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VOL 4: ED.3
Dircksey Team Editor-in-Chief: Holly Ferguson editors@ecuguild.org.au
Art Editor: Zachary Sheridan dirckseyart.filmeditor@gmail.com
Current Affairs Editor: Elisha Hammond dirckseycurrentaffairs@gmail.com
Marketing & Promotions: Lauren Reed l.reed@ecuguild.org.au
Music Editor: Jackson Lavell-Lee dirckseymusiceditor@gmail.com
Logo: Sella Winadi The opinions expressed herein are not necessarily those of the Dircksey Editor(s), sub-editors/section-editors, Edith Cowan University or the Edith Cowan University Student Guild. Reasonable care is taken to ensure that Dircksey articles and other information are up-to-date and as accurate as possible, as of not the time of publication– Editor(s), but no responsibility can or will be Cowan taken Universityif by the abovementioned entities taken an issue of Dircksey has any errors or other omissions contained herein. accurate publication– taken issue omissions
Online print just got better.
pictondiy.com.au
CREDITS // VOL 4: ED.3
CONTRIBUTORS:
ARTISTS:
Adam Di Tullio
Brianda Delgado @GhostBandit1998
Andrew Douglas
Brinkhoff Mogenburgh
Christopher Spencer
Daniel Kristjansson @daniel_g_k
Elisha Hammond
Holly Ferguson @hennysoy
Emily Smith
Jackson Lavell-Lee @jackson_lavell
Holly Ferguson
Matsu
Jackson Lavell-Lee
Neel Goodwin @Kloud_Kat
Jesse Newell
Shona Wong @somechuppy
Jimmy Hanlen
Zachary Sheridan
Jordan Brunnen
Solange Beron @isolstize
Krishna Aksa
Zoe Wolski @zoewolski
Mama Maria Di Tullio Samantha-Jane Rose
SPECIAL THANKS TO:
Sarveshwaran Arumugam Tristan Sherlock Zachary Sheridan
Brad Fitzpatrick Emma Beattie Jessica Nieuwenhuis Loston Neel Goodwin Turquoise Prince
COVER ART: Zoe Wolski Instagram: @zoewolski 3oe.com.au
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ABOUT // VOL 4: ED.3
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Head to our website for your daily dose of Dircksey. Updated daily, we publish reviews, interviews and a mix of engaging (& occassionally controversial) articles.
write & create www.dircksey.com Want to write with us or create art? We’re always looking for new people to join the team. If you’re interested email editors@ecuguild.org.au for more information. Or head to our Facebook page for details on our next contributors meeting (all are welcome).
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CONTENTS // VOL 4: ED.3
FEATURES
08 EDITOR’S NOTE 09 WHAT’S ON 10 THE BLUES PLAYLIST 14 THE SCIENCE OF SLEEPWALKING 16 THE GAY IMAM 18 FINDING HOME WITHIN OURSELVES 19 ACCEPTING DISTRESS 20 THE DAMAGE OF FAST FASHION 22 PLAYING GOD: GAMBLING WITH IVF TREATMENT 24 INSIGHT: THE CURIOUS INCIDENT OF THE DOG IN THE
26 GOING GREEN: 5 WAYS 28 ARTIST FEATURE 32 SIMPLE PESTO PASTA 33 LEMON YOGHURT CAKE 34 WHAT’S FOR DINNER? 36 DOES HOMOPHOBIA STILL EXIST? 38 CONTIKI VS TOPDECK 40 ENOUGH – NO MORE! 41 COGNITIVE DISTORTIONS 42 WHAT YOU SHOULD
NIGHT-TIME
MUSIC
44 46 50 51
LITERATURE
52 GUERNSEY GETS IT RIGHT 53 BOOK REVIEWS
FILM
54 WHAT HAPPENED?: A STAR WARS STORY 55 FILM REVIEWS
CREATIVE
FINALLY, LOSTON ECHOES TURQUOISE PRINCE THE REAL BLACK PANTHER MUSIC REVIEWS
56 THOUGHTS FROM BRAD FITZPATRICK 57 FUMBLED
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INFO // VOL 4: ED.3
Want to contribute to our next issue? Join us at our next contributor meeting: Where: ECU Mount Lawley Building 10, Room 308 When: August 15, 5:30-7:30
Article Deadline: September 17 Art Deadline: September 24 Feature/Creative Word Limit: 500-750w Reviews: 150-200w
Send submissions to editors@ecuguild.org.au
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EDITOR’S NOTE // VOL 4: ED.3
KNOW YOUR WORTH I was recently scrolling on Facebook when I saw a post from an organisation whose aim is to aid young artists and creative people in their careers by providing them with experience and a platform (not for pay). What was it about this post that caught my eye? Well, I noticed that they’d used artwork my friend had designed; I knew it was my friend’s work due to the style and the fact that I’d previously seen it on their art Instagram. When I read the caption on the Facebook post, I couldn’t see my friend’s name or a credit for them anywhere … but the organisation had managed to add nine hashtags to the post. (To add some extra context the post was about a business the organisation was opening, and no they hadn’t paid my friend to use their artwork). This is just one small example of a reccurring issue I keep seeing, where students and recent graduates are taken advantage of by businesses for the sake of “exposure” and “experience” but yield nothing in return not even credit. Recently, a graduate from a fashion school in London spoke out about their experience with an Australian magazine, which used one of his garments for a shoot and never returned it. On top of that, he paid 400 pounds in postage for the item to be sent to them ($712 AUD), which the magazine promised would be reimbursed but never did. Following a series of ignored emails and messages to the magazine, the graduate spoke about the matter on social media.
After sharing his story, more freelancers and students joined the conversation, saying they too had similar experiences with this particular magazine where they had not been paid for work and garments had not been returned. This issue is still ongoing with the magazine. No reimbursements have been made and no garments have been returned. In an environment where students and graduates are seeking professional experience, it astounds me how unprofessional some businesses and workplaces can be. I’ve come to the conclusion that students and graduates are easy targets for businesses. They know that students are desperate for experience and exposure in competitive industries, and capitalise on this through exploitative ways. Experience and exposure can be great but as a student or graduate it’s important to know your worth and to make sure you’re not being used for free labour. So, what can you do to make sure you’re not being used? If you’re a student: My biggest tip is to use your university’s industry connections. Ask your lecturers about where a good place to do work experience would be. Perhaps a lecturer will be able to put you in touch with a business that regularly takes students on for work experience and internships. If possible, enrol in a practical placement unit where the university will set up the placements for you. Gain experience on campus. Look at where you might be able to gain or practise skills through the student
guild and its clubs (or student publication!). We’re here to aid students in their studies and life on campus, after all that’s what you pay for with your SSAF fees. So, don’t be afraid to visit the guild office (or our website) and ask about how you might be able to get involved. If you’re a graduate: Apply to places that are known to have good (and paid) internship programs (again ask university lecturers if you’re unsure). Make sure that what you’re going to be doing in that placement or internship is clear before starting (don’t waste your time making coffee) and also clarify how long the placement will be and what times you’ll be working. Don’t get sucked into doing work for free. If you’re still wanting more experience, limit that time to a few hours a week. You’re a graduate now, with a degree. Your time is valuable, and you should be getting paid for it. If you’re a freelancer, have your rates down pat and learn how to make quotes and invoices. This is a topic that I want to further explore in an article. If you have a story about being exploited during an internship, work placement or by a company as a student or recent graduate, please email me at: editors@ecu.edu.au See you in the next issue, Holly Ferguson Editor-in-Chief
WHAT’S ON // VOL 4: ED.3
WHAT’S ON: ON: WHAT’S MUSIC:
FILM
OTHER:
Celine Dion August 4 Perth Arena
Mission: Impossible - Fallout August 2 Action, Adventure, Thriller
Amy Shark Love Monster Tour August 25 Metropolis Fremantle
The First Purge August 2 Horror, Sci-Fi, Thriller
Serenade from Salzburg August 9 WAAPA Skylab August 16 - September 2 Black Swan State Theatre Company
Flight Facilities September 1 Fremantle Arts Centre
BlacKkKlansman August 9 Biography, Comedy, Crime
Queens of the Stone Age September 12 Perth Arena
The Spy Who Dumped Me August 9 Action, Comedy
Vance Joy with Club Sport and Didirri September 24 Fremantle Arts Centre
Book Club August 9 Comedy, Drama, Romance
Cher Concert October 12 Perth Arena
The Darkest Minds August 16 Sci-Fi, Thriller
Taylor Swift Reputation Stadium Tour October 19 Optus Stadium
Slender Man August 23 Horror
Childish Gambino November 24 HBF Stadium
Crazy Rich Asians August 30 Comedy
What’s on at ECU: ECU Open Day Joondalup July 22
ECU Open Day South West August 26
ECU Joondalup & Bunbury Start of Semester Party August 3 Hosted by ECU Student Guild and ECU Jets
Oktoberfest September 21 Hosted by ECU Student Guild
ECU Open Day Mount Lawley August 12 ECU Open Day South West August 26
ECU Halloween November 2 Hosted by ECU Student Guild ECU Student Guild Ball 2018 November 24 Hosted by ECU Student Guild
Twilight at Yagan Square August 24 Yagan Sqaure Live Laughs September 7 Comedy Lounge Perth City Murder Mystery Dinner Theatre September 14 Rigby’s Bar & Bistro The Love Ball October 5 Love Foundation Perth Relay For Life October 6 Cancer Council Aladdin July 19 - October 21 Crown Perth
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THE BLUES PLAYLIST When you’re feeling low, music can be a great help. We asked our readers to tell us some of their favourite songs to listen to during tricky times. Thunder – Imagine Dragons No Tears Left to Cry – Ariana Grande Alive – SIA Roar – Katy Perry Show Goes On – Lupe Fiasco Breaking Down – Florence + The Machine Try Your Luck – Confidence Man Hunnybee – Unknown Mortal Orchestra I Will Survive – Gloria Gaynor Fuck You – Cee Lo Green While Your Lips Are Still Red – Nightwish “Harry Styles.” – Nessa “Honestly, just any song by Florence + The Machine.” – Cameron “Anything from My Chemical Romance’s ‘Three Cheers For Sweet Revenge’ album.” – Alia “Honestly, Cardi B’s ‘Invasion of Privacy’ album has such a good energy.” – Emma
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ECU Student Guild
SECOND HAND BOOKSHOP
Guild Student Assist Officers can explain your rights and responsibilities as a student and help you navigate University policy. They’ll help explain decisions made about your enrolment, academic progress or assessments. They’ll also advise you as to how best to resolve issues.
Joondalup Building 34.215 (Ngoolark) Mt Lawley Building 12 Bunbury Building 7.103A Mon - Fri: 8am – 4pm
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FEATURE // VOL 4: ED.3
THE SCIENCE OF SLEEPWALKING I’ve always been fascinated by sleepwalking. When you think about it, it’s a crazy efficient idea; someone can get up in the middle of the night and do a bunch of regular things while they remain fast asleep. A friend of mine does push-ups while he snoozes, and I’m still trying to find a way to unlock that amazing power. But sleepwalking can also be kind of scary. My younger sister is a notorious sleepwalker, and she proved to us it can be a dangerous phenomenon. Once, when she was only seven years old, she managed to get herself out of our locked hotel room in Germany and down into the lobby. She was woken up by a very confused security guard who didn’t speak much English. She was thankfully brought back upstairs to my very distressed parents. She’s since grown out of the sleep disorder, but we keep a chair in front of the hotel door whenever we travel - just in case. If you’re like me and you’ve ever wondered why a family member or friend sleepwalks, this article might just tell you why. When do we sleepwalk? To understand the science of sleepwalking, you’ve got to know a little bit about the way we sleep. Basically, there’s a sleep cycle that our body follows from the time we rest our head on the pillow to the moment we groggily wake up. In the first 10-15 minutes of the sleep cycle, we get a little drowsy and begin to gradually nod off. Then we fall into a pretty stable sleep and start phase two, where the brain sends out chemicals to stop us from being woken up. The chemicals make it harder for us to be shaken awake, because our brain is preparing our body for repairs and doesn’t want to be interrupted. So, if you take a 30-minute nap, you’re spending most of your time in this phase of the cycle - that’s
why you find it hard to awake up after what you hoped would be a helpful power nap. Soon enough, we fall into the NREM phase of the sleep cycle, and that’s where we’re prone to start sleepwalking. What’s NREM and REM? NREM is Non-Rapid Eye Movement; it’s the deepest sleep your body can have because your brain is less active and your body is in the process of repairing its cells. This phase of sleep is followed by REM (Rapid Eye Movement) where your brain becomes much more alive and begins to conjure up some weird dreams. Sleepwalking only happens during the NREM stage because your brain is not active enough to stop you from getting up and doing crazy things like driving a car or cooking breakfast whilst you doze. Are sleepwalkers acting out their dreams? Nope! This popular myth was recently debunked, because scientists discovered that dreaming only occurs when your brain is super-active during the REM stage of the sleep cycle. Sleepwalking happens when your mind is inactive but your motor functions are still active, which only occurs during NREM sleep. You might dream about your sleepwalking experience later, but you’ll never do both at the same time.
believe this is because children’s brains are still developing and they don’t have the mature neurotransmitters that stop your muscles becoming active while you sleep. Basically, a chemical called gamma-aminobutyric acid (GABA for short) needs to be released to slow down your motor functions when you’re asleep. But kids don’t have fully formed neurons that secrete this chemical, so their brains can remain sleepy and still while their muscles are wide awake, causing somnambulism, or sleepwalking. As we grow older, these neurons develop and we can usually stifle our muscles into keeping still as we doze, but some adults are unable to shake their sleepwalking habits. This is often the result of immature neuron development, but can also occur due to sleep deprivation, fever, alcoholism, stress, or even depression. Is sleepwalking dangerous? Not unless you’re Toni Colette in Hereditary. When you’re eventually able to wake the sleepwalker, they’re often confused about where they are and why they’re not tucked up in bed. If you’re careful not to frighten a sleepwalker, and you explain what has happened, there’s no danger in waking them up. By Elisha Hammond
Who usually sleepwalks? Kids are most likely to sleepwalk, especially if there’s a history of the phenomenon in the family. Doctors DIRCKSEY MAGAZINE VOL 4: ED.3 15
FEATURE // VOL 4: ED.3
THE GAY IMAM
Contemporarily, the idea of an openly gay Imam is rare, and to date there is only one in Australia - a fact not widely publicised. Last year, while watching the ABC’s 7.30 program, I was surprised to learn about Nur Warsame, an openly gay Imam who plans to open a mosque specifically for queer Muslims in Sydney. In addition, he offers his home as a safe house for gays who have been kicked out of home. One of the young men in the program stated his father threatened to ‘beat it out of him.’ The Imam also confirmed that he undertakes his ministry via electronic mediums, such as Skype, out of fear of violence from those who attend the mosques. His experience highlights the prejudices that gay individuals from an Islamic background must face within their own community. Such intolerance cannot be condoned in our society. We live in a secular state where all individuals are equal before the law, regardless of their religious beliefs or lack thereof. Whether someone is a Christian fundamentalist or an Atheist, they are entitled to the same protection and privileges under our criminal and civil laws. Sexual orientation is something innate, like the genes one inherits from one’s parents deter-mine hair and skin colour. Gay individuals exist in all nations, cultures, races, ethnic groups and religious denominations.
values of modern society. For example; there are passages in both the New and Old Testaments that refer to the treatment of slaves.
in their respective denominations. In Islam, there are openly gay Imams in other countries and now at least one in Australia.
Given the size of the Islamic: community in WA, there are thousands of gay individuals who remain effectively invisible. Worse still, there appears to be no support group or organisation that specifically caters to their needs. There seems to be a psychological barrier to publicly acknowledging, even unofficially, that gay Muslims exist. This social invisibility effectively conceals the abuse they suffer.
The example of Nur Warsame shows a brave gay man with a strong commitment to those of his faith community. Despite his challenges, his coming out will result in positive changes to many people’s lives in the long-term. He has made it easier for the next Imam to come out.
It is not acceptable that Warsame lives in fear of violence, and openly gay Muslims risk homelessness if they come out to their parents. This issue needs to be exposed, not swept under the carpet. To reject and victimise marginalised groups is bad enough: to do this to members of one’s own faith community is appalling. Unsurprisingly, Islamic clerics will be uncomfortable with Muslim gays coming out in more conspicuous numbers. It will force them to acknowledge and hopefully confront this pervasive homophobia. Otherwise, it will continue to be ignored.
Religion is a social construct, which evolves within a particular context over generations and is eventually codified as a specific dogma. It is not an innate feature of one’s physical makeup like one’s eye colour.
When people are out and proud they cannot be ignored. Coming out need not be a dramatically public event on national television. It can be a very private act between friends and can be done in stages over a lengthy period with relatives or peers, work colleagues, and even fellow students. It is the first stage of self-acceptance.
In addition, religion is based on faith and belief, as opposed to observable facts found in the physical sciences. Once religious doctrines are codified, they do not always keep up with major social changes, sometimes diverging markedly from the
Being openly gay does not automatically equate with being anti-religion (or ‘anti’ anything). There are plenty of openly gay priests, ministers, even gay churches and synagogues. They have all succeeded in moderating and, in some cases, reforming others
But while gay Islamic people remain largely unseen and unheard, there will be no significant change. Until they become visible and vocal their needs will be overlooked and their rights will be denied, primarily by their own peers. Gays in Islamic culture deserve better from their own community. Is it not time that they carve out a place for themselves within their culture? Coming out does not mean rejecting one’s cultural heritage: rather, it means creating a place within that culture by becoming visible, noticed and ultimately accepted. By having a presence and a voice, you can become a part of your community instead of remaining apart from it. By Andrew Douglas. Art by Brianda Delgado @GhostBandit1998 (The author can be contacted via the editor for further information, advice or assistance regarding the issues raised)
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FEATURE // VOL 4: ED.3
Finding Home Within Ourselves
H
ome is where we all look forward to going after a long day of work. Home is where we find comfort zone, security, love, and safety. Home is where we find our true selves. I am Malaysian, but I came to Perth to do my second degree. At times I miss my mom and dogs in Malaysia, but keeping myself busy distracts me.
However, my dance guru believes multi-discipline understanding shows nothing less than a dancer’s vast capability, versatility and knowledge of this exquisite art form. As proof, my dance teacher has kept his global position in this competitive entertainment industry. I’m grateful to be able to demonstrate all these genres in one body. This fluidity in dance gives me joy, and that joy is
After coming to Perth, I experienced a lot of unexpected cultural barriers that made me question where I actually “belong”.
Then, it was just 5 of us. My mom, sister, her husband, their son and me. The rest of the family found houses not far from where we lived. We lived in that house for almost a decade. We later moved to a different place because my sister had to drive a long way to her workplace; we only lived there for two years. Finally, we moved to our current house. This experience of moving houses has personally shown me that even the physical house where we find comfort and love is temporary. Finding happiness in different environments is what I refer to as my “home”. A home where love and joy come without expectations.
In Malaysia I was a “local” but in Perth I felt like I was a foreigner. I have been asked many times if I am from India. When I say I am Malaysian, people in Perth would ask me “Where is your origin?”. Yes, I am a Malaysian-Indian. I have no idea which generation of my ancestors migrated to Malaysia from India, but I have always seen Malaysia as my “home”. After these exchanges, I started asking myself, “Is there a definite place called home?” I am a trained dancer. I was introduced to Bharatanatyam (South Indian classical genre) and ballet at the age of five. I learnt Odissi (West Indian classical genre) and contemporary at the age of nine. I am now a dance teacher in all four genres. Some scholars say dancers who dance multiple genres at once will limit their opportunity to master one genre.
it to afford my eldest sister’s wedding in 2001.
Recently I had a conversation with my brother-in-law about the weather in Perth. He said it is getting hotter now, but it is not as humid as it is back home in Sri Lanka. The way he said “back home” surprised me. Why does he refer to Sri Lanka as his home? He’s a Australian citizen and has been living here for 12 years.
what I refer to as “home” - a “home” filled with joy. We moved four times in Malaysia due to many factors. The first house holds a lot of memories for my family. We were an extended family - aunties and uncles, grandpa and grandma, living under one roof. We had to sell
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I believe home is where we find true joy being ourselves and breaking through societal constitutions imposed upon us, consciously or otherwise. It is time to be bold and be ourselves wherever we live. By Sarveshwaran Arumugam
FEATURE // VOL 4: ED.3
ACCEPTING DISTRESS Something’s happened and your mind and body have been sent into a state of distress. Sadness, anger, or panic – emotion overwhelms you and it seems unbearable. However, negative emotions by themselves are not necessarily distressing. It is only when we evaluate our emotional experiences as being bad that they become distressing. In truth, negative emotions are important, and more to the point, they are not permanent. Instead of fighting distress, why not accept it? Accepting negative emotion is about seeing the emotion for what it is, and changing how one perceives it. As such, acceptance is about mindfulness. The question is: what is the best way to do this? There are several ways in which a person may accept distress, and it’s about finding what works for you. But here is one method: Be the watcher of your emotions. Observe them as if you are a third person to the experience. Give the emotions a label and description. Commentate on your emotions. For example, ‘There is a nervousness, I feel it in the tightening of my jaw, and in my fast beating heart.’ Use language that is curious and non-judgemental. The emotions you are feeling are neither good or bad;
they are what they are. Use imagery in your description. Observe them as if they are leaves in a stream or clouds in the sky, or imagine that you are an empty room with a front and back door, where emotions come and go. Often thoughts that lead to negative emotions are tied up with dwelling on the past or worrying about the future. Bringing yourself back to the present is key to overcoming distress. Slowing your breathing and tuning into your surrounds is a worthwhile first step. What are five things you can see? Four things you can touch? Three things you can hear? Two things you can smell? One thing you can taste? Emotions may make a comeback, and the trick is accepting that they have returned. A good way to develop your skills of acceptance is to practice mindfulness when you’re not distressed. Distraction is another way to combat distress. Some good techniques are going for a run or taking a cold shower; anything that can stimulate the body back to the present. Always remember, you are not alone. Many people suffer from distress, and it’s in this fact that we know much of our suffering is normal and part of the human experience. You are not alone. You are enough. Article and image by Zachary Sheridan DIRCKSEY MAGAZINE VOL 4: ED.3 19
FEATURE // VOL 4: ED.3
The Damage of Fast Fashion 20 DIRCKSEY MAGAZINE VOL 4: ED.3
H
ave you ever bought a t-shirt because it was on sale? Maybe you didn’t really like it or need it, but it was on sale and you might need it at some point. I’ve certainly done that, and I didn’t realise that there were a series of harmful processes that went into the making of that $10 t-shirt. Cheap clothing comes at far greater cost than just a 10 dollar price tag. The fast fashion industry has terrible consequences for the people making our clothing and our environment. The People: The fashion industry is a three trillion-dollar (USD) industry, yet despite this lofty figure, countries where clothing is primarily produced have kept minimum wages low to attract foreign investment from major apparel companies. Trailing China, Bangladesh is the second-leading exporter of apparel. Their minimum wage equates to $38 (USD) a month; this means 98 percent of people involved in the making of apparel do not receive a living wage. The International Labour Organisation estimates that there are 170 million children engaged in textile and garment labour. The fashion industry supply chain benefits from child labour as they are favoured for some jobs such as cotton picking, as their fingers are small and don’t damage the crop. Children are also seen as obedient workers and with virtually no unions existing in the industry and governments who approve of the industry, there are no regulations preventing child labour. In 2013, textile factory Rana Plaza in Bangladesh collapsed, killing 1,134 workers. On the day of the incident, workers raised concerns about entering the building due to cracks in the walls which had emerged the day before. There have been attempts at mobilizing a union movement however, In Bangladesh, unionists and union leaders are persecuted. In one case Mohammed Ibrahim, a union leader, was jailed for 60 days and was subject to beatings. Police in Bangladesh are also known for shooting suspects and
FEATURE // VOL 4: ED.3 justifying their actions by claiming that the suspect tried to avoid arrest. The Environment: The fashion industry produces more emissions than the aviation and shipping industry combined and is estimated to be responsible for 10 percent of the world’s carbon footprint. A large part of these emissions come from transporting of materials; usually garments will be cut in one place and assembled in another, and the production of man-made materials such as polyester uses fossil fuels and is four times more energy intensive than cotton production. Polyester is one of the most heavily utilised fabrics in the fast fashion industry and is made up of micro-plastics, which are non-biodegradable. When we wash our polyester items, these microfibers make their way into our fresh water systems and into the food chain. In 2016, a study found that one in four fish in a Californian fish market contained these microfibers - think about that next time you’re eating sushi! The fast fashion industry is a constant cycle of ever-changing trends. With each trend comes a new colour or texture. To create these colours and textures, hazardous and toxic chemicals are used. Through the dyeing process, a large amount of fresh water is consumed, polluted, and ultimately wasted. Textile waste is another issue, with 400 million pounds of textiles ending up in landfill each year. This is about to get worse; China, the industry’s largest buyer of recycled fabrics, recently banned the import of recycled fabrics and fibres. These are just a few aspects of the damaging processes involved in the fast fashion industry, which is creating your clothes. But what are the alternatives to buying fast fashion? Buy from local designers and companies: If you’re planning on buying a new piece of clothing, look to local retailers and designers. Chances are that they produce their items locally, which
is much more sustainable and ethical than fast fashion. The items may be more expensive but they’re undoubtedly going to be of a higher quality as they won’t be made in mass with the cheapest materials. Op shop: Op shops are a great place to find a variety of both practical and bizarre items of clothing. They’re great for basics and often times you’ll find pieces, which are hardly worn or brand new. Another added bonus to op shopping is that your money goes to charity. P.S. if your clothes are in good condition, donate them to op shops! Ebay and Etsy: If you want a particular style, item, or look, give Ebay or Etsy a try. Simply search for what you’re after, it could be a designer piece or just a regular clothing item, and you should be able to find exactly or a near replica of what you’re looking for. This is an especially great option for vintage pieces. Clothing Markets (and garage sales): Almost every weekend you’ll find a clothing market pop up somewhere. I usually find out about them through Facebook events and word of mouth. You’ll also find advertisements in newspapers and other community publications. Make it or mend it: Do it the old-fashioned way and get out your needle and thread! In the age of instantly-available information, there is no excuse to say “I don’t know how” because the internet will show you. These are just a few of the alternatives to buying from fast fashion retailers. Although fast fashion is cheap and convenient, your participation in the process is aiding our race to the bottom. So, the next time you’re tempted to buy a $10 t-shirt, think about where that t-shirt was made, who made it, how it was made and what it’s made with. Then ask yourself if that $10 t-shirt is worth the moral and environmental cost that comes with it. By Holly Ferguson Art by Brianda Delgado
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FEATURE // VOL 4: ED.3
Playing God: Gambling with IVF Treatment We live in a remarkable world, where modern science assists us in many areas of our lives. But breakthroughs in the scientific world aren’t just prolific; they can also be problematic. The birth of IVF in 1980 is the perfect example of this, a treatment that allows many couples to conceive children who will share their DNA. But at what cost? IVF stands for “In-Virto fertilization” and it’s basically the fertilization of an egg outside of the body before being inserted into the uterus. Prior to insertion, the embryo is allowed to grow for a few days to increase the likelihood of pregnancy. The treatment cycle for IVF appears quite simple on paper. Fertility drugs are injected to stimulate the ovaries, the eggs are then collected, and one or more embryo is transferred into the mother-to-be. Other embryos can be frozen for a later transferal. Since 1980, over 200,000 babies have been born through IVF in Australia and New Zealand (which equates to the population of Hobart). It’s evident that even more people are taking up this procedure, but there are definitely some things to consider before undergoing treatment. Mental and Physical Risks: IVF can be incredibly taxing on the mental and physical health of those undergoing treatment; the success rate is concerningly low. In Australia, the live birth rate through IVF is just over 35% for anyone under 30 years of age, and the success rate is just under 45%. With an average price tag of $15,000 for the first cycle, the statistics show that IVF is quite a gamble. In 2006, a woman died after a routine IVF treatment from internal bleeding. It was alleged that during the fertilisation, the needle punctured a blood vessel. Similar events have taken place in 2011 when another IVF patient almost bled to death during her treatment. Other risks include potential miscarriages (with the likelihood of this increasing if the embryo is frozen), Ovarian Hyperstimulation Syndrome (OHSS), a
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FEATURE // VOL 4: ED.3 rise in the chances of an ectopic pregnancy and, along with blood vessel puncturing, the possibility of damage to the bowel or bladder. Environmental: The rapid increase in population growth is continuing to put massive strain on our planet. Over the next 12 years, the world’s population is projected to increase from 7.2 billion to 8.2 billion. The estimated increase in the population is said to severely exacerbate global warming. Not only that, but the ever-increasing population growth also threatens to put larger demand on already limited resources, as well as increase the production of waste, the destruction of natural habitats and depletion of biodiversity. Perhaps there are more environmentally sound ways to treat infertility and provide a child with love and care. IVF vs. Adoption: With the increase in IVF comes the decrease in adoption. In the last 25 years, there has been a 60% decline in adoption rates across Australia. On top of that, all local adoptions are for children under the age of five (only 9% of adoptions – locally, inter-country and outer-country are of children older than this.) The last local adoption of a boy over the age of ten was in 2010. In 2000, only four children over the age of ten were adopted locally. For children in that age bracket, it’s been the highest adoption rate Australia has seen in the last 20 years.
established families. Of the 315 adoptions in Australia in 2017, 204 were considered ‘known adoptions,’ meaning the adopted child already had an existing relationship with the new guardian (such as a grandparent, godparent or other known family members.) Perhaps the reason for the decline in adoption rates is partially due to the increase in those undergoing IVF treatment? But given the associated risks, why are people choosing IVF over adoption? Is the need for your child to carry your DNA so necessary that you would willingly undergo such a risky procedure? The only difference between a child conceived by IVF and a child you adopt is biological; the love and care provided remains the same. Adoption is a fantastic alternative to IVF treatment. Not only are you giving yourself the opportunity to love a kid, but you’re also giving that kid opportunities it would not otherwise have; you’re showing them they are wanted. You would go through the same motions with your biological child as you would with a child you adopt, with a lot less risk attached. Parenthood is not the act of giving birth to a child, but rather the duty of raising one. By Tristan Sherlock Art by Daniel Kristjansson Twitter: @daniel_g_k
A lot of these adoptions also take place within
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Insight: The Curious Incident of the Dog in the Night-Time 24 DIRCKSEY MAGAZINE VOL 4: ED.3
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“When fifteen-year-old Christopher Boone falls under suspicion for killing his neighbour’s dog, he sets out to identify the true culprit, beginning an incredible journey that will change his life forever.” Transformed from an adored novel into a critically acclaimed stage production, The Curious Incident of the Dog in the Night-Time has connected with audiences globally and has been heralded as “a testament to the singular power of theatre.” With 5 Tony Awards and 7 Olivier Awards under its belt, Curious Incident is now making its way to Perth! Cast member Emma Beattie gave Dircksey some insight into the production and teased eager theatre goers who have waited years to see this celebrated show. Emma plays Judy (the protagonsit, Christopher’s, mother), a polarising character struggling to cope with her son, who is on the autism spectrum.
As a result, her relationship with his father, Ed, crumbles. Following an affair, she makes the decision to leave Ed and Christopher. Emma speaks about how she perceives Judy’s decision and how she empathises with it. “How I reconcile that decision as an actor playing Judy is that she feels so much guilt for her affair and feels useless; that her presence was more damaging in the situation than helping it. I think she loves Christopher greatly and we sometimes fail when we love people.” Emma says she wants audiences to see Judy’s humanity. “When I’m playing her I’m really keen for people to understand her but sometimes people can’t understand that kind of decision, but I feel like it’s a very
human one. I think it’s the wrong decision that Judy makes but we often do things wrong in life.” Emma also performed on the UK tour of Curious Incident. In developing the character of Judy, Emma and her co-actor David Michaels, who played Ed in 2016, spent time in Swindon where the story is set. Emma describes the town as small and suburban, “It’s not cosmopolitan like London, it feels quite locked down. I can image if you were there with not much money or support that it would be quite isolating.” During their time in Swindon, Emma and David developed a backstory for their characters, their relationship and its transformation with Christopher, “[We] spent a lot of
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time talking about what Judy and Ed were like before Christopher and we think they were very good together. I think Ed was much calmer and there was a wilder streak in Judy, which balanced the two of them. Then Christopher came along and neither of them knew how to cope with that and they disintegrated.” The play is written by Simon Stephens, who structured the production to present as a play-within-a-play, told from Christopher’s perspective. Emma discusses the unconventional dynamics of this format, “Christopher doesn’t have to adhere to the rules we’d normally adhere to in theatre. There are occasions where you break out of it and you tell the audience you’re watching a play now and it’s Christopher’s play.” Through glimpses of the performance via images and trailers, the production appears strikingly modern and inventive. Bunny Christie’s highly technical set design is the driving force behind these impactful images. Emma described working on the set as strange and said, “You almost don’t realise the technology, it’s when you’re in a tech [rehearsal] and you’re watching a bit from the auditorium when you really see the whole picture. It enhances us and supports us.” 26 DIRCKSEY MAGAZINE VOL 4: ED.3
“If we were to do this without the technological support, we would perhaps not get a feeling of what it’s like for Christopher.” Emma explained the set predominantly reflects Christopher, “When things get difficult for Christopher, that’s when the technology ramps up. It’s really useful to support, highlight and show how extreme and difficult inside his head can get. If we were to do this without the technological support, we would perhaps not get a feeling of what it’s like for Christopher.” Since the show debuted at The Royal National Theatre in London in 2012, the production has toured around the world, in places such as Korea, Israel and Mexico. Emma says the production is able to be performed in so many places because the themes of “parenthood, childhood, love, loss and adventure” are universal. “My understanding is that when Mark Haddon wrote the novel he didn’t want to label Christopher as autistic or having Asperger’s Syndrome. It was just a story of a unique, wonderful boy who’s dealing with difficult times and overcoming that. Therefore, I think any child can
identify with it and any parent can.” This accessibility of the performance was proven for Emma and the cast when performing in Shanghai, “we, as a company, were nervous about how it was going to be received but the audience loved it. Afterwards, the audience waited at stage door and this one girl said to me “I loved you. You are like my mother. She’s crazy but I know she loves me.” “People can identify with the story, it’s really simple. It’s the world over. We all came from somebody, we’re all somebody’s child and many of us are parents. We live within families and we have to navigate our way through that. This production is such a unique and beautiful take on that as you see it through the glorious character that is Christopher Boone.” Curious Incident of the Dog in the Night-Time is playing at His Majesty’s Theatre from August 8-18. To book tickets go to: curiousincident.com.au Interview by Holly Ferguson Images by Brinkhoff Mogenburgh
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WAYS TO GO GREEN
Happy Plastic Free July! This month, people are being challenged to ‘choose to refuse’ and live without single use plastics, opting for more sustainable options. It’s easier than you think; many single-use plastic products can be replaced with sustainable and reusable options that will save you money while saving the environment. Here are some simple ways you can eliminate pesky single use plastics from your life and opt for greener alternatives: Coffee Cups and Bottles
Toiletries
Some of the prettiest coffee cups and bottles around are plastic free and sustainable. Opt for a stainless-steel option to keep hot drinks warm and cold drinks cool all year round, or buy a trendy glass bottle and fill with water and your favourite fruits to make a healthy infusion. Don’t limit yourself to using these bottles at home; show them off by bringing your coffee cup to cafes - they’ll often give you a discount on your drink just for going green!
One of the most common places to discover single-use plastics is your bathroom. For starters, some exfoliators contain harmful plastic microbeads that don’t break down when you wash them away. You can avoid these by opting for organic exfoliators like sugar scrubs, whole oats or coffee (they’re cheaper!) You can also replace your toothbrush heads with a bamboo toothbrush that’s durable and easy to wash.
Takeout Containers Chinese food is soooooo good but the plastic takeout containers you get your meals in really aren’t. The sauce can leak out from under the lid, they break pretty easily, and they don’t do so well in landfill. Plus, if you’re dining in you’ll often be charged for takeout containers just to take the food you ordered home with you. Not cool. Next time you’re ordering take-away or eating out and want to take the leftovers home, bring your own glass containers. They’re reusable, super durable and microwave friendly.
Plastic Wrap Let’s face it: plastic wrap is not fantastic. It sticks to itself when you’re trying to wrap your sandwich and then you tear holes in it when you try and undo the mess you’ve made. On top the that, the eco-friendly factor definitely isn’t there. But there’s a cheap, easy (and reusable) solution! Get some pretty cotton material and grate some beeswax over the top. Put the material under a few sheets of baking or greaseproof paper and iron until the beeswax evenly melts. Repeat on the other side and hang it up to dry and voila! You’ve got a super pretty plastic wrap sheet. You can make lots and colour coordinate for different meals and you can wash them in cold soapy water to reuse them again and again.
Plastic Straws Plastic straws have had their day and research shows they pose an immense threat to marine life and the environment. You can swap out your plastic straw for a metal or bamboo replacement; they’re the size of a pencil and are easy to carry in a bag or pocket when you head out for drinks with a friend or getting a smoothie on your work break. If these materials aren’t your thing, don’t worry - people are even designing biodegradable straws made of pasta!
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Artist Feature: Neel Goodwin Bachelor of Design | Majoring in Animation and minoring in Film and Video What drew you to studying Animation? Animation is the culmination of all my interests. Illustrating, voice acting, writing, film making, feeling productive and becoming nocturnal. You’re really only limited by your imagination and how much time until your deadline. I kind of stumbled into it when I was 20 when my mum said, “why don’t you just become an animator?” I also just get a lot of satisfaction from the very work-like nature of animation. It makes me feel productive and happy. What was the most valuable part of your learning experience at ECU? Making friends with other people who have the same goal as me. It ensures a better creative environment if you work with people you actually like. Also engineering my studies to teach myself programs I need. I was going to procrastinate teaching myself 3d modelling forever if I didn’t take the units for it. How have you developed through your studies? I’ve developed a busted sleep schedule mainly. I’m writing this at 3:16 am! But seriously, this is actually my
second degree here (I used to do theatre) so I knew the basics of uni life already. As for my skills, I developed a firmer grasp of the basics of writing, drawing and animating. Working under pressure and problem solving to come up with shortcuts and cheats makes things easier. Share a bit about your process of creating work from start to finish? For cartoons with dialogue I take notes on my phone’s notepad, write a script, storyboard it, record it, make an animatic, draw each frame in an external drawing program (draft the keyframes, draft your in-betweens then line work, then colour, then backgrounds) because I’m a masochist. Once everything is looking good I put all my frames into Flash, export it and run it through editing programs for polish. If you could do any job/ work for any client what would/who would it be? I’d love to just be able to make what I want to make, whether it be, illustration or cartoons and entertain people. I’d love to become a more successful voice actor too. Basically, just be able to get by as
Facebook: KloudKatArt Instagram: Kloudkat Website: kloudkat.newgrounds.com 28 DIRCKSEY MAGAZINE VOL 4: ED.3
a freelancer. Although I’d love to do so many other things too, like art design for games and films. I’m up for anything. What’s next for you? Well I’m going to keep on doing art and animation commissions and probably look for a new day job, until I get enough work I can support myself with freelancing in art, animation, scriptwriting and/or acting.
of all trades. Stick to your deadlines. Be reasonably confident, but always try to learn. Market yourself everywhere, enter competitions and animation jams. Expect to work for a long time before you get anywhere. Stay healthy, don’t overwork yourself. Make friends, because collaboration is better when you like the people you’re working with. Post stuff on Newgrounds.com.
Any advice for students studying in the same area? Take all the art tutorials you can. Become a jack
Each issue we feature a creative who has recently graduated or about to graduate from ECU. We give them three pages to display their work. If you’re interested in finding out more about our Artist Features or if you’d like to have your art featured in Dircksey email: editors@ecuguild.org.au
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Here are two of my digital originals, in sci-fi and fantasy. A mad gnome warlock tormented by voices from the Lovecraftian beyond for a Dungeons and Dragons Campaign; and Sun Wukong, the monkey king. These are a few years apart and while I may be more technically proficient now, I am still fond of the Sun Wukong design since I’m a mythology buff. I think it really captures his character and I like the way the colours came out.
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A lot of my work is fan art that I enjoy making or requests people send me. Fan art is a great way to test out different styles and techniques with pre-established characters you already like. I particularly like going for a kind of soft painterly look to my shading with a clear, well defined use of thick, textured lines to make my characters pop. It’s fun to change line colours in different situations, too. Black gets dull after a while! The most recent piece here is the Art Nouvaeu inspired piece for JoJo’s Bizarre Adventure. I’m not the best with this style, but it’s really growing on me and I plan on doing a lot more in the future. 30 DIRCKSEY MAGAZINE VOL 4: ED.3
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A lot of my non-animated work is basically more fan art, but specifically jokes. I like the challenge of bringing something silly to lifefor example, “Can I draw Draco Malfoy as he appeared in the Playstation1 Harry Potter game?” or “Let’s combine some stuff for a lame pun” or “What if I made that the cast of a popular show look like a bunch of weirdos?” I do art as work because it’s a lot of fun, and I never want to forget that. If I keep making stuff I enjoy, other people can enjoy it, too! DIRCKSEY MAGAZINE VOL 4: ED.3 31
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SIMPLE PESTO PASTA By Mama Maria Di Tullio
Pesto Ingredients
Special Tips
2 x full cups of fresh basil leaves (no stalks) washed and dried 3-4 x cloves of garlic Pinch of sea salt Pinch of chilli flakes (optional) 2 x tablespoons of pine nuts 2 ½ (full) x tablespoons of grated parmigiano cheese 2 ½ (full) x tablespoons of grated romano cheese 150ml of extra virgin olive oil
You can use the pesto straight away or store in a glass jar with a little oil on top to preserve in the fridge. You can keep it for 2 weeks.
Instructions 1. You will need a mortar and pestle … combine garlic and sea salt and chilli flakes and grind. 2. Start to add the basil, one leaf at a time and grind each individual leaf with the other ingredients in the mortar and pestle. Grind everything to create a paste. A green liquid will be released. Scoop out ingredients into a bowl. 3. Add the pine nuts and crush them in the mortar and pestle. Add these to the other ingredients in the bowl. 4. Add cheeses to the ingredients and mix in the bowl. 5. Slowly add oil and combine with the pesto paste.
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Cooking the Pasta Use any pasta you fancy. Cook the pasta in boiling slightly salted water, once cooked to your liking, drain in a strainer. Heat the pesto a little and add the pasta to it. Toss it and mix. Serve with some grated romano cheese on top
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LEMON YOGHURT CAKE By Mama Maria Di Tullio
The Cake ½ x cup of self raising flour 2 x teaspoons of baking powder 1 x cup of sugar 1 x cup of natural yoghurt 2 x tablespoons of lemon rind 3 x eggs 1 x tablespoon of vanilla essence ½ x cup of vegetable or olive oil) Combine all ingredients and bake for 40-60 minutes at 160 degrees fan force (or 180 degrees on a conventional setting), checking the cake with a metal skewer. Lemon Syrup Topping
Blue Berry Sauce 2-3 x cups of blueberries 1 x vanilla bean stick or vanilla sugar to taste ½ x cup of sugar 1/3 x cup of water Combine ingredients over a low heat until simmering. Add a little bit of lemon juice after taking the sauce off the stove. Special Tips Serve the cake on its own or with the topping. If you are having a dinner party, serve the cake with topping, sauce and a thick natural yoghurt or vanilla ice cream.
1½ x cups of lemon juice ½ x cup of sugar Combine ingredients in a small pan over low heat.
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What’s for Dinner?
Your favourite food critics are back with a new selection of impeccable restaurants for every occasion. This edition, we’ve branched out to include some of the best breakfast and brunch spots in Perth, because who can forget the most important meal of the day? Bon Appetit, friends!
A RESTAURANT TO VISIT ON PAYDAY (OR IF YOU WANT TO SPLURGE A LITTLE, BUT NOT A LOT) East Village 140 William Street, Perth It might be a little on the pricey side at times, but East Village offers big portions so you’ll always feel like you’re getting more bang for your buck. The menu offers a wide variety of modern American foods but still features all your favourites, there’s something for everyone. They also have these sweet open-plan burger and pizza kitchens so you can watch your meal being made from the comfort of your table.
A RESTAURANT THAT’S ‘GRAM WORTHY HYLIN 178 Railway Parade, West Leederville Make sure you bring a spare battery because your phone is going to run out of charge from spamming the gram and snapping the shit out of food. HYLIN is a funky, new wave café that approaches food in an artistic way with a menu full of nutritious, veganfriendly food. Make sure you try one of their freshly squeezed juices and give the ol’ Harvey Fresh a break. A fantastic café to start your weekend.
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FEATURE // VOL 4: ED.3 A RESTAURANT FOR SUNDAY BRUNCH Oxford Yard 196 Oxford Street, Leederville Oxford Yard is one of the nicest casual eateries I’ve been to North of Perth. First, they have plants EVERYWHERE (on the tables, by the walls, hanging from the ceiling) so as soon as you walk in you’ll already feel a little bit happier. There’s a wide variety of reasonably priced breakfast and brunch meals on offer, featuring everything from hot kitchen staples with a twist to delicate, buttery pastries. Oh, and did I mention the coffee is DIVINE? This gorgeous little cafe is planted within walking distance of Leederville’s main street so you can lazily explore the shopping strip afterwards with a full, happy tummy. Oxford Yard is a hipsters’ dream you have to check out.
A RESTAURANT TO GO TO AFTER A REALLY LONG DAY (FEATURING GREAT COMFORT FOOD ON A LOW BUDGET) Is Donburi 10/189 William Street, Northbridge While I can’t say the same for the restaurant name, I can definitely verify this: Is Donburi, Is Good. The food portions are large and balanced, featuring multiple food groups and some thick sashimi (I’m talking 1.5 cm thick.) Staff are friendly, take complaints seriously and deliver to a high standard. Just don’t go there on a Saturday night; the entire Perth arts community decides to feast there.
Reviews by Elisha Hammond and Adam Di Tullio. Where should we review next? Send your suggestions to: editors@ecuguild.org.au
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DOES HOMOPHOBIA STILL EXIST?
I
went to see a doctor and he thought I was straight. Hell no. So, I stopped him, said ‘look, I haven’t ever had sex with any lady ever. Only ever with men.’ And he profusely apologised and went on about safe sex. Except, I’m lying. I didn’t do that. In fact, he mentioned something about sex with girls and I think I nodded along. I was scared to tell the truth. Everyday there are struggles, big and small, for us gays, lesbians and bisexuals. You walk down the street with your partner and someone will call out ‘poof’ or ‘fag.’
individuals that are trans, non-binary or simply just challenge gender norms, it’s a much bigger conversation. Even with marriage equality, better media representation (Blue is the Warmest Colour, Cucumber) and ever improving rights in all corners of society, things are still difficult for queer people. Homophobia still exists; subtly hiding behind curtains, behind doors, waiting to whack you hard in the face. It is unexpectedly prevalent. Globally, there are many places where queer life is not only dangerous
“Lesbian, gay and bisexual Australians are twice as likely to have a high/very high level of psychological distress as their heterosexual peers” -Beyond Blue
You walk down the street, holding hands with your partner and you’re incredibly anxious because everyone stares. You feel anxious watching a TV show with gay characters, worried someone will look at it over your shoulder. You feel the unease of someone else when you casually mention your significant other when you are of the same gender. You feel sick when you see media coverage of Russia suppor ting the torturing of gay men. And for
but illegal. In Egypt, in 2017, arrests were made from people simply holding rainbow flags and others were arrested for using gay dating apps; some of the men arrested were subjected to anal examinations. In Russia, Putin’s anti-LGBT propaganda has resulted in the public abuse of queer people. Heavily religious states such as Iraq and Iran follow in similar suit, deeming homosexuality unacceptable. Rhetoric from Muslim leaders describe homosexuality as ‘immoral’ and that it leads to ‘incest and worse.’
No wonder queer Muslims are facing immense suffering. Globally, these things impact everywhere; what happens over there affects other places too. Simply recall the global effects of America declaring same-sex marriage as a fundamental right. What about the modern, liberal Western world? Are queers being murdered and jailed? Things are much brighter than that. We can get married! There are still many roadblocks that stop LGBT+ individuals feeling completely accepted, and dare I say, normal. Like a growing poisonous plant, it begins when you think, he’s hot, or she’s hot, yet I’m a he and he’s a he. Or she’s a she and I’m a she. Oh shit. Then there’s ‘coming out’, the awful darkness that churns in your stomach about being accepted, being rejected, the torture that twists and aches for a long time. Then there is finding your feet, becoming yourself, and, even then, you may face resistance from others. Perhaps even from yourself. But you push on, working, studying, parenting, clinging on to all the happiness you can find. Even with happiness and acceptance in yourself, it’s not easy to be going through life with one hand always fighting away the toxicity that is homophobia. By Jordan Brunnen
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Contiki vs Topdeck Nowadays, there’s no better way to flaunt your millennial status than by heading to a hole-in-the-wall hipster cafe, ordering an acai berry buddha bowl (avocado toast? you’re no basic bitch) and planning your next Contiki or Topdeck tour. But there’s one problem - how do you know which tour is right for you? Dircksey’s here to break down all the elements of your next Contiki/ Topdeck escape and shed some light on which tour might be right for you. By Elisha Hammond 38 DIRCKSEY MAGAZINE VOL 4: ED.3
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Contiki
Topdeck
Contiki generally boasts larger groups expect to encounter teams of 40-50 people on their popular European tours, and figures just shy of that on other international trips.
Topdeck also has large tour groups; they’re usually cheaper than Contiki, so they’re bound to bring in big numbers. You’ll regularly find groups of 35-48 on a tour, but more intimate explorer trips have 16-20 guests.
Contiki is known for having a bit of a party lifestyle. Tours focus on living the tourist dream whilst experiencing the nightlife, so be prepared to sleep on the coach!
A big selling point for Topdeck has always been their variety; they cater to younger travellers looking to booze it up as well as people looking to immerse themselves in culture and sightseeing. You’ll get the full tour group experience and make individual memories on a Topdeck tour.
A bit more on the pricey side, but not without reason. A lot of Contiki packages offer inclusive activities that you might have to fork out extra for on other tours. The average cost per day is $180-$220 (which varies greatly depending on your tour type, accommodation, and any add-ons like me-time or premium activities.)
Topdeck is often the cheaper tour choice, but this doesn’t mean you’re missing out! With more generic activities on offer and (free) spare time to explore on your own, you can customise your tour and add the activities you’re keen to check out. Topdeck tours come in at a base rate of $160$200 each day (varying based on the tour type).
ACCOMMODATION
Most Contiki tours provide accommodation in hotels or hostels, and they have higher accommodation reviews than some comparative Topdeck tours. In both cases though, you’re paying for value rather than luxury so expect to live it up whilst you’re out and about rather than in your hotel room.
If you’re travelling with Topdeck, you’re likely to be based in hotels, hostels, or campsites for your tour accommodations. Like Contiki, hotels are generally three stars and centrally located. If you’re roughing it and living in a tent, you’ll have to bring your own sleeping bag (we ain’t glamping here!)
TOUR VARIETY
Contiki has always featured more in the way of tour destinations and travel types; there are options available for 6 continents with 302 tours. Contiki and Topdeck are similar in terms of the location offerings, but if you’re craving a trip to Latin America, Contiki is the way to go.
Topdeck has 288 tours available. You can choose from fully guided group tours or opt to customise a more independent travel experience. They also offer more trips to Africa and the Middle East than Contiki.
•Looking to see more than just the tourist traps
•Just over 35
GROUP SIZE
TOUR STYLE
COST
•Interested in experiencing international nightlife GREAT IF YOU’RE…
•Happy to spend lots of time in groups •Chasing a fast-paced tour where you’ll see the sights and experience the culture
•Craving more free time to explore by yourself •Working with a smaller budget •Into travelling in smaller groups •Keen to do a tour on your terms
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ENOUGH! – NO MORE! Recently, I watched as Judge Aaron Persky was recalled by the people of California for his, now infamous, role in the grossly inadequate sentence given to convicted rapist, Brock Turner. Aaron Persky now has the disgraceful legacy of being the first judge to be recalled in California since 1932. When he sentenced Brock Turner to just six months in prison (of which only three months was served due to ‘good behaviour’), few could imagine that almost two years later, there would finally be a consequence for his minimal action. While I do understand the concerns, I do feel it is worth considering the fact that sexual assault remains a crime, which is under-reported and for which victims struggle to achieve justice. When judges are complicit within the lack of justice, and when they perpetuate the harm, which makes it so difficult to report, there must be consequences. Recalling a judge is a nuclear option, but ultimately, advocates were left no choice when faced with a judge who felt he had done nothing wrong in lightly sentencing a man who is so obviously guilty. During the trial, Judge Aaron Persky stated on the record, “A prison sentence would have a severe impact on him”.
The impact of his crimes on the victim, Emily Doe, were not taken into account - in spite of a 7000word victim impact statement. Doe says: “You took away my worth, my privacy, my energy, my time, my intimacy, my confidence, my own voice, until today”. Victims are only just now beginning to be heard, from the ‘MeToo’ movement to the ‘End Rape on Campus’ campaign, and women are beginning to demand the justice that has for so long been denied. No longer will we suffer in silence while the behaviour that leaves them to endure lasting harm is ignored. I am sadly yet to meet a woman who I have spoken with about my own experiences without her sharing similarly horrific experiences involving male physical and sexual violence. But it should not be up to us alone to change, this world which treats us so appallingly. Respect is something that needs to be taught from a very young age. It begins in childhood, as they grow that we can raise a
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generation of boys who will grow up to treat women and girls with respect and care. The culture of male entitlement needs to end. Women and girls do not owe you their time and energy, they do not owe you sexual gratification and they do not owe you relationships. The ‘friendzone’ is a lie, you are no more entitled to my time, energy and presence than I am to yours. We are now seeing a new wave of male violence in the form of so called ‘Incels’ (involuntarily celibate extremists) taking out their hatred on women a hatred born out of a sense of entitlement to something they neither have nor deserve. “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” -Margaret Atwood. By Samantha-Jane Rose
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CO G N I T I V E D I S TO R T I O N S One battle many of us face, especially those dealing with mental illness, is one with cognitive distortions. A cognitive distortion is basically how it sounds – a thought that alters our view of reality. The key to getting on top of these irrational thoughts is identifying them. Listed below are twelve of the most common cognitive distortions. Always Being Right – I am always correct, therefore I can never be wrong. “Heaven’s Reward” Fallacy – My struggles, my hard work and my suffering, will all lead to a just reward. Fallacy of Change – Others will change for me; my happiness depends on others changing their behaviour. Fallacy of Fairness – Life is fair. Control Fallacies - I either have no control over my life and am a helpless victim of fate, or I am in complete control of my life and thereby responsible for everything. Personalisation or Blaming – Either I am always responsible (for an event in which I had no control) or other people are entirely to blame (despite what actions of mine may have contributed). Should Statement – I should have done this. They should have done that. This doesn’t consider the context and the complexities of situations.
Emotional Reasoning – If I feel something then it must be true. For example; I feel uninteresting, therefore I must be. (This one is super common!) Magnification or Minimisation – Exaggerating or minimising the importance of events. I make one mistake, I am a terrible person, or I win an award, but it means nothing. Jumping to Conclusions – Either in the form of mind reading, by making assumptions about what a person thinks without any communication; or by predicting outcomes of events. For example: I will forget my lines in the play, even though I memorised them. Mental Filtering – Focusing on the negatives of a situation and disqualifying the positive events. Polarised Thinking – Everything is either good or bad. For example: I am either perfect or the worst. By Zachary Sheridan Art by Shona Wong @somechuppy DIRCKSEY MAGAZINE VOL 4: ED.3 41
WHAT YOU SHOULD // VOL 4: ED.3
What You Should: What You Should Subscribe To: Lucas the Spider There is objectively nothing cuter than an adorable, animated four-eyed spider, called Lucas. Nothing. Each month animator Joshua Slice posts a video of the adorable Lucas and every time hearts are soothed, depression is cured, world peace comes one step closer and most importantly the world gets an update on Lucas’ adorable, funny and wholesome life. Now go watch the videos of Lucas you monsters, I can’t believe some of you. By Tristan Sherlock
What You Should Watch: Legion Experiencing superhero fatigue? Then maybe you should check out Legion. David Haller (Dan Stevens) is a powerful mutant with schizophrenia and is very loosely based on the Marvel Comics character of the same name. After spending many years in various psychiatric hospitals, he is saved by a group of mutants who wish to help him control his abilities. Hunted by a government agency known as Division three, the group must unravel the mystery behind The Shadow King before it is too late. While Dan Stevens does a remarkable job as our primary protagonist, it is Aubrey Plaza who steals every scene she is in. She plays the mischievous Lenny, a close friend of David’s, who is a bad influence on his mental state. She has many dark secrets of her own that are revealed to David over the course of the series. Currently in its second season, Legion’s psychedelic visuals complement its unconventionally abstract narrative. From dance battles in the astral plane to a chase sequence in the style of a silent film, you really don’t know what to expect with this show. Noah Hawley (the creator of the Fargo TV series) said, “like Alice in Wonderland, David’s sanity is always being questioned.” He has successfully subverted the tropes that plague many modern comic book adaptations to deliver us a mind-bending science-fiction series. Season one and two of Legion are available now to watch on iTunes or Google Play. By Jesse Newell 42 DIRCKSEY MAGAZINE VOL 4: ED.3
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What You Should Watch: Nailed It! We all love trash TV, especially trashy cooking shows. So why not love the trashiest yet: Nailed It! This is a non-serious cooking show based entirely around the Nailed It meme (what more could we ask for?). Move over My Kitchen Rules. The only competition show we have ever needed is this one, which challenges novice cooks to try and ultimately fail to recreate elaborate, well-crafted and impossible-looking cake designs. Nailed It! pits three home bakers against each other for $10,000. Each episode sees a new set of contestants battling it out to see who can best match the elaborate cakes. Nicole Byer’s hosting makes the show; without her funny and purposely annoying sense of humour, Nailed It! would not have worked out. Byer instantly takes away all sense of seriousness from the competition and gives the show life. Each contestant is full of character: most of them are funny in their own sassy, blunt, or stupid way. The show doesn’t provide the same amount of forced drama as other cooking shows, but rather provides entertainment in the form of constant commentary about how the contestants are doing everything wrong. Nailed It! is funny, entertaining and most importantly it doesn’t take itself seriously at all. Binge season 1 and 2 on Netflix now.
By Tristan Sherlock
What You Should Use: Sukin
Investing in and buying sustainable products can be expensive and a bit of a gamble in terms of the quality of the product. This is especially true with skincare products. Well after searching far and wide I think I’ve hit the jackpot, with Sukin Australian Natural Skincare ticking all the boxes on price, sustainability and ethicality. For the past few months I’ve been testing out a few of their products including body washes, face masks, moisturisers, face wash and more. I can testify that the products are of great quality, with their charcoal line very comparable to the Dermalogica charcoal line. All the products are natural and contain: “no petrolatum / mineral oils, no synthetic fragrances, no animal derivatives, no artificial colours, no harsh detergents, no propylene glycol, no mea/dea/tea, no phthalates, no triclosan, no sulphates, no parabens, no silicones, no edta.” They are also 100% carbon neutral, vegan, biodegradable, grey water sage and cruelty free. But what’s the cherry on top of this (raw, sugar free) cake is that all the products are available in Coles for non-extortionate prices! I must say that this is NOT a sponsored post … but Sukin if you want to send us products our deets are on page 2 <3 By Holly Ferguson DIRCKSEY MAGAZINE VOL 4: ED.3 43
MUSIC // VOL 4: ED.3
Finally, Loston Echoes. By Jackson Lavell-Lee | Images by Matsu 44 DIRCKSEY MAGAZINE VOL 4: ED.3
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L
oston is a name that may appear somewhat hazily in your memories if you’re a fan of Perth’s bubbling electronic music scene.
A few years ago, spurred on by the momentum of several incredible remixes (featuring music from Drake, Sampha and London Grammar), Loston garnered an international audience and attention from American music labels. It seemed like he was one of the next big Perth producers.
he realised the only point of having creative projects was to find peace, fulfilment and satisfaction. For Loston, this journey is embodied in Echoes. The passing of his Father had a severe effect on Loston, who said he felt selfish trying to make music while his dad was terminally ill. “I used to hate it when people would ask me how I was, or whether I was looking after myself because I wasn’t the one suffering. I wanted to help and only think about myself once it was all over.
Yet it’s taken more than two years for us to get our hands on his debut EP Echoes. During this time, Loston has struggled with his Father’s death, after his battle with Leukaemia, and contractual issues within the music industry, which have understandably clouded his creative drive. But the long-anticipated EP is hauntingly beautiful; blending electronic instrumentals with emotive dream pop.
“The finality of it has been hard to come to terms with,” he said.
Childhood friend ShockOne and collaborator Ta-ku have nothing but love for this inspiring individual, who is also creative director at Origin NYE.
The vocals were recorded on his smartphone and then mastered. “I was originally very self-conscious about the vocals because, like most
‘Holding Pattern,’ the second song of the six track EP is an ode to how he felt during these tumultuous events. The song begins with an eerie high key as Loston’s vocals repeat; “Did you watch, did you watch it come undone? Did you change, did you change that for anyone?”
playing together, bangin’ out his 50 Days For Dilla. It was on full volume until I neared the court, but then I got stage fright and turned it all the way down as I arrived!” “We have some things we’re working on together,” he whispered knowingly. Loston’s remix of Sampha’s ‘Too Much’ was so popular it reached 1 million plays during Soundloud’s golden era, giving him the opportunity to play festivals while travelling in America. Spring-boarding off this success, the EP track ‘Disappear’ already has 81,000 plays on Spotify. Starting with a slow build up that leads to a searing synth drop featuring heavy percussion on every second beat. ‘Disappear’ is a triumph of sonic freedom. “‘Disappear’ was made for myself from somewhere deep within. Sometimes I wished I could just escape from what was going on around me,” he said.
“Record executives have meetings with you, saying you could be the next Chainsmokers, but at 30 years old who wants that? If I was still 24 then sure, but now I want to make music I love” Echoes is set to be a collector’s item for local EDM fans, with only 100 vinyls of the EP pressed. A magazine produced by Loston himself (a graphic designer by day) will come with every vinyl purchased. By night, Loston works tirelessly on his music, going through more ideas than he can count due to his growing dissatisfaction with popular EDM. When I spoke with Loston, he said he felt a strong expectation to conform to mainstream sensibilities in his EP. “Record executives have meetings with you, saying you could be the next Chainsmokers, but at 30 years old who wants that? If I was still 24 then sure, but now I want to make music I love,” he said. After advice from his girlfriend,
people, I don’t believe I can sing very well. I showed them to the guy that does my mastering and he was very impressed by the natural effect my voice had.” “It’s like Frank Ocean; he doesn’t sing in perfect tone, but you can feel his emotion and natural realness, a raw power that possesses you when you listen to his stuff,” Loston said. After a sensuous beginning, uplifting synths come in on ‘Holding Pattern’ and the entire track builds to a melodic crescendo that immediately warps and fades out in a bleak yet beautifully soft keyboard outro. “Ta-ku and Flume have been major influences on my sound. I’ve collaborated with Ta-ku before and rolled up to a basketball game which we were
Don’t be surprised to find Loston’s new single ‘Solitaire’ will be on regular rotation at Triple J in coming months. The song has an exceptional intro hook by a guest female vocalist and is the most commercial vibe on the EP.
The hear tfelt vocals address normalised sexual assault, threatening behaviour and relationship breakdowns. The quaint keyboard build up makes way for a slow progressive drum and bass drop excentuated by lyrics “Why you gotta be so, why you gotta be so cold, leave me alone.” “I wanted people to be able to hear the record differently and for it to make them feel things.” Echoes drops on Spotify in July. Listen to the rest of Loston’s dope remixes such as, James Blake’s ‘Retrograde’, London Grammar’s ‘Strong’, Banks’, ‘Waiting Game’, and ‘No Reason’ with Ta-ku on Soundcloud.
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Meet Flamboyant Tongan Rapper
TURQUOISE PRINCE Turquoise Prince, aka TLC, calls the south side of Canberra home. He’s got endorsements from AusHop heavyweights Horrorshow and Spit Syndicate, and has toured the country with both of the Sydney acts. Currently touring with Spit Syndicate, Turquoise Prince has supported the Orbit rappers on a gigantic national tour with 20 shows over six weeks, including the WA Day long weekend here in Perth. The three shows they played here included; the famous Leederville Block Party at Rosemount and a Friday night gig with Hyclass at Mojos. It was on that wet and wild Friday night that I met him in the courtyard of Mojos bar. “How’s the tour going man?” I asked after a laugh about his jacket swap and gangster pose. “Tour is wild bro. Can’t believe someone sparked up a joint next to the stage tonight,” he said. I’d just seen his performance before Spit Syndicate ripped the lid off the intimate live venue. The breaks between his songs were smattered with squeals from the audience and observations along the lines of “he’s so hot!” However, it was the musical appeal that caught my attention. Not only can the man sing, but his lyrics are also thoughtful and intricate.
It was time to talk music, so I enquired about the experience that led to the hook he wrote for Horrorshow’s ‘My Time’, from their recent album Bardo State. “The ‘My Time’ hook was inspired by this dude that died in a car crash a while back. I won’t go too [far] into the story for various reasons - but there’s a possibility that drugs/alcohol were a main contributor,” he said. “It’s my time to shine until it’s my time to go.” The line was delivered with a smile but the obvious pain behind the content caught me off guard; it seemed poetry came effortlessly to TLC. “So how was it that Horrorshow found your talent?” I asked. “They saw me play a gig with Hau at the Newtown Social Club a few years ago. I connected with Adit immediately and we started sending music back and forth within a week of meeting,” he replied with a shrug. The song ‘Sunday Sesh’ combines a sexy ballad with a natural acoustic flow. The accompanying video shows
Turquoise effortlessly drift between a party vibe, featuring new school RnB type lyrics, and a modern love story that compels and intrigues. His new song ‘Lighter’ is similar, with a slow electronic intro which is complimented by deep vocals. “Put your lighter to my mind and burn some sense into me,” he croons. The bittersweet love song later continues; “With a look beyond language my words become nothing. We keep it simple, black and white filter, when the night falls I’m running.” These lyrics are delivered with a penetrating clarity and intuitiveness that dispels the common assumption that Australian hip hop artists are basic. “It is what it is bro - just don’t leave him for me, pretty much sums up what I’m trying to say in that song,” he smiles. I took a step back and watched, taking a few photos as the conversation between him and a few girls turned flirtatious. He has a tattoo on his cheek that simply reads ‘play’, one
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on his neck that says ‘PARADISE’ in black bold capitals, and also the words ‘gluten free’ on his chest. When I asked about them, he wryly replied; “I can’t eat gluten because it really fucks me up.” It seemed he wasn’t too keen on the distraction; the glory hours after performing must be the only time artists are free from tiresome worry or commitments on tour. The Spit Syndicate duo are no strangers to touring either, with at least one if not both rappers regularly in Perth for video clip filming, photo opportunities, listening parties and One Day Block Party events. “So, what has been the most impressive and wild moment of this whirlwind tour?” I asked.
“Every second moment bruz”. Turquoise and Spit Syndicate have recently collaborated on the latter’s latest album, Orbit, most notably on the track ‘Miracles’. The powerful and ambitious hook conveys a hustler’s sentiment. “It’s common in this day and age to want what we can’t have, but I feel it’s better to want what you actually deserve. Ambition is one of many drives you need to do what you love, ‘but it’s not all about the money’,” he said. Check out Turquoise Prince’s new single ‘Lighter’ on Spotify today and get to know the ostentatious rapper. Images and interview by Jackson Lavell-Lee
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FEATURE // VOL 4: ED.3
K
THE REAL BLACK PANTHER
anye West has recently released five studio albums in five weeks; first with Pusha T, Daytona, his own Ye followed, then another three collaboration albums with Kid Cudi: Kid See Ghosts, Teyana Taylor K.T.S.E and Nas’ Nasir. Yeezy has ridden a monumental wave of commercial success, but it’s his dark times that birthed such an incredible workload. Following a controversial endorsement of US President Donald Trump and saying on TMZ that slavery was a choice, Kanye announced that he’s been diagnosed with bipolar disorder. Since then he’s labelled that illness a ‘superpower’. Hereditary bipolar has been a part of my family for decades, and I can tell you there is nothing empowering about it Bipolar disorder is more common than most people believe and is characterised as a mood disorder. Formerly known as manic depression, the sufferer is anxious and can exhibit symptoms of sudden furious anger. Imagine a lion cub pushed into a corner; you’d love to give it a hug but squeeze too hard and they will attack with deadly ferocity. Kanye West has always been a fierce worker. Since Jay Z’s 2003 The Black Album, which Kanye predominantly produced, the musician turned fashion designer has taken on project after project. His first three solo studio albums, The College Dropout (2004), Late Registration (2005) and Graduation (2007), are mid 2000s classics. Australia discovered his talents when West’s Daft Punk sampled song ‘Stronger’ swept the charts. Kanye went from strength to strength with 808s & Heartbreak (2008), My
Beautiful Dark Twisted Fantasy (2010), Watch the Throne (2011) with Jay Z, and Yeezus (2013) cementing himself as a modern pop music icon. Originally laughed out of label meetings for his outlandish and simplistic lyrics, Kanye developed a certain style of controversial auto tuned vocals with contemporary references. His beats have always been phenomenal, and Kanye has reckoned his production of music to watching a feature length film. The very controversial Yeezus was the beginning of Kanye’s arrogance-fuelled descent into depression. With continuous attention from the paparazzi the ‘sad Kanye’ showed he had a genuine ‘me against the world’ mentality, like legendary rapper 2pac. When Life of Pablo (2016) was criticised, Kanye reacted poorly, and his twitter blew up. The album felt disconnected and unfinished compared to previous cohesive projects; it was obvious Kanye’s mental demons were beginning to show. Two years later through issues with anti-depressant medication, weight gain, law suits and continued media scrutiny, Kanye has reinvented himself, releasing five albums with innovative and soulful beats. The lyrics on Ye, however, are a letdown. Aside from ‘Yikes’, the album relies on features to uphold a continuous dialogue. His thought process when rapping sounds rushed and fractured. For someone with such a large platform and the ability to help break the stigma against mental health, Kanye skates across the surface of the issue and never makes a well-articulated point about the need for people to understand and openly discuss
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mental health issues. Kanye does provide a wonderful canvas for Kid Cudi, another artist who has struggled with mental demons, to deliver what he couldn’t in the way of progressive and uplifting lyrics. Cudi hums and heartwarmingly describes the journey forward on ‘Reborn’ and ‘Freeee.’ On Nasir, Nas and Kanye make a political statement with ‘Cops Shot the Kid’ addressing the Black Lives Matter movement and police brutality against black people in America. On ‘Everything’ Kanye makes a guest hook, one of his best among the four album releases and seems to leave behind his materialistic past. This album is Kanye’s biggest triumph of the year. Kanye West currently holds numbers one, two and three on Apple Music’s streaming charts. He demonstrates, carelessly and positively, that even if you suffer from a mental health illness, when you work hard and chase what you’re passionate about you can succeed and become an advocate for the acceptance of mental illness. Kanye West is a polarising character, but love him or hate him, his beats speak for themselves. He may simplify his mental health battle; his lyrics may seem jovial or basic but the sheer volume of musical content he has produced recently is nothing short of super. By Jackson Lavell-Lee
MUSIC REVIEWS // VOL 4: ED.3 Care For Me | Saba, 2018
Care For Me is the second studio album from Chicago rapper Saba, delivering intellectual lyrics, lucid progressive beats and a very personal track list and subject matter. One song that jumps out from this sonically pleasing and melodic journey is ‘Calligraphy,’ a powerful song that demonstrates Saba’s method of self-care: writing. The complex themes within this track explain some of the demons that are commonly endured by professional rappers. The social pressure that artists face today is darkly evident in ‘Logout’ featuring Chance the Rapper, which chronicles the modern-day addiction to smartphones. Its mellow beat forces the listener to be present as the moral is delivered with direct honesty. Although Saba is quite safe with his beat selection and production, the structure is flawless hip-hop from start to finish. A perfectionist when it comes to writing, this feature length album tells a story about a kid stuck in the projects of Chi-raq, a universal tale that champions the daily grind with self-aware confidence and finesse. By Jackson Lavell-Lee Mean Girls Broadway Cast Recording | Various Artists 2018 Yes, you read correctly, Mean Girls the Musical is a thing. The book is written by Tina Fey and her husband, Jeff Richmond (30 Rock) wrote the music with lyrics by Nell Benjamin (Legally Blonde: The Musical). The 21-track Original Broadway Cast Recording features some of Broadway’s freshest talent such as Tony Award nominees Grey Henson and Ashley Park, as well as Broadway pro Kerry Butler. ‘Sexy’ sung by Karen (Kate Rockwell) tells us about how she wants it to be Halloween every single day, so she can “dress up as someone who’s not me but is still hot.” It’s a highlight thanks to its witty lyrics and ability to serve as a standalone track. This also goes for ‘I’d Rather Be Me’ (Barrett Wilbert Weed), which is the album’s sing-a-long (or scream along in my case) anthem. Inevitably, some of the songs have slightly struggled in the transfer to recording, as they’ve been altered to cut out in-between dialogue. In some cases, this dialogue could’ve been kept in due to context and the comedic nature of the show. I doubt this cast recording will reach an iconic level like some other Broadway works, but it most certainly will be a fave for theatre fanatics (like me). By Holly Ferguson
Age Of | Oneohtrix Point Never 2018 Age Of is the eighth studio album from Massachusetts-born electronic music artist Daniel Lopatin, better known as Oneohtrix Point Never. The title and opening track allude to a sonic world the rest of the album seeks to create. Paced synth-harpsichord lines are joined by warm but periodically crushed synths. It also introduces cold metallic sweeps and heavy stabs, themselves reminiscent of the distorted scream of a hardcore vocalist, which represents OPN’s sense of contrast. ‘Babylon’ plays like the Twin Peaks theme, but as it progresses the listener is shocked by the auto-tuned reverie with a metallic sweep of unexpected vocal. A pop sensibility is evident, but never to the detriment of exploration and variation. This is a stunning album, which fans and newcomers alike can easily engage with. Followers of the Warp record label could perhaps see OPN’s, now well-defined, sound as a direct evolution of the convergent techno-spiritualism of Boards of Canada and their kind. By Jimmy Hanlen DIRCKSEY MAGAZINE VOL 4: ED.3 51
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LITERATURE // VOL 4: ED.3
GUERNSEY GETS IT RIGHT
The Guernsey Literary and Potato Peel Pie Society: An Analysis of Book to Film Adaptations
I have lost count of the amount of times I have left the cinema sighing over the latest butchering of a book I cherished. Most readers will agree that movie adaptions of books are rarely satisfying and often awful. But occasionally, if we learn to look past every minute change made to fit the story into a different medium, we can find a real gem. One such a story is The Guernsey Literary and Potato Peel Pie Society, written by Mary Ann Shaffer and Annie Barrows, recently adapted into a film starring Lily James. Guernsey is an epistolary novel, meaning it is written as a series of letters between characters. It’s set immediately after the Second World War, in London and on Guernsey, one of the Channel Islands that was occupied by Germans during the war. The main character is Juliet Ashton, a war-weary yet passionate writer who strikes up correspondence with the still-shaken residents of Guernsey. She visits them to write about their book club and discovers their founder Elizabeth McKenna is missing. The adaption of a book to film obviously involves cuts and changes, but the retelling of an epistolary novel, where all the events are recounted after the fact by Juliet and other island residents, poses a particular challenge. The most significant changes are the relationships between the characters. Juliet receives a proposal from her American boyfriend Mark, a suave guy with all the moves. In both versions he proposes just before she sets off on the boat to Guernsey, in the film a flustered Juliet accepts the
massive diamond, but in the book she embarrasses him with a resolute maybe. Her indecision spurs Mark’s surprise arrival on the island (much to the dismay of myself and Juliet who was just getting close to a certain gorgeous pig farmer, Dawsey Adams). I do regret the changes to Juliet’s eventual rejection of Mark, as watching Lily James explode at him after he insults her new friends would have been a treat. The comparative tearful return of the ring in a fancy London club is not nearly as satisfying. That being said, Juliet’s proposal to Dawsey is brilliantly executed and lifted almost verbatim from the book: “Would you marry me? I’m in love with you, so I thought I’d ask”. Other minor characters are pushed closer to the sidelines. Kit, the four-year-old daughter left behind by Elizabeth McKenna when the Germans arrested her, is a likeable, outspoken, ferret-loving girl who is the charming centre of the book club in the novel. Arguably because of the practical restraints of having such a young actor, the film has Kit mostly in the background, with only one significant scene. Another Guernsey resident who suffers from cuts in Isola Pribby, the island’s resident potion-maker and fortune-teller. Isola’s pivotal role in the book, including the discovery of personal letters from Oscar Wilde in her biscuit tin, and the use of phrenology (it’s okay, just Google it) to prevent a crime, is tragically minimised in the film to that of an inconsequential gin-maker.
Remy Giraud, a French survivor of the Ravensbrück concentration camp. Remy is invited to Guernsey to recover from her experience after writing to the residents to inform them of the death of their missing book club founder. Remy’s unexpected letter describing Elizabeth’s execution comes as a punch in the gut. And with Remy disappears her heart-breaking stories of trying to keep up hope in the camp, her emaciated body, and her fits of PTSD. Instead, the most tear-jerking scene in the film is book club member Eben Ramsey’s flashback to sending his grandson off the mainland just before the Germans arrived. The emotional impact is more despairing than horrifying. Is this omission evidence of a cowardly reluctance to tackle such a painful topic? While it’s a cut I am reluctant to forgive the directors for, I must admit that Lily James and Michael Huisman (our endearing pig farmer) tell a tremendously touching love story that blooms in the shadow of war. Despite my evident bitterness over the changes, the spirit of the novel is adapted masterfully for the big screen, with its small-scale stories of survival all threading together on a backdrop of stunning landscape shots. It’s an exquisite adaption, and the film does echo the spirit of the book, by celebrating the ability of love to bring hope during, and even because of, the darkest of times. By Emily Smith Art by @isolstize
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BOOK REVIEWS // VOL 4: ED.3 History Is All You Left Me | Adam Silvera, 2017 Adam Silvera’s History Is All You Left Me is a touching, painful story with memorable characters that linger long after the book is shut. Meet Griffin: the teen narrator from New York, whose boyfriend has died and lives in the past and present; Theo, who drowned in California with his then boyfriend Jackson; and Wade, the third wheel in the friendship with Griffin and Theo. Every one of these characters stuck with me and enriched the tragedies, the fights, the sex and the rollercoaster ride of emotions including guilt, anger, happiness and confusion. It felt like The Fault in Our Stars all over again. The back and forth narrative and unreliable narrator, maximises the story’s potential. Above all, the book gives a voice to a character who is flawed, while still allowing him to remain unrestrained. Up to the very last sentence, I was gripped by this queer, young adult must-read. By Jordan Brunnen
Circe | Madeline Miller, 2018
Retellings of mythology aren’t new, but Madeline Miller’s Circe is refreshing and unique. As the title suggests, Circe is a tells the story of everyone’s favourite witch, the gal who turns men into pigs. Despite the slow-pacing at the start, Madeline Miller’s way with words makes it near-impossible to put this novel down. Despite Circe’s tragic nature, Miller has masterfully crafted an intense, heart-breaking yet overall wonderful novel. It’s amazing when a stories’ main character is its strongest asset, and this is the case with Circe. A complex character, it’s impossible not to relate or sympathise with Circe. Despite the evil things she has done, Circe remains human. The novel is more than just a basic retelling of mythology; at its core lies plenty of feministic ideology. Miller has managed to turn an ambiguous character with no real story of her own into a realistic and intricate being. Circe is far more than just an ordinary retelling; it’s a story about women in mythology, endurance and finding yourself. By Tristan Sherlock
Getting Away With Murder | Duncan McNab, 2017 A detailed account of one of the most infamous chapters in modern Australian policing: the murder and disappearance of over 30 gay men around the Sydney area between 1977 and 1986. The author, a former NSW policeman, places the crime in the context of decades of homophobia, discrimination and police corruption. The cases outlined rival anything by Agatha Christie, and expose the incompetence and sheer apathy of the New South Wales police force when investigating gay men’s suspicious deaths. The author provides background to this homophobic culture, which allowed many murders to go unsolved and killers to evade justice. While the NSW police force has made much progress over the past two decades, there are still a few cases that need to be acknowledged - let alone investigated - as murders. By Andrew Douglas
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FILM // VOL 4: ED.3
WHAT HAPPENED?: A STAR WARS STORY Did you see Solo: A Star Wars Story? Wasn’t it such a bloody disaster? Just awful on every level – wait, no? No. That’s what the toxic fandom would have had you believe even before the movie had come out; because this polarity has shaped the Star Wars franchise lately. You either love it blindingly or outrightly hate it outright. So, where is the middle ground? Does it exist anymore? Take my story for example: I have loved Star Wars for as long as I can remember. I even loved the prequels when they came out, (I was 10, gimme a break). Having watched the films again, multiple times, I now see how painful the prequels are and how influential the originals were. I still, to this day, consider The Empire Strikes Back to be a near-perfect film. When Episode VII was announced, I was intensely excited to return to my favourite universe. The Force Awakens, Rogue One and The Last Jedi have all been brilliant, some more than others. So, I have some experienced both hating and loving the Star Wars franchise. But then there’s Solo. Some like it or dislike it more than others, but the
weak points are almost universally agreed upon. So where does that leave Star Wars? This is a brand defined by its resilience to a lot of garbage (just Google the story for the book The Crystal Star) and its ability to deliver great stories to mass audiences. But with a seriously disappointing opening weekend and ever-diminishing results week after week at the box office, Solo has positioned the Star Wars franchise in a realm of mediocrity that it has never seen before. The toxic fandom is still out there, unwilling to let go of whatever pissed them off about any of the new Star Wars films, but what about the less extremist audiences? I’m sure a lot of people reading this right now have always been ambivalent about Star Wars. You might have simply watched The Force Awakens and maybe a couple of the originals but haven’t gotten around to the others. Not because you think it’s always been terrible, but because there’s so much surrounding it that it might seem impenetrable.
Now Star Wars is uneasy, unsure and casting doubt in many people’s minds. Solo is not latching on like previous Star Wars films (I’m not counting The Clone Wars film) and that means there needs to be a change. It wasn’t simply bad timing or just an off weekend, it was a problem with implementing a story not many wanted and continuing a production that became troubled and costly. I want Star Wars to be bold and crazy, to push the ideas of storytelling and explore brand new worlds. Solo didn’t accomplish this, and we shouldn’t have more films like it. But we should still fight for a middle ground to talk about these things; otherwise, what is the point? May the Force be with you, always ... By Christopher Spencer
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FILM REVIEWS // VOL 4: ED.3
Freedom Writers | Richard LaGravenese, 2007
Upgrade | Leigh Whannell, 2018
Freedom Writers is a film based on the book The Freedom Writers Diary, detailing the cohort of young Americans who attend Woodrow Wilson High School in Long Beach, California and the dedicated, yet privileged teacher who taught them. Erin Gruwell (Hilary Swank) is a teacher with little understanding of the hardships and struggles that her students, mostly African American and Latino, face. Undaunted, she rekindles their thirst for education and desire to fight for something better through the power of love, community and ambitious belief. It’s a story of fostering talent, demonstrating that despite everything there are people who believe and support others. The students learn about the Holocaust and begin to consider how their own experiences relate to historical events and in doing so, demonstrate their empowerment, regardless of the systemic barriers they face. This movie shows the humanity of every student and the influence a devoted teacher can have to empower through education. By Samantha-Jane Rose
Written and directed by Leigh Whannell, Upgrade stars Logan Marshall-Green as Grey, a man whose life is destroyed in a targeted mugging. After the accident, Grey is ‘upgraded’ with an advanced implant system known as STEM and his life changes. The system gives him full mobility but can also take over his body in a crisis and turn him into a lethal weapon. What works best about Upgrade is the unique execution despite a simple premise. The influence of films like The Matrix, Terminator and Death Wish are clear, but Upgrade’s real story centres around control, especially poignant in a world dominated by advanced technology. STEM talks to Grey alone, acting as his conscience and guiding him towards the redemption he seeks. Marshall-Green plays this torn character wonderfully, and Simon Maiden’s voice work as STEM is hauntingly calm. While the story can feel a little generic and some plot points are underdeveloped, Whannell exceeds expectations and proves his talent as a director with this smart, gory, thrill-ride. By Christopher Spencer
Hereditary | Ari Aster, 2018 From the warped mind of writer and director, Ari Aster, comes a harrowing tale of a family with a sinister secret. The sudden death of a domineering matriarch leaves the Graham household in a state of uncertainty. Annie Graham (Toni Collette) tries to take her mind off things by focusing on her work as a miniaturist artist. But when her son, Peter (Alex Wolff), starts behaving strangely, Annie believes her family is being haunted from beyond the grave. With barely any jump scares in sight, this slow-burn horror is masterfully crafted. Pawel Pogorzelski’s precise cinematography evokes a sense of dread as you question what is lurking in every corner of the house, while Toni Collette delivers an unsettling performance that will have you on the edge of your seat. It is essential viewing for horror fans and its spine-chilling twists will stick with you long after the credits have rolled. By Jesse Newell
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CREATIVE // VOL 4: ED.3
Thoughts from Brad Fitzpatrick FITZY:
So I was on the train with my boys. We’d just been down to Freo. Coupla beers at Little Creatures Brewery. Anyway, some old lady starts talking. You remind me of my four boys she says. What. You remind me of my four boys she says. I have four boys just like you. Yeah OK. We smile and be polite and all that. Do you follow the football she says. Sure do I say. You got four boys from Adelaide. Two Power. Two Crows. My grandson plays for the Eagles. Oh really. What’s his name? Frankie Shears. Oh yeah Frankie Shears he’s OK. Yes. You remind me of my four boys she says. She’d already said that. So like yeah how do you reckon the Eagles will go this year I say. What she says. How do you reckon the Eagles will go this year I say again in a louder tone. What she says again. Now she gets up and comes over to us on the other side of the carriage. HOW DO YOU RECKON THE EAGLES WILL GO THIS YEAR I say. Yes, she says. Right. Silence. The boys look at their phone. My dad was a top notch jockey she says. Oh yeah I say. Yes. I come from a horses family. OK. And she sits down. And she starts chatting. She tells me that she comes from a horses family about 8 times. And she tells me about her boys and Frankie Shears and that Timmy was good too but he didn’t want to keep up the footy. And I’m thinking man, like, looking at her, the
crags in her cheeks, her face streaked like google maps, her saying the same stuff all the time, like, I don’t want to get old. But then I know also. I will get old. We used to talk and listen and have fun and that was OK. Wasn’t it? Sure I say. Oh you good boys. You are so nice listening to me. Then she pulls out a fiver. Put this on the horseys she says. Oh no no – I can’t take it. But she shoos me away. And I look at the boys and I’m like this is awkward. But I take the money. And we have to get off. And we say goodbye. And we ask her name but the trains about to leave and we have to hop off. So we do. And we look at the fiver. Now, I can’t put it on the horses anyhow seeing as I’m ethically opposed to horse racing. And so we buy a scratchie from the newsagent. Like, it’s a sign, right? We never would’ve bought one otherwise. And we’re scratching and we’re going and it’s all happening. And we know we have to match up and 07 with a 07 and then it’s 500 big ones. And we scratch a 0 and we keep going and it’s looking good but it’s just a 2 and everyone’s a bit disappointed. And then hits me. This whole thing’s some big metaphor. That’s the big takeaway. So, I says to the boys, I says, we don’t need to win the lotto cause we got each other. We already won the lotto. And they look at me and we pause and we all share a moment. And then Stefan that big jerk says, ‘Screw that. Let’s go to the Casino.’ So we do. By Zachary Sheridan
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CREATIVE // VOL 4: ED.3
Fumbled You tried to put the words to note in sound: Wight-hearted – weary-handed. Though what you knew was what you wrote. Intent as clear as (word to quote), “imply in tone, ears all demand it”. You tried to put the words to note. A trial with scales of blue to tote, the sound came not as how you’d planned it but – damn it, what you knew was what you wrote. The tired search for what may float might hinder – no, impede – the candid. Yet still, you tried to put the words to note. In coast of Loss: you looked in boats that poets built. Intact and cold-branded, what you knew was what you wrote I fumbled in the wreck you’d doted, where battered lines of thought had stranded but then you went and put the words to note, And only what you knew was what you wrote. Krishna Aksa
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FEATURE // VOL 4: ED.3
59 DIRCKSEY MAGAZINE VOL 4: ED.3
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