1 minute read

DETROIT SYMPHONY ORCHESTRA

JADER BIGNAMINI , Music Director Music Directorship endowed by the Kresge Foundation

Pvs Classical Series

Advertisement

Title Sponsor:

BRAHMS’ FIRST PIANO CONCERTO & BARTÓK

Friday, February 3, 2023 at 10:45 a.m.

Friday, February 3, 2023 at 8 p.m.

Saturday, February 4, 2023 at 8 p.m. in Orchestra Hall

LEONARD SLATKIN, conductor GARRICK OHLSSON, piano

Igor Stravinsky Symphonies of Wind Instruments (1882 - 1971)

Béla Bartók Music for Strings, Percussion, and Celesta (1881 - 1945) I. Andante tranquillo

II. Allegro

III. Adagio

IV. Allegro molto

Intermission

Johannes Brahms Piano Concerto No. 1 in D minor, Op. 15 (1833 - 1897) I. Maestoso

II. Adagio

III. Rondo: Allegro non troppo

Garrick Ohlsson, piano

Saturday’s performance will be webcast via our exclusive Live From Orchestra Hall series, presented by Ford Motor Company Fund and made possible by the John S. and James L. Knight Foundation.

PROGRAM AT-A-GLANCE | BRAHMS’ FIRST PIANO CONCERTO & BARTÓK Stay True to Your Roots

One thing that Stravinsky, Brahms, and Bartók all had in common was an unshakeable sense of confidence. Although each composer dealt with occasional self-doubt, they never failed to honor their roots and remain true to themselves. Brahms’s Piano Concerto No. 1—played here by Garrick Ohlsson, who this season celebrates 50 years of performing with the DSO—masterfully demonstrates the composer’s ability to capture and convey deep, human emotions. The orchestral accompaniment is structured with an intention to “deepen and intensify his arguments” within the music. Although Bartók’s influences came almost exclusively from his Hungarian heritage, he was criticized by his home country for his modern interpretations. Nevertheless, he clung to these folk melodies and showcased them, especially in his Music for Strings, Percussion, and Celesta. Stravinsky’s Symphonies of Wind Instruments was not intended to please audiences, rather to pay tribute, in his own way, to composer Claude Debussy. Stravinsky was no stranger to criticism, and he knew that this piece would receive the respect and appreciation it deserved in due time. It is because of the strong conviction and determination of these composers that we are afforded the opportunity to perform and enjoy their masterful works today.

This article is from: