGHT


Uniformed Turkish Bath is created as a modern reinterpretation of a traditional Turkish social space ‘hamam’. With the usage of a parametric panel system, a uniformed design achieved as a single panel creates the base, the seating units, the walls and the ceiling. As these panels connect together side by side the space is created.

PLAN

TOP VIEW

THE FORM AND THE SEATING UNITS

WASTE WATER OUTLETS UNIFYING BASIN DESIGN WITH THE MAIN FORM KURNA

‘’GÖBEK TAŞI’’ SEATING UNITS USING A TURKISH ORNIMENT PATTERN IN THE FORM DEFINING


THE CONTEMPORARY NEST

FOR THE KIDS

This structure is a part of a natural playground for kids to celebrate and learn about the nature. Weaverbird’s nest design is the main inspiration behind this design. The nest starts with two primary attachment points, just like this design started with two attachment points to the ground and slowly grow around these points to create a 3D space.

DAY TIME

NIGHT TIME

‘’Teaching children about the natural world should be treated as one of the most important events in their lives.’’ Thomas Berry


There is a main structure and the cover which have little holes on them where every one of those holes are different from each other as they are created parametrically to the distances of the main structure.

‘’If one way be better than another, that you may be sure is nature’s way.’’ Aristoteles

WASTE WATER OUTLETS UNIFYING BASIN DESIGN WITH THE MAIN FORM KURNA

3D PRINT MODEL


TIME INTERACTIVE CENTRE

FOR TRAVELERS IN AMASRA

The concept of the project is reflecting city’s architectural language and genius loci. Amasra is a city with a significant history from many civilizations. Amasra, in the middle of Black Sea, is a city waiting to be explored with its history involved many civilizations and it’s natural beauties. The Black Sea views and work of arts left from glorious civilizations are two of the main things that visitors are focused on. In this design, the main focus is to make the visitors to experience this timeless beauty of Amasra with a different approach. The building consists of continuous ramps through time in which they will explore a different civilization in many parts of the building that has a role in the history of Amasra.


DESIGN PROCESS 1.

2.

SITE PLAN WITH FUNCTIONS LANDMARKS TOURISTIC PATHS PORT FORTIFICATION GATEWAY PARKING AREA FOR CARS FOR BUSES

RESTAURANTS SHOPS NODE PRIVATE AREAS

3.

SITE ANALYSIS

4.


BB’

AA’

GROUND FLOOR PLAN

SECOND FLOOR PLAN

FIRST FLOOR PLAN

THIRD FLOOR PLAN


SECTION BB’

SITE PHILOSOPHY

The site is located near a 12m wall which is, in the ancient history, built to protect the city from the enemies that are coming from the sea. In this design the main philosophy is to create a wall which reflects the wall of the city and creating the building behind this wall as the city grew behind this wall in reality. So reflecting the architectural language of the city is the main direction of the design. A time interactive space for the SECTION AA’ travelers must be a space that makes the visitors feel the history in even the basic parts of the design like this wall that creates the boundaries of the building. A time interactive space must be both connected to the future as it is connected to the past; so the design created with this philosophy.

SITE PLAN

STUDY MODEL


The local material usage is a specific feature of Amasra, so in this design the local material usage continues throughout the building. There are offices, labs, a cafĂŠ, library and some shops other than the main parts of the building. These functions are provided on the sides of the main two cubes. Some references to the architectural language of Amasra continued in the façade designs, the location of the fenestrations but in a way that it combined with the future of Amasra’s architecture with the curtain walls and the roof design.


ENLIGHTENED HALF

DARKENED HALF

The design is the combination of a closed and an open cube which will reflect the dark times and the light times of the history. The dark part of the building is to remind people about the wars, tragedies that took place in this city. Digital media going to be used in this part of the building to give them the feeling. But the structure of the roof is a final touch which is reflected as a light of “hope” through the dark times. The dark part of the building has this sloped one piece roof which provides a one way light through the open sky and reference the air and light to the hope that people should have through dark times. Experiments like light and changing in seasons etc. are really powerful features because it created a place for “human experience”, which have meaning, function and aesthetic.


TENSEGRITY STRUCTURE

FOR OUTDOOR SPACES

This structure is an experiment for the construction and materials course in the topic of tensegrity structures. This is a closed structural system which has wires in tension and along with that compression strut members; so it works both in compression and tension. In this project the structure created from wooden strut members and wires. Special joint systems are designed to make the design manufacturable in real life.

Joints that connect modules to each other

SINGLE MODULE

JOINTED MODULES

Joints of a single module


A single module has six wooden components that are connected with the wires. By multiplying this single module, a whole structure has been created which touches the ground from three points to be stable. The structure is designed as a masterpiece that can be used in outdoor spaces as it has 2.7m in height and occupy an area of a 7.5 sqm.

FINAL DESIGN 1/100 SCALED MODEL


PHOTOGRAPHY


Architecture is meaningless without the people experiencing the created spaces, so the human sense for the architecture can be screened through photography. When I travel, I take photos to try to make the person feel the same experiences when I was in that moment of experimenting, sometimes in a moment of feeling so big in an airplane, and sometimes feeling so small in front of a gigantic building from past or present. Every angle can deliver a different sense of feeling which is I think links photography, architecture and people.



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