Edie Magazine Issue Four by Megan Cooper

the

Rose Parade

EDIE MAGAZINE ISSUE FOUR Coverphoto by: Laurence Philomene Editors: Megan Cooper & Maddie Walters Photo By: Yuli Sato

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ABLE OF CONTENT JAN // FEB 2011

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& editors note

n a g e M e i d d a M If there ever was a time of year for Edie, it's January and February, which is perfect for us because that's when we decided to end our hiatus. We took a little break around christmas for a number of reasons, but we're more than ready to rock in the new year with some classics, and some new twists. While we were away Edie’s readers nearly doubled in size, so we thought we’d introduce ourselves to the new Edie girls, and remind our original readers who we are. Megan, an aspiring artist, runs all of the design for Edie. Currently she’s thisclose to graduating from high school, she’s saving up to buy a DSLR, and falling severely behind on her college apps. Maddie on the other hand is already in college, studying

journalism in hopes of becoming a librarian. She does a lot of the writing for Edie, and is the best support that Megan could ask for. Currently she’s sporting her new tattoo of the Permanence Matters logo, loving her school and the people in it, and trying to keep up with far flung friends. Something new that we have yet to mention is Laurence Philomene’s gorgeous model Coralie on the cover. We loved collaborating with Laurence in this issue. Not only was it good for us as far as transitioning back into working on Edie, but also Coralie was a perfect model for capturing the essence of the January/February issue. Special Thanks to: Our parents, Laurence Philomene, and our writers.

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Behind the scenes with Coralie

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Photos by // Laurence Philomene

Laurence Philomene did the cover shoot for this issue of edie, and used her model Coralie. In the shoot, she was trying to capture the whimsy of Valentines day to fit the theme of the issue.

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an ale

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the kaleidoscope child

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the way things are

ELIZABETH SARAH Interview by // Maddie Walters

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E/ When did you pick up your first camera? ES/ So young, I can’t even remember! But I do remember that it was my dad’s vintage and nonworking nikon that I galavanted around snapping as if I were a celebrity fashion photographer. E/ What are your favorite subjects to photograph? ES/ I have a strong passion for passion and I would like to show that more through my photography. Photographing a beautiful girl in an awesome setting makes any photo better in my opinion. Sometimes a landscape or room needs a little something extra. I love that I can combine all of my passions with my biggest passion; fashion, film, all things vintage/rustic, design, and nature all into my photography. E/ When do you feel most inspired? ES/ When I am in a new place that is completely foreign to me. E/ What do you try to evoke through your photos?

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ES/ I always want them to get a sense of innocence. No matter how “graphic” a photo of mine appears, I strive to make sure that there is always a pure moral behind it. A goal of mine is not to offend, even by the most controversial subjects, such as sex and death. E/ What are three character traits you think all good photographers possess? ES/ Attention to great detail, because in such a small enclosed frame, nothing goes unseen. An ability to improvise because nothing will ever go exactly as planned. And a directorial quality for working with others or things, because it is your job to make it all come together and work as a whole; it is your vision and no one else can see it the way you do until it is created. E/ How will your work affect your life in 5 years? ES/ I always try to be better. I don’t want my photographs to go unseen. I take them so that the world can see what I see. I hope to be more recog-

I have a s t r o n g p a s s i o n for passion

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nized. E/ Why do you think photography is important to the arts? ES/ It captures real still moments by using a modern medium. I don’t believe that it is any different than using paint on a canvas. Photographers use the same essential tools to make their creation E/ What’s something you always try to remember when planning for and executing shoots? ES/ To have fun and go with the flow. Sometimes my vision needs to change slightly, and sometimes entirely, which is usually not such a bad thing. E/ Do you approach your work with film photography different than digital? ES/ I care more about film photography; that is my art. I only use digital for personal. E/ Why are you a photographer? ES/ My whole life I’ve always felt that I view the world differently, and this is my way of showing people what I see. E/ Who is your dream collaborator? ES/ Tim Walker or Gregory Crewdson! E/ Do you think female and male photographers approach their work differently, and if so, why? ES/ I think it depends on the subject, but not necessarily, no. E/ What do you find exciting or enjoyable about photography? ES/ The ability to make something from the past last forever. E/ Finally, what do you like about Hana Haley’s work? ES/ I love the intensity that all of her photos have, whether it’s the heavy saturation/contrast, lighting, pose, or action that the model is making. Her photographs are very powerful!

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Gabriella Rose www.drawgabbydraw.tumblr.com

Interview // Megan Cooper

E/ We know that you don't actually do art for a E/ What is it your favorite thing about art? living, and you're a teacher. What do you teach? G/ My favorite thing about observing art is that G/ I teach Spanish for high school, language it often makes you think of the world around arts for 5th grade, and literature and composi- you in a different way, seeing it as though for tion for 8th grade. I also help out with PE at my the first time. My favorite thing about making school, which I (and some of my students) find art is getting sucked into a project, losing track hilarious. of time, finishing three hours later. Humans were made to make things, so I’m just doing what comes naturally, and I find that really satE/ So is art just a hobby for you, or do you plan isfying. on someday making it your career? G/ If art is just a hobby for me, then it’s a hobby I take very seriously. Juggling my “real” job and my art is difficult at times, especially since I love both very much. However, I do hope someday to have a reasonable side income making and selling art. That’s my short term goal. I’ll always strive to make art what I do for a living, so I guess that’s my longer-term goal.

E/ What are your favorite mediums? G/ Without a doubt watercolor and ink, both colored inks and india ink applied with nibs. E/ Do you ever use photo references, or does it all just come from your imagination?

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G/ Most everything comes from my imagination, which is usually fertile but sometimes kind of, well, unimaginative. Occasionally I’ll look at my hands or other body parts for reference, but usually I just draw something over and over until it looks the way I want it to look. My art isn’t terribly realistic. I’ve never thought about it before, but that must be the reason why!

E/ What do you like about this artist's http:// www.flickr.com/photos/ismayoz/ work? (the other artist we're featuring in this issue)

G/ Gorgeous! I’ve seen her work before, but I couldn’t remember where so I’m glad to see her in Edie Magazine. She has immense talent in places where I wish I did: realism and photography. Oh, and using pencils of all kinds. Love Ismay’s color choices in her illustrations; they beautifully compliment her delicate subjects. E/ How long have you being making art? And the lighting in her photographs makes evG/ I’ve been drawing things since always, but eryday objects seem almost otherworldly or elI started to get serious about honing my skills evated somehow. Not just anyone can take truly in college, I think. Ever since then I’ve carved amazing photos. out more and more time to practice inking and painting. Now it’s pretty much a part of my weekly schedule. I have an understanding with myself that at minimum I should sit down and make something—even just doodling—for at least a few hours a week. This can be challenging when I have lots of papers to grade! In all seriousness, though, I know my skills have improved with practice, so I encourage any aspiring artist to dedicate whatever time you can to your craft. It will pay off. E/ Who's your favorite artist? G/ This is such a hard question! My favorite artist might be Kay Nielsen because he’s probably my biggest stylistic influence. I honestly don’t think my art would look the same if I’d never been exposed to his work. I love the artists of the golden age of illustration in general, and I also greatly admire James Jean. Oh, and Henri Rousseau because he’s remembered in history as one of the great French artists and yet he had a day job his whole life, like me. E/ Do you sell your work? If so, where? G/ My work is available in my Etsy store (drawgabbydraw.etsy.com) and my Goodsie store (drawgabbydraw.goodsie.com). People are always free to inquire about pieces through my blog (drawgabbydraw.tumblr.com).

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Izmay Ozga Interviewed by // Megan Cooper 24 Years old. in the middle of England.

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E/ You're not only an artist, but you're also a photographer. Which do you feel is your true calling? I/ I see myself as an artist, photography for me is a hobby. It’s great to have more than one creative outlet and I really enjoy photography but I have always loved drawing. I get a lot more satisfaction from a finished drawing than I feel I could get from a photograph. E/ How do you weave the two talents together? I/ I get a lot of inspiration from photography. I think that it encourages me to find interest and beauty where I might otherwise overlook it, so it keeps me feeling inspired, and If I’m inspired I draw! E/ How long have you been drawing? I/ I’ve been drawing for as long as I can remember. When I was little I wanted to be a fashion designer so I used to fill books with drawings of models in my creations! I’m sure they were hideous. I was encouraged to draw by my parents and it has always felt really natural to me. E/ What’s your favorite medium? I/ A 2B pencil. I’ve just discovered mechanical pencils, a bit late, I know. Why was I wasting my time sharpening pencils all these years?!

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E/ Did you take art in school? Why or why not? I/ Yeah I studied Fine Art at college, and then at university. I started out studying subjects I wasn’t particularly interested in, but it didn’t take me long to realise that I couldn’t go on forcing myself to study these things I didn’t care about. So I dropped out and started at an art college a year later. If this happens to you, try not to get too stressed out, it’s not the end of the world! E/ How do you think that affected your art skills? I/ Things like life drawing classes improved my drawing skills a lot, that was always my favourite thing to do. I think rather than giving me a lot of technical skills my education gave me a greater understanding of art in general. E/ We notice you collaborate a lot with Diana Kraus, is this because you two are friends? Or do you just like her work? I/ Diana is lovely. I have collaborated with her a couple of times because I really admire her photography. We became friends through flickr and I asked if I could draw her photos. I am planning a few more collaborations this year with other artists and photographers, which is very exciting!

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E/ You primarily do portraits of women, why do you choose them as your subject? I/ I have always drawn women. I’m much more inspired by women, I find them beautiful, complex and interesting and I can relate to them as subjects. Women tend to portray more emotion in their faces and body language, so I can portray more emotion through drawing them. E/ What originally drew you to drawing models? I/ I love fashion, I always have. I’m a little bit obsessed with fashion magazines, I buy so many it’s silly, and I can’t throw them away. I’ve been collecting Vogue, Elle, i-D, Dazed and Confused etc since the late 90’s so I have a pretty big collection! I’ve used them as reference a lot over the years, and I used to make collages out of them when I was at college. I’ve always been influenced by the clothes and the models, so drawing them is a natural progression for me. It’s my way of being involved in an industry I admire. E/ What’s your dream job? I/ Drawing, drawing, drawing. Doing lots of interesting commissions and enjoying myself. E/ What advice would you have given

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yourself ten years ago? I/ This is really hard. I find it difficult to think like that as I try and focus on the future, but I would probably tell myself to lighten up and get involved. E/ What advice do you have for other aspiring artists? I/ Keep going! Hone your skills, find what you like doing and keep at it. Try not to be discouraged if you’re not happy with what you’re making, it can take years to have any confidence in your art, but if you’re passionate about it then keep at it. E/ And lastly, what do you like about Gabrielle Rose’s artwork ? I/ I love being introduced to other artists’ work so thank you! Gabrielle’s work is really delicate and mystical. They feel like illustrations from quite dark and intriguing fairy tales, she obviously has a great imagination.

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Photo by // Gaby Jeter

Mix tape lovinâ&#x20AC;&#x2122;

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Mix tape by // Ailie Pankonien

1 // “Helga’s True Love 4” by Jim Lang and Stax Records sound of the ‘50’s and ‘60’s. The Likely one of the most epic stories of unrequited love is that of Helga Pataki’s love for Arnold of Hey Arnold! fame. This track, composed by Jim Lang, is one of longing, filled out by solo saxaphone and heartsick strings.

track is a classic example of a proclamation of love through music.

7 // “A True Story of True Love” by The Books

2 // “Do You Want to Know A Secret?” by I really love the Books. Their music often has a soft, poignant quality to it that is touching, like a the Beatles The Beatles seem to have a special ability to make sweet, jangly song of love. This track is undeniably cute and playful, capturing the feeling of new love, but is anchored in touching sincerity.

comment on the human condition. A True Story of True Love begins on a somber note, tempered by the sounds of found recordings, then expanding into euphoria, drawn back down again by whispery cello.

3 // “When You Give Your Heart” by Lau- 8 // “Just In Time” by Nedelle Just in Time seems to tell a story – one that is both ra Veirs I often love the imagery of Laura Veirs’ songs, and this track, from her most recent album July Flame, is no different. The peacefulness of happy love is likened to delicate insects and light snow, as she sings about having someone to rely on when life is overwhelming. 4. Jens Lekman’s The Cold Swedish Winter is hushed and tender, a quiet story of love in the face of insecurity. The lyrics are charmingly simple, and capture the longing for companionship in the lonely chill of winter. The female vocalist sings softly, “please be quiet, I know you don’t want to but please deny it,” despite Lekman’s protests of sincerity, perhaps in a testament to how scary love can sometimes be.

fictional and real. As Nedelle sings, “surely they would have to meet again, can’t be how this ends,” she mirrors the disappointment of a surprise ending of a book, and yet at the same time she seems to be expressing something sad and personal.

9 // “Hi, Love” by The Robot Ate Me”

This track by The Robot Ate Me, from his album Carousel Waltz, is sung in Ryland Bouchard’s soft voice. It begins slow, then starts building to a swell, cushioned by horns and led by the tap of the high hat, to something steady and confident.

10. Dirty Projectors – Two Doves

5 // “Strings That Tie to You” by Jon Bri- Two Doves is stripped down and wrapped in strings, showcasing the beauty of Angel Deradoorian’s voice. on As soon as this song starts, I can feel it resonate in my chest. It was composed and recorded by Jon Brion for Charlie Kaufman and Michel Gondry’s film Eternal Sunshine of the Spotless Mind, and somehow seems able to encompass all the beauty and poignancy of one relationship.

6 // “I Love You” by The Bees

I Love You is from UK band The Bees’ second album, and serves as an homage to the old Motown

The love described seems threatened, yet it’s as though there could still be hope after the song’s end.

11. Tokyo Jihen –

I absolutely love Tokyo Jihen and this song. Even if you don’t understand the Japanese lyrics, the sentiment in Shiina Ringo’s voice is clear. There’s a power behind the song that can be universally understood, as it builds to an emotional swell, beginning with an explosion of percussion and glittered with frills of piano.

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Good Eats Recipe by // Ailie Pankonien

{Edie

I think a home-cooked meal can be one of the nicest gifts you can give someone you love. Butternut squash soup is perfect to eat while wearing warm socks and cuddling, watching a cozy movie, or listening to Julie Doiron, and in the chilly winter weather can be a lovely gift for your mom, boyfriend, girlfriend, or your best friend. This recipe was borrowed from one of my best friends, who adapted it from a recipe he learned from his mom. It's simple and delicious and the ingredients list is both short and inexpensive, making it a perfect way to say I love you.

Ingredients: 1 medium butternut squash 1 large white onion Milk/almond milk, or whatever you prefer Chicken/vegetable stock

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Style

Butter Olive oil Salt and pepper to taste Nutmeg and ginger to taste

2. be cut into pieces, so the roasting time could end up being longer or shorter. Just keeping checking it, and when it’s soft, take it out.

1. Wash the butternut squash and cut in half. This will be difficult, so be careful, but you can do it! My halves were pretty uneven, so I cut an extra part. After the squash has been halved, scoop out the seeds with a spoon. 2. Place the squash in a baking pan and drizzle with olive oil and sprinkle with salt and pepper. Then, put the pan in the oven, set at 275°F, for about an hour to roast. This is to soften the squash enough that it can

3. Meanwhile, chop the onion. You can use half the onion or the whole thing. The more onion you use, the sweeter the soup will be. I used half an onion, but it would be delicious either way. 4. Melt butter in a medium saucepan and pour in the chopped onion. Sautee the

onion until it starts to brown.

7. ion

blender

and

puree.

7. Pour the squash/onion puree into a pot and turn on the stove to medium to heat the soup. Then, pour in milk and chicken stock until the soup is of the desired consistency. Keep tasting it, too, as the stock will change the taste. 8. Finally, add ground nutmeg and ginger to taste. You may need to add salt, as well, if desired. When the soup is hot, it’s ready to serve! It can be topped with nutmeg, ginger, or toasted almonds.

5. When the squash is finished roasting, remove it from the oven and, when cool, cut off the skin. Then, chop it into small pieces. 6.

Place the squash and on-

CORA

Photos by// Laur

ALIE

rence Philomene

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Photo by // Frenchie jane

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Photo by // lisa lindoe

Photo by // Gracie

Photo by // Chloe Wojewoda

MODEL THE Article by // megan Cooper

Photo by // Jasmine Bowen

EORY

Photo by // Haley O'rourke

chose the faces to the left very purposefully. Now you’re looking at them and thinking I’m out of my head, because it’s very hard to make any correlation between the seven girls. Between connecting freckles and charting hair lengths, no matter what way you cut it, none of the girls look the same. But it doesn’t end there, each girl brings a different emotion to the table. We’ve heard of models making a photo more emotive, but is it plausible for the look of a certain model to bring out a different emotion from the look of someone else? I suppose I should preface this by telling you I am a big believer in the concept of a “muse”. In the past year I’ve begun to pay attention to the changes in some of my favorite photographers work as they find their muse. I’ve always been impressed at the changes their work goes through. Then I begun to wonder: what makes a muse? Is it beauty, or love, or envy? Eventually I settled on a little bit of beauty, a little bit of envy, and a lot of inspiration. I thought about muses throughout history, the most prominent one being Edie Sedgwick, a muse of Andy Warhol’s. Edie Sedgwick was a broken child within a rich woman’s body, and it drew Andy Warhol like a moth to a flame. He even made a movie so she could be the star. A muse simply isn’t a muse if they do not twist your brain into positions it’s never been in before. I think that everyone has the one person that they want to photograph or draw or paint so badly because they just want to capture it. But photographers with muses create spaces around their muse to harmonize with their face and their presence, and that’s what they capture. A real moment in an artificial world. When I was poring over what to say in this article I asked Laurence Philomene what she thought made a muse, she said that muses are “people we wish we could be, but know we can’t--so we create for them instead.” and that was more true than anything I could write. Muses are the people we want to be, and in all of our passion, we create for them the place we think they belong. The muse artist relationship a love affair for creative minds.

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While You Were Sleeping

When Harry Met Sally

What can I say – it’s a guilty pleasure. Lucy is a down-on-her-luck ticket collector who is in love – with a man she’s never spoken to, Peter. When she saves him from being hit by a train, she takes him to the hospital and pretends to be his fiancée in order to see him. However, when he is declared to be in a coma, she must keep up the ruse to make Peter’s family happy through the holidays. But there’s one member of the family she can’t quite fool, Peter’s brother Jack, whom she begins feeling attached to. Sandra Bullock is at her cutest in this 90’s romantic comedy.

Chances are that you’ve already seen this one, but it doesn’t hurt to watch it again, especially on a rainy day. Meet Harry, the witty playboy. Meet Sally, the rational romantic. Put them together and you get a decade of full of in-and-out relationships, fake orgasms in a restaurant, and friendship as the two try to figure it all out. Can a man and a woman truly only be friends?

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Roman Holiday

Audrey Hepburn is at her finest in her Oscar-nominated role in Roman Holiday. She places a princess stopping in Rome for a day, but abandons her princess duties by escaping to explore the city. However, when she falls asleep on a bench, she is picked up by an American newsman, who is about to cover the royal press conference. Not knowing who she is, he takes her to his apartment – but, when he does find out, he promises his editor that he can get an exclusive interview with her. To gain her trust, he takes her on the grand tour of the city, both of them falling in love along the way. Best enjoyed with a blanket and a bowl of ice cream.

feel good movies The Princess Bride

Article by // Ashleigh Heaton

The whole premise of this film is a sick kid being read a story to make him feel better – it has the same effect on any viewer, sick or no. Who can forget Princess Buttercup and her dearest Wesley? Or Indigo Montoya and his quest for revenge? Or the Rats of Unusual Size? Sure, it’s a little strange at first, but once you settle in to the movie, it’s easy to love.

Sometimes, you just need a pick-me-up. You’re not in the mood for in-depth, intellectual dramas and documentaries, don’t have the energy to be engrossed in a slow-paced indie film. What you need is a good ole feel-good movie, one that will have you smiling and in better spirits by the time the credits roll. So whether you’re sick at home or just want to snuggle up with friends and loved ones, here’s a list of movies, in no particular order, that should do the trick.

Bridget Jones’ Diary I almost put Pride and Prejudice on this list, but I thought its modern remake was a bit more up-beat and funny. I mean, granted, nothing beats the original, but this version still has British accents intact as well as a charmingly down-on-her-luck Renee Zellweger as Bridget Jones. And the scene with the misplaced Playboy bunny outfit is enough to get anyone to giggle.

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Stardust

Grease I watched this so many times throughout my childhood, it’s a miracle I didn’t turn in to a singing, dancing sick-hop gal. This fun, up-beat musical follows the story of good-girl Sandy and bad-boy Danny falling in love and trying to make their relationship work in the hectic world of high school in the 1950’s. Olivia Newton Jones is as cute as a button, and you’ll have no trouble tapping your foot to “Grease Lightening” and “We Go Together”.

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This is my all-time favorite movie that no one seems to know about. It has a similar feel to The Princess Bride, with fantasy and whimsical happenings sprinkled throughout. Trying to prove his love to a girl, Tristan goes in search of a fallen star in the mysterious land of Wall. When he does find the star, he is surprised to find not a hunk of rock, but a beautiful woman named Yvaine.

Far and Away

The Sound of Music

What is it about musicals that make us feel so good? This one is great if you’re especially under the weather, because it’s nice and long. Sing me to happiness, Julie Andrews. Highlights: “16 Going on 17”, “Do Re Me” and, of course, “The Sound of Music”.

This one is technically a drama, but a very light one, at that. It takes place at the end of the 1800’s during the big land giveaway in Oklahoma, were land was free to those who could get there first. Joseph is an Irishman who dreams of owning his own land, and Shannon is the ambitious daughter of a wealthy man who just wants to be free and independent. After some unusual circumstances, they end up traveling to America together – however, they are stopped short the moment their ship ports, as they immediately lose all their money and resources. Desperate to get to Oklahoma, the two are forced to tolerate each other and work to save money for transportation, only to find that they don’t mind each other as they thought they did. Everything in the movie is beautifully captured (Ireland sets you up for some breath-taking scenery) and it’s great for history buffs and romantics alike.

Penelope

This is another favorite of mine that not many people have heard of, and the whole film runs feels like a modern-day fairy tale. Penelope’s blue-blood family is cursed – the first-bon daughter in the line will be born with the face of he pig, unable to change to normal until she is loved by one of her own kind. Penelope is that daughter and, ashamed of her appearance, Penelope’s mother locks her in the house to keep her out of the public eye, calling in potential blue-blood suitors who are sworn to silence upon seeing her. Every suitor that sees her runs away – until one stays, even if by mistake.

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Edie giveaway

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WIN THIS MUG!

instructions

1. Email us at ediemagazine@yahoo.com 2. Include in the email your: *Name *Address 3. Only one entry per person 4. Spread the word

Details

The mugs are handmade by editor Megan Cooper. In our fifth issue we will reveal the three random winners. The giveaway will go on until publication of the fifth issue. We will contact the winners via email (the same email you used to enter) and mail the mugs out a few days after publication.

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I’m just sending you this letter in the hopes of basking in your glory through paper osmosis…or something to that effect. What I’d really like to get across to you through my stumbling, fumbling words is how much I respect and admire you for your career and fantastic sense of self. Perhaps the reason I feel as though my passion for you should be shared with the world is because your movies are too good to go unnoticed. For those of you dear readers who are unfamiliar with the works of Ms. Coppola, I suggest you go and look up any of her four films. While I cannot say that I’ve seen all of your films (Somewhere, your newest release, has eluded me for months), the ones that I have seen have changed the way I think about any of my creative processes. Through the amount of detail paid to the costumes, makeup and settings of her films - along with the fantastic scripts – you, Ms. Coppola, bring an entirely different meaning to what it means to make a film. When I say that your films have changed the way I think about a photo I take or a story I write, I really do mean it. Marie Antoinette, which I saw when it was released in October of 2006, made me begin to recognize and consider the colors I chose when taking photographs.

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While this could seem to some like a small thing, I’m sure you recognize how much of a difference it makes in the kind of photos I began to produce. Since the one movie incurred such a powerful change in the way I produced my art, I decided to watch more of your productions and see what could or would occur. The change I felt after watching the first movie directed by you was equally matched after I viewed the rest of your movies. Safe to say, watching your movies produces some kind of crazy, awesome, creative desire in brains that makes people everywhere want to create the kind of beauty you do in your films. While I could never dream of becoming a director as fabulous of you, I can hope that I will have as much luck as you when it comes to winning awards for your field of work. Congrats on the Golden Lion award at the 67th Venice Film Festival – I can’t wait to see how your latest film, which revolves around the story of a unique father-daughter relationship, lives up to its high reviews. Wishing you all the best,

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At www.ediemagazine.com And // or ediemagazine@yahoo.com

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