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7KH 6LOYHU )R[ &RPPLVVLRQHG E\ 7KH 6FKXEHUW &OXE 6W 3DXO 0LQQHVRWD 7KURXJK WKH JUDFLRXVQHVV RI 0UV 6KHSKHUG Cast of Characters Titine
D \RXQJ ZRPDQ
Coloratura Soprano
Carrie Mae
D \RXQJ ZRPDQ
Soprano
Tante Marie
D WLPHOHVV ZRPDQ
Mezzo-Soprano
T-Boy
D \RXQJ PDQ
Tenor
La Fourche Squire
Tenor-buffo )LIW\ LVK
Bass-Baritone
,QVWUXPHQWDWLRQ Flute (Piccolo, Sweet Potato, [Tin Whistle], Suspended Cymbal [brushes], Wind Chimes) Violin (Water Gong, Chime “D�, Woodblock) Piano (Celeste, Harpsichord [electric] ) 6HWWLQJ Only two playing environments are needed: one to represent the town and one to represent the forest. For the town, we need to see the front of Titine’s and La Fourche’s houses. In the forest, we are in a magical, powerful environment: settings and light should reinforce this atmosphere. Sets should be as minimal as possible. 7LPH A remote part of Louisiana during the 19th century. 6\QRSVLV In a town in backwoods Louisiana, four people dream wonderfully vivid dreams which are induced when a magical silver fox roams the woods. Each dream involves a young woman, Titine. T-Boy, who is in love with Titine, dreams of a magical life together. Carrie Mae, who loves T-Boy, dreams of a gold ball at which she and Titine are guests. La Fourche, Titine’s selfappointed guardian, dreams of becoming wealthy by bartering for her hand in marriage. The Squire, a wealthy, lonely, and somewhat addled man, dreams of buying her love. Poor Titine dreams strange, confused dreams of fire and flying through the forest. She wants only to be left alone by all so that she can decide her own destiny. To win her hand, T-Boy decides to shoot the silver fox for Titine. He tells Carrie Mae and sets off in pursuit of the fox. At the same time, La Fourche and the Squire barter for Titine. When she learns of La Fourche’s treachery she runs into the forest, confused and crying. Tante Marie, a mysterious woman of the woods, appears and comforts Titine, telling her that she is the silver fox and that must look to herself for strength and courage. In the meantime, the others have gathered in the woods looking for Titine. The Squire finds her and calls the others. In terror and confusion she finally transforms herself into the silver fox and excapes. She reappears. At the same time, T-Boy rushes in and takes aim. Carrie Mae breaks his aim – he shoots the Squire and Titine/silver fox escapes. The others gather around the Squire. After determining that he is only grazed, Titine appears more radiant than ever. Titine reconciles with all and takes leave of them to live a magical life in the forest. 1RWH The audience will be called upon to help in the transformation of Titine to the silver fox and vice-versa. The convention for this is established in the Prologue: the Silver Fox Theme is heard, the lights become dim, then blackened. The audience chants the name “Titine� – the transformation is made – when the lights come back up, Titine/silver fox is moving quickly about the stage, creating, it is hoped, a vivid effect.
Catalog No. 3092
3
The Silver Fox
A Chamber Opera for Young People John Olive (1978)
Libby Larsen 1978, revised 2009
The stage is bare. The house lights are on. TANTE MARIE enters. She is an older woman. She wears a strange, complex costume, possibly with a headdress designed to evoke the forest.
1 1 a strong, magical gesture) (using SH! 2 SH!
Tante Marie
[Celeste ad lib.]
As soon as she speaks, the house lights fade quickly, and the atmosphere becomes moody and evocative. TANTE MARIE’S heavily made up face seems to glow in the strange light.
1Something magical is going to happen. You feel it? We’re deep in the forest, a deep, dark, wonderful place where no one
T. M. 2
sees us, where powerful spirits live, spirits like me.
Prologue
2
1 T. M. 2 G S
T
B
q = 84, a bright, crisp feeling
0
[spoken] Here the animals dance all day...
Chorus 1 Offstage 0 G
G i G i
0
La
la
la la
la
la
la
la la
5 5 5E 5 5 5 5 5 5 5
5 5 5E 5 5 5 5 5 5 5
5M 5 5
la
la
5 5
0
La la la la la
5M 5 5
5 5 5 5
0 *p
0 p
5 5
La la
0
5 2
p
La
la la la la la
5M 5 5
la
la la
La la la la la
5M 5 5
la
la
La
*“J’ai vu les loups” is a Cajun folksong collected in Arnauville, La. Libretto: © Copyright by John Olive. Used by permission. © Copyright 1981 by E. C. Schirmer Music Company, Inc., a division of ECS Publishing, Boston, Massachusetts. www.ecspublishing.com All rights reserved.
la la la la la
5M 5 5
la
la la
5M 5
la
la
4
1 T. M. 2 G 4
S
T
B
1 G G i
5 5
La la
the weazle...
5
la
1
T. M. 2 G
5
5
la
5
la
and the fox...
5 5
la
5 5
la
La la
5 5 5 5 5 5 5 5 5 5 5 E5 5
La
5
5
la
la
la
5 5
la
5 5 5 5
la la la
la
5M
la
la
5 5
la
B
1
8
T. M. 2 G S
T
B
La
1 G ?
Hm?
5
5
la
la
la
5 5
la
La
only magic...
5 5 5 5 5 5 5 5 5 5 5 E5 5 G i J’ai vu les loups et les re - nards et les bil - let - tes,
G 5 5 5 E5 i La la la la 5 5M 2
5 5 5 5
la la la
la
A girl, mf
5M
la
la
la
5
la
la
5
5
5
5 5
la
la
5
la
la
5M
la
la
5 5
la
5 5 5 5
la la la
la
5M
la
5
la
la
Do you know what is going to happen?
5 5 5 5 5 5 5 5
5
5 5 5 5 5 5 5 5
5
E5
J’ai vu le loups et les re - nards dan - caeint
5
J’ai vu le loups et les re - nards dan - caeint
5 5 5 E5
La la la
5 5
la
5
J’ai vu le loups et les re - nards dan - caeint
La la la
J’ai vu les loups et les re - nards et les bil - let - tes,
T
5
5
5 5 5 E5
1 G 5 5 5 5 5 5 5 5 5 5 5 5 E5 nothing bad can happen here........
Don’t be afraid...
5 5 5 5 5 5 5 5
J’ai vu les loups et les re - nards et les bil - let - tes,
G 5 5 5 E5 i La la la la 5 5M 2 6
S
the wolf....
La
5
5
la
la
5M
la
la
5 5
la
5 5 5 5
la la la
la
5M
la
5
la
a special, important girl
is going to change to a
la
4
= 55
5 5 5 5 E5 5 5
?
4
= 55
4
= 55
5 5 5 5 5 E5 5
?
4
= 55
4 = 5 5 5 5 5 5 5 5 E5 G ? i Je l’ais ai vu tous em - bras - ser mf 5 5 5 5 E5 5 5 5 = 0 2
?
4
= 55
G ? i
Je l’ais mf Je l’ais mf
Je l’ais ai vu tous car - es - ser
ai vu tous em - bras - ser
ai vu tous em - bras - ser
Je l’ais
Je l’ais
Je l’ais
5 5 5 E 5 5 5 5 5 =
Je l’ais ai vu ça va, ça va
1 T. M. 2 G
5
11
S
is going to change to a
magical silver fox.
1 G 5 5 5 5 E5 5 5
p
G i
T
B
2
la
ai vu ça va ça va
la
5
la la la la la
5M 5 5
la
la
la
la
5
G 5 5 5 E5 i la la la la
5
la
5
la
2
5 la
5M
la
5
5
la
la
5 5
la
la
la la la la la
la la
la
la
la la la la la
5M 5 5
la
la
la la
5M 5
la
la
0
There she is!
5
la
TITINE enters, lost and apprehensive...
5 5
la
5 5
la
la
5 5 5 5 5 5 5 5 5 5 5 E5 5 G i J’ai vu les loups et les re - nards et les bil - let - tes
T
la
5M 5 5
la la
(She gestures)
la
la la
5 5 5E 5 5 5 5 5 5 5
p
5 5
la la
5 5
5 5 5E 5 5 5 5 5 5 5
Look!
5 5 5 5
5 5
0
la la la la la
0
5 5
0 p
1 G
la
5 5 5 5 5 E5 5
14
B
la la
5 5 5 G 5 5 5 5 i ai vu ça va ça va
1 T. M. 2 G S
5 5 5 5
5 5
ai vu ça va ça va
Anything can happen in the forest...
la
5M
la
la
5
5
la
5 5 5 5 5 5 5 5
5 5
5
la
la
5
5
la
J’ai vu les loups et les re - nards dan - caient
5 5 5 5
la la la
la
5
5 5 5 E5
la
la
5 5
la
la
la la
la
5M
la
5
5
la
la
5 5
la
la
5 5 5 5
la la la
5M
la
la
5
la
6
1 T. M. 2 G
TITINE looks about. As she hears the audience say her name, she looks around, wondering from where the voices are coming.
16
S
1 G G i
T
B
Vln.
Her name is Titine...
2
1 2G
1 T. M. 2 G
she can’t see you but
J’ai vu les loups et les re - nards et les bil - let - tes,
5 5 5 5 5 5 5 5 5 5 5 E5 5
J’ai vu les loups et les re - nards dan - caient.
J’ai vu les loups et les re - nards et les bil - let - tes,
J’ai vu les loups et les re - nards dan - caient.
la la la
5
la
5k
go ahead, say her name...
5 5 5 5 5 5 5 5 5 5 5 5 E5
5 5 5 E5
G i
Titine...
5
la
la
5M
la
5
la
5 5
la
la
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5
la la la
5 5 5 E5
la
la la la
5
5M 5
la
la
la
5k
drone
' '
mf
la
5M
la
5
la
1 G G i
T
B
Vln.
Kbd.
2
G i
1 2G G
5
5 5 555
la
la
5 5
la
la la la
5M 5
la
la
la
sim.
' '
18
S
E5
Free tempo she can hear you...
Titine...
You can make change into a silver fox...
?
4
= 5 5 5 5 5 5 E5 5 5
0
?
4
= 5 5 5 5 5 5 5 E5 5
0
?
4
= 5 5 5 5 5 5 5 5E 5
0
Je l’ais
Je l’ais
Je l’ais
5 5 5E 5 5 5 5 5 =
ai vu ça va, ça va
ai vu ça va, ça va
ai vu ça va, ça va
0
Je l’ais ai vu ça va, ça va
5k '
0
'
5
Ah pp (any high note) ( )
5
Ah pp (any high note) ( )
5
Ah pp (any high note) ( )
5 5 5 5E 5 5 5 5 5 =
Je l’ais ai vu ça va, ça va to Water Gong
Listen! pp (any high note) ( )
Ah
0
0 Free tempo
0
0
0
0
0
0
[hand-over-hand black-note gliss.]
ff
E' `b *
N
d!e5
l.v.
7 TITINE is becoming more and more agitated
1 T. M. 2 G 22
S
0
Hear that music?
1 G G i
T
B
a tempo (q = 84)
2
G i
0
0
0
niente
0
0
0
niente
0
0
0
0 N 2 MM
f
5 5 5
?
f
Kbd.
0
5 5 5
3
Water Gong (lower into water)
Vln.
0
= 5
0
3
0
0
k G 5 '
Vln. drone
'
f
0
0
`b *
4
0
de G
(l.v.)
?
mp
Ti -
Sweet Potato
Fl.
Say her name... Titine... like magic
niente
niente
1 G ?
It’s magic, it means she’s going to change.
a tempo (q = 84)
I5 5M 5M 5M M M M 5 5 E 5 5 5555 5 5
loco
5 = 5
mf
=
5 5 55 5 5 5 5
8
1 T. M. 2 G 26
S
1 G G i
T
B
Vln.
Kbd.
2
G i
1 2G G
0 5 = 5 mp
?
Say her name!
Watch her!
Watch her!
B
5 = 5
B
Ti - tine,
4
=
5 B
Ti - tine,
5
mp
=
Ti - tine,
= 5 BM
Ti - tine,
= 5
5
mp
5
5
I5 5M 5M 5M M M M 5 5 5 5555 5 mp
5
5 = 5
=
BM 5
5 B
Ti - tine,
= 5 BM
Ti - tine,
= 5
Ti - tine,
5
5
= 5 BM
tine,
5k 5
5 B
Ti - tine,
Ti - tine,
mp
BM
5 = 5
BM
Ti - tine,
4
Ti - tine,
E5
5
5 5 55 =
I5 5M 5M 5M M M 5 5 E 5 5 5555 5
5 5 = 55 5 5 5 5 5 5
to Water Gong
4
?
I5 5M 5M 5M M M M 55 5 5 555 5
5 5 5 = 55 5 5 5 5 5 5
5 55 5 5 5 5
9
3 Scene I TITINE is transformed to the SILVER FOX. The FOX scampers about first going to T- BOY.
before) 1 f( 5(as G )
29
S
G i
T
B
Fl.
Vln.
Kbd.
2
G i
0
0
0
0
0
0
0
0
0
0
Ah f (as before) ( )
0
niente
Ah f (as before) ( )
niente
Ah
?
0
2G G
0
niente
5
1 G
0
Ah f (as before) ( )
5
(1)
N
de 5
ff
0
BM 8³ ¯´ 5 5 5 5 5 E5 5555
0
3
mf
Water Gong (lower into water)
0 (hand-over-hand black-note gliss.)
0 MM
f
5 5 5
(e = e) poco rit.
0
0
5
q = 72, espressivo
niente
0
f
5
5
mp
3
5
q = 72, espressivo
0
E' df *
to Vln.
5M 5M
(e = e) poco rit.
0
l.v.
0
5 5M 5M
Chime
G
to Picc.
0
0
0
0
The FOX stops near T- BOY.
1 2G i 4
T-B.
Kbd.
G
q. = 60 T-Boy mf dreamily
5 5 5 5M
4M
Oh, what a night
q. = 60 `a 5M
5k
5k
mf
55 MM
pedal ad lib.
= 55
Such dreams,
loco 5M 555 55555 `a5M 5 55 5 5k
55 MM
5 =4
5M
55 MM
5k
5 I
5M 555 55555 5 55 5 loco
55 MM
55
5M
5 555
4
vis- i - ted pal-a-ces
5k
5M
5k
5M
= 55 55 = 55 55 5M 5M
5 5 5
and ate at
5k
5M
4 5k
5
= 55 55 = 55 55 5M 5M
G
10
9
Fl.
Vln.
Kbd.
5
1 G 2G G
0 5k
G
5
55
55 5
0 0
4M
5k
-
4M
4M BBMM
5 5 5
17
5
5M 5 5
5M
mp
5k
mp 5M 5 5 5
5
5
5
0
0
4
Vln.
5
5
5M 5M
f
55 5 5 55
BMM BBM BM BM
mf
5 55 5 5 5 5 0 0
5 5 5 5 5M 5
And at my side to Flute
5M
5
5 55
5
BM 5
55
0
4M
0 5k
5
5k
55 55
= 5M
5M
5k
Ti
5M
= 5 5 = 5 5 5 M 5 5 5M 5 5 0
Ti - tine!
5 5 5
4M = 5 55
5 MM 55 M
5 5
5M 5M
=
shar - ing it all is
4M
=
f
mp legato
55 5
5 5 5 5 5 55
mf
4M
loco
4M
bravely
5M
4
Picc.
= 3 5 5 5 5M 5M
5 5
and such
dreamily
5M 5 5
4
55 55 5 4M 5 5 55
sic!
my love, my sweet
G = 5 55 =
5k
mp
4M 2 G BM `5aM 5M 555 555 555 555 MMM 5M 5 5 5 5 M G mf
5M 55 55 5 5 5 55
5 555
4M
5 55 5
2
fly - ing el - e - phants,
4M
5M 5 5 5 = =
mu
5
mag - ic,
legato
1 5M T-B. 2 G i tine, 1 Vln. 2 G Kbd.
55 55 55 55 5 55 5 5 5 5 55 5
5M
52 5
on
0
13
Kbd.
555 555
ban - quets, and rode
1 BM T-B. 2 G i sweet 1 Fl. G B M Vln.
5M 5
f
5 5 5 5 5 5 5555 5555 555 555 55 5 5 55 =
GGGGG GGGGG GGGGG GGGGG GGGGG
1 T-B. 2 G i
5 5 5 5 5 5M 5M 5 5
mp sub.
1 C. M. 2 G 21
Fl.
Vln.
Lights up on CARRIE MAE. She stretches, waking from her dream.
0
0
4
Carrie Mae mp (as if floating)
5
5 5M
11
5M
5M
What a sweet
dream!
8))))))))))))))))))))))))))))) 85M 5 85 5 Flute 5 5 5 1 BM ³ ¯ ´ 5M 5 5 E5 5 G 5555 mp f 8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) BM BM 5M 2G BM ³ ¯ ´
Kbd.
mp
BM BM * 26 1 5 C. M. 2 G 5 5 555 Fl. Vln.
Kbd.
1 G
Bost - on so - ci - e - ty
0
2G
Vln.
Oh,
N
2G
4
Cakewalk
Kbd.
mf
G 4
5 5
the mu - sic,
mp
5 5 5 4
0
=M $ 5M 5 5
5 5 5
2
at
4
5
2
the
a
5M 5M 5 5 5
B gay,
0
0
0
5 5 5 4
2
0
=M 5$ 55 MM 5 55 5 5 5 5 4 5 5
0
4M
0
4M
0
4M
0
Poco meno mosso q = 92
ball. Susp. Cym. w/ wire brushes
N
?
5
5 5
3
thou - sands of
4
0 55 MM
55 4
4
5 5
2
55M 5 4
Hpscd.
2
4
5 5M 5 5 5 M 5gliss.! ' =M =M
0
cry - stal,
4M
a
'
fan - cy
0
B
5 5
I’m
to Harpsichord
5 MM 55 M
BM BM 5 5
girl
0
30
1
B
0
G
BMM BBM
BM BM
Cakewalk
0
f 5M 1 C. M. 2 G
Fl.
BMM BBM
B
to Susp. Cym. w/ wire brushes
pp
G BMM BBM
Poco meno mosso q = 92 ,
f
5 5 5 5 5! 5 5E 5 5 f 5 ! 5 5 5 = 5 5! 5 5 3 3 =
3
3
!5 5 5 5 5 B can - dles
4
? 4
5 5
2 55M 5 4
and my first
2 5 5M 5 M=
4
=M 5$ 55 MM 5 5 5
5 5
4
12
3 1 C. M. 2 G 5 5 5 5 !5 - pagne. 1 taste of cham 2 2 4 Fl. N 4
33
Vln.
Kbd.
G 55
4
5 5
4
= 5 E 5 5E 5
Kbd.
2G G
5 5
Vln.
Kbd.
p gl.
2
0
4 2
4 2
And
Ti
f
55 5
4
5 5
!5 5 5 5 5 5
-
5
5M
55
p
tine
5k
4
5k
5M
5M
= 5 5 = 5 5 5 5 5 5 mf
shar - ing it all,
5k
5M
5k
5M
gl.
55 5
5 5
5
5 4 5 4
BM 5
Ti - tine!
f
0
G
3
M M BM = 5 5 = 55 55 BM 5 5
0
0
? 55 55MM 55 55 55 55 =M
5 5 5 5
Viennese waltz-time q. = 60
to Piano
4
is with me
5
5
5 5 4
5 4 5
4
to Flute
0
Piano
0
4M
4M
0
5555 5555 5555 f
5
5 5
The SILVER FOX moves to LA FOURCHE. Lights up. He is gloating over imaginary money.
1 L. F. 2 G i 1 Fl. G 41
4
waltz-time q. = 60 Viennese 5 5 5 5 5
0 55
3
3
5M
Flute 1 G ?
5 5
2
0
5 5 M 5! 5 5 =M 5 5 M 5 p $sub. 3 3 5 5 5 5 = ! 5 =M 55 55 MM 55 5 5 MM 55 4 5E 5 5 5E 5 5
37
Vln.
4
5 5 M 5 5M 5 5M =M 2G
1 C. M. 2 G ? Fl.
0
2G
0
q = 72
0
555
0
mf
q = 72 5555 5555 555 555 55 5 5 55 G ' ' 5 5 5 5 M M ' 5 55 ' 55 ' *
0
8³ ¯´ 5 5 5 5 5 5 E5 0
La Fourche
?
'
2
2 4
?
catnabile
EB 5 5 5 5
Mon - ey!
0
laughing
'
2
2 4
Mon - ey!
mf
0
0
0
0
1 L. F. 2 G ? i 45
q = 63
3 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5
f
5M M M M M 1 5 5 5 3 5M 5 5 5 5 5 = G 2
4
5M M M 55 5 5 5 5 =
?
mf
5M
5M 5M 5M 5M 5M 5M = 555 3 555 5M 5M q = 63
Kbd.
L. F.
Fl.
Kbd.
mp lightly
5M 5 5M M
1 5 2G i mine, 47
rapturously
5
55
5 5
=
55 5
=
mine,
f
5 M 5M
f
5M 5 M
=
mf
5M
5M 5M 5M
=
?
5
all
BM
4
mine.
?
5M 5M 5 5 5 5
4
mp
55M 55M 5 5 5 5 5 5 5 5 3 = 5 35 G 3 5 5 5 5 5 5 3 3
p
5M 5 5M 5 M M
5 5 5 5
5
5
5M M 5M 5 5 5 5
5
=
I’m rich, I’m rich!
4
3
5 5 5 5
55M
5 5
5 5
5 5M
5M =
Ti - tine,
=
55M 5
5
5
5M
! 55M E 3 E5 E5
!5
all
5 5M 55M 5 3 55
?
3
5
5 5 5 5 5 5 5 5 5 BB 3
1 2G
5M
f
0
49
Kbd.
5 all
ff
1 5 5 3 L. F. 2 G i I’m rich,
Fl.
5M 5M 5M 5M
1 2G
5
5 35
Gold and sil - ver coins run - ning like cra - zy wa - ter from my hands,
lightly
Fl.
13
He pretends he has gold.
BB B B B
5M
5M
5 5 5M
5
5 5
5 35 5
you dar - ling, won - der - ful
4
? ? ?
G
14
1 5 2G M 5M 5M 5M 5 i val - u - ab - le child, 51
L. F.
Kbd.
G 4 1 2 53
Sq.
Fl.
3
mf
5M
5M
5M
5 4 5M M 5M 4
5M
2G ' '
Kbd.
0
Vln.
Kbd.
5M mf
5 5
G 55MM
5
0
0
0
0
4M
What a
5 5 5 5 5 5 5 5 5 5 5 5
[if needed]
p
G 5M
5
5 55
55M 5 M
5M
= 35 5 5 I give her
5 5 5 5M 5 5M 5
p
= 5M
5 5 5I ! 5 5
5I 5 5 5 5
5M
p
5 5 5I 5 5 5I 5 5
5M
mf
555 555 55 555 55 5 5
5 E5 5
5 5
4
5 5 555 55 555 5 55 E 55 ! 55 E 5 ! 5 5 5 5 M 5 5 5 5 5 mf
5 5M
Squire mp groggily
I’m with Ti - tine,
4M
0
I 5 5 5 5 5 5 5M
0
5M 5 5M 5
0
to Cel. M 5 5 5 5 55 555 55 555M 5 5
(x =e) poco rit.
0
5M
I5
I5 5 5 5 5 555 55 55
Celeste
won - der - ful dream!
q. = 60
G
0
0
1 5M 5 5 2 1 2G
'
mp
57 q. = 60
Sq.
0
EB 5 5 5 5 B
G
4
f
[if needed]
cantabile
mf
4
I 5555
(x =e) poco rit.
0
8 5 5 5³ ¯´ E 5 5 5
Ti - tine!
55M 5 = 55 = 5 5M
goes to SQUIRE, who wakes, smiling.
1 G 5555
5 '
you shall make me rich,
f
Vln.
5 5 5M
5 5
SILVER FOX leaves LA FOURCHE and
mf
= =
1 2 61
Sq.
Vln.
Kbd.
1 2G
5
5M 5 5M 5 5 5 5 5
5
jewels, and she smiles,
5k
G G 1 E BM 2
I
BM
give her a coun - try
=
5M
=
555 555
5
5 5 5 5 5 5 5 5
5M
He pretends she kisses his hand and does a dance.
hand.
Vln.
Kbd.
8 1 ³ ¯´ 2G E BM
Kbd.
mf
= 3
5 5 5M 5 2 1 2G
5 5 5 5 4
weeps for joy, I’ve made her hap - py.
0
G
0
G
0
4M
5k
5M 5
f
0 0
p
0
5 5 5 5
555 555
55
5
5 5 and she
55 555
to Piano 555 555 555 555 =
5 5 5 5
=
4
5 5 5M
5
5 5 5 5 5 5 5 5
5
T- Boy f
4M
0
Ti - tine,
my
0
The SILVER FOX scampers out of sight.
0
5k
5 5
5 5 5 5 5 5 5
0
es
5M k M M = 5 5 = 5k 5
I give her It - a - ly
55 55 55 55 G 5 E5 5 5 5 5 ! 5 5
mf
-
5 5
5 5 5 5M M 5 5 5
4M
=
5M 5 5M
5M
1 T-B. G i
Vln.
5M
4M
55 E 55 ! 55 E 5 ! 5 ! 5 5 5 M 5 5 M 5 5 5 G
69
Sq.
4M
5 5 5 5 = = 5 =
and she kiss
5M
5 5 5 5 5 5
0
5
e - state,
5M 5M 5 5 5
=
55MM
65
Sq.
5 5
15
Ti -
I will buy you, I don’t care what it costs.
0 0 0
0 5 = 55
Piano
f
= 5 5
5 5M 5 5M 5M 5M
16
1 C. M. G 73
T-B.
Sq.
Fl. Vln.
Kbd.
2
5 G i tine, 4
5 5
5
Ti
5
p
5 5
p 1 C. M. G 5 5 5M
76
G 4 i
Sq.
Fl. Vln.
Kbd.
2
G 4 i 4
1 G 4 2G
4
G BBBMMM p BM BM
5
5
-
bride!
5 5M 5 5M
p
5 5 5
5M
5
5
4
mf
5
55 5
BM BM
5M 5M 5M 5M 5 5 5
5M
5 5 5 5 5 5 BBMM BM BM BM
5 4
5
5
5
need you
5
5
5
5
5
5
to
tell
5 5M
5M 5 M
5
5
5
5 5M
5
55 MM 5M
55 MM 5M 5M 5M
5 5 5
5M
5M 5
5 5 5
5M
5M 5 5 5
5 5 5
5M
5 5M
5 5 5
5M
4
Ti - tine! f
Ti - tine! f
I swear, Ti - tine! f
4
4M
Ti - tine!
4M
=
4M
What a
4M 4M 0
0
0
5 5M 5 5M
5 5
4
0
5 5M = 55 55MM f
me what to
Ti - tine!
5M 5
4
5 5
5 5M
5M 5M f
5
Ti - tine!
Ti - tine!
5M
5
5
Ti - tine!
p
5M
5 I p
Ti - tine!
Ti - tine, you will make me rich,
5 5M
tine
5M
5 5 5 5
Ti - tine!
-
5
4
tine.
5 5M
5 5M
Ti
5
4
Ti - tine!
Ti - tine! mp
5M
5
5
5M
55 M 5 5M
=
do.
5
I will make you my
4M 2G 5M 55 MM G
L. F.
=
0
1 G 4
T-B.
Carrie Mae f
`a55 5 5 55 555 55 555 55 5 5 55 5
5 5 5 5
1 C. M. G 4
5 5M
80
1 2G
`a 55 = 5 G =
1 BM C. M. G 84
tine!
G i
T-B.
L. F.
Sq.
Vln.
Kbd.
2
p
5 5 *
5
tine,
I
tine,
BBMM BM BM
BBMM BM
5M 5M
BM BM
5M
5 5 5
5M
(mm)
5M
5
= 5
f
I
5
love you!
55 5 5 55
55 55 MM 5 5M
55 5
= 55 5 M
5
5
=
3 5 5 5
=
I love the
5
5
5
f
4 5
5
5
5
mon - ey you’ll bring me
4M
4
love you!
5
0 555 MMM 5M
mp lightly
5M
5M
5
5
5 5 5M
f
55 5
55 55 MM 5 5M
5
5 5M
5
We’ll be
5
Ti ,p
5
Ti -
5M strong!
=
5M
5
5
5
5
We’ll be
0 f
5
BM
- tine!
5
55MMM 55M
G
f
,p
5 , p5
Ti - tine!
Ti
0
5
Ti -
=
0
4M f
5
(mm)
5
5
5M
5 5 5
0 55 MM 5M
5 5 5
0 f
5 G i tine! 5
1 2G
mine
GGGGG
Kbd.
All
Such a won - der - ful dream,
0
5
,p
Ti -
(mm)
5M
5
4
5 5 5 5 5 5M
4
5 5 5
5M
dreams,
4M
0
5M
(mm)
= 5 5 5M such
4M
5M
GGGGG
Fl.
2
5M dream,
4M
G i
L. F.
5M
Such a sweet
G 5M i night,
T-B.
Sq.
5
17
f
5
5
5 0 0
18
1 G 87
Ti.
G
C. M.
T-B.
L. F.
Sq.
Fl.
Vln.
Kbd.
2
0
0
BM
,
5M 5M
G 4M i
4
=
=
,
5M
1 G =
BM
5 Ah,
5 5 5
5 5
5
I’ll be
rich!
5
=
5
5
=
5M
5 5 5 f
=
,
5
,
5M
5
5
5
5
5
5
=
5
5M
5
5
5M
Ti - tine
5
=
5
5M
Ti - tine
5
5
5
Ah,
5M
5
5M
Ti - tine
Ah
We’ll be fa - mous!
G
5
Ah,
G 5 5 i hap - py!
2G
5
0
=
5
5M
Ti - tine
5 5
5 5
5M 5M
5M mp
5M
mp
0 0
= =
55 5 f
5 5
5555 5555 5555
5555 MMMM mp
5M 5M
5M
5555MMMM 5M 5M
19
Scene II
4
1 G 4M 1
Ti.
TITINE’S voice is heard. She cannot be seen.
p as if floating
5M
Titine
[closed “n”]
G
C. M.
BM (nn)
G i
T-B.
G i
L. F.
Sq.
Fl.
Vln.
2
[closed “n”]
BM (nn)
[closed “n”]
[closed “n”]
[closed “n”]
BM (nn)
(nn)
1 G 2G G
BM
4 Kbd.
nn
0 0 0 0
'
'
0
Audience chants, “Titine,” She appears.
'
0
pp (any note) ( )
5
niente
0
pp (any note) ( )
niente
0
Ah pp (any note) ( )
niente
0
niente
0
Ah
0 0
5 5
Ah
0
pp (any note) ( )
5
Ah
0
0
?
0
0 0
Sweet Potato
ff
E' *
mf
?
5 5 5
3
3
Water Gong (lower into water) to Chime
0 [hand-over-hand black-note gliss.]
0 MM
5 5 5
to Wind Chime
N
!5
f
0
to Celeste
20 Lights up on TITINE. The others fade from sight.
Ti.
q = 56 6 8³ ¯´ 5 5 5 ' 1 5 G 4 5 55 5 E5
0
0
0
Ah
T-B.
L. F.
Sq.
Fl.
Vln.
2
' 4 = 5 p
pp
?
Ti - tine!
G i
0
G i
0
[Offstage]
?
[Offstage]
?
4 = 5 '
pp
4 = 5 '
pp
' 4 = 5
pp
p
?
[Offstage]
0
?
p
?
p
Wind Chimes
0
2N
0
0
G
0
0
0 Celeste
EB^ 5 555 5 555
mf
G
B_
G
' M
4
pp
sfz 4 =5 '
pp
' 4 = 5
pp
?
Ti - tine! Picc.
4
0
mp Chime
sfz 4 =5 '
Ti - tine! sfz
Ti - tine!
1 G
pp
Ti - tine!
Ti - tine!
sfz ' 4 =5
Ti - tine!
Ti - tine!
q = 56
Kbd.
?
0
G
C. M.
[Offstage]
555
8³ ¯´ 5 5 5 5 5 E5
mp
BM
mp
0 0
0 EB^ 5 555 5 555
B_
5 5
5 0 0
5
TITINE appears
5 E5 3 1 E 5E 5 ! 5 4 2G
BM
11
Ti.
Fl. Vln.
1 G
'
2G 5 5 5 G G
0
4
0
4
1 5 5 BM 2G
f
Vln.
Kbd.
4 5 B 55 5
1 5 5 5 2G 8 1 2G 5 ³ ! ¯ ´ made
Fl.
my
p
Kbd.
G = 55 5M 5M
p
5_
?
4
own
f
=
!5
5 light
8 5 ³! ¯´ p
3 5M 5M
5 5
f
5
f
p
5_
to Violin
5 5 5 3
= 55
0 0
mf
5M 5M
5M 5M
5 !5 as
flew
like
= 55
f
a
5M
= 5M 5M
55
,5
bird
I
0 E5 5
=
0
q. = 70
Piano
and that I
8 5 ³! ¯´
5 5 5 5 5 5 5 5
I
5 5 5
dreamt I was on fire
p
f
p
I
55 55
17
Ti.
q. = 70
8))))))))))))))))))))))))))))))))))))))))))))))))))) 8 = 5 ³! ¯´ B ³ ¯´ '
p
? 2G
G 4
0
Ah
Flute
f
0
5 5M E 5 5 5 5 5 5 5 5 5M 5 = 5 5
1 G ?
G 4
q = 60
freely
for - est.
Fl.
ing through the
0
5 5 5 5
14
Ti.
-
5
5
0
B_ p 5 B 555
?
5
I dreamt I was sail
0
to Flute
pp
Kbd.
3 E5 5 5 5 5 5 5 5 5 E5 =
freely
Ah
mf
21
q = 60
3 5M 5M
5 5 5
5M
22
1 5M 2G
5 5 5 5 5 5 5 5
19
Ti.
8 1 2G 5 ³ ! ¯ ´ dreamt
Fl.
p
I was on fire
5 5
G 3 Kbd.
for
Fl.
1 5 2G
Kbd.
1 2G 25
Ti.
Fl.
Kbd.
5
p
5
-
5
E5
E5
55 55
5
5 5
5
G = 5M 5M
sail
I 5
5
55 55
flew
5M 5M
(RH)
4 5
5M 5M
5
5
5
55 55
I was on
5 5
3
5M 5M
55 55
5M 5M
M M 5M 5M 5M 5 = 3 5 = 5 5
5
4 5
fire
p
I 5
I 55
4
I 5
I was on
5
like a bird
LH
5
5 5 5
I
0
p
5
8)))))))))))))))))))) 5M 5 5 5 5M ³ ! ¯ ´
5 5 5 5 5 5 5 5
M M 5M 5M 5M M 5M 5 3 5 5 5 = 55
5
5
5
55 55
5
5
I 5
5
4M
5
5
LH
mf
ing,
4
5
mp
! 5
I 54
as I
55
(RH)
5 5M
-
5M
55 55
8))))))))))))))))))))))))) 5M ! 5 5
1 = 2G
!5
5
4
=
0 5
5 =
4
0
est I was sail - ing,
I E 5
fire
f
=
5
I was sail - ing through the
5M 5M 5M 5M 5M M M 5 5
= 5 5
5 5 5 5
4
G 5
=
8 5 ³! ¯´
= !5 5 5 5
=
5M 5M
22
Ti.
f
5M 5M
1 5E 5 2G
BM
5
55
M M 5M 5 5M 5 5
5M 5M
5
5 5 5 5 5 5 5
dreamt
all the an - i - mals of the
0 4 5
5M 5M
5
55
4 5
5M 5M
5
55
1 5 2G 28
Ti.
Fl.
Kbd.
1 2G
5 5M 5 5 5
for - est smiled as I flew
0
4 G 5
5M 5M
5
55 4 5
5
5M 5M
5M
5M
as I flew
4 5
5M 5M
5
55
4 5
55
5
5M 5M
5 5M 5 5 5 5 5 5 5 5 1 5 2G
Fl.
Kbd.
1 2G
Ah,
Fl.
,
4 55 4 G 5 5 5 5M 5M
5
4 G 5
5
55
5M 5M
f
4M 4M
1 4 2G
1 = 2G
!5
E! 55
4 5
! 55
5
! 5M ! 5M
0
0
0
0
Ah
f
5 5 5 5
!5 5 5 5 =
5
55 55
I
was sail
5
5
-
5
I 5
4 5 5
5 5 5 5
5 5
I 5 5
55 55
55 ,
5
mf
5 5
ing through the
mp LH
Kbd.
4 E 5
8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) , BM ³ ¯ ´ BM
35
Ti.
5M 5M M M = 3 5M 5M 5M 5M 5 5M 5
! 5M ! 5M
31
Ti.
by
5M M = 3 5M 5M 5M 5 5M 5M 5M 5M p
55
BM
5 5 5
by
23
5 E5 for
5
4 5 5
-
5
5
5
5
5
5
5
55 55 55 55 55 55 55 55 5 5 5 5 est
5 5 5 I
5
I E 5 E5
55 55
was sail
5
4 5 5
5 -
ing,
5 55 55
5
I 5
24
1 !5 2G
5
37
Ti.
Fl.
Kbd.
1 2G
sail
-
ing
5
Fl.
5 5
55 55
Kbd.
flew
4 G 5 RH
5M 5M 1 5M 2G by
Fl.
Kbd.
5
LH
5
1 =M 2G 4 G 5 5M 5M
p
5
5 5 5
5
like a bird
4 5
5M 5M
I
5
5M
all the an - i - mals of the
for
0 4 5
`a 5M M 5M 5M 5M 5 5M 5M 5M 5M
as I flew
5
5M 5M
5
55
4 5
5M 5M
5
55
! 5M ! 5M
5 5M
5 5 5
est smiled as I flew
0 4 5
5
55 4 5
5M 5M
5
55
5 5 5 5 5 5 5 5
by
4 E 5
5M 5M
-
5M 5M
BM
=M
= 55
55
5M 5M
5M 5M
dreamt
5M 5M
55
=
5
55
M M 5M 5M 5M M 5M 5 5 5 3 5
M M 5M 5 5M 5 = 5
55 as I
fire
5 5 5 5 5 5 5
ossia
55 4 5 5
I was on
8)))))))))))))))))))))) 5M ! 5 5
5
5 5 5
p
3
5M 5M
55 55
55
55
= 5 5
5
0
43
Ti.
4 5
5 5 5
fire
4M
1 5 2G 5 5 1 2G
`a M M 5M 5M 5M 5 = 3 5
I was on
ossia
40
Ti.
5 5M
5M
4 G 5
85))))))))))))))))))) 5M 5 5 5 M ³! ¯´
Ah,
8)))))))))))))))))))))))))))))))))))))) 5M 5M BM ³ ¯ ´ M M 5M 5M 5M 5M 5 5M 5
4 ! 5 E5 5 !5 ! 5M ! 5M
5
! 55
f
55 4 4 5 5 5
5M 5M f
5M 5M
5
55
25
1 5 2G 46
Ti.
5
5M
`a ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 1 BM 2G Ah,
5M
G 4M Kbd.
4M
1 2G 5M
f
5 5 5 5
49
Ti.
dreamt
Fl.
5
I could live
1 2G
for
G = 55 55 5M 5M
- ev
=
5
3 5 5 5M 5M
4M
0
-
4M
5M 5M 5
=
for
5 5
poco accel.
5M - ev
-
5M
5
3 5
er,
for-
5
=
p
=
5
= 55 55 3 5 5 5M 5M 5M 5M
=
= 55 55 3 5 5 mp 5M 5M 5M 5M
3 5
er,
5
Poco meno mosso LH
0
5
5
4
I
0
5M =
0 4M
Kbd.
5 5
5 5
4M
5M 0
55
5 5 5 5
Poco meno mosso
Ah
(ossia)
Fl.
sighing
poco accel.
4M
=
5
= 55 55 3 5 5 5M 5M 5M 5M
26
1 G
! BM
52
Ti.
L. F.
2
BM
-
-
G i
T-B.
Sq.
ev
G
C. M.
q = 70
(poco accel.)
G i
!5 ! 5M ! 5M
E5
5
BM
Ti - tine
(nn)
5
BM
BM
Ti - tine
(nn)
5
BM
BM
5
BM
[offstage] p
0
4M
[offstage] p
0
4M
[offstage] p
5
4
4 4
4M 55 ! 5M ! 5M
5 5
0
er.
4M
0
G
0
0
(poco accel.)
Kbd.
-
The lights dim and TITINE exits.
as if fading away
5 5M 5M
Ti - tine [offstage] p
(nn)
Ti - tine
(nn)
4
q = 70
E5
5
BM
BM
5 5
55
0
5M 5M
0
5 5M 5M
p
E5
5
5k
E 5M
5M 5M
Lights up. T-BOY enters, looking for TITINE. He seems eager to find her.
Fl.
1 5 q = 116 1 G
0
5 5 5 5 5 5 5 5 5 5 555 5
0
f
Cajun fiddling vigorously
Vln.
5 2G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 f
5
Kbd.
q = 116
G
0
0
=M
0 ?
BB B
4
55 55 55 55 55 =
p
5M 5M 5M 5M M M M 5 5 5 5M M M 55 3
mp lightly
=
5 5M
5M 5M 5M 5M
3
55 5M 5M 5M 5M M M
27 Not finding TITINE, he raises his the kickback arm like a rifle and takes bead on sends him flying. an imaginary creature... T-Boy
[spoken] ff 1 0 T-B. 2 G i KA-POW! 5 5 1 5 55 55555 0 Fl. G
4
Vln.
Kbd.
2G 5 5 5 5 5 5 5 5 5 5 5 5 5 G 55MM 5M 5M
1 G 8
Fl.
5
5
5 5
5 5 5 5
5 5 5 5
55 5 5 555
0
0
5 5 55 5 55 5
0
f
0
?
5M 5M 5M 5M M M M 5 5 5 5M M M 5 5 5M =M 3 5M f 5M 3 5 5 5M 5M 5M 5 M 5 5 5 5M M M 5M 5M M M M
0 0
5 5 5 5
4
= 5
5 5 5 5
5 5 5
f
5
As he waits, CARRIE MAE enters. He tries to ignore her. She tries to busy herself, as if she doesn’t care.
5
5 5
5 5 5
1 ? C. M. 2 G 5 5
T - Boy, 1 0 Fl. 2 G Kbd.
0
end Cajun fiddling
5 5 5 5 5 5 5 Vln. 2 G
55 55 5 = 5 = 5 = G 5M 5 55 5M 5 M Kbd. 5 5 5 5 5 5 11
He decides to wait for TITINE and seats himself in a conspicuous spot.
Carrie Mae mf
G ? ?
5 5 5 MM 5
mf
5M 5M 5M 5M 5 5 5M M M
0 55M 5 = =
0
55M 5 =
p sub.
55M 5 =
5M 5M 5 M 5M 5M 5 5M M p sub.
5M 55
0
5 5 5 5 5 5 5 5 5 5 5 5 5 5
He pretends not to hear.
?
f
5
5
T - Boy!
0 5 555 B 5 5 B 5 5 B
? ?
0
D L
0
5 5 5 5 5 5 5 5 5 5 5 D L
mf
5 MM 5 mf 5 MM 5
5 5 5 5
5 5 5 5
?
D L
?
D L
28
1 L C. M. G ?
14 Freely, recitative
5 5
4
T-Boy indifferently
L T-B. 2 G = 5 5 5 5 5 i Hel - lo Car - rie Mae. 1 L ' Fl. 2 G Freely, recitative
Kbd.
L 5 = 4 G 5 M p M L 5 = 4 5
1 C. M. G = 15
Kbd.
4
4
?
to Celeste
?
?
?
?
?
?
?
?
G
?
5
too
5
She pirouettes, trying to make him forget TITINE and notice her.
5 5 5 such
5
Kbd.
L G L G
L
? 5 3
beau - ti
5 -
ful
5M dreams
to Piano
?
?
?
?
5
5M
of her.
4
0
p sotto voce
5
Ti -
L L L
T-BOY hardly knows that CARRIE MAE is there.
=
Do you like my new dress?
4
Ti -
f
5 L T-B. 2 G i tine.
of
?
G 5 5 5 5 16
I dreamt
?
5 5 5 5 5
3 1 L 5 5 = 5 C. M. G 5 5
5 5
?
me
G
= 5 5
passionately
to Sweet Potato
5
Celeste
Did you dream last night of the sil - ver fox!
somewhat defeated
5 T-B. 2 G i tine
?
5 5 5 5 5 5 5
5
5 5 5
f horrified
Kill the fox!?
5M 35 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 = f bravely
I’m go - ing hunt- ing. I’m going to kill the sil - ver fox for Ti - tine!
= 5 Oh
0 0
29
1 C. M. G ?
17 a tempo (q = 84)
ff
= 5 5 5
5 53 5 5 5 5 T-B. 2 G 5 i won’t she look beau -ti - ful
But you can’t!
5 5 5
3
a tempo (q = 84)
G 555 Piano
Kbd.
3
mp
5 5
5 5
55 5
5 5
5 5
4
!5 !5
5 5
like
BB B
B B
5 5
0
5 T-B. 2 G i
ice
3
5 -
5
5
G 55
3
mf
5 5
5
5
5 5 *
Freely, recitative
1 C. M. G =
5
cold - fire
*
T-B.
5
5 5 5M
sil - ver fox round her neck
5 = ! 555 5 ! 555 5 555
19
20
5
4
1 C. M. G
Kbd.
5
5
with the
3
0
CARRIE MAE pleads with him.
5 2G i
BM ^ M^ BBM _ G
5 5 5
5
But the sil - ver
=
4
5
fox
?
5 5 5
is
5
a per - son,
5M
5
oh,
she’s
5
5
5
beau - ti -
ful.
4
4
4
4
4
4
= 0
5 a
3
5 5 5 5
5
pow - er - ful per - son
5
5 who
Freely, recitative
Kbd.
mp
^ BM BM _
4
0
4
0
30
3 1 5 C. M. G 5 5 5 5 5
21
chang - es
T-B. 2 G i 1 Fl. G Vln.
Kbd.
Ti.
T-B.
L. F.
Fl.
Vln.
Kbd.
4
4 4
0
=
night.
0
mp
5 5 5
8 B ³! ¯´
3
p
a tempo (q = 84)
0
4 4
0
0
mf
5^
4
B_ *
noth - ing
? 2G i 1 G 4 ? 2G G ? 4
' * _
5
5
I would - n’t
do
5 5 5
=
for Ti - tine,
5 pp
5 3
=
5 8 B ³! ¯´ p
4 5^
B^
kill it!
4
5
Ti to Flute
-
5M
tine!
4
5^
loco
5 5
resolved
=
I can!
?
p
? BM_ 4 '^
?
5 5
5 5
5 5 3
[off-stage]
5 5M
Yes?
4
Ti - tine!
0 0
5k ! '
'
There’s
p sub.
4 rapturously
5
= 5
8 B ³! ¯´ p `a ^ ! 5 5k 5k ! 5 ^ 5 ^ 5 ^
Ti - tine!
La Fourche [off-stage] f impatient
4
can’t
?
0
5 5 5
= ?
5 5
?
CARRIE MAE and T-BOY are interrupted by LA FOURCHE and TITINE. [off-stage]
5
! 5 5
desparate
You
Sweet Potato
0
G i
on - ly at
0
G
24
5 5 5 5
in - to a fox
G 2
1 G
a tempo (q = 84)
3
0
31
Ti.
Scene III 1 6 Più animato 1 G
5 5M L. F. 2 G i Break - fast,
Kbd.
6 Più animato q = 98
5 55M = 5 3 55
5M
3
Vln.
5M
5M
5M
4
5M
5M
Hearing this, T-BOY situates himself where TITINE will see him. CARRIE MAE places herself where TITINE won’t see her.
5 5 3 5 5 5 5 3 5 5 5
Yes,
fa - ther.
2G
G
5M Scene IV 7 rit.
(1)
?
f
5 5M
= =
4 4
irritated
5 5
5 5 5
Don’t
call me that,
mf
5M 5 M
q = 72
0 0
0
0 7 =
4
=
4
Flute
=
5M
5M
0
55 5 5 555 sfz
mf
?
rit. M
q = 72 5 5M 5M 5M M 5 5 5M 5M M M 5 5 5M 3 =M 5M
5M 3 5 5 5M 5M 5M 5 M 5M 5M 5M 5 M M 5 M 5M
f
5M 5
TITINE enters, carrying a basket and a coal hopper.
0
55 5M p 5M
?
5 5
?
I’m not your fath - er, now hur - ry up!
1 G
5M
5 3 55
5M
5M
5
fee right a - way!
f
M 555 5 G
Kbd.
-
5
5
?
5 5 5 5 5 5 5
5 5
cof
obediently
0
ba - con,
1 L. F. 2 G i Fl.
q = 98
p
4
5 5 5 5 5 5 5 5
= 5
sfz
5 5 5 5
mf
5
32
1 G 3
Ti.
T-B.
Fl.
As she passes by, she pauses near T-BOY.
0
2G i
0
1 5 G
Vln.
mp
5 5 5 5 5 5 5 G 2 mp
Kbd.
55 55 5 = 5 = 5 = = G 5M 5 55 5M 5 M p sub. mf sub. 5 5 5 5 5 5 5 5 1 E5 5 4 G T - Boy.
T-B.
Fl.
Kbd.
4 2G i 1 2G
?
0
= 5 E 5M 5 5 shyly
5M 55 =
0
0
0 5M 55 E 555
5 5 5 5 5 5 5 5 5 5 5 5 *
4
Ti - tine.
0
5M 55 =
Hel - lo
' ' '
to Celeste
' '
G
She puts the heavy coal hopper down.
6
Ti.
0
Hel - lo
5 5 5 5 5
sfz
= 5 E5 tiredly
?
0
3 E 5 5 5M 5 = E5
flirting
The
sil
-
ver fox
E5 5 E5 5 5 5 E5 5 5 was
0
out a - gain last night did you dream
=
E5
E5 4
pp
G
0
G
0
Celeste
5 5
5
5
5
mp legato
5
5
5 5 5 5
E5
E5 =
=
E5
5
5
4 E5
4 5 5
1 G 4 8
Ti.
T-B.
Fl.
Vln.
Kbd.
2G i
5
E5
,
Yes
I dreamt of you
5
? 2G
T-B.
55
Fl.
G 55
=
E5
5
5
5 2G i dreamt
Kbd.
5, 5 =
up
1 G ?
4
G 5
4
f
5 5
4
? ? ?
5
T - Boy,
5 5
5M
5 5
M = E 5M 5 M = 5E 5M
5M
5k
5k
5M
5
I don’t have time
0
5M
5 5
5 !5
3 5 5
I
5 5 5 5
to talk to you!
for you He puts the whistle, or harmonica, away.
= 5 5
4 = 5 5 M 2G 5 5 5 5 i Don’t you want to hear it? 1 5 4 ? G 2G 5 f
5 G
5k
mf
She brushes by him.
4
M = 5M 5
5
=
5M
a new tune
M = 5E 5M
p
5
were my queen,
M = 5M 5
T-BOY takes a harmonica or tin whistle.
4 5 5 5
you
M = 5 5M
5M
5k
and
M = E 5M 5
(e = e)
5 5 5 5
1 G ?
f pizz.
Vln.
= =
5M E 5E 5 5 5
5
M = 5 5M p lightly
,
E5 5 5
dejected
T-B.
= =
0
dreamt I was a king lightly
,
4
13
Ti.
Ti - tine! I
5=
0
5M E 5 E 5 5 5
3 5 5 E 5 5 M 5 5 5
11 (e = e)
Ti.
(e = e)
= =
4
1 E5 G =E 5 4
G
,
33
TITINE listens impatiently.
4
Not now!
4 4 4 4
?
For a moment, he is dejected. Then he spies the empty coal hopper and has an idea.
0
0
5 f
5
f
?
E5
E5 = 4
5
mp
5 5 5 5 5
5= 4
0
?
5 5 5 5 5
f
0
5
5
5
5 5
E5
E5
to Piano
5
5 5 5
5 5
5 5 5
=
34
1 C. M. G 16
0
T-B. 2 G ? i Fl.
0
= 5 5 5M 4 f
4 0
4
Cajun fiddling arco
Vln.
=M 5
I’ve got it!
1 G
55555 =
G
Piano
4
G
0
4
He takes the coal hopper and starts off for coal.
5= 5 5 5=
5 5 mf 5 5
Kbd.
0
4
0
5
5
T-BOY spurns her, leaving her standing alone.
5 5
pleading
?
5 5 5 5 ?
Then she’ll have some time for me!
0
= 5 5
irritated
5M 5 5 3 5 5
5
I don’t have time to talk to you.
1 5M 5M 5M 5M 5 5 5 5 ? G
0
0
2G
0
0
mp
Vln.
4
T - Boy!
T-B. 2 G ? i Fl.
0
CARRIE MAE steps out from where she has secreted herself.
0 5M
0
0
0
19
3 5 5 5 5M 5 5 5 5M 5
4
mf
= 5 5 5 2G 55 55 55 55 55 5 5 5 55 55 5 5 55 =
5
1 C. M. G
5M
La Fourche will send her for coal, but I’ll get it!
f
Kbd.
0
0
G 55MM
mp
5M 5M
5 5 5 5 5 5 5 5
?
?
B BBB
mp
?
?
B B
5 = 4
5 f
5 5 = 4
? ?
35
1 C. M. 2 G
He takes the coal hopper and leaves
22
Fl. Vln.
Kbd.
0
mp
?
?
4
5 5 5 5
G 55MM 5M 5M 1 G
sfz
sfz
5 5 5 5
5 5 5 5
mp
5
q = 92
5 5 5 5 5 5 = 55
Oh,
0
0
to Woodblock
0
0
= 555 555 5 = 5 = 5 ? 5M 5 55M M
B E BB
5
B B *
mf
?
5 5 5 5 5
55 Ah,
5
!5 ?
5 5 5 5 5 5 3
3
5 fox
5
5 5
' '' ' '
5
?
3 5 5 5 5M 5 I won - der who the
q = 72
B E BB 5
B B 5
5 3
is?
5 5 5 E5
5
*
4 breathlessly
B suddenly frightened
B BB
ah,
4
5 555 5 5
?
Ev - ’ry - one act - ing so cra - zy!
B BB B
=
5 5 5 5 5
= 5 5
3
*
5
5
B E BB B
*
5
4
It must be some - one in town or some - one else!
G '' ' *
5
Such
q = 92
Titine p lontano
0
this is aw - ful!
to Picc.
mp
B ' G BB E BB B '' Kbd. B B ' B B ' * * 29 1 5 E5 5 E5 5 = Ti. G
?
Boy!
= 5 5 5 5 5 5 5 5
strange dreams!
Kbd.
-
5 5 5 5 5
0
C. M. 2 G
C. M. 2 G
EB
T
5
sfz
B
f
q = 72
26
Ti.
calling after him
5 5 5 5 1 5 5 5 G 2G
Frightened, confused, and angry, CARRIE MAE talks to herself.
5
ah,
36 Ti.
31 5 5 1 G
EB
55 ah,
3 E 5 5 53 5 5 5 5 5 C. M. 2 G
'
555 E 5 555 5 ,
ah,
5
=M 5
breathlessly
0
Why are we hav - ing these fox dreams!
Kbd.
G BB B
5
* 1
Kbd.
E BBB B
B
*
accel. poco a poco
E5 G EB 5 5
BBB B B
5
mf
5 5 5 B
5 5
5
5
5 5
E5 EB5 5
*
LA FOURCHE enters, preening and stretching, obviously plotting something with himself
8
5?
5
It’s fright - n’ing!
BBB B 5
TITINE exits.
5
5
555 B
B
5
*
55 = 5 4
5 5 5 = 55
5 5 5 5M 5M =
5
5
5
5 5
5 5
5 5 5 55
3
5 5
5 5
5
He stretches and struts about. 1 5 0 ? 5 5 5 5 5 5 5 5 4 L. F. 2 G 4 i Ah what a beau - ti - ful morn - ing! q = 92 M 55 5 5M M 4 ? 4 5 5 5 G = 55 3 5 5 5 = 55 3 5 5 5 = 55
4
Kbd.
1 L. F. 2 G i 1 Fl. 2 G 7
Kbd.
q = 92
f
5M 5M
5M
4
?
4
0
= 5 5
0
f
55
5 5 5 5
5
These fox dreams,
0
5
5
5 = 5 5 5 5 5 5
they whet my ap - pe - tite!
?
G 3555= 5 3555= 5 355 5= 5 3555= 5 3 5 55= 5 5 5 5 mp 5 5 5 5 5 5 5 5 5 5
5
5
5 5
? 4 55 f sub.
55
Picc.
5
5
mf
5 4
mp
5M 5 5 M
1 4 L. F. 2 G 5 i Gold, 10
Fl.
hungrily p
1 4 2G 4
Kbd.
37
5
5
5 5 4
sil - ver,
5
55 5
Fl.
Kbd.
5
4
mp
1 4 2G
5
5
5 5
5
sil
4
-
5
5 5
5 ver,
5
G 3555= 5 3555= 5 55 5 5 5 5 16
35 5 5
clothes,
55
5 5 BB 5
55
5 !5 5 5 5
5 = 5
clothes
5 5 5 ! 5 5 5 5M
5 5 55
5
5 5
5 5
4
= 5 5
5 5
mine,
I’m rich, I’m
5 = = 5 4
5
5
5 555 =
5 =
5
5M
5M
5
5 5M
all mine,
all
0
5 5 3 5 5 = 55 5 5 5 5 5 5
0
5
=
5
5 55 5 5 5 5
= 5 5
5
5
5 5 5 5 5 5 5 5 5 = 555 3 5 5 = 555 55 = = 55 4 3 G
5
all
5 5 5 5 3 5 = 55 5 5 5 55 5 5 5
I’m rich,
0
5
5 5 M 5M 5 G
4
55 5
5
Kbd.
5 5 EB
5
I want my dreams to come true.
B B
5
soft
4
1 2G
3
5 5 5 5 4 5 5 5 E'
5M 5 5M 5 5M 5 5M 5 M M M M
1 BM L. F. 2 G i mine! Fl.
5
soft
55 5 55 5 5
4
1 5 5 4 L. F. 2 G i Gold, 13
5 5 5 5 B
5 3 5 55 55 = 555 55 5 5 5 5 555
rich
M 5 5 5 5 5 5 5 5M 4
mf
? ?
5555 3 5 = 5 5 5
mf
5
5 5
38
He becomes more and more wrapped
1 L. F. 2 G 5M i Gold 19
Fl.
Kbd.
5 5 5 5
and sil - ver coins
1 2G
more and more frenzied...
legato B 1 2G
E5 5 5 5M 5
spun
B
5E 5 5 5
of gold
5E 5 5
5 E 5 55 5 5 5 5M E 5 55 5 4 5 G E BB E BB 5 5 5 5 5 5 5
p
1 G 5 4 4
0
2G
0
0
5 G E 55 E 55 MM
f 55 5
(q = q)
0
mf
5
55 55
0
0
LA FOURCHE takes the SQUIRE for a dancing partner, as if the SQUIRE was there for that express purpose.
4 5M 5 E 5 5M 5 5M 5 5M
0
f
(q = q)
55 55 E 5 5 M 5 5 M 55 E 55 4 4 5 5M 5 5M
55
5
4 5 M 5 E 5 5M 5 5M 5
55E 5 M 55 5 M
4
55 55
5
LA FOURCHE bows grandly.
BM
55
0
5
55 55
0
to Flute
0
0
55
55
4 2 2 2 2
5
5
55
Woodblock
E 5 5M 4 5 E 55 5 M E BBBMMM 5
55
SQUIRE stands, confused.
f
55 E 55 MM EE 55 55MM 55 55 MM 55 E 55 4 4 55
He breaks off, and does a little dance in his finery. The SQUIRE enters and looks about puzzled.
mf 5 5f 5 5 5 5 5 5 5 5 5 5
27
Kbd.
55
5 = 555 3 5 5 = 555 3 5 = 555 3 5 5 = 555 = 555 3 55 ! 55 55 = 555 3 55 55 55 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5
mf
Vln.
35
4
G 3
22
Fl.
?
0
f 1 E5 5 5 5 5 5 L. F. 2 G i soft clothes,
Kbd.
5 53 5 5
run - ning like cra - zy wa - ter from my hands
0
up in his dream....
Fl.
3 3 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
f
4
4
4
4
39
LA FOURCHE finally takes note and becomes overly hospitable.
1 L. F. G ? i 1
Sq.
Fl.
2
9
q = 80
heartily
4
5
5
5
5 ?
0
0
1 G 5 5M 5 5 4
0
2 2G
0
9
to Violin
4
?
q = 80
G ? Kbd.
B B p B B
?
1 L. F. G i Sq.
Fl.
Kbd.
2
0
5 5
55
''
5 ' *
5 5 = 5 5 53 5 5 5 4 5 5
reassuring him
3
5
She’ll nev - er hear us.
5= 55 5 ?
nervously
?
M 1 5 M ? 2G 5 5 5 5
5 55
mf
mp
?
0
Is...
G
BM
Freely
4
0
E5 5 E 55
?
5 5 5 5 5
5
Did your fox dreams get you up ear - ly?
Good morn - ing Squire!
mp
Vln.
= 5 5 5
3
E5 5 E 55 5 5
is Ti - tine?
Freely
BBMM BM
?
Yes! We can talkfree - ly.
relieved
5
Good!
4
4
passionately
= 5 5 5 5 5
I dreamt of Ti-
0
0
0
0
0
0
40
1 G i 7
L. F.
Sq.
2
a tempo
5M tine
0
0 colla voce
5 5 5M 5 5 5 5 = 5 5 5
E5
last night, she sang to me,
E5 5 E 55
G ?
5 5
55 5
p
?
5
E5
a `5 5
Mar - ry her!
G 4
=
4
=
=
5M 4
12
Sq.
Kbd.
2
? G = p
5 5
5 5 =
55555 = 5 5
5 5
B B
mp
5
5
BM
*
5 5 5 5 5 !5 5 ?
No, no, no, no, good - ness me!
5 5 5 5 5 35
affirmed
?
I want to mar - ry her!
M 55 5 = 5 5 5 mp lightly 5 5 5M =
5 5
5 5
could make her
BB B 5
BB
coyly
5 55 5 4
I
5
I want to
LA FOURCHE, knowing he’s won, plays cat and mouse
? 5
timidly 5 35 5
4
Please?
55M = 55 4 p
B
so much!
55 5 55 5 colla voce 5 5 5 5 5
emphatic
horrified
1 5 L. F. G 3 5 5 5 = i No, no, no, no!
her
55
5B B
5 5
LA FOURCHE, elated inside, acts horrified.
mar - ry her!
Kbd.
5M 5
Oh I love
1 55= 4 = L. F. G 4 i Oh!? No! 5 5 5 5 5 5 5 4 = Sq. 2 10
0
3
a tempo
Kbd.
SQUIRE gets his courage up and plunges ahead.
5
5
5
5
5 5
=
= 5
=
5
=
=
5 5
55 5
5
4
=
No!
hap - py
5 5
= 555
5
5
5
=
5 5
5
nein.
=
I could give her food,
5
5
5
55 5
5
5
5
5 5 5
5 5
41
1 G = i 14
L. F.
Sq.
5
=
=
5 5 =
Nope.
5 2
clothes,
Fl.
1 lightly 5M = G 2
Uh - uh.
hors - es,
=
G 3 5 5 5 =
5 5M
5 5M
p lightly
=
5M 5
=
1 L. F. G B i no.
?
?
5
16
Sq.
Fl.
2
5
=
=
5 5 =
Big?
5 5M
5 5M
5
5
Big?
5M
=
3
5
5
=
4
= 5M 5
No, no, no, no, no, no,
5
4
?
4
=
4
?
4 5 5M = 4
a tempo
3
5 5M
5
=
No.
I
5 5M 1 5 5 = ? 3 2G
5 5 5 5 =
could make her hap - py,
5
5
5
Kbd.
G =
=
5 5M
3 5
No,
5 5 5
5 5M 55M
5 5M
5
5 5
= =
5M
no, no, no.
5 3 5
5
3
she’ll be com - fort - able,
5
And she’ll
0
5 5555 BBB =
5 5 = 5 5M
= M 5
=
f
55M
5 5 5 5 5 5
3
man - sion!
4 5 5
He thinks
a tempo
Yes?
house?
5M
p
Kbd.
5 5 =
4 5
5 5 5 5 = 5 5
5
5
5
5
5 5
5
5 5 5
5
5
5
5 5 5
42
1 L. F. G 4 i 18
Sq.
5 3 5 5 5 5 5 5 5 5 5 = 5 3 5 coyly
No, no, no, no, no, no, no, no, no, no,
5 5 5 5 5 5 2
5
=
5
nev - er have to work a - gain.
Fl.
Kbd.
1 4 2G
3
5 5 5 5 5 5 5M
5
20
Kbd.
p
5 5
1 L. F. G = i 22
Sq.
Nyet.
Kbd.
5
G 3 555= M 5 = 5 5 5M
5 5M
sap - phires,
=
5
5 =
Nay,
5
ver - y,
ver - y, ver - y.
5
5
5 3 55 5= 5M 55M = 5M 5M
5 5M 55M
=
=
5 5
5 5 5
Noop.
gar - nets,
4
=
No.
5
5
5
5
Nein.
=
I could give her pearls,
5
5
5
55 5
5
5
5 ?
5= 5 5= 5 5 5
5 = 5 5 5M 5 = 5 5M
5
5
5
dia - monds.
5 5
5
5
em’ - ralds,
3
5 5
could give her
BB B
Uh - uh,
5=
5 5
I
5 5=
= 5 2 5 5 ru - bies,
Yes.
= 5M 5M
5
Ver - y.
5 5 5 5
5
4
5
5 5
5 5
5 =
5
?
55555 =
=
5M
Ver - y?
5 5
= 5 5=
mp
5
5
5
1 5 L. F. G 3 5 5 5 = i No, no, no, no! ? Sq. 2 G =
rich!
5 5=
5
3 5 = 5 5
mf
5 5
5 5
I’m
B B
f
5
Yes? How rich?
mf
5 5 5 G 5 5 5 55 55 5 5
5
5=
3 5 5
5
5 5 5
5 5
5 5 5 5 5 5 No, no, no, no, no, no,
5
?
se - mi - pre - cious ag - ates?
5 4 5M = 4
3 5 = 5 5 5 = M 5 5M
5 5 5M 5M 55M 5M
= =
43
1 L. F. G B i no. ? Sq. 2 24
Fl.
? 5
1 3 5 2G f
G =
Kbd.
5 5M
5 55M
5 5
M 5 = 5 ? I
No.
5 5 5
3 5 5 5 5
=
=
could give her furs.
5 5 5
No, no, no, no.
5
3
A chin - chil - la
5 5555 BBB =
5 5 5 5 = 5 5
5
5
5
5
5 5 or
0
= 5 5 5 5M
=
5
4
a
5 5
5
5 5 5 5 5
5
5
5
5
1 5 3 5 5 5 5 5 5 5 5 5 = 5 3 5 5 = 5 5 = L. F. G 4 5 5 i No, no, no, no, no, no, no, no, no, no. Yes? I know... ver - y, ver - y, 5 5 5 5 5 = 5 = 5 5= 5 5 5 5 Sq. 2 5 5 5 5 26
rab - bit or a mink or
Fl.
1 4 2G
3
5 5 5 5 5 5 5M
f
5
5
5 5
1 5 L. F. G 3 5 5 5 = i No, no, no, no. 28
Sq.
Kbd.
2
? G =
5 5M
5M 5 =
I’m
rich!
5M
5
Yes.
Ver - y,
55555 = 5 5
5 5
3 5 = 5 5
B B
mf
5
5
5
?
4
5
5 5
I
5 5
5
5
could give her king - doms!
BB B 5
= 5M
5
5
5
5 5 5
5 5
ver - y, ver - y,
5
5
5 3 55 5= 5M 55M = 5M 5M
5 5M 55M
5
5
mf
5 5 5 G 5 5 5 55 55 5 5
Kbd.
fox.
5M
5
=
=
5 5
4
=
No.
5
5
5
5
Non.
=
I could give her Rome,
5
5
5
55 5
5
5
5
5 5 5
5 5
44
1 L. F. G = i 30
Sq.
5 =
Non.
5 = 2
5
France,
Fl.
1 5M 2G
5M
G 3555= p M 5 = 5 5 5M
Kbd.
1 L. F. G B i no. 32
Sq.
Fl.
2
neg - a - tive,
5
5=
Eng - land,
=
mf
5 5 5=
5 =
Nei.
=
5 5M
3
5 5M
=
5
Chi - na,
5M =
=
5
=
5 4 5M
?
5M 5
=
3
?
5
5 I
5 5M 1 5 5 = ? 3 G 2
5 5
5 5 5
5
=
5 =
could give her com - fort,
Kbd.
G =
5 5555 BBB =
=
5 5 = 5 5M
5 5M
=
5
M 5
5 5 5M 5M 55M 5M
= =
3 5 5 5 5
No, no, no, no.
5 5 5
5
3
lots of ser - vants,
5
5
and sheʖ’ll
0
f
55M
5
5 = 5M
4
4
4
No.
?
?
5
Nic - a - ra - gua!
=
=
5 5 5 5 5 5 No, no, no, no, no, no,
= 5 55
5M
5
3
No.
5 5=
5=
Nor - way,
5M
5 ?
5 5 5
5
5 5 5 =
5 5
5
5 5 5
5
5
5
5
5
5
5 5 5
45
1 L. F. G 4 i 34
Sq.
5 3 5 5 5 5 5 5 5 5 5 = 5 3 5 coyly
No, no, no, no, no, no, no, no, no, no.
5 5 5 5 5 2
nev - er have to work
Fl.
1 4 2G
1 L. F. G i
5
5
2
5
Fl.
Kbd.
a - gain.
5 5
B B
Ver - y?
Ver - y!
5
= 5 5=
5 5 5 5
Ver - y,
ver - y, ver - y,
I’m
rich!
Yes!
5M
5
5
5
5
5
5
5 5 55 = 5M 55M = 5M 5M
3 5 = 5 5 5
5
= 5M 5M
5
0 beguiling
5 5 35 5 5
=
5 5M
55M
3
D 5
5
5D
5 5 5 5 5
(emphasizes the word “gold”)
5
5
5 5
Not for all the gold
5
in the world!
0
I could sup - ply a sub - stan - tial dow - ry.
0
38
2
5
Yes? How rich?
5 5
LA FOURCHE pushes the bargaining a bit too far. SQUIRE begins to leave.
3 5 5
1 L. F. G i Sq.
5
5 5=
mf
36
Sq.
=
5 3 5 5 5 5 5 5M
5 5 5 G 5 5 5 55 55
Kbd.
5
5
emphatically
5=
5 53 5 5 5 5 5 35 5 5
1 2G G
sadly
3
I have - n’t got all the gold in the world...
A moment of awkward silence.
0 0
0
0
0
0
0
0
5 = 5 = 35 5
slightly desparate
Wait!
Wait!
= 555 =
f
5 = =
5 5
You say you’ll make her
5
5 5 = = f
5
555 55
5
5
0 =
4
=
4
=
4
46
1 5 5 = 5 5 5 5 5 5 5 5 L. F. G i hap - py? And she’ll nev - er have to work a excited 5 5 5 5 4 = 4 Sq. 2 41
Fl.
1 4 2G
Sq.
5
? 5
5M =
5 5 5
5M
1 0 G i 5 5 5 5 5 5 2
=
5
Fl.
G ! BB B 5
Kbd.
1 L. F. G i 45
Sq.
Kbd.
2
5
5
What!?
5
mp
=
=
5 5 5
=
5
4
=
?
4
=
5
No?
I mean no!
5 5
5
Yes!
5
mf
?
overly dramatic
4 5
=
5 5
5
5
5M
I’m a sim - ple man,
5 5 5 5 5
?
5
5
a
5
5 5 5 5 BM
Poco meno mosso
5 5
5
5
5 5
5 5 M 5 5 5 5 5 5
hum - ble man,
5
she won’t have to work a - gain.
5 5 5
5
4 BM BM
5 5 4 5
5
B BB
mp
BM
LA FOURCHE lets his day dreaming get away from him, and nearly gives himself away.
G
Yes!
=
Poco meno mosso
5
I’ll make her hap - py. No,
5
5
E5
5 = E 5 E 5 5 5 = = 5
5M =
LA FOURCHE knows he has him back. Now he begins to act coyly.
1 5 5 5 5 5 2G
= =
555
mp
4 43
L. F.
555
mf
G 4
Kbd.
=
=
- gain?
Yes, yes, yes, yes.
5
5
if on - ly
0
5 5 5 5
I could dream of such a
E5
life
?
' ''
' ''
' *
'
5 5 5
B
for Ti - tine! heroically
=
5
5
5
Dream no more!
1 L. F. G = i 47
Sq.
2
Suddenly, to seal the bargain.
?
5 5 5 5 5 5 5
5 = 5 5 f
=
No, no, no, no, no, no, no.
55 5 5=
mf lightly
5M
= 5M
Slowly
3
5
5
= 5M
=
5 =
=
Nein.
5
=
5M
47
5 = 5
mp
Nyet.
= 5 5 5 5 5
=
I will pay you,
5 5M
rit.
mf
No, no, no.
=
G 355 5 =
Kbd.
He listens, triumphant.
I will pay you, name
5 5M
3
5
5
= 5M
=
5
p
5
Nope.
your
rit.
5 3555= 5 5M 5M = = 5 = 5M M
=
5M
5 5 1 5 5 5 5 D 5 5 3 3 ? L. F. G 5 5 5 i Ten chests of gold! Ten chests of gold! Ten chests of gold. flabbergasted 5 D =M 3555 4 ? 355555554 Sq. 2 price! T - T - TT-T-T-T-T-T-T 8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) B 5 ' 1 D M 3 = 4 Fl. 2 G 49
f
Slowly
3
=M
reiterating
a tempo
B 4 BBBB
D G 3 =M
Kbd.
a tempo
5
ff sub.
BB BB
?
f
4
B B
?
B B
Overwhelmed, SQUIRE cannot get the words out. He fumbles in his pockets and pulls out some bags of gold.
1 5 5 L. F. G 3 5 5 i T - T - T - Ten 51
Sq.
Kbd.
2
helping him
5
5
=
chests of–
modestly
55 5
-
0
0
35555
=
4
5
5
5
Ah
5
=
T - T - T - T - T - T - T - take it!
G
5=
No I could - n’t!
5 5 5 5 5 3 5 5 5 5 5 5 5 5 = T T-T-T
LA FOURCHE takes all the gold, greedily.
5
Ah as if freed
=
Take some more.
3 mp
5M
5
5 =
5
=
5M
Ti - tine
5 5M =
= 5 5 5 5M = 5 = 5M M 3
5
48
1 G i 53
L. F.
Sq.
Fl.
2
SQUIRE hears the music, becomes suddenly nervous, pointing to where she will enter. He is shaking.
q = 72
0
35 5 4
4
5
'
55555
0
T-T-T-T-T
1 G
4 55555555 5 5
0
2G 5 5 5
5 8 555 5 E 5 5
'
=
4
5=
com - ing
Ti - tine
Vln.
Vln.
0
helping him
= 5555=
55
c-c-c-c
b-b
?
3
f
0
f
G Kbd.
q = 72
Sq.
Kbd.
2
' ' p ' '
0
1 L. F. G = i 56
0
5 5 5 5=
=
bet - ter go now,
555 5 = b-b-b - b
5
' ' ' ' 5 5 5 5 ©5 5 5 5 ©2 2 2 D 2 35
TITINE enters, with LA FOURCHE’S breakfast
5
Good bye
(Laughing)
55555 55555 ?
5 5
Ten chests of
4
D 4 D 5555 5
g-g-g-g-g - g-g-g-g-g
G
0
?
4
0
?
4
5 5
1 G 58
Ti.
L. F.
Fl.
Vln.
Kbd.
Titine
= 5
?
' 5
?
p
gold!
4M
5 5M 5
5M
5M
5 5 5
5 5 ? 3
mf
5M 5 5M 5 5M 5 5 M M M M ! 5M 5M 5M
?
5M M 5 5 5
(e = e)
G
5 5 55 55 ! 5 55 5 G f
5 M 5 5 5 I5M 5 5 5 . s = s 5 5 5 5 5 5 gli
61 She finally bursts in anger.
Ti.
Fl.
0
Why is ev - ’ry - one so cra -
5M 1 G
85 M
5
molto
Vln.
Kbd.
2G 5M G
8 E 5M
5
molto
5M M 5 5 5
E 5 = 4
E 5 = 4
E 55 5 = 4
55 55 55 55 G 5 E5
ff
= 4 5
5
f
mf
5 5 5M = 5 5 5 5
4
5 5
1 2G
'
p
5555 5
Ten chests of
mf
B
0
BM 5 5 5
'
f
f
?
gold.
5
(e = e)
0
5 ?
5
B
2G G
5
Here’s your break - fast!
2G i 1 G
49
LA FOURCHE seizes the food, puts it down, gives her a hug and kiss, and dashes out. TITINE is obviously frustrated and confused.
4 4 4 4
zy!?
B
Why is ev - ’ry - one so
strange!?
5 = ?
=5
5 5 = 5 ? = ? 5
5
=
85 M
5
p
0
mf
M 5 5M5M M 5M 5
5 M5 5M M G
50
1 5 3 5 5 5 5 5 B 2G 64
Ti.
Fl.
Vln.
Kbd.
1 G
When - ev - er I come a - round
5 f
5 2G
5 G 5
5 G 5
=
4
=
=
4
?
=
Fl.
5M
G Kbd.
Ti.
0
5
=
Step - fath - er laughs, and T - Boy,
5M 5M
5 5
1 5M G
5 5
legato
5
G
5 5
5
he’s the worst!
4
5 5
5 5
5 5 5 5 5 5 5M 0
5M
5 5 f 5 5
5 5 5 5
3 5 5
B B
5
I
5 5 5M
5
come a - round,
he
=
4
=
=
4
=
=
4
=
5
5 5 5 5 3
5M
5 5 5 5 4
I wish they’d leave me a - lone.
?
(offstage) f
4
5
Ti -
G
0
0
' '
GGGGGGGGGGGGGGGG
Kbd.
2G i
55 5
When - ev - er
f
croons and stam - mers like a love sick pup - py!
L. F.
B B
3 5 5 5 5
4 4
5
5 5 M5 5M M 5
0
5
5
G 55MM
68
5 5
My
0
5 5M M M M 5 5M 5
1 5 35 5 2G
5 = 5
5
5
ev - ’ry - one acts like they’re dream - ing.
5
mf
4
1 2G
! 58M
4
=
66
Ti.
5 53 5 5 53
mp
' ' '
51
1 G 4 70
Ti.
5
5 Yes?
B L. F. 2 G i tine!
Kbd.
5 M 5M 5M 1 G 1
Vln.
T-B.
coal for my fire,
be
quick!
5 5 3 55
5 55
5
5M
rit.
rit.
1 G 4
q = 56
?
5 5 5 5 5 5 5 5 5 5 3
=M f
5
5
G
4
5
5 5 5 5M 5
3
5 5 5 5 5 5
5 5 5 5
5 MM 5 5 MM 5
5 5 5 5
G BB B B
5 5 5 5
= 5 ?
B 5 5 5 5 5 E5 5 5 5 E5 5 5
5 5
5 MM 5 5 MM 5
5 5 5 5
5
Yes.
Look!
5
mp
somewhat coldly
5M
5 5 5 E 5 5 5 5 5
5
0
= 5 5 5© 2G i Going for coal? q = 56
Kbd.
5
she realizes the coal hopper is missing. She is looking for it when T-BOY enters carrying a full hopper, beaming.
G 55MM mp 5M 5M 3
Ti.
5
$
5 5 5 5 4 5 35 = 5 E5 5 5 5 E5 5 2G 5 E5 5 5 mp 10
Kbd.
5 35 5 5 M
M 5 = 55 3 55 = 5 5
10
Fl.
0
?
As TITINE is about to leave,
5
= 5 5 5 = 5
5
5
5 5 5 =M
5 MM 5 5 MM 5
5 5 5 5
4
5© =
5 5© = 5
Thank you.
I brought it for you!
5 5 5 5
5 5 5 5
?
5 5 5 5
4
Yes?
Ti - tine?
?
5 5 5 5
5 5 5 5 5
Since you have a lit - tle
B B mp B B
52
1 G 4 5
Ti.
T-B.
Kbd.
2G i
Ti.
T-B.
Fl.
Vln.
Kbd.
5© =
?
=
5 5 5
1 G
5©
B B
B B
B B
4
mf
? ?
0
5
0
55
E5
55 55
5 5M
5M 5M 5 5
5 5
55
5
55 55
5 5E 5 5 5
' '
5
?
' mp
5
5 5 5 E5 5 5 5 5
mf
5 M 555 55 55 55 55 5 55 5 5M
5
4
Please?
mp
5M
5
0
0
5
T - Boy!
5 5 35 5 ?
Please?
M M M 5M 5M E 5 5 5
mp
Oh!
5
He turns a cartwheel.
5= 4
4
Please?
5M
5
I should - n’t!
2G G
4
Could you sing for me?
B B
= 5 E 5
4
5
5
=
and since I brought the coal
G BB B B
2G i
5 5
5
irritated
Yes?
5
time
1 G
5
Yes?
5
7
quite impatient
55
E5
5M 5E 5 5 M 55 5 5 55 55 55 55 5 55 5
1 G = E 5 10
Ti.
All
T-B.
Fl.
Vln.
Kbd.
Vln.
Kbd.
55
Fl.
5 5 5 5 5 5 5 5 5 5 E 5M ? 0
4
5 E5 5 4
=
0
I prom - ise
E5
G 5M 55E 5 55 55 5 5
5M
5
55
5
55
0
0
5
0
0
5
0
5M 5E 5 5 M 5 5 5 5 55 55 55 55 5 55 5
55
0
5
11
1 G
0
2G
0
G 5M 55E 5 5 M 55 5 55 55 55 55 5 5 5 5 1 2G
0
right, if you prom - ise not to act like a love sick pup - py.
5 5
2G
3
Ti.
5 5 5
2G i 1 ' G
13
Fl.
53
(1)
5
EB
5
55
85 5 5 5 = 5 5555 p
mp
5
5M
5
' '
p
11
0
5 5 5 5 5
senza vib.
0
e = 126, in a free flowing manner
1 5 5 5 5 5 5 G
55
freely, mysteriously
0
0
0
Titine
0 5
0
5
5 5
5
5 5 5 5 5M 5
Out from the woods came a
5M
sil
-
ver fox
0
0
0
0
mf
Vln.
2G BMM B
BMM B
5 5
and he
54
1 2G 5 7
Ti.
5 5 5
said, “Ev - ’ry - one,
5 5 5M
5
5 5
5M
ga - ther round, ga - ther round.
1 5 5M 5 5 5 5 5 5 5 5 5M 5 2G 5 11 T-BOY moves as if to speak.
Ti.
hap - pi - ness,
1 5M 2G 16
Ti.
Fl.
Vln.
1 G
If
you
Vln.
2G 1 2G 5M
Fl.
Vln.
5 5 5 5 5
5 5
5 5 5
5 5 5
mf
come true,
5 M 5 5 5M 5
it is
5
sound.
5
eas - y if once you know
5M 5 5 5 M 5
5
mf
5M
5
5 5M
5 MM 5
5 5 5
5
5
5 5
Just look to the strength that lies in your heart, and your dreams will come true some
5
=
5
5
5M
5M
5
5MM 5
5M 5M
5M 5M
5 5
5M
5
5
5
5
5M
5M
5M
5M 5M
5 MM 5
5M 5M
T-BOY takes a harmonica from his pocket to play along
5
5M
555
5
5M
*A tin whistle may be substituted.
5 555
BM 0
0
BM
how, some - how, and your dreams will come true some - how.
2G 55
not make a
5 5 5M 5 5 5 M 5
5 4
5 5 5 5M G 2 5 5 5 5M 1 2G 5
5
4M
of your dreams
5 5 5 5M 5 5 5
1 5M G
1 G
if you will
0
to make all
con vibrato
0
24
Ti.
sound,
5
want
how.
Fl.
not make a
tell you the se - cret of
5 5 5 5 5 5 5 5 5 5M 5
5M 5 5 5 M 5 5
0
20
Ti.
if you will
I’ll
Strict tempo e = 138
5M
5 5 5 5M 5 5 5 5 5
5
BM BM
85M 5
5
555 55 5 BMM B
0 5
BM BM BM
1 5M G 29
Ti.
If
T-B.
Fl.
Vln.
5M
5
you
want
2G i 1 G
0
2G
0
1 G 5M
Fl.
Vln.
5 5 5
p
T-B.
5 5 5M 5 5 5
5
Fl.
Vln.
4
it is
5M
5M
5
5 5
5
eas - y if once you know
5M 5 5 5 M 5
p
5
5
5 5M
5 MM 5
5 5 5 5 5 5 5
5 5M 5 5
Just look to the strength that lies in your heart and your dreams will come true
5M
5
5M
5
5 5 5 5M G 2 5 5 5 5M
5 MM 5
5M 5M
5M 5M
, 1 5 5 5 5 5 G 5 5 5 5 5 colla voce
2G 55
4M
5M 5 5 5M 5
5M
1 5M G
5M
5 5 5M 5 5 5 M 5
come true,
5 5 5 5 5
5 5 5
5M
2G 5 i
5 5 5
of your dreams
5M
how,
5
CARRIE MAE enters, unseen by T-BOY or TITINE. She hides herself and listens.
37
Ti.
0
5
5
5M
mf
G 5 5 5 2 5 i 5 1 5M G
to make all
5M
how.
T-B.
5 5 5M 5 5
Harmonica (or Tin Whistle)
0
33
Ti.
55
some - how,
`a 5
5
5
5
5
5M
5M
5M
5M 5M
5MM 5
5M 5M
5M 5M
,
5 5
5M 5 5
TITINE seems lost in revery. T-BOY is devoted to her and cannot contain himself.
(loco)
5
5M
5
5 5
and your dreams will come true,
ossia
5M
5
5
5 5
5 =
0
=
0
5
5
5 5
some -
5M
0
0
some - how.
BM BM
0 4M
p
5M 5M
p
BM BM
56
12 q = 73 1 G ? 1
Ti.
C. M.
G ?
B
irritated
Oh!
Kbd.
= G 2 i
B
12 G
I
q = 73
I must
?
5 5 5
=
5 =
0 55 3M 5 55 MM 5 55 55MM 55 = 5 5 5 f = 5 5 = = 5 5 5 5
0
TITINE tries to leave but he blocks her way again.
4
5 5 5
?
q = q.
?
T - Boy, no!
5 5 4
0
G
T-B. 2 G 4 i
Kbd.
prom - ised
?
5
5 5
=
How he hurts me!
go!
C. M.
4
No!
0
1 G 5
5 5
love you!
3
Ti.
5 5
5
You
Carrie Mae dismayed
[Sing] totally enraptured
T-B.
=
angrily
T - Boy! begging
5
5 5 5 5 5 3
Please, sing me an - oth - er!
5 55 5 5 55 5 5 ! = = 5 G 3 5 = = 5 = 5 5 5 5
4
= 5
5
Please go!
5
Please
55 5
5 55 5 5 =
= 5 = 5 5 5 5 5
5 B stay!
55 5 ? = 5 = 5
55 5
=
5 5
=
0
= 5 5 5M 5 5 I can’t eat,
I can’t
= 5 5 5M 5 5 I can’t eat,
I can’t
`a 5 5 =M 55 =M 55
q = q.
mp
55 5 = 5 55 5 5 5 5
1 5M C. M. G 6
sleep,
T-B.
Kbd.
5M 2G i sleep,
55
2G i
C. M.
he does - n’t
4M
Kbd.
55 55
55 55
5
love
for
=M
55
5
5
55
=M
5
55 55
5
5
=M
55 55
5
5
G 5M
4
5
5
5
5
5 5 5 2G
i live, you don’t know I’m a `a 5 5 M M = = 55 55 G 55
5
5
55
5
-
5
5
keeps me
=M 5
=M
55 55
5
5
55 55
5
=M
5 5 5M
5
4M
4
5 M
5
55
I’m
I’m
55 55
5 =
5
5
55
=M
55
5
5 5 5 5 5 5 5 5
a -
5
5 me
5M
Please go.
BM
Please stay!
5
a -
5
let
5
5
5 5
T - Boy,
live!
55
5
5 5
=M
5
5M
5
a -
5M
no - tice me, you hard - ly know
5
5
a - wake.
5 5 5
4M
=M
5
5
5
keeps me
5 5 5 5 5 5 5M
5
a - live.
5
5
him
he hard - ly knows
Oh,
5
you
5
5M
5 5 5
=
0
5
=M 5
=M
for
5
no - tice me,
5
1 G
5
5
5
My love
Why won’t you
live,
T-B.
5
5
11
Ti.
=M
My
5
3 5 5 5 5 5 5
wake,
5
5
5
4
5
I can’t think.
`a G =M
5
5 5
5
=
5
I can’t think!
55
9
Kbd.
5 5
`a G =M
1 C. M. G 5 T-B.
57
=M
55
5
5 5 5 5
=M
55
5 5 5
5 5
58
1 BM G 14
Ti.
5 5
go!
C. M.
G =M
M T-B. 2 G 4 i `a G =M
Kbd.
C. M.
1 G =
T-B.
Kbd.
G
5
5
f
no,
2G i love
5
=M 5
5
5 ! 5 M 0
NO!
4M
=
5
I
5
no,
5
can’t sleep, I
55 55
5
55 55
=M
5 5
55 55
I
love
5
0
T - Boy,
5
5
you,
I
0 0
5
4
5555 mf
tine.
Ti
-
tine!
5 5555 555
5
5
5
BM
-
0
mp
Ti f
5
Calling after her.
you,
4M
5
4
4M
0
5
5
4M
=M
5M
BM
G
1
5
can’t think,
5
5 5 5
she finally evades him and, clapping her hands over her ears, she leaves.
0
1 T-B. 2 G i 1 Fl. 2 G
5 5 5
5 5
5
Oh,
0
4M
13
Kbd.
55 55
5
17
Ti.
=
=
0
5 5M
I wish she’d go.
TITINE can hardly pull loose from T-BOY,
BM
5555 5555 5
5555 5555
5
5
5
5555
5555
5
5
T-BOY seems unphased. He picks up a rifle he has with him and points it at an imaginary prey. CARRIE MAE comes out from where she has hidden herself and confronts him.
q = 60
0 0
0
ff
?
2
2 4
KA - POW! 5 E 5 5 5 5 E 5 E 5 5 5 5 E 5 5 5M 5M 5M 5 E 5 E 5 5M ?
f
13 q = 60 5 555 5 555 = 5 5 5M 3 G 5M f mp 5 MM 5 3 5555 5 555 5 5 5M
5 5 5 5
5 5 5 5
E 5 5 E 5 5 55 MM 5 E5 5 MM 5 5 5 5 5
5 5 5 5
5 5 5 5
? ?
59
1 5 E5 E5 5 5 = ? C. M. G 4
0
What are your do - ing?!
T-B.
? 2G i
1 ! 5M 5 C. M. G 6
f
3 5 5 5 5 5
3 5
I’m go - ing hunt - ing.
5 4
Freely
5 5
5M 5 5 5 5 5 5
I’m going to kill
0
the sil - ver fox for Ti -
q = 84
0
No, you can’t!
5 4 T-B. 2 G i tine!
Kbd.
ff
4 2
5 =5 2M = 5 5 5 5 5 5
G
0
0
Freely
Vln.
Kbd.
2G G 555 5 5
5 35 5 5 5 5 5 5 3
q = 84
0
5 55 mf
0
5 5
q=h
9
1 G
5 5
KA - POW! Yes I can! And I will! Oh, won’t she look beau - ti - ful with the sil - ver
1 T-B. 2 G 5 5 5 5 4 5 5 5M 5 5M 5 B i fox ’round her neck? At the dan - ces, and at Mass, Fl.
3
0
3
5 5
55 5 5 5 5 5 5 5 = 55 55 5 5 5
5 M 5 5M 5 B ev - ’ry - one will say,
0 pizz.
0
5
mf
BBMM BM BM BM
4
5 5
5 5
0 5
4
5
4
5
4
q=h
55MM 55 55 MM 55 55 MM 55 55MM 55 55 MM 55 55MM 55 55 MM 55 55MM 55 mp
5 5
4
5 5
4
5 5
4
5 5
4
60
1 5M T-B. 2 G i “There 12
Fl.
5
they
1 5M G
Kbd.
2G
5
go,
there
B
5 5
5
mf
Vln.
B
5
5
4
Kbd.
5M 5 5M 5
5M 5 5
5
go,
the
hap - pi - est
5
5M
5
5M 5 5
4
5
4
cou - ple in
5M 5 5M 5 5
4
5
the
4
55 ! BB 5 B
15
Vln.
they
5M
5 M 5 55MM 55 ! 5 5 M 55 55 M 5 5 M 5 5M 5M 5 5M 5 5M 5 mp f 5 5M 5 5M 5 5 5M 5 5M 5 ! 5 M M 5 5 5M 5 5 5 5 5M 5 5M E5 55 MM G 5M
1 T-B. 2 G 5 5 4 5 i par - rish! Look Fl.
4
5
1 G 2G G
M B gliss. E 5
5 5 5 f
5 5
4
E 5M
E5 E 5
5 5
at the
5
?
4
E5
4
5M 5 B
fox ’round her neck,
4
E 5 4 E5 4 4
3
B He
5 5M 5 5 mf
4
E5 4
E5
5 54
shot it!�
5 55 ! 55 5 5M 5 5 4 M 5 ! 5 5M 5 ! 5M mp 55 E !E 555 EE 555 5 E5 E5 E 5 E5 E5 E5 E5 E5
4 4
55 5
5 5 5 5 3
She’ll love me for sure!
!'
5 ? 4 E5
4 !5
'
arco
' ' !' !'
1 5M C. M. G
61
19
No,
T-B.
Fl.
Vln.
Kbd.
2G i
L. F.
Fl.
Vln.
you can’t,
?
ff
4
2M
2
KA - POW!
5 5 5 5
4
B^ B^
mf
4 5 '_ * 1 G
14
5 BM
T - Boy!
T - Boy!
4 = 5 5 5 5 5
?
5 5 5 5 5
5^
pp
5
5^
BM BM ? 4
5
BM _
`a
5
5^ 5^
' ' ? 4
5^ 5^
5 BM _
He looks in another place.
0
0
D
0
0
0
0
D
2G
0
M = 5 = = 5 = 3 5 5 5 = 5 ? 5M 5M M M
mp
4
B^ 4 5 B^ '_ mp
5
?
0
0
G ?
KA - POW!
0
1 G
accel.
4
2M
2
Don’t try to stop me!
LA FOURCHE enters, talking to himself. He is looking for TITINE. He seems unsure of himself. He looks. accel.
2G i
They exit.
8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' 5 '
0
G ?
5 BM
'
5 5 5
p
2G
14
Kbd.
5
1 G ?
1
Ti.
5 = 4
5^
loco
5M = 5M = 5M = 5M =
mp
f
5M =
f
5M = ?
5M
p
3
=
5M = ?
5 = 5 ? 5 5 5M p
0
0
0
0
0
0
D D D
62
1 G 5
Ti.
L. F.
Fl.
Suddenly, he takes command.
q = 92
? 2G i
?
1 5M G = 4
= 5 5
5M = 4
= 5 4 5M
4 2G
4
Ti - tine!
5M = 4
= 5 4 5M
mp
5
fath - er!
= 5 4 5M
8
Ti.
L. F.
Fl.
Vln.
Kbd.
1 5M G
4
=
5
5
5 =
5
5 5M
4
=
5 5M =
3
5
5
35 5 5 I want a
5M = 4
4
5 5M
4
=
5 5M
5 355 5= 5M = = 5 5
5 5M
3 5 = 5 5
5 5M
= 5 5
=
5
=
0
fath - er. f guiltily
5M
=
5 5 5
=
?
4
4 2G G 3
5
Yes,
5 5 5 2G i word with you.
5M =
= 5 4 5M
5
5
Come here right a - way!
5M = 4
G 3555= 5 3555= 5 3555= 5 3555= 5M 5M 5M mp = = = = = = = 5 5 5 5 5 5 5 5 1 G ?
= 5
?
q = 92
Kbd.
0
5 5
Yes,
f
4
mp
Vln.
0
[offstage]
=
5
5 =
4
5
B
5
5
5
Don’t
call
me
that!
0
=
5 5M
0
=
5 5M =
0
5
0
63
Ti.
1 G
q = 56
rit.
10
0
mock humility 5 5 5 5 5 3 5 5 5 5 5 5 5 L. F. 2 G 3 i I’m not your fath - er, I’m just an or - di - na - ry
Fl.
Vln.
Kbd.
1 G
0
2G
0
5 G 5M 5 p 5M
= =
L. F.
Fl.
Vln.
Kbd.
1 G 2G
= =
5M
5 ''
4
5
5 5 5 5 5 5
5
5 5 M 5
a hum - ble man,
5
who
5 5 5 5
p
? 5
5
5
p
4
B
B 4
0 5 5 5 5
5 5 5
5 Yes,
5 5 5 fath - er.
'
found you in the for - est and raised you from the good - ness of his heart.
5 4
5 ' G '
q = 56
mf
1 G 2G i
simp - le man,
p
12
Ti.
5
5 5 5 5
5 55
4
5 5 M 5
?
rit. M
4
0
B
5
4 5 5
5 5 5 5 5 5 5 5
? 5
5 5 B
5
5 5
5
4 5 '' B
5 5 5
? 5 B
5
64
He can’t believe his ears.
He takes a few paces, turns to talk, but can’t find the words.
1 4 = 5 5 L. F. 2 G ? i M Sit down. 5 5 1 5 5= 4 Fl. G 4 3 q = 92 subito
14
4
0
0
0
5 3555= 5 5M 5M f = = = = 5M 5M 5M 5M
0
4 5 = 5 = 4 G 2 mf
Kbd.
q = 92 subito
3 5 = 5 5
0
G
0
? 0
mf
Vln.
0
He paces...
Vln.
Kbd.
2G
0
0
G
0
0
0
0
1 G 21
Ti.
0
f
She looks at him blankly
0
5 35 54 f
4
f
5
?
feebly
B B mf BB B
GGGGGGGGGGGGG
Kbd.
G ?
?
But... heartily
3 3
5 5 5 5 5 5 5 5M 5 5 5 5 5 5 = 5 = 5 = 5 5 L. F. 2 G i Don’t in - ter - rupt me! I’m get - ting old. It’s time we think of your fu - ture. Of
f
5 35 54
= 5 4 = 5 5M 5M f
5 5
5
5 5 = 5 = 5 = 5 = f 5 = 5 = 5 = 5 = 5 5 5
5
4
0
5 5 3 54
= 5 4 = 5 5
5 f
5 5
5
5 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 5 5
5
4
0
3 3 1 5 5 5 5 4 5 5 5 5 = 5 = 5 5 5 5 L. F. 2 G i You’re com - ing of age, it’s time we found you a hus - band. 1 0 0 Fl. G
He plunges on.
18 brusquely
5 5 3 54
0
5 = 5 5
course,
0
0
0
0
you a -
65
24
Ti.
3
= 5 5 5M 5 5 5 5 5 4 but I’ll soon be a - ble to work!
5 4 L. F. 2 G i gree! Kbd.
1 5 G 27
Ti.
L. F.
Kbd.
2G i
?
?
5 5
5
Fl.
Kbd.
do
at
church
5 55 MM
5
5 E5
G ?
?
?
B B
5
=
and danc - es.
3 5 5 5 5
It
? ?
E 55
Freely, slowly
4
?
4
does - n’t put
?
= 5 5 5 5 tentatively
3
suspiciously
5 5
Yes.
5
5
5 !! 55 4
0
5M E 5 5M 5 5M 5 5
p
5 5
4
5 4
You know the old Squire, don’t you?
5M 5 5M 5 4
*
5
0
5 5 5 5 5 ? G 2 i meat on the ta- ble. lightly
E 5M
5
0
E5
' '
5 E5
5
They glare at each other
1 4 2G
f
2
5M
5
5 E 5M
5M B
3
L. F.
' ''
mp
4
4
BAH!
BAH! 3
5M 5M
5 5
5 5
2
?
?
is some - thing you
5 5
5
4
I
sing
5 5 5 5 4
?
Sing - ing
mf
29
Ti.
4
I can
?
5 35 5 E 5
G E5 5
1 G
4
?
4
can!
4
What can you do?
5 =
5 f 4 5 =
5
indignantly
scoffing
?
G 4
55555 = 5 5 555
5 5
with resolve
GGGGGGGGGGGGGGGGG
1 G 4
4 5 5
55 5 4
4 5 5
Freely, slowly
55 5
4
0 0
66
1 G 32
Ti.
?
0 passionately
5 5B L. F. 2 G = 5 i He loves
Kbd.
G 5B B
55
5 5
? 2G i 5M G 5 Kbd. 5M 1 G 4 37
Fl.
Vln.
Kbd.
Oh!
He wants to mar - ry you,
55 5 55 5 55 5 B 5 B 5 5 555 B 55 55 5 5
3 = =
5 5 5 5 5 5
= 555 M
4
No!
= 5
No!
5 5= 5 5 5 5 5 2G i hap - py. He could give you food, 1 G
0
2G
0
5 5 G 5 55 5 5
55M 5
5
=
= 5M
5
55
No!
No,
clothes,
5 5
f
=
5M 5M 5 5 5 = 5 5 5M 5 55 5 = 5 M
mar - ry you!
=
5M 4
5 5 = ?
55555 BB = B 5 5 5 5 5
no,
mf
5
5
5
5
B
5M
555 5 5
No!
0
man - sion?
3 5 4 5 5
5 54
M M 5 5M 5 5M 5 5M 5 5 5 5 5M 5M 5M 5M 5M
could make you
f
5
5 5M 5M
5 5
He
55 5 4 no,
Yes!
=
p
5
hors - es, house,
3 5 4 5 5
5
=
5 = 5 5 = 5 = 5
4 55 5
5 5
= 5 5
5 5 5 = 5
5M 5555 = 4
= 55 5 =
5
=
stubbornly
4
?
He wants to mar - ry you.
5M 55 5M
5
5
=
No!
35 5 5 5 5 5 4
5
a tempo (q = 92)
L. F.
L. F.
gleefuly
you.
No!
Ti.
?
5
5 5
5 5= 4
1 5 5 5 5 5 5 5 ? G 35
Ti.
horrified f
a tempo (q = 92)
=
5M 5M = 5 = 5 5M 5 = = 5 5M
?
3 5 4 5 5
5
5 mf 5 4 = 54 5M = 4 5= 5 = 4 = 5M
=
5 5
5M 5M 5 = 5 = 5M 5 5 = 5M =
67
1 G B 40
Ti.
?
No.
5
L. F. 2 G ? i Fl.
Vln.
Kbd.
He
5 5 1 5 5 = ? G 3 4 2G G =
5 5M
L. F.
Fl.
Vln.
Kbd.
55M 5 =
1 G 4
no,
5 5 5 =
5 5 5 5 3 5 3
5
could make you hap - py.
You’ll be com - for - table,
3
2G
5
5 5 5 5 = 5 5
5
=
5
5 5
5
35
He’s rich.
5
5 5 5
5
5
5
=
0
=
mp
4
5 4 5 = 5 = 5 5 5 5
5 5
5 5 5
5 5=
I don’t want it.
5 5 5
4
He’ll give you gold,
4
5 5 5
5 5
I don’t care.
5 = 5
mf
5
5
5 555 555 5 3 5 5 5
5 5 5 5 5 55 55 5 5 5 G 5 5
and you’ll
0
5 555 555 no.
5
0
5 5 = 5 5M 3
1 G 4
5
5
No,
5 55 BB = 55 B
5 5 5 5 5 5 G 5 2 i nev - er have to work a - gain.
5 5
3 5 5 5 5
5 = 5 ?
42
Ti.
5
4
5 5
5 5
5 5
mp
= =
3 5 5 5
4
4
=
5 5 = 5 =
5
5 5
5 5
5 5 = =
68
1 G 4 44
Ti.
L. F.
Fl.
Vln.
Kbd.
2G i
5
No,
5
5
sil - ver,
Fl.
3 5
5 G 5 5
5
= =
1 G 4
5
Kbd.
=
5
No!
= 5
5
4
YOU
35
5 5
5 = 4
?
0
0
0
0
0
0
0
0 5
5
5
B
I
WON’T!
B
B
? stamping his feet
4
WILL!
5
54
35
5
54
35
5 = 5
4
5 = 5 4
5
5 5 = 5
5 5 =
5 5
5
5 5 = 5
5 = 5 =
5
5
5 =
5
=
= 5
5
= 5
You
5 = 5 4 =
5
do you want?
NO,
B
f
=
5
No!
B
4
f
5 5 =
5 5 =
=
4
5 1 5 54 3 G
`a
5 G 5
5 4
5 = 5
5
5 = 5 5
5 5 5 = 5
B 2G i YES
2G
5
B
4
5 35 5
I won’t mar - ry the Squire.
frustrated f
What
5 = 5 4
4 2G
ff
Vln.
5
jew - els, furs.
?
B
no, no, NO!
5 5 5
(f)
L. F.
5 5
no,
5 1 5 5 4 3 G
47
Ti.
5
= 5 5 (f)
5
=
5 = 5 =
5
5
?
?
5 = 5 ?
?
5 5 =
54
5 =
5
? ?
5
5 555 = 555 =
5 ff 5 = 55 = 5
5
5 5 1 = G 50
Ti.
L. F.
Kbd.
2G i
Molto agitato
5
Molto agitato
1 L. F. 2 G i
Vln.
1 G 2G
5 5
owe it
5 555
4
rit.
5
= 5 5
4
ff
?
=
I’ll have her whipped!
4
5
5 5 5
Get
5
No!
3
5 4 555 5 555 4
4
5
5
5
4
in - to the house right now!
5 555
4
5 555
5 4 555 5 555 4
4
5 5 5 5 5 5 5
5 5 5
I’ll de - liv - er her in chains if
5
I have to!
rit.
5 555
5 555
5 555
5 555
loco
loco
4
to me!
5 555
4
5 5 5 3
Ti - tine!
=
=
4
=
4
=
4
?
=
4
?
a tempo
He calms himself.
Trying to keep calm, he rationalizes her stubborness.
0
?
4
=
5
5 5 5 5 5 5 5 5
p
5
5
B
5 ''
5
5
5
5
5M
5
p
p
B
5
5 B
5
5
She’s young,
5 5 5 5 5 5 5 5
5 ' G '
5 555
4
a tempo
Kbd.
5 5 5 5 4
5 555
4
extremely angry
`a
55 5 G 5
55
Fl.
5 555
4
No!
You will, you will, you
loco
5
?
= 5 5 5 5 5
G 4 p 5 555 53
?
I won’t!
will!
1 L. F. 2 G = i
Kbd.
69 She runs away.
B
B
=
5
5
5 = 5
she’s fright - ened,
I’ll
0 '
5
' '' '
70
3 1 L. F. 2 G 5 5 5 4 i talk to her,
58
Fl.
Vln.
5M 5 5M M
f
Fl.
5M
5M
0
55 55 5 E E 5 35
5 5 5 E 5 5 5
5M 5M 5M
5M
3
q = 126
5
5M 5M 5M
Vln.
q = 126
Kbd.
5M
5M
5M 5 M
5M
0
0
0
0 5M
5M
mp
555
4M
f
55
5 5
5 5
5M
5 5 5M 5 5
5 5 5
5 5 5
con vib.
0
4M
G
mf
0
BM
Harpsichord
' '
0
BMM B
G
8)))))))))) 5 5
senza vib.
To Harpsichord
mf
2G BMM B
G
3
4
5M 5M 5M
0
))))) 1 5 5 5 5 5 5 G 4
4
mp
3
G =
5 5 5 5 5 5 5 5 5 !5
8))))))))))))))))))))))))))))))))))))))))))) EB 5 ' E5 5 5 5 5 E5 5 5555
1 5 5 5E 5 5 5 5 5 5 G
15 Kbd.
?
TITINE runs to the forest. She is angry and crying. In the forest we can see TANTE MARIE
15
2G
4
she’ll a - gree!
mp
4
1
= 5 5 5
5 5 55 4 = 5 3 55
4 Kbd.
4
He follows her.
0
mp
0
71 TITINE looks about her in wonder.
Kbd.
G 4M
1 T. M. 2 G
p
5
55 5
5 5
555
0
1 G
Offstage Chorus
T
2
0
Kbd.
0
0
0
16
0
p darkly
Poor girl,
5M
5M
0 0
5M 5M 5 5 5 5 5 5
5M 5 5 5 5 5M G 2 G 55MM 5M 55MM
55 MM 5M 55 MM 5M
4M G
4M
0 0
5M 5M
mp
55 f
55 5 5
mp
55 5
16
5M 55 MM 55 MM 5M
55 MM 5M
55MM 5M
55 MM 5M
55 MM 5M
TANTE MARIE steps forward to speak to the audience.
0
0
5M 55 MM
55MM 5M
mf
Trio
(1) [Spoken}
0
0
GGGGGGGGGGGGGG
Vln.
0
5 5
5M 5 5 5 5 5
mf
Ah
G i
1 G
Fl.
0
GGGGGGGGGGGGGGGGGG
B
5MM 5
quietly steps forward and, with a magical motion, puts her to sleep
13
S
5 5 5 5 55 5 5 =5 5M 5 5 5M 5 5 5 M 5
4
GGGGGGGGGGGGGGGGG
G 4M
5
GGGGGGGGGGGGGGGGGGG
Vln.
5555 2G 55
4M
0
GGGGGGGGGGGGGGGGGG
Fl.
5 5 5M 5 5 5M 5 5 BM
GGGGGGGGGGGGGGGGG
8 55 1 5 G
Finally she collapses, buries her head to sleep. TANTE MARIE
she’s frightened
and confused.
5M 5 5 5 M 5 5 5 p darkly
55
5M
5M
5 5 5 5M
5M
5M
5M
Ah p darkly
5 55
Ah
5M 5 5 5M 5 5 5
55
p
mf
senza vib.
BM BM
5M 5M
p
5M
Trio
to Celeste
5 5
0
0
0
0
0
0
5 5
72
1 T. M. 2 G 4
S
1 G 5M 5 5 5 M 5 5 Wouldn’t you be?
(Ah)
T
B
Fl.
2
5M
G 5M i (Ah) 5M
5M
5M 5 5 5
5 5M 5 5 1 5M 5 G
5M
5M 2G 5M
5M 5M
5M 5M
8
2
5 5 5 M 5 5 5M 5 5
5
5M 5 5 5 5 5 5
5 M 5 5 5M 5 5
5
=
5M 5M
5 5M
5
5M
5M
55
to Wind Chimes
0
0
to Chimes
0
0
q = 84
1 5M 55 5 G
T
B
5M
5M 5 5 5M
(Ah)
1 T. M. 2 G S
but she doesn’t know how
BM
p
Vln.
Everyone wants something from her
to give it to them.
G 5M 5 5 5 i
She’s in the forest now. pp secco
5 5
4
5 5
4
5 5 5 E5 5
La, la, la, la, la,
5
?
5M 5 5
La,
1
with the wolf...
5 5 5 E5
5
5
La, la, la, la, pp secco
la,
La,
5 5 5 5
la, la, la, la,
5 5 5 5 5 5 5 5 5 5 5 E5 5
La, la, la, la, la, la, la, la, la, la, la, la, la,
pp secco
0
She’s safe...
5M 5 5
la - la, la,
5M
la - la La,
la
-
5 5
5M 5
la, la,
la - la
11
T. M. 2 G S
1 G 5 5 5 E5
with the weazle...
with us.
5
La, la, la, la,
T
B
la,
5 5 5 5 5
La,
la, la, la,
5 5 5 5 5 5 5 5 5 G i la, la, la, la, la, la, la, la, la, 5 5M 5 5 2 La,
la
-
We won’t let anything happen to her...
la, la,
5
la,
la,
5M
la
5 5 5 5 5 5 5 5 5 5 5 5 E5
-
la,
la, la, la, la, la, la, la, la, la, la, la,
la,
la,
la, la, la, la, la, la, la, la, la, la, la,
la,
5 5 5 5 5 5 5 5 5 5 5 E5 5
5 5
la
La,
5M
la
-
5 5
la, la,
5M
la
-
5
la
1 T. M. 2 G 13
S
1 G 5 5 5 5 5 5 5 5 5 E5
T
B
2
G i
The problem is,
la, la, la, la, la, la, la, la, la, la,
5 5 E5 5 5 5
5
5 5 E5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5
5
5 5 5 5 5 E5 5
la, la, la, la, la, la, la, la, la, la,
la,
5M
La,
16
Ti.
will we?
5
1 G
la
5 5
-
la, la,
S
la - la
q = 66
Fl.
Vln.
2
la,
5
la, la, la, la, la,
5 la,
5 la
5 5
la, la, la,
= 5 5 5 4
= 5 5
?
Ti - tine!
0
pp
= E 5
0
G ' i “ng�
= 5 BM
0 0
“ng�
= 5 BM
Ti - tine,
Ti - tine, pp
Ti - tine, pp
p
'
M 'M
Wind Chimes
0
2G
f
0
G ? G ?
555
Celeste f
Who are you?
Ti - tine!
BM
1 G
5 5
Titine
4
0
= ? 5 5
q = 66
Kbd.
5 5 5 E5 5
la
0
“ng� p
B
la,
5
la,
TANTE MARIE awakens TITINE. She is startled.
p 1 G '
T
we have to convince her she’s safe.
la,
5M 5 5
[Sing] mf
T. M. 2 G
73
rit.
5 55
5
5 5
0
M 'M
Chimes
to Violin
'_
pp
555
0 0
5
55
5
5 BM
74
1 G 19
Ti.
T. M. 2 G S
1 G
? ppp
ppp
T
B
Fl.
Kbd.
2
!5 5 5 5 3
Tan - te Ma - rie,
?
G
?
1
1 G
pp
E 5M
pp
Ah
Ah
555
5 5
M BM
(W.C.)
?
mf
0
5
0 [as if one voice] She moves about TITINE. freely
E5 5 5 5 5 5 E5 5 5
E5 !5 ?
fraid, you’re home now.
Ah
= E 5 E 5 5 5 B
?
5 55 5
Ah
0
5 E5 5 5 5 E 5 B Ah
T
B
Fl.
Kbd.
Ah
2 1 M 2G 'M G ?
G ?
E5 !5 5 5 5 5 B
0
G i
5 5 E 5 5 5 E5 B
0 to Flute
5 5 5 E 5 5 ff
don’t be a -
= E 5 E 5 5 5 E B
?
0
G
T. M. 2 G
= E5 E5 5 5 B
Tan - te Ma - rie,
Tan - te Ma - rie,
pp
I’m part of the for - est, pp
?
3
?
= E5 E5 E5 5 3 E5 5 5 E5 5
?
5
3
21
S
Why are you here?
5 5 5 5 G i Tan - te Ma - rie, ppp 5 35 5 5
1 2G
4
3
[as if one voice]
5 5 5 5
ppp
E5 5 5 E5
4
5E 5 55
Ah
0 0 0
75
1 G
She confides in TANTE MARIE
23
Ti.
0
My step - fath -er,
T. M. 2 G
Fl.
Vln.
Kbd.
4
E5 5 5 5 3
Flute
?
4
2G
E'
pp
E5
Kbd.
5
B
4
mp
E'
E5
f
5
5
5
B
B
despairingly
B
All,
5 5 E5
5
E'
BM
'
3
5 5 5 E5 5 0
4
5
'
p
E5
E BM f
BM
5
5 5
5
4
=
= 5
5 E5
what else?
0
'
bursting forth f
and what...
gently coaxing
8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
E BM
=
...and...
mf
4
G 4
E5
all want some - thing I can - not give them...
0
G 4
E' '
1 5 5 4 G
1 G 4
'
mp
'
G
2G
E 5 5 5 5 5 E5 5 5
'
T. M. 2 G
Vln.
5
0
3
What are you a - fraid of my child?
5
T - Boy
Fl.
4
the Squire,
8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
Violin
26
Ti.
5
4
Why are you fright - ened?
1 G
G
3 = 5 E5 5 5 = 5 5
0
0
0
0
0
0
I
76
1 G 29
Ti.
T. M. 2 G Fl.
Vln.
1 G
= E5
5
hesitating
4 5
?
don’t know. gently
=
17 (1)
E5 5
5
4
mp
8
2G
E'
pp
5
Kbd.
p
1 T. M. 2 G 5 3
Kbd.
E 5M
Kbd.
5
5 5 5
sing the old songs, you feel a
0
0
0
5
5
55MM
5
E5 5 5 3 5
5
5 E 5M
5 5
5
fly,
5 5 5
3 E5
55MM
!5 5 5
55MM
5
5 5
5
55 MM
5
E5
E 5 E 5M
full of eer - ie light and you can
55 MM
55 MM
fly.
5
55 MM
5 E5
E5 5 5 3 5
5
and your
5 5 5
55MM
E5 E5 5
5
E 5M
The
an
5 5 5 5 5 5 5 5 5 5 3E 5 5 53 5 5 5 G 3E 5 5 5 3 5 G 55 MM
5M
E5 5 5
0
and light - ness like you can
5
dreams,
E5
E5
5 5
G 55MM
1 T. M. 2 G E5
mp
When you
55MM
pow - er,
G 3 E5
0 =
(p)
'
G
0
17 q. = 72 5 5 5 5 5 5 5 5 3E 5 5 5 3 5 5 5 3E 5 5 5 3 5 5 5
E'
G E5
q. = 72
4M
let me guess.
'
TANTE MARIE sits beside TITINE in an effort to comfort her
55 MM
E5 5 -
5 5 5
i - mals whis - per your
E 5E 5 5 ! 5 5 5 5 5 5 5 3 3
EE 55
5
55
5
77
1 G 8
Ti.
T. M. 2 G
1 G
0 E 5M
T
B
Kbd.
2
G i
G
Ti
-
1 E 5M G
’tine! sfz
pp
’tine, sfz
’tine! sfz
Ti - tine,
’tine,
’tine!
5 55
mp
5
BM
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 !! 55 MM
55 MM
E 5M 5 5 5M 5 5 5 5 4
5M
E5
5
5 !5 5
=
Ah,
5
5
5 E 5M
...and light - ness like you could
E5
5 5 5 5
55 MM
and light - ness,
3 $ 5 5 E5
3 5
55 MM
5 5 E5
the old songs, I feel a pow - er
5 5 5M 5E 5
I
BM
BM
5 E 5M
that’s how I feel,
BM
BM
5 !5
5
Ti - tine.
BM
pp
5 E 5 5M
5
E BM
’tine, sfz
0
1 E 5M 2G
E5
sfz
E 5E 5 5 5 5 5 5 5 5 5 3 3
G EE 55
5
5M Yes
sfz
Ti - tine,
4
=
tine,
pp
4M
T. M. 2 G
Kbd.
5M
Ti - tine,
sing
Fl.
5
= E5 5 5M
11
Ti.
5
name
Chorus
S
0
fly,
5M
5
5
55
5 E5
and your
0
5 5 5 5 5 E5 5 5 5 5 E 5 5 5 5 5 5 E 5 5 5 5 3 3 3 3 G
5 E5 5 5 E 5 5 5 35 55 3
G 55 MM
55 MM
55 MM
55 MM
55MM
55MM
78
1 G 4M 14
Ti.
T. M. 2 G
Vln.
1 2G
E5
dreams
1 G E 5M
T. M. 2 G
1 G
Vln.
Kbd.
fly,
E 5 E 5M
E5
5
E5
E5 5
5
E 5M
the
an
5
E 5M
the
an
55 MM
55 MM
5 5 5 E5 as I pass by,
E 5M
5
name, pp sfz
= E5 M 5
Ti
5
Ti
5M
! 5M -
55 MM 5
tine,
5M -
5
tine, sfz
sfz
5
BM
1 0 G `a ))))))))))))))))))))))))))))))))))))))))))))))))))))) BM G 2 E5E5 5 5 5 55555 3 G 3
’tine,
’tine!
5
!! 55 MM
2
5M
BM
Ti - tine,
G EE 55
55
5
55
5
BM
BM
E 5M
5
BM
’tine! sfz
4
i - mals whis - per your
Ti - tine! sfz
’tine, sfz
pp
-
BM
5
Ti - tine, sfz
5 5 5
Ti - tine! sfz
BM
5M ! 5
i - mals whis - per my
E5 5
EE 55
’tine! sfz
4M
-
5 5 5
E 5E 5 5 ! 5 5 5 5 5 5 5 3 3
’tine, sfz
G i
Ti - tine,
5
5 5
`a8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) E 5 5M E 5 BM E5 5 fly
pp sfz
T
Fl.
5
can
full of eer - ie light and you can
G 55 MM
name
B
5 5
!5 5 5
I
5
17
S
and
5
E5 5 5
5 E5 5 E5 5 pp p 5 5 5 5 5 5 5 5 E 5 5 5 5 5 5 E 5 5 5 5 3 3 3 5 5 G 3
Kbd.
Ti.
E 5 5 5M 5
=M
BM
5 5555 55555 5 5555 55555 3 3 3 3 mp `a8)))))))))))))))))))))))))))))))))))))))))) BM E 5 0 35
5 5 5 5 5 535 5 5 55 MM
p
to Piano
0 0
79
1
20
T. M. 2 G Fl.
Vln.
Poco animto
0
5 5555 55555 1 3 G 3 `a ))))))))))))))))))))))))))))))))))))))))))))))))))) BM 2G
0
1 G 23
Ti.
T. M. 2 G
5M
soar,
G 5 5 55 55 5
1 5E 5 G 26
Ti.
T. M. 2 G
5
5M
5
5
5
5
5
55 55
0
55 55
5 5
55 55
555
55 55
5 5 5
5 5
5
55 55
55 55
5
5 5 5
5
4
5 5
5 55 55
5M 5 5
55 55
5 5
55 55
5
5
so
fast,
5
E 5 4
5
5
55 55
5 5
5
55 55
5
5
5
I
could
5
5
5 5M
5
fast,
5 4
55 55
5 5
5 5
55 55
5
5
55 55
5 E 5M 55
so
5
5 5
fast.
you could
4
5 5M
so
4
5
5
5
fast,
5M
5M 5 E 5
5 4
5
you could
so fast, the stars so close
5
5
5
3 5
5 E 5M
so
LH
5
5
E 5 4 5
5
5
4
5
fast,
5
5
5
The stars so close
5 4
so
E 5 4
soar,
G 5
5
soar,
4
Kbd.
mf
5 5M
E 5 4
5
0
0
5 5 5
5
0
0
5
0
4
Kbd.
0
Poco animto
5
Kbd.
G
5M 5 E 5
The stars so close
Piano
0
G
35
0
5 5 E 5
and the
4
5 5
E5
55 55
80
1 G 29
Ti.
T. M. 2 G
Fl.
Vln.
Kbd.
1 G 2G
dark side of the moon
3 E5
pp
5
5
5
1 G 5 4
5 5 535 5 5
= 5 E5 5 4 No Ti - tine!
f
G 4M 1 G 4M 35
Ti.
T. M. 2 G
Kbd.
E5
mp
5M 5M
4M
G 4M
G
0
0
G
0
5 5 5 5 5 E 5 5 E 5M 5 E 5M
=M
5E 5 E 5 5 5 E 5 5M feel a pow - er,
E 5M 5 5 5 5 5 5 5
0
a ma - gic, you feel a pow - er,
You feel a
lightly
55MM
5 5 5
5M
a mag - ic,
5 5 E5
5 5 5
5 5 5 5 E 5 5 5 5 5 3 3 5
0
I
pow - er,
0
Just a crea - ture of the for - est like you.
=M 5M
0
0
5 5 5 E 5 5
55
=
p
Celeste
Kbd.
home.
8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) BM E 5 BM
witch?
T. M. 2 G
0
Are you a
5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M = 3 3 3
is your
to Celeste
E 5M E 5M
=M 5 5 5
BM
0 0
4M
0
E5 5 5 5 5 5 5 5
32
Ti.
0
55MM 5
5 55
=
Ah
5
5
5 E 5M
a mag - ic and you feel
bold,
5
5 5 5
E5
you
5 5 5 5 5 E5 5 5 E5 5 5 5 5 5 5 3E 5 5 35 5 3E 5 5 5 3 5 5 5 G 3E 5 5 5 3 5 5 G 55 MM
55MM
55MM
55 MM
55 MM
55MM
1 G 38
Ti.
T. M. 2 G
Kbd.
E5
Fl.
Vln.
Kbd.
old,
G 55 MM
55 MM
55 MM 5 5 5 E5 as I pass by,
E 5M
5
name,
Ti
5
Ti
= E5 5
5M
G i
4M
5 !5
4
Ti - tine,
1 G 2G
0
-
5
-
tine! sfz
an
E 5M
the
an
5 5 5 5 5 -
i - mals whis - per my
E5 5 5 5 5 -
i - mals whis - per your
E5E5 5 ! 5 5 5 5 5 5 5 3 3
EE 55
5 55
5
4M
4
5 I
4M
tine! sfz
4
E5
You
BM
5M
5
BM
5M
5
5M
5
’tine! sfz
= =
’tine! sfz
BM
=
5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 3 3 3 3
’tine!
p
8)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) BM E 5 BM
E 5E 5 5 5 5 55555 3 3 5
55 MM
E 5M
5
5 5 535 5 5
BM
0
G EE 55
5
sfz
E 5M
5
E5 E5 5
! BM
Ti - tine,
Ti - tine,
G
5
5
5
3E5 5
1 G
2
E 5 E 5M
5 5 5 5 5 G 3E 5 5 5 3 5 5
T. M. 2 G
B
5
E5
like a gi - ant and you feel
1 G E 5M
T
5 5
5 5
feel
name,
S
4
The
41
Ti.
4M
0
81
55
5
pp
35 !! 55 MM
5 5 5 5 5 5 5 5 5 535 5 5 35 5 535 5 5 55 MM
55 MM
55 MM
82
1 G 5 44
Ti.
5
5 5 5
5M
5
5
5
5
5M
55 = G
55
5 3 5
5
dreamt I
T. M. 2 G
Kbd.
E5
1 G
! BM
T. M. 2 G
BM
Fl.
Vln.
Kbd.
for - ev
for - ev
5M
2G
5
er,
5
for - ev
5 5
5 5
er,
and the
-
5 5 = 5 5
-
-
-
home.
mf
3 5
-
-
5M
5 5 is your
5M
18 q = 70 (1) ? 0
for -
5 !5 55 3 5
! 55
5M
er.
5
er,
dark side of the moon
=
= 5
4
What’s
0
5 5 5 5 5 5 5 E 5
E BM
'
mp
55 55 = 55 55 G =
18 = 55 55 = 55 55
G ! 5M
5M
5M
5 5 3 5 5 5 5
5
1 G 5
5
5 5 E5 5 5 5
5
BM
5M
5M
3 5
BM
ev
BM
-
5M
1 5 = G = 5 5 5
q = 70 to Piano
0 0
Freely, recitative
2
Ti.
live
dream you could live
G 5M 47
Ti.
could
5
3
wrong with me?
T. M. 2 G
?
Am I
=
a witch?
4
5
5
3
5 5 4
?
Then what’s wrong with me?
5
No.
?
5
5
Noth - ing.
4
p
83
1 T. M. 2 G 4
5
5
5 5 E5 5
5 5 5 5
There are pow - ers in life
mf 3
B
5 5 5
BB B *
55 5 *
GGGGGG
GGGGG
G 5 5 5 p 5 55
3 1 T. M. 2 G E 5 E 5 5
5
5
5
1 5 5 E5 T. M. 2 G 8
Kbd.
B G BBB
5
5 E5
5
5
pow - ers that make the
5
B 55 BB 3 3 5 E5 E5 5 5 5 E5 B
5
5 E5
5
5
E ?55 5
5
E5 5
5
'
birds
fly,
E5 = 5 5
0
5B B
E5
5
E 5E 5 5 5 5 E 5 E5
5 E5
5
3
E5
5
5
' E 55 5 E 5 E 55 5
E' ' ' ' f
' ' '
5
you are part of that pow - er,
3
5
=
3
mp
B5B
55 5
4 5 E5 5 E5 5 5 5
that make your dreams come true,
GGGGGGGGGGGGGGGGGGG
Vln.
1 2G
E5 E5 5
0
G E 55 E 5 mp 5 5
pow - ers
3
grow,
1 E' 2G
3
' ' ' *
5
pow - ers that make the trees
3
' ' ''
6
Kbd.
B
E5 E5 5 5 5 E5
?
a tempo (q = 70)
*
Fl.
5
no one can un - der - stand,
0 Piano 3
Kbd.
3
3
GGGGGGGGGGGGGGGGG
1 2G
Fl.
a tempo (q = 70)
GGGGGG
4
p
G
5 55 5 5
5
5
*
5 5
5 E 55
84
1 E 5M T. M. 2 G 11
Fl.
Vln.
Kbd.
1 G 2G
you
3
5 5 E5 5 5 5 4
are part of the for - est,
0
5 E5 E 55 5 G E5 5 E5 5 E5 5 5 1 G 13
Ti.
T. M. 2 G
Fl.
Vln.
you are the sil - ver fox.
?
4
B
5
5
5 35 5 5 5 B 5 5 5 5
f
0
BB B
?
5 5
5 5
5 5 555
Celeste ff
?
G
4
0
55 5 5
5
?
Why?
?
1 85 5 G
4
3
5 5 E5
Don’t be
E5
B 5 5 5
5
4
a - fraid,
5
5 5
5 5 5
that
you must find for your -
5
5
' p
5
E5
legato, cantabile
2G
0
G
0
0
G
0
0
Kbd.
3
mp
85
1 G 4 15
Ti.
T. M. 2 G
Fl.
Vln.
5
35 5 5
No.
3
5
self.
5M
2G
5
E5
5
S
G 5
B
5
Kbd.
5M
5
35
5
3
fox.
5
5
5 35
5 3
5
5 53 5
5
5
5 5
5
don’t
=
0
=
0
=
5
=
go!
G 35 G 5
5
5
535 535 535 5
E5
5
5
5
5 35 5
3
5
5
5 5
5 35 5
5
3
you must be brave, [as if one voice] pp
5
5
5
5
5
5
=
Ti - tine, pp
535 5
5
5
5
you must be
5
5
5
5
5
5
Ti - tine,
=
Ti - tine, pp
5
5
Please stay!
Ti - tine,
=
Ti - tine,
5
5
0 =
0
You are the sil - ver
0
You must be strong,
G i
5 35 5 5 5
4
5
don’t go!
4
5 5
5
0
35
= ! 5 5
B
But I am fright - ened,
5M
5
E5
1 G
2
5
5
5= ?
You must be brave.
4
5
1 G ?
T
3
5
G 3 5 535
T. M. 2 G
5
5M
17
Ti.
5
5
5
p
35 5 5 5
But I am weak.
You must be strong.
1 G 4
Kbd.
5
Ti - tine,
5
5 35 E5
5
535 5
5
5
86
TANTE MARIE leaves TITINE alone in the woods. She begins to weep again.
1
19
T. M. 2 G S
Fl.
Vln.
'
2
p
0
5 BM
'
niente
5 BM
'
niente
Ti - tine! p
=
0
'
Ti - tine! p
G = i
niente
5 BM
0
Ti - tine!
1 G
5
0
2G
5
legato
mp pizz.
0
5
E5
5
E5
5
5
5
5
5
5
5
5 5
0
5
5
5
5
19
5 5 5 5 = = = 2G
Kbd.
G
5
to Piano
0 0
5
0
0 0
Cajun fiddling arco
0
f
G
5
T-BOY enters, carrying a rifle. He looks about. Seeing him, TITINE avoids him, then escapes.
2 detached M M 1 5 5 5 5 5 5 5 5M 5 5 5M 5 5 5 5 5 5 5 5 5 G
q = 100
5
accel.
5
mf
Vln.
5
5
3 5 535 535 535 5
G 3 5 53 5 535 535 5 3 5 535 5 35 535 5 G
5 5
mp
q = 100
Fl.
0
free.
5
Kbd.
accel.
(1)
0
1 G =
T
B
19
5M 5 5 5M 5 5 mf
5M 5 5 5M 5 5
5 5 5 5 5 5 5 5 5 55 55 5
f
5M 5 5 5M 5 5 5M 5 5 5M 5 5
5 5 55 55 55 5 5 = 5 = = 5 =
f
= = 5 5 5 5 5 5
5 5 5
1 2G i 5
T-B.
Fl.
Vln.
Kbd.
87 T-BOY continues to look.
0
1 G
0
= 5 = 5 B 5 5 5 5 5 5
4
2G
G
. 5 5 = 5 gliss
I’ll
p
Kbd.
G
(f)
1 5 55 5 5555 = G
G
I’ll hide here.
p
G 55MM 55 55
? ?
5 5 5 5
5
When the sil - ver fox comes
5 5 5 5 5555 =
4
f
0
B B
5M 5 5 5M 5 5
?
B B
5M 5 5 5M 5 5
?
T-BOY leaves to find a hiding place. LA FOURCHE enters, finds a hiding place and secrets himself.
0
0
0
0
shoot it!
4
0 5M 5 5 5M 5 5
=5
0
5 5 5 5 5 5 BB 5 5 5 5 = 5 = 5 = = B
5 ?
0
2G 5 555 5 5 5 5 5 5 5 5
8
Vln.
=5 5 5=5 5 I’ve got it
1 T-B. 2 G 5 i by Fl.
T-Boy f
55 55 55 55 55 5 5 5 55 55 55 55 55 55 55 55 55 5 5 5 55 55 55 5 f
5 5 5 5 55 55 55 55 55 55 55 55 = 5 = = 5= = 5 = = 5=
f
= 5 = 5 = 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5
G
88
1 C. M. G ? 1
We hear the others calling, looking for TITINE.
20
[offstage] Carrie Mae f
5 = 5
Sq.
Fl.
2
G = i
BM 5 =
Kbd.
1 ' C. M. 2 G 4
Kbd.
55
55
5 ?
5 BB 5 5 BB
p cresc.
5
55
= 5 5 5 5 5 3
I want to go home!
5 5
?
=
55
B
mp
5
Ti - tine!
0
5 BB 5 5 BB
p cresc.
f
5
*
55
55
5 BB 5 5 BB f
*
= 5 5 5 5 = = 5 5M 5 5 5 4
whining mf
5 55 5 5 G 5 5 55 55 5 5 5 5 5 5 5 5 p cresc. f B 55 B 55 5
?
4
B
?
5 G 55 5 55 5
B
5
She is breathless, tired. She stops for a moment.
1 C. M. 2 G ?
BM 5
Ti - tine! mf
=
mp
Ti - tine!
*
7
Kbd.
5
B
mf
f
5
=
Ti - tine!
B
20
Ti - tine!
BM 5
Ti - tine!
1 ? 2G
?
mf
=
[offstage] Squire f
5 = 5 ff
Ti - tine!
Ti - tine!
4
G
5 = 5
Ti - tine!
La Fourche f
L. F.
B
CARRIE MAE enters.
=
This is aw - ful!
555 =
5 5=
4
5M 5 5
But Ti - tine is lost.
4 5 = 5
p
5 5 4 5 =
? ?
555 =
5 5=
4
heroically
5 5
I’m tired, I’m hun - gry,
=
4
4
4
4 suddenly self-concerned
5 5
5 5 = 5 55
I must find her.
5 5 =
mp
55 55 5
5 55 =
4 4
If I do,
5 5 =
f
5 55 =
4 4
G
1 5 C. M. G 10
L. F.
2G i
5M 5 5 5 5
T - Boy will mar - ry her.
0
5 5 5 5 5 5 G
Kbd.
G 55
5 5
1 C. M. G 5 5 5
13
L. F.
2G i
id - i - ot,
=M
L. F.
Fl.
Kbd.
=M
4
ff
5
4
5
5 5 5 4
5 5 4
2
5 = 5
BM 5
1 ? 2G G
B B
5
5
f
55
55
5 BB 5 5 BB f
*
5
5M 5 5
3
5
=
4
5
=
5
5
B B
5 5 5M
I’m go - ing,
p cresc.
5
55
55
5 BB 5 5 BB f
*
5 =
5
Ti - tine,
5
CARRIE MAE exits.
B
5
5 = 5 mp
Ti - tine!
BM 5
Ti - tine!
=
Ti - tine!
?
5
= 5 5 5
= 5 5 5 5 = 5 = 5 3
=
= 5
5
5
= 5 3
5 5
=
Ti - tine!
Ti - tine!
5 =
3
4
look - ing,
5 = 5
BM 5
3
5 5 = ?
5 5
No,
Ti - tine!
= 5 5 5
3
lontano
=
5
= 5
start
3
5
not
mp lightly
=
5 5
Ti - tine!
p cresc.
5
5
4
4
B =
Ti - tine! lontano
55 4 5
5
5 555 4
5
angrily
?
Blast it! You’re
pip - squeak,
Ti - tine!
f
=
f
5 5
Got - cha!
5
gee - zer,
CARRIE MAE leaves. LA FOURCHE remains.
4
Ah!
4
im - pos - ter,
G = i
2 ?
startled
5 5 5 5 5555 4 5 5
5 5 5 555 4 B B
1 B C. M. G 15
Sq.
4
G 3 5 5 5 = 5 3 5 5 5 = 5 = = 5 = 5 5 5
Kbd.
89
LA FOURCHE jumps out from where he has been hiding, and catches CARRIE MAE, whom he has mistaken for TITINE.
5
B B
Ti - tine!
?
p cresc.
5
55
55
5 BB 5 5 BB f
*
90
B 1 C. M. G 18
0
?
5 5 35 5 5 = = L. F. 2 G i The nerve of that girl, pizz.
5 1 = 4 ? Vln. 2 G angrily f
3 5 5 5
run - ning a - way!
4
f
Kbd.
55 = G 55
f
5 555 =
1 L. F. 2 G 3 5 i I’ll
5 1 Vln. 2 G 55 G 55
5 Kbd. 5 55 20
4
?
4
4
?
4
5 5 5
22
=
4
=
=
=
5M 0
4 4
5
5 5 5 5 5
5 5 5 5
If she was - n’t so
val - a - ab - le
=
55 = 5
5
5 555 =
? ? ?
I’ll find her!
?
5
5 5M 5 5 5 5 55M 5 555 = 4 5 3 55 3 5 = 4 5M 5M 5M 5M 5M
5 35 5
5M 5M 5M 5M 5 M 5M 5M 5M 5 5 5 M M M 5 M
I’ll de - liv - er her!
0
55 = G 5
5
5 555 =
B 5 5 5
4
4
[laughs]
0
I’m rich, I’m rich!
5 5 5 5 5 5 5 to Susp. Cym. w/ wire brushes 1 5 5 0 = 2G 5 5 5
5 5 55 = 4 5 = 4 555
=
= 5 5 5 = 5 5 5 5 5
I’m rich,
f
Kbd.
5 = ?
have her throt - tled!
1 L. F. 2 G i Fl.
5 =
55 55MM 5 5M 5 5M
0 55 5 5 5 = 55 3 55 5 5 5 5 M 5M M 5M
G
p cresc.
5
55
55
5 BB 5 5 BB f
*
91
1 C. M. G ?
[offstage] lontano
5 = 5
25
L. F.
Sq.
Fl.
Kbd.
2
BM 5
5
B
BM 5
=
5
G
mf
=
5
5
55
55
5
p cresc.
f
5
*
55
0
5 = = 5 5 5 4 2 not used to...
5
55
4
5 5
2
such ex
2 2 2 2 4
5 BB 5 5 BB
p cresc.
f
0
0
0
2
2 2 2 2
5
55
55
5 BB 5 5 BB f
*
= 5 5 5 5 5 35
5 5 5 5
If you mar - ry her, you’ll have to find her.
5 5
0
er - tion...
2 2 4
0
2
sternly
-
G
2
mf
*
4
B
Susp. Cym. w/ wire brushes
0
breathless
=
Ti - tine!
0
5 BB 5 5 BB
1 = 2 2 = 4 2G
B
Ti - tine!
0
p cresc.
BM 5
Ti - tine!
Ti - tine!
1 2G
5 = 5
Ti - tine!
Ti - tine!
=
I’m...
Kbd.
=
[offstage] mp
4
B
Ti - tine!
Ti - tine!
28
Fl.
5 = 5
Ti - tine!
G = i
1 L. F. G i Sq.
B
The SQUIRE enters, puffing, out of breath.
2 2
2
2 2
2
2 2
=
4
=
4
f
55 =
5f
5 5=
4 4
55
5
5 5
92 The SQUIRE, exhausted, sits down. LA FOURCHE leaves, still searching.
1 C. M. G ?
5 = 5
31
G = i
L. F.
Sq.
Kbd.
2
=
Ti - tine!
4
=
5
B
Kbd.
5
=
p cresc.
5
55
55
BM 5
lontano
Ti - tine!
5
=
B
5
=
Ti - tine!
5 BB 5 5 BB
p cresc.
f
5
*
55
1 5 5 5 = = = 4 2
4
w/ wire brushes 1 Susp.2Cym. 2 2 2 2 G = = =
2 2 4
Ti - tine,
ff
Vln.
BM 5
Ti - tine!
feebly
5 = 5
Ti - tine!
mp
Ti - tine!
G
B
Ti - tine!
BM 5
Oh,
Fl.
5 = 5
Ti - tine!
34 still breathless
Sq.
B
[offstage] lontano
55
5
Ti - tine!
5 BB 5 5 BB
p cresc.
f
5
*
55
55
5 BB 5 5 BB
to Celeste
f
*
TITINE enters. She collapses in exhaustion next to the SQUIRE. They do not see each other– then suddenly discover each other.
5 5
5 5 4
0
I must find her!
4
2 2 Violin
2
to Flute
4
?
55 5 5 5 E5 55 55
2G
0
G
0
0
0
0
0
0
B
?
4
5
mf
G
1 G
In his excitement, he tries to trap her. The others enter, blocking each path to escape.
37
Ti.
L. F.
Sq.
Fl. Vln.
0 0
G
C. M.
2
2G
Kbd.
0
f
Ti.
C. M.
L. F.
Sq.
Fl.
Kbd.
ff
G 55
55
G
5 5 5
B
5
No!
BM 5
Ti - tine!
5 5 5
5
B =
B
she’s here!
f
0
Piano
0
'
5 5
5
=
8))))))))))))))))))))))))))))))))))))))) ' E5
0
TITINE tries desparately to find a way for escape.
5 = 5
Ti - tine!
Poco animato to Piano
B
mf
I found her! I found her, Ti - tine! Flute
55 =
5
5
No!
=
0
=
?
0
5 5 =
horrified f
4
0
5 5 BM
1 G 4 40
5 53 5
Ev - ’ry - one,
Celeste
G
ff extremely excited
0
'
0 0
0
G i
1 G
Poco animato
93
p cresc.
5
55
55
5 BB 5 5 BB f
*
BM
=
Ti - tine!
5
Ti -
'
B ' 5 2 Ti - tine! )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 1 ' 2G 5 BB B G 5 5 B
f
5
G = i 5
Ti
-
tine!
=
p cresc.
5
BM
5 5
5 5
f
*
0
p cresc.
5
5 5
5 5
5 5
5
B BB B f
*
94
21
TANTE MARIE steps forward and speaks to the audience. TITINE, in total confusion, tries to escape.
1 B C. M. G 1
(q = q) accel.
= 5 B
tine!
T. M.
L. F.
Sq.
Fl.
= 5 B
Ti - tine!
G
Ti - tine!
0
0
= 5 G B i Ti - tine!
= 5 B
= 5 B
4 2
Ti - tine!
= 5
5
5
= 5
Ti - tine!
Ti - tine!
)))))))))))))))))))))))))))))))))))))))))))))))))))))) 1 8BM 5 BM G
2G BM_ p 6
= 5 B
tine!
T. M.
L. F.
Sq.
G
= 5 B 5
Ti - tine!
Kbd.
G
5
= 5
5
pp
= 5
Ti - tine!
= 5
5
Come!
= 5 B
Ti - tine!
Ti - tine!
Ti - tine!
5
5
= 5
Ti - tine!
0
0
to Water Gong
0
0
0
= 5 B
= 5 B
Ti - tine!
Titine! That’s it!
= 5 B
= 5 B
5
Ti - tine!
= 5
5
5
Ti - tine!
0
Ti-
Louder!
= 5 B
Ti - tine!
= 5
5
5
Ti - tine!
0
= 5
Ti - tine!
Say her name!
Ti - tine!
= 5
BM *
BM
BM
0
BM
BM
0
BM
BM
5
Ti - tine!
ppp
BM
5
Ti - tine!
to Sweet Potato
Ti - tine!
0
= 5 B pp
Ti - tine!
Let’s change her to the fox!
Ti-
Come! Let’s help her!
= 5 B
Ti - tine!
G = 5 B i Ti - tine! 5 5 = 5 2
Ti - tine!
0
BM_
1 B C. M. G
5
= 5
[spoken]
Ti - tine!
5
= 5 B
Ti - tine!
0
mf
Vln.
= 5 B
BM
BM
1 B C. M. G 11
= 5
tine!
Fl.
Vln.
Kbd.
TITINE!
2
0
22 1 C. M. 2 G
Kbd.
freely
q = 60
to Violin
q = 60
pp
0
pp (any high note) )
5
niente
Ah pp sub. (any high note) ( )
niente
5
Ah Sweet Potato
4
f
5 5 5 3
0
de! 5 ^
4
5 5 3
M MM
Water Gong (lower into water) f
let ring
E5_ *
TITINE runs from sight as the fox. The others stand motionless, stunned, in disbelief.
1 to Flute G
G 2 22 G
ff
BM
BM
1
Vln.
0
niente
0
0
0
5
0
G
niente
5
BM
5
5
95
Ah pp sub. (any high note) ( )
Ti - tine!
2G
0
(
BM
= 5
1 G
*
Fl.
0
G = 5 B i Ti - tine! 5
0
TITINE!
pp sub. (any high note) )
Ah
s.
L. F.
Sq.
Ti - tine!
G i
T-B.
BM
(
gl is
G
T. M.
TITINE is transformed into the fix.
freely
M 5M 5M M 5 5M 5
0
0 Flute
0
55
f
0
?
5B M5 5 M BBB M
' ' ' '
mf
*
5 85 555 5 E 5 55 Violin
4
5
arco
mf
?
4
breathless
=
Ti -
0 5
5
5
5
E5
`a 5 5 5 5 35 535 535 535 5 mp lightly
0
G
96
1 C. M. G 5 4
tine
L. F.
Sq.
2
G ? i
5 5 5
5
5
is the sil - ver fox?
=
0
4
T-BOY has been seen lurking... hiding... hunting. He enters.
0
5 5 5 5=
amazed
35 5 5 5 5=
?
Did you see it?
enraptured
5M
5 5
5
5
I don’t be - lieve it!
4
5 5 1 5 E5 E5 5 5 Vln. 2 G `a 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 G 3 Kbd. 5 5 5 5 E5 E5 5 5 G 5
She’s
the sil - ver fox!
Suddenly, the fox appears. In excitement, T-BOY aims– CARRIE MAE breaks his aim. He shoots, misses the fox, who then escapes, but hits the SQUIRE, who falls, stricken.
1 C. M. G ? 6
L. F.
Fl.
Vln.
Kbd.
2
4
G ? i
=
?
=
B 1 5 5 5 E 5 G 5 5 5 5 2G
f
5
5 5
5
Here she comes!
G ? i
T-B.
Sq.
=
f
E5
5
= f
5 5
5
4 ff
5
The
fox!
5
Here she comes! f
5 5
5
2
horrified
?
D
He shoots
D
0
D
0
D
0
D
0
D
0
D
NO!
4
?
Here she comes!
5
`a 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 G 3 5 5 5 E5 G
0
23 1 C. M. G 1
e = 108
L. F.
2
Sq.
5
5M `a 5M
= 5 5
5
5 5 = =
4
55 MM
5
p
p
5M
5
55MM p
5M
BM
loco
55 MM
5M
feebly
I’m shot...
5
p
= 4M
5M 5 5
5
Yes, where
=M 5
5
f
Oh! f
5 5 5 5 = = 5 5
= 4M
kill you?
Oh! f
4M
= 5 5 Oh!
5 5
=
5 5 = =
4
`a 5M
I’m shot...
accel.
f frightened
= 5M
5M
p
5
4
I’m shot...
5
5
4M 55MM
5M
55 MM
TITINE appears as herself, more radiant than ever.
4M
0
4M
4
is she?
4M
4
97
= 5
4M
4
55MM
5
f
Ti-
5 5 5
0
0
0
0
0
0
0
Where is she?
4M
f with sudden strength
5 5M
BM
`a 5 M
5M
But where’s Ti - tine?
G Kbd.
4
e = 108
G i
2
f
4M
0
1 C. M. G
G i
4M
Oh!
5
L. F.
5
0
0
T-B.
= 5 5
p
Did I
G
Kbd.
4M
0 0
G i 23
f
Oh!
G i
T-B.
Sq.
The SQUIRE lies moaning as the others hover about. For a moment, we are uncertain of the seriousness of his injury. Then he sits up, only grazed.
5
5M
loco
55 MM
5
accel.
loco
5
mf
5M `b
5
4M BM
loco
5
lightly
! 5555 555 5555 5555 5555 555 555 55 5 4M
5M 55 MM
5
55 5 4M 5 5 5 BM
*
5555 =
5 5 55 5 5 55 5= 5 BM
98
q. = 60
1 BM C. M. G 9
(accel.)
tine!
G 4 i
T-B.
L. F.
Sq.
2
5M 5 5 5
5M 5
5M 5 5 5
f
Ti - tine! f
G 4M i 4M
5M 5 5 5 4 5
5M
Ti - tine!
f
5 5M 5 5M *
1 5 5 C. M. G 14
5 5M
beau - ti - ful!
T-B.
L. F.
Sq. Fl.
Vln.
G 5 5 i beau - ti 5 5 G i beau - ti 5 5
2 beau - ti 1 G 2G 55MM 5M
Kbd.
5 5M 5 5M
- ful!
- ful!
5 5M
- ful!
5 5M
5 5 5M
4
5M
5M
sight,
= 5 5 5M
4M
What a sight,
such a sight,
4M 4M
`a 5 = 55
5555
5 5 5 5 5
4 5
4M
0
4M
mp
BM BM
5
GGGGGGGGGGGGGGGGGGGGGGG
=
BBMM BM
4
They are enraptured.
Such a sweet
5555 5555 555 555 55
q. = 60
55 55 MM = G 5 5M
4M
5M 5M
(accel.)
Kbd.
5M
4 5 5 M 5 5 5 Ti - tine! f
They gather about her.
5 5 5M 5 5 5 4
Such a won - der - ful sight,
55 MM 5M
BBMM BM
=
5 5M BM 5 5M BM * 24 TITINE breaks the spell, (1) q = q. 0
0
G
0
0
0
0
0
0
0
0
0
0
0
?
0
55 55 5 5 5B 5 5 5 B G 5
G = 5 5 5 5M
5 0
55 5
5
mf
5
So
5M 5 5 5 5 5 5 5M 5 5 5 5M BM
senza vib.
5M
8)))))))))))))))))) 24 q = q. 5 5 B to Harpsichord 0 ? 5 5 5 5 5 0 mp
BM BM 0 0
1 2G 3
Fl.
Vln.
q = 60
0
1 G 5M 5 5 5 M 5 5 2G 5MM 5
?
0
Vln.
555
5
5
55 G
5 55
5 B
0
1 G
0 0
G
0
to leave
5 you
5
5M 5M
BM BM
0
BM BBMM
0
q = q.
5M 55 MM mf
5M
5M
5M 5 5 5M 5 5
mf
0
5 5 5 5
gently
The time
mf
freely
Kbd.
4
gone.
2G G
q = q.
freely
0
5
5M 5M 5M
5M 5M 55 MM 5M
GGGGGGGGGGGGGGGGG
Fl.
f
is
0
Harpsichord
the time for dream - ing
' '
1 5 5 5 5 5 5 5 BM 2G 5 6
Ti.
5 5
5
0
GGGGGGGGGGGGGGGGGGGG
Kbd.
0
= 5 5 5
'
5
q = 60
G
5
My friends,
5M 5M
E5 =
calmly, with strength
55 MM 5M
GGGGGGGGGGGGGGGGGGG
Ti.
99
stepping slightly away from the others.
BBMM BM
5
p
0
0
5
has
100
She goes to T-BOY, touches him
1 G BM 10
Ti.
=
come.
C. M.
T. M. 2 G
1 G 2G
Kbd.
Ti.
5M 5 5 5M 5 5
BM
mf
p
3
Fl.
Vln.
=
5 1 G 35 535 5 2G 5 5 p
Kbd.
5
5 5 5 35 535 535 5
E 55
5 5
to Celeste
5 5
0
5
5
5 5 5
B
35 5 5
G
0
0
0
She goes to CARRIE MAE.
= =
5
5
5
'
5 5 5M
Car - rie Mae,
4
5 E 5 53 5 4 look af - ter him!
4
Ti - tine!
? 5
4
q. = q
5
Ti - tine!
5
mp
4
5
5
Ti - tine!
5 5
You must be strong.
G ?
T. M. 2 G
5
5
5
5
Don’t be a
= 5 5
mp
BBMM BM
1 G 5
go?
35
BBMM BM
She kisses him lightly.
3
0
5 5 5
=M 5 0
con vib.
fraid.
C. M.
4M
0
G BBMMM B BBMM BM
13
Don’t leave us!
5 = 4
I do not know.
4M
=
Where will you
GGGGGGGGGGGGGGGG
Vln.
0
5 5
GGGGGGGGGGGGGGGGGG
Fl.
5
4
5
35 5 5
You must be brave!
frightened
G 4M
q. = q
5 5M 5
5
535
5
=
5
Ti -
0
'
E5 5
Celeste
35
mp
G
55
5
5 35 E 55
5
5 35 55
5
535 55
5
5
1 5 5 G 3 5 5
4
4
?
15
Ti.
101
She kisses CARRIE MAE.
She goes to the SQUIRE.
Don’t be a - fraid.
G
C. M.
Sq.
Fl.
Vln.
2
5
tine!
4
=
1 G
Sq.
Fl.
Vln.
Kbd.
E5
5 E5 5 5 5 5
5
your heart
B
is as rich
5
5 35
G 55
5
5
adoringly
4
=
Ti -
? 5
5
share
5
5
55
5M
5 3 5
5
3
5 5 5
mp
5 3 5
5
55
55
you
?
535
5
=
5
E5
5 5 5 5
=
=
5 5
5
?
5
E5 5
535 E 55
5 5
5
3 5 55
5
535 55
4
3
5
5
mf
5 5
5 35 55
5
5 3 5 E 55
5
5
535 55
5
535 55
5
B
B
5
good -
Ti - tine!
1 G '
G 55
5 3 5
5
will al - ways be loved,
?
mp
55
tine!
G 35
5
55 3
5
4
53 5
E 55
5M
5
the wealth in your heart.
4
5
legato, cantabile
5 3 5
E 55
1 G 4
2G
as you,
0
?
0
G 3 5
2
Squire,
0
17
Ti.
=
Ti - tine!
2G
Kbd.
5
sheepishly
E5
5
5
102
She kisses him.
1 M G 5 19 q = q.
Ti.
4M
0
0
0
0
5 5M
4M
0
0
0
1 5M 5 5 5M 5 5 5 G
55
bye.
embarrassed
M L. F. 2 G 4 i Fl.
Vln.
She goes to LA FOURCHE and saying nothing, smiles knowingly and kisses him on the forehead.
4
Ti - tine!
BM 2G
Kbd.
G = 5
Fl.
Vln.
Kbd.
= 5
5
= 5
5
5M 5 5 5 M 5 5
! 55 MM
4
5 5 5 M 5 5 5M
mf
= 5
5
55 MM
5 5 5M 5 5
=5 55MM
5
5
= 5
5
= 5
55 MM
55 MM
5 5
5M
5M
5M
5M
5M
mp
5 5 M 5 5 5M 5 5 = 5 5= 5 5
5
5
5
5
Just look to the strength that lies in your heart, and your dreams will come true some
1 BM G
G
=5
5M BM
mp
TANTE MARIE comes to stand hear her. TITINE turns to all.
1 4M 2G
2G
5
5M 5 5 5 M 5 5
5M
mf
G 55MM
24
Ti.
mf
5
5M
mp
5M 5 5 5 M 5 5
mp
q = q.
5 5 5 M 5 5 5M 5 5 5 M
to Sweet Potato
0
0
BM
to Water Gong
0
0
0
BM
to Piano
0
0
0
0
0
0
G = 55= 55
0
colla voce
25 q = 40 5 8 1 555 5 E 5 G 5555 1
C. M.
T-B.
L. F.
Sq.
Fl.
Vln.
Kbd.
G
how.
0
G i
?
0
2
?
0
1 G
25 G
?
0
G i
2G
?
q = 40
Fl.
Vln.
Kbd.
2G
to Flute
0
to Violin
G
*
0
niente
Ah pp (any high note) ( )
niente
Ah pp (any high note) ( )
niente
Ah pp (any high note) ( )
niente
5 5 5 5
Ah
0
0
0
0
0
0
0
0
0
q. = 52
4M
Flute
4
0
5 5 5M 5 5 5 mf
0
ff
0
0
0
0
5 5 5
Sweet Potato
?
f 3 Water Gong (lower into water)
de !5
[hand over hand black key gliss.]
0 MM
f
let ring
E5 * 5
BM
BM
Violin
BM BM
p
q. = 52
to Celeste
0
pp (any high note) ( )
0
...then disappears.
5
0
Free tempo
G 1 G
'
gli ss.
Ti.
103
TITINE is transformed into the fox. She remains for a moment... Free tempo
555
Celeste
4M
G
4M
ff
5 55
5
5 5
BM BM BM 0
1978 Revised 2009/2010