Magnificat Pr ru ev sa ie l C w o on py ly
taylor scott davis
I. Magnificat anima mea
4
26
I II. Et misericordia
39
IV. Deposuit
53
Pe
II. Shall I Rejoice
V. Gloria Patri
63
Program Notes The Magnificat text is rich and historic, and though it’s an unwritten rule, it seems each composer gets one chance to declare what they believe the text means to them. Is it possible to capture the sound of Mary going from typical teenage child to God’s chosen one? Is it feasible to spend five movements cycling through all of the emotions the story elicits? What helps narrate and what seems overly dramatic? As I approached the text, the following became my interpretation:
A solo violin becomes Mary’s character, and you can hear the uncertainty in her voice. The violin is minor, it’s questioning, it’s fearful. And the text from the choir is about fearing God, who will show strength, and scatter the proud and arrogant. The movement ends with an unexpected peace, as the violin represents Mary’s understanding of what this means. Et misericordia
Magnificat anima mea
Movements three and four are very much linked. The sixteenth notes remain, but their hurried sound turns major as the choir sings about God exalting the humble and feeding the hungry, leaving behind the fearful nature of the previous movement. Gloria Patri The final movement begins with jubilation: Gloria Patri (“Glory be to the Father”), the choir sings, as the accompaniment swells. “As it was in the beginning” is the translation, as the choir then sings a gentle, simple melody. The Latin word semper seems to go in circles about halfway through, as it means “always.” A slowed down version of the opening melody is sung by a soloist or small group in an ethereal way, before the choir energetically closes by singing about what this means for “generations of generations.”
Pr ru ev sa ie l C w o on py ly
Joy, honor, and bewilderment. A child-like exclamation at the beginning yields to a warm melody by measure 28, where the men begin singing of God’s regard for Mary’s lowly status. A murky section afterward leans on the word anima, which is feminine and means “breath,” “air,” or “life force.” Before returning to joy, we have incredibly stately chords as the choir sings about what mighty work God has done through Mary. Shall I Rejoice
Deposuit
To add a modern voice, I asked Dr. Terry York to write a new text, and his words connected with me deeply. There is a musical simplicity to this movement, but the piece builds around Dr. York’s text as he very uniquely channels Mary’s intuition to foreshadow the trouble ahead for her son. That uncertainty peaks as the words “joy and agony” sound like they unravel. Still, every phrase ends with release and determination.
—Taylor Scott Davis
Pe
Instrumentation 2 Flutes Oboe 2 Clarinets in B-flat 2 Bassoons 2 Horns in F 2 Trumpets in C Percussion Timpani Wind Chimes Triangle Cymbals Glockenspiel Chimes Tambourine Bass Drum Harp Violin I Violin II Viola Violoncello Contrabass
Accompaniment Options Full Orchestra 2 Flutes, Oboe, 2 Clarinets in B-flat, 2 Bassoons, 2 Horns in F, 2 Trumpets in C, Timpani, Percussion (Wind Chimes, Triangle, Cymbals, Glockenspiel, Chimes, Tambourine, and Bass Drum), Harp, Strings Score and Parts Rental Additional Full Score 70-025A Chamber Orchestra Flute, Oboe, Clarinet in B-flat, Bassoon, Percussion (Timpani, Triangle, and Cymbals), Harp, Strings Score and Parts Rental Additional Full Score 70-025B Organ and Harp (Piano), with opt. Percussion Score 70-025C Parts 70-025D
Text I. Magnificat anima mea Dominum. Et exultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna qui potens est: et sanctum nomen ejus.
My soul magnifies the Lord. And my spirit has rejoiced in God my savior. For he has regarded the low estate of his handmaiden: for behold, henceforth all generations shall call me blessed. For he who is mighty has done great things to me; and holy is his name.
Pr ru ev sa ie l C w o on py ly
II. Shall I rejoice for Christ in me, the first of such to say? All that this child shall ever say or be now lives and grows in me. Shall I rejoice for Christ in me, his name forever mine? I yield to him my life’s identity; Christ lives and grows in me.
Pe
Shall I rejoice for Christ in me, both glory and disgrace? My song shall be both joy and agony; Christ lives and grows in me.
Shall I rejoice for Christ in me, as clouds and shadows rise? I ponder scenes that I don’t want to see. Christ lives and grows in me.
Terry York © Birnamwood Publications
III. Et misericordia ejus a progenie in progenies timentibus eum. Fecit potentiam in brachio suo; dispersit superbos mente cordis sui.
And his mercy is on them who fear him from generation to generation. He has shown strength with his arm; he has scattered the proud, even the arrogant of heart.
IV. Deposuit potentes de sede, et exaltavit humiles. Esurientes implevit bonis: et divites dimisit inanes. Suscepit Israel puerum suum, recordatus misericordiae suae. Sicut locutus est ad patres nostros, Abraham et semini ejus in saecula.
He has deposed the mighty from their seats, and exalted the humble. The hungry he has filled with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy. As it was spoken to our fathers, to Abraham and his seed forever.
V. Gloria Patri, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen!
Glory be to the Father, and to the Son, and to the Holy Spirit. As it was in the beginning, is now, and ever shall be, world without end. Amen!
Pr ru ev sa ie l C w o on py ly
Pe
Commissioned 3 by Carolyn Good, in honor of women of faith and for the Chancel Choir of St. John’s United Methodist Church, Albuquerque, New Mexico, Matthew Greer, Director
Magnificat for Soprano Solo, SATB Chorus (divisi), and Full Orchestra
Taylor Scott Davis
I. Magnificat anima mea
Brightly
Oboe
Bassoon
I II
Horn in F
I II
Trumpet
I II
Timpani
Wind Chimes
Triangle
Cymbals
Glockenspiel
Tambourine
Harp
Soprano
Alto
Tenor
Bass
Viola
= 84
Music: Taylor Scott Davis (BMI), newly composed, and copyright © 2020 Ione Press, Inc., a division of ECS Publishing Group.
MSM-70-025A
Brightly
Contrabass
Violin II
Violoncello
Violin I
Crash
Tubular Bells
I Clarinet in B♭ II
Pr ru ev sa ie l C w o on py ly
I II
Pe
Flute
= 84
Published 2020 MorningStar Music Publishers All rights reserved. Printed in U.S.A. 1.800.647.2117 www.MorningStarMusic.com Reproducing this publication in any form is prohibited by law without the permission of the publisher. The various music licensing agencies do not give permission to copy this music.
4
I. Magnificat anima mea
4
I Fl. II
Slightly slower = 80
Ob.
I Cl. II
I Hn. II
Timp.
Tri.
Cym.
Hp.
S
A
T
B
Ma - gni - fi - cat, ma - gni - fi - cat.
Ma - gni - fi - cat, ma - gni - fi - cat.
Ma-
Ma-
Vln. II
Vla.
Slightly slower = 80
MSM-70-025A
Cb.
Vc.
Sus.
Vln. I
Pe
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Bsn. II
pizz.
5
I. Magnificat anima mea
8
I Fl. II
Ob.
I Cl. II
I Bsn. II
I Hn. II
Hp.
S
A
T
B
Vln. I
Pr ru ev sa ie l C w o on py ly
Timp.
- gni
-
- gni
-
fi - cat,
fi - cat,
Vla.
MSM-70-025A
-
-
fi - cat,
fi - cat,
Et
Et
-
-
a - ni - ma me
a - ni - ma me
ma - gni - fi - cat
ma - gni - fi - cat
ma - gni - fi - cat
Cb.
Ma - gni
E♭ D♭ B♭
ma - gni - fi - cat
Ma - gni
Vln. II
Vc.
Pe
I Tpt. II
a Do - mi - num.
a Do - mi - num.
6
I. Magnificat anima mea
11
Tpt. II
Timp.
Tri.
Cym.
Hp.
S
A
T
B
Vln. I
Vla.
MSM-70-025A
ex - ul - ta - vit spi - ri - tus
ex - ul - ta - vit spi - ri - tus
me - us in
De - o
me - us in
De - o
me - us in
De - o
sa
-
-
-
- lu -
-
- lu -
-
- ta
- ta
-
-
-
-
ri
ri
sa
-
-
- lu -
-
- ta
-
-
ri
sa
-
-
- lu -
-
- ta
-
-
ri
arco
-
sa
Ex - ul - ta - vit spi - ri - tus
De - o
I.
me - us in
Ex - ul - ta - vit spi - ri - tus
Cb.
Vln. II
Vc.
Pr ru ev sa ie l C w o on py ly
Tpt. I
I Cl. II
I Hn. II
Ob.
I Bsn. II
Pe
I Fl. II
7
I. Magnificat anima mea
14
I Fl. II
I.
I Cl. II
II.
Ob.
I Hn. II
Timp.
Cym.
Tamb.
Hp.
S
A
T
me
me
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Cb.
MSM-70-025A
-
-
-
-
-
-
o.
-
Vla.
-
-
o.
-
-
Vln. II
Vc.
-
o.
Vln. I
-
-
-
-
-
me
B
-
choke
-
-
-
me
Pe
Tpt. II
Pr ru ev sa ie l C w o on py ly
I Bsn. II
Tpt. I
Tempo I ( = 84)
Ma
o.
Ma
Tempo I ( = 84)
-
-
8
I. Magnificat anima mea
17
Ob.
I Cl. II
I Hn. II
Tpt. I
Cym.
Hp.
S
A
T
B
Vln. I
I.
I.
Vla.
MSM-70-025A
-
-
Ma
Ma
Cb.
Vln. II
Vc.
Glock.
Tamb.
Pe
Timp.
I Bsn. II
Tpt. II
Pr ru ev sa ie l C w o on py ly
I Fl. II
F♯ C♯
gni - fi - cat.
Ma -
gni - fi - cat.
Ma -
-
- gni - fi - cat.
-
Ma -
-
- gni - fi - cat,
Ma -
-
9
I. Magnificat anima mea
= 116 21
Ob.
I Cl. II
I Bsn. II
I Hn. II
Tpt. I
Hp.
S
-gni
T
-gni
B
-gni
Vln. I
Vln. II
Vla.
Vc.
Cb.
-
-
fi - cat
a
ni - ma
ni - ma
-
-
a
-
-
a
-
G♯
ni - ma
ni - ma
me -
me -
me -
me -
- a
- a
- a
- a
-
a
fi - cat
fi - cat
fi - cat
MSM-70-025A
= 116
-gni
A
Pe
Glock.
Timp.
Cym.
Tpt. II
W. Ch.
Flowing = 76
molto rit.
Pr ru ev sa ie l C w o on py ly
I Fl. II
Do
-
mi
-
Do -
-
-
mi
Do -
num.
Flowing = 76
molto rit.
num.
- mi - num.
- mi - num.
Do
10
I. Magnificat anima mea
I Fl. II
27
Ob.
I Cl. II
I Hn. II
Tpt. II
Timp.
Tpt. I
S
A
T
Vln. I
Vln. II
Vla.
an - cil - lae
Vc.
Cb.
MSM-70-025A
hu
re - spe - xit
hu
re - spe - xit
Qui - a
-
-
mi - li - ta
mi - li - ta
-
-
su
-
ae:
-
ae:
ec - ce
e - nim
ec - ce
e - nim
tem,
tem
ex
ex
pizz.
ex
ex
su
-
G♮
-
an - cil - lae
Qui - a
B
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
I Bsn. II
11
I. Magnificat anima mea
I.
Tpt. II
Timp.
Hp.
S
hoc
A
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
di
di
di
-
cent
o
cent
-
o
-
cent
-
-
o
cent
o
G♯
mnes
ge
-
ne - ra -
- ti
-
o
-
-
-
mnes.
mnes.
-
mnes.
-
nes.
C♮
G♮
-
di
II.
be - a - tam me
be - a - tam me
hoc
be - a - tam me
hoc
B
be - a - tam me
hoc
T
Pe
Tpt. I
Pr ru ev sa ie l C w o on py ly
I Hn. II
I.
I Bsn. II
I Cl. II
Ob.
36
I Fl. II
12
I. Magnificat anima mea
45
I Fl. II
Tpt. II
Timp.
Ob.
I Cl. II
I.
I Bsn. II
II.
Tpt. I
Glock.
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
G♯ C♯
MSM-70-025A
E♯
arco sempre
re - spe - xit
hu
hu -
- mi - li - ta
-
-
mi - li - ta
-
-
su -
tem
su
- ae:
ae:
-
ec - ce
ec - ce
ec -
- ce
tem
pizz.
- ae:
-
su -
re - spe - xit
E♮
A♯
an - cil - lae
Qui - a
an - cil - lae
Qui - a
D♯
Pe
W. Ch.
Pr ru ev sa ie l C w o on py ly
I Hn. II
13
I. Magnificat anima mea
53
I Fl. II
Ob.
I Cl. II
I Bsn. II
I Hn. II
Tpt. II
Timp.
S
A
T
B
Vln. I
Vln. II
Vla.
hoc
me
ex
me
me
me
di
e - nim
e - nim
ex
e - nim
Vc.
Cb.
MSM-70-025A
ex
hoc
()
ex
hoc
be - a - tam
be - a - tam
be - a - tam
be - a - tam
hoc
di
di
di
-
cent
o - mnes
ge - ne
-
ra
-
- nes.
-
-
-
cent
cent
cent
o - mnes.
o - mnes.
o - mnes.
arco
ti - o -
D♮
-
A♮
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
Tpt. I
pizz.
14
I. Magnificat anima mea
Fl.
I
Fl. II
Ob.
I Cl. II
I.
Tpt. II
Timp.
S
A
T
B
A♯ D♯
G♮ A♮
D♮
Pe
Hp.
Tpt. I
I.
con sord.
con sord.
con sord.
Vc.
sord. con
Cb.
arco
Vla.
MSM-70-025A
Ma - gni - fi - cat
a - ni - ma
a - ni - ma me - a
me
-
a
Ma -
Vln. II
Ma - gni - fi - cat
Vln. I
Pr ru ev sa ie l C w o on py ly
I Hn. II
I Bsn. II
Misterioso = 52
rit.
63
con sord.
rit.
Misterioso = 52
15
I. Magnificat anima mea
69
Fl.
I
Fl. II
I Cl. II
Ob.
I.
I Bsn. II
I Hn. II
Tpt. I
Timp.
Glock.
S
A
T
B
Vln. I
Vla.
Cb.
MSM-70-025A
Do -
Vln. II
Vc.
Pe
Hp.
- gni - fi - cat
a - ni - ma
- mi - num,
Do
Do - mi - num,
pizz.
-
mi - num.
B♮
Et
ex - ul - ta - vit
spi - ri - tus
Et
ex - ul - ta - vit
spi - ri - tus
Do - mi - num.
Et ex - ul - ta -
Et ex - ul - ta -
Do - mi - num.
Do - mi - num.
E♭ B♭
Do - mi - num,
a - ni - ma me - a
me - a
Ma - gni - fi - cat
- mi - num,
Do -
Pr ru ev sa ie l C w o on py ly
I.
Tpt. II
-
-
16
I. Magnificat anima mea
Ob.
I.
I.
I Bsn. II
I Hn. II
Tpt. I
Timp.
Glock.
Hp.
S
A
T
B
E♮
-
us
in
me
-
- vit
spi - ri - tus me -
- vit
spi - ri - tus me -
us
in
-
De - o
De - o
sa - lu - ta - ri
sa - lu - ta - ri
me -
me -
-
- o.
-
- o.
- us.
Vla.
Qui - a
fe - cit
mi
fe - cit
Qui - a
fe - cit
fe - cit
-
hi
mi
-
hi
mi
-
mi
-
hi
Freely
Qui - a
rit.
Qui - a
- us.
-
-
-
MSM-70-025A
Vln. II
Cb.
Vc.
me
Vln. I
Pe
Tpt. II
Freely
Pr ru ev sa ie l C w o on py ly
I Cl. II
I.
74
I Fl. II
rit.
hi
17
I. Magnificat anima mea
81
I Fl. II
Ob.
molto rit.
(Freely)
I Bsn. II
I Hn. II
Tpt. I
S
G♯
qui
ma - gna
T
B
Vln. I
qui
ma - gna
ma - gna
A
Hp.
E♯ C♯
Pe
Timp.
Tpt. II
Pr ru ev sa ie l C w o on py ly
I Cl. II
qui
ma - gna
qui
po - tens,
qui
po - tens
qui
po - tens,
qui
po - tens,
qui
po - tens est:
po - tens est:
po - tens est:
po - tens est:
et
et
et
et
san - ctum
san - ctum
san - ctum
san - ctum
no - men,
no - men,
e - jus,
no - men
no - men
molto rit.
e - jus.
e - jus.
arco
no
Vla.
MSM-70-025A
no - men,
e - jus,
Cb.
no - men
Vln. II
Vc.
no - men
no - men,
(Freely)
-
men
18
I. Magnificat anima mea
= 116
90
I Fl. II
Ob.
I Cl. II
I.
I Bsn. II
I Hn. II
Tpt. II
Timp.
Tamb.
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Pr ru ev sa ie l C w o on py ly
Glock.
Pe
Tpt. I
e
-
jus.
no - men
E♮ G♮ D♯
-
-
-
-
-
e -
a2
- jus.
= 116
senza sord.
senza sord.
pizz.
senza sord.
pizz.
Cb.
MSM-70-025A
senza sord.
19
I. Magnificat anima mea
95
I Fl. II
Ob.
Cl.
I
Cl. II
I Bsn. II
a2
I.
I.
Tpt. II
Timp.
Tamb.
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
D♮
II.
II.
II.
Pr ru ev sa ie l C w o on py ly
Glock.
Pe
Tpt. I
I Hn. II
I.
F♮
C♮
Vc.
Cb.
MSM-70-025A
senza sord.
20
I. Magnificat anima mea Tempo I ( = 84)
molto rit.
99
Ob.
Cl.
I
Cl.
II
Bsn.
I II
Hn.
I II
Tpt.
I II
Timp.
Tri.
Tub. Bells
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
molto rit.
I. II.
Ma - gni
Ma - gni
-
-
fi
-
fi
-
fi
cat
cat
-
-
Ma - gni
fi
Ma - gni
-
cat
-
Tempo I ( = 84)
arco arco
Cym.
Pr ru ev sa ie l C w o on py ly
I II
Pe
Fl.
cat
21
I. Magnificat anima mea
102
Fl.
I II
Ob.
Cl.
I
I II
Hn.
I II
Tpt.
I II
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
a -
a -
a -
a -
- ni -
- ma
me
-
-
-
me
- ni -
- ma
me
-
-
me
-
-
a,
- ni -
- ma
Vc.
Cb.
a,
- ma
- ni -
-
MSM-70-025A
Pe
Tub. Bells
Cym.
Pr ru ev sa ie l C w o on py ly
Bsn.
II
Tri.
Cl.
Timp.
a,
a,
22
I. Magnificat anima mea
104
I II
I
Cl.
II
Bsn.
I II
Hn.
I II
Tpt.
I II
Timp.
Cym.
Tub. Bells
A
T
B
Vln. I
Vln. II
Vla.
- fi
- gni -
- fi
ma -
- gni -
ma -
- fi
- gni -
ma -
-
-
-
-
- fi
-
-
cat
cat
cat
- gni -
-
-
ma -
cat
Vc.
Cb.
MSM-70-025A
Pr ru ev sa ie l C w o on py ly
Cl.
S
Ob.
Hp.
Pe
Fl.
23
I. Magnificat anima mea
106
Fl.
I II
Ob.
Hn.
I II
Tpt.
I II
Vln. I
Vln. II
Vla.
Pe
- ni -
- ma
- ni -
- ni -
me -
- ma
me -
- a
- a
- a
- ma
me -
- a
me -
- ni -
a -
- ma
a -
=
E♯ B♯
a -
a -
=
Vc.
Cb.
MSM-70-025A
Pr ru ev sa ie l C w o on py ly
B
T
A
S
Bsn.
I II
Hp.
Tub. Bells
II
Timp.
Cl.
I
Cl.
24
I. Magnificat anima mea
108
Fl.
I II
Ob.
Cl.
II
Bsn.
I II
Hn.
I II
Timp.
Cym.
Tub. Bells
Hp.
S
Do
T
Do
B
Do
Do
A
Pe
Tpt.
-
-
mi - num!
mi - num!
-
mi - num!
-
choke
mi - num!
Vc.
Cb.
MSM-70-025A
Vla.
Vln. II
Vln. I
Pr ru ev sa ie l C w o on py ly
I
I II
Cl.
25
Terry York
II. Shall I Rejoice
Flute I
Clarinet in B♭ I
accel.
Oboe
Peacefully = 72
Horn in F I
Alto
Tenor
Bass
Soprano Solo
Soprano
Violin I
Violin II
Viola
Violoncello
Contrabass
MSM-70-025A
Shall
I
re - joice
for Christ
Peacefully = 72
= 80
accel.
con sord.
con sord.
con sord.
con sord.
Pe
Harp
= 80
Pr ru ev sa ie l C w o on py ly
Bassoon I
in
26
II. Shall I Rejoice
Fl. I
8
Ob.
Cl. I
Bsn. I
Hn. I
S
T
B
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
me,
A
Vln. I
the
first
of
such
to
say?
All
that
this child
shall
Pr ru ev sa ie l C w o on py ly
Solo
Pe
Hp.
E♭ A♭ B♭
27
II. Shall I Rejoice
15
Fl. I
Ob.
Cl. I
Bsn. I
Hn. I
S
ev - er
A
T
B
say
or
grows
E♮ A♮ B♮
in
me.
Vla.
MSM-70-025A
Cb.
Vln. II
now lives and
Vc.
be
Vln. I
Pr ru ev sa ie l C w o on py ly
Solo
Pe
Hp.
pizz.
28
II. Shall I Rejoice
22
Cl. I
Bsn. I
Hn. I
Hp.
S
Cb.
MSM-70-025A
B♭
B♮
Tutti
Shall
I
re
Vc.
B
Vla.
T
Vln. II
A
Vln. I
Pr ru ev sa ie l C w o on py ly
Ob.
Pe
Fl. I
-
29
II. Shall I Rejoice
29
Fl. I
Ob.
Cl. I
Hn. I
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
- joice
I
in me,
re - joice
for Christ
Shall
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
Bsn. I
for
Christ
in
-
er
mine?
I yield to
name for - ev - er mine?
I
yield
his
me,
his name for - ev
30
II. Shall I Rejoice
rit.
36
Fl. I
Ob.
Cl. I
Broader
Hn. I
S
A
T
B
E♭ A♭ B♭
him
my
Vln. II
Vla.
Cb.
life’s i - den - ti - ty;
Vc.
Vln. I
A♮ B♮
E♮
me.
rit.
MSM-70-025A
in
grows
Christ lives and
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
Bsn. I
Broader
arco con sord.
31
II. Shall I Rejoice
43
Fl. I
Ob.
Cl. I
= 80
Hn. I
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
F♯ C♯
Shall I
Shall I
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
Bsn. I
re - joice
re - joice
for
Christ
for
in
me,
Christ
in
me,
I
re - joice,
shall
shall
I
re - joice,
for
re - joice
re - joice
= 80
32
II. Shall I Rejoice
Cl. I
Bsn. I
Hn. I
Hp.
S
A
G♯
T
B
Vln. I
Vln. II
Vla.
Christ
Christ
and
me;
both glo - ry
in
me;
both glo - ry
dis -
Cb.
-
-
-
dis
grace?
-
grace?
My song shall
My song shall
My
song,
With rubato
- grace?
grace?
dis
and
-
and
dis
Vc.
MSM-70-025A
and
for
in
D♯
both glo - ry
With rubato
both glo - ry
Pr ru ev sa ie l C w o on py ly
Ob.
Pe
Fl. I
52
33
II. Shall I Rejoice
60
Ob.
Bsn. I
Hn. I
S
A
B
be
both
both
my song shall
joy and ag - o - ny,
joy and ag - o - ny,
be
ag
both joy and
-
ag
-
ag - o - ny,
o - ny;
Christ
o - ny;
be
T
Cl. I
Hp.
rit.
Pe
Fl. I
Pr ru ev sa ie l C w o on py ly
lives and
Christ
lives
joy and ag - o - ny; Christ lives
Christ
in
me,
and grows
lives
and
in
me,
in
me,
grows in
grows
and grows
me,
rit.
Vc.
Cb.
Vln. I
Vln. II
Vla.
MSM-70-025A
34
II. Shall I Rejoice
68
Fl. I
= 60
Ob.
Cl. I
Hn. I
S
A
T
B
Christ
lives
and
grows
Christ lives
and grows
Christ lives
me.
grows in
= 60
= 72
Vc.
Cb.
MSM-70-025A
Vla.
Vln. II
in
grows
me.
and
in
in
and
Vln. I
Christ lives
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
Bsn. I
= 72
35
II. Shall I Rejoice
77
Fl. I
Ob.
Cl. I
Shall I
re - joice
in me,
Vla.
arco
as clouds and
MSM-70-025A
for Christ
Cb.
Vln. II
Vc.
Pe
B
Vln. I
T
A
S
Solo
Hn. I
Hp.
Bsn. I
Pr ru ev sa ie l C w o on py ly
36
II. Shall I Rejoice
Cl. I
Bsn. I
Hn. I
Hp.
Solo
S
T
B
Vln. I
shad -
A
- ows
rise?
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
scenes
that
I don’t want to
E♭ A♭ B♭
I
pon - der
see.
Christ
Pe
Ob.
Pr ru ev sa ie l C w o on py ly
85
Fl. I
= 60
rit.
pizz.
= 60
rit.
37
II. Shall I Rejoice
Ob.
Cl. I
Fl. I
Bsn. I
Hn. I
Hp.
T
B
and
grows
in
me.
Pe
lives
rit.
Vln. II
Vla.
MSM-70-025A
A
Cb.
Vc.
Vln. I
S
Solo
D♭
rit.
Pr ru ev sa ie l C w o on py ly
93
arco
38
III. Et misericordia Misterioso = 60
I Bassoon II
I Horn in F II
Timpani
Alto
Tenor
Bass
Cymbals
Bass Drum
Harp
Soprano
senzasord. molto espr.
Pe
Flute
Pr ru ev sa ie l C w o on py ly
I II
Misterioso = 60
Solo
Violin I
gli altri
Violin II
Viola
Violoncello
Contrabass
MSM-70-025A
con sord.
con sord.
con sord.
con sord.
39
III. Et misericordia
I Bsn. II
I Hn. II
Timp.
A
T
B
S
Solo
Pe
Hp.
Pr ru ev sa ie l C w o on py ly
13
I Fl. II
Vln. I
gli altri
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
40
III. Et misericordia Flowing = 80
24
I Fl. II
I Bsn. II
I Hn. II
Timp.
B. Dr.
A
T
B
Solo
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
Vln. I
gli altri
Pr ru ev sa ie l C w o on py ly
S
Pe
Hp.
Flowing = 80
41
III. Et misericordia
I Bsn. II
I Hn. II
Timp.
Hp.
Pr ru ev sa ie l C w o on py ly
33
I Fl. II
A
T
B
Solo
Pe
S
Vln. I
gli altri
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
42
III. Et misericordia
37
I Fl. II
I Bsn. II
I Hn. II
Timp.
A
T
B
Solo
Vln. I
Et
mi - se - ri - cor - di - a
mi - se - ri - cor - di - a
e
e
-
-
jus
a
jus
a
pro -
pro -
Vln. II
Vla.
Cb.
Et
gli altri
Vc.
Pe
S
Pr ru ev sa ie l C w o on py ly
Hp.
MSM-70-025A
43
III. Et misericordia
41
I Fl. II
I Bsn. II
I Hn. II
Timp.
A
T
- ge - ni - e
B
Solo
e
a pro - ge - ni - e
in pro - ge - ni - es.
- ge - ni - e
Pe
S
Pr ru ev sa ie l C w o on py ly
B♮
Hp.
Et mi - se - ri - cor - di - a
in pro - ge - ni - es.
Et mi - se - ri - cor - di - a
e
-
-
jus
a pro - ge - ni - e
jus
in pro -
in pro -
Vln. I
gli altri
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
44
III. Et misericordia
I Bsn. II
I Hn. II
Timp.
Hp.
A
T
- ge - ni - es.
B
Pe
S
- ge - ni - es.
Solo
Pr ru ev sa ie l C w o on py ly
46
I Fl. II
Vln. I
gli altri
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
legato
legato
45
III. Et misericordia
51
I Fl. II
I.
I Bsn. II
II.
I.
I Hn. II
II.
Hp.
S
A
T
B
Solo
Pr ru ev sa ie l C w o on py ly
B. Dr.
Pe
Timp.
Et mi - se - ri - cor - di - a
e
e
-
jus
e
-
jus
jus
a pro - ge - ni - e
a pro - ge - ni - e
a pro - ge - ni - e
e
a pro - ge - ni - e
senza sord.
Et mi - se - ri - cor - di - a
-
Et mi - se - ri - cor - di - a
Et mi - se - ri - cor - di - a
-
jus
Vln. I
gli altri
Vln. II
Vla.
Vc.
Cb.
senza sord.
MSM-70-025A
senza sord.
senza sord.
legato
legato
in pro -
in pro -
in pro -
in pro -
46
III. Et misericordia
I Fl. II
56
I Bsn. II
I Hn. II
Timp.
Pr ru ev sa ie l C w o on py ly
Hp.
e
a pro - ge - ni - e
in pro - ge - ni - es,
Vln. II
Vla.
S
- ge - ni - es.
A
Et mi - se - ri - cor - di - a
T
- ge - ni - es.
B
Et mi - se - ri - cor - di - a
Pe
- ge - ni - es.
Et mi - se - ri - cor - di - a
- ge - ni - es.
Vln. I
Vc.
Cb.
Et mi - se - ri - cor - di - a
MSM-70-025A
e
e
e
-
-
-
-
jus
jus
jus
jus
a pro - ge - ni - e
a pro - ge - ni - e
a pro - ge - ni - e
in pro - ge - ni - es,
in pro -
in pro - ge - ni - es,
in pro -
in pro - ge - ni - es,
in pro -
in pro -
47
III. Et misericordia
I Fl. II
61
I Bsn. II
I Hn. II
rit.
B. Dr.
Hp.
B♭
cresc. poco a poco
S
- ge - ni - es
cresc. poco a poco T
cresc. poco a poco
B
- ge - ni - es
Vln. I
Vla.
Vc.
Cb.
MSM-70-025A
-
-
-
Fe - cit
po
um.
Fe - cit
po
um.
Fe
um.
-
a tempo
-
-
cit - po
Fe - cit
um.
e
-
e
rit.
e
e
ti - men - ti - bus
ti - men - ti - bus
ti - men - ti - bus,
Vln. II
ti - men - ti - bus
ti - men - ti - bus,
ti - men - ti - bus
ti - men - ti - bus,
- ge - ni - es
Pe
A
ti - men - ti - bus,
cresc. poco a poco
- ge - ni - es
Pr ru ev sa ie l C w o on py ly
Timp.
a tempo
-
po
-
48
III. Et misericordia
rit.
66
I Bsn. II
I Hn. II
Timp.
Hp.
S
in
- ten - ti - am
E♭ A♭ D♭
in
in
in
bra - chi - o su -
Pe
- ten - ti - am
B
- ten - ti - am
T
- ten - ti - am
A
-
bra - chi - o su -
-
bra - chi - o su -
- o:
-
di - sper - sit
men - te
cor - dis
su - per - bos
su
su - per - bos
rit.
Vln. II
Vla.
Vc.
pizz.
-
su
-
su
-
su
- o:
MSM-70-025A
Vln. I
Cb.
di - sper - sit
su - per - bos
di - sper - sit
- o:
-
- o:
bra - chi - o su -
Pr ru ev sa ie l C w o on py ly
I Fl. II
-
49
III. Et misericordia
72
I Fl. II
I Bsn. II
Broader = 72
I.
Timp.
Cym.
B. Dr.
Hp.
S
cresc.
-
B
Vln. I
Vln. II
-
Fe
-
-
i.
-
Fe
i.
Fe
i.
Vla.
Vc.
Cb.
arco
MSM-70-025A
-
-
-
-
cit
po
-
ten - ti - am
-
po
cit
po
cit
po
= 72
-
-
-
Broader
in
-
ten - ti - am
in
-
ten - ti - am
in
in
ten - ti - am
cit
-
Fe
Pe
-
T
Sus.
- i.
A
Pr ru ev sa ie l C w o on py ly
I Hn. II
bra - chi - o
su
bra - chi - o
bra - chi - o
su
-
-
su -
su
-
o:
-
-
-
di -
o:
- o:
bra - chi - o
-
o:
50
III. Et misericordia Largo = ca. 50
I.
I Fl. II
rit.
77
dolce
I Hn. II
Timp.
Hp.
S
A
- sper - sit
su
-
di - sper - sit
B
di - sper - sit
men - te
cor -
per - bos
-
-
- dis
su
-
-
su - per - bos.
Pe
T
su - per - bos.
G♮ D♮
G♯
Pr ru ev sa ie l C w o on py ly
I Bsn. II
I.
rit.
-
-
-
-
-
Di
-
Di
sper
Di
-
-
sper
-
-
sit,
-
Largo = ca. 50
sit,
Vc.
Cb.
Vln. I
gli altri
Vln. II
Vla.
MSM-70-025A
pizz.
i.
sit,
Solo
-
-
sper
-
dolce
51
III. Et misericordia
I Fl. II
I Bsn. II
I Hn. II
Timp.
Hp.
S
Di
A
-
-
di -
di
B
di
Solo
-
-
sper -
- sper -
-
-
-
- sit
-
-
-
-
su - per
- sit
- sit
su - per
- sit
-
-
C♮
-
bos
bos
bos
bos
men
men
-
su - per
su - per
sper -
sper -
F♭ C♭
Pe
T
Pr ru ev sa ie l C w o on py ly
84
men
men
-
te
cor
-
te
cor
-
te
cor
te
A♮
-
cor
F♮ A♭
-
-
-
-
-
-
dis
dis
-
dis
-
dis
su -
- i.
su -
- i.
su -
- i.
su -
- i.
Vln. I
gli altri
Vln. II
Vla.
Vc.
Cb.
Solo
Solo
Solo
MSM-70-025A
Tutti
Tutti
Tutti
arco
52
IV. Deposuit Flowing = 72
I Clarinet in B♭ II
I II
Horn in F
Triangle
Cymbals
Glockenspiel
Harp
Soprano
Alto
Tenor
Bass
Pe
Flute
Pr ru ev sa ie l C w o on py ly
I II
De -
De -
Flowing = 72
Violin I
Violin II
Viola
Violoncello
Contrabass
MSM-70-025A
sim. legato sim. legato
legato
53
IV. Deposuit
I Cl. II
I Hn. II
Hp.
S
A
T
- po - su - it
B
Vln. I
Vln. II
Vla.
po - ten - tes de
- po - su - it
Pe
5
Pr ru ev sa ie l C w o on py ly
I Fl. II
po - ten - tes de
se
- de,
et
se
- de,
et
ex - al - ta -
- vit hu - mi - les.
ex - al - ta -
E - su - ri - en
- vit hu - mi - les.
Cb.
-
tes im - ple - vit
E - su - ri - en
-
tes im - ple - vit
sim.
Vc.
MSM-70-025A
54
IV. Deposuit
I Fl. II
10
I Cl. II
I Hn. II
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
Pr ru ev sa ie l C w o on py ly
S
De - po - su - it
De - po - su - it
Pe
Hp.
bo - nis:
et
di - vi - tes di - mi - sit in - a
-
nes,
in - a
-
po - ten - tes de
po - ten - tes de
se
- de,
et
se
nes.
- de,
et
Po - ten - tes de
MSM-70-025A
bo - nis:
et
di - vi - tes di - mi - sit in - a
-
nes,
in - a
-
nes.
55
IV. Deposuit
15
I Cl. II
I Hn. II
Hp.
S
ex - al - ta -
A
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
se
-
de,
E - su - ri - en
hu - mi
-
-
les.
-
tes im - ple - vit bo - nis:
-
et
E - su - ri - en
-
di - vi - tes di - mi - sit in -
tes im - ple - vit bo - nis:
et
di - vi - tes di - mi - sit in -
tes,
et di - vi - tes in -
MSM-70-025A
E - su - ri - en
- vit hu - mi - les.
Pe
- vit hu - mi - les.
ex - al - ta -
T
Pr ru ev sa ie l C w o on py ly
I Fl. II
56
IV. Deposuit
I Fl. II
20
I Cl. II
I Hn. II
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
-a
-a
-
-
-a
nes,
nes,
-
in
-
nes.
-
nes.
-
a
Sus
in - a
nes,
in - a
Pr ru ev sa ie l C w o on py ly
Glock.
Pe
Tri.
Sus
-
-
-
-
-
ce
ce
-
pit,
-
pit,
sus
su
-
-
-
-
nes.
MSM-70-025A
( )
pizz.
57
IV. Deposuit
I Fl. II
I Cl. II
I Hn. II
24
Hp.
S
B
D♯
sus - ce
-
-
pit
Is - ra - el
pit
Pe
sus - ce
C♯
- ce - pit,
T
- ce - pit,
A
Pr ru ev sa ie l C w o on py ly
Tri.
Is - ra - el
-
e - rum
pu
-
e - rum
pu
su - um, re - cor - da - tus
mi -
su - um, re - cor - da - tus
mi -
Vc.
Cb.
Vln. I
Vln. II
Vla.
MSM-70-025A
58
IV. Deposuit
29
Fl. I
Fl. II
I Hn. II
I.
I Cl. II
Tri.
I.
II.
Sus.
Hp.
S
- se - ri - cor
T
B
Vln. I
Vln. II
-
-
-
-
-
-
su -
di - ae
su -
-
-
-
-
-
-
- ae.
Si -
- ae.
Si -
Si -
Si -
Vc.
Cb.
Vla.
di - ae
G♯
Pe
A
- se - ri - cor
Pr ru ev sa ie l C w o on py ly
Cym.
MSM-70-025A
arco
59
IV. Deposuit
33
I Cl. II
I Hn. II
Cym.
Glock.
Hp.
S
A
T
B
Vln. I
-
-
cut
-
-
-
-
cut
-
cut
-
cut
Vla.
MSM-70-025A
lo
-
-
lo
-
lo
-
lo
-
-
cu - tus est
cu - tus est
-
cu - tus est
-
cu - tus est
ad
pa
-
ad
pa
-
ad
pa
-
pa
-
ad
tres
tres
no
-
no
-
tres
no
-
no
-
tres
- stros,
-
stros,
A
- stros,
-
A
-
-
A
stros,
-
A
-
Cb.
Vln. II
Vc.
Pr ru ev sa ie l C w o on py ly
Fl. II
Pe
Fl. I
pizz.
60
IV. Deposuit
37
I Hn. II
Glock.
Hp.
S
A
T
B
Vln. II
Cb.
-
-
bra - ham
-
bra - ham
-
bra - ham
bra - ham
Vln. I
Vc.
Vla.
Pr ru ev sa ie l C w o on py ly
Fl. II
I Cl. II
et
se - mi - ni
e
-
jus,
et
se - mi - ni
et
se - mi - ni
e
-
jus,
et
se - mi - ni
e
-
jus,
Pe
Fl. I
e
-
jus,
et
se - mi - ni
se - mi - ni
se - mi - ni
et
e -
et
e
et
se - mi - ni
-
jus
- jus
e
-
jus
e -
in
in
in
- jus
in
sae -
MSM-70-025A
- cu -
-
-
sae -
- cu -
-
sae -
- cu -
-
sae -
- cu -
61
IV. Deposuit
41
I Cl. II
I.
I Hn. II
Glock.
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
- la.
- la.
- la.
Pr ru ev sa ie l C w o on py ly
Fl. II
Pe
Fl. I
- la.
sim.
sim.
sim.
arco
MSM-70-025A
62
V. Gloria Patri
Oboe
I II
Horn in F
I II
Trumpet
I II
Timpani
Wind Chimes
I Clarinet in B♭ II
Bassoon
Festive = 76
a2
Triangle
Soprano
Alto
Tenor
Bass
Violin I
Violin II
Viola
Violoncello
Contrabass
MSM-70-025A
Festive = 76
Pe
Soprano Solo
Glockenspiel
Harp
Cymbals
Tubular Bells
Glo - ri - a
Pa
Glo - ri - a Glo - ri - a
Pa
-
-
-
-
Glo - ri - a
Sus.
tri.
tri.
-
tri.
Pa
-
-
tri.
Glo - ri - a
Glo - ri - a
Glo - ri - a
Glo - ri - a
-
Pa
Pr ru ev sa ie l C w o on py ly
Flute
I II
63
V. Gloria Patri
7
I Cl. II
I Bsn. II
Hn. I
Hn. II
I Tpt. II
Timp.
Cym.
Hp.
S
A
T
B
Vln. I
Cb.
a2
Pa
Pa
Pa
-
-
a
Pa
tri,
et
Fi
tri,
et
Fi
tri,
et
Fi
tri,
et
Fi
tri,
-
tri,
tri,
-
-
tri,
glo -
glo -
glo -
glo -
- ri
- ri
-
-
- ri
-
- ri
-
-
a
Pa
a
Pa
a
Pa
-
-
-
MSM-70-025A
-
-
-
Pa
Vla.
Vln. II
Vc.
Pr ru ev sa ie l C w o on py ly
Ob.
Pe
I Fl. II
-
li - o.
-
li - o.
-
li - o.
-
li - o.
64
V. Gloria Patri I.
= 126
12
I Fl. II
a2
I Cl. II
a 2
Ob.
I Hn. II
Timp.
Cym.
Hp.
S
A
choke
Pe
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Bsn. II
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
-
-
-
Glo
Glo
T
-
-
-
Glo
ri
ri
-
-
a
Pa
a
Pa
-
-
-
-
ri
tri,
-
-
tri,
-
a
et
et
= 126
MSM-70-025A
65
V. Gloria Patri I.
16
I Fl. II
II.
Ob.
I Cl. II
I Bsn. II
I Hn. II
W. Ch.
Glock.
Hp.
S
A
Pr ru ev sa ie l C w o on py ly
Timp.
Pa
-
-
tri,
et
Pe
I Tpt. II
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
Glo -
Fi - li - o.
Glo -
- ri
Glo -
- ri
-
-
a
Pa
a
Pa
-
- ri
- tri,
-
- tri,
-
a
et
et
MSM-70-025A
Fi - li - o.
Fi - li - o. T
66
V. Gloria Patri
21
I Cl. II
Timp.
Tri.
Hp.
S
A
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
I.
-
-
Fi
li
- tri,
-
-
li
et
Fi
o.
-
-
li
-
o.
et
Fi
MSM-70-025A
-
li
-
-
E♭ A♭ B♭
- ri
-
-
- ri
-
a
Pa -
a
Pa -
-
- tri,
-
- tri,
o.
Glo -
Glo -
o.
Pa -
Fi
T
Cym.
Glock.
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Hn. II
Ob.
I Bsn. II
Pe
I Fl. II
I. II. I. II.
et
et
pizz.
67
V. Gloria Patri
25
I Fl. II
Ob.
I Cl. II
I Bsn. II
I.
I Hn. II
I Tpt. II
Timp.
A
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
Glo
Fi
B
-
li
-
li
-
-
a
Pa
-
-
-
ri
-
a
Pa
-
-
glo
et
Fi
et
Fi
tri,
-
li
-
li
-
o,
-
ri
-
a
Pa
Pa
-
-
Spi - ri - tu
Spi - ri - tu
tri,
-
-
-
-
et
et
et
-
tri,
-
et
a
o,
-
-
ri
-
glo
tri,
o,
-
o,
Glo
ri
-
Fi T
Pr ru ev sa ie l C w o on py ly
S
Pe
Hp.
Tri.
arco
68
V. Gloria Patri
30
I Cl. II
I Bsn. II
I Hn. II
I.
I Tpt. II
Timp.
Cym.
Glock.
Hp.
S
A
Sanc
-
-
Vln. II
Sanc
-
-
Vla.
Vc.
Cb.
-
-
-
-
-
-
-
Glo - ri - a
to.
to.
E♮ F♯ B♮
Pa
-
tri,
Glo - ri - a
Pa
-
tri,
-
tri,
glo - ri - a
Glo - ri - a
Glo - ri - a
Pa
-
tri,
glo - ri - a
Pa
Pa
-
tri,
Pa
-
tri,
to.
to.
Sanc
MSM-70-025A
-
Spi - ri - tu - i
Vln. I
-
Sanc
- i
B
-
E♭ F♮ B♭
- i T
Spi - ri - tu - i
II.
Pr ru ev sa ie l C w o on py ly
Ob.
Pe
I Fl. II
69
V. Gloria Patri
Ob.
I Cl. II
I Bsn. II
I Hn. II
I Tpt. II
Timp.
Tri.
Cym.
Hp.
S
A
T
B
Vln. I
Crash
glo -
- ri -
- a
glo -
- ri -
glo -
- ri -
glo -
Pa
- a
Pa
Pa
- ri -
-
-
-
-
-
-
- a
Pa
-
Sus.
-
tri,
glo - ri - a,
glo
-
tri,
glo - ri - a,
glo
tri,
glo - ri - a,
glo
tri,
glo - ri - a,
glo
-
-
-
-
-
-
-
-
-
-
E♭ F♮ B♭
-
- a
-
-
ri - a,
ri - a,
-
ri - a,
-
ri - a,
Vla.
MSM-70-025A
Cb.
Vln. II
Vc.
Pe
I Fl. II
molto rit.
Pr ru ev sa ie l C w o on py ly
35
molto rit.
70
V. Gloria Patri
= 60
39
Ob.
I.
E♮ B♮
glo
-
ri
glo - ri
glo
ri
glo
-
-
ri
a.
-
-
a.
-
-
a.
a.
= 60
Vln. II
Vla.
MSM-70-025A
Pr ru ev sa ie l C w o on py ly
Cb.
Cym.
Vc.
Vln. I
I.
B
Timp.
T
I Hn. II
A
I Bsn. II
S
Hp.
I Cl. II
I Tpt. II
Pe
I Fl. II
71
V. Gloria Patri
I Fl. II
Ob.
47
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
Pr ru ev sa ie l C w o on py ly
E♭
Pe
T
I Hn. II
A
S
I Bsn. II
Hp.
I.
Timp.
I Cl. II
I Tpt. II
Si - cut
in prin - ci - pi - o,
e - rat
prin - ci - pi - o,
MSM-70-025A
Si - cut
con sord.
e - rat
con sord.
in prin - ci - pi - o,
prin - ci - pi - o,
72
V. Gloria Patri
I.
54
I Fl. II
Ob.
I.
I Bsn. II
I Hn. II
Timp.
Hp.
S
T
Vln. I
Vln. II
Vla.
Vc.
Cb.
A
B
E♮ C♯
F♯
si - cut
F♮
C♮
E♭
e - rat
in prin - ci - pi - o,
e - rat
in prin - ci - pi - o,
si - cut
Pe
I Tpt. II
Pr ru ev sa ie l C w o on py ly
et
et
nunc,
et
nunc,
et
sem - per,
et
sem - per,
et
sem
sem
-
et
-
per,
MSM-70-025A
per,
I Cl. II
et
73
V. Gloria Patri
I Fl. II
61
Ob.
I.
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
E♮ F♯
Pr ru ev sa ie l C w o on py ly
sem -
-
-
MSM-70-025A
in prin - ci - pi - o,
e - rat
in prin - ci - pi - o,
E♭
prin - ci - pi - o,
prin - ci - pi - o,
E♮ C♯
si - cut
si - cut
e - rat
in prin-
e - rat
in prin-
- per.
con sord.
con sord.
- per.
-
-
e - rat
sem -
Si - cut
Si - cut
T
Pe
A
I Hn. II
S
I Bsn. II
Hp.
Timp.
I Cl. II
I Tpt. II
I.
pizz.
74
V. Gloria Patri
I Fl. II
68
Ob.
I Cl. II
I Bsn. II
I Hn. II
W. Ch.
Cym.
Hp.
S
A
- ci - pi - o,
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
nunc,
et
et
nunc,
et
et
et
-
per,
per,
sem
-
-
et
-
per,
sem -
sem -
et
per,
sem
-
-
()
- per.
per.
per.
- per.
-
sem
-
arco
sem
sem
sem
et
nunc,
sem - per,
sem - per,
E♭
nunc,
et
et
C♮
et
et
- ci - pi - o, T
F♮
Pr ru ev sa ie l C w o on py ly
Timp.
Pe
I Tpt. II
75
V. Gloria Patri
I Fl. II
Ob.
77
I Cl. II
I Hn. II
Timp.
Hp.
Solo
S
Soprano Solo or Small Group
senza vibrato
Si - cut
e - rat
in prin - ci - pi - o,
Pe
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Bsn. II
si - cut
e - rat
B♭
in prin - ci - pi - o,
et
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
MSM-70-025A
76
V. Gloria Patri
accel.
I Fl. II
Ob.
87
I Cl. II
I Hn. II
Timp.
Hp.
Solo
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
nunc,
et
A♭
sem
-
per
et
nunc,
et
sem
-
-
per.
Et
Pe
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Bsn. II
MSM-70-025A
Et
accel.
77
V. Gloria Patri
Più mosso = 72
94
Ob.
I Tpt. II
Timp.
Hp.
S
Vc.
Cb.
MSM-70-025A
nunc,
et
nunc,
et
sem
-
-
-
B♭
per,
-
sem
per,
et
et nunc,
et nunc,
et
sem
-
-
-
-
per,
et
in
per,
et
in
sem
Più mosso = 72
Vla.
T
Vln. II
Vln. I
A
B
Pr ru ev sa ie l C w o on py ly
I Hn. II
I Cl. II
I Bsn. II
II.
Pe
I Fl. II
pizz.
78
V. Gloria Patri
I Fl. II
99
Ob.
F♮ A♭
Tutti
cresc.
cresc.
Et
T
sae -
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
- cu
-
-
- cu
-
-
et
la,
in
sae
la,
et
in
sae
in
sae
in
-
sae
-
-
-
-
cu
cu
-
cu -
-
-
-
cu -
-
MSM-70-025A
-
F♯ A♮ B♮
la,
la,
-
-
-
-
-
sae -
Et
A
Pe
S
I Hn. II
Hp.
Timp.
= 116
I Bsn. II
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Cl. II
- la,
et in
- la,
= 116
et in
senza sord. senza sord.
79
V. Gloria Patri
I Fl. II
105
Ob.
I Cl. II
I Hn. II
Glock.
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Vc.
Cb.
I.
I.
et in
et in
sae - cu - la,
et
sae - cu - la,
et
MSM-70-025A
sae - cu - la,
et
senza sord.
sae - cu - la,
Pr ru ev sa ie l C w o on py ly
Cym.
Pe
Timp.
I Bsn. II
I Tpt. II
in
in
in
et
in
senza sord.
arco
80
V. Gloria Patri
I.
109
I Fl. II
Ob.
I Cl. II
I Bsn. II
I Hn. II
Timp.
sae
Vln. I
Vln. II
Vla.
Vc.
Cb.
-
cu - la
-
cu - la
-
cu - la
-
cu - la
a2
sae - cu - lo
-
sae - cu - lo
-
-
-
rum.
-
-
rum.
sae - cu - lo
-
sae - cu - lo
rum.
-
G♯ C♯
A
rum.
A
A
A
-
= 84
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
rit.
MSM-70-025A
sae
B
sae
T
sae
A
Pe
S
Pr ru ev sa ie l C w o on py ly
Hp.
Glock.
= 84
rit.
I Tpt. II
Cym.
men!
men!
men!
men!
81
V. Gloria Patri
113
Ob.
I Cl. II
I Bsn. II
I Hn. II
Timp.
Hp.
S
A
a2
B
Vln. I
Vln. II
Vla.
-
A -
II.
-
- men!
-
-
A -
A -
- men!
A -
-
-
-
-
-
-
-
-
-
-
- men!
- men!
Vc.
Cb.
MSM-70-025A
- men!
- men!
A -
-
-
A -
T
I.
Pe
I Tpt. II
Pr ru ev sa ie l C w o on py ly
I Fl. II
82
V. Gloria Patri
116
I Fl. II
Ob.
I Cl. II
I Bsn. II
I Hn. II
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
A
A
-
-
-
-
-
-
men!
A
-
-
-
-
-
A
-
-
-
-
-
-
-
men!
A
men!
A
men!
A
men!
A
A
-
-
-
A♯ D♯
A
men!
-
-
-
-
-
men!
-
-
men!
-
-
men!
-
-
-
men!
Vc.
Cb.
MSM-70-025A
Pr ru ev sa ie l C w o on py ly
Timp.
Pe
I Tpt. II
83
V. Gloria Patri
119
Fl.
Fl.
I
II
Ob.
Cl.
I
Cl.
II
Bsn.
I II
Hn.
I II
Tpt.
I II
Cym.
Tub. Bells
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
A
A
A
II.
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
men!
men!
Vc.
Cb.
MSM-70-025A
-
-
-
-
-
-
A
-
-
-
-
A -
-
-
men!
-
-
A
II. I.
I.
Crash
Pr ru ev sa ie l C w o on py ly
Tri.
Pe
Timp.
men!
A -
-
-
-
-
-
-
-
-
-
-
84
V. Gloria Patri
122
Fl.
Fl.
I
II
Ob.
Cl.
II
Bsn.
I II
I II
Timp.
Cym.
Tub. Bells
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
- men!
- men!
A -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A -
A -
A -
Vc.
Cb.
MSM-70-025A
- men!
- men!
Sus.
Pr ru ev sa ie l C w o on py ly
Tpt.
Pe
Hn.
I
I II
Cl.
85
V. Gloria Patri
II
Cl.
II
Bsn.
I II
Hn.
I II
Tpt.
I II
Timp.
Tub. Bells
T
B
Vln. I
Vln. II
Vla.
- men!
A -
A -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A -
A -
- men!
Vc.
Cb.
MSM-70-025A
- men!
- men!
I
A
Cl.
S
Ob.
Hp.
Pr ru ev sa ie l C w o on py ly
Fl.
I
Pe
Fl.
124
86
V. Gloria Patri
Fl.
I
Fl.
II
126
=
Ob.
Cl.
II
Bsn.
I II
Hn.
I II
Tpt.
I II
Timp.
Cym.
Tub. Bells
Hp.
S
A
T
B
Vln. I
Vln. II
Vla.
Cb.
-
-
Crash
men!
men!
A
-
men!
A
-
men!
=
- men!
- men!
A
A
Vc.
- men!
MSM-70-025A
- men!
Pr ru ev sa ie l C w o on py ly
I
Pe
Cl.
87
V. Gloria Patri
130
Fl.
Fl.
I
II
Ob.
accel.
I
Cl.
II
Bsn.
I II
I II
Timp.
Cym.
Tub. Bells
Hp.
S
choke
B
molto rit.
accel.
Vc.
Cb.
MSM-70-025A
T
Vla.
Vln. II
Sus.
A
Vln. I
Pr ru ev sa ie l C w o on py ly
I II
Pe
Tpt.
Cl.
Hn.
molto rit.