EARLE BROWN
SOUNDER ROUNDS for Orchestra
Unter der Nr. 11122 in die Edition Peters aufgenommen. EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED
HENRY LITOLFF’S VERLAG / C. F. PETERS FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK
Earle Brown
SOUNDER ROUNDS for Orchestra (1982-83) Commissioned by the Saarländischer Rundfunk. SOUNDER ROUNDS premiered in Saarbrücken, Germany in 1983, with Earle Brown conducting.
Score (transposed) Instrumentation
Program Note
Directions for Performance
SOU N DE R ROU N DS seems to me to be the third in a
Earle Brown formulated general instructions for “open form”
related series of works for large orchestra, the other two
sections and proportional notation for earlier compositions,
being TIME SPANS (1972) and NEW PIECE: LOOPS (1972),
such as NOVARA (1962; published by Editions Peters),
the latter also utilizing a large chorus. The three works are
excerpted below:
each based on a relatively simple sonic condition which is compositionally explored by fragmentation, juxtaposition,
Preliminary Notes
1 Flute
1 Glockenspiel
collage techniques and variations which can be made in
Spontaneous decisions in the performance of a work and
1 Alto Flute
1 Vibraphone
the actual conducting of the works.
the possibility of the composed elements being “mobile”
2 Oboes
1 Xylophone
1 English Horn
1 Marimba
As in many of my works, this piece is basically “closed form”
former to an extreme degree in FOLIO (1952), and the latter,
2 Clarinets in Bb
1 Harp
but has areas* in which the basic composed material can be
most explicitly, in TWENTY-FIVE PAGES (1953). For me,
1 Bass Clarinet
1 Piano
sequenced and juxtaposed spontaneously by the conductor.
the concept of the elements being mobile was inspired by
This potential for a work I originally (in 1952) called “mobile
the mobiles of Alexander Calder, in which, similar to this
12 First Violins, divisi a 2
score,” as influenced first by Alexander Calder, but this
work, there are basic units subject to innumerable different
10 Second Violins, divisi a 2
is now generally referred to in music as “open form” . . . the
relationships or forms. The concept of the work being
4 Horns
8 Violas, divisi a 2
actual final form of each performance being different and
conducted and formed spontaneously in performance was
3 Trumpets in C
6 Cellos, divisi a 2
unique but always recognizable as this particular work due
originally inspired by the “action-painting” techniques and
2 Trombones
4 Contrabasses, divisi a 2
to the unchanging basic composed material content. In
works of Jackson Pollock in the late 1940s, in which the
concept it is similar to viewing many aspects and details of
immediacy and directness of “contact” with the material is
a sculpture as one walks around it at different speeds and
of great importance and produces such an intensity in the
in different directions, or (as in my original influence from
working and in the result. The performance conditions of
Calder) as the elements of a mobile constantly change in
these works are similar to a painter working spontaneously
relation to each other.
with a given palette.
The relatively simple elements of SOUNDER ROUNDS are
The conductor may conduct the events in any sequence
rather dense “streams” of sound which expand, contract,
or juxtaposition, in changing tempi, loudness, and in general
separate, change shape and color, and “fields” of vertical
mold and form the piece. The inherent flexibility of the
aggregates (chords), which a German critic has referred
materials allows the work to constantly transform itself and
to as “sound columns” in writing of other of my works.
re-express its potential, while the sound materials and
1 Bassoon 1 Contrabassoon
1 Tuba Duration: approximately 20-25 minutes
have been of primary interest to me for some time; the
Earle Brown *Editor’s note: these “open form” areas are indicated in the score by large superimposed numbers.
characteristics which I have composed contain the essential
fingers. A conventional (right-hand) down-beat initiates the
conductor moves both hands from the “hold” position back
“identity” which makes this work different from any other.
activity. The relative speed and dynamic intensity with which
to the body and then outward towards the orchestra, palms
an event is to be performed is implied by the speed and
up (as if giving the initiative back to the orchestra).
I have felt that the conditions of spontaneity and mobility
largeness of the down-beat as given with the right hand. con d ucte d stop :
of elements which I have been working with create a more
the conductor may stop any event or
urgent and intense “communication” throughout the entire
The conception of the work is that the score presents
combination of events at any time during the performance.
process, from composing to the final realization of a work.
specific material having different characteristics, and that
The normal, two-hand cut-off signal will silence his entire
I prefer that each “final form,” which each performance
this material is subject to many inherent modifications,
group. Leaving the hands up will hold that silence until the
necessarily produces, be a collaborative adventure, and that
such as modifications of combinations (event plus event),
signal to continue from the point of interruption is given. If
the work and its conditions of human involvement remain
sequences, dynamics, and tempos, spontaneously created
the hands do not remain up in “hold” position, the musicians
a “living” potential of engagement.
during the performance. All events are always prepared by
are to expect another event-signal from the left hand,
a left-hand signal and initiated by a down-beat from the
and a down-beat.
Time Notation
conductor; the size and rapidity of the down-beat implies
There is a built-in factor of flexibility in the notation and
the loudness and speed with which the event is to be
mod i fication of s i ng le eve nt :
scoring of this piece because the availability of forms is
performed. The conductor must, as with any notation, insist
affects the entire group. The conductor may wish, however,
based on letting go of the idea of metric accuracy. This is
on accurately articulated relationships from the rhythmic
to modify only one event among two or more events
achieved through the notational system used in this work.
“shape” of phrase and pitch sequences in this work.
being performed simultaneously. To do this he signals the
This system, which I have called a “time-notation,” is a
any two-hand cut-off signal
number of the event to be modified with his left hand; then
development of the work in FOLIO (1952 and 1953) and most
General Modifications of Events
indicates the modification — a hold or cut-off — with only
clearly represents sound-relationships in the score as I wish
con d ucte d fe r mata :
his right hand. (Events not indicated by the fingers of the
them to exist in performance, independent of a strict pulse
fermata at any time during the performance, in any single
conductor’s left hand continue to proceed normally.) It is
or metric system.
event or combination of events. Both hands cupped
absolutely essential that the orchestra members clearly
towards the orchestra and held stationary indicates that all
understand this difference in signaling: a hold or cut-off by
Conducting
musicians in that group should hold the sound or silence
both hands affects an entire group; a hold or cut-off by
The conducting technique is basically one of cueing; the
which they are at that moment performing, until the next
only the right hand affects only the event indicated by the
notation precludes the necessity and function of “beat” in
sign from the conductor tells them either to cut off or to
fingers of the left hand. Players whose parts do not contain
the usual sense (although the conductor does indicate the
continue from the point of interruption. A cut-off is signaled
events signaled by the conductor’s left hand must remain
relative tempo). The number of the event to be performed
with both hands and must be followed by another event-
unaffected by his subsequent right-hand indications.
is indicated by the left hand of the conductor — one to five
signal from the left hand and a down-beat. To continue, the
the conductor may introduce a
Specific Instructions for SOUNDER ROUNDS As soon as the conductor initiates (by left-hand event-
Accidentals apply only to the note they precede.
signal and right-hand down-beat) a new event that appears
Pages 8, 9 (section C): open-form section. End with strings event 7 (loop). Indicate move to next section with
on the player’s part, the preceding event is automatically
Instruments are not synchronized during passages with
cancelled. No specific stop-signal is required. The player
black noteheads (streams). However, entire sections are
simply discontinues the event he is playing and, without
synchronized during passages with white noteheads (fields).
break between events, begins to play the new one.
large page turn. Page 10 (section D): cue instruments as indicated (fingers 1-5). Treat streams as in open form (stop, start, hold, etc.).
Events: small numbers above staves indicate that those With these procedures clearly understood by the conductor
events will be performed in sequence. Large superimposed
Page 11 (section E): treat string streams as in open
and the musicians it is possible to achieve smooth
numbers indicate open-form sections.
form. Bring in pianos and percussion as desired.
complexity and frequent modification. The first impression
Page 2: conduct events in sequence. Hold event 2
Pages 12, 13 (section F): cue winds and brass events in
derived from the score will be one of many sporadic
into event 3.
sequence independently, not simultaneously. Cue strings
transitions and long lines of connected material of extreme
fragments. This wealth of fragments shows the numerous
events any time, in any order. Bring in percussion, harp
formal possibilities inherent in the work, and it is this
Page 3: cue winds and second violins to begin
and piano as desired. Indicate move to next section with
realization, not the fragmentations, that must become the
simultaneously, after the violas have already started;
large page turn.
dominant characteristic of performance.
then cue brass and cellos to begin simultaneously. Pages 14, 15 (section G): open-form section. Pages 4, 5 (section A): open-form section. See general instructions for conducting open form. Pages 6, 7 (sections B1, B2): conduct events in sequence. Overlap freely as notated.
Sounder Rounds
TRANSPOSED SCORE
Earle Brown (1926–2002)
for Orchestra (1983) CUE TWO HANDS
2 ? A Fl.
Hn. 1 (F) Hn. 2 (F) Hn. 3 (F)
muted
Hn. 4 (F) Tpt. 1 (C) Tpt. 2 (C) Tpt. 3 (C)
Tbn. 1
Tbn. 2
Tuba
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Litolff/Peters Nr. 11122
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Copyright © 2007 by Henry Litolff’s Verlag
CUE LEFT
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Ob. 2
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Cl. 1
Cl. 2
B. Cl.
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Hn. 1
Hn. 2
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Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
Tuba
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*Watch for starts (down-beats), stops ( v ), fermata and “karate.” Begin again where stopped last (endless loops).
C YC XC WC
C C C YC WC YC C C C C WC C YC
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:
A. Fl.
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
B. Cl.
Bsn.
Cbsn.
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A. Fl.
Cl. 1
Cl. 2
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Pno.
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CUE HIGH CENTER
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:
WA
Vlc. 2
C
YC
WC
C C
C
G@E!F#
C
YC
XC WC
C
C
C
YC
!
?
? YA
C
! WA
WA
! YA #
A
YC C
WC WC
C#D#B@
DCB!/EFGA!
C
YC
YC
WA
WA
A
A
A
A
A
C
C
C
WC
C
C
C
YC
WC
WC
C
YC
C
C
C YC
C
WC
WC
C
YC
C
WA
C WC
Tuba
:
:
WA
C
C WC
C
C
C
YC C
XC
YC
DC#B/E!FGA!
C YC WC YC
C
YC
C
C
C WC
C@E@B!
:
C
! : C YC
C
YC
XC
C
WC
C
C
C
C
C YC
C WC WC
WC YC
C
C
C
C
C
C WC
WC YC
C
C YC
C
C C
C
WC WC
C
YC C
C C WC
C
C
YC
C
YC C
WC C
C C
WC C
YC WC
C
C
C
YC
WA
A
A
? WA
WA
:
XA
WA
A
YA
YA
C
WC
XC C
C YC
WA
A
A
WA A
A
WA
A
A
WA
A
A
A
A
A
YA
WA
A
C
A
A
A
A
YA
YC
WC
YA
A
A YA
A
YA
A
A
WA
WA
WA
A
A
A
A
A
A
C
WA
YA
A
A
WA
WA
WA
WA
C
A
WA
A
WA
A
C
XA
A XA
WA
XA
A
A
WA
WA
A
A
í
A
A
YC
YA
YA
YA
A
A
A
3 4 A
A
A
A
? A
WA
A
A
A
A
WA
WA A
A
A
5 í
WA
WA YA
WA
# A #
A
A
# A
YC
WC
C C WC C C C WC YC C YC XC C WC C C YC XC C C C C WC YC WC C XC C YC C YC C YC XC C WC C YC C C C WC YC C YC C WC WC YC C C C YC C YC C : ! :WC C C WC C C C C WC YC C C YC XC C YC C C YC C C C WC WC YC C C C WC C C YC C YC C WC C XC C WC C YC WC C C YC C YC C C WC YC WC C C C YC WC : ! : C WC YC
#
Tbn. 2
WC
C
DCB!/EF#G#A
Tbn. 1
:
WA
WC
Tpt. 2
:
WA A
!
WA
A
! WA A ! !
? WA
A
! WA
! A A ! WA #
Tpt. 1
? WA
! WA
! WA
Hn. 2
:
!
? WA
? ! A
Hn. 1
:
A
XA
C
Tbn. 2
:
WA
YC
Tbn. 1
:
WA
C
YC
:
YA
WA
XA
Tpt. 3
A
A
A
YA
C
C
A
WA
YA
YA
D#F@
WA
A
YA
A
C
A
XA
YA
WC
WC
A@F#
C YC
C
WA
Tpt. 2
:
A
YA
Tpt. 1
:
WA
WA
Hn. 4
:
WA
A
Hn. 3
:
A
A
Hn. 2
:
A
A
WA
A
A
A
WA
YA
YA
A
A
A
A
A
A
WA
WA
WA
YA
XC
A
A
A
A
A
A
YA
A
A
WA
A
Hn. 1
:
A
A
WA
WA
WA
YA
WA
A
A
WA
YA
A
WA
A
WA
WA
WA
A
WA
A
A
XA
A
A
A
:
YA
WA
WA
A
A
A
A
WA
A
A
A
A
A
WA
A
XA
WA
YA
A
A
YA
A
A
C
C YC
C
A
A
WA
WA
A
WA
WA
A
A
í
A
A
A
! A
YC
YC
YC
!
WA
YA
A
8va
Vn. 1
:
WA
C YC
í
:
A
WC
make subtle alternations
WA
A
Solo Instruments
A
C
WC
A@C#
DCB/EFG#A#
WA
XA
C
WC
WA
WA
XA
YA
A
WA
A
YA
YA
B
A
WA
A
A
# A
Cb.
WA
3 4 5 A
WA
YA
WA
# A
A
:
WA
A
A
YA
! : C
WA
XA
A
WC
WA
YA
:
A
A
B
A
A
A
A
A
A
# A
Vcl.
WA
A
# WA
A
:
WA
A
A
A
A
A
A
A
B
WA
A
" A
Vla.
:
WA
A
con sord.
XA
A
A
WA
" WA
A
:
WA
WA
A
WA
A
A
XA
A
WA
A
WA
:
WA
WA
B
A
í
A
A
! WA
Vn. 2
? YA
A
! WA
A
:
A
A
WA
WA
WA
A
WA
A
A
A
WA
B
? A
A
!
Vn. 1
:
A?
!
A
:
YA
WA
A
:
YA
A
WA
A
A
A
A
WA
A
WA
A
A
WA
YA
A
WA
A
í
A
A
3 4 WA
A
? YA
A
XA
A
? A
A
A
WA
YA
XA
WA
WA
A
A
XA
WA
WA A
í
A
WA
A
! WA #
? A
í
Fl.
A?
A
WA
A
A
YA
YA
A
A
YA
WA
WA
YA
A
WA
A
WA
WA
WA
WA A
YA
A
WA A
A
WA
WA
A
A
A
YA
XA
WA
A
A
WA
A
A
A
WA
A
YA
A
A
WA
A
A
WA
WA
WA
A
A
YA
WA
A
WA
XA
XA
WA WA
: : : :
Do not end with Woodwinds.
: : : : : : : : : :
: : : : : :
6
B 1 1very fast A. Fl.
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
B. Cl.
ff
Fl.
A. Fl.
C C C CYC YCYC YC YC C C C C YC YC YC CWC C C C CYC CYC C C C YC YC YC CW C C C YC C C C C C C WC C C C CWC YC WC C C C YC CWC : ! : C C WC C C C YC CWC Y C C C Y C C Y C Y C C C C YC C C YC YC YC C C YC C WC C C WC C C CWC C C YC C YC C CWC WC WC C C C YC WC C : C C ! : WC
6*
Ob. 2
C C CYC YC YC XC C YC C C YC C C C YC YC YC C C C YCYC C C C WC WC C C CYC C CWC C WC C C C C WC C C CWCWCWC : C YC C YC C ! : C YC YC
10
# : C C WC C C C C C YC YC YC # : C C YC YC YCWC C C C YC
Bsn.
Cbsn.
p
Hn. 1
8 Hn. 3
Hn. 2
! :WC YC C C WC WC : Hn. 4
Tpt. 1 muted
3 Pno.
:W C
! # :
WC C
XC
C
YC
C
WC C
Where no dynamics given, follow conductor’s suggestions.
! : C # :
C YC
C
WC
4 WC Hp.
C
XC
YC C
Tpt. 2
C
C
YC XC
YC
C
XC
WC
DCB/EFG#A#
WC
C
A@C#
C
WC
C
C : WC
Tpt. 3
:
Tbn. 1
:
G@E!F#
C
C
Glock.
Vib.
Xyl.
Mar.
YC
YC WC WC C C C WC C ! :Y C C WC
7
C
p
! :
! :W C Y C C C W C W C ! :W C W C X C C Y C C C C C C YC WC ! : C YC C YC XC WC ! : C C WC C YC ! : C # : C YC C C WC
Tbn. 2
# :Y C W C Y C C Y C C
Tuba
# : YC YC
mf
:
C YC ! :Y C C C C C WC YC C C Y C WC C XC ! :W C C C WC C WC YC C C C WC C C YC C ! : YC C YC C C ! : YC C XC C WC C
9C
C YC
C YC
ff
:
C YC : YC : WC :
11 A Vn. 1
2 A Vlc. B
Solo Instruments W conC sord. C C Y C Y C C C Y C Y C C C C C W C W C senza sord. # : WC : ‚ Ë‚ Ë Ë‚ Ë W Ë‚ C Y Ë‚ ‚CË ‚CW W ‚CË W W ‚C ‚C Ë‚ Ë‚ # : C ‚C C W W ‚C W C C C WC :
mp
!
A
!
B
!
A
!
pizz. Vla.
W 8vaC C C Y C C W C C
: Y C C C YC WC C: : 8va C YC YC C C C : : WC 8va C : C C CWCWC C C : C :WC C C YC WC C : YC :WC C C C C : WC C C YCYC C C : : 8va
C
B
"
A
#
B
# :YC C C C C WC WC :
A
# :
Vlc.
All repeats : watch conductor for starts and stops. *Invent rhythm and dynamics. Vary octaves.
! :
B
Vn. 2
senza sord.
Fl.
5* Y C
í
YC YC C C ! : C WC C ! : WC YC YC C ! : C C C YC YC ! : YC C C ! : C YCYC C WC : ! C ! : YC CWC ! : C YC YC C
Cb. B
YC
: CWC C C # : YC C C C : C C WC C C
B2
7
7*
C C C YC YC YC XC C YC C C YC C C C YC YC YC YC C C C WC WC YC C C C WC WC C C C YC C WC C WC C C C C WC C C C WC : C YC C YC C WC ! : C
Ob. 1
2 YC C C C YC C C CYC WC WC ! : 8va
Fl.
: C C WC C C C YC WC C C YC : ! : WC 8va
A. Fl.
8*
mp
E. H.
YC C C WC C ! : C
C WC C C C YC YC C C C C C YC C C YC C C WC C C C WC YC C C C WC WC C C YC C C WC C C WC C C C YC YC C C C C C WC XC :
9* C C C WC C C YC C C WC YC YC C C WC C C WC WC C C C C YC YC WC C WC C WC C C WC C C WC WC C : C WC WC C C C WC WC C W C C : !
SOLO
1
Cl. 1
Cl. 2
B. Cl.
Vn. 1 A
Y 8va CYC C WC C WC : ! : : ! : C YC CWC CYC : ! : CYCYC C C
SOLO Vla. 1 A
4
pp
C C C C C WC WC WC C C YC C WC C C WC WC C C C C YC YC WC C WC C YC C C WC C C YC YC C WC YC C WC WC C C : C C C YC ! : C C
# :
Bsn.
Cbsn.
C C : C C WC C C # : : C C YC YC YC WC
p
11 ! :
Pno.
C
WC
# :
6 YC
Hp.
10*
! :
WC
C
C#D#B@
# : DCB!/EFGA!
C
C
WC
C C
C
YC
YC YC
C C A@F#
C
C
WC
WC
WC
C
D#F@
C
C
WC
YC
WC
C
WC C
YC
C
C C
C WC
C WC
DCB!/EF#G#A
C WC
C
YC
C C
C
YC
WC
C C
C
YC
C
WC
YC C C
C
:
C WC
C YC
C
XC
:
C
YC :
C@E@B!
YC
XC
YC
C
C
WC
:
15
DC#B/E!FGA! Glock.
Vib.
12* Mar.
C ! : YC C
Xyl.
YC
XC C
WC
C
C
C YC
C WC YC
C C
WC YC
CYC
C C
XC
WC WC
YC C
C CWC
C
C
YC C
YC C
WC C
C C
WC C
YCWC
C
C C
YC
YC ! :W C W C
YC : C C WC C C C C C ! : YC C YC XC C WC C : 8va WC C XC C WC C YC WC C : ! : C :
YC C
C C
WC YC
CYC
13 pont. trem.
A
SOLO INSTR. A Vn. 2 B
!
All Instr. except SOLO 9
3C C WC WC C C WC C C YC :
! :
C
p
C
Vn. 1 B
C YC WC C WC YC : WC WC C YC WC C C C YC C 8va C pont. trem. C C WC C C YC YC C C WC YC YC C C C : : ! ! :
C
mf
ff
mp
C YC YC WC C WC C YC A
arco pizz. 5 pizz. C WC WC C C WC C Y C Y CW C C C # : Warco C C C YC C C C C C Y C C C C WC WC C WC C WC WC C C YC C C WC YC YC C
B
# :
SOLO INSTR. senza sord. Vlc.
arco
C
mp
pizz.
arco
C C C C WC WC C C C YC YC WC C WC C YC C C WC C WC C C YC C WC C WC WC C C C C C C C WC WC
SOLO INSTR. A pizz. Cb. B
*Invent rhythm and dynamics (soloistically). Vary octave. Strings: vary timbre (arco, pont., pizz., etc.)
14
YC WC WC C C C WC C C # : C : YC WC C C C C YC YC WC # : :
C C
XC :
8 Fl.
A. Fl.
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
B. Cl.
Bsn.
Cbsn.
Hn. 1
mute
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
cup mute
Tpt. 2
Tpt. 3
Tbn. 1
mute
Tbn. 2
Tuba
C OPEN FORM ! :YC YC
C ! :
C YC C
YC C
# : C # :
C
C
! : C ! :
YC
! :WC ! :WC ! : C ! : C ! :
C
YC YC
C
# : C
WC
YC
C
YC WC C YC C
C
WC
C
C
WC
C
WC YC
C
WC
C
C
YC
C
C
YC YC
C YC
C YC YC
C
YC
C WC
C
WC
C
WC
WC
C
C
C
YC
C
C
YC
C
C
C
C YC YC
YC
YC
C
YC
YC C
C
YC
YC
C
WC
C YC
C
C
C
C
C
YC
C
YC
YC
WC
C
YC
YC
XC
C
WC
C
C
C
WC
C WC
C
C
C
C
C
C
YC
C
C WC
WC
C
C
C
YC C
C
C WC C
YC
C
WC
C YC C
C WC C
YC
C
C
C
WC
C
C
YC
YC YC C
C
C
C
C
WC
C
C
WC
XC
C
YC
C
C
YC YC
C
YC
YC
C WC YC
C
C YC
C
WC
C
WC
C
C
C
YC
C
XC
WC
WC C
YC
C
XC
C
C YC WC YC
C
YC XC WC C YC
C WC C
C WC
C YC
C YC
C
WC
C
C
YC
C
C
C YC XC WC
C
C
YC
C YC C
YC
WC
WC
C
C YC
C YC
C
C YC
C
C YC
C
WC
C
YC
YC WC WC
C
YC
C
C WC C YC
YC
C WC
C
C
C
YC
YC
C
C
XC
C
C
WC
C
C YC WC
C
C YC XC WC
C
C
WC
WC YC
C
YC
C
C
C
C WC
C YC
WC
C YC WC YC C
C
C
C
C
C
C
WC
C
C YC
C YC
C YC C
YC WC YC C
WC
C
C
C
C
C
C
C
YC
C
WC
C
WC
C
WC
WC
C
C WC
YC
YC
C
C
C
YC
C
C
C
C
C
YC
C
C
C
C WC
YC
C
C
WC
C YC
C
C
C
YC
C
YC
C
C
YC
YC
C
C
C
WC
YC
XC
YC
WC
C
WC
WC
C
C
C
YC
C
C
C
C
WC
C
C
WC
C
YC
WC
C YC
C
YC
YC
YC
WC
YC
WC
WC
C YC
C
YC
C
WC
WC
YC
C
C YC
YC
C C
C YC YC
C
8va
C
C
C
C WC
C YC
C
C
WC WC
C
C
C YC
C
C
C C
YC
C
C C YC
C
C
YC
C WC
C WC
C
C
YC C
C
C
C
C WC WC WC YC
C
C YC
C
WC
C
C
C WC YC
YC
C YC
YC
C
WC YC
C
C
C
C
WC
YC
C
YC
YC
C
C
C
C
WC
C
C
C WC
C
C
YC
YC
C
YC WC YC C
WC
C
YC
C
C
C
C YC
C YC WC YC
C
C
C YC C
: C
C
C
YC
C
WC C WC C
:
YC :
C
C YC XC
C
:
:
YC
C
:
:
C
C
C
C
:
WC
C WC WC YC
C WC
:
YC WC WC
WC
:
:
C
WC
:
:
C
C YC YC
C WC WC XC
YC
C
C
WC
XC
C
C
C
C
: C :
C WC
C YC YC YC
C
C
C
WC
C WC
YC
YC
C
C WC XC
C YC
C
C
C
4
C WC WC YC
XC
C
C
YC
WC
C
C
C
WC
C
C WC
C
C
YC
C
WC
C YC YC
WC
C
C
C
C
C
C
C
C WC XC
C
C
C
C
C
C
C
C YC
YC WC YC C
C YC YC
C YC
C
C
C
WC
C
C
C C
C
C
C YC YC
C
XC
C
YC
C
WC
C WC
C
YC
C
YC C YC
C YC WC
C
YC YC
C
WC
WC
YC
C
C WC
C
C
8va
C
C YC
C YC
C
WC
C YC
C WC
C
C YC
C
WC
C
C YC XC WC
WC
WC
C
C
C WC
C
C
C
C
WC
C
C
C
C
C
C YC
C YC
C YC
WC
YC
C
C
C
WC
C
C
C YC
YC C YC
C YC
C
C
YC YC
YC
C
C
C YC
C
YC YC
C
C YC
C YC
WC WC
C
C
C
YC
C
C
WC
C
C
C YC
YC
C
C
1 2 3 C
WC
C
C
C YC
C WC
YC
C
C WC
C
C
C
C
C
WC
C
C
C
C
C
WC
C YC
C
C
C
3 4
WC
C
YC YC YC
C WC
C
WC
C WC
YC
WC
C
C
YC XC
YC
C C
C
YC
YC
YC
C
C YC YC
WC
C
C YC YC
C
YC
C
C WC
YC YC
WC
C
C YC
C WC
C
C
C
YC YC XC
WC
C
C YC
C
C
YC
C
C
YC
C
C
C
C
C
C
C
YC
C WC WC
C YC
8va
C
C YC
WC
C
YC
C
C
C
C
C
WC
C
C
WC
C YC
C
C
YC
C
YC
WC
C
C
8va
C WC
C YC
WC
C YC
C
C
C
C
C
WC
WC
YC
C WC
YC
C
C
WC
C
C
C
C
C
C YC
YC YC
YC
C
C
WC
C
C
C
C
C
C YC
C
C
YC
C
C
C
C YC
C
C WC YC
C
C
C
YC
C
C
WC
WC
WC
C
C
C
C
C
C WC WC
C
C
C
C
C
C
WC
C
C
C
C
C
C YC
YC
WC
C
C
C WC
WC
YC
# :YC WC YC # : YC
C
C WC
YC
YC
C YC
C WC WC YC YC C
C
YC
C
C
C
C YC YC
! : C
! :
C
C
! : C YC YC
! :
C
1 2
! : C WC WC
! :
C YC
C
C
C WC
: :
C
: : :
A?
? A
? YA
A
A
í
!
A. Fl.
!
Ob. 1
!
WA
A
A
XA
Ob. 2
! WA
WA
WA
WA
A
A
! WA
E. H.
Cl. 1
A
WA
WA
WA
A
Cl. 2
!
B. Cl.
! WA #
Bsn.
#
Cbsn.
A Vn. 1 B
A Vn. 2 B
A arco Vla. B
A Vlc. B
A Cb. B
A
A
! :
C
WA
A
C WC WC
C WC
C
WA
WA
A
A
WA
A
A
A
WA
YA
WA
A
A
A
WA
WA
A
WA
WA
A
A
A
A
A
WA
WA
WA
:
A
XA
WA
WA
:
A
YC
C
WC
C YC
C
C YC WC
C
C YC
C
C C
C YC YC
! WA
A
Hn. 3
! WA
Hn. 4
! WA
!
! A
Tpt. 2
!
Tpt. 3
!
Tbn. 2
:
Tuba
WC
YC
8va
C WC YC
C
YC C
WC
YC
C
C
C
C
8va
C
C WC
C
C YC YC
C
WC
YC YC
C YC YC XC
WA
WA
WA
A
A
A
A
WA
WA
WA
A
WA
A
A
A
A
A
A
# A
A
C
C WC
A
A
YA
XA
WA
A
A
WA
A
A
WA
A
A
A
WA
A
WA
WA
WA
WA
WA
A
A
WA
A
:
A
A
YA
:
A
YA
WA
A
YA
WA
WA
A
WA
A
A
XA
WA
C
C
C
C WC
C
C WC WC
C WC WC
C
A
WA
A
A
A
A
A
YA
C WC
WA
WA
A
A
C
A
WA
A
A
C YC
C
A
A
WA
A
C WC YC
C
XA
9
A
5 A
A
A
WA
WA
WA
A
# A
C
í
YA
A
# A
Tbn. 1
:
A
? WA
Tpt. 1
:
WA
A
A
:
WA
A
A
A
A
A
A
WA
YA
YA
C
WA
WA
WA
:
A
? WA
Hn. 2
:
A
A
? WA
Hn. 1
:
WA
A
WA
:
YA
YA
A
C
A
WA
A
A
A
A
A
WA
WA
YA
A
WA
5
XA
A
A
A
A
A
WA
A
A
WA
! WA
XA
A
Fl.
A
C
C WC
C
C
: :
A
:
YA
:
WA
WA
:
:
A
WA
A
A
C
C YC
: : :
C
WC
C YC YC WC
:
C
1 2 34 5 6 7
! : C ! : WC ! : ! : " :
# :
C
YC YC
C C WC C
# :WC # :
C
C C
C
C
C
YC
# : YC WC
C WC
C YC YC WC
C WC YC YC C
C
C
C
C
C YC
C WC WC
C WC
C
C
C
C
C
C
C WC WC
C
C
pizz.
C
C WC WC
C YC YC
C WC WC C
C
WC
C YC
YC YC
C WC C
C WC
C WC WC
C WC C
C YC YC WC
C YC YC
C
C
C
C
C
C WC WC C
WC
C
C
C
C WC WC
C
C
C
C
C WC
C
C
C WC
C YC
C
C YC YC WC
C WC
YC
C
C
C
C
C YC
YC WC
WC
C
C
C YC YC
C
C WC
C
C
C WC WC C
C
C
C WC WC
C
C
!
C YC
C WC
C WC
C
C
YC
C
C
C
C WC
WC
C
WC
C
C YC
C
C WC
C WC YC YC
!
8va
í
WC
C
C
C
8va
C
C YC
WC
CYC C CWC
pont. trem.
C WC
C
8va
C WC
8va
YC
C
C
WC
C
WC C
WC
C WC
WC
C
WC
C
C
sul tasto
WC
C C
C
C
C
C YC
C
C
YC YC 8va
YC
C YC
C
pizz.
C
C YC YC
C
C WC YC
C
C
WC
C
C WC
C
C
C YC YC WC
C WC YC WC
C
C WC WC
C
C
C
C YC
C
C
Y8vaC Y C
C
WC WC
C
8va
C
C
YC YC
C
YC
C WC
C
WC WC
C
C
C
C
C WC
WC
C
C WC
C C
C WC WC
C
C
C
WC
C
C YC YC
C YC
C
C WC
C WC WC
C
C
C
C
C WC WC
YC
arco
C
C
C WC WC
WC
C
C
C WC WC
C
C
C WC
C
C
C
C
#
í
YC
WC YC C YC
C
C
C
C
C YC
WC
C WC WC
C WC
C YC YC
C WC WC
C
WC
C
WC WC
C
C
C WC
C YC C
C
C YC
C
C
C
C
WC
C WC
C
C
C
C
C
C
YC YC
C
: C WC WC
: C :
:
C
C WC
YC
C
C
C
C YC
: : :
C
C
C
C :
C
C WC WC
:
C YC YC
: C
:
C
C
: C C YC
pont. trem.
WC WC
C WC
:
C
C WC
C WC YC YC C
:
C WC
C
C
C
: YC WC
C WC C
C
C
C
:
C
: :
10
D
C YC C WC C C C C C YC YC YC WC C C C YC C WC C C YC C C C YC YC C C C WC YC YC YC C C C C YC YC C C C YC : 8va C C C Y C C C Y C C Y C Y C C C C YC C C YC YC C C WC C C YC C YC WC C C WC WC WC C C C YC YC C C YC C WC C C WC C C C C WC WC WC C C C YC : ! : 8va YC C C C YC C C C YC YC YC C C C YC YC YC YC C WC C C WC C WC C C C C C C WC : C C C WC WC WC C WC WC C C C YC YC XC C C YC C YC C ! : C C C C YC YC YC C C C YC YC YC C C C C WC C C C YC YC YC YC C C C C WC WC C C C YC C WC C C C C C C WC WC WC YC YC XC C C YC C YC C : WC C ! : !
Fl.
A. Fl.
Ob.
1
Ob.
2
E. H.
Cl.
1
Cl.
2
8va
YC C :YC
C WC C C C YC
C
C C
WC
YC C C WC C C WC C C C YC YC C C C C C YC C C YC C C WC C C C WC YC C C C WC WC C C YC C C WC C C WC C C C YC YC C C C C C WC XC ! : C YC YC C C YC C WC C YC C YC C C C C YC C C C YC YC C YC C WC C YC C WC C WC C C C YC WC C YC C C C WC C YC C YC WC C C WC WC C ! :
B. Cl.
! : C YC YC
C
C WC
Bsn.
# :
C
C C C YC YC YC YC XC C C YC C WC C C YC C YC C C C YC YC
C
C
WC
C
# : C C YC YC YC
Cbsn.
Hn.
1
Hn.
2
Hn.
3
Hn.
4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
Tuba
A
Vn. 2 B
A Vla. B
A Vlc. B
A
C
C
C YC
C C
C
WC
C YC YC C
C
C
C
C C WC WC XC C YC C C WC WC XC C YC C C WC C YC C YC C C C YC WC YC C YC C WC C YC C YC C YC XC WC C C WC YC C C WC C YC C C WC C YC C C C YC C C WC C YC YC WC C C
C
C YC
! :WC
WC WC C YC
! : C C ! : ! : C # : C
C
C
YC C C
C WC
C YC
C
! : ! :
WC
! :YC YC C WC ! : C C " : C C C WC C C # :
C WC C
C
WC YC
C
C YC YC YC YC
C
C
YC C YC
C
C
C
C YC C YC XC
C
:
C
WC
: YC C C C C C C YC YC YC YC C C C YC C WC WC C C C YC YC YC C WC C WC C C C WC C YC C
C YC
C
C
C
C C C C WC YC C C C C YC WC YC C YC WC XC C YC C C WC C YC C YC WC WC C WC : C WC XC C YC C C WC C WC C C : YC WC WC C C C C YC WC C C C YC WC YC C C WC
C C C
C
C
C WC WC YC
C WC WC XC C WC C C C YC
C
WC
WC YC C YC
C C
: C :
YC
:
C YC
C
C YC XC : C C : C
C
C WC
C
:
: C YC C C YC C C YC WC YC C C C C WC YC C C WC YC C C WC C YC YC C WC C C C C YC WC C YC C WC : WC C YC C C WC C YC C YC C C WC C YC C WC C WC C C YC WC YC C YC C WC C C YC C C C YC C C YC YCWC CWC YC C CWC C C YC YC C CWC YC YC C C CWC YC C C C C WC C CWC C C YC CWC C C C WC
C C WC WC C C C C YC YC XC C WC C C YC C WC C C WC WC C C C YC YC C C WC YC YC C YC WC C C WC C C C C YC WC YC YC C C C C WC WC C C C C WC WC C C WC C C YC C WC C C WC WC C C C C YC YC WC C WC C WC C C WC C C WC WC C C WC YC YC C C C C C C WC WC C C C C C C C WC WC C C C C WC C C YC C WC C C WC WC C C C C YC YC WC C WC C WC C C WC C C YC YC C C YC YC YC WC WC C C C C YC C WC C C WC WC C C C C YC YC WC C WC C YC C C WC C C YC YC C C WC YC YC C C C C WC WC C C C C C WC C C YC C WC C WC WC C C C YC YC WC C WC C YC C C WC C C YC YC C C WC YC YC C C C C WC WC C C C C WC WC C WC C C YC C WC C C WC WC C C C C YC C C YC YC C C WC YC YC C C C C WC WC C # C YC YC C ! C C C WC WC C WC C C YC C WC C C WC WC C C C C YC YC WC C WC C YC C C WC C C C C C WC WC C C YC WC C WC C YC C C WC C YC YC C C WC YC YC C C C WC C C YC C WC C WC WC C C C C YC C WC WC C C WC WC
YC WC C WC C C C YC YC C C
C WC
WC C C YC C C C YC C C YC WC C C C WC WC C C WC YC C WC C C YC C C WC C C C WC C C C C YC WC YC C YC C YC C C C C WC WC C C WC C YC XC WC C C C YC WC YC C C C C WC C YC C C WC C YC C YC C C WC C YC C YC C C WC C YC C C WC C YC YC C C C YC C YC C WC C C C YC C C C YC WC YC WC C C C YC C YC C YC C YC C WC C C C C YC YC C WC C YC XC WC C C WC WC YC C YC WC YC C C C C C YC WC YC C YC C WC C C YC C YC XC WC C C YC C C WC C WC
# : YC WC YC C YC C WC C C YC C YC XC C C WC # : WC C C C YC WC YC C C C C C YC C YC XC YC C C C WC WC C C WC C C YC WC C C YC WC C C ! : C
C
C YC WC WC
C
C C
C
YC
C WC
C
C YC
C WC
C WC
C YC
C WC YC
C C WC C YC
C
C YC
C WC
! :WC YC
Vn. 1
A
C
C YC
C
YC WC WC C C C C WC WC C ! :YC ! :
8va
B
WC
WC
:
YC YC XC YC C WC XC C YC C C WC C C C YC YC C C YC C C WC C C WC C : WC C C WC C C WC C YC C C C YC YC C WC C C YC C YC C C YC C WC C YC C C YC YC :
C YC
C
C
YC C YC YC
! : C YC C WC
C
:
C
# : C C C YC C YC C C YC YC C C C WC WC C C WC C C WC WC C C C YC YC WC C WC C C C WC C # : C WC YC YC C C C
C WC WC C C WC
C
C
C
YC
C WC
C
C
: : : : : : : : :
Cb. B
# :YC WC C C C YC C C YC YC C C C YC YC WC C WC C C C WC WC YC YC
C
C
C
C WC WC
C
C
C
C WC WC
C
C
WC
C
C YC
C WC C
C YC WC C C C :
Hand 1 Left LEFT
2
3
4
5
Hand 1 Right RIGHT
2
3
4
5
Hand 1 Either LOW
2
3
4
5
A Vn. 1 B
A Vn. 2 B
con sord.
1 = arco 2 = pizz. 3 = pont. 4 = harmonics 5 = free A Vla. B
A Vlc.
11
E C C WC C C YC CWC C C YCWC C C C C YC YCWC CWC YC C CWC C C YC WC WC C C YC CWC C C C CWC YC C C C C YC C C YC YC C WC WC C C C WC WC C C : ! : ! : ! :
C
C C WC WC C C C C YC YC XC C WC C C YC C WC WC C C YC WC C C YC YC WC C WC C YC C C WC C C YC YC C C WC YC YC C C C C WC C C YC :
C
C C C WC WC C YC YC WC C WC WC C C WC YC YC C C WC C C WC YC YC C C C C WC WC C WC C C YC C WC C WC WC C C C C WC C WC C C WC C C C : C C
C YC WC C C YC C WC C C WC WC C C C C YC YC WC C WC C WC C C WC C C YC YC C C C C WC WC C C C C YC YC C C C C WC WC C C C ! :Y C Y C C WC WC C C
:
C C C C C WC WC WC YC WC C C YC C WC C C WC WC C C C C YC YC WC C WC C YC C C WC C C YC YC C C WC WC C C WC C C YC C WC C : C C C YC ! : C C YC YC WC C WC C YC " : C C C C WC # :
C
C WC
C
C YC YC
C
C C C WC WC C C C YC YC C C WC YC YC C !
C WC YC YC
C
C
C WC WC
C
C WC WC C C C C WC C C YC C WC
B
C WC WC C C YC WC # : C C C WC WC C C C C WC C C YC C WC C WC WC C C C C YC
A
# : C
B
# :Y C W C
YC
WC WC C C C C WC C C C YC YC WC
C WC C YC C C WC C C YC YC
C
C
C WC WC C C WC C C WC C C YC C WC WC
C
C
C C C C YC
C C WC WC C C C C YC YC WC C WC C YC C C WC C C WC C YC C C WC C C YC YC C C WC YC YC C C
C WC YC YC
C
C C WC WC C C WC WC C C C C WC
C
C YC YC C C
:
C WC WC :
C
YC
C
C
#
:
C WC C C
:
Cb.
Pno.
! : # :
Glock.
Vib.
Xyl.
Mar.
C
WC
C
YC
C YC
C
XC
C WC
C YC YC WC
WC C
WC C
C
WC
C
C
XC
YC
C
CYC
C
C
YC
WC
C C
WC
C
C YC YC C
XC
C
C
C WC
C
C
C
YC
YC
YC
C WC YC YC
C
C
C
WC C
C
YC
YC WC C C C : C WC WC C C WC WC C C WC C C WC C C YC C C C
C
WC
C C
C C
YC
C
YC
WC
WC
C
YC
C
WC
C
YC C C WC : ! : Y C C C CW C Y C C Y C C CWCWC C CW C C Y C C Y C C C Y C C Y C C C Y C W C Y C C C CW C Y C C C X C CW C C YC XC C C C C C CWC YC C C YC C C CWCYC C YC C C YC C CWCWC C CYC CYC C : ! :WC C CWC C WC XC YC YC CYC XC CWC C C C WCYC C Y C Y C CY CX C C YC C CY C C C CW C C W C Y C C C CW C C CY C CY C CW C C X C CW C C Y CW C C C C C CWCYC WC C C YCWC : ! : ! : C YC
YC C
XC C
WC
C
C
CYC
C WCYC
C C
WCYC
CY C
C C
C
WCWC
YC C
C CW C
C
C
YC C
YC C
WC C
C C
WC C
Y CW C
C
C C
C
YC :
YC C
WC
YC
C
C C
C WC C
C
XC WC
C
WC
WC
C C
C
YC
WC
C C
YC
1 (L.H.) 2 Solos (any octave, dynamic), invent rhythm
3 4
C
WC
C
YC
WC
C C
C
WC
WC
C C
C
WC C
CWC
C YC
C
C WC
C
C
XC
YC
YC C WC
XC YC C
: :
12 Fl.
A. Fl.
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
B. Cl.
Bsn.
Cbsn.
F 1 IY C
2 IY C C W C C C C
YC C C ! : C WC WC C ! :
C C C C YC YC YC WC C
C C YC YC
WC YC C C C C C WC C WC WC WC
YC YC C C C C WC WC C C C
C C YC YC ! : YC C C ! : C YC YC C WC : !
WC C CWC C C CYCYC C C
! : C YC YC C # : C C WC C
YC
WC
C YC
C WC
C C YC YC C C
# : C C YC YC
YC
YC YC
C C WC C YC
C
C WC C
WC C
C YC
C WC
C
C
C
C
C
YC C
C
C WC
C WC
C
C
C
C WC
C
WC
C C
C YC
C YC
C WC
C WC
C
YC
C
C C C YC C C YC C C WC
C
YC C C WC C C YC C
C ! : YC C WC
C C C YC C WC
YC
C C WC C C C YC YC C
C
WC C
YC C C CYC C CYC C WC C CYC CYC
C YC YC C ! :
4 I
C WC
C
C
C
C
WC
C
C
C YC
C
C
YC
YC C C C C C C WC WC WC
8va
C
YC YC C
C C YC YC C YC XC WC C C C YC C WC XC C YC C WC
C
C C YC C YC XC C WC
C
YC
A. Fl.
Ob. 1
Ob. 2
!
C YC C C C C C YC YC C C C WC YC YC C C C YC YC C C CYC WC
C YC C C C WC C C YC C C WC C WC WC C C CYC WC C Y C W C ! 8va YC C C CYCYC YC YC XC C CYC CWC C CYC C ! YC 8va YC C C YCYC YC C C C ! C WC CYC C 8va
!
Cl. 1
YC C C WC ! WC C C 8va CY C W ! C
Cl. 1
Bsn.
Cbsn.
Pno.
Hp.
Glock.
Vib.
Xyl.
Mar.
!
# :
! : C
# :
C
WC
WC XC
C
C
WC
! :YC C
8va C ! :W C C
C
! :WC YC ! : C YC
C
C
C
WC
C YC
C
C
XC
C YC WC
C WC C
WC
C
C
YC
C
C WC YC
C WC
YC
XC
A@C#
DCB/EFG#A#
C
WC
WC C
C C
C XC
C YC C
C
G@E!F#
YC
XC WC
YC
C WC WC
C
C YC C
C YC
YC
C YC
C WC
WC YC
C
C
C YC
C
C
C
C YC XC C
C
C
YC C
WC
WC
C
C WC
C WC
WC YC
C WC
C
C
YC
C
C YC WC C YC
C
XC
C
YC
C#D#B@
DCB!/EFGA!
C
C
C
C C
C
C
C YC
C
C
YC
C
WC
C
C
WC
C
YC WC
WC
C YC
YC C
Vlc. 2
C
YC
C
C
C
C YC
WC
C
C
D#F@
C YC YC C C
C YC
WC WC
C
WC
A@F#
C
WC
Vlc. 1
C
C
WC
C
YC
YC
C
YC
C WC
WC
C
C
C
C
WC
C
WC
YC C
XC
DCB!/EF#G#A
C
C
C C WC
C
C
C
WC
YC
C
C YC WC YC
C
C
YC
C
WC C
C C
! YA # A
A A WA A A YA YA WA
WC
DC#B/E!FGA!
C
C
WC C
C WC YC
YC WC
C
C
C YC C
YC
C
C
C
C C WC C C YC WC YC C C C WC YC C XC C WC C YC XC C C WC YC C WC YC C YC C C C C C YC C YC C C WC WC
C YC XC
A
C
A
YC
YC
C
YC
! A
WC
A
C WC
C C@E@B!
:
:
:
:
C
C YC
YC YC
A
WC
XC C
A
A
A
A
A
A
A
XA WA WA YA
C YC
WC
C YC C
A
A
A WA WA
! WA WA YA
Vla. 2
YC
YC
YC
C WC C
C
C
C
Vla. 1
! WC C C YC YC C C # C C YCYC YC YC C C C CYC YC C # C C YC YC YC C C C C CWC C WC C C C C
Cl. 2
:W C
8 I
A
! A
Vn. 2
C WC
1
í
8va
E. H.
Solo Instruments ? ? ? YA A WA A 1 !
Vn.
C
C WC C
C C YC YC YC WC
8va
C YC
C C C
C WC C YC C YC YC C YC C
C C YC C WC
7 I Fl.
C C C WC XC
C C WC C C C YC YC C
C
YC XC C
C 5 C YC C C C YC YC C IC W C C Y C C WC C C WC WC C
YC C
YC
C C C
? C WC
C
C
8va
YC
YC
C
WC
C
WC
YC XC C C YC C WC C C YC C YC C C 3 YC IC C YC C C C WC WC C YC C WC C C C YC C YC C
C
C
C
YC
6 I YC CYC C
A
XA
WA YA
A
:
A WA WA WA
:
YA
WA
A
WA YA WA A
A
A
A A YA WA A WA WA A YA YA YA XA XA WA
C C YC
C
YC WC
C
: : : :
: : : :
Hn.
1
Hn.
2
Hn.
3
Hn.
4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
Tuba
! :
1 (2 signs) C
2 (5 signs)
C ! :Y C ! :W C Y C
! :W C W C C C ! : C YC ! : C ! : C
C C WC WC XC C C XC C YC C C YC WC YC
YC C C WC C C WC C YC C YC WC C YC C C C WC C C YC WC YC C C WC C YC C YC C YC C WC C C YC XC C C YC C
YC
C
C YC C WC
C YC
!
1
Vn. 1 B
A
2
Vn. 2 B
A
3
Vla. B
A
4
Vlc. B
A
5
Cb. B
! ! !
C
WC
C C
C
!YC YC ! C " C WC # # C
C
C
C
YC
# C YC WC #
C
C WC C C
C
C
A
YC YC
C
C WC
C
YC
C
WC
YC
YC YC
YC
C
A
C
C
YA
C
C
C
C
C
C
WC
C WC WC C
YC
C WC
YC
C
YC
C
C
WC
C
YC C
WC
WC C
C
C
YC
C
WC
WC
C
C WC
C
C
A
C
C
C
C
WC
C
C
C C
YC C
YA
YA
WC
C
WC
YC
YC
C
C
C
WC
C
WC C
C C
WC
C
C
YC
A
C WC WC
:
Vcl.
Cb. B
C
C
C
YC
C C
C
WC
C YC
C
C
C
C
WC
C C C
YC
WC
WC
C
WC
C
WC C
WC
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C
C
C
C
C
C
WC YC
WC
WC C
C
YC
YC
WC
YC
C
WC YC YC
C
C
C
WC
YC
C
C
C C
WC YC
WC
C
WC
WC
C
C
C
C WC
C
C YC YC
3 WC
WC
C
C
C
C
C
C
YC
YC
C
C
C
YC
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WC
C
C C
YC
C
C
WC
C YC
C
C
C
C
C
C WC WC
YC
C
C
WC
YC C WC YC YC WC C
C
C
C
C
C
WC
C
C
C
WC C
C
C
WA
# A
A
C
WC
YC YC
C YC YC C C
YC
WC
C WC
C
C
C C WC WC C WC C YC YC
YC
C WC WC
XC
C
C
C
C
C
C
C
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WC C
C
WC
C
C
C
C
WC
A
C
C
WC
WA
C
C WC
: :
C YC WC YC C
A
C
WC
C C
C YC WC WC
WC
C
WC
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C YC
C
C
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C
C
C
C
C
C
WC
WA
C
WC C
A
A
A
C
C
YC
C
WC
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C YC C WC
WC C
C
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C
C
C
C
C
WC C C
C
C WC
: : : : : :
C WC C
C
C
C
C
C
C WC
C YC YC
C
C WC YC YC
WC
WC
C
C
C C WC YC YC C WC
:
WA
A
C WC WC
C WC WC WC YC C WC C
YA
C WC WC
C
WC
A
WA
A
:
A
A
WA
:
:
A
WA
A
C
WC
C
C C
C
C WC WC C C YC
#
C
C
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C
C
C WC
C YC WC
C
C
C
:
C : C C :
C C WC
C YC C
C : :
C :
WC :
WC C
:
C
WC
C YC YC C
YC C C C C YC C YC XC
C C
C
C
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: :
C
C WC C
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:
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A
A
C
C
C
A A
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A
C
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A
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:
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WC YC C C YC C YC C
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C C WC WC XC C WC C C C
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A
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A A
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C C
A
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WC
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WA A
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C
C WC
A
A A
C
C
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A
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C YC YC YC
2 A
WA
WA
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C
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A
A
A
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A
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B
A
WA WA
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B
:
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C
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A
7p
YC C
C YC C YC C WC C C C YC WC YC C YC C WC C
WC C
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A
:
A
WA
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:
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C YC
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C YC WC YC C C C WC C YC C WC
B
A
YA
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XA
WC WC
C C WC WC C
C
C YC WC YC C C C C WC C YC C C
WA
YA
C YC YC
C YC
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C C WC WC WC C YC C
A
C
C
C
C
C C YC C
Vn. 1
WA
WA YA
A
C YC WC
WC
WC C
C
WC
C
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C
C
WC
C
C
C
WC WC
C WC
C YC
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9
YA
A
A
A
WA
YA
A
YA XA
WA WA
WA A
A
WC YC WC XC C YC C C WC C YC YC C C YC WC WC C C C C YC WC C C YC C YC C C C C WC WC C C WC YC C WC C C WC WC YC C C C C YC C C C C C YC C YC C WC C YC C YC WC C YC C WC C C C C YC WC YC C YC C C YC C YC C C YC XC WC C C WC YC WC YC C C C C YC C C WC C WC C YC C C WC C YC YC C WC C C C
C WC C YC
YC C YC C WC C YC C C C C WC C
A
WA
A
A
A
C
WC
C
C
C
C
C
A
YA
YA
A
A
WC YC YC
WC WC C WC C C
YA
C
C
C C YC
A
A
WA
í
A
YA
A
#
Bsn.
A
WA
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B. Cl.
? A
A
A
!
Cl. 2
C WC WC
? YA
A
!
Cl. 1
C
? A
!
A. Fl.
WC C YC C YC C C C C
6 (non sync)
C C C C
C C YC WC WC C C C C YC WC C C C YC C WC C C YC C C YC WC C XC WC C C C YC WC YC C C C C C WC C YC C C WC C YC C YC C C YC C YC C WC C C C C YC WC WC YC C YC C WC C C YC C YC XC
YC
WC
5 (4 signs)
C C C YC C C WC WC C C C WC YC WC YC WC XC C YC C C WC C WC
WC C C C YC WC YC C
C YC XC
Fl.
4 (non sync)
C YC YC C C YC C WC C C WC YC C C C C
C WC C YC C C C WC C YC
# :Y C W C YC
3 (non sync)
C YC XC WC C
# : C YC # :
WC
C WC C C C WC C C WC
YC
13 extreme legato
C WC
C YC C
: : : : : : : :
14
G OPEN FORM
8va C WC C C C C C C YC YC YC YC YC YC C C C C YC YC C C YC C YC C C C YC YC YC C WC C C Y: C Y C C C C Y C C C C WC C C C C WC WC C C C YC C WC : ! 8va C C C C C YC WC C C YC C YC YC C C C YC C C YC YC C YC C C YC C WC C C C YC YC C WC C C WC C C YC C C WC C WC WC C C C YC WC C : WC WC C ! :
Fl.
A. Fl.
Ob.
Ob.
1
2
E. H.
Cl.
1
Cl.
2
YC C C WC C C WC C C C YC YC C C C C C YC C C YC C C WC C C C WC YC C C C WC WC C C YC C C WC C C WC C C C YC YC C C C C C WC XC : ! : C YC YC C C YC C WC C YC C YC C C C C YC C C C YC YC C YC C WC C YC WC C WC C C C YC WC C : C WC C YC C YC YC C C C C WC WC C WC C ! : ! : C YC
C WC
C YC
! : C YC YC C C # : C WC C C C # : C C YC YC YC
B. Cl.
Bsn.
Cbsn.
Hn.
1
Hn.
2
3
Hn.
4
Tpt.
1
Tpt.
2
Tpt.
3
Tbn.
1
Tbn.
2
Open
Hn.
Tuba
A Vn. 1 B
A Vn. 2 B
A Vla. B
A Vlc. B
A Cb. B
1 1 1
YC C C C YC C C C YC YC YC C C C YC YC C WC C YC YC C WC C WC C C C C C C WC : C C C WC WC WC C WC WC C C C YC YC XC C C YC C YC C ! : C C C YC YC YC YC C C C C WC WC C C C YC C WC C C WC C C C C C YC YC YC YC XC C C YC C WC C C YC C YC C C C YC YC C C C WC WC WC YC C C C : ! : 8va
! :
C
! :YC
YC WC WC C
! :W C Y C
C WC
WC
C
C
WC
C
YC C YC YC
C
C C WC C YC
C WC
YC XC YC C WC XC C YC C C C WC C YC C WC C YC C C C YC YC C WC C C
C
C
C
C
C
C C WC WC XC C
C YC
C
C YC YC
YC
C YC
C WC
C WC YC
C
C
C YC
C C WC C YC
C
C
C
C WC
C WC
C WC
C WC
C
WC
C YC WC WC
# : YC XC C C YC WC YC C YC C WC C C YC C WC # : WC C C C YC WC YC C C C C C YC C YC XC YC 8va C C C WC WC C C WC C C YC WC C C YC WC C C ! : ! : ! :
C
WC
8va
C WC C
C YC YC
C
C C C
C
C
C WC C
WC
C YC YC
WC
C C
C WC
C WC
C C WC YC
WC XC C YC
C C YC
C YC WC WC C C YC C
C
C
C WC
C WC
C
C
C
C
C
C YC
WC YC
C YC
C YC
C YC
C YC
C
YC
WC
WC
C
C
C
C
C YC
C WC
C YC WC XC
C
C WC WC
C
C YC
C
C
C YC
C
C
C YC WC
C WC YC
C
C WC C
C
C
WC C C C YC YC WC C YC
C
C YC
YC WC WC :
WC YC C
C
C
C
C
C WC WC YC XC C
YC
C
C
C C
C
YC
: :
C : :
C YC
C YC XC : C
C WC
C
C : :
: C C C YC C C YC WC YC C C C C WC YC C C WC YC C C WC C YC YC C WC C C C C YC WC YC C YC C WC : WC C YC C C WC C YC C YC C C WC C YC C WC C WC C C YC WC YC C YC C WC C C YC C C C YC WC C CYCYCWC CWC YC C CWC C CYC C C CWCYC C C C C CWC C CYC CWC C YC C C YCYC C C WC WC C
C C WC YC YC C C C WC WC C C C C YC YC XC C WC C C YC C WC C C WC WC C C WC C C YC YC
C
C
:
C C YC YC WC C : C C WC YC YC C C WC WC C C C WC YC YC C C YC WC C WC C C C WC WC C C C C C : C WC C C YC C WC C WC WC C C C C YC WC C WC C C WC C C WC C
WC C C YC C WC C C WC WC C C C C C WC WC C C C C WC WC C C ! :YC YC C C WC C C YC C WC C C WC WC C C C C YC YC WC C WC C YC C C WC C ! : C C YC YC C C WC YC YC C YC YC WC C WC C YC C C WC C C C " : C C C C C WC WC C C # :W C C C Y C C C WC C YC C C WC YC YC C C C C WC WC C # : C C C C WC WC C C C C C WC WC C WC C C YC C WC C WC WC C C C C # : 8va Y C YC WC WC C C C C C YC YC C C WC C C C YC YC WC C WC C C C C WC # :YC WC C C C YC C C YC YC C C C YC YC WC C WC C C C WC WC YC YC C 8va
:
C
: C WC C YC C YC YC : C C C YC YC YC YC XC C C YC C WC C C YC C YC C C C YC YC C C C YC YC YC YC C C C C YC YC C C C YC C YC XC C WC C : YC C YC C C C C C YC YC YC C C WC WC C C C YC YC YC YC C C C C YC YC C C C WC C C C YC WC C WC C WC C C C WC C YC C C WC
C YC C C WC C C WC ! :W C W C X C C Y C C C W C C Y C C Y C W C W C C C C C Y C W C C WC YC C C WC WC YC C C C C WC WC C C C C YC C C WC C YC C C C C YC C YC C YC C WC C C C YC WC YC C YC C WC C C WC C YC C YC ! : C C YC XC WC C C WC YC C C WC C YC C C WC C C C YC C C C C YC C YC C WC C C C C YC C C WC C YC C YC YC C WC ! : C YC XC WC C C C YC WC YC WC YC C C WC C C WC C C C C C YC C YC C YC C YC C WC C C C C YC C YC C C WC C YC C YC YC C WC C YC XC WC C C ! : C WC WC YC WC YC C C C Y C Y C X C Y C C C Y C C C YC WC C C YC WC YC C C C C WC # : C YC C C WC C YC YC C YC C WC C C YC C C YC C C WC WC C C WC
8va
C WC
C C YC YC WC C WC C WC C C WC C C YC YC C C YC YC YC C C C WC WC C C C : C YC C C C WC YC YC C C C C WC WC C C C WC WC C C WC C C YC C WC C : C YC WC C C C C C C WC WC C C WC C C YC C C WC WC WC WC C C C C YC: WC C C YC C WC C C WC WC C C C C YC YC WC C YC C XC WC C C YC YC C XC :
YC YC WC
C
C WC
C YC
C
C WC
C WC YC YC C C C C WC WC C C C
C WC WC
C
C
C
C WC WC
C
C
C
C
C YC YC C
C WC YC YC
C WC WC C C WC WC
C
C YC
C
C
C WC C
C
1
Fl.
2 A. Fl.
Bsn.
C
C :
? A WA
! A
WA
A
! YA # A
A A
A YA
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!
A
! WA
A
YA
A
A
!
A
A
WA
A YA
WA WA
XA A
A YA
YA YA
A
A
WA
A
A
A
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WA
í
YA
A
A
A
WA
A
A
YA
WA
A
YA
Solo Instruments ? ? ? A YA A WA 1 !
A
A
Tpt. 1
3 Tpt. 2
Tbn. 1
4 Tbn. 2
! WA
WA
! A
A
! A " WA
# A
YA A
A
YA
A
A
XA
YA
5
1
XA
WA
WA
WA
WA
í
2
WA
A
YA
Hn. 2
Vn.
YA
A
YA
2
Vn. 2
Vla. 1
3 Vla. 2
Vlc. 1
Vlc. 2
! A ! A
! WA ! YA # A
A
A
WA
A A
A
A
YA
A YA
A
A
í
1
Hn. 1
2 2 2
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5
5
C WC
2
B. Cl.
C YC WC C C C :
YC
C WC WC
Cl.
4
4
C
1
3
:
C
Cl.
? ! A
A
WA
WA
XA
WA
A
WA YA
A
A WA
A
A
A
WA
A A
A
A
A
A
A
YA
A YA
YA A
WA
WA
A
A
YA YA
A
A
A
XA
YA YA
YA
WA
XA
WA
A
A
YA
A
: :
WA
WA
WA
A
WA
A
WA
A
YA YA
A XA
WA XA
WA WA
A
A
WA
A
WA
YA
A
YA
A
WA
WA
YA
XA
WA
YA
WA
A
WA
WA
: :
:
A
YA
WA
XA
WA
YA
A
: :
WA
YA
A
WA
WA
WA
WA
WA
WA YA
A XA
WA XA
WA WA
A
:
A
A
A
:
A
A
: : : : :
: : : :
A. Fl.
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
B. Cl.
Bsn.
Cbsn.
Fl.
A. Fl.
Cl. 1
Cl. 2
B. Cl.
Bsn.
! !
A
8va
! WA ! WA ! WA ! !
WA WA
! WA # #
! ! !
A
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A
A
A
WA
A A
A
A
A
! YA A
WA YA A A
A
A
WA
WA WA
WA
A
A
A
WA
A
A
YA
A
A
A
A
YA
YA
A
A
A
A
YA
WA A
YA
WA
A
YA
WA
XA
WA
A
WA
Pno.
Hp.
Glock.
Vib.
Xyl.
Mar.
WA A
A
A
A
A
A
WA
WA
A
WA
YA
A
A
A
í
A
3 4 WA
A
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WA
WA
A
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A
XA
A
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A
A
A
WA
YA
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WA
WA
A
A
XA
WA
WA A
í
A
WA
A
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any octave
Fl.
A?
WA
WA
WA
A
YA
A
A A A A
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A
XA
WA
WA A
YA
C
WC
WC XC
DCB/EFG#A#
C
C
WC
WA
WA
WC
C
C
A@C#
XC
Vn. 2
Vla. 1
Vla. 2
WA
Vlc. 1
WA
C
WC
Vn. 1
A
XA
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8va
A
WA
XA
YA
A
WA
A
YA
YA
B
Vlc. 2
C
YC
WC
C C
C
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C
XC WC
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YC C
C
C YC
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A
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C
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C#D#B@
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A
A
A
A
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C
WC
C
WC
C
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C
XA
A
YA
WA
YA
YA
C
C
C
C
WC
C
WC
C
A
A
YC
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WA
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