Daron Aric Hagen
SYMPHONY NO. 3 Liturgical
Premiere (First Version) 28 April 1998 Shattuck Auditorium, Waukesha, Wisconsin The Waukesha Symphony Orchestra / Alexander Platt
Premiere (Final Version) 17 October 2010 Shattuck Auditorium, Waukesha, Wisconsin The Wisconsin Symphony Orchestra / Alexander Platt
Instrumentation Flute 1 (alt. Piccolo) Flute 2 (alt. Piccolo) Oboe 1 Oboe 2 (alt. English Horn in F) Clarinet I in Bb (alt. Eb Clarinet) Clarinet 2 in Bb (alt. Bass Clarinet) Bassoon 1 Bassoon 2 Horn 1 in F Horn 2 in F Trumpet 1 in Bb Trumpet 2 in Bb Trombone 1 Trombone 2 Tuba Timpani Percussion (2 players): Tam‐tam, Brake Drum, Xylophone, 5 Temple Blocks, Bass Drum, Hand Cymbals, Ride Cymbal, Snare Drum, Glockenspiel, Marimba Harp Strings
Duration 27'
Program Note I. Profanation II. Prayer III. Paean Although Hagen's compositions have always addressed the issue of 'faith' in some form — not in the sense of any organized religion, but as a model for addressing the human condition — his major works became, during the course of the 1990's, increasingly devoted to the issue. The finale of his Symphony No. 1 (1988), which quoted Luther's Ein Feste Burg almost ironically, evolves into the finale of his Symphony No. 2 (1990), with its humanistic theme of 'Common Ground,' written as the Berlin Wall was falling. The sprawling work for chorus and orchestra Joyful Music (1993) with it's frankly religious text of 'laudate Deum,' evolves into the Auden‐esque existential questing of the characters in his opera Vera of Las Vegas (1996). The massive opera Bandanna (1998) with its clearly‐delineated characters, each dwelling in either a state of moral absolutism or moral relativism, extends further and makes more acute the 'faith' argument. Subtitled Liturgical, the Symphony No. 3 (1997) is cast in three movements which progress emotionally from fury to prayer, and then to praise. 'While writing Bandanna I followed the characters' emotional and psychological journeys musically,' Hagen writes, 'so the symphony grew alongside the opera as the place where my journey could take place.' Consequently, whereas the first two symphonies are extroverted, 'public' works; the third turns inward. The first movement, Profanation, is marked furioso. An inveterate reviser, Hagen worked on this movement for more than four years before finalizing it as the first movement of Symphony No. 3. Four distinct works emerged from this revision process, including the second movement of the piano work Qualities of Light, the band work Night, Again, the orchestral work Built Up Dark, and crucial passages from the opera Bandanna. There are four musical ideas: (1.) a melodic wedge — a handful of notes which lead inward towards, or splay outward away from a central tone; (2.) a cluster — a simultaneous sounding of adjacent pitches; (3.) a harmonic constellation of four triads — B flat major, E major, G major, and D flat major, associated with one another by (4.) the interval of the tritone — three whole steps. The second movement, Prayer, is a long‐lined fugue. This particular fugue uses as its subject a tune based on several 12th century plain chants, recognized today variously as the songs Veni Emmanuel, Adeste Fidelis and O Come Emmanuel, among others. Hagen writes, 'I chose the melody because it is my favorite hymn and, as such, has for me numerous important personal associations. I treated the tune fugally because the process involved in creating a fugue is to me the purest and most beautiful expression of a composer's art. When a composer offers a fugue, it is a testament of faith in tonal counterpoint's continuing (and timeless) vitality and viability as a vessel for the expression of emotion through exquisite craftsmanship.' The finale, Paean, is a song of praise. The work was premiered in 1998 with a movement that Hagen ultimately withdrew as unsatisfactory after the premiere. The new finale is based on a choral setting of the poem ‘We're All Here,’ which serves as frontispiece to the 1843 James Fennimore Cooper novel Wyandotte; or, the Hutted Hill. Hagen wrote of the original setting, ‘I have chosen to imagine this poem as taking place at Thanksgiving, when families — despite the conflicts that divide them — unite.’ A poem about forgiveness and reunion, Hagen has treated it as a warm hymn beginning in the brass and gradually joyously fleshed‐out by the entire orchestra. Commissioned by the Waukesha Symphony Orchestra in celebration of its 50th Anniversary Season through special funding from The Milwaukee Foundation ‐ Anthony & Andrea Bryant Family Fund, Symphony No. 3 was premiered by the Waukesha Symphony Orchestra, conducted by Music Director Alexander Platt on 28 April, 1998 at Shattuck Auditorium, Carroll College, Waukesha, Wisconsin. The final, revised version was premiered by the Wisconsin Symphony Orchestra 17 October 2010, again at Shattuck Auditorium under the direction of Alexander Platt.
Commissioned by the Waukesha Symphony Orchestra, Alexander Platt, Music Director, for its 150th Anniversary, 1997.
SYMPHONY NO.3 Liturgical
DURATION: 10 minutes
Flute 1 / Piccolo 1
Furioso q = 92
3
1. Profanation
DARON ARIC HAGEN (1997 / 2010)
(Piccolo)
6
fff
6
(Piccolo) Flute 2 / Piccolo 2
Oboe 1
Oboe 2 / Cor Anglais in F
(Cor Anglais)
6
fff
(Eb Clarinet)
Clarinet 1 in Bb / Clarinet in Eb
6
6
Clarinet 2 in Bb / Bass Clarinet in Bb
fff
Bassoon 1
6
6
6
6
fff
Bassoon 2
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
fff
Timpani
6 6
fff
6
(Bass Clarinet)
fff
6
6
fff
6
6
6
fff l.v. al niente
Violin I
Furioso q = 92
on the string
6
6
6
6
6
6
fff
Violin II
on the string
6
6
fff
on the string
Viola
6 6
6
Violoncello
6
6
6
fff
Contrabass
fff
6
6
on the string
6
6
1
2
Copyright © 1995, 2010 ECS Publishing (ASCAP) All rights reserved including performance rights.
6
fff
on the string
6
6
6
gliss.
3
6
gliss.
gliss.
4
4
Picc.
Picc.
Ob. 1
C. A.
Eb Cl.
B. Cl.
5
Bsn. 2
T.-t.
Brake Drum
Vln. I
Vln. II
Vla.
5
3
3
3
3
3
3
3
3
3
3
3
3
3
5
3
3
3 3
3
3
To Cl.
3
(=Brake Drum)
fff l.v. al niente
Brake Drum
5
III
3
5
3
6
I
II
fff
3
(=Xylo.)
7
3 3
Tam-tam
III IV
Cb.
5
non div.
Vc.
Bsn. 1
Timp.
8
9
10
5
14
Picc.
Picc.
Ob. 1
C. A.
Eb Cl.
Bb Cl. 2
Bsn. 1
x> < x =
fff
fff
fff
fff
fff
Clarinet
simi.
Timp.
ffff
Xylophone
f
f immediately damped
Xyl.
ffff
simi.
Bsn. 2
ff
14
Vln. I
Vln. II
Vla.
Vc.
Cb.
<x=x>
simi.
11
12
13
open strings
ffff
14
open strings
pizz.
arco
ffff
15
6
Picc.
Picc.
Ob. 1
Eb Cl.
Bb Cl. 2
Bsn. 1
Bsn. 2
T.-t.
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
5
3
3
3
3 3 3
damped
3
3
Tam-tam
fff l.v. al niente
Brake Drum
T. Bl.
C. A.
Timp.
16
Brake Drum (= Temple Blocks)
fff
Temple Blocks
fff
Vln. I
Vln. II
Vla.
16
Cb.
III
3
16
non div.
Vc.
III IV
17
3
18
I
II
3
II
II
5
5
5
martellato
III
III
5
martellato 5
5
martellato
19
20
5
5
martellato
21
7
Picc.
Picc.
Ob. 1
C. A.
Eb Cl.
5
5
3
3
26
mp
3
mp
3
Bb Cl. 2
Bsn. 1
Bsn. 2
Timp.
3
3
5
T. Bl.
5
Vln. I
5 5
5
5
Vln. II
Vla.
5
Vc.
5
5
5
5
(=Bass Drum)
5
5
mp
3
3
3
3
p under
3
5
26
div., pizz.
sfz
div., pizz.
sfz
div., pizz.
sfz
solo
mp
Cb.
solo
mf
22
23
3
5
5
3
mp
mp
5
3
3
5
3
mp 3
5
3
5
24
25
26
27
28
3
8
Picc.
Picc.
Ob. 1
C. A.
Eb Cl.
3
5
Bsn. 1
3
5
3
3
fff
5
3
ff
3
B. D.
Vln. I
3
3
3
3
3 3
3
3
3 3
31
(Bass Drum) solo 3
sfz l.v.
unis.
ff
3
3
3
sfz l.v.
3
3
Vln. II
Vla.
Vc.
unis. ff
3
unis. ff
3
3
3
3
3
sfz
3
arco
3
3
3
3
3
arco
tutti
sfz l.v.
sfz
3
3
fff pesante
Timp.
Bb Clarinet
fff pesante
fff pesante
Bsn. 2
3
ff
fff pesante
3 3 3 3
ff
3
To Cl.
3
ff
3
3
ff
3
5
3
3
5
3
5
Bb Cl. 2
3
31
sfz
arco
3
fff pesante
Cb.
tutti
3 3
fff pesante
29
30
31
32
33
3
34
9
Picc.
Ob. 1
Bb Cl.
Bsn. 2
Timp.
B. D.
Vln. I
3
3
3
3
3
3
3
3
3
3
3
3
3
sfz
sfz
sfz
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5 5 5
5 5 5
5 5 5
5 5
sfz
5
5 5
sfz
5
5
30"
25"
p
sfz
Vln. II
3
ff
C. A.
Bsn. 1
Picc.
Bb Cl. 2
3
sfz
3
sfz
sfz
3
sfz
sfz
non div.
Vla.
Vc.
Cb.
35
3
3
3
3
3
3
36
p
f
3
p
f
3
3
37
3
3
3
38
sfz
sfz
non div.
p
f
39
10
Picc.
Picc.
Ob. 1
C. A.
Bb Cl.
Bb Cl. 2
Bsn. 1
Timp.
B. D.
Vln. I
Vln. II
Vla.
Cb.
3
3
3
ff
3
3
ff
3
3
ff
3
3
ff
3
3
3
3
3
3
3
3
ff legato
3
3
ff legato
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
40
41
42
3
3
3
(=Temple Blocks)
3
3
3
3
sfz damped
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
div.
3
44
3
3
mf
mf
3
3
3
3
44
3
3
40
3
ff
3
ff legato
ff legato
Vc.
ff
3
Bsn. 2
40
3
3
3
3
3
3
sfp
sfp
p
unis.
3
43
3
3
3
p
p
44
45
11
Picc.
Picc.
Ob. 1
3 3 3
3
3 3
mf
3
3
3
3
C. A.
3
3 3
3
mf
Bsn. 1
mf
Bb Cl. 2
3
Bb Cl.
3
49 3
3
mf
mf
Bsn. 2
mf
Timp.
T. Bl.
Vln. I
Vln. II
Vla.
Cb.
Temple Blocks
mp under
49
48
47
46
Vc.
pizz.
p
49
pizz.
p
50
51
12
Picc.
Picc.
Ob. 1
mf
5
5
T. Bl.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
f
mf
f
f
f
f
5
5
5
5
mp
mp
5
5
mp
5
pizz.
pizz.
52
(=Xylophone)
[ e. = 122 ]
mp
54
mp
mp
5
mp
mf
5
mf
f
mp
f
mf
5
f
f
5
Timp.
f
f
mf
5
Bsn. 2
f
5
Bsn. 1
f
5
Bb Cl. 2
f
5
Bb Cl.
f
mf
f
5
C. A.
54
[ e. = 122 ]
mp
pizz.
mp
mp
53
54
55
56
57
13
63
<e. = q = 122 >
Picc.
fff
Bb Cl.
Bb Cl. 2
fff
fff
C. A.
4
fff
Ob. 1
4
4
Picc.
4
To Eb Cl.
fff
fff
Bsn. 1
Bsn. 2
Timp.
B. D.
Bass Drum
Xylophone
Xyl.
fff
fff
63
Vln. I
Vln. II
Vla.
Vc.
Cb.
58
fff
arco, div., on the string
unis.
3
arco, on the string
fff
fff
arco, on the string fff
59
60
61
62
3
unis.
arco, div., on the string
<e. = q = 122 >
3
arco
3
3
3
3
3
3
3
3
3
3
63
3
3
3
3
3
3
64
14
Picc.
Picc.
3
3
3
3
3
3
3
69
3
Ob. 1
C. A.
3 3 3
3
3
3
3
mf
3
3
3
mf
Eb Cl.
Bb Cl. 2
Bsn. 1
3
3
fff
Bsn. 2
3
3
fff
Timp.
B. D.
Brake Drum
Vln. I
Vla.
3
3
3
p
p
3
3
Cb.
3
3
3
3
65
sfz
3
sfz
Vc.
3
3
sfz
Vln. II
3
3
3
3
3
3
3
3
3
3
3
66
69
3
3
3
3
3
3
68
69
3
67
15
Picc.
3
3
mf
Picc.
3
3
3
3
3
3
3
Eb Clarinet
3
3
3
3
solo
3
3
f intensivo
3
3
3
3
3
3
3
3
3
3
3
ff
3
B. D.
Brake Drum
Vln. I
pizz.
3
3
3
3
Brake Drum
3
p
3
3
ff
Timp.
3
3
mf
Bsn. 2
3
ff
Bsn. 1
mf
Bb Cl. 2
3
3
Eb Cl.
3
3
3
3
C. A.
3
< q = q. = 122 >
Ob. 1
ff
mf
3
3
3
< q = q. = 122 >
ff
Vln. II
pizz.
tutti, pizz.
ff
Vla.
pizz.
ff
solo
3
f intensivo
Vc.
Cb.
3
3
3
3
3
3
3
3
pizz.
70
71
72
f
f
f
73
74
16
75
Picc.
Ob. 1
C. A.
Eb Cl.
Bb Cl. 2
Brake Drum
ff
ff
Bsn. 2
B. D.
Bsn. 1
Timp.
Picc.
[ q. = 122 ]
ff
ff
Vla.
Vc.
Cb.
ff
arco, div.
ff
ff
76
unis.
arco, on the string ff
77
78
79
80
ff damped
(=Xylo.)
sfz
fff
75
ff
fff
arco
arco
ff
unis.
Bass Drum
[ q. = 122 ]
fff
f
p
fff
fff
Brake Drum
p sub.
fff
f
fff
fff
ff
arco, div.
Vln. II
75
Vln. I
fff
fff
fff
fff
81
82
17
Picc.
Picc.
Ob. 1
ff
87
ff
ff
Eb Cl.
ff sub.
C. A.
ff sub.
Bb Cl. 2
Bsn. 1
ff
ff
Bsn. 2
ff
Timp.
Xyl.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
ff
ff
ff
fff
ff
pizz.
fff
fff
off the string
col violins
mf
87
pizz.
ff
off the string
mf
off the string
mf
mf
pizz.
mf
pizz.
ff
mf
Xylophone
damped
mf
86
87
88
ff
83
84
85
18
Picc.
ff
ff
f
Eb Cl.
ff
f
C. A.
ff
mf
Ob. 1
mf
Picc.
ff
Bb Cl. 2
Xyl.
Vln. I
Vln. II
Vla.
Cb.
Vc.
ff
ff
f
Timp.
f
Bsn. 2
ff
Bsn. 1
ff
ff
arco, on the string
ff
ff
ff
89
90
91
92
93
arco, on the string
arco, on the string
arco, on the string
on the string
94
19
Picc.
Ob. 1
C. A.
< q. = q = 122>
3
3
3
3 3
3
f
f
Eb Cl.
Picc.
102
f
5
5
f
3
ff
Bb Cl. 2
Bsn. 1
Bsn. 2
Timp.
Xyl.
mp
3
ff
f
damped
102
Vln. I
Vln. II
div.
div.
Cb.
101
102
103
free bowing
free bowing
Vc.
free bowing
Vla.
< q. = q = 122>
95
96
97
98
99
100
20
Picc.
Picc.
Ob. 1
3
3
3
3
Bsn. 1
5
Bsn. 2
Timp.
3
3
3
3
3
3
5
5
3
3
3
3
3
3
3
5
Vln. II
Vla.
104
105
106
107
108
109
Vln. I
Vc.
Cb.
5
3
Xyl.
3
3
5
5
3
3
5
3
3
3
5
3
5
Bb Cl. 2
3
3
5
Eb Cl.
3
5
C. A.
3
21
110
Picc.
Picc.
Ob. 1
mp 3
3
3
5
Bsn. 1
Bsn. 2
3
5
3
3
3
3
3
3
pp
5
5
3
5
mf
p
3
mp
p
5
mf
p
Xyl.
110
Vln. I
Vln. II
Vla.
110
111
112
113
114
115
Vc.
Cb.
3
3
p
mp
p 3
p
mf
Timp.
3 3
3
5
5
f
3
p
f
Bb Cl. 2
3
5
mf
Eb Cl.
5
3
3 3
mp
3
3 3
p
C. A.
22
116
Picc.
3
3
Picc.
Ob. 1
3
To Fl.
3
3
3
5
Bb Cl. 2
Bsn. 1
3
5
Vln. I
3
3
5
p
p
pp
3
To Cl. 5
p
p
pp
f
5
p
116 solo
Bsn. 2
f
pp
p
To Ob.
5
p
Eb Cl.
3
To Fl.
3
C. A.
p
pp
mf espr.
solo
Vln. II
mf espr.
sola
Vla.
mf espr.
solo
Vc.
mf espr.
Cb.
solo, pizz.
f
116
117
118
119
5
120
23
Bb Cl. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
126
Ob. 1
122
Bb Clarinet
3
121
123
124
3
125
mf
Ob. 2
Oboe
mf
Bb Cl. 1
mf
Bb Cl. 2
mf
Bsn. 1
sfz
Bsn. 2
sfz
tutti, div.
Vln. I
tutti, div.
Vln. II
tutte, pizz.
126
sfz
132
133
5
5
127
5
tutti, pizz.
f
Cb.
sfz
f
sfz
mf
Vc.
sfz
mf
Vla.
sfz
mf
mf
126
128
sfz
sfz
129
sfz
sfz
130
sfz
sfz
sfz
sfz
131
3
3
3
134
24
Fl. 1
Fl. 2
136
Ob. 2
Bb Cl. 2
Bsn. 1
5
5
3
3
mf
mf
3
3
3
3
f
3
3
3
3
f
f
136
f
mf
Timp.
Flute
mf
Bsn. 2
mf
mf
Ob. 1
Bb Cl. 1
Flute
Vln. I
Vln. II
arco
Vla.
3
f
arco
Vc.
f
Cb.
5
mf
3
3
3
3
3
137
138
139
140
141
f
135
136
25
142
Fl. 1
Fl. 2
3
p
sf
p
sf
3
Ob. 2
Bb Cl. 1
Bb Cl. 2
3
p sf
3
3
sf
sf 3 3
sf
Xyl.
3
p
sf
3 3 3
3
mf
sf
mf
sf
3
mf
sf
sf
mf
sf
mf
3
p
3 3
sf
p
3
sf
p
f
mf
3
sf
mf
sf
Vln. II
Vla.
142
143
144
145
146
Vc.
Cb.
sf
sf mf
Vln. I
3
142
sf
sf
3
3
3 3 p sf
sf
Timp.
sf
3
Bsn. 2
3
Bsn. 1
3
Bass Clarinet
To B. Cl.
sf
3
p
Ob. 1
26
147
Fl. 1
Fl. 2
Ob. 1
Ob. 2
f
f
f
f
Bb Cl. 1
f
B. Cl.
f
Bsn. 2
f
Timp.
B. D.
Vln. II
f
p
f
p
f
p
f
sf
p
sf
sf
sf
p
sf
p
f
p
sf
p
p
p
p
p
f
p
p
p
p
f
f
f
p
f
p
p
f
p
f
p
p
f
f
p
f
p
f
f
p
p
p
f
sf
ff
p
p
p
f
p
f
p
f
p
p
f
f
f
p
f
p
p
p
f
p
f
p
p
p
f
f
f
f
f
p
f
f
p
p
f
p
p
f
p
f
p
sfz
f
f
f
f
p
f
p
p
p
f
f
f
(= Bass Drum)
f
148
149
150
151
153
154
tutti, pizz.
ff pizz. non div.
pizz., non div.
pizz., non div.
pizz.
ff
147
sfz
147
ff
Cb.
ff
Vc.
p
f
ff
Vla.
p
p
f
f
p
p
f
p
f
f
p
f
p
p
f
f
Bass Drum
Xyl.
Vln. I
sf
f
Bsn. 1
152
27
Fl. 1
p
Fl. 2
p
Ob. 1
p
Ob. 2
p
Bb Cl. 1
p
f
f
f
p
Bsn. 2
f
p
f
p
f
p
f
p
f
p
f
p
f
f
p f
Bsn. 1
B. D.
B. Cl.
Timp.
p
p
p
p
f
p
p
f
sf
sf
sf
sf
p
p
sf
f
f
sf
sf
sf
sf
sf
sf
f
sf
f
sf
sf
f
sf
f
sf
f
f
sf
sf
f
sf
f
Vln. I
sfz
arco, div.
sfz
(pizz.)
sfz
arco, div.
Vln. II
Vla.
Vc.
156
157
p
f
p
sfz
sfz
f
f
158
159
160
p
f
arco
p
f
p
f
162
p
f
p
p
p
f
161
p
f
p
f
f
p
p
arco
f
p
arco
sfz
155
p
f
sfz
f
p
sf
p
f
f
sf
p
f
159
p
f
sf
p
f
p
sf
sf
f
sf
sf
sf
sf
p
p
sf
sf
p
p
sf
p
sf
p
sf
p
sf
sf
p
Xyl.
Cb.
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
p
p
f
sf
p
p
159
sf
f
f
p
p
f
p
f
p
f
p
f
p
f
p
f
f
p
28
Fl. 1
Fl. 2
Ob. 1
sf
sf
sf
Bsn. 1
sfz
Vln. I
p
sf
sf
sf
p
sf
p
p
sf
sf
sf
sf
sf
sf
p
sf
p
p
sf
sf
p
p
p
sf
p
sf
167
sf
p
sf
sf
sf
sf
p
sf
sf
p
p
sf
sf
p
sf
sf
p
sf
sf
sf
sfz
B. D.
p
sf
Timp.
p
sf
Bsn. 2
p
sf
sf
B. Cl.
p
p
sf
Bb Cl. 1
p
Ob. 2
sf
p
p
p
sf
p
f
f
f
f
f
p
f
p
f
f
p
f
p
p
p
p
p
f
f
f
f
f
f
p
f
p
p
f
f
p
f
f
p
f
p
p
p
f
p
p
p
f
f
f
p
f
p
f
f
pizz.
sfz
167
arco, non div.
f pesante assai
Vln. II
p
p
sf
f
p
p
pizz.
sfz
arco, non div.
f pesante assai
arco
arco
pizz.
Vla.
Vc.
sfz
f pesante assai
pizz.
sfz
Cb.
f pesante assai
pizz.
164
arco
f pesante assai
sfz
163
165
166
167
168
169
170
29
Fl. 1
p
Fl. 2
p
Bb Cl. 1
p
B. Cl.
Bsn. 2
Timp.
B. D.
Vln. I
Vla.
Vc.
Cb.
f
p
f
f
f
f
f
f
p
p
p
p
p
p
f
p
f
ff
f
ff
p
f
p
p
f
p
f
f
f
f
p
f
f
f
p
p
f
p
p
f
(non div.)
171
172
f
ff
p
ff
p
ff
p
ff
p
p
fff
ff
fff
ff
fff
ff
fff
ff
f
fff
ff
f
f
p
f
p
p
p
fff
f
sfz
p
sfz
f
f
f
p
f
f
f
p
f
f
p
Vln. II
f
p
p
p
p
p
f
p
Bsn. 1
f
f
p
p
Ob. 2
f
p
Ob. 1
fff
p
fff
p
ff
sf
ff
p
sf
sf
sf
(= Suspended Cymbal and Snare Drum)
sf
sf
div.
div.
175
176
sf
sf
sf
sf
sf
sf
sf
sfz
sfz
sfz
sfz
sfz
sfz
sfz
177
sf
sfz
sf
174
173
sf
sf
p
p
f
p
sf
f
p
sf
sf
f
sf
f
p
f
sf
p
f
p
f
ff
ff
f
ff
p
sfz
sfz
178
30
Fl. 1
179
sf
Fl. 2
p
sf
Ob. 1
Ob. 2
sf
p
p
sf
Bsn. 1
179
sfz
f
sfz
sfz
sfz
Vla.
sfz
Vc.
sfz
div.
p
179
p
ff damped
sfz
sfz
sfz
ff
sfz
180
sfz
p
p
ff
p
f
p
p
ff
p
ff
ff
p
ff
ff
ff
f
p
p
sfz p
ff
sfz p
ff
181
ff
p
sfz
sfz
sfz
p
sfz
p
sfz
sfz
p
sfz
183
p
p
sfz
p
sfz
p
sfz
p
sfz
p
sfz
p
ff
ff
sfz p
ff
ff
sfz p
ff
sfz p
ff
sfz
184
sfz
sfz
sfz p
sfz
sfz
p
sfz p
sfz
f
sfz
f
f
p
f
f
sfz
ff
sfz
ff
f
f
sfz
ff
sfz
ff
sfz
ff
ff
sfz
sfz
ff
ff
sfz
f
sfz
sfz
ff
ff
sfz
sfz
p
p
sfz
sfz
ff
182
sfz
sfz
ff
p
ff
sfz
p
p
p
sfz
sfz
ff
sfz p
p
ff
sfz
ff
p
p
f
p
f
p
f
f
p
p
ff
sfz p
f
f
p
p
p
p
f
sfz p
sfz
sfz p
ff
sfz p
sfz
ff
ff
f
f
sfz
p
f
p
f
f
f
sfz
ff
p
ff
p
sfz
f
sfz
ff
f
f
ff
f
sfz
Cb.
f
div.
sfz
ff
p
Vln. II
sfz
sfz
sfz
sfz
p
f
p
f
sfz
Vln. I
sfz
sfz
sfz
p
sfz
sfz
p
sf
Timp.
p
sf
Bsn. 2
sfz
p
sf
B. Cl.
p
sf
Bb Cl. 1
185
31
Fl. 1
186
sfz
Fl. 2
sfz
Ob. 1
sfz
Ob. 2
Bb Cl. 1
B. Cl.
Bsn. 1
S.D.
Cym.
sfz
fp
f p
fp
f p
fp
f p
f
f
p
f
p
f
f
p
f
fp
f
f
f
p
f
p
p
f
fp
f
fp
f p
mf
f p
mf
f p
mf
Snare Drum (snares on)
sfz
sfz
Timp.
sfz
Bsn. 2
f dolente, col violin solo
sfz
Ride Cymbal p l.v.
186 sffz
solo
f dolente, col oboe
f
p
f
p
Vln. I
pizz.
f
sffz
sffz
Vln. II
gli altri, pizz.
tutti, pizz.
f
sffz
Vla.
sffz
Vc.
f
Cb.
f
pizz.
pizz.
f
186
187
188
189
190
191
192
32
Fl. 1
Fl. 2
mp dolente
Ob. 1
Ob. 2
Bb Cl. 1
B. Cl.
f
Bsn. 1
Bsn. 2
Timp.
S.D.
Cym.
f
p
f
p
f
f
f
p
f
p
mp
f
mp
f
f
p
p
p
mp
f
p
f
f
p
p
Vln. I
Vln. II
Vla.
Vc.
Cb.
193
194
195
196
197
198
33
Fl. 1
199
Ob. 1
Ob. 2
mf espr.
mf espr.
mf espr.
Bb Cl. 1
mf espr.
B. Cl.
mf
S.D.
Cym.
Vln. I
199
tutti, div.
Vln. II
mf staccato molto
mf staccato molto
f
p
f
p
f
p
f
p
f
p
mf espr.
arco
mf espr.
tutti, div.
mf
Timp.
mf
Bsn. 2
mf staccato molto
Bsn. 1
mf espr.
Fl. 2
mf espr.
arco
mf espr.
arco
Vc.
Cb.
Vla.
mf espr.
199
200
202
203
201
204
34
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bb Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Timp.
S.D.
Cym.
sfz
3
3
3
3
3
3
3
3
3
3
(=Crash Cymbals)
3
3
3 3
3
3
3
f legato
3
f legato
sfz
3
f legato
3
sfz
3
3
3
3
3
f
f
p
208
f
208
f
Vln. I
f
f
Vln. II
f
Vla.
Vc.
Cb.
f
205
arco
206
3
3
f
3
3
3
208
209
sfz
207
3
3
f
3 3
3
3
35
Fl. 1
Fl. 2
Ob. 1
Bb Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3 3
3
ff
3
3
ff
3
3
3 3 3
3
3
3
3
3
3
3
ff 3
ff 3
(non trem.)
6
ff
3
3 3 3
3
3
ff
(non trem.)
ff
Vln. I
3
3
ff
Ob. 2
Timp.
6
ff
3 3 ff 3
Vln. II
Vla.
Cb.
3 3 3 3 3 3 3 3 3
Vc.
3
3 3 3 3 3 3
3 3 3 6
3 3
3
ff
3 3 ff
(non div.)
ff
3
210
211
212
213
214
36
Fl. 1
Bb Cl. 1
B. Cl.
3
3
3
3
3
3
3
Timp.
Cym.
3
3
3
3
3
3
3
3
fff
fff
3
fff
3
fff
fff
fff
3
3
3
3
3
3
3
3
fff
3
3
Bsn. 2
3
Bsn. 1
Ob. 2
Ob. 1
Fl. 2
217
< q = q. = 122 >
fff
p
ff
Crash Cymbals
(= Temple Blocks)
ff l.v.
217
Vln. I
3 3 3 3 (unis.)
div.
3
3
3
3
3
3
fff
Vln. II
3 3
Vla.
(unis.)
Vc.
3
(non div.) 3
div.
3
3
3
fff
3
3
3
3
fff
Cb.
3
fff
3
< q = q. = 122 >
3
3
3
arco
3
fff
215
3
3
216
3
217
218
219
220
37
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bb Cl. 1
B. Cl.
Bsn. 2
Timp.
T. Bl.
Vln. I
(G#)
Vln. II
Vla.
Vc.
I
ff
221
mp
mp
Temple Blocks
p
ff
div. unis.
mp
mp
ff
Cb.
I
ff
(C#)
ff
ff
Bsn. 1
mp
mp
mp
222
223
224
225
38
226
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bb Cl. 1
f
B. Cl.
f
Bsn. 1
T. Bl.
ff
ff
230
Vln. II
Vla.
Vc.
solo
f espr.
Cb.
226
227
228
f
unis., on the string f
f on the string
A tempo q. = 122
unis., on the string
rit.
Vln. I
226
ff
f
Timp.
ff
ff
f
Bsn. 2
230 A tempo q. = 122
rit.
229
tutti, on the string
f
230
231
39
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bb Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Timp.
T. Bl.
Vln. I
p
p
p
(f)
f
f
p senza vib.
p senza vib.
mf
mf
mf
f
p
Vla.
Vc.
Vln. II
Cb.
232
on the string f
fff
fff
233
234
p senza vib.
235
236
237
40
Fl. 1
239
Ob. 1
mp
Bsn. 1
mp
T. Bl.
p
Timp.
pp
B. Cl.
Bsn. 2
pp senza vib.
Bb Cl. 1
pp
Ob. 2
pp senza vib.
Fl. 2
< q. = q = 122 >
3
3
3
3
3
p
3
mp
3
3
3
3
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
5
3
3
5
mf
3
5
ff
mf
3
3
5
ff
3
3
3
3
3
3
3
(=Tam-tam)
3
p
pp
239
Vln. I
Vln. II
Vla.
Vc.
Cb.
< q. = q = 122 >
pp
pp
238
239
240
241
242
243
244
pp
41
Ob. 1
Ob. 2
Fl. 1
Fl. 2
3
3
Bsn. 1
n
p
Timp.
Vln. I
n
3
5
p
3
5
5
3
n
p
mf
Vla.
Vc.
Cb.
p
To Eb Cl.
5
p
5
5
ppp legato, senza accentii
ppp legato, senza accentii
mf
mf
Vln. II
p
To C. A.
pp
3
ppp legato, senza accentii
p
3
n
3
ppp legato, senza accentii
p
Bsn. 2
mf
B. Cl.
p
p
3
Bb Cl. 1
ppp
p
245
246
247
248
p
42
Fl. 1
249
pp
Fl. 2
Ob. 1
B. Cl.
pp
To Cl.
f
mf espr.
solo
mp
pp
Vln. I
Vln. II
Vla.
Vc.
250
251
252
253
254
pp
249
mf
p
3
mp
p
255
256
257
5
5
5
5
258
259
260
260
sfz
pizz.
261
262
ff
pizz.
ff
Cor Anglais solo
ppp sempre
ppp senza accentii
Vc.
mp espr.
Vla.
sfz
Vln. II
ppp senza accentii
p
Vln. I
p
C. A.
Fl. 2
260
Fl. 1
pp
Vln. II
Vc.
Ob. 1
Vln. I
249
ppp sempre
263
264
265
43
Fl. 1
C. A.
p
Fl. 2
267
p
f
Vla.
Vc.
Fl. 1
Fl. 2
C. A.
Vla.
Vc.
267
266
267
268
269
270
p
272
273
274
271
mf
3
< e. = q. = 122 >
< e. = q. = 122 >
275
276
44
277
Fl. 1
Fl. 2
Ob. 1
C. A.
f
T.-t.
f
f
Vln. II
Vla.
Vc.
arco
f
ff
ff
ff
ff
ff
f
ff
ff
f
(=Susp. Cymb.)
f l.v. al niente
f
f
Tam-tam
arco
280
f
Cb.
ff
ff
277
Vln. I
ff
f
f
Timp.
f
Bsn. 2
Bsn. 1
To Picc.
Clarinet
Bb Cl.
ff
Eb Clarinet
[h. = 61; In 2]
To Picc.
ff
f
Eb Cl.
280
[h. = 61; In 2]
pizz., non div.
ff pizz., non div.
ff
ff pesante
ff pesante
277
278
279
280
45
Picc. 1
Picc. 2
283
Piccolo
mp warmly
Piccolo
mp warmly
Ob. 1
C. A.
Eb Cl.
mp warmly
mp warmly
mp warmly
Bb Cl.
mp warmly
Bsn. 1
f
Bsn. 2
p
p
f
mf
mf
25"
p
Vln. I
Vln. II
gliss.
283
Vla.
Vc.
p
mp warmly
arco, bow freely for maximum legato
arco, bow freely for maximum legato
mp warmly
mf
282
283
284
mf
281
arco, bow freely for maximum legato
mp warmly
Cb.
28"
Timp.
285
286
287
46
Picc. 1
Picc. 2
Ob. 1
C. A.
Eb Cl.
mf
mf
mf
mf
294
mf
Bb Cl.
Bsn. 1
Bsn. 2
mf
(Bb-Db) Timp. (Db-Bb) 30"
28"
25"
30"
gliss.
Vln. I
Vln. II
Vla.
Vc.
Cb.
288
mf
mf
mf
294
289
290
291
292
293
294
47
Picc. 1
Picc. 2
C. A.
Eb Cl.
Bb Cl.
f
f
f
f
f
f
Bsn. 2
f
Bsn. 1
Timp.
Ob. 1
f
25" 25" 30" 28" gliss.
Vln. I
Vln. II
Vla.
f
f
f
Vc.
f
Cb.
295
296
297
f
298
299
300
48
Picc. 1
Picc. 2
Ob. 1
C. A.
303
Bb Cl.
Bsn. 1
Vln. I
28"
303
301
28"
302
gliss.
(Bb-Db)
25"
Vc.
Vla.
Vln. II
Cb.
Bsn. 2
Timp.
Eb Cl.
303
304
305
49
Picc. 1
Picc. 2
Ob. 1
C. A.
Eb Cl.
Bb Cl.
308
ff
fff
ff
ff
fff
fff
ff
fff
ff
< q. = h = 61 >
fff
ff
Bsn. 1
fff
ff
fff
Bsn. 2
ff
25" 28" 30" Timp. gliss.
Cym.
Vln. I
Vln. II
Vla.
ff
ff
ff
308
f
< q. = h = 61 >
fff
fff
fff
Vc.
ff
Cb.
30"
p
fff
Suspended Cymbal
fff
ff
306
307
308
309
fff
310
50
311
Picc. 2
Ob. 1
C. A.
Timp.
Cym.
Vln. I
3
3
3
3
ff
Bsn. 2
3
Bsn. 1
Bb Cl.
Eb Cl.
3
ff
28"
25"
30"
gliss.
l.v.
311
(=Glockenspiel)
Picc. 1
3
sfz
Vln. II
3
sfz
Vla.
3
sfz
Vc.
Cb.
311
312
313
314
Picc. 1
Picc. 2
Ob. 1
C. A.
Eb Cl.
Bb Cl.
p sub.
51
p sub.
solo
f dolente
ff
Bsn. 1
Bsn. 2
Timp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p sub.
f
l.v.
pizz.
sfz
pizz.
sfz
pizz.
sfz
316
317
318
319
315
52
Picc. 2
Eb Cl.
Bb Cl.
Bsn. 2
Vla.
Vc.
Picc. 1
3
3
ff
f
mf
mp
mf
ff
arco
ff
ff
320
321
327
f
3
fff
3
To B. Cl.
ff
323
322
ff
C. A.
ff
Ob. 1
3
Picc. 2
Picc. 1
mp
fff
324
ff
Eb Cl.
ff
Bsn. 2
Glock.
Vln. I
Vln. II
Vla.
Vc.
3
fff
Bsn. 1
3
fff
Bb Cl.
ff
Glockenspiel
325
327
arco
ff
arco
f
326
327
328
329
53
Picc. 1
Picc. 2
Ob. 1
C. A.
Eb Cl.
To Cl.
Bsn. 2
Timp.
Glock.
Vln. I
Vla.
330
331
332
ff
Vln. II
Vc.
ff
ff
Bsn. 1
Bass Clarinet
B. Cl.
ff
ff
333
54
Picc. 1
Picc. 2
Ob. 1
335
ff
C. A.
ff
Eb Cl.
Bsn. 1
Glock.
Vln. II
sf
cuivré
sf
sf
cuivré
334
sf
sf
sf
sf
sf
3
3
3
3
3
335
f
f
3
sf
l.v.
335
cuivré
Vc.
Vla.
Cb.
Bsn. 2
Timp.
Clarinet in Bb
ff
B. Cl.
3
3
336
3
337
338
339
340
55
Picc. 1
Picc. 2
C. A.
Cl.
B. Cl.
343
div.
div.
3
3
3 3 3
ff
3
341
sf
3
3
3
3
3
3
3
3
3
3
3
fff
fff
3
3
3
fff
sf
fff
3
3
3
3
3
fff
sf
sf
fff
sf
fff
3
3
3
sf
fff
sf
fff
sf
ff
ff
sf
ff
3
Vln. II
Cb.
Vln. I
Vc.
Vla.
Bsn. 2
ff
Bsn. 1
343
ff
Ob. 1
Cym.
3
3
3
3
3
342
343
344
345
346
56
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl.
B. Cl.
sf
sf
sf
sf
sf
350 crescendo possibile
sf
sf
sf
sf
sf
sf
sf
sf
3
sf
sf
3
sf
Cym.
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
Vla.
Vc.
Cb.
sf
Vln. II
3
3
348
sf
sf
sf
sf
Crash Cymbals
sfz
350
3
3
3
3
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
fff
349
fff
347
sf
sf
3
sf
sf
sf
3
sf
crescendo possibile
sf
sf
sf
sf
sf
sf
sf
sf
3
sf
Vln. I
ff
sf
fff
Timp.
sf
fff
Bsn. 2
fff
Bsn. 1
sf
sf
350
57
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl.
B. Cl.
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
Bsn. 1
sf
Bsn. 2
sf
Cym.
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sfz
rall.
sf
sf
sf
sf
sf
rall.
sf
Vln. I
sf
sf
sf
sf
Vln. II
Vla.
Vc.
sf
sf
Cb.
sf
351
352
sf
sf
sf
353
sf
sf
sf
sf
354
sf
sf
sf
sf
355
356
357
58
358 Maestoso
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Timp.
q = 108
5
p
Cym.
f
q = 108
(non div. sempre)
Vla.
Vc.
Cb.
Vln. II
div.
358
sfz
(non div. sempre)
Vln. I
sfz
358 Maestoso
sfz
(non div.)
sfz
(non div.)
div.
363
364
359
360
361
362
59
365 Picc. 1
Picc. 2
Ob. 1
C. A.
Cl.
B. Cl.
Bsn. 2
B. D.
Cym.
sfz
365
sfz
Bsn. 1
Timp.
Vln. I
Vln. II
unis.
Vla.
Vc.
Cb.
365
(non div.)
366
367
368
369
370
371
60
372
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Timp.
B. D. Cym.
372
as loud as possible
p
molto
(=Bass Drum)
sffz
ffff l.v. al niente Bass Drum solo
ffff l.v. al niente
as loud as possible
Vc.
Cb.
Vln. I
Vln. II
Vla.
372
373
374
375
(non div.)
376
377
378
61
2. Prayer 1 Flute
Lento moderato q = 76 DURATION: 7 minutes
2 Flute
1 Oboe
2 Oboe
1 Clarinet in Bb
(Bass Clarinet)
1 Bassoon
2 Bassoon
2 Horn in F
1 Trumpet in Bb
2 Trumpet in Bb
2 Clarinet / Bass Clarinet in Bb
1 Horn in F
1 Trombone
2 Trombone
Tuba
Glockenspiel
Vibraphone
Timpani
Cymbals
Harp
Violin I
Lento moderato q = 76
Violin II
Viola
Violoncello
Contrabass
p espr.
1
2
3
4
5
6
7
8
62
Vc.
1
9
2 Vla.
Vc.
Vc.
24
mp
45
18
19
55
65
56
70
78
79
80
81
82
62
63
83
61
74
84
73
72
71
52
77
76
mf
75
mf espr.
69
51
68
60
8
59
mf
42
50
5
41
58
40
mf
67
57
66
49
mp espr.
mp espr.
48
54
31
7
30
39
29
38
47
53
28
37
46
9
17
27
36
mf espr.
Cb.
26
Vc.
mp
Vla.
44
Vln. II
4
35
25
34
64
Vln. I
16
6
Vla.
33
Cb.
Vln. II
15
3
Vc.
14
23
mf
22
Vla.
13
21
43
Vln. II
p
12
32
Vc.
p espr.
Vla.
11
Vla.
Vln. II
10
20
Vc.
85
86
63
10 Fl. 1
mf
Fl. 2
Cl. 2/B. Cl.
1 Bsn.
Vln. I
mf
Vc.
89
88
90
91
11
Clarinet in Bb
mf
92
93
94
cresc.
96
f
95
f
f
f
1 Bsn.
cresc.
Cl. 2/B. Cl.
Cl. 1
cresc.
Ob. 1
mf
Fl. 2
87
Fl. 1
10
Vla.
mf
Vln. II
Cb.
(Take Clarinet)
f
2 Bsn.
1 Hn.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
f
11
f
97
f
f
f
f
98
99
100
101
102
103
64
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Oboe
f
f
Clarinet
Cl. 2/B. Cl.
2 Bsn.
1 Hn.
2 Hn.
Vln. I
Vc.
f
Vla.
Vln. II
Cb.
f
1 Bsn.
12
12
104
105
106
107
108
109
110
111
112
div.
113
Crescendo 13 Tutti Fl. 1
Ob. 1
1 Bsn.
1 Tpt.
2 Tpt.
1 Tbn.
ff
ff
ff
ff
ff
ff
in 2 div.
ff
cresc.
cresc.
cresc.
115
cresc.
ff
f
f
f
f
f
65
f
cresc.
116
ff
f
l.v.
Crash Cymbals
f (metal beater) Glockenspiel
div.
div.
117
f
ff
ff
div.
f
f
f
mf
(To Vibraphone)
14
unis.
unis.
119
f
unis.
118
ff
ff
mf
f
ff
mf
mf
p
ff
114
Crescendo 13 Tutti
f
ff
ff
14
ff
ff
Cb.
Glock.
Vc.
Vla.
Cym.
Vln. II
Timp.
Vln. I
mf
Tba.
ff
2 Tbn.
2 Hn.
Cl. 2/B. Cl.
1 Hn.
Cl. 1
Ob. 2
2 Bsn.
Fl. 2
120
f
f
f
121
66
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
mf
mf
2 Bsn.
1 Tbn.
mf
f
Vib.
mp
mf
Vln. II
Vla.
Cb.
p
p
dim.
p
p
Vibraphone (soft yarn; no motor)
pp
p non arp.
unis.
Vc.
p
Hp.
Vln. I
p
Timp.
15
p
mf
mf
mf
1 Bsn.
Tutti morendo al niente
mf
mf
mf
mp
mp
mp
p
p
p
122
123
124
125
15
Tutti morendo al niente
non div. p
pizz.
p
126
127
128
129
130
131
132
133
67
Flute 1/ Piccolo 1
Flute 2/ Piccolo 2
Oboe 1
Oboe 2/ Cor Anglais in F
Clarinet 1 in Bb / Clarinet in Eb
Clarinet 2 in Bb / Bass Clarinet in Bb
Bassoon 1
Bassoon 2
mp
mp
mp
Trumpet 2 in Bb
Trombone 1
mf
mp
mp
mf
mp
mf
mp
f
f
f
f
mp
mp
Tuba
mp
mf
mp
mf
Trombone 2
Trumpet 1 in Bb
Horn 2 in F
Horn 1 in F
q = 82
3. Paean
f
f
f
Timpani
Violin 1
Violin 2
Viola
Violoncello
Contrabass
q = 82
f
1
2
3
4
5
6
7
p
68
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
1
Tpt. 1
Tpt. 2
p
Tbn. 2
Tba.
p
mp
p
p
mp
p
mp
p
solo p
mf
p
mf
mp
mf
mp
p
mf
mf
mp
mp
p
mp
mf
p
mf
p
Tbn. 1
p
Hn. 2
mp
mf
mf
mf
mf
Timp.
1
Vln. 1
mp
Vln. 2
mp
Vla.
mp
Cb.
8
f
9
10
mp
11
p
mp
mp
mp
p
p
f
p
f
p
f
mp
Vc.
12
mp
13
14
15
69
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Timp.
2
Vln. 1
Vln. 2
Vla.
Clarinet in Bb
mp
mp
mp
mp
mp
mp
mp
mp
mp
mp dolce
mp dolce
mp dolce
mp dolce
pp
pp
pp
Cb.
pp
Vc.
Hp.
Flute
2
16
17
18
19
p
p
p
p
20
21
mp
mp
22
23
70
Fl. 1
Ob. 1
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Tpt. 1
Tpt. 2
p
p
p
p
f
f
Tba.
Timp.
p
f
p
f
f
p
Tbn. 2
f
p
p
Tbn. 1
Hn. 2
Hn. 1
f
p
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
24
25
26
p
27
28 p
29
3
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Hn. 2
Tpt. 1
Tpt. 2
f
f
f
p
Tbn. 2
Tba.
Timp.
Vln. 1
Vln. 2
Vla.
To C. A.
ff
ff
ff
ff
p
p
p
p
div.
p
p
p
p
f
unis.
p
ff
f div.
unis.
div.
ff
unis.
ff
ff
f
p
ff
ff
f
Cb.
30
31
32
p
ff
f
Vc.
f l.v.
p
ff
p
f
3
p
ff
p
ff
Tbn. 1
ff
ff
f
71
ff
ff
f
f`
Hn. 1
ff
f`
Bsn. 2
f
Bass Clarinet in Bb
ff
33
div.
p
p
p
34
72
Fl. 1
Fl. 2
4
p
mp
mp
Ob. 1
Cl. 1
p
B. Cl.
mp
mp
Bsn. 2
mp
Hn. 1
Tpt. 1
Tpt. 2
Tbn. 1
Timp.
mp
mp
mp
mp
mp
p
mp
4
p
mp
mp
35
36
37
mp
mp
mp
Cb.
unis.
Vc.
mp
Vla.
mp
Vln. 2
Vln. 1
To Picc.
Hp.
mp
mp Hn. 2
rit.
mp
mp
Bsn. 1
To Picc.
mp
mp
mf
38
p
rit.
39
40
41
73
5
A Tempo q = 82
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Piccolo
Bsn. 2
p espr.
p
p
mp
f
mp
mp
p espr.
p espr.
mp
p espr.
f
f
p
f
Cor Anglais
p
Piccolo
p
Bsn. 1
mp
p espr.
mp
Marimba (softest beaters)
Mar.
p
crescendo poco a poco
Hp.
p crescendo poco a poco
5
A Tempo q = 82
Vln. 1
Vln. 2
Vla.
p
Vc.
p
Cb.
42
43
44
p espr.
p espr.
p espr.
mf
mp
45
74
Picc. 1
Picc. 2
C. A.
Cl. 1
B. Cl.
Ob. 1
3
3
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Vln. 2
Vla.
mp espr.
mp espr.
mp espr.
mp espr.
mp
mp espr.
mp
mp
Vc.
Cb.
f
46
3
3
48
3
3
3
47
3
mp
3
mp espr.
Vln. 1
f
Mar.
Hp.
3
mp
49
Picc. 1
Picc. 2
Ob. 1
Cl. 1
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Vln. 2
Vla.
Vc.
Cb.
mf
f
f
f
mf
ff
ff
mf
mf
f
mf
mf
ff
mf
mf
mf
mf
f
mf
mf
mp
mp
3
3
mf
mf
3
3
Hp.
Vln. 1
3
C. A.
mf
B. Cl.
75
mf
mf
50
mf
51
52
76
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Vln. 2
mf
Vc.
Cb.
mf
f
f
f
f
53
f
mf
f
mf
f
f
f
(non div.)
Vla.
f
Hp.
Vln. 1
f
f
f
54
55
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Tpt. 1
Tpt. 2
Tba.
Hn. 2
Tbn. 2
Hn. 1
Tbn. 1
77
Mar.
Hp.
Vln. 1
ff
ff
Vln. 2
Vla.
Vc.
Cb.
56
div.
unis.
58
57
78
Picc. 1
Picc. 2
Ob. 1
C. A.
fff
ff
Cl. 1
B. Cl.
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Timp.
Cym.
Mar.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
ff
ff
fff
fff
fff
fff
59
ff
fff
ff
fff
6
Tempo Primo h = 82
fff Crash Cymbals
ff
f
ff
ff
ff
ff
ff
fff
ff
fff
ff
fff
fff
ff
Bsn. 1
Tempo Primo h = 82
6
fff
fff
div.
fff
fff
fff
60
61
62
63
64
65
79
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Hn. 2
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
ff
ff
Tpt. 1
Mar.
Hp.
Vln. 1
Cb.
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco simi.
f
ff
ff
ff
ff
f
simi.
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f cresc. poco a poco
f
mf
7
div.
f cresc. poco a poco
unis., on the string
f cresc. poco a poco
f cresc. poco a poco
70
f cresc. poco a poco
69
f cresc. poco a poco
68
67
div., on the string
66
mf
f
Vc.
7
Vla.
Vln. 2
ff
ff
Hn. 1
ff
Bsn. 2
simi.
Bsn. 1
71
72
80
Picc. 1
C. A.
sf
sf
Cl. 1
sf
Ob. 1
Picc. 2
sf
8
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
B. Cl.
Tpt. 1
Tpt. 2
Cb.
Vc.
Vla.
Vln. 2
Tbn. 2
Vln. 1
Mar.
Timp.
Tbn. 1
Tba.
sf
73
74
75
76
8
unis.
unis.
77
78
Picc. 1
Picc. 2
C. A.
Ob. 1
Cl. 1
B. Cl.
Hn. 2
81
Hn. 1
Tbn. 1
Tbn. 2
Tba.
Vln. 2
Vla.
off the string
Vc.
Cb.
Bsn. 2
Vln. 1
Mar.
Tpt. 2
Bsn. 1
Tpt. 1
off the string
off the string
div.
79
80
81
82
unis.
83
84
82
9
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 2
Tpt. 2
Vln. 2
Vla.
9
on the string
on the string
f
Cb.
f
Vc.
ff crescendo
Tba.
Tbn. 2
Tbn. 1
Vln. 1
Tpt. 1
Hn. 1
Mar.
85
86
87
88
89
90
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
10
83
fff
fff
fff
fff
Hn. 2
Tpt. 2
ff
Tpt. 1
ff
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
div.
ff
non div.
div.
ff
ff
93
94
92
ff
91
fff
10
Tba.
Tbn. 2
ff
Mar.
Tbn. 1
fff
Hn. 1
fff
fff
fff
95
96
84
Picc. 1
Ob. 1
C. A.
Cl. 1
11
Picc. 2
Bsn. 1
Bsn. 2
B. Cl.
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
97
99
98
unis.
div.
11
unis.
100
101
unis.
102
85
Picc. 1
Ob. 1
C. A.
Cl. 1
B. Cl.
Picc. 2
Bsn. 1
Bsn. 2
Hn. 2
Tpt. 2
f
Tbn. 2
Tba.
Tbn. 1
Mar.
Tpt. 1
Hn. 1
Hp.
Vln. 2
Vla.
Vc.
Cb.
Vln. 1
div.
103
unis.
104
105
106
107
86
Picc. 1
12 ff
Ob. 1
C. A.
ff
B. Cl.
ff
ff
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
ff
Tbn. 2
Tba.
Vln. 1
ff
ff
ff
108
12
ff
Cb.
Vc.
ff
Vla.
Vln. 2
Tbn. 1
Hp.
Mar.
ff
ff
ff
Cl. 1
ff
Picc. 2
109
110
111
112
113
87
Picc. 1
Picc. 2
Ob. 1
C. A.
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Timp.
Mar.
ff
Bsn. 2
Bsn. 1
B. Cl.
Cl. 1
f
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
114
115
116
117
118
119
88
Picc. 1
13
Picc. 2
14
bell tones
bell tones
bell tones
marcatissimo al fine
Bsn. 1
Bsn. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Tbn. 1
Tbn. 2
Tba.
Tpt. 1
Tpt. 2
Timp.
Mar.
Vla.
Vc.
marcatissimo al fine bell tones
marcatissimo al fine
bell tones
3
3
3
3
bell tones
bell tones
f
fff bisbigliando
13
fff
fff
fff
14
non div., bow as it comes
non div., bow as it comes
non div., bow as it comes
non div., bow as it comes
fff
Cb.
fff
Vln. 2
bell tones
Vln. 1
fff
Hp.
Hn. 2
Hn. 1
bell tones
fff
120
121
122
123
124
125
89
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
126
127
128
129
130
131
90
Picc. 1
Picc. 2
15
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Hp.
Vln. 1
15
Vla.
Vc.
132
Vln. 2
Cb.
133
134
135
136
137
91
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
16
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Vln. 1
Hp.
Vln. 2
Vc.
138
16
Vla.
Cb.
139
140
141
142
92
Picc. 1
Picc. 2
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tba.
Mar.
Hp.
Vln. 1
Vla.
Vc.
Vln. 2
Cb.
143
144
145
146
147
Picc. 1
17
fff
Picc. 2
fff
Ob. 1
fff
C. A.
fff
Cl. 1
crescendo possibile
93
fff
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tba.
Hp.
fff
fff
148
fff
149
ffff
fff
fff
ffff
ffff bells up
ffff bells up
fff
ffff
ffff
bells up
Vc.
ffff bells up
Vla.
fff
17
Vln. 2
bells up
fff
Cb.
Tbn. 2
bells up
Tbn. 1
Vln. 1
fff
Tpt. 2
Mar.
Tpt. 1
Timp.
150
fff con tutta forza crescendo possibile
151
152
153
154 New York City Revision Completed 1 September 2010