8604 - Dream - Perusal Choral Score

Page 1

CONTENTS

AVAILABLE EDITIONS

1. Dream

5

Piano/Choral Score

2. I’ll Fly

10

3. The Peaks of Tibet

15

4. I Will Flutter

20

5. Fly, Cruise, Soar!

28

Full Score 8604A (Performing Forces: Flute, 2 Bb Clarinets, Bb Trumpet, Percussion [Finger Cymbal, Triangle, Glockenspiel, Temple Blocks, Tambourine], SATB Chorus, Piano, Strings (4-4-3-3-2)

Duration: 10:07

8604

Instrumental Parts

8604B

Version for Treble Chorus and Piano

8109

Abraham (“Abramek”) Koplowicz (1930–1944) and poetry that Abramek had created which Abramek had stashed there.

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

Abraham (“Abramek”) Koplowicz was born February 18, 1930, in Lodz, Poland. He was the son of Jewish parents Mendel Koplowicz and Yochet Gittel. In 1939 (when Abramek was 9), World War II entered the lives of and all of the other Jewish inhabitants of Lodz. The 165,000 Jewish residents of the town were forced to live in a squalid ghetto foursquare-kilometers in size. By 1940 (when Abramek was 10), 90% of the Jews were working as slave laborers in 119 factories belonging to the army of the Nazi German occupiers simply to earn meager food rations. In 1943 (when Abramek was 13), he began to write poems and sketch satirical images in a school notebook that documented the everyday life of the Lodz Ghetto and his family’s survival. (The text for the present work is based on words from the Polish poem Marzenia [The Dream] which Abramek wrote that year, as translated and adapted by composer Diane Abdi Robertson.) In 1944, the Koplowicz family was deported to the infamous Nazi German concentration camp at Auschwitz-Birkenau. Abramek and his mother were both murdered in the gas chambers there, but Abramek’s father survived.

C

Meanwhile, another Jewish family was struggling for survival in the Lodz Ghetto. Like the Koplowicz family, the Grynfeld family consisted of a mother, a father and an only son named Eliezer (“Lolek”). Lolek’s mother, Haya, was familiar with Abramek because she was a co-worker of Mendel’s. Abramek used to work in a shoe factory, but occasionally he would make an appearance at his father’s workshop. There he would entertain the slave laborers by reading poetry and performing satire. Everyone who witnessed Abramek’s skills considered him a prodigy. Lolek’s father was murdered in the war, but Haya and Lolek survived. After the war, Mendel returned to his former home in Lodz to look for any memorabilia that he could collect about the family whose lives the Nazis had stolen from him. In the attic, he recovered artwork

Eventually Mendel was reunited with his former co-worker, Haya. They wed in 1946. In 1956, the Mendel, Haya and Lolek moved to Israel along with the two children that Mendel and Haya had together, daughter Hava and son Adam. For the remainder of his life, Mendel’s mood was withdrawn. He never really got over the tragic losses he experienced during the Holocaust. Mendel seldom spoke of Abramek. He did, however, keep Abramek’s rendering of a rabbi as a framed artwork on a wall in his bedroom for many years. It was only after Mendel’s death in 1983 at the age of 83 that Lolek found Abramek’s school notebook among Mendel’s belongings. Lolek was astonished at what he saw there; bright, hopeful poetry and drawings created by his late 13-year-old stepbrother under incredibly oppressive conditions. Furthermore, the work contained therein belies the age of its creator. Abramek only received formal schooling from ages 7–9. Still, he managed to learn so much on his own about the finer points of Polish, writing quality poetry in that language, creating visual artwork, and about the world in general (geography, for example) that it is mind-boggling. To quote Lolek Grynfeld, “It’s hard to explain to non-Polish speakers how marvelous these poems are. The rhyme and the rhythm, the imagery, the play on sound is amazing, and not only considering the fact that the poet was a child. It’s excellent poetry regardless of the writer’s age. Experts on Polish literature who saw the verses were very impressed indeed.” The Nazis succeeded in extinguishing Abramek Koplowicz’s life, but they did not crush his spirit, nor did they erase his legacy. His notebook now resides at Yad Vashem in Jerusalem, Israel. Source: The Jerusalem Post Magazine, Friday, July 7, 1989 Edition, pp. 4–5, article by Sarah Honig.

Cover art: from Abramek Koplowicz’s notebook. The title reads “UTWORY-WŁASNE” (Private Creations). The artwork, also by Koplowicz, depicts the tallest building in the Lodz Ghetto (a church), a footbridge, and the year of authorship (1943).


C

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

The Polish Poem Marzenia (The Dream) As It Appears in the Notebook of Abramek Koplowicz


The Koplowicz Family (The only extant photograph)

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

(From left to right: mother Yochet Gittel, Abramek as a young child, father Mendel)

C

Rendition of a Rabbi by Abramek Koplowicz


5

Catalog No. 8604 Dedicated to the 1.5 million Jewish children who were victims of the Holocaust, and to Lolek Grynfeld, a survivor, who has faithfully kept his stepbrother’s dream alive.

Dream for SATB Chorus and Chamber Orchestra or Piano Music by Diane Abdi Robertson Arranged by Martin Folz and Stanley M. Hoffman Edited by Diane Abdi Robertson and Stanley M. Hoffman

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

Words by Abraham (“Abramek”) Koplowicz (b. February 18, 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Honig adapted by Diane Abdi Robertson

1. Dream

  

Gently flowing q = 62

Soprano

Alto

Tenor

Bass

   Oo,

 

mp airy and connected

 

  

  

   Oo,

    

Gently flowing q = 62

  

mp

    

C

Piano

mp airy and connected

 

    

 

 

Words: Adapted from the Polish poem Marzenia (The Dream) by Abramek Koplowicz. © Copyright 1993 by Eliazer “Lolek” Grynfeld. All rights reserved. Used, translated and adapted by permission of Eliazer “Lolek” Grynfeld.

Music: © Copyright 2014 by E. C. Schirmer Music Company, Inc. Arrangement: © Copyright 2017 by E. C. Schirmer Music Company, Inc.. a division of ECS Publishing Group. www.ecspublishing.com All rights reserved.

 

   



    


6

   4

S

 

A

B

Pno.

T

B

 

oo,

  

         

 

   

    

   

,     

oo,

oo,

         

     

 

                ,

  

,

  

broaden

 

 

oo,

oo,

 

C

A

oo,

 

7

S

     

 

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

     

,

  Pno.    

       

  

      

 

     

broaden

 

  


7

   10

S

A

B

Pno.

a tempo

    

T

B

,

    

oo.

 

mf

 

When mf

 

When

mf

 

When

  

I

 I

  I

   

  

 

and get

    

up

  

to be twen - ty



and get

    

up

  

to be twen - ty



  

    

to be twen - ty

grow

grow

 



  

   

I

grow

up

and get

to be twen - ty

grow



up

  

and get

mf

 

When

a tempo

   

C

A

oo.

13

S

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

,

    Pno.      

     

  

       

  

  

  

  

  

  

  

 



this

 

tra - vel and see

this

I’ll

I’ll

I’ll

I’ll

tra - vel and see

tra - vel and see

tra - vel and see

      

this

 

this

 

 

  


8

   16

S

A

 

 

world

of

plen - ty.

In a bird

 

 

 

world

of

plen - ty.

In a bird

   world

 

 

B

of

plen - ty.

 

   

world

of

plen - ty.

      Pno.        cresc.   19

S

  

         

  

         

  

  

 

with an en - gine

with an en - gine

I will set

my - self down,

I will set

my - self down,

A

cresc.

   off

In a bird

            

 

 

 

,

,

    

,

and

fly in - to space,

     

  

off

and

fly in - to

          

  

    

cresc.

cresc.

my - self down,

     

space,

 

  

I will set

fly in - to

fly in - to space,

Pno.

my - self down,

and

and

I will set

      

with an en - gine

C

T

 

with an en - gine

cresc.

off

In a bird

   

off

B

         

Take

Take

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

   

space,

  

    

,

,

Take

 

mp

      a - bove the

mp

      Far

fly in - to space,

 

 

Far

fly in - to space,

 

Take

a - bove the

      Far

a - bove the

Far

a - bove the

       








9

   

  

22

S

ground.

A

   The

cloud,

ground.

    ground.

B

    

is my sis - ter,

,

  

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

   

...the

wind,

    

                                mp Pno.                  ground.

,

is my broth - er

(loco)

   25

S

 

decresc.

  

decresc.

 

 

    Ah!

decresc.

 

 

decresc.

Ah!

div.

A

Ah!

div.

B

 

C

T

Ah!

         Pno. mf decresc.                    

 pp




10

2. I’ll Fly Music by Diane Abdi Robertson Arranged by Martin Folz and Stanley M. Hoffman Edited by Diane Abdi Robertson and Stanley M. Hoffman

Words by Abraham (“Abramek”) Koplowicz (b. February 18, 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Honig adapted by Diane Abdi Robertson

Gently flowing q = 94

  

Piano

T

  

 

  

 

  

mp



I’ll

mp unis.

 

fly

  

and I’ll float

  



  

o - ver riv

I’ll

fly

and I’ll float

  

mp unis.



  

  

I’ll

fly

o - ver riv

mp



and I’ll float

  

  

I’ll

fly

and I’ll float

o - ver riv

o - ver riv

-

ers

and

-

ers

and

-

ers

and

ers

and

-



             

C

Pno.



mp

B



P O E P R Y U IN S G AL IS C IL OP LE Y G A L

A



    

                                    

5

S



Words: Adapted from the Polish poem Marzenia (The Dream) by Abramek Koplowicz. © Copyright 1993 by Eliazer “Lolek” Grynfeld. All rights reserved. Used, translated and adapted by permission of Eliazer “Lolek” Grynfeld.

Music: © Copyright 2014 by E. C. Schirmer Music Company, Inc. Arrangement: © Copyright 2017 by E. C. Schirmer Music Company, Inc.. a division of ECS Publishing Group. www.ecspublishing.com All rights reserved.


11

  

 

9

S

seas.

A

Pno.

  



be

 

be

B

   be  

C

T

be

 Pno.

Nile, cresc.

cresc.

the Eu -phra - tes,

 

The Nile, cresc.

 

  

The Nile, cresc.

 -

gra Falls will

-

  

  

the Eu -phra - tes,



Ni - a

  

cresc.



the Eu -phra - tes,

Ni - a cresc.

  

Ni - a



gra Falls will

-

gra Falls will

 

The Nile,

 

  

cresc.

-

  

the Eu -phra - tes,

 

 

Ni - a

 

 

  

      

so

co - los

   

so

co - los

   

so

co - los

  

so

 

-

-

-

  

co - los

         mf



-

-

-

-

-

sal!

sal!

sal!

 



rit.

 

ff

  f

a

 



 



 

Such ff Such ff



  



Such

sal!

          

 

Such

(loco)

 



ff

gra Falls will

            

13

A

seas.

  

S

  

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

B

   seas.

cresc.

The

seas.

T

 

a

a

a

 rit.

   




12

   16

Mar

Mar

B

Pno.

   Mar  

vel!

p

vel!

Mar

-

 

  

ff (rit.)

  

  

    

    

 

 

     

p

warm

C

I’ll

Sa - ha - ra sun,

too.

I

will

Sa

Sa

up the warm

 

mf

up the warm

soak

 

 

  

p

  

   

 

 

          up the

  

I’ll soak up the warm

  soak

   a tempo       

     

Pno.

    

I’ll gaze at the Sphinx and the Pyr - a - mids view,

vel!

I’ll soak

B

  

  

   

T

  

I’ll gaze at the Sphinx and the Pyr - a - mids view,

20

A

  

I’ll gaze at the Sphinx and the Pyr - a - mids view, p

-

  

S

vel!

-

   

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

 -

 

A

a tempo

p



S

(rit.)

 Sa

- ha - ra sun,

   

- ha - ra

sun,



sun,

I

too.

will

mf

 

too.

I mf

will

I

will

     

- ha - ra

mf

too.

          

 


13

   25

S

look

A

look,

B

Pno.

     

I will look all a - bout

   look  

  

look

 

see

 

see

   see

B

 

C

T

see

 Pno.

in

I

     in

I

in



    

all a - bout

I

     

all a - bout

29

A

all a - bout

  

 

  

sis’ an - cient

land,

-

  

sis’ an - cient

land,

-

  

sis’ an - cient

  

land,

sis’ an - cient

land,

     

-

As

I

As

I

 

As

I

in

I

-

As

I

             

  

S

  

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

 

its

its



vast

stretch



vast

vast,



vast,

of

vast

  its

of

stretch

  its

vast



nev

nev

stretch

of

nev

stretch

of

nev



  

-

-



er

end

er

-

er

-

f

er

-

f

 

end

-

f

end

-

ing

ing



 

 

f

end

ing

-

                  

ing




14

   33

S

sand!

 

A

p

 

The

sand!

B

Pno.

   sand!  

f



p

 

C

B

Pno.

 

  

I’ll fly!

I’ll fly!

    

cloud

 



decresc.

 

I’ll fly!

T

l.h. l.h.  l.h.    l.h.                              

37

A

sand!

    

S

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

p

rit.

 

(ossia)

fly!

I’ll

 

is my sis - ter.





    

The

wind

is my broth - er.

 

p

 

 



 

 

 

                              rit.


15

3. The Peaks of Tibet

Music by Diane Abdi Robertson Arranged by Martin Folz and Stanley M. Hoffman Edited by Diane Abdi Robertson and Stanley M. Hoffman

Words by Abraham (“Abramek”) Koplowicz (b. February 18, 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Honig adapted by Diane Abdi Robertson

  Soprano     

    

     

     

Alto

Tenor

Bass

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

q = 92

            ff          q = 92

     

   

 

     

    

     

  

C

Piano

  

 

Words: Adapted from the Polish poem Marzenia (The Dream) by Abramek Koplowicz. © Copyright 1993 by Eliazer “Lolek” Grynfeld. All rights reserved. Used, translated and adapted by permission of Eliazer “Lolek” Grynfeld.

Music: © Copyright 2014 by E. C. Schirmer Music Company, Inc. Arrangement: © Copyright 2017 by E. C. Schirmer Music Company, Inc.. a division of ECS Publishing Group. www.ecspublishing.com All rights reserved.

     

mp sub.

  


16

     6

S

 

  mf

 

  mf

        



     

C

Pno.

I



will as - cend,



   





    

 

    

, mp  

mp

  



      

I



 

  

-



will as - cend,

    

     

 



gi,

     

The house

of the ma

-

gi,

     

-

where

mp

  

The house of the ma

will as - cend,

   

 

The house of the ma

I

  

ah,

B

will as - cend,

   

  



  

       

   

   

T

I

  

The peaks of Ti - bet

ah,

A



   

The peaks of Ti - bet

11     

S

  

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

Pno.

mf

   

B

 

The peaks of Ti - bet

    

T

The peaks of Ti - bet

   

A

mf

gi,

  









 

 

 

 

 


17

       16

S

mys

A

end,

mys - t’ries

      mys - t’ries

end,

B

mys - t’ries

end,

  

 

   

hav - ing

   

      

es - caped

 

accel. poco a poco



3

 cresc. poco a poco     

Pno.



 

ah,

the



mf (cresc.)

,

mf (cresc.)

And

hav - ing es - caped

the

  



hav - ing es - caped

the

  

 

  

 

And

mf



          

mf (cresc.)



   

  

sun’s burn - ing heat,



  





 

pp cresc. poco a poco

   



 

C

B

            

sun’s burn - ing heat,

T

And

20

A

     

end,

  cresc. poco a poco     

S

p

And hav - ing es - caped the p

   

Pno.

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

t’ries

  

-

And mf

hav - ing es - caped

And

hav - ing es - caped

 

 

   

  

the

the

 


18

  f(cresc.)   

      

        sun’s burn - ing heat

23

S

sun’s burn - ing heat f (cresc.)

A

sun’s burn - ing heat f (cresc.)

B

Pno.

A

  

  

sun’s

burn - ing heat

     

f

B

 

      

  

 

      

  

ff

    

I’ll

wing to the

  

I’ll ff

I’ll ff

 



(cresc.)

 

   

  

ff         

 

 

 

  

 

 

 

    

 



 

 

  

      Pno.

   

C

T

  

I’ll

f (cresc.)

28

S

      

ff

wing to the

North,

wing to the

North,

wing to the

North,

the Arc - tic

the Arc - tic

the Arc - tic

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

 

    

I’ll

seek!

I’ll

 

 

North,

     

  

    

Slightly slower mp

the Arc - tic

   

   

  

    

The

is my sis - ter

cloud

seek!

I’ll

I’ll

seek!

 

 

  

 

   

   

       

 

   

  

 

  

p

 

The

 Slightly slower

  

mp


19

     33

S

 

pp

Oo.

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

 

    

B

wind

is

  

my

broth - er.

          Pno.          

A

mp

   

    

     

    

       Pno.

pp

rit.

C

T

 

     

S

,

Oo.

 

36

B

pp

Oo.

    

T

Oo.

   

A

pp

   

   





rit.

 

   

  


20

4. I Will Flutter

Music by Diane Abdi Robertson Arranged by Martin Folz and Stanley M. Hoffman Edited by Diane Abdi Robertson and Stanley M. Hoffman

Words by Abraham (“Abramek”) Koplowicz (b. February 18, 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Honig adapted by Diane Abdi Robertson

  Soprano  

q = 84

Tenor

Bass

mp

 

mp

From the

  

 

 

From the

mp

mp

From the

From the



q = 84

mp

   



 

                        





 





 

C

Piano

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

Alto

Words: Adapted from the Polish poem Marzenia (The Dream) by Abramek Koplowicz. © Copyright 1993 by Eliazer “Lolek” Grynfeld. All rights reserved. Used, translated and adapted by permission of Eliazer “Lolek” Grynfeld.

Music: © Copyright 2014 by E. C. Schirmer Music Company, Inc. Arrangement: © Copyright 2017 by E. C. Schirmer Music Company, Inc.. a division of ECS Publishing Group. www.ecspublishing.com All rights reserved.


21

   3

S

    

North

I

North

T

I

 

will flut - ter,

flut - ter;

 

will flut - ter,

flut - ter;

 

  

North

O’er the

Kan - ga - roo Isle.

 

   

O’er the

Kan - ga - roo Isle.

 

   

O’er the

Kan - ga - roo Isle.

very short and very lightly

 

   

   

  

 

      I

will flut - ter,

O’er the

Kan - ga - roo Isle.

      

 

 

flut - ter;

   

  

   

 

                                  *or

A

 

La,

 

La,

 

      

5

S

   

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

Pno.

I

 

flut - ter;

    

  

North

B

will flut - ter,

    

 

A

 

  

     

la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la! la!

                               

la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la!

*or la!

B

  

C

T

                                                            Pno.             * This passage may also be sung as one continuous “la.”


22

 

7

S

A

B

Pno.

 

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

La,

la,

     

10

la,

la,

la,

la,

la,

          

 

S

                         

mp very lightly

   

la, la,

                               very short

mp

 

 

La,

la,

                                                       mp

A

La, la, la, la, la, la, la, la, la, la, la, la, la,

B

C

T

        la, la,

Pno.

     

la,

la,

             

     

la,

la,

la,

la,

la, la, la, la,

          

la,

la,

la, la,

la,

la,

la, la, la,

      la,

                             


23

    13

S

la,

A

Pno.

la,

  

                  

        

    la,

la, la,

  

la,

 

la,

  

 



la, la,

la, la,

  

  

la,

la,

la,

la,

la,

  

15

  

la,

        la, la,

 

  

la,

  

la,

la,

  

 

  

  

  

 

                  

mf

la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, *or la, mf

la,

                                          

A

la,

    la,

la, la,

  

la,

Pno.

  

  

la, la,

 

la,

la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,

*or la,

   

la,

C

T

B

la, la,

la,

  

S

 

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

B

la,

la,

la,

T

 

  

  

* This passage may also be sung as one continuous “la.”

 

     

    

 

        

   


24

          

         

17

S

la, la,

A

la, la, la, la, la, la, la!

la, la,

  

B

         Pno.         22

S

mf



Then

A

 

 

   

 



on

Pno.

mf

  

 





   

   

    

    

to Pom - peii,

to Pom - peii,

cresc.

    

   

its walls

  

cresc.    

Ah! Then on

to Pom - peii,

its walls

  

 

 

f

 

ru - ined

       f

ru - ined piles,

ru - ined

  

    

ru - ined piles,

ru - ined

  

ru - ined

ru - ined piles,

its walls

mf

 

f

cresc.

cresc.

  

    

             

         

  

 

    

its walls ru - ined piles,

   

mf

to Pom - peii,

Ah! Then on

C

T

   

Ah! Then on

B

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

la, la, la, la, la, la, la!

f

  

 


25

    27

S

piles!

piles!

 

  piles!

e - ven

 

 

 

sur

-

vey

Ho - mer’s

 

p

Oo,

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

B

  

piles!

32

-

  

land of old,

  

 

C

Pno.

  

  

   

mp

 





oo.

home

T

    

 

A

Oo,

  

S

 p

               Pno.              

B

mp

I will

 

T

Oo,

  

A

p

  



  

   

As I

go

    

 

 

to the Ho - ly Land where sto

oo.

   

   

unis.

-

ries are

   

        

oo.



div.


26

  

 

q = 104

37

S

A

told,

f

  

T

Ai,

yi, yi, yi,

yi, yi, yi,

   yi, yi,

yi,

              

yi, yi,

yi, yi, yi, yi,

  

              

Ai,

yi, yi,

yi, yi,

f

yi,

yi, yi, yi, yi,

yi, yi, yi,

q = 104

Pno.

                                  mf

     

     

 

 

 

q = 148

Ai, yi, yi,

yi!

yi,

q = 148

yi,

       

     

     

broaden slightly a tempo f

     

yi, yi, yi,

yi,

     

 

   

rit.

  

     

  



Sto - ries f

of

Sto - ries f

of

     

  

     

Sto - ries

of

our

f

yi!

Sto - ries

of

our

             

a tempo

yi!

        yi, yi, yi, yi, yi!         yi, yi, yi,

Pno.

yi,

f

C

B

     

 

T

     

f

Ai, yi, yi,

A

accel.

         43

S

yi,

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

B

 

accel.

     

broaden slightly

     

our

our

sa

sa

- cred

- cred

sa

- cred

sa - cred

                   

     

     

rit.

     


27

    

   

   

   

q = 104

49

S

Cov - e - nants,

A

Cov - e - nants more pre

Cov - e - nants,

-

    

Cov - e - nants more pre

-

scious

Pno.

   

Pno.

gold!

ff

  

than

gold!

ff

 

q = 104

-

than

gold!

ff

than

gold!

  

scious

     

     

     

     

     

     

     

  

Cov - e - nants more pre

 

 

ff

   

    

   

C

T

than

      

54

A

   

Cov - e - nants,

    

S

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

B

ff

  

scious

               Cov - e - nants, Cov - e - nants more pre - scious

T

B

    

     

 

 

            p sub.

  

                

 

pp

 


28

5. Fly, Cruise, Soar! Words by Abraham (“Abramek”) Koplowicz (b. February 18, 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Honig adapted by Diane Abdi Robertson

  Soprano  

Music by Diane Abdi Robertson Arranged by Martin Folz and Stanley M. Hoffman Edited by Diane Abdi Robertson and Stanley M. Hoffman

Gently flowing q = 62

Tenor

Bass

mp

  

  

      

  

  

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

Alto

p

 

  

 

  

Fly, p

Cruise, mp

Fly, p

Cruise, mp

Fly,

Cruise,

p

mp

Fly,

Cruise,

      

Gently flowing q = 62

  

     p

 

  

 

    

C

Piano

           

Words: Adapted from the Polish poem Marzenia (The Dream) by Abramek Koplowicz. © Copyright 1993 by Eliazer “Lolek” Grynfeld. All rights reserved. Used, translated and adapted by permission of Eliazer “Lolek” Grynfeld.

Music: © Copyright 2014 by E. C. Schirmer Music Company, Inc. Arrangement: © Copyright 2017 by E. C. Schirmer Music Company, Inc.. a division of ECS Publishing Group. www.ecspublishing.com All rights reserved.






 

  

Soar!

High!

High!

High!

mf

cresc.

 

f

 

Soar!

High!

High!

High!

mf

cresc.

       4

S

mf

     

A

       Soar!

B

Pno.

 

     

 

soar

   soar  

C

B

Pno.

 

unis.

I’ll

fly,

I’ll cruise,

I’ll

      

 

mp

I’ll

f

 

   

High!

High!

High!

cresc.

soar

T

      



     

      

8

A



mp

f

fly,

I’ll cruise,

mp

       

Soar!

  

S

cresc.

I’ll

 



P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

29

only 1 or 2 voices on top note

soar

  

love - ly,

up so high!

A - bove the world so love - ly,

            

      

A - bove,

up so high!

in

   

A - bove,

         

I’ll

I’ll cruise,

I’ll

     

A - bove the world so love - ly,

up so high!

   



I’ll

fly,

 

               

    

        

I’ll cruise,

            

up so high!

I’ll fly, mp

  

  

-

to

the sky!

  

  

to

the sky!

in

-

to

the sky!

  

to

the sky!

I’ll

I’ll

  

love - ly,

in

  

              

  

-

I’ll

 

-

  

  

in

I’ll


30

   11

S

         



         

be

A

be

a tempo

de - light - ed

f unis.

      

by all the world’s charms,

so de - light - ed by

I’ll share

    

what I’ve seen f

     

 

all the world’s charms.

                be so de - light - ed by all the world’s charms.               

I’ll share what I’ve f

     

 

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

T

be

de - light - ed

       Pno.         

 

14

S

A

 

  

  

 

C

   seen

share,

 

Pno.

 

  

as

I

have

 



, mp

 

looked

down,

with my

 



 

as

I have

 



down,

 have



I

as

(loco)

  atempo             

I’ll

colla voci

rit.

seen

T

 

by all the world’s charms.

I’ll share what I’ve



B

B

    

rit.

looked

I have looked

looked

       

down,

down,

    


31

   17

S

sis

  -

ter the

Pno.

   

 

  

  

 

-

er the

 

    

 

in the sky.

            

  

as he

             

p

My

sis

wind,

   soars

Pno.

 

 

C

B

mp

T

As she floats by so high.

with my broth

20

A

 

  

S

mp

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

B

cloud,

  

T

A

-

ter!

p

My

                             


32 32 S S S

24    24     24

  

  

    Ah!    Ah!    Ah!       Ah!         Ah!   Ah!      Ah!      Ah!        Ah!       Ah!      Ah! Ah!              

  

mf

 mf   mf mf

   mf     mf  A   mf  T    mf   broth T   er!   broth mf  er! T   mf   broth - er!    B  mf   B      B              Pno.     mf                     Pno.  mf            Pno.   mf              rit.  27 rit.  27    S   rit.     27 S  Oo.      Oo. S      A   Oo.    A  Oo.    Oo. A       T    Oo.    T  Oo.      Oo. T        Oo.   B     B  Oo.                Oo. B                          Oo.  rit.     Pno.               rit.         Pno.          rit.                2013 | arr. 2017 Pno.       10:07           2017  2013 | arr.10:07    mf

C

P O E P R Y U IN S G AL IS C IL OP LE Y G A L

A A

{<6! $”$=eigaeD<x

2013 | arr. 2017 10:07


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