S. - Full Score - Ronald Perera

Constance Congdon 1) Original conception and artistic collaboration by Mark Harrison Snappy ( = 138–144)

S.

ACT I

Ronald Perera

Overture

Piccolo Piccolo (Flute 2)

Flute

1 3

1 3

Oboe

Oboe (English Horn) 2

3 3

1 Clarinet in B

Clarinet in B

3

(Alto 2 Saxophone) (Bass Clarinet)

1 Bassoon 2

Horn in F

1 2

Trumpet in C

1 2

Trombone

1

(Bass Trombone) 2

Picc. Timpani or Tom-toms Timpani 2) Timpani

Marimba

to Picc. Timpani or Tom-toms

Picc. Timpani or Tom-toms

1 Timpani

Percussion

Xylophone to Vibraphone 2 E F G A B C D

A B

Harp

Sitar 3) Tambura 4) (optional)

Snappy ( = 138–144) I 3

Violin II 3

Viola 3

Violoncello

Contrabass 1) Libretto by Constance Congdon based on the novel “S” by John Updike. 2) Timpani part is also cued into Percussion 1 part. © Copyright 2000 by E.C. Schirmer Music Company 3) or Synthesizer A division of ECS Publishing, Boston, Massachusetts. 4) cued into Harp

Catalog No. 5752

All rights reserved. Made in U.S.A. Adapted from the novel “S.” by John Updike, © Copyright 1988 by John Updike, by permission of the author.

2 7 Picc.

Fl.

3

3

3

3

3

3

3

3

3

3

3

3

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

(T.-t.) Timp. (Timp.) (T.-t.) 1 Perc.

(Timp.) 2

8va

8va

3

3

3

3

3

3

3

3

3

3

3

3

Harp

I

Vn. II

Va.

Vc.

Cb.

3

(

13

= 96)

( = 69–72)

=

=

Picc. 3

Fl.

3

1 3

3

1 3

3

9

3

9

Ob. 2 3

3

3

1 9

Cl. in B

3

3

2 9

1 3

Bn.

3

2 3

3

1. Hn. in F

1 2

Tpt. in C

1 2 a2

Tbn. 1 2

Timp.

Timp.

to Mar.

Mar.

1 Perc.

Vib. (motor off) 2

3

9

3

C

Harp

3

F

F B

9

3

(

( = 69–72)

= 96)

=

= I 3

9

3

Vn. II 3

9

3 3

arco

pizz.

Va. 3

pizz.

arco

Vc. 3

3

pizz. Cb.

arco

4 18 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1.

(1.) Hn. in F

1 2

Tpt. in C

1 2

1.

a2

a2 Tbn. 1 2

Timp.

(Mar.) 1 Perc.

(Vib.) 2

Harp

I

Vn. II

Va.

Vc.

Cb.

to Xyl.

5 25 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1

Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(a2)

Tbn. 1 2

Timp. (Mar.)

(Mar.)

1 Perc. Xyl. 2

A D

Harp

I Vn. II

Va.

Vc.

Cb.

F

F

6 34 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B

sub. 2 sub. 1

Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Mar.) 1 Perc.

(Xyl.) to Vib.

Vib. (motor off)

2

G A B

Harp

I Vn. II sub. Va. sub. pizz. Vc. sub. pizz. Cb. sub.

to Xyl.

7 39

3

3

Picc. 3

Fl.

3

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1., al sord.

a2

1., con sord.

a2 Tbn. 1 2

Timp.

(Mar.) 1 Perc. Xyl.

Vib.

to Xyl.

2

3 3

Harp

I Vn. II

Va.

arco

pizz.

Vc. sub.

Cb.

3

3

8 43 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 a2, senza sord.

(1., con sord.) Tpt. in C

1 2 (a2)

Tbn. 1 2

Timp.

(Mar.) 1

Perc. Xyl. 2

G C D

Harp

F

I

Vn. II

Va.

(pizz.) Vc. (pizz.) Cb.

arco

E A B

9 50 Picc.

Fl.

1

1 3

3

3

3

3

3

3

3

Ob.

3

2

3

3

3

3

3

3

3

3

3

3

3

1 Cl. in B 2 3

1 3

Bn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

I 3

Vn. II 3

Va. 3

3 3

Vc. 3

3

3

3 3

arco Cb. 3

3

3

3

10 55 Picc.

Fl.

1

1 3

3

3

3

3

3

Ob. 2

3

3

3

3

3

3

1 Cl. in B 2

1 3

3

3

3

3

3

Bn. 2

a2 Hn. in F

1 2

3

3

3

a2 Tpt. in C

1 2

3

3

a2 Tbn. 1 2

3

3

3

Timp.

(Mar.)

to Timp.

1 Perc.

(Xyl.) to Vib. 2

Harp

A

I 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vn. II

Va.

Vc.

Cb.

3

11 60 Picc.

Fl.

1 dolce

1 Ob. 2

1 dolce

Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

3

3

3

a2

3

3

3

3

a2 Tbn. 1 2

3

3

Timp.

1 Vib.

Perc. 2

Harp

A

I

Vn. II

Va.

Vc.

Cb.

A

12 66 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

Tpt. in C

1 2

1 2

Tbn. 1 2

3

3

3

3

3

3

3

3

3

3

3

3

2.

Timp.

Timp. 1 Perc.

(Vib.) 2

E A D

Harp

I

Vn. II

Va.

Vc.

Cb.

B

13 70 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Timp.) 1 Perc. (Vib.) 2

non arp.

G C

Harp

I Vn. II

Va.

Vc.

Cb.

14 Sound cue: a jet take-off

73 Picc. cresc.

Fl.

1 cresc.

1 cresc.

Ob. 2

cresc. poco a poco cresc. 1 cresc.

Cl. in B

poco a poco cresc. 2 cresc.

1 poco a poco cresc.

Bn.

cresc.

2 cresc.

poco a poco cresc. a2 Hn. in F

1 2 poco a poco cresc.

cresc.

cresc.

poco a poco cresc. Tpt. in C

1 2 cresc. poco a poco cresc.

Tbn. 1 2

cresc. poco a poco cresc.

Timp. poco a poco cresc.

cresc.

poco a poco cresc.

cresc.

(Timp.) 1 Perc. to Xyl. 2

non arp.

G B

Harp

I cresc.

poco a poco cresc.

Vn. II

cresc.

poco a poco cresc. div. Va. poco a poco cresc.

cresc.

poco a poco cresc.

cresc.

Vc.

Cb. poco a poco cresc.

cresc.

15 76 Picc. (cresc.)

Fl.

1 (cresc.)

1 (cresc.)

Ob. 2

(cresc.)

1 (cresc.)

Cl. in B 2

(cresc.)

1 (cresc.)

Bn. 2

(cresc.)

(a2) Hn. in F

1 2 (cresc.) a2

Tpt. in C

1 2 (cresc.) a2

Tbn. 1 2

(cresc.) (T.-t.)

Timp. (cresc.)

(Timp.)

(Timp.)

(T.-t.)

to Tam-tam

1 Perc.

(cresc.)

(Timp.) to Crotales

Xyl. 2

Harp

I (cresc.) Vn. II (cresc.) unis. Va. (cresc.) Vc. (cresc.)

Cb. (cresc.)

16 82 1 Fl.

take Flute 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

A B

Harp

I Vn. II

Va.

Vc.

Cb.

G

17

Scene 1 [SARAH, an upper-class WASP in her mid-forties, is in a seat on an airplane-- she is flying coach. She is dressed in a houndstooth checked suit with a belt made of embroidered daisies.]

Smoothly flowing ( = 84) 1 Fl.

Flute 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

con sord. Hn. in F

via sord.

1 2 1., con sord.

Tpt. in C

1 2 1., con sord.

via sord.

Tbn. 1 2

Timp.

Tam-tam

to Trg.

l.v.

1 Perc. Crotales

to Vib.

l.v.

2

E F G A B C D

Harp

(non cresc.)

Smoothly flowing ( = 84) (II) I Vn.

(I) II

(I) Va.

Vc.

Cb.

18 5 1 Fl. 2

1 Ob. 2

3

1 Cl. in B

cresc. 2

1 Bn. 2

Hn. in F

1 2 (1., con sord.)

Tpt. in C

1. via sord.

1 2

Tbn. 1 2

Timp.

Trg. 1 Perc. 2

Harp

SARAH

cresc.

3

The

dis

tance

be

tween us

grows.

I cresc.

Vn. II

cresc. Va.

Vc. cresc. Cb. cresc.

19 9 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

cresc. Sarah The

I (cresc.)

Vn.

sub.

II sub. (cresc.) Va.

Vc. (cresc.) Cb. (cresc.)

en

gines of the

air

plane

drone

20 13 1 Fl. 2

1 Ob. 2

1 Cl. in B

cresc. 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

A

G

cresc.

cresc. Sarah Eat

ing

I cresc.

Vn. II

cresc. Va.

Vc. cresc. Cb. cresc.

up

the

miles.

21 16 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

F

3

Sarah The

I Vn. II

Va.

Vc.

Cb.

a cres of the flat

farms

in

big

brown and green

22 19 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah squares

I Vn. II

Va.

Vc.

Cb.

have

long

passed

be low

me

And

now

the earth

is

23 22 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Sarah ve ry dark

Un

til

sud den ly

a

I cresc. Vn. II cresc.

Va.

Vc.

*) Cb.

*) basses with C extension play the lower octave

cache

of

24

A little slower ( = 76) 25 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2, senza sord. Hn. in F

1 2

Tpt. in C

1 2 senza sord.

Tbn. 1 2

Timp.

(Trg.) 1 Vib. (motor off)

Perc.

2 non arp.

Harp

3

3

3

Sarah dia

monds ap pears

be low,

and the pi

lot names it for us.

“Be

low you are

the lights of

A little slower ( = 76) I Vn. II

div. Va.

Vc.

Cb.

Green

Bay,

25

Tempo di

29

= 84

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

3

Hn. in F

1 2 senza sord.

Tpt. in C

1. al sord.

1 2 3

Tbn. 1 2

Timp.

1 Perc.

to Crotales

(Vib.) 2

G A

Harp

3

Sarah be

low you are

the lights of

Tul

sa...�

be

Tempo di I Vn. II unis. Va.

Vc.

Cb.

= 84

low the

air

plane

wing

26 33 1 Fl. 2

1 Ob. 2

1 Cl. in B

colla voce

3

3

2

1 Bn. 2

Hn. in F

1 2 1., con sord.

Tpt. in C

via sord.

1 2

Tbn. 1 2

Timp.

(Trg.)

to Timp.

1 Perc. Crotales

to Glock.

2

Harp

3

3

3

3

Sarah as it inch es a

I Vn. II

Va.

Vc.

Cb.

long.

The

dis

tance

be

tween

us

grows.

27 37 1 Fl. 2

1 3

Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

G

Sarah

I Vn. II

Va.

Vc.

Cb.

28

Somewhat faster, lyrically ( = 112)

40

=

1 Fl. 2

1 Ob.

3

2 3

1 Cl. in B 2

1 3

Bn. 2 3

Hn. in F

3

1 2 senza sord.

Tpt. in C

3

1 2

Tbn. 1 2

Timp.

1 Perc. Glock. 2

Harp

Sarah I

close

my

Somewhat faster, lyrically ( = 112) = I 3

Vn. II

Va.

Vc. 3

Cb.

eyes

and

29 44 1 Fl. 2

* 1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah see

our

white

house,

Its

two

screened

por

ches

and

long

glass

* I Vn. II

Va.

div. Vc.

Cb. * Note to conductor: the dynamic of the oboe, clarinet, violins and viola may need to be reduced in this and the following consequent phrases where these instruments double the soprano in her low register.

unis.

con

30 48

(1.)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Glock.) 2

non arp.

Harp

(ossia) Sarah serv

a to

ry,

Where

we

could

look

at the sea and the

rocks

I Vn. II

Va. div. Vc.

Cb.

of the cove,

Those

gray

rocks

31 53 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

(non arp.)

Harp

Sarah where

we

pic

I Vn. II

Va. unis. Vc.

Cb.

nicked

so

ma

ny

times ––

You and

Pearl

and

32 58 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Glock.) 2

Harp

Sarah I,

I Vn. II

Va.

Vc.

Cb.

You

and

Pearl

and

I.

33 63 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

non arp.

Harp

Sarah The

stern

chaste

oaks,

hem

locks

I Vn. II

Va. div. Vc.

Cb.

unis.

and

gran

34 67 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

to Crotales

(Glock.) 2

Harp

Sarah ite;

The

I Vn. II

Va.

div. Vc.

Cb.

clap

board

35 71 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 dolce

Tpt. in C

1 2

dolce

Tbn. 1 2

dolce

Timp.

1 Perc. 2

F

Harp

Sarah hous

es

of

I Vn. II

Va. unis. Vc.

Cb.

the

North

Shore,

Our

lit

tle

world,

36 75

=

1 colla voce

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

al sord. Hn. in F

1 2

Tpt. in C

1 2

al sord.

Tbn. 1 2

Timp.

Timp. 1 Perc. 2

non arp.

colla voce

Harp

G B

C D

Sarah from

Tru

ro

to

Mar

ble

head.

Our

lit

tle

world,

You

and

= I Vn. II

div.

unis.

div.

unis.

Va.

Vc.

Cb.

37 81

= 84

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

con sord. Hn. in F

1 2 con sord.

Tpt. in C

1 2

Tbn. 1 2

Timp.

to Mar. 1 Perc. Crotales

to Xyl.

2 l.v.

Harp

Sarah Pearl

= 84 I Vn. II

Va.

Vc.

Cb.

and

I.

38 84 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(con sord.) Hn. in F

1 2

Tpt. in C

1 2

via sord.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Sarah

I Vn. II

Va.

Vc.

Cb.

3

3

3

39 88

Brisk ( = 120)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1

Bn. 2

via sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

A

Harp

5:3

3

Sarah Dear

est

Charles

Brisk ( = 120) I Vn. II

Va. poco div. Vc. poco Cb.

I

bought

ex

tra

box

es

Of your

40 92 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

5:3

3

3

Sarah ap

ple gra

no

la

and

un

pro cessed bran

So you should have break fasts

I Vn. II pizz. Va.

pizz. Vc.

pizz. Cb.

for at

least a month.

41 97 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Sarah Dear

est

Charles

Mrs.

I poco

Vn. II div., arco

poco

Va. poco div., arco Vc. poco Cb.

Kim ball comes on Thurs

day,

She knows where the

42 102 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1., senza sord.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah key

I Vn. II

Va.

Vc.

Cb.

is hid den.

Don’t turn the a

larm

on

that

day,

She does n’t know the

code to turn it off.

43 [CHARLES, her husband, a middle-aged doctor, enters their darkened house]

107 1 Fl. 2

1

3

3

3

3

3

3

3

3

3

Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1.

2., senza sord. Tbn. 1 2

Timp.

1 Perc. 2

non arp.

A C D

Harp

G A C D

3

3

Sarah By now you will have got ten my note.

I Vn. II (div.) Va.

(div.) Vc.

Cb.

And be read ing it

in a dark

ened

44 112

Snappy ( = 138–144)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. Mar. 1 Perc. 2

Harp

Sarah house.

CHARLES

Sa

rah?

Sa

Snappy ( = 138–144) I Vn. II

unis. Va.

unis. Vc.

arco Cb.

rah,

Dam mit!

Why

are all the

45

Relaxing back to

117

= 120

1 Fl. 2

1 Ob. 2

3

1 Cl. in B

3

2

1 Bn.

3

2 3

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

non arp.

Harp

3

3

Sarah By now you will have got ten my note

And be read ing it

in a dark

ened house,

In quite a diff ’rent

Charles lights

off?

Relaxing back to

pizz.

3

I Vn. 3

II div. Va. 3

div. Vc. 3

Cb. 3

= 120

46 122 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah time Charles

(pizz.) I Vn. II

Va.

Vc.

Cb.

zone.

I’m chang ing planes and

air

lines in Dal las

So you can not ev

er

trace

me.

47 127 1 Fl. 2

3

1

3

3

3

3

3

3

3

Ob. 2

3

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

3

Tbn. 1 2

Timp.

1 Perc. 2

non arp.

A B C D

Harp

3

Sarah Dear

est

Charles.

The

dis tance be

Charles

arco 3

I Vn. II

unis. Va. unis. Vc.

Cb.

48

Snappy ( = 138–144)

133 1 cresc.

Fl. 2

cresc. 1 cresc.

Ob. 2

cresc. 1 Cl. in B

cresc. 2 cresc. 1

Bn. 2

a2, (senza sord.) Hn. in F

a2

1 2 cresc. a2

a2 Tpt. in C

1 2

cresc. a2

Tbn. 1 2

Timp.

Mar. 1 Perc. Xyl. 2

Harp

E A

Sarah tween

us

grows.

Charles

Snappy ( = 138–144) I cresc. Vn. II cresc.

Va. cresc.

Vc. cresc. Cb. cresc.

49 138 1 3

Fl. 2

3

1 3

Ob. 2

3 3

1 Cl. in B 3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

to Sus. Cym. 1 Perc. to Vib. 2

Harp

G A

Sarah

Charles Sa

rah?!

Where’s

my

mar

ti

ni!?

I

know I’m

late.

I 3

Vn. II 3

Va. 3

Vc.

Cb.

50

[Charles turns on a lamp and sees the note — he grabs it, irritated. On the airplane, a STEWARDESS brings SARAH a drink while CHARLES stares at the note, frozen in disbelief.]

Relaxing back to

143

= 120

1 3

Fl.

3

3

3

3

3

3

3

3

3

3

3

3

2 3

1 3

Ob. 2

3 3

3

3

3

3

3

3

3

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

non arp.

E F A

Harp

3

3

Sarah I’m hav

ing an

oth

Charles But

it was mad

ness at the

hos

pi tal.

Relaxing back to I 3

Vn.

3

3

3

3

3

3

II 3

div. Va. 3

Vc.

Cb.

3

3

3

div.

= 120

er dai

qui ri,

51 148 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah Al

ways my drink

for

let

ting

go,

Brought by

a

gig

gly

stew ard ess ––

Quite

young.

Just

Charles

I Vn. II unis. Va. unis. Vc.

Cb.

52 154 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

dolce

Tbn. 1 2 dolce

Timp.

1 Perc. 2

Harp

3

Sarah your Charles

I Vn. II

Va.

Vc.

Cb.

type

of

girl ––

Like those nurs

es

you

se

duce.

I

hope you

find my note.

53 159 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Vib. (motor off)

Perc. 2

Harp

Sarah I’ve

left

you,

my

dar

ling.

Don’t try

to

find

me. [CHARLES looks up and recites the note]

Charles “I’ve

I Vn. II

Va.

Vc.

Cb.

left

54 164 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Vib.) 2

Harp

Sarah I’ll

write

a

let

ter

la

ter,

And ex

I’ll

write

a

let

ter

la

ter,

And ex

Charles you,

I Vn. II

Va.

Vc.

Cb.

my

dar

ling.

Don’t try

to

find

me.”

55 169 1 Fl. 2

1 Ob. 2

1 Cl. in B

cresc. 2

cresc. 1 Bn.

cresc. 2 cresc.

Hn. in F

1 2

Tpt. in C

1 2

non dim.

cresc.

non dim.

cresc.

Tbn. 1 2

Timp. Sus. Cym. 1 Perc.

cresc.

to Glock. 2

E F G A (B )C D

Harp

cresc. Sarah plain.

Love,

Sa

rah.

Love,

Sa rah. cresc.

Charles plain.

Love,

Sa

rah.

Love,

I Vn. II cresc. Va. cresc. Vc. cresc. Cb. cresc.

Sa

rah.

56

Sempre

176

= 120

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

to Mar.

(Cym.) 1 l.v.

Perc. 2

Harp

3

Sarah Love,

Sa

rah.

Love,

Sa

rah.

I

rent ed

Charles

Sempre I Vn.

non trem. II

non trem.

div., pizz.

non trem.

pizz.

non trem.

pizz.

Va.

Vc.

Cb.

= 120

a safe de pos it

box

And

in

it

57 181

non trill

1 Fl.

non trill 2

1 Ob. 2

non trill 1 Cl. in B

non trill 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. Glock. 2

Harp

3

(

Sarah I have placed these Charles

I Vn. II

Va.

Vc.

Cb.

i

tems

from my

fam ’ly:

) the

sil

ver tea

pot

with

the

58 186 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Glock.) 2

Harp

3

(

Sarah side hinged lid, Charles

I Vn. II

Va.

Vc.

Cb.

) the ob long

sal ver with the rope mo tif

a round the rim,

the chest of

59 191 1 Fl. 2

1

Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

E F G A C

Harp

3

(

Sarah

) A

Charles

I Vn. II

Va.

Vc.

Cb.

dam flat

3

( ware

and those love

3

3

) ly

flu

ted

dou

ble

ser pen tine

can

dle hold

ers,

60

accel. 195

non trill

1 3

Fl. non trill 2 3

1 3

Ob. 2

3 3

1 Cl. in B

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

to Xyl.

(Glock.) 2

G B D

Harp

3

Sarah Dad

dy’s

coin

col

lec

tion. [CHARLES picks up phone]

Charles

accel. non trill I 3

Vn. non trill II 3

unis., arco Va. 3

Vc.

Cb.

61

Snappy ( = 69–72;

= 138–144)

200 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. Xyl. 2

Harp

Sarah I ex

pect

you’ll call

our daugh

ter.

Charles Give me

Snappy ( = 69–72;

Lon

don!

Coun try code!

= 138–144)

I Vn. II non stacc. Va. arco Vc. (pizz.) Cb.

Coun try

62 205 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Xyl.) 2

E D

Harp

Sarah

Charles code?

I Vn. II non stacc.

Va.

Vc.

(pizz.) Cb.

It’s

Lon

don!

My

daugh ter’s there!

Ci ty code?

How

do

I

know?

My

63 210

( =

)

( =

)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 cresc. a2

Tpt. in C

1 2 a2

Tbn. 1 2 cresc.

Timp.

Mar. 1 Perc. 2

Harp

Sarah

Charles wife

has

all those num bers

some

where!

I Vn. II non stacc. Va.

Vc.

Cb. cresc.

64 214 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 sub.

Tpt. in C

1 2 (a2)

Tbn. 1 2

Timp.

(Mar.) 1 Perc. 2

Harp

Sarah Her

name

is

Pearl.

P

E

Charles

I Vn. II

Va.

Vc. (pizz.) Cb.

A

R

L.

Her num ber’s

in

the

65 219 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 (a2)

Tbn. 1 2

Timp.

1 Perc. (Xyl.) 2

Harp

E

Sarah book

in

the

lamp

ta ble drawer.

[Frantically looking for the book and number.]

Charles Wait

I Vn. II

Va.

Vc.

Cb.

a

min ute!

Wait

a damn

min ute!

66 223 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Xyl.) 2

Harp

Sarah It’s been some

time

since

she

left

school

And moved

Charles That’s what we pay you for!

I Vn. II non stacc. Va.

Vc.

Cb.

there

67 227 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2 cresc.

cresc.

a2 Tpt. in C

a2

a2

1 2 a2

Tbn. 1 2 cresc.

cresc.

cresc.

cresc.

cresc.

Timp.

(Mar.) 1 Perc.

to Glock. 2

G

Harp

Sarah In

case you’ve for

got ten.

Charles

I Vn. II

Va.

Vc.

Cb. cresc.

68

( = 138–144 sempre!)

232 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 cresc. (a2)

Tpt. in C

1 2 (a2)

Tbn. 1 2 cresc.

Timp.

(Mar.) 1 Perc. 2

non arp.

G ,A

Harp

Voice Dear

est

Charles

For

give

my

sar

casm,

Voice Here

it

is!

( = 138–144 sempre!) I Vn. II div. unis. Va.

div. unis. Vc. (pizz.) Cb. cresc.

69 238 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

cresc. Sarah Charles, dear. Charles

I Vn. II

Va.

Vc.

Cb.

It’s

on

ly

i

ro

ny

a

new

per

spec

tive

Dis

cov

ered

70 244 1 Fl. 2

1 3

3

Ob. 2

1 Cl. in B 2

1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

3

3

3

3

3

3

3

3

3

3

3

Harp

3

(cresc.)

3

Sarah by Charles

I Vn. II

Va.

Vc.

Cb.

me

in

that

yo

ga

class

I

took

3

71 248 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Harp

B

Sarah to

al

lay

my

flab

and

bore

Charles

I Vn. II

Va.

Vc.

arco Cb.

dom.

3

3

72 252 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

to Xyl.

Glock. *) 2

3 3

3

Harp

E C

3

3

3 3

3

PEARL

Dad dy? Sarah

Charles Pearl? 3

I 3

Vn.

3

3

II

3

3

Va. 3

pizz.

3

Vc. 3

3

3 3

Cb.

*) The sound of a bell one hears on an airplane before an announcement.

pizz.

73 STEWARDESS [Spoken voice on tape] “The captain has just informed us that we have been cleared for landing.”

256 1

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

dim. 2 dim. 1.

Hn. in F

1 2

Tpt. in C

1 2

1.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Pearl

Sarah

Charles Thank god!

I Vn. II non stacc.

non stacc.

Va. arco Vc. dim. (pizz.) Cb. dim.

74 STEWARDESS [taped voice] “So please be sure your seatbelts are fastened,”

260 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(1.) Hn. in F

1 2

Tpt. in C

1 2

(1.)

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Pearl What is

it?

Sarah I Charles Your moth er’s gone!

I Vn. II non stacc.

Va.

Vc. (pizz.) Cb.

with

drew

75 265 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

Xyl. 2

G A

Harp

Pearl Moth er’s Sarah half Charles

I Vn. II non stacc.

Va.

Vc.

Cb.

of

our joint ac

counts,

All

the

ones

I could find re cords of--

76 STEWARDESS [taped voice] “…your tray tables are latched,”

269 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Pearl dead?! 3

3

Sarah The five and a half Charles

I Vn. II

Va.

Vc. (pizz.) Cb.

per cent

check ing,

the

77 273 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

dim. 2 dim.

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Xyl.) 2

Harp

Pearl Then what?!-

3

What,

Sarah sav

ings at

six

and a

half,

Charles No!

much

worse than that!

I Vn. II non stacc.

Va.

Vc.

Cb.

Dad dy?

78 277

STEWARDESS [taped voice] “…and your seats are in the upright position.”

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2 Timp.

1 Perc.

to Vib.

(Xyl.) 2

Harp

Pearl Say 3

3

some thing,

Dad dy!

3

Sarah And the ca pi tal ac count

in Bos ton

Charles

I Vn. II non stacc.

Va.

Vc. (pizz.) Cb.

At

sev en and a quar ter,

I

think.

79 282 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

cresc. a2

a2

a2 Tbn. 1 2

cresc.

Timp.

(Mar.) 1 Perc. 2

Harp

Pearl

Sarah You have all Charles

I Vn. II

Va. pizz. Vc.

Cb. cresc.

the

Ke

ough.

80 287 1

3

3

3

3

Fl.

take Piccolo 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 3

Ob. 2

3

1 3

Cl. in B 2

3

1 Bn. 2

a2 Hn. in F

1 2 cresc. (a2)

Tpt. in C

a2

1 2

3

3

3

3

3

3

3

3

3

3

(a2) Tbn. 1 2

cresc.

Timp. (Mar.) 1 3

Perc.

Vib. (motor off) 2 3

secco

Harp

C

Pearl

emphatically

3

Sarah You Charles

I Vn. II

Va. arco Vc. (pizz.)

arco

Cb. cresc.

have

the

med

i cal part ner ship re

81 292

Piccolo

Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

a2

a2 Tbn. 1 2

Timp.

(Mar.) 1 Perc.

(Vib.) 2

secco

Harp

Pearl somewhat freely 3

3

Sarah tire ment plan

Not to men tion those tax

mon ey.

Voice She – –

I Vn. II

Va.

Vc.

Cb.

shelt er real

es tate

part ner ships

82

Strictly

294 a

take Flute

Picc. cresc. Fl.

1 cresc.

1 cresc.

Ob. 2

cresc. 1 Cl. in B

cresc. 2 cresc. 1 cresc.

Bn. 2

cresc. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Mar.) 1 Perc. (Vib.) 2

non arp.

secco

C

Harp

Pearl What?!!

3

Sarah That Duck y Brad

ford

got you in

to

Charles She – –

She’s left

Strictly

div., pizz.

I Vn.

div., pizz. II

div., pizz. Va.

div., pizz. Vc. pizz. Cb.

me!

Your moth er’s

83 [SARAH’S plane lands]

poco rit.

298

a tempo ( = 138–144)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

to Timp.

Timp.

1 Perc. 2

Harp

C

Sarah

Charles left

me.

poco rit.

a tempo ( = 138–144) unis., arco

I

Vn.

unis., arco II

unis., arco Va.

(div.), arco Vc.

arco Cb.

84 STEWARDESS [taped voice] “Ladies and gentlemen, welcome to Los Angeles.”

Brisk ( = 120)

302 1 Fl.

Flute 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

a2

a2 Tbn. 1 2

Timp. to Mar. 1 (Vib.)

Perc.

l.v. 2

Harp

fast, but somewhat freely 3

3

3

strictly

3

Sarah Just re mem ber that YOUR

mon

ey

is sup posed to

be OUR

mon

ey

And that

my

Charles

Brisk ( = 120) I Vn. II

Va.

Vc.

Cb.

trust

85

Sempre

= 120

305 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 3

3

3

3

Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

Mar. 3

1 Perc.

3

(Vib.) 2

Harp

3

Sarah fund

put

you

through

med

i cal school.

Charles Let

Sempre

me

say it - -

= 120

I Vn. II

non div., pizz. Va.

non div., pizz.

arco

Vc. 3

pizz. Cb.

3

86 311 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

3

3

3

3

3

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Mar.) 3

1

3

3

3

Perc. (Vib.) 2

F G A B C

Harp

Sarah

Charles your moth er’s gone.

No, no,

stop cry ing,

she’s

not dead.

Worse

than that,

I Vn. II arco Va.

Vc. 3

Cb.

3

3

3

87 317 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

3

3

3

3

2

1. Hn. in F

1 2

Tpt. in C

1 2

a2

Tbn. 1 2 Timp. (Mar.) 3

1

3

Perc. to Xyl. 2 non arp.

Harp

Sarah

Charles she’s left me, Pearl.

That’s

the point,

of course I

care,

I Vn. II

Va.

Vc. 3

3

arco Cb.

Your moth er’s gone,

88

Sempre

323

= 120!

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 dim.

Bn. 2

dim.

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

G

Harp

[SARAH is now walking through an airport, pulling her suitcase on wheels] Sarah Now,

dar ling,

a

bout

the stocks– –

ev ’ry one a grees that the mar ket can’t keep

Charles but I

don’t

know

where!

Sempre

= 120!

I Vn. II non stacc.

sub.

Va. sub. Vc. dim. pizz. Cb. dim.

89 328 1 cresc.

Fl. 2

cresc. 1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. Mar. 1 Perc. Xyl.

to Vib.

2 cresc.

Harp

cresc.

Sarah ris

ing,

so

I

told

the

bro ker

at Shear son Leh man

“Just un load

Charles

I Vn.

cresc. II non stacc.

Va.

Vc.

arco Cb.

them

90 332

poco rit.

A little slower ( = 112)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1. Tbn. 1 2

Timp.

(Mar.) 1 Perc. Vib. (motor off)

to Xyl.

2

Harp

Pearl I

don’t know what to say.

Sarah all.”

poco rit.

A little slower ( = 112)

I Vn. II

Va.

Vc.

pizz. Cb.

Dad dy moth er’s gone in sane.

91 335 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 (1.)

Tbn. 1 2

Timp.

(Mar.) 1 Perc. Xyl.

Vib. (motor off)

to Vib. 2

E

Harp

Pearl Are you all right?

I’m

sure you are.

I

Sarah

I Vn. II

Va.

pizz. Vc.

Cb.

don’t know what to say.

92 338 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Mar.) 1 Perc. (Vib.)

Xyl.

to Xyl.

2

Harp

Pearl Dad dy, moth er’s gone in sane. Sarah

I Vn. II

Va.

(pizz.) Vc. (pizz.) Cb.

Fix

your self a cock

tail– –

I

know you’ll feel

bet

ter.

93 341

Brisk ( = 120)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 con sord.

Tpt. in C

1 2 con sord.

Tbn. 1 2

Timp.

to Timp. 1 Perc. to Vib. 2

F G

Harp

[They hang up. CHARLES just sits in his chair. He dials again.]

Sarah I ask you

not

to call my moth er.

Let

Brisk ( = 120) 3

3

3

3

3

3

I Vn. II

Va. arco Vc. 3

3

arco Cb. 3

3

ME

in form her of my

life

change.

94

Somewhat freely

346 1 3

Fl. 2

3

1 3

Ob. 2

3 3

1 Cl. in B

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(con sord.)

via sord.

(con sord.)

via sord.

Tbn. 1 2

Timp.

1 Perc. 2

non arp.

B C

Harp

cresc.

3

3

Sarah She’s quite

un

sta

ble

since

she

sold

the

house

in

Ded

ham

And bought that tru ly aw

Somewhat freely pizz. I 3

Vn.

pizz. II 3

pizz. Va. 3

pizz. Vc. pizz. Cb.

ful con do in Flo ri da.

95 349

A little slower ( = 112)

poco rit.

a tempo ( = 112)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

to Trg.

Timp. 1 Perc. Vib. (motor on slow) 2

B C

Harp

MOTHER

Charles!

A little slower ( = 112)

poco rit.

a tempo ( = 112) arco

I Vn. arco II

arco Va. arco Vc. arco Cb.

I am so hap py that you

96 355 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Vib.) 2

7

Harp

A

A

Mother called!

You

are

my

fav

’rite

son

in

law!

7

I Vn. II

Va.

Vc.

Cb. sim.

97 360 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

to Xyl. 2

F C

B

Harp

Mother Charles!

I Vn. II

Va.

Vc.

Cb.

I

am so hap py that you

called!

You

are

my

fav

’rite

98 365

poco rit.

Snappy ( = 138–144)

1

Fl. 2

1 Ob. 2

1

Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(senza sord.)

(senza sord.) Tbn. 1 2

Timp.

1 Perc. 2

Harp

Mother son

in

law!

No! No!

It

CHARLES

Sa rah’s left

poco rit.

me–

Snappy ( = 138–144) div.

your daugh ter’s left

me.

unis.

I Vn. div. II

Va.

Vc.

Cb.

unis.

can’t

be

99

VI: Subito al tempo di

370

= 84

1

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

Trg.

to Tam-tam

1 Xyl.

Perc.

to Glock. 2

Harp

(non cresc.)

SARAH

Per Mother so!

Subito al tempo di I sub. Vn. II sub.

Va. sub. Vc.

Cb.

= 84

haps

it

was your

fault

that I’ve gone,

100 374 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. Scrape Tam-tam quickly with triangle beater Tam-tam 1 l.v.

Perc.

Glock. 2 l.v.

Harp

Sarah Leav ing me

I (non cresc.) Vn. II (non cresc.)

Va. (non cresc.) Vc.

Cb.

a lone with all

our

treas

ures.

It al lowed me to

see that my life

was il

101 378 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Tam-tam, as before)

to Mar.

1 Perc.

to Vib.

(Glock.) 2

Harp

port.

Sarah lu

I Vn. II

Va.

Vc.

Cb.

sion.

It al lowed me to see that my life

was

ma

ya,

My

spir

it

a

lit

tle

102 382 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah mo tion less fleck Of e ter nal un chang

I Vn. II

Va.

Vc.

Cb.

ing

pu ru sha,

The

cos

mic spir

it pu ru sha,

From which my Na

ture

103 386 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah pra kri ti,

I Vn. II

Va.

Vc.

Cb.

From which my

cos

mic na

ture e merged.

104

:DE* =

Tempo di

390

= 112; lyrically

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. Mar. 1 Perc. Vib. (motor off) 2

3

3

3

3

3

3

3 3

E A

Harp

B

3

3

3

3

B

3

Sarah Here’s

the

truth,

I

leave

you

for

some

CHARLES

I

Tempo di

can’t

be

lieve it – –

= 112; lyrically

I Vn. 3

3

3

3

3

II 3

3

3

Va.

Vc. 3

Cb.

* If cut is taken, measures 390 and 391 will go immediately to

= 112.

3

3

105 395 1 Fl. 2

1 Ob. 2

3

3

3

3

3

3

3

1 Cl. in B

3

3

2

3

1 Bn.

3

2

Hn. in F

1 2

Tpt. in C

1 2

1.

1. Tbn. 1 2

Timp. (Mar.) ( ) 1 Perc. 2

Harp

Sarah one.

I

have

left

you

out

of

love

for an

oth

er

Charles Sa

rah’s gone.

It’s

just

a

maz ing,

I’m not dead.

I Vn. II

( ) Va. 3 3

Vc. 3

Cb.

3

3

3

3

3

3

3

3

106 399 1 Fl. 2

1 Ob. 2 3

3

3

1 Cl. in B 2

3

1 Bn.

3

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Mar.) 1 Perc. (Vib.) 2

3

3

3

B

3

Harp

B

3

3

3

E (F )G A B C D

3

Sarah Who

he

is,

and

where

we

are

to geth

er

I

trust

you

Charles I can’t be

lieve

my heart still

works.

I Vn. 3

3

3

3

3

II 3

3

3

Va. 3 3

Vc. 3

Cb.

3

3

3

3

3

107 403 1 Fl. 2

1 Ob. 2 3

3

1 Cl. in B

3

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah not

to

seek

out

ev

er.

Charles That’s

the point,

I Vn. II

Va. 3

Vc.

Cb.

3

3

3

of course I

care,

My

wife is gone,

and I

don’t

know

108 409 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

(Mar.) 1 Perc. to Xyl.

(Vib.)

Xyl.

2

Harp

PEARL

What a ter ri fy ing day!

My own moth er’s gone in sane.

Am I all right?

MOTHER

Charles! Charles where!

I Vn. II

Va. pizz. Vc.

Cb.

I’m de va sta ted and I’m stunned!

You are

my

109 412 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

(Mar.) 1 Perc. (Xyl.)

Vib.

to Vib.

2

F G

Harp

Pearl I

hope I

am.

What a ter ri fy ing day!

How could moth er go in sane?

Mother own

dear son in law!

Charles!

Charles

I Vn. II

Va.

(pizz.) Vc. pizz. Cb.

Charles!

110 415 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1

Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 (1.)

Tbn. 1 2 (Mar.) 1 Perc. Xyl.

to Xyl.

to Vib.

2

Harp

Pearl I’ll

fix my self a cock tail.

I

need

ways

per

to

feel

bet

fect

in

ter.

Mother You

are

al

my

eyes.

Charles

I Vn. II

Va. (pizz.)

arco

Vc.

(pizz.) Cb.

arco

111 418 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

3

3

3

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

(Mar.) 1 Perc. Vib. 2

3

3

3

B

3

3

3

Harp

3

3

B

Pearl I

don’t know what to say,

Dad dy, Moth er’s gone in sane. 3

Sarah Here’s

the

truth,

I

leave

you

for

some

Mother Charles!

I am so hap py that you

Charles Let

me

say

it - -

I Vn. 3

3

3

3

3

II 3

3

3

Va.

Vc. 3

Cb.

3

3

112 421 1 Fl. 2

1 Ob. 2

3

3

3

3

3

3

3

3

3

3

3

3

1 Cl. in B

3

3

3

3

3

3

2 3

1 3

Bn.

3

2 3

Hn. in F

1 2

Tpt. in C

1 2 (1.)

Tbn. 1 2

(Mar.) 1 Perc. 2

Harp

Pearl Are you all right?

I’m

sure you are.

You are al

ways all

Sarah one.

I

have

left

you

out

of

love

for an

Mother called!

You are

my

fav

’rite

son in law!

and ev er hand some

Charles your

moth er’s gone.

No,

no,

stop

cry

ing,

I Vn. II

Va. 3 3

Vc. 3

Cb.

3

3

3

3

3

3

3

3

113 424 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

3

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2

1.

1. Tbn. 1 2

(Mar.) 1 Perc. (Vib.) 2

3

3

E B

3

Harp

3

Pearl right.

I

don’t know what

to say,

Sarah oth

er.

Who

he

is

and

Mother and

ver y wise.

Charles!

Charles she’s

not

dead.

Worse

than

that,

I Vn. 3

3

II 3

3

Va.

Vc. 3

Cb.

3

114 427 1 Fl. 2

1 Ob. 2

3

3

3

3

3

3

3

3

3

3

1 Cl. in B 2

3

1 Bn.

3

3

3

3

3

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2 (Mar.)

to Timp.

1 Perc. 2

3

B

Harp

G

3

3

3

Pearl Dad dy, moth er’s gone in sane.

Are you all right?

I’m

sure you are.

Sarah where

we

are

to

geth

er

I

trust

you

not

to

Mother I am so hap py that you called!

You are

my

fav

’rite

son in law

Charles she’s

left

me,

Pearl.

I Vn. 3

3

3

II 3

Va. 3

Vc. 3

Cb.

3

3

3

3

3

3

115 430 1 Fl. 2

1 Ob. 2 3

1 Cl. in B

3

3

3

3

3

3

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

1 Perc. 2

Harp

Pearl

Sarah seek

out

ev

er.

I

trust your sense

of

dig

ni

bring out Mother I can’t be lieve

that Sa rah would be such a dis ap

point ment to me.

Charles That’s

the

point,

of course I

I Vn. II

Va. 3

Vc.

Cb.

3

3

3

care,

your

moth er’s

gone

ty,

116 434 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2 (2.)

Timp.

Timp. 1 Perc.

Vib., (motor off) 2

F G

Harp

Pearl Fix

your self a cock tail,

Sarah Af ter

all

we’re

Pu

ri tans,

dar

ling,

Mother No! Charles and

I

don’t

know

where!

I Vn. II

Va.

Vc. sub. Cb.

No!

No!

No!

It

117 438 1 Fl.

take Piccolo 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(2.) Tbn. 1 2

Timp.

Timp. 1 Perc. to Xyl. 2 non arp.

G C

Harp

Pearl fix

your self a cock tail,

Sarah dar

ling,

We’re

Pu

Mother can’t

be

so!

No! No!

No! No!

It

can’t

be

so!

Charles I don’t know where

I Vn. II

Va.

Vc.

Cb.

your moth er’s gone.

I don’t know where

your moth er’s gone.

ri

118 Piccolo

441 Picc.

cresc. Fl.

1 cresc.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2 a2 Hn. in F

1 2 a2

Tpt. in C

1 2 cresc.

Tbn. 1 2

Timp. (Timp.) 1 Perc. 2 non arp.

Harp

Pearl fix

your self a cock tail

and

call

me

dar

ling.

in

the

morn

can’t

be

so!

Sarah tans,

Mother No!

No!

No!

No!

It

Charles I

don’t

know

I cresc.

Vn. II

cresc. div. Va.

Vc.

Cb.

where!

ing.

119 [Lights slowly fade on CHARLES, PEARL, and MOTHER]

444

take Flute

Picc.

Fl.

3

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Ob. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 3

Cl. in B 2

3

1 Bn.

3

3

3

3

3

3

3

3

3

2

Hn. in F

Tpt. in C

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2 a2

Tbn. 1 2 3

3

3

3

3

3

3

3

3

Timp.

Tom-tom 1 Perc.

Timp.

Xyl.

to Crotales 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

E D

Harp

I

3

Vn. II

3

Va. 3

3

3

3

3

3

3

Vc.

Cb.

120 449

=

1 Fl. 2

1 Ob. 2

3

1 Cl. in B

3

2

1 3

Bn. 2

3

(a2) Hn. in F

al sord.

1 2 3

al sord. Tpt. in C

1 2 (a2)

al sord.

Tbn. 1 2 3 3

Timp. 3

to Tam-tam 1 Perc. 2

B

Harp

= I Vn. II

Va. 3

Vc. 3

Cb.

121

Smoothly flowing ( = 84) =

455 1 Fl.

Flute 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 1., con sord.

Tpt. in C

1 2

Tbn. 1 2

Timp.

Take Trg.

Tam-tam 1 Perc. Crotales

l.v.

2

Harp

Smoothly flowing ( = 84) = I Vn. II

Va.

Vc.

Cb.

Trg.

122 458

[The last image is of SARAH, singing alone, behind the wheel of her car, the big western sun setting behind her]

1 Fl. 2

1 3

Ob. 2

3

1 Cl. in B

colla voce

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

SARAH 3

I

I Vn. II

Va.

Vc.

Cb.

see

3

that my life was il

lu

sion,

I

123 461 1 Fl. 2

1 Ob. 2

3

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Sarah see

I Vn. II

Va.

Vc.

Cb.

that my life

was

ma

ya,

My

spi

rit

a

lit

tle

124 464 1 Fl. 2

3

3

3

3

3

3

3

3

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

3

3

Sarah mo tion less fleck of

I Vn. II

Va.

Vc.

Cb.

e

tern al

un

chang

ing

pu

ru

sha,

The

cos

mic

spir

it

pu

ru

sha,

125 467 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Sarah From which

I Vn. II

Va.

Vc.

Cb.

my

Na

ture– prak ri

ti,

From which

my

cos

mic

na

126 470 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1., con sord. Hn. in F

1 2 con sord.

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

3

3 3

Sarah ture e merged.

The

dis

tance

be

I Vn. II

Va.

Vc. 3

Cb.

3

3

127 474 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 poco

Tpt. in C

1 2 poco

con sord.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Sarah tween

us

grows.

I Vn. II

Va.

Vc. 3

Cb.

3

3

3

3

128

Scene 2 [Scene opens on the ashram. The Sannyasins, dressed in “sunset” colors, are building a structure. In another space, MIDGE, dressed in a very attractive exercise outfit – – a leotard and tights – – and holding a padded mailer that she has opened, puts a cassette tape into a player and pushes the play button]

With an umeasured feeling ( = 96) long Fl.

1

Timp. (non cresc.) Timp. 1 Perc.

(non cresc.) Trg.

to Tamb.

2 l.v.

E F G A B C D Harp

sa ra ga ma pa dha ni sa Sitar non cresc. SARAH’S voice [Speaking on tape] “Hi, Midge. It’s me, Sarah. Just let me check and see if this damn thing is working, the little spools going around. They seem to be.”

With an umeasured feeling ( = 96) long Vc. (non cresc.) * Cb. (non cresc.)

[Upstage, we see DURGA, a large woman with a black pearl in her nostril, dressed in flowing violet Indian garb, standing next to a Porta–potty in which SARAH is changing her clothes. As SARAH throws her traveling clothes, piece by piece, out the door, DURGA catches them out checks the labels.]

5a Fl.

( = 96)

1

Timp.

1 Perc.

Tamb.

= 288

Trg.

2 cresc.

Harp

Sitar non cresc. SARAH’S VOICE [speaking on tape] “Well, I got here— do you believe it?” Vc.

Cb.

* Basses without extension play one octave higher.

( = 96)

129

[Midge rewinds the tape briefly.]

7 Fl.

1

Timp.

(Timp.) 1 Perc. to Tamb.

Tamb.

= 288

2 cresc.

Sitar

SARAH’S VOICE [speaking on tape] “Tell Irving and everyone else in the Yoga group that I was stunned breathless when I first saw it in context— this space in the gentle grey–green desert, this space where I know I was meant to bring my silly life to be recycled.”

Vc.

Cb.

[MIDGE turns the tape player off and exits, quickly.]

8a Timp.

1 Perc. (Tamb.)

= 288

2 cresc.

[MIDGE is alarmed]

MIDGE

( = 96)

Oh dear. SARAH’S VOICE [speaking on tape] “—meant to bring my silly life to be recycled.” Vc.

Cb.

SARAH’S VOICE [speaking on tape] “Also, tell Irving that his lessons in Pranayama came back to me and my sinuses feel absolutely cleansed.”

130 9

( = 96)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

take Tamb. 1 Perc. Trg.

to Vib.

Vib. (motor on slow)

2

Harp

Sitar cresc. DURGA [singing to SARAH, who is changing her clothes in a Porta–potty on stage and tossing her traveling clothes out the door. DURGA checks the labels.]

I

( = 96) I Vn. II

Va.

Vc.

Cb.

have

ob

served,

Mrs.

Worth,

131 13 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Vib.) 2

non arp.

Harp

Sitar

3

Durga That wo

men

of your

so cial class

Tend to

play

at en

ligh ten

I Vn. II

div. Va.

Vc.

Cb.

ment

And then,

a

few weeks

132 18 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Vib.) 2

B

non arp.

Harp

Durga hence,

Leave your

spi

ri

tu

al

home

For

a

hol

i

day

in

I Vn. II

(div.) Va.

Vc.

Cb.

Rome.

133

VI:

22 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Vib.) 2

F A B C

Harp

Durga I have ob

served, div.

I Vn. II

unis. Va.

Vc.

Cb.

Mrs. Worth,

That wo men

of your

so cial class

Don’t know

134 27 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Durga how

unis. I Vn. II

Va.

Vc. bring out

Cb.

to

pour ce ment,

Can’t

at tempt en

light en ment,

Think

“Om

ma

ni pad me

Om”

Is

a

135

:DE*

32

35 a

1 3

Fl. 2

3

1 Ob. 2

3

1 Cl. in B

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. (Vib.) 2

non arp.

A B C

Harp

SARAH

imperiously

Who are

you?

Who are

Durga new brand of

per

fume.

I 3

Vn. II 3

div. Va. 3

Vc. 3

Cb. * If cut is taken, use alternative bars 35a and 36a instead of 35 and 36.

136 37

36 a 1 3

Fl. 2

3

1 Ob. 2

3

1 Cl. in B

3

2

1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

5

5

Tbn. 1 2

Timp.

Tamb., thumb roll 1 Perc. (Vib.) 2

C

Harp

Sarah you? Durga I

I 3

Vn. II 3

Va. 3

Vc. 3

pizz. Cb.

am called

Dur

ga.

137 41 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 1. 3

Tpt. in C

3

1 2 5

5

Tbn. 1 2

Timp.

1 Perc. to Glock. 2

Harp

3

3

3

3

Durga I have been with the

Ar hat

since In

di a.

Dur ga

pizz. I Vn.

pizz. II

pizz. Va. pizz. Vc.

Cb.

is the as pect of

138 45 1 Fl.

3

3

3

3

2

1 Ob. 2

3

3

3

3

1 Cl. in B 2

1 3

Bn. 2

3

3

Hn. in F

1.

1 2 5

Tpt. in C

1 2 3

Tbn. 1 2 3

Timp.

(Tamb.) 1 Perc. 2

Harp

3

3

3

Durga Shak

ti

that is god dess of

war

and de struc tion.

arco

(pizz.) I

3

Vn.

3

arco

(pizz.) II

3

3

arco

(pizz.) Va.

3

3

arco

(pizz.) Vc.

3

arco Cb.

3 3

pizz.

139 49 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

5

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Tamb.)

to Tom-toms

1 Perc. Glock. 2

3

3

3

3

Harp

SARAH

In

I Vn. II

Va.

Vc.

Cb.

my old life

I

was

a

Pur

i

tan.

Now

I

am

a

140

VI:

53

:DE

1 Fl.

bring out 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

dolce Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Glock.) 2

non arp. 3

3

3

3

E B C

Harp

5

Sarah Pil

grim.

I

want to

be

a

san

nya

sin. arco

pizz. I Vn. pizz.

arco

pizz.

arco

II

Va.

pizz. Vc.

(pizz.) Cb.

141 58 1 Fl. 2

1 Ob. 2

1 Cl. in B

bring out 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

dolce

Tbn. 1 2

Timp. Roto-toms or Tom-toms(tuned) 1 Perc. 2

F G A B

Harp

3

Sarah I bought these jeans

on Boyl

ston Street,

DURGA

I

I Vn. II

div.

unis.

Va. arco Vc. (pizz.) Cb.

have ob

142 63 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

Timp.

(Roto-toms) 1 Perc. 2

Harp

3

3

3

Sarah in an Ar

my

Na

vy store

I had ne

ver

en

tered be fore

Durga served,

Mrs.

Worth,

That

I Vn. II

div. Va.

Vc. (pizz.) Cb.

unis.

wo

men

of your

143 68 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah I

know our

spi

ri

tu

al

lead

er

well;

Durga so

cial class

Tend

to

play

I Vn. II

Va.

Vc. arco Cb.

144

poco rit.

73 1

dim.

Fl. 2

dim. 1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

non arp.

dim.

Harp

3

Sarah I

love

the

shape

of his face.

Durga at en light en ment,

poco rit. I dim. Vn. II dim.

Va. dim. Vc. dim. Cb.

145 78 a tempo (

= 96)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

E F G A B C D

Harp

3

3

Sarah I

have lis tened

to

his tapes

for hours

so

Durga and then,

a tempo ( = 96) I Vn. II

Va.

Vc. pizz. Cb.

a

few weeks hence,

I

know

the

146 83 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah Ar

hat

likes

sun

set

col

ors.

Leave your

spi

ri

tu

al

I

bought

these

jeans

for

him.

Durga

I Vn. II

Va.

Vc. (pizz.) Cb.

home

For

a

147 88 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

5

Sarah I

Durga hol

i

I Vn. II

Va.

div. Vc.

arco Cb.

day

in

Rome.

want

to

be

a

san

nya

sin.

148

poco rit.

93

VI:

a tempo ( = 96)

1 Fl.

bring out 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. Hn. in F

1 2 dolce

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Glock.) 2

non arp.

F A C D

B

Harp

Sarah

Durga

poco rit. I Vn. II

Va. unis. Vc.

Cb.

a tempo ( = 96)

149

:DE

98 1 Fl. 2

1 Ob. 2

1 Cl. in B

bring out 2

1 Bn. 2

(1.) (2.) Hn. in F

1 2

Tpt. in C

1 2

dolce

Tbn. 1 2

Timp.

*(Roto-toms) 1 Perc.

(Glock.) 2

Harp

3

Sarah You don’t be

lieve

that

I

am new,

Durga I

I Vn. II

div. Va. * Vc. pizz. Cb. * If the cut is taken, the sixteenth–note upbeat in the Tom-toms and Violoncello will be omitted.

have ob

150 103 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

Timp. (Roto-toms)

to Sus. Cym.

1 Perc. 2

Harp

Sarah The wo man that

I

was

is gone.

Durga served,

Mrs.

I Vn. II

Va.

Vc. (pizz.) Cb.

Worth,

That

wo men

of

your

151 108 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Sarah She 3

dis

ap

peared like wat

er

on

the

road. 3

Durga so cial class

Don’t know how

I Vn. II

Va.

Vc.

arco Cb.

to

pour

ce

ment,

can’t

152 113 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sarah I

bought

these

jeans

for

him.

Durga at

I Vn. II

Va.

Vc.

Cb.

tempt

en

light

en

ment,

think

“Om

ma

ni

pad

me

om”

is

a

153

rit.

Majestically ( = 69)

118 1 Fl.

take Piccolo 2

1 Ob. 2

1 cresc.

Cl. in B 2

cresc.

1 cresc. Bn. 2 cresc.

Hn. in F

1 2 cresc.

Tpt. in C

1 2

Tbn. 1 2 cresc. Timp.

Sus. Cym. 1 cresc.

Perc. 2

Harp

cresc. Sarah

I

want

to

be

a

Durga

new

rit.

brand

of

per

fume.

Majestically ( = 69)

I Vn. II

Va. cresc.

Vc. cresc. Cb. cresc.

154

( = 69)

121

Piccolo

take Flute

Picc.

Fl.

1

1 Ob. 2

1 Cl. in B

cresc. 2 cresc. 1 cresc.

Bn. 2

cresc. Hn. in F

1 2 cresc. a2

Tpt. in C

1 2

cresc.

Tbn. 1 2 cresc. Timp. (Sus. Cym.)

to Timp.

1 motor off

cresc.

Perc.

(Glock.)

Vib., (motor on slow)

2

arp.

5

F A C

Harp

Sitar

(

Sarah san

nya

) sin.

firmly; parlando

5

Durga Ten thou sand dol lars

8va

( = 69) I

5

7

cresc. Vn. II 5

7

cresc.

Va. cresc.

Vc. cresc. Cb. cresc.

to join

the

ash ram.

155

( 125

= 96)

=

=

1 cresc. Fl.

Flute 2 cresc. 1 Ob. 2

cutoff 1 Cl. in B

cresc. 2 cresc.

1 cresc. Bn. 2 cresc.

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Timp.)

to Mar.

1 Perc. Tamb.

= 288

repeat until conductor’s cutoff

to Tabla and Tamb.

2

cresc.

Harp

[SARAH hands DURGA a manila envelope.]

[DURGA hands SARAH a power tool.] [Spoken]: “Are you ready to work, Mrs. Worth?”

Durga

(

= 96)

=

=

I cresc. Vn. II cresc.

Va. cresc. Vc. cresc. Cb.

156 128

Driving (

= 288;

(Misra Chapu Tala:

= 144)

)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

Timp. Mar. 1 Perc. Tabla 2

Tamb.

Harp

unis. S A Chorus of Sannyasins

Work unis.

is

wor

ship,

Wor ship is work.

E

go

is

the

Work

is

wor

ship,

Wor ship is work.

E

go

is

the

T B

Driving ( (Misra Chapu Tala: I Vn. II

Va.

Vc.

Cb.

= 288; )

= 144)

157 133 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 1.

Tbn. 1 2

Timp.

Mar. 1 Perc. 2

Harp

S A en

e

my,

Love

is

the

goal.

en

e

my,

Love

is

the

goal.

Chorus

T B

I Vn. II

Va.

Vc.

Cb.

158 138 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1.

bring out

Tbn. 1 2

Timp.

1 Perc.

(Tabla)

to Glock.

2

Harp

unis. S A Phy Chorus

si

cal

la

unis. T B Phy

si

cal

la

bor

set tles the mind in

to

si

lence,

I bring out

Vn. II

Va.

Vc.

Cb.

bor

159 143 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

2.

(1.)

Tbn. 1 2

Timp.

1 Perc. 2

Harp

S A set

tles the mind in

to

si

lence,

Phy

si

cal

la

bor,

Chorus

T B Phy

I Vn. II

Va.

Vc.

Cb.

si

cal

la

bor

set

tles the mind in

to

si

lence,

phy

si

cal

la

bor,

160 148 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

(unis.) S A phy si

cal

la

bor,

phy si

cal

la

bor,

Chorus

(unis.)

Basses

T B phy si

I Vn. II

Va.

Vc.

Cb.

cal

la

bor,

phy

si

cal

la

bor,

161 153 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 sub.

Tpt. in C

1.

1 2

Tbn. 1 2

sub.

Timp.

(Mar.) 1 Perc. 2

Harp

S When you are in

the right

space,

When you have found

the right

space,

A Phy si cal la

Chorus

bor,

phy si cal la

bor

phy si cal la

bor

T 8

When you are in

the right

space,

When you have found

the right

space,

B Phy si cal la

I Vn. II pizz. Va. pizz. Vc. pizz. Cb.

bor,

162 157 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(1.)

Tbn. 1 2

Timp.

1 Perc. 2

Harp

S Giv ing is eas

y,

giv ing is eas

y,

Giv ing is eas

y,

giv ing is eas

y,

A set tles the mind in

Chorus

to

si

lence.

T 8

Giv ing is eas

y,

giv ing is eas

y,

Giv ing is eas

y,

giv ing is eas

y,

B set tles the mind in

I Vn. II (pizz.) Va. (pizz.) Vc. (pizz.) Cb.

to

si

lence.

163 162 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1.

2.

bring out Tbn. 1 2

Timp.

1 Perc. 2

Harp

unis.

unis.

unis.

S A And

the

more

you

give,

the

Chorus

unis.

unis.

unis.

T B And

I Vn. II arco Va. arco Vc. arco Cb.

the

more

you

give,

the

164 168

=

1 Fl.

take Piccolo 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(2.) Hn. in F

1 2 sub. (1.)

Tpt. in C

a2

1 2

Tbn. 1 2

sub. cresc.

Timp.

1 Perc.

Glock.

to Tamb. and Tabla

2

Harp

SARAH

I

S A Chorus

more

you

have.

more

you

have.

T B

= I Vn. II

Va. cresc. Vc. cresc. pizz. Cb. cresc.

am

a

wan

der er.

165 Piccolo

174

=

VI:

Picc. cresc.

Fl.

1 cresc.

1 cresc.

Ob. 2

cresc. 1 Cl. in B

cresc. 2 cresc.

1 cresc. Bn. 2 cresc. (2.) Hn. in F

1 2

Tpt. in C

1 2

1. Tbn. 1 2

Timp. (Mar.) 1 Perc. 2 Tamb. non arp.

E F A

cresc.

Harp

Sarah I

am

a

pil

grim. unis.

S A Chorus

Work

is wor ship,

Work

is wor ship,

unis. T B

= I cresc. Vn. II cresc.

Va. cresc. Vc. cresc. arco Cb.

166 179

take Flute

Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(1.) Tbn. 1 2

Timp. (Mar.) 1 Perc. Tabla 2 (Tamb.) non arp.

G D

Harp

(unis.) S A wor ship is work.

Chorus

E

go

is

the

en

e

my,

E

go

is

the

en

e

my,

(unis.) T B wor ship is work.

I Vn. II

Va.

Vc.

Cb.

167 184 1

Flute

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1.

bring out (1.)

Tbn. 1 2

Timp.

to Timp. 1 Perc. to Sus. Cym. 2

Harp

div. S A love Chorus

is

the

goal.

div. unis. T B love

I Vn. II

Va.

Vc.

Cb.

is

the

goal.

Phy si cal la

bor

set tles the mind in to

168 190 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

1.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

unis. S A Phy Chorus

si

cal

la

bor

set tles the mind in

to

si

lence,

Phy

si

cal

la

(unis.) T B si

lence,

I bring out

Vn. II

Va.

Vc.

Cb.

Phy

si

cal

la

bor

set tles the mind in

to

si

lence.

bor,

169

:DE

195 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

cresc. 2 cresc.

Hn. in F

1 2 cresc.

(cresc.)

2. Tpt. in C

1 2 cresc.

(cresc.)

Tbn. 1 2 cresc. Timp.

1 Perc. 2

cresc.

Harp

S A phy si cal la

bor,

phy si cal la

bor.

The

Chorus

unis.

BASSES T B Phy si cal la

bor,

phy si cal la

bor,

phy si cal la

bor.

The

I Vn. II

Va. cresc. Vc. cresc. cresc. Cb. cresc. cresc.

170 201 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

S A Chorus

Ar

hat

is

com ing!

The

Ar

hat

is

com ing!

Ar

hat

is

com ing!

The

Ar

hat

is

com ing!

T B

I Vn. II

Va. cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Vc.

Cb.

A

The ARHAT whizzes by in his limo – – the sannyasins wave, SARAH [All the sannyasins stop working and stands in amazement, holding the wait, looking offstage for the ARHAT. power tool that DURGA has given In her space, MIDGE re–enters, dressed her. MIDGE turns the tape off, to go out. She plays the tape player.] takes it out, puts it in her purse and exits quickly.] 207

171

= 96

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. cresc. poco a poco Timp.

to Mar.

1 cresc. poco a poco

Perc.

Sus. Cym.

to Tabla and Tamb.

2 cresc. poco a poco

E F G A B C D

Harp

C

SARAH (on tape) “For God’s sake, don’t tell any of this to Charles, or tell him where I am. Om mani padme om, MIDGE.” (breathe and re–enter as necessary) cresc. poco a poco S A Om (breathe and re–enter as necessary) cresc. poco a poco

Chorus

T B Om

= 96

I cresc. poco a poco

Vn. II

cresc. poco a poco Va.

div.

cresc. poco a poco unis.

Vc. cresc. poco a poco Cb. cresc. poco a poco

172 213 Driving (

= 288;

= 144)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. Mar. 1 Perc. Tabla 2 Tamb.

Harp

SARAH

I

unis.

am

a

wan

der er!

S A Chorus

Work unis.

is wor ship,

wor ship is

work.

Work

is wor ship,

wor ship is

work.

Work

is wor ship,

wor ship is

work.

Work

is wor ship,

wor ship is

work.

T B

Driving ( I Vn. II

Va.

Vc.

Cb.

= 288;

= 144)

173 219 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2 (1.)

Tbn. 1 2

Timp. to Sus. Cym.

Sus. Cym.

1 Perc.

2

Harp

Sarah I

am

a

pil

grim!

S A Work

is

wor

ship,

wor

Work

is

wor

ship,

wor

Chorus

T B

div. I Vn. div. II div. Va. div. Vc.

Cb.

174 225

=

1 Fl. 2

1 cresc.

Ob. 2

cresc. 1 Cl. in B 2

1 cresc.

Bn. 2

cresc.

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

cresc.

cresc.

cresc.

Timp. (Sus. Cym.)

choke

1 Perc.

cresc. 2 cresc. (Tamb.) non arp.

Harp

Sarah

I cresc.

have come

home!

(div. SSA)

S A ship

is

Chorus

cresc. (div. TBB) T B ship

is =

unis.

I cresc. Vn.

unis. II cresc. unis.

Va. cresc. Vc. cresc.

Cb. cresc.

unis.

175 231 1 cresc. molto

Fl.

take Piccolo 2 cresc. molto

1 cresc. molto

Ob. 2

cresc. molto 1 Cl. in B

cresc. molto 2 cresc. molto

1 cresc. molto

Bn. 2

cresc. molto Hn. in F

1 2

Tpt. in C

1 2

cresc. molto a2 cresc. molto

Tbn. 1 2

cresc. molto

Timp. (Sus. Cym.)

hit choke

1 Perc.

cresc. molto (Tabla) 2 cresc. molto non arp.

Harp

[SARAH turns the power tool on and holds it aloft, triumphantly.] cresc. molto

Sarah

cresc. molto S A work! cresc. molto

Chorus

T B work!

I cresc. molto

Vn. II

cresc. molto Va. cresc. molto

Vc. cresc. molto Cb. cresc. molto

176 [In another space, CHARLES sits disconsolately with a tape player in his lap. With him is DUCKY BRADFORD and lawyer, GILMAN. They are listening to the end of the tape SARAH sent MIDGE.]

Scene 3

SARAH (on tape) “Also tell Irving that his lessons in pranayama came back to me and my sinuses feel absolutely cleansed.”

Snappy ( = 138–144) Piccolo Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1

Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

al sord.

al sord. Tbn. 1 2 Timp. Mar. 1 Perc. Xyl. 2

E F G A B C D

Harp

sa ra ga ma pa dha ni ga Sitar GILMAN

Is

Snappy ( = 138–144) I Vn. II

Va.

pizz. Vc.

Cb.

arco

that

all?

177 7 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

CHARLES

Is

I Vn. II

Va.

Vc.

Cb.

n’t that e nough?

178 12 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(1.) Hn. in F

1 2

Tpt. in C

1 2

al sord.

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Ducky 8

What is “pra na ya

ma”,

Charles?

Charles I hate to

I Vn. II

Va.

Vc.

Cb.

think,

Duck y,

179 17 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2, con sord. Hn. in F

1 2

Tpt. in C

1 2

a2, con sord.

a2, con sord. Tbn. 1 2

Timp.

1 Perc. 2

Harp

Charles Just what,

in deed,

it might

be. GILMAN

Doc tor Worth,

I Vn. II

Va.

Vc.

Cb.

as your law yer,

I

ad vise A gainst the

180 22 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(a2) Hn. in F

1 2

Tpt. in C

1 2

(a2)

(a2) Tbn. 1 2

Timp.

1 Perc. 2

Harp

Charles

3

Gilman

chal lenge of

I Vn. II

Va.

Vc.

Cb.

her san

i

ty.

This ac tion might,

in

a

jud

ge’s eyes,

Cre

ate

a

181 27 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

via sord.

a2

a2 Tbn. 1 2

Timp.

1 Perc. 2

Harp

Charles

I’m a doc tor,

Gilman

win

I Vn. II

Va.

Vc.

Cb.

dow

of

sym

path

y.

Gil man.

Speak Eng lish,

please.

182 =

33 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2, senza sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Mar.) 1 Perc. (Xyl.) 2

Harp

Charles

= I Vn. II

Va.

Vc.

Cb.

183 38

take Flute

Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

al sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

B D

Harp

[looking through some papers] DUCKY

8

3

Charles,

she sold the A.

I Vn. II

Va.

pizz. Vc.

Cb.

T.

and

T.!

In fact,

184 43 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

B D

Harp

Ducky 8

old bean – – it can’t be so – –

She

dumped

I Vn. II

Va. arco Vc. cresc. Cb.

the

whole

port

fol

i o!

185 48 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

con sord. Hn. in F

a2

1 2

con sord. Tpt. in C

1 2

con sord. Tbn. 1 2

Timp.

1 Perc. 2

Harp

Ducky 8

I Vn. II

Va.

Vc.

Cb.

a2

186 54 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. via sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

(Mar.) 1 Perc. 2

Harp

Ducky 8

The CHARLES

She

I Vn. II

Va.

Vc.

Cb.

called

our brok er

at Shear son Leh man – –

187 60 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Mar.)

to Xyl.

1 Perc. 2

Harp

Ducky 8

stock

mar ket

is run by

child

ren. [to DUCKY]

Charles He’s

I Vn. II

Va.

Vc.

Cb.

ve

ry young,

188 65 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Ducky 8

Charles but he’s a de mon,

I Vn. II

Va.

Vc.

Cb.

And was most high ly

re com mend ed...

by

you!

189 70 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2 1. senza sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

F A C D

Harp

DUCKY

8

––A 3

Charles

She forged my sig na ture – –

GILMAN

How could all the pap ers be

I Vn. II

Va.

Vc.

Cb.

signed?

3

crim

i nal mind!

190 75

=

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. al sord. Hn. in F

Tpt. in C

a2 (sord.)

via sord.

a2

via sord.

1 2

1 2 via sord.

Tbn. 1 2

Timp.

1 Perc. 2

A C

Harp

Ducky 8

Who would have thought that our dear

Sar

ah – –

Charles

3

Gilman

Have

we

got a list

of

peo ple

to sue! =

I Vn. II

Va.

Vc.

Cb.

191

= 276–288 80

= senza sord.

1 Tpt. in C

senza sord. 2

1. senza sord. Tbn. 1 2

(Mar.) 1 Perc. (Xyl.) 2

= 276–288 = Ducky 8

Look what she

sold!

Look what she

sold!

Charles Look what she

sold!

Look what she

sold!

Gilman Look what she

sold!

Look what she

sold!

85 1 Tpt. in C 2

Tbn. 1 2

Timp.

(Mar.)

to Gong

1 Perc.

(Xyl.) to Tabla 2

Harp

dim. Ducky 8

Look what she

sold!

Look

what

she

sold,

what

she dim.

Charles

Look what she

sold!

Look

what

she

sold,

what

she dim.

Gilman

Look what she

sold!

Look

what

she

sold,

what

she

192

[At the ashram, a Tantric meditation session has started. The CHORUS of sannyasins is arranged in a semicircle, facing upstage. First FRITZ, then ALINGA lead the meditators in chanting. The first mantra is the Brahma gayatri: to increase productivity. The second mantra is the Ganesh gayatri: for removing obstacles]

91

=

( = 69–72)

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

senza sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. Gong 1 Perc. 2 non arp.

Harp

(dim.) Ducky 8

sold,

sold!

(dim.) Charles

sold,

sold!

Am West,

(dim.) Gilman

sold,

FRITZ full, resonant and sonorous

sold!

SANNYASINS (men) div. a3

*mmm = I Vn. II

Va.

Vc.

Cb. *hum; breathe and re–enter as necessary

( = 69–72)

Om.

Beth co,

Well man A lum

i num,

193 98 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(sneak entrance) Hn. in F

1 2

Tpt. in C

1 2

(sneak entrance)

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Ducky 8

Pac Tel,

U ni tex,

Du com,

Sears – –

Sem quik,

Sal em,

Sem quik,

Sal em,

Charles

Gilman

Fritz

Par Sannyasin men

I Vn. II

Va.

Vc.

Cb.

mesh

wa

ra

ye – –

Vid

ma

he – –

194 103 1 Fl. 2

1 Ob. 2 3

3

3

3

1 Cl. in B 2

1 3

3

3

3

Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

(senza sord.)

Tbn. 1 2

Timp. (Gong) 1 Perc. 2 non arp.

Harp

3

3

Ducky 8

Shop co

and New

man– –

Sa

lo man Hong Kong– – 3

I’m in

tears!

3

Charles

Shop co

and New

man– –

Sa

lo man Hong Kong– – 3

I’m in

tears!

3

Gilman

Sa

lo man Hong Kong– –

I’m in

tears!

Fritz

div. a3 hummed women Chorus of Sannyasins

mmm

men mmm I Vn. non div. II

(div.) Va.

non div. Vc.

Cb.

Om.

195 108 1 Fl. 2

1 Ob. 2

1 Cl. in B 2 (sneak entrance) 1 Bn.

(sneak entrance) 2

2. Hn. in F

1 2

Tpt. in C

1 2

1.

(sneak entrance)

Tbn. 1 2 Timp.

1 Perc. 2

Harp

Ducky 8

Cis

co Sys

tems!

Te le Comm!

3

Charles

Frank

lin Re sour ces!

Mic ro soft!

Gilman

Fritz

*Pa women Chorus of Sannyasins men

I Vn. II

Va.

Vc.

Cb. * Pronounced “Pa–ráht–tvy–yea, deé–mah–hee”

rat

tva

ye

196 113 1 Fl. 2 3

1 Ob. 3

2

1 Cl. in B 2 (sneak entrance) 1 Bn.

(sneak entrance) 2

2. Hn. in F

1 2

Tpt. in C

1 2

1.

2.

3

(sneak entrance)

Tbn. 1 2

Timp.

1 Perc. 2

Harp

3

Ducky 8

I

B

M!

G

T

E!

Shop co and New man!

Sa

lo man Hong Kong! 3

Charles

Ci ti corp!

I

B

M!

G

T

E!

Shop co and New man!

Sa

lo man Hong Kong! 3

Gilman

Dis ney!

I

Fritz

dhi women Chorus of Sannyasins men

I Vn. II

Va.

Vc.

Cb.

ma

hi

B

M!

G

T

E!

Shop co and New man!

Sa

lo man Hong Kong!

197 118 1 Fl. 2

1 Ob. 2 3

3

3

3

3

3

3

3

3

1 Cl. in B 2

1 Bn. 2 (2.) Hn. in F

1 2

Tpt. in C

1 2 (sneak entrance)

Tbn. 1 2 Timp.

1 Perc. 2

Harp

3

3

3

Ducky 8

I’m in tears! 3

I’m in tears! 3

I’m in

tears!

3

Charles

I’m in tears! 3

I’m in tears! 3

I’m in

tears!

3

Gilman

I’m in tears!

I’m in tears!

I’m in

tears!

Fritz

* Tan women Chorus of Sannyasins men

I Vn. II

Va.

Vc.

Cb. * Pronounced “Tahn non bood–ee pratch–ó–dye–aht.” (wood)

no

bud

dih

pra

cho

day

at.

198 123 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Gong)

to Sus. Cym.

1 Perc. 2

Harp

[FRITZ sings with the SANNYASIN men] Fritz

unis. women Ah,

Chorus of Sannyasins unis. men Ah,

I Vn. II

Va.

Vc.

Cb.

199 125 1 cresc. poco a poco Fl.

Flute 2 cresc. poco a poco

1 Ob. 2 cresc. poco a poco 1 cresc. poco a poco

Cl. in B 2

cresc. poco a poco

1 cresc. poco a poco Bn. 2 cresc. poco a poco Hn. in F

1 2

Tpt. in C

1 2

poco cresc.

Tbn. 1 2 poco cresc. Timp. Sus. Cym. 1 Perc.

cresc. poco a poco 2

cresc. poco a poco

Harp

F

cresc. poco a poco women Chorus of Sannyasins

Ah,

ah,

cresc. poco a poco

men ah,

ah,

I Vn.

cresc. poco a poco II cresc. poco a poco

Va. cresc. poco a poco Vc. cresc. poco a poco Cb. cresc. poco a poco

200 127 1 (cresc.)

Fl. 2

(cresc.)

1 (cresc.)

Ob. 2

(cresc.) 1 Cl. in B

(cresc.) 2 (cresc.) 1 cresc.

Bn. 2

cresc. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Sus. Cym.) 1 Perc.

(cresc.) 2

(cresc.)

Harp

(cresc.) women ah

Chorus of Sannyasins (cresc.) men ah

I Vn.

(cresc.) II (cresc.)

Va. (cresc.) Vc. (cresc.) Cb. cresc.

201 129

=

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

a2

Tbn. 1 2

Timp. end roll; let ring

to Gong

1 Perc. 2

B B

Harp

gliss. on tuning strings Sitar

women Chorus of Sannyasins

Om.

men Om. = I Vn. II

Va.

Vc.

Cb.

202 132

( = 69–72) =

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

Tabla (Adi tala

)

2

Harp

Sitar

cresc. 5

5

women Chorus of Sannyasins

Par me shwa ra ye

vid ma he,

Pa ra tat tva ye,

dhi ma hi,

men

( = 69–72) = I Vn. II

Va.

Vc. 5

Cb.

5

cresc.

203 137 1 Fl.

2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

B

Harp

B

Sitar

dim. women Chorus of Sannyasins

Tan

no

Brah

ma

pra cho day

at,

Om. dim.

men Om.

I Vn. II

Va.

Vc.

Cb.

204 140 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc.

(Tabla) 2

Harp

B to B (ni ) Sitar

women Chorus of Sannyasins

Ah, 5

men Par mesh wa

ra

ye

vid

ma

he,

I Vn. II

Va.

Vc. 5

Cb. 3

3

3

3

3

3

3

3

205 143 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Sitar

women Chorus of Sannyasins

ah,

ah, 5

men Pa

ra

tat

tva

ye,

dhi

ma

hi,

I Vn. II

Va.

Vc. 3

Cb. 3

3

3

3

5 3

3

3

3

3

3

3

206 146 1 Fl.

2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

B

Harp

Sitar

non dim. women Chorus of Sannyasins

ah,

Om. non dim.

men Tan

no

Brah ma

pra cho day

at

Om.

I Vn. II

Va.

Vc. 3

3

Cb. 3

3

3

3

207 149 1 5

Fl. 2 5

1 5

Ob. 2

5 5

1 Cl. in B

5

2

1 Bn. 2

5

Hn. in F

1 2

Tpt. in C

1 2

5

Tbn. 1 2

Timp. Gong 1 l.v.

Perc. 2

non arp.

B

Harp

B

Sitar

women Chorus of Sannyasins men

I 5

Vn. II 5

Va.

Vc.

Cb.

208 152 1 Fl.

2

5

1 Ob. 5

2

1 Cl. in B 2

1 5

Bn.

5

2

3

Hn. in F

1 2

Tpt. in C

1 2

3

3

Tbn. 1 2

Timp. to Crot.

Crot.

1 Perc.

(Tabla) 2

Harp

G

ALINGA

3

Ga

ne

3

sha,

el

e phant

5

women Eik

Chorus of Sannyasins

dan

ta

ye,

5

men Eik

dan

ta

ye,

I Vn. II

Va.

Vc. 3

Cb.

3

209 155 1 Fl. 2

5

3

1 Ob. 5

3

2

1 Cl. in B 2

1 3

5 5

Bn.

3

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

Alinga faced,

Wor shipped by 5

all

liv

ing

things, 3

women Chorus of Sannyasins

Vak ra

tu

na ye,

Dhi ma hi, 3

5

men Vak ra

I Vn. II

Va.

Vc.

Cb.

tu

na ye,

Dhi ma hi,

210 159 1 Fl. 2

5

1 Ob. 5

2

1 Cl. in B 2

1 5

Bn. 2

5

2. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. (Crot.)

to Crash Cym.

1 Perc.

(Tabla) 2

Harp

5

Alinga Ga

ne

sha,

El

e phant faced,

You

5

women Chorus of Sannyasins

Par mesh wa ra

ye,

Vid

ma

he,

ye,

Vid

ma

he,

5

men Par mesh wa ra

5

I Vn. 5

II

Va.

Vc.

Cb.

are

son

of

211 163 1 Fl. 2 3

5

1 Ob.

cresc. 3

6 5

2 cresc.

6

6

1 Cl. in B

cresc.

6

2 cresc. 1 3

6

Bn.

5

cresc. 2

6

3

5

cresc. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

5

G C

Harp

cresc.

6

6 5

Alinga U

ma,

Des

troy

er

of

grief, 3

women Chorus of Sannyasins

Pa ra tat tva ye,

Dhi ma hi, 3

men Pa ra tat tva ye,

Dhi ma hi,

5

I Vn.

6

cresc. 5

II cresc.

6

Va. cresc. Vc. cresc. Cb. cresc.

6

212 167 1 Fl.

non cresc.

sub.

non cresc.

sub.

2

5

1 sub.

non cresc.

Ob.

cresc.

6

5

2 non cresc.

sub.

non cresc.

sub.

cresc.

6

1 Cl. in B

cresc.

6

2 sub.

non cresc.

cresc.

1 6 5

Bn.

cresc. 2 6 5

cresc. a2 Hn. in F Tpt. in C

1 2 non cresc.

non cresc.

non cresc.

non cresc.

1 2

Tbn. 1 2 non cresc. Timp. Crash Cym. 1 Perc.

(Tabla) 2

non arp.

5

cresc.

Harp

6

6 5

Alinga I

bow

to

Ga

ne

sha,

I

bow

to

his

lot

us

feet,

women Chorus of Sannyasins men

5

I non cresc.

Vn.

cresc.

6

5

II non cresc. div.

cresc.

6 6

unis.

Va. cresc.

non cresc. Vc. cresc.

Cb. cresc.

213 172 1 Fl.

2

1 Ob. 2

1 Cl. in B 2

1 3

Bn. 2 3

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp. damp

damp

to Trg.

1 Perc.

to Sus. Cym. 2

G C

Harp

[ALINGA and the SANNYASINS leave the meditation area.]

non dim. Alinga I

bow

to

Ga

ne

sha,

I

bow

to

his

lot

us feet.

I

bow

to

his

lot

us feet.

non dim. women Chorus of Sannyasins

I

bow

to

Ga

ne

sha, non dim.

3

men I

I Vn. II div. Va.

Vc.

Cb.

bow

to

Ga

ne

sha,

I

bow

to

his

lot

us feet.

Dhi ma hi,

214 177 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 3

Bn. 2

3

Hn. in F

1 2

Tpt. in C

1 2

al sord.

Tbn. 1 2

Timp.

1 Perc. 2

G C

Harp

3

3

women Chorus of Sannyasins

Vid

ma he,

Dhi ma hi, 3

men Vid

I Vn. II

(div.) Va.

(div.) Vc.

Cb.

ma he,

215

rit.

182

Faster ( = 112)

1 Fl.

2

1 Ob. 2 3

1 Cl. in B

3

2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

1 Perc. 2

Harp

G

F

[SARAH has been one of the meditators, sitting with her back towards us. She stands and turns, staying behind after the chorus drifts away.] SARAH

3

Oh

God,

3

women Chorus of Sannyasins

Vid ma he.

men Dhi

ma

hi.

rit. I Vn. II

unis. Va. unis. Vc.

Cb.

Faster ( = 112)

I

am tired.

216 187 3

Sarah

3

3

3

3

(

)

When I asked for

a Con

tac

for my cold,

They said it was

just my

ma

ya,

my il

lu

sion,

and to ig nore it.

I Vn. II

Va.

Vc.

Cb.

191

3

3

Sarah I

sleep

in

my

clothes

and stink

of

sweat,

Ce

ment

I Vn. II

Va.

Vc.

Cb.

Slower ( = 72)

196 Ob.

1

Hn. in F

1 2 4:3

3

3

3

3

Sarah per

ma

nent

ly

in

to my skin.

But the ash ram is

Slower ( = 72) pizz.

div, arco

pizz.

div, arco

I Vn. II

div.

unis, pizz.

arco

pizz.

arco

pizz.

arco

Va.

Vc.

Cb.

beau

ti ful,

has

soaked

217

Faster ( = 112)

201 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

al sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn. 1 2

Timp.

Trg. 1 Perc. 2

non arp.

F

Harp

F

B

parlando

3

3

Sarah in

a

val ley,

With tid

y, long fields of

shades

of green,

Yel

low

Faster ( = 112) div. unis. I Vn. unis.

div.

II

Va. pizz. Vc.

Cb.

bull doz

ers

and

218

206 Hn. in F

con sord.

1 2

con sord. Tpt. in C

1 2

3

3

3

3

3

3

3

Sarah school bus

es crawl ing A round on a

sys tem of neat, lit tle roads,

Rows of quilt

ed a lum i num