Contemporary
Dillon String Quartet No. 5
EP 71899
JAMES DILLON
String Quartet No. 5
EIGENTUM DES VERLEGERS
路
ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED
EDITION PETERS LONDON
路 FRANKFURT/M. 路 LEIPZIG 路 NEW YORK
to the Arditti String Quartet on the occasion of their 35th anniversary
Duration c. 14 min
This score is a facsimile of the composer’s manuscript, reflecting the state of editorial work and correction as of 6th January 2009
to the Arditti String Quartet on the occasion of their 35th anniversary
String Quartet No. 5
James Dillon e = 72
sul pont. molto
sul pont.
Violin I
fffff
Violin II
(sub. trem.)
molto
fffff
Violoncello
sul tast.
fff
sul pont.
Viola
trans.
trans.
(sub. trem.)
molto
pppp sfz
trans.
sul tast.
pp sfz
s.p.
sul tast.
(sub. trem.)
sfz
accel.
s.p.
spiccato
ppp sul pont.
molto
ff
pp
trans.
f
1
4
Vln. I
e = 84
sfz
sfz
Vln. II
Vla.
sfz
sfz
2
pont. sul
sfz
`e = 144
5" - 7"
pppp
sul pont. pppp sfz
trans.
trans.
ord.
Vc.
ppp
f
Edition Peters No. 71899 © Copyright 2009 by Hinrichsen Edition, Peters Edition Limited, London
f ord.
molto
arco pizz. 5:6 5:6 pp f
2
sul tast. 9 mp ord.
Vln. I
Vln. II
Vla.
pizz.
ord. / gliss.
sul tast.
p
mf
trem. trans. lentiss. mf
subito e = 96
Vln. II
con sord. pizz. pp
f
f
pp
pp
pp
subito e =120
p
mf
pp
15
3
ff
p
ff
p
mp
mp
con sord. pizz. mp
sord. pizz. con p
ff
subito e = 96
mp
subito e = 120
subito e = 96
ppp f
mf pp
ppp
f
mf f p
Vc.
p
pp
subito e =120
p
Vla.
f
pp
p
Vln. I
p
pp
( tr. ralll e dim. )
Vc.
f
mf
con sord.
subito e = 120
ppp
pp
p
mf
pp
f ppp
subito e = 120
subito e = 96
21
Vln. I
ff
Vln. II
ff
Vla.
ff
Vc.
pp
ff
pp
pp
subito e = 96
f
f
p
f
f
p
pp
subito e = 120
p
subito e = 96
mf
mf
subito e = 120
subito e = 96
mp
mp
mp
mf
p
mf
arco
mp
9:8
*
* cresc. through the fermata
3
subito e = 84
mf
Vla.
mf
f
5
5
Vla.
Vc.
pp
f non legato
5
5
p
senza sord.
f
p sempre
3:2
3:2
p sempre
sffz
3:2
p sempre
3:2
3:2
pp
f
3:2
pp
non legato
p
p f senza sord.
arco pp p p f senza sord. arco
non legato
Vln. II
subito e = 120 senza sord.
arco pp
f
5
5
5
5
p
p
33
Vln. I
mf
Vc.
4
subito e = 48
f
mf
Vln. II
subito e = 60
p
28
Vln. I
subito e = 72
3:2
3:2
3:2
pp
f
Vln. I
Vln. II
Vla.
5 36 cresc.
p
3:2
3:2
f
3:2
3:2
f
Vc.
f
4 sub. e = 144
39
Vln. I
gliss.
f
Vln. II
3:2
Vla.
3:2
3:2
3:2
6
ppp
ppp
3:2
3:2
3:2
3:2
3:2
3:2
3:2
Vc.
sub. e = 108
mp 43
Vln. I
7
3:2
3:2
Vla.
3:2
5
ppp
ppp
s.t.
pp
s.p.
mf
3:2
3:2
3:2
3:2
3:2
s.p. s.p. s.t. p mf s.t.
pp
ff
gliss.
gliss.
ppp
mp
3:2
ord. s.p.s.t. sub. s.t.
mf p
mf
s.p. gliss.
pp
f
ff
ff
ord.
pp
pp
pp
ff
pp
pp
pp
ff
3:2*
Vla.
3:2
ff
sub. e = 84
8
pp
ff
ppp
ff
3:2
ff
pp
ppp
ff
3:2
gliss.
mp
pp
5 molto
f
molto
ppp
3:2
ff
5:4
legg.
ppp
Vln. II
3:2
* accent wthin dynamic bounds
ff
Vc.
3:2
48
Vln. I
p
s.p. s.t. s.t. 3:2 s.p. s.t. s.p. s.t. s.p. s.p. s.t. s.p. s.t. pp mf p mf p mf p mf p mf p ff pp mf
Vln. II
Vc.
2"- 3" arco
pizz. marcato e ritmico
sub. e = 120
ppp
molto
f
molto
ppp
5
3:2
53
Vln. I
gliss.
gliss.
pp
ppp
mp
Vln. II
Vla.
55
7:6
ff
Vla.
5:3
Vc.
ff
6:5
sffz
Vln. I
p
Vln. II
marc.
p
Vla.
p
f
f
ord.
mp
f
p
3:2
f
3:2
ord. /
molto
mp
mf
9:7
norm.
f
5:3
gliss.
f
3:2
pp
3:2
f ff
f
norm.
marc.
9:7
f
5:3
p
marc. norm.
mf
legato molto
p
mp
mp 3:2
marc. norm. p
Vc.
f
5
ord.
p
3:2
58 marc.
mf
s.p.
pp
5:3
mp
f
f
pp
p
ff
ff
s.p.
5:3
ff
s.t.
pp
s.p.
ppp
s.p.
Vln. II
mp
pp
mp
mp
Vln. I
ppp
mf
Vc.
3:2
ppp
mf
5
5:3
pp
pp
3:2
ff
3:2
gliss.
pp
ff
6 3:2
Vln. II
pp
Vla.
5
ppp
ppp
s.p.
66
Vln. I
p pp
Vln. II
ppp
fff
ff
fff
p
ppp
gliss.
molto
p
f
molto
Vla.
Vc.
5 ord.
fff
3:2
Vln. I
Vln. II
mp senza dim.
3:2 mp senza dim. 3:2
p
Vla.
3:2 f
molto
3:2
Vc.
pp
ord.
mp
mf
mf
f
3:2
mf
p
gliss.
ff
mf
p
9
p
mp
sim.
p
gliss.
mf
fff
ff
3:2 sul pont.
mp senza dim.
mf
arco
3:2
fff
s.p.
mp
p
71
6:4
mp
3:2
p
pp
p
fff
s.p.
mp
sfz
ord.
p
5:3
ss. gli
ff
ff
s.p. trans. ord. / gliss. mf p
fff
5
ppp
ff
gliss.
5:4 6:4 arco
3
gliss.
pizz.
pizz.
5:4
Vc.
pp
ppp
fff
5
non harm.
5 non harm.
pp
pp
ff
3:2
ppp
fff
5:4
a tempo
61
Vln. I
7:6
poco rit. 3:2
p
7
sub. e = 96
79
Vln. I
Vla.
Vc.
p
mf
p
5:4
mp
5:4
pizz. 3:2
3:2
3:2
mp
pp
3:2
3:2
mp
pp
5:4
5:4
pp
gliss.
p
10
ppp
mf
dimin.
Vln. II
Vla.
Vc.
5:4
5:4
pp
pizz. 3:2 3:2 3:2 3:2
5:4
mp
86
Vln. I
5:3
mp
f
5:3
mp
f
5:4
Vln. II
5:4
5:4
3:2
3:2
mp
f
3:2
pp
3:2
premuto trans.
3:2
mf
3:2
3:2
mp
dimin.
sub. e = 72
Vln. I
3:2 91
pp
mf
Vln. II
p
3:2
Vla.
Vc.
norm.
arco
p
p
arco
p
p
p
p
mp
poco
p
p
5:4
sub. ff
8
6:4
3:2
94
Vln. I
ff
5:4
Vln. II
gliss.
ff
ff
Vc.
5:4
5:4
gliss.
3:2
gliss. mp
gliss.
p
pp sempre
pp sempre
* 3:2
97
Vln. I
5:4
mp
5:4 5:4 5:4
Vla.
p
mf
mp
gliss.
3:2
p
p
gliss.
* trill-like wide double vibrato
Vln. II
Vla.
Vc.
gliss.
3:2
gliss.
mp
sfz
sfz
mf
mp
3:2
Vla.
pp
3:2
3:2
mp
sfz
Vc.
p
98
mp
Vln. II
gliss.
pp
Vln. I
3:2
sfz
ppp
3:2
gliss.
ppp
sfz
mf
9
3:2
99
Vln. I
gliss.
Vc.
gliss.
ppp
ff
gliss.
3:2
gliss.
ppp
gliss.
mf
3:2
3:2
f
mp
ff
ff
mp
sfz
f
sfz
Vc.
ppp
gliss.
3:2
3:2
Vla.
gliss.
sfz
100
Vln. II
p
Vln. I
gliss.
3:2
sfz
f
3:2
sfz
Vla.
gliss.
ppp
mp
Vln. II
ff
gliss.
ff
101
Vln. I
gliss.
3:2 ppp
ppp
Vla.
Vc.
f
3:2
Vln. II
ff
ff
ff
10
102
Vln. II
Vla.
Vln. I
Vc.
f
f
pp c r ecs c .
mf
Vc.
9:8
sempre
9:8
9:8
pp
Vla.
Vln. II
mf
9:8
103
Vln. I
cresc.
mp
sempre
mp
9:8
9:8
104
Vln. I
9:8
9:8
mp 9:8
9:8
9:8
Vln. II
9:8
mp
Vla.
Vc.
p
p
pp
pp
11
9:8
105
Vln. I
9:8
diminuendo 9:8
Vln. II
Vc.
Vln. I
11 107 p
s.p.
mf
3:2
p
p
s.p.
s.p.
mf
mf
pizz. (ord.)
sffz
sffz
sffz
sffz
ff
legato molto
p
p
ff
sffz
ff
ff
mp
mp
mf
s.p. ben artic. (violente) p sffz
p
sffz sffz
mf
ord.
sffz s.p. sffz p
s.p. ben artic. (violente)
sffz
s.p.
ff
ord.
sffz s.p.
legato molto
mp
sffz
sffz
s.p. ben artic. (violente)
ff
arco
sfz
legato molto
p
p
Vc.
sfz mf
112
legato molto
ord.
s.p. ben artic. (violente)
legato molto
Vla.
p
Vln. II
ff
s.p. 3:2
3:2
sffz
Vln. I
legato molto
sub. e = 96
sffz
Vc.
legato molto
ff
3:2
Vla.
ff
p
Vln. II
9:8
pp
ff
legato molto
pp
9:8
9:8
diminuendo
Vla.
9:8
9:8
sffz
sffz
sffz
sffz
sffz
12
119
Vln. I
sffz
sffz
sffz
sffz
sub. e = 120
sffz
Vln. II
Vla.
sffz
ppp
Vc.
sffz
Vln. II
Vla.
Vc.
ff
mp
sffz
123
Vln. I
ppp
mp
ff senza dim.
mp
pp
5
pp
5
sempre
pp
sempre
3:2
mf
3:2 3:2 mf 3:2
3:2
3:2
3:2
5:6
mp
Vln. I
Vln. II
126
5:6
p 5:6
mf
Vc.
5:6
mp
mf
5:6
Vla.
5:6
5:6
5:6
p
5:6
mp
mf
5:6
5:6
5:6
5:6
pp
mf
pp
pp
13
12 e = 96
sub.
130
Vln. I
Vln. II
5:6
Vla.
p
mf
5:6
5:6
5:6
pp
f
5:6
5
p
mp
pp
5
p mp
mf
Vc.
134
Vln. I
mp
ff
Vln. II
Vla.
Vc.
mf
f
ff
ff
mp
mp
ff
mf
mp
Vln. I
Vln. II
Vla.
Vc.
s.p. 137
13
trans.
sub. e = 84 s.t.
3:2
p
sub. mf
mf
pizz.
mf
3:2
3:2
3:2
3:2
3:2
3:2
pizz. mf
p
8:7
12:7
p
mf
p
14
140
Vln. I
Vla.
3:2
p
Vc.
ppp
mp
arco
sub.f
sub.f
pp
ppp
pp
arco
5
mp
Vln. II
6:4
pppp sub.f
sub. pppp f
pp 142
Vln. I
Vln. II
Vla.
14
p
Vla.
Vc.
p
f
rit.
*
pp
pp
f *
Subito A Tempo 3:2
mf
3:2
3:2
mf
pp
mf
pp
mf
pp
3:2
(e = 96)
3:2
sub. f
3:2
f
pp
p
f
p
144
Vln. II
pp
f
pp
Vln. I
pp
Vc.
rit. *
sub. e = 96
mp
p
f
p
f
f
sub.
f
p
p
f
3:2
3:2
15
Vln. I
pp f
pizz./arp.
pp f
Vln. II
f
pp f pp f
Vla.
pizz./arp.
pp
153
Vln. I
f
pp
pp
Vc.
Vln. I
Vln. II
Vla.
Vc.
pp
f
pp
f
f
f
pp
f
f
pp
f
pp
f
f
pp f
pp
pp
f
pp
f
f
ff arco
ff arco
f
pp
arco
f
pp
f
f
pp
Vla.
pp
pp pp f
Vln. II
pp
pizz./arp
Vc.
pp
pizz./arp.
147
ff
arco ff
* p * reduce l.h. finger pressure to harmonic weight - should result in an unpredictable timbre.
* 158 p * p
pizz.
* p
16
161
Vln. I
trans.
s.t.
s.p.
pp
trans.
s.t.
pp
f
Vla.
3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2
Vc.
* 3:2
pp
pp
pp
p
ff
arco pp
mf
s.t.
mf
s.t.
Vla.
pp
mf
3:2
Vc.
mf
3:2
ppp
p
mf
ffff
gliss.
pl
mf pizz./arp. (ala chitarra) ord.
ffff
s.p. (estr.) arco
f
p
gliss.
f
pizz./arp. (ala chitarra)
ord.
ffff
pizz.
f
mf
ppp
3:2
mf
molto pp fff s.p. s.t.
fff
s.t.
molto
pp
pizz. 3:2
f
s.p.
3:2
3:2
s.t.
s.p.
pp f s.p.
s.t.
f
pp
f
mf
7:8
spicc.
ord.
ben artic.
spicc.
ff
3:2
3:2 3:2 3:2
ord.
ben artic.
ff
pizz.
6:7 6:7 5:6 5:6 4:5 4:5 3:2 3:2 spicc. ff
arco ben artic.
pp
s.p.
ppp
mf
p
p
7:8
s.p.
mf
ppp
ff
178
Vln. II
mf
ff
Vln. I
ff
mf
3:2
Vc.
3:2
pizz./arp. (ala chitarra) ord.
s.p. (estr.) arco
pp
p
p
Vla.
mf
3:2
f pizz.
* Extremely short but perceptible pause.
166 arco
Vln. II
s.p. (estr.)
Vln. I
ffff
Vln. II
pizz./arp. (ala chitarra) ord.
s.p. (estr.)
arco
ben artic.
ff
ff
ff
17
4:5 4:5 ff 3:2
185
Vln. I
3:2
6:7
3:2
6:7
trans.
ff
Vln. II
Vla.
3:2
mp non cresc.
ff
ff
190
Vln. I
trans.
mf
mp
trans.
trans.
3:2
3:2
trans.
f * Gradual move from arco 'normale' to arco 'premuto' - pushing into the string to flood the sound with harmonics.
p
*
3:2
3:2
ff
Vc.
3:2
3:2 pizz. 3:2 3:2
3:2
trans.
f
pizz.
ff
mp non cresc.
*
trans.
pp
trans.
3:2
Vln. II
3:2
3:2
3:2
dimin.
3:2 3:2 3:2 3:2
Vla.
Vc.
trans.
mf
mp
3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2
trans.
trans.
p
dimin.
pp
194 7:8
Vln. I
mp
ppp
ppp
Vla.
Vc.
ppp
3:2
3:2
mf
3:2
arco
3:2
ppp
mf
mf
3
p
f
mp pizz./ arp.
pizz./arp.
(pizz.)
mf p pizz./arp. sfz
arco s.p. (flaut.)
ff
sfz
3:2
arco
ppp
3:2
p
mf
15
Vln. II
ppp
sub. e = 120
s.t.
mp
mp
18
Vln. II
Vc.
sim.
pp
Vla.
ppp
mp
f
5:4 /
flaut
mf
pp
5:4
f
poco
ppp
p
arco (pos.norm.)
/
pizz.
mp
pp
flaut.
pp
3:2
f
16 e = 112 / /
gliss.
mp
pp
3:2
flaut.
3:2
p
mp
f
7:8
arco
3:2
7:8
200
Vln. I
sub. flaut.
206
Vln. I
mp
mf
Vla.
mf
Vc.
3:2
mf
5:4 pp
mp
3:2
arco
sfz
pp
pp
p
pizz./arp. arco
p mp
3:2
pizz.
3:2
mp
sfz 3 pp ff
3:2 3:2
mp
17
(v.m.)
f
mp
p
mp
5:4
ppp
non trem. 3:2 3:2 3:2 5:4 sub. pp mp
3:2
pizz./arp.
5:3
Vln. II
p
mp
mf
3:2
pp
f
mp
sub. e = 120
214
Vln. I
3:2
5:4
mf
Vln. II
Vla.
5:4
5:4
pp
arco
mf
3:2
pp
spicc.
fff
pp
mf
sfz
f
3:2
p
mf
fff
sfz
sfz
3:2
18
pp
3:2 3:2
f
Vc.
mfl`
f
3:2
sub. e = 96
3:2
p
sfz
3:2
pp
f
f
19
3:2
223
Vln. I
f
5:3
Vln. II
f
ff
Vc.
pp
ben artic.
f
3:2
mp
ff
mf c.l.batt.
mp
f
ffff
ffff
ffff
f
pp
pp
pp
3:2
mp
f
f
mp
ff
p
ff ord.
pp
3:2
mf
f
gliss.
ff
ffff
ord. 3:2 mp
3:2
c.l.batt.
f
3:2
3:2
3:2
pp
Vla.
sub. e = 120
f
f
Vln. II
3:2
3:2 pp
p
228
Vc.
3:2
Vln. I
pp
3:2
Vla.
3:2
3:2
19
f
p
3:2
mf
mf
mf
f
mf
3:2
p
mp
pp
mp
p
mp
p
pp
p
mp
pp
pp
pp
pp
238
Vln. I
Vln. II
Vla.
Vc.
3:2
pp
20 3:2
sub. e = 84
3
p
f
pizz.
pp
pp
pp
pp
f
pizz.
mf
f
f
3
mf
3
f
pp
f
pp
p
pp
mp
mp
s.p. arco
sffz
trans.
gliss.
20
242
Vln. I
Vln. II
trans.
ord.
s.t.
5:4
mp
mf
Vln. II
3:2
5
Vln. II
Vla.
Vc.
3:2
ppp
3
pp
3
3
pppp
pp
mf
pp
ord.
mp
3:2
gliss. pp
ppp
3
pppp
pppp
p
sub.
mp
pppp
s.t.
s.p.
3:2
ppp
trans.
ppp
s.t.
pp
3
s.t.
21 e = 96 Meccanico e = 120 22 arco 5:4 5:4 5:4 5:4 * * 5:4 ord. Pizz. ppp
p
sub.
s.t.
mp
248
5
mp
5
Vln. I
trans.
mp
ppp
Vc.
mp
p
pp
gliss.
3:2
mp
ppp
f
Vla.
p
ord.
pp
245
Vln. I
mf
3
5
5:4
mp
pp
Vc.
mp
arco s.t. Vla.
5:4
ord. Pizz.
5:4
3:2 3:2 3:2 3:2 mp
mp
3:2
Pizz. ord.
3:2
3:2
arco
pp
arco
pp 3
Pizz.
ppp
pp
p
mp
spicc.
arco
pp
* Hold for 2" or 3" * Hold for 3" or 4"
21
3
255
Vln. I
p
Vc.
p
Vln. II
fff
Vc.
266
Vln. I
3:2
3:2
ffff
c.l.batt.
non cresc.
non cresc.
Vc.
fff
ff
p
3:2
pp
mf
p
ff
3:2
fff
ff
p
ff
p
fff
arco (al talon) flaut.
arco (al talon) flaut.
arco (al talon)
arco (altalon) flaut. pp
non cresc.
flaut.
pp
mp
24
ord.
arco (norm.)
ff
7:8
mf
f
arco (norm.)
mf
3:2
3:2
23
pp
mf
arco (norm.)
3:2 3:2 3:2 3:2 3:2 3:2 3:2
3:2
sub. e = 108 Giocoso
mp
p
ffff
pp non cresc.
Vla.
3:2
ff
f 3:2
3:2
pp
p
pp
p
f
3:2
fff
trans.
3:2
pp p ff ffff mf
p
c.l.batt.
Vln. II
p
ffff
3:2 3:2
p
Vla.
3:2
3:2
mf
3:2 3:2 p
mf
3
mp
260
Vln. I
3:2
f
p
mp
Vla.
3:2 3:2
p
mp
Vln. II
7:8
7:8
7:8
22
sub. e = 120 arco (norm.)
275
Vln. I
Vln. II
Vla.
Vc.
3:2 3:2 3:2
ord.
3:2
3:2
3:2
ord. arco (norm.)
ff
ff
ord.
arco (norm.)
ff
280
3:2
ff
25
3:2
3:2
ff
ff
Vln. I
3:2
sub. e = 72
ff
3:2
ff
ff
Vc.
ff
ff
283
Vln. I
ff
ff
3:2
ff
ff
ff
ff
ff
pizz./arp.
Vla.
ff
3:2
pizz./arp.
Vln. II
ff
ff
ff
ff 3:2
ff
3:2
3:2
ff
ff
Vln. II
Vla.
Vc.
ff
ff
ff
23
285
Vln. I
ff
ff
ff
Vln. II
Vla.
Vc.
ff
289
Vln. I
arco
9:8
Vln. II
9:8
ff
9:8
9:8
9:8
9:8
9:8
ff
9:8
9:8
9:8
9:8
9:8
9:8
pizz./arp.
9:8
9:8
9:8
9:8
9:8
Vla.
ff
ff
pizz./arp.
Vla.
Vc.
arco
Vln. II
ff
287
Vln. I
9:8
9:8
arco
f
ff
mf
f
ritmico e artic.
ff
Vc.
f
24
292
Vln. I
p
arco
mf
298
Vln. I
trans.
arco
f
p
s.p.
5:4
s.p.
f gliss.
ppp
s.t. trans.
pp
ord.
gliss.
ff
5:3
molto 5:3
pp
f ritmico e artic.
f
5:4
p
f
Vc.
f
Vln. II
3:2
Vla.
s.p.
26
ppp
s.p. 3:2 trans.
Vc.
p
ord.
5:4
mf
5:4
pp
sub. e = 84 s.p.
ff
f
s.p.
ord.
3:2
3:2
p
3:2
s.p. arco
flaut. (s.t. poco)
pp
ff
304
Vln. I
Vln. II
Vc.
flaut. (s.t. poco)
p
mf
mp
3:2
3:2
3:2
3:2
f
7:8
gliss.
ff
pp
p
3:2 3:2
mp
mf
3:2
2" sub.
Vla.
sim.
Tempo A
sub. e = 96
pp
p
pp
trans.
gliss.
pp
7:8 pp
pp
s.p.
ff
mp
27
f
ff
ppp
s.t.
ff
pizz. (ord.)
f
s.p.
5:4
ord.
p
pp
trans.
3:2
5:4
ff
p
ord.
5:4
s.p.
3:2
trans. 3:2 s.p.
trans.
s.p.
Vla.
p
mf
pp
f pizz./arp.
Vln. II
7:8
trans.
25
ord.
310
Vln. I
Vln. II
Vc.
314
Vln. I
s.p.*
fff
ord.
* move onto the bridge
ff
ord.
ff
3:2
pp
5:4
3:2
3:2
pp
sffz
3:2
3:2
gliss.
pp
s.p.
ff
sffz
sffz
sffz
mf mp mp mp mf mp mp mf mp f
Vln. II
ord.
sffz
Vla.
f
f
ord.
320
Vla.
p
sffz
sffz
ord.
sffz
ppp
gliss.
sffz
sffz
5:4
p
mp
gliss.
f
**
* Should cover a wide arc between 's.p. (estr.)' and 's.t. (estr.)' ** Exponential cresc./dim. - lean into heavily and briefly at the centre of the envelope.
ppp
5:4
mf
mp
p
sffz
p
circular bowing * gliss.
5:4
sffz
mf
mp
f
p
5:4
Vln. II
sffz
s.p.
s.p.
Vc.
pp
s.p.
Vln. I
5:4
3:2
ord.
f
Vc.
ff
Vla.
mp
p
gliss.
f sim.
ppp
gliss.
f
gliss.
ppp
26
5:4
322
Vln. I
Vla.
5:4
mp
f
5:4
mf
mp
mp
p
gliss.
gliss.
ppp
f
p
gliss.
p
5:4
mf
mp
p
Vc.
Vln. II
pp
gliss.
f
gliss.
pp
f
gliss.
pp
Vln. I
p
5:4
mf
mp
p
Vc.
gliss.
Vla.
mp
Vc.
f
gliss.
gliss.
pp
mf
mp
mp
p
gliss.
gliss.
f
gliss.
pp
f
mp
mf
mf
mp
/
mf
/
mf
gliss.
ppp
mp
s.p.
/
mp ben artic. s.p.
mf
f
ben artic. s.p.
mp
s.t.
mp
mp
mp
mp
/
mf
28
mp
s.t.
mf
s.t.
mp
mp
s.t.
mp
p
ord.
/
mp
mf
p
sub. e = 80
Vln. II
mp
p
pp
f
326
Vln. I
p
gliss.
Vla.
mp
Vln. II
5:4
324
f
mp
/
/
/
s.p.
mp
mf
mp
27
329
Vln. I
Vln. II
s.t.
/
mp s.t.
/
/
Vc.
mp
/
pp s.p. ben artic. pizz.
mf s.p.ben artic. pizz.
pp
mp
mf
s.p.
pp
/
/
mp
/
mp
s.t.
/
mp
s.t. Vla.
sub. e = 48 s.p.
sub. e = 64
pp
13'28.7"
London Autumn 2003 Minneapolis Fall 2008
James Dillon ( *1950) wird seit 1982 von der Edition Peters verlegt. Im gleichen Jahr wurde Parjanya-Vata für Violoncello solo bei den Darmstädter Ferienkursen für Neue Musik mit dem Kranichsteiner Musikpreis ausgezeichnet. Das Arditti Quartet brachte im Folgejahr Dillons Streichquartett Nr. 1 beim Huddersfield-Festival für Zeitgenössische Musik zur Uraufführung – nur eines von vielen Festivals, bei denen seine Musik regelmäßig erklingt. Zu weiteren Werken gehören die „deutsche Trilogie“ (Überschreiten, 1985; helle Nacht, 1987; Blitzschlag, 1996) sowie die Oper Philomela (2004). Im Jahr 2003 erhielt er die Ehrendoktorwürde der Universität Huddersfield, und seit 2007 hat er eine Professur für Komposition an der University of Minnesota inne.
Edition Peters 71899
w w w.e d i t i o n p e t e r s .c o m
String Quartet No. 5
James Dillon (b. 1950) has been published by Peters Edition since 1982. In that year, Parjanya-Vata, for solo cello, won the Kranichsteiner Musikpreis at the Darmstadt Ferienkurse für Neue Musik. The First String Quartet was premiered by the Arditti Quartet the following year at the Huddersfield Contemporary Music Festival – one of many festivals regularly featuring Dillon’s music. Other works include his ‘German Triptych’ (Überschreiten, 1985; helle Nacht, 1987; Blitzschlag, 1996) and the opera Philomela (2004). In 2003 he was awarded an honorary doctorate by the University of Huddersfield and in 2007 took up the position of Professor of Composition at the University of Minnesota.
Dillon
Photo © Dylan Collard
James Dillon