Iannotta - dead wasps in the jam-jar (ii)

Contemporary

IANNOTTA dead wasps in the jam-jar (ii) for string orchestra

Score

EP 14242

CLARA IANNOTTA

dead wasps in the jam-jar (ii) for string orchestra (2016)

ALLE RECHTE VORBEHALTEN

·

ALL RIGHTS RESERVED

EDITION PETERS LEIPZIG

·

LONDON

·

NEW YORK

Eine Auftragskomposition von Musica Femina München für das Münchener Kammerorchester, Oktober 2016 World première: 13 October 2016, Prinzregententheater, Munich, Germany

I would like to thank: Anne Holler-Kuthe, Susanne Wosnitzka, and musica femina münchen e.V., for giving me the possibility of writing this piece; Florian Ganslmeier and Anselm Cybinski, from the Münchener Kammerorchester, for being so kind and allowing me to use all my imagination (which includes objects of all kind!); Chris Swithinbank, always present, helpful, and caring.!

Instrumentation ! ₋

Violin I! 1) violin metal mute preparation with circular paperclips low electric guitar string two metal thimbles! 2) violin metal mute preparation with circular paperclips large crystal wine glass with water (on a small low table) low electric guitar string two metal thimbles! 3) violin metal mute preparation with circular paperclips large crystal wine glass with water (on a small low table) “Waldteufel” low electric guitar string two metal thimbles! 4) violin wooden mute + ordinary (rubber) mute piece of polystyrene attached to the music stand “gelinotte” birdcall low electric guitar string two metal thimbles! 5) violin ordinary (rubber) mute piece of polystyrene attached to the music stand “gelinotte” birdcall low electric guitar string small plastic tupperware on rigid A4 sheet of plexiglass two metal thimbles! 6) violin piece of polystyrene attached to the music stand large crystal wine glass with water (on a small low table) “gelinotte” birdcall “Waldteufel” low spring drum hung from percussion stand two metal thimbles!

₋

Violin II! 1) violin metal mute preparation with circular paperclips low electric guitar string two metal thimbles! 2) violin metal mute + ordinary mute preparation with circular paperclips large crystal wine glass with water (on a small low table) “Waldteufel” small plastic tupperware on rigid A4 sheet of plexiglass low electric guitar string! 3) violin two metal thimbles low electric guitar string! 4) violin large crystal wine glass with water (on a small low table) low electric guitar string!

!

5) violin large crystal wine glass with water (on a small low table) piece of polystyrene attached to the music stand “gelinotte” birdcall “Waldteufel” low spring drum hung from percussion stand small plastic tupperware on rigid A4 sheet of plexiglass! ₋

Viola I! 1) viola wooden mute small plastic tupperware on rigid A4 sheet of plexiglass low electric guitar string two metal thimbles! 2) viola wooden mute large crystal wine glass with water (on a small low table) “Waldteufel” low electric guitar string two metal thimbles!

₋

Viola II! 1) viola metal mute + wooden mute preparation with circular paperclips large crystal wine glass with water (on a small low table) “Waldteufel” small plastic tupperware on rigid A4 sheet of plexiglass thick block of very hard polystyrene with metal-bristle brush! 2) viola metal mute + wooden mute preparation with circular paperclips large crystal wine glass with water (on a small low table) “gelinotte” birdcall piece of polystyrene attached to the music stand “Waldteufel” low spring drum hung from percussion stand small plastic tupperware on rigid A4 sheet of plexiglass thick block of very hard polystyrene with metal-bristle brush!

₋

Cello! 1) cello wooden mute small plastic tupperware on rigid A4 sheet of plexiglass! 2) cello wooden mute low electric guitar string! 3) cello ordinary (rubber) mute scordatura: string IV tuned down a minor 7th to a low D large wine glass with water!

₋

Double bass (5-string) ordinary (rubber) mute scordatura: string V tuned down one 8ve!

₋

Laptop performer (potentially could be the conductor) laptop connected to a pair of stereo loudpeakers placed on the ground at the back of the orchestra !

!

General Notes ! ₋ Accidentals apply only to those notes before which they are placed, with the exception of repeated notes.! ₋ Phrases should aways be played legatissimo, unless marked otherwise! ! !

“Waldteufel” !

Waldteufel can be purchased at www.thomann.de or at http://suono.at/wordpress/produkt/waldteufel/. This instrument is played in two ways:! The thread must be tight and move in circle.!

!

The thread should scrape against the skin of the instrument.!

“Gelinotte” [Grouse] Birdcall ! To be played in two ways:! 1. blow and cover/uncover the end of the instrument with one finger (like a wa-wa mute); 2. blow leaving the end uncovered.! The “gelinotte” can be purchased here: http://www.qbc.fr/index.php?cPath=23_21&osCsid=4cb45019efa6d2cff5c3cf7396045f26! !

Polystyrene on music stands (vln. I, 4–6; vln. II, 5; vla. II, 2)! Polystyrene should be attached to the music stands so that it can be comfortably bowed. Bow to create a consistently high pitched, continuous sound (e.g. violins b. 30ff.).! !

Electric guitar strings (vln. I, 1–5; vln. II, 1–4; vla. I, 1–2; vc. 2)! The electric guitar string should be pulled tight using a foot to hold one end against the floor and the left hand to hold the other. The sound produced is a quiet, airy thrumming.! It may be best to attach the guitar string to small pieces of wood at either end in order to make pulling it tense more comfortable for the player.! !

Tupperware on plexiglass (vln. I, 5; vln. II, 2 + 5; vla. I, 1; vla. II, 1 + 2; vc. 1)! The plexiglass should be placed on a flat surface so that it can be scraped with one hand.! Scraping the plexiglass with pressure will produce a very loud, distorted screeching, while applying very little pressure should produce a very high-pitched, intermittent whistling sound. Tupperwares: the best option would be to use the transparent lid of the plastic case of the iPhone 6S earplugs. Try different kinds in order to find the good sound. Plesiglass Sheet: 12’’x12’’x3/16’’ or an A4 size with a thickness of 5mm. ! !

Metal thimbles (vln. I, 1–5; vln. II, 1, 3 + 5; vla. I, 1 + 2)! ! The thimbles should be placed on two fingertips of the right hand and used to perform a kind of twofinger, irregular trill percussively tapping the string.! ! !

Strings (general) ! Lefthand pressure:!

Righthand (bow) pressure:! =

almost no pressure!

=

ordinary pressure!

=

half overpressure!

=

overpressure!

Bow position:! AST = alto sul tasto! T = al tasto! PO = posizione ordinaria! SP = sul ponticello! MSP = molto sul ponticello 7 WJCSBUP !! Bow techniques:! l.b. = legno battuto! c.l.t. = col legno tratto! crini = hair Special techniques:! Damp the strings and play with a very slow speed of the bow. The sound must be broken, perforated, with small silences inside. One grain at a time.! ! ! ! The three lines of the stave represent the three registers of the instrument: high, medium, low. Left hand always half pressure; right hand col legno tratto.! ! ! Left hand: half pressure. Right hand: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the left hand (glissando up = MSP // glissando down = AST).! !

Violin & Viola Preparations ! ! Violin I, 1+2 Viola II, 1 Prepare strings I + II with two circular paperclips each (one AST and one MSP) Paperclips have to be metal, and circular. Violin I, 3 ! Violin II, 1 Viola II, 2 Prepare strings II + III with two circular paperclips each (one AST and one MSP)!

Violin II, 2 Prepare strings III + IV with two circular paperclips each (one AST and one MSP)!

Cello (2+3) !

Radio Effect: the bow should pass between the two fingers, continuously vary the bow pressure. The result should sound like radio static moving between frequencies.! ! !

Laptop performer/Conductor The laptop performer (conductor, or other musicians) should have a laptop running a patch for Cycling 74’s Max software that produces sine waves (provided by the composer) connected to a stereo pair of loudspeakers.! Numbers above the stave (as shown left) indicate that a change in the sine waves should be triggered by hitting the laptop’s spacebar. The cue numbers match bar numbers, so for example the first cue of the piece is number 32, the second 43, etc.!

Instructions on how to download and use the patch will be found in the package provided by the composer/publisher alongside separated parts for the musicians, and explanatory audio files and videos.

clara.iannotta@gmail.com ! www.claraiannotta.com ! +49 (0)157 75686990!

Duration: 15' ca.!

!

! ! a Marco Frei,! per il sostegno e l'entusiasmo!

dead wasps in the jam-jar (ii) for string orchestra

1

2

3

&

 = 54

2 4

&

Metal Mute

1

left hand (high register)]

o

±

±

p

±

3

&

4

&

5

&

± 

[bow close to the finger]

‰

III

±

±

( )

&

˙ T

I

˙

˙

o

˙

&

˙

&

±

˙

SP

‰.

& =

2 4

always legatissimo !

Ȯ

T

II

o

—

+ œ ( )  o

# # Ȯ π

+ + Oœ

.

always legatissimo !

Wood Mute

& ‰ =

# Oœ  II

Oœ

# œO

PO

p

( )

poco SP

œ # Oœ p

(II) I

‰. .

É



lœ

 l O O + + Oœ (II)  (

 (œ )

I

)

 œO œ  II

*

p

3

jj Oœ 

( )

P

Cellos

2

3

Db

? ? ? ?

±

±  ‰.

œ

œ

±  ‰. o

o

#œ

III



P

I

* = the open string should not be more present than the other sounds.

AST

always legatissimo !

I II

≤ ±T ±

W

œ

.

W

Wood Mute

œO

o

+ + œO .. p

always legatissimo !

& =

Œ

≈ # Oœ ..  T

o

œO œ . + = Oœ   p

# Oœ

œ

P

+ + Ȯ

P



= =œO p

b Oœ œ  p

( )

œ .  ‰

+œ

.

W

o

œO œO p



( )

Oœ

W 5

.

( # œO )

o

‰

≤ ± ± 

 . . 

o ( )

≥ ++ O  O ≤  ± ±   

[almost no bow pressure] ( )

harmon

O

(

)

ic glissan (always) do

œO

 ≥ + + OO ..   π

œO 

‰

o

Œ

Œ

Mute

Mute

/LWROII 3HWHUV

rw œO

3

≤ always legatissimo ! AST II ± III ± B ‰  = l

W

(III)

 ≥ + + OO ..   π

)

ic gliss an (alway do s)

[strings II-III prepared with 2 circular paperclips — one close to the MSP and one close to the T]

b Ȯ

œ

O

(

harmon

Metal Mute

& =

K

P [almost no bow pressure]

& T =

poco SP

poco SP

+ + œO ..

the other sounds.

 # œO

o

Wood Mute

 II œ nO bœ œ ‰ * PI

* = the open string should not be more present than

. + =œOœ =œO .

œ

˙

≈

(II)

always legatissimo !

1

±

MSP

[strings I-II prepared with 2 circular paperclips — one close to the MSP and one close to the T]

T

o

 ‰. œ œ O = . = œ

# œO ..

Metal Mute

II

(# œ )

MSP I

(SP) ( )

. 

p

Vla. II

2

( )

( )

( )

( )

π

∏

o

1

( )

[strings II-III prepared with 2 circular paperclips — one close to the MSP and one close to the T]

poco SP

&

sando (always)

Metal Mute

Vla. I

2

≥   +O . + O.   π

)

harmonic glis

±

±

( )

Wood Mute

1

(

≤ +O +O

( )

( )

O

( )

±

[strings III-IV prepared with 2 circular paperclips — one close to the MSP and one close to the T]

Vln. II

 . . 



(2016)

o

±

& Π=

& &

fi ± [damp the strings with the c.l.t.

Metal Mute

2

& =

≥ (  ) ± ± 

[strings II-III prepared with 2 circular paperclips — one close to the MSP and one close to the T] poco SP

&

&

To

[strings I-II prepared with 2 circular paperclips — one close to the MSP and one close to the T]

I

6

≤ +O  + O π [almost no bow pressure] AST ≤  T I ± always legatissimo ! II ± Œ ‰ T

)

II

&

&

(

o ic glissand harmon (always)

I

[strings I-II prepared with 2 circular paperclips — one close to the MSP and one close to the T]

≥ ± ±

( )

O

≤ +T O &+ O =

[almost no bow pressure]

Metal Mute

5

AST

Metal Mute

Vln. I

4

Clara Iannotta always legatissimo !

E\ +HQU\ /LWROII V 9HUODJ

2 dead wasps in the jam-jar (ii)

9

(I)

[Metal Mute]

1

[Metal Mute]

2

[Metal Mute]

3 Vln. I

4

5

6

 ( )

(AST) ( )

T

&(II)T ( pp ) ( ) ≤) (I) (± T ± (T) &(II) ( pp ) (

)

≥ ±± 

≤ ++ O  O  

≥ ±±

( ) ( )

≤ ( )  ±±

 . . 

≥ ++ OO

( )



≤   ++ OO  

 . . 

≥ ++ O  O 

( )

≥ ±± 

≥ ±±

≤ +O +O

≤ ±±

≤ +O œ

œ

≤  ±. ±.  

≥ + OO

( )

≥ ±±

( )

(open string)

+

O ≤  (I) œ & = (

A

≥ œ œ

(open strings)

 œ œ 

≤ ±± 

(

(

&

Vln. II

2

3

4

5

always legatissimo !

& Π=

& 

‰

o

≤ T II ± . III ± . ≈ T

≤  ±. ±.  

Œ

Cellos

& =

œ

( )

≥ (II-III)  T + B + OO .. T  ( pp )

&

[Mute]

Db

( )

≤



(

≥

(

œ)

≤

)

œ  (open string)

[LH: half pressure. RH: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right]



o

≥  T + + OO T o

O

(

)

harmonic gliss ando (always)

≥ 

o

F

 œ œ 

( )

π

(open string) I II



œ

5

≤ —— 

≥ —

3

F

œ

P

≤ ± ±

( )

≥ + Oœ

[LH: half pressure. RH: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right]

. & ‰ =



o

3

[LH: half pressure. RH: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right]

Œ

o

& Π=

( pp )

2

œ)

[LH: half pressure. RH: col legno tratto (clt), III very little pressure, close to the left hand, IV follow the movements of the right]

T & T

&

3

‰

III IV

≤ ± ± 

&

1

[Mute]

≤

AST [flautando]

≥ œ œ

(open strings)

& =

(AST)

[Wood Mute]

o

always legatissimo !







#œ

+œ T

( )

p3 ≤ ±± 

π

œ 

≥ +O +O

( )

( )

‰

o

( )

 

≤ ± ± 

( )

≥ ++ OO

≤  ±. ±.  

( )

≤  ±. ±.  

≥ ++ OO

( )

 . . 

≤  ± . ±  .

≥  œ œ œ œ 

 œ œ 

≥ œ œ

(open strings)

 œ œ 

O ≥   +œ .

≤ ±± 

( )

(II)

B

= (III)

≤ ±± 

(

O

)

+ O.  

≤ ±±

≥ ±±

( )

)

 œ 

œ

œ

≤ — — 

P

(

 ≥ +œ. œ.  

(

≥ +O œ P

œ)

œ

œ 

Tail piece

5



o

˙

O

≥

( )

π ( )

π

Œ

œ

[with bow]

o

‰.

AST

[open string — scordatura] IV

[with bow]

o

≤ ± ± 



( )

t = Œ

?

œ)

≤  ±. ±.  œ  O

Tail piece

?

/LWROII 3HWHUV

Œ

Œ

(

Vla. II

[Wood Mute]

≥ +O +O π

( )

( )

&

(AST)

2

(

(LH: ordinary pressure)

II III

(I II)

[Metal Mute]

≥ —— 

≤  — — 

œ 



& =

&

&

œ)

[LH: half pressure. RH: col legno tratto (clt), II very little pressure, close to the left hand, III follow the movements of the right]

&

2

œ

≥

& =

Vla. I

1

3

≥ —— 

≥   +O . + O.   P

≤  . .   P

&

&

[Metal Mute]

P

&

1

[Wood Mute]

≤  — — 

I II

(SP)

[Wood Mute]

≥ —— 



œ)

(

&

œ

[Metal Mute]

+O 

(II)

o

[almost no bow pressure]

1

)

 œ

≤  ( ) 3 T ≥ II — always legatissimo ! — III & T = AST

AST [flautando]

[Metal Mute]

 O

œ

)

 œ o

3 dead wasps in the jam-jar (ii)

≤ (I) (T) œ & œ ( )

17 [Metal Mute]

1

O ≥  ±± œ  œ  π

T) (II)

O

(

≤ ±±T)

[Metal Mute]

2

)

≥

T. )

(II) (

[Metal Mute]

3

& .

œœ œœ

T)

(

(III)

Vln. I

(open strings)

≤ ( )  ±± 

œœ [flautando]

o

& . (F) & (F)

(

≤ ——T)

1

& (T)

(P)

2

3

 & (T) œ. œ. ( pp ()T) 

œ)

( )

(c.l.t.) (II-III)

4

5

[Wood Mute]

1

&

F

&

≤  ±. ±.  œ 

2

[Metal Mute]

1

Vla. II

.

2

[Wood Mute]

1

o

F

3

.

‰.

o

3

Db

≤ (T) ± ±

# n Oœ

B

= ≥ + Oœ  . . 

o

‰. O

crini

bO



o

bO

( )

≤  ±.

≥ +O +O

≤  ±. ±.  

≥ +O +O

 œ. 

±±

≥ œœ

≤ +O +O

( )



( )

+

≥  &œ = ±  

 œ œ 

( )

+

≥ ±±

( )

≤ ++ O  O 

≥ œ œ

≤  ±. ±.  

≥ + OO

 œ

( )

≤ ±± 

( )

≤  ±. ±.  

≥ + OO

≥ œœ

‰.

o

≤ ± ±

‰



˙

o

O

≤   O ++O  

rO

F

≥ ++ O  O 

≥ 

≤ ± ± 

≥ ± ±

( )

≤   +O + O ..  

( )

o

Œ

≥ ( )  ± ± 

 . . 

( )

≤ ++ O O

O

O

O

O

O

∏ O

O

O

O

O

[ordinary bow]

o

≤ ± ± 

 Oœ jO 

3

& =

3

Œ

≥ ++ O  O 

( )

≥ ++ OO

≤

≥

( )



 . . 

≤  ± . ±  .

˙

˙

˙

P

≤ ± ± 

≤ ± ±

( )

≥ + + OO

( )

( )

≥  œœ œœ

 œœ . . 



O .  ‰

o

o

≤ ± ±

( )

 ≥ + Oœ . .  

Oœ

# œO

poco SP

p

& =

( )

[ordinary bow]

‰ ≥ O ++ O

( )

poco SP

# IIOœ  o

( )



≤ œ  œ .. 

≈ Œ

&

o

˙

o

MSP

œ.

.

II

˙

˙ ∏

+ + Oœ

PO

 Œ

o



F

≤ O ++ O

≤

( )

O

≤ (  ) ± ± 

 œ. œ. 

Oœ

 œ. œ.  ≥ ± ±

Œ

Oœr œO O

˙

/LWROII 3HWHUV

o

‰

≥ ± ± 

 ≥ œ. œ.  

≤ (  ) ± ± 

∏

(AST)

(P)

≤ ± ±

O

Oœ

 ≥ œ. œ.  

O O # Oœ ..

o

o

r O O r Oœ   3

II

=

crini

F

[flautando] poco SP II

poco SP

œ P



O # Oœ ..

≤  ( ) ±  ≥ ±  + + OO ..   [flautando] ?

œ

‰.

[flautando] poco SP I

&

t

≥ (  ) ±±

 . œ. 

≤ ±±

≤ ± ± 

≥ + Oœ

 . .

PO

=

≥ OO B ++ T (III) T ( pp )

2

[Mute]

[Mute]

π ≥ ± ±

Œ

≈



( )

& (T) ( pp )

[Wood Mute]

Cellos

≥

PO

. 

(II)

[Metal Mute]



≥ ±± ≤  + Oœ

≈

5

B

(I II)

œ œ ≥ &œ =

# œO œO n œO ..

≤ & œ = ±

F

& &

+O 

+O 

O O

o

( )

œ œ

Vla. I [Wood Mute]

Œ

.

(c.l.t.) (III-IV)

.

jO F

 . O

3

œ œ

(c.l.t.) (I-II)

&

≤ ± ±

œ

π

o

(III-IV)

[Metal Mute]

Vln. II

.

≥ +œ œ

(II-III) ( [Metal Mute]

.

5

(c.l.t.) (II-III)

6

≥

& ≈ # œO œO # œO œO =

(c.l.t.) (I-II)

5

≥ ++ œ  œ

≤   œ œ

IV

Wood Mute

&

O≤

&

. 



±±

poco SP

4

≥ ±±

( )

 . . 

≥ ++ O O

&(II)T π (

≤ ++ O  O  

( )

(I) (

 .

( )

B

 œ

˙

œ.

˙

o

 œ

˙

 œ.

o

≈ Œ

4 dead wasps in the jam-jar (ii) * For the conductor: press the space-bar of the computer

to trigger the sine waves (see key page)

T.)

(I) (

[Metal Mute]

1

≥   T) + O . & (T)+ O . (II)   ( pp )

2

 ( ) & œœT (III)(T ) ( pp ) (II)

[Metal Mute]

3 Vln. I

[Wood Mute]

4

5

6

[Metal Mute]

1

&

2

Vln. II 3

4

5

≤ ±± ≤ ±±

≥ ±±

2

1

Vla. II [Metal Mute]

2

≥ ++ O  O

≤ ±. ±. 

( )

≥  œ œ

&

≤ ±±

≤ ± ±

( )

+O 

≥  œ œ 

3

3

œ

≤ T II ± . III ± . T & = o

& ≤

 ( ) & T + O ( )  +O (IV) T ( pp )  &

≥ ± ±

( )

O

& ( ppp) O

œ & # Oœ ‰. & .

( ) & œœT (II) (T) ( pp )

≤ ++ OO



≥ ≤ 

≥ 









≤

( )

Cellos

2

[Mute]

3

[Mute]

Db

≥  +O +O 

≥  3 & œ œ ≤ ±  

o

O

.

O



MSP I

 (œ )

3

jj Oœ 

III IV

# œO ..

 lœ I

P

 ++ l OOœ O (II)  p ≥ ± ± (

)

(II)

 œO œ  II

( )

œ

I

≤  + + OO 

poco SP

b Oœ œ  P

( )

MSP

. + =œO =œO . œ 

P   . .  

 # œO

#œ

III

≥  ± ± 

( )

W

œ P 3

3

W

.

≥ ≤ ±± O  ++ O 

(III)

œ

K



π

= =œO

( )

Oœ

≥ ± ± 

≤ ++ OO 

3



P ≤ . . 

p

.

Œ

(

o

o

≥ . . 

± ±

≤ ++ OO

P

œO

+ + œO .. p

œO œ .

œ

P

l W

+œ

π

.

W

œO œO

# Oœ ..

‰

o

( )

F

3

 +œ

 œ

T

(II)

(III)

Œ

?

=

t

t

=

?

Œ Œ

3



O

)

≥  +O œ  œπ

B

3 8

( )

(III)

jO O jœO

œ.

P

III Œ  #O jœ # œO œ + +jœOO ≈  (IV)  π π F ≤ ≤ ≥  ±± ≥   O  œ ++ O  

3

.

3

3

2 4

poco SP

jj œO œO Œ F

.

(III)

3

PO

O

j Oœ

≥ œ œ

( )

 ‰. œ œ o

PO

 Œ + + œO œ  III

 œO œ IV 

3

MSP

(III)

œ  F

5

≈ # Oœ ..  SP

o

MSP

IV [flautando] [almost no bow pressure]

‰

œ œ# œ

o

3

K W

O œ 

# œO

O

π + = Oœ # Oœ    P



6

œ bœ œ œ œ œ bœ œ MSP

œ œ b œ œ# œ

‰.

V [flautando] [almost no bow pressure]

t

=

3

( )

(MSP)

+++ œœO œ IV  P ≤ ± . ±  .

B

3

( )

(





(II)

Œ

3

≤ 3  ± ±  3 P

.

F5

3

III œ π 

?

+O  +O

5

Œ

3

≥ ± ±

≤



3 ( )

≤  ±  ±  

 œ. œ. 



3

≥ ++ O . O. 

œ)

π

[LH: half pressure. RH: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right] II c.l.t. (  ) III

œO .. ‰.

(

≥



œ.

œ  F

≤  ± ≥ ±   œœ  P O  ± ± 

≤ œ ≥ ± + O  +O 

 π

œ

˙ F

œ

MSP

(SP) SP

?

/LWROII 3HWHUV

:

)

B

& b Ȯ

‰

π

( )

œ F

[with bow]

ã

œ

œ 

≥  œ œ 

œ.

≤ ± ±

3

π

≥ ( ) ≤ ± ± 

O  ± ≥  ±  + Oœ  π

( )

≤

 ± ± 

O

O ≤ ≥ & ±±   + + OO  π ≤ ±±   œ œ 

œ.

POLYSTYRENE

≥ ≤  ±± . .  

+ O. 

P

O ≥  ±±

SINE WAVES

2 ≤ 4 +O .

. œ.

o

( )

rw œO

+O 

o

: œ

32

≥

: œ 

[with bow]

*

3 ≤ = &œ 8 +O —

œ

3

‰

F

#œ

≥  ±± 

[with bow]

Œ

 o

5

3

≥ ± ±

≤ œ œ 

W

œ

3

œ

≤ ≥ ± ±  œ  O œ +œ  P

c.l.t. [LH: half pressure. RH: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right]

. & ‰ =

+ + œO .. œ .  ‰

F

)

≥ œ œ  œ ≤3  ≥  ±  —— ±    P ( )



3

& =

o

 II œ nO bœ œ ‰  PI

 ‰. œO œ = = œ .

ã

O

≤  +O œ œ 

≤  ≥  &œ. ± = ±  + O.  

 ‰.

O

ã

≥  ± ≤ ±   

3 c.l.t. [LH: half pressure. RH: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right] I ( ) II

& =

œ)

≥  +O. œ. 

P

o

II

[Wood Mute]



 ±. ±. 

(

≥ ± ≤. ±  . 

≤

O.

O

O

& ( ppp)

≥  ±. ±.  

( )

O

T

1

≤ ≥ ±  ±  

[flautando] (LH: ordinary pressure)

[ordinary bow]

[Wood Mute]

≤  ±±

≥ + Oœ . . 

AST

(I)

[Metal Mute]





&

p

[Wood Mute]



≤ +O +O

( )

POLYSTYRENE

(II)

Vla. I

≤ ± ≥ ±   ++O O 

≥ +O œ

 . . 

POLYSTYRENE

(SP)

1

≤ ( )  ±±

 . . 

≥ ++ OO

( )

( )

( )

≤ +O  + O 

≥  ±± . . 

( )

&

I

[Wood Mute]

≤ ++ O O

≥ (  ) ±±

remove the mute

(III)

[Metal Mute]

≤ ± ± 

≥ ±±

( )

( )

( )

(I) (

[Metal Mute]

≥ ±± 

≤   ++ OO  

 & (T.) (II) ( pp )

25

(

5

o

3

K W

3

+ + Oœ ..

+œ F

F 5

5

#œ œ nœ #œ œ œ œ œ œ œ F 6

6

œ œ œ œ œ œ #œ œ nœ œ F

œ# œ

5 dead wasps in the jam-jar (ii)

SINE WAVES

O  33 (  ) 3 ≤ ± .  (I)( ) T +O 1 & + O œ. ( ) T (II) ( pp )3   (

[Metal Mute]

œ

[Metal Mute]

2

[Metal Mute]

3

Vln. I

 (T) (I ±. II) ±. & (T)



P ≤ (II) ( ) ±T (III) ± & (T)





ã œ 

o

‰

㠜 (F)

o

(

[Metal Mute]

1

( )

& œ (III) ( pp )

3

&

(c.l.t.)

(F)

 . . 

3

≥ ( )  ≤ ± ±± 

.

4

&

(F)

.

[Wood Mute]

1

&



(F)

( )

3

(III)

2

F

IV

1

&

2

B

[Metal Mute]

≥ ++ OO

( )



.



3

o

‰

o

l

3

Œ #œ

F

 œO . #œ Œ III  II

3

3

( )

≥ ++ OO 

 . # O # œ œ Œ 



≤ ± ±

( )

( )



3

‰.



π

+

≥ + OO

[Wood Mute]

1

[Wood Mute]

Cellos

2

[Mute]

‰

&

3

[Mute]

Db

? O œ O ? œ

( # œO )

(F)

t t

o

6

‰

# œO .. P

3

œO

IV

Oœ 

P

T

π

+ = œO ‰ ≈ œ œ III π

Œ

œ

œO ..

œ 

# œO

( )

Œ

P

‰

+ + œO

Œ

o

5

π

œ

6

n œ œ# œ œ n œ œ œ œ π

/LWROII 3HWHUV

IV

( ) ( )  . Œ œO ‰ œ + œ

5

# œ œ nœ œ œ œ bœ œ œ # œ œ œ œ b œ œ œ π (MSP)

˙

≥  + + OO 

T

b b Oœ b œ œ

F

+ + Oœ

‰ 5



Œ

AST

+ + Oœ



≤ ±± 

o

remove the mute

(MSP)

≤ ±±

≥ ++ OO

o

remove the mute

(MSP) (III)

≥ + OO

 ±±  ‰.

( )

+



( )

( )

poco SP

n n œO

III

π

≥ +O + O .. 

≤  ±±

Vla. II [Metal Mute]

≤ ±±

Œ

l

nœ

O

≥ ≤  ± ±

3

≤ ≥ ±±   

5

SP

Vla. I

π

( )

3

.

( )

+œ

b b œO B œ

≤ ±±

( )

MSP

(IV)

[Wood Mute]

O

3

(SP)

B

≤ +O +O

 ≤ . . 

Œ

≤   œ œ ≥ ±    +O +O P 

≤ ≥   ±± . .   π

5

(c.l.t.)

5

o

5

(c.l.t.)

≥ ±± . . 

( )

 œœ ‰ . o

œ

3

Vln. II

( )

( ) ( )

)

&œ

≤ & +T + OO (IV) T (P) (III)

[Metal Mute] 2

3

( )

P

O

œ

œ ‰.  oO ≤ ≥3  ±± (  ) 

㠜

(II)

≤ ++ OO 

O

‰

œ

[POLYSTYRENE]

6

(  ) —— 

≥ ±± 

Œ

[POLYSTYRENE]

5

œ

 ±. ±.   π

≥ ( )  + + OO

[POLYSTYRENE]

4

≤ ≤   . + Oœ .  

)

˙

o

[very slow glissando. No need to follow the drawing]

Œ

o

 œ.

o

≈ Œ

remove the mute

π

œO ‰

œ 

III

( )

±

 ‰. o

≤ ±±

( ) ( )

 . . 

 + Œ + OO o

6 dead wasps in the jam-jar (ii)

~30" SINE WAVES

41

≥ ) OO +T

(I) (

[Metal Mute]

1

& +(

T)

(II)

± ±

5 8 o

2

&

ã

3

&

ã

4

ã

Mute

&

5

ã

Mute

&

6

ã

1

&

2

&

3

&

4

&

ã

5

&

ã

[Metal Mute]

[Metal Mute]

Vln. I

[Metal Mute]

[Metal Mute]

Vln. II

ã

~30"

1

B

2

&

1

&

remove preparation

Wood Mute

2

B

remove preparation

Wood Mute

[Wood Mute]

&

Vla. I [Wood Mute]

ã

ã

Vla. II

[Wood Mute]

1

[Wood Mute]

Cellos

2

[Mute]

3

Db

ã

?

&

?

&

t

ã

t

/LWROII 3HWHUV

5 8

7 dead wasps in the jam-jar (ii)

C 44 44 [Metal Mute]

1

W

WINE GLASS

SINE WAVES

5 8 +œ

III T

o

[with the finger]

2

W

WINE GLASS

&

 = 60

3

âââ

œ

ã ã

o

[with the finger]

œ

âââ o

[Mute]

4

&

(

lœ )

l l œO o

AST

[Mute]

5

W

œ)

(y

&

r y œO o

[with the finger]

6

[Metal Mute]

1

W

WINE GLASS

p

âââ

ã &

œ 

˙

˙

œ

œ  p

œ

œ

œ 

˙

œ

2

âââ

œ

ã

o

œO œO .. p œO œO .. p

3

W

WINE GLASS

&

4

5

œ

ã

o

âââ

œ

ã

o

o

[with the finger]

2

W

âââ

œ

ã

o

[with the finger]

1

âââ

œ

ã

o

Vla. II

W

WINE GLASS

[with the finger]

2

âââ

œ

ã

o

œ Œ  o

œ œ.  

œ 

o

∑ ∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

∑

U Œ

3

o

poco SP

 œO

o

p

œ O O. p

œ 

œ

œ

œ 

œ ‰. o

˙

Œ

poco SP

o

œ  p  O

œ

œ

œ 

˙

˙

œ

œ ‰.  o

œ

o

œ

œ  p

œ

œ

œ 

˙

œ

œ  p

œ

œ

œ 

˙

œO œO .. p

 œO

œO

œO

 œO

œ

œ  p

œ

œ

œ

œ  p

œ

œ

œ  p

PO

(y œ )

& r y œO

Vla. I

WINE GLASS

âââ

5 8

1

WINE GLASS

o

[with the finger]

[Wood Mute]

W

O

[with the finger]

W

WINE GLASS

( )

 Oœ

œ  p

[white noise: bow on the bridge]

Vln. II

œ.

2 4

o

˙

˙

o

5 16

Ȯ

  œO œO ..

5 4

Ȯ

œ 

˙

œ. 

œ

œ 

˙

œ

œ

œ

œ 

˙

˙

œ. 

 Oœ

œO

œO

 Oœ

Ȯ

Ȯ

Ȯ

  Oœ œO . .

Ȯ

Ȯ

O O. p

O 

O

O

O 

O

O

O

O O.  

O

O

œ

œ  p

œ

œ

œ 

˙

˙

œ ‰. o

≈ Œ œ

œ ‰. o

œ

o

≈ Œ

Ȯ

Ȯ

[Wood Mute]

1

œ)

dO +œ

&

o

œ

PO ( )

[Wood Mute]

Cellos

W

WINE GLASS

Db

2

&

I

O

o

[with the finger]

3

ã t

âââ

œ

o

O œO œ .. p

[white noise: bow on the bridge] ( )

O o

/LWROII 3HWHUV

O O. p

 O

o

Œ

2 4

U Πo

∑

U Œ

&

∑

U Œ

&

∑

U Œ

&

PO (+

&

~ 5"

Ȯ

o

2 4

U Œ

~ 5"

poco SP

œ œ.

[with the finger]

5 4

o

œ

jœ o

5 16

œ

œ

T

IV

2 4

œ  p

œ

o

œ 

poco SP

œ

AST

Vln. I

WINE GLASS

œ œ.

U Œ

o

U Œ

o

∑

U Œ

∑

U Œ

8 dead wasps in the jam-jar (ii)

D 51 [Metal Mute]

1

[Metal Mute]

2

[Metal Mute]

3

&

53

 = 54

SINE WAVES [flautando]

III

2 4

+œ

œ

T

& =

P

o

[with the finger]

ã

œ

o

[with the finger]

ã

W

œ

o

&

(

5

lœ)

yœ)

& yO = rœ o

(y

6

ã

1

&

& =

2

ã

ã

[Metal Mute]

[Metal Mute]

VIOLIN

Œ

&

π

#˙

5

[Wood Mute]

1

&

I

Vla. I

π

2

&

1

&

2 4 II

Oœ

T

.

o

+ + Oœ

poco SP

Œ

II

o

‰

b Oœ 

AST

III

[Wood Mute]

1

&

‰.

( )

Oœ

2

[Mute]

3

Db

p

# œO

o

≈ # œO œO # œO o

‰

œO [flautando] poco SP II

& =

o

œ

œ. 

œ

+ + Oœ  T

I

( )

œ # Oœ

( )

P

Oœ

# œO ..

p

( )

.

Oœ

P

# Oœ ..

Oœ

# œO

˙O

p

poco SP



o

π

#O o

‰

& =

Wã O. o

/LWROII 3HWHUV

( )

O O p

O

œO ‰ . 

±± ±

 œ # Oœ

P

(II)

Oœ ‰ . o

o

œ)

3

p

Œ œO

œ)

 Oœ

O P

O 

[with the finger]

œ p

I

O

œO P

o

œ

âââ o

O

O

 O

≤  ≥ ——   

 ±±  ‰. o

≤ —— 

O ≤  ——

≥ œœ . . 

 o

jO F # Oœ

O O

# œO

œO n œO ..

Oœ r O .

o

O Œ 

F

o

Œ Œ

3

bO

 II n œO b ‰ œ  * I π PO

+ + œO .. œ .  ‰ P

(II)

( )

* = the open string should not be more present than

AST

‰ Œ

the other sounds.

‰

o

o

o

3

o

3

bO

O

∏ O

O ∏

≈ œ

SP

b Oœ œ  π

W



5

B

=

o

Œ

#œ p

+œ ‰

( )

3

π

[flautando] MSP

 ≈ œ.

œ III

œ 

T 3

 œ b œO p

IV

o

Œ œ O œ œ.

‰ ‰

Œ

‰

Tail piece

œ  π

˙

o

o

O

( )

Œ ±. 

±

( )

( )

I

& =

PO

o

[white noise: bow on the bridge]

VIOLIN

AST

3

dO & +œ =

ã

Œ

( )

3

(+

&

(œ ) jj Oœ # œO ..  P

.

SP

œ ‰. o

œ



3

3

( )

≈

& =

œ p

o

3

o

Œ

‰

≈ Œ

âââ

(II)

&

t

IV

& Π=

( )

œ. 

PO

Cellos

o

PO

(

[Wood Mute]

 p

≈

I

poco SP

o

VIOLA

2

o

Wã

Vla. II [Wood Mute]

œ p

œ

âââ

≥  +O +O 

≤ ≥ —— (  ) 

≥

 ≤ +O . + O.  

‰

poco SP

[with the finger]

VIOLA [Wood Mute]

o

Œ

≥ —— 

3

PO

VIOLA [Wood Mute]



ã &

[with the finger]

o

˙

VIOLIN

4

œ 

W

œ.

œ

o

œ P

T

œ

 œO

jœ

o

o

o

œO P



[flautando]

‰

 Oœ

& r y œO = IV

I

3

œ)

≥  —. ≤ —. + œ  +œ   P ( ) ≤ 3 ≥ ≤  ±. ±± ±.  

≤ 

O

poco SP

poco SP

œO P

PO

[Mute]

& =

58

œ

≥   +O + O ..  π AST [flautando] ≤  T II — . III — . ≈ T

o

œ ‰. o

œ

 Oœ

œO P

o

&

≈ Œ

o

3

3

poco SP

& lO = l œ (

[Mute]

œ. 

œ p

âââ

ã

& Π=

‰

o

œ p

âââ

Wã

AST

Vln. II

œ 

poco SP

AST

4

≥ ±±

≥ ≤ ±±  ≤ I II T  ‰ + + OO  To π AST ≤ [flautando] T I ± II ± & T = AST

Vln. I

[Mute]

( )

‰

˙

˙

˙

œ

œ.

˙ œ ‰. o

[flautando]

Mute

T

? O = + +œ IV

o

œ 

dœ SP

π

3

œO 

9 dead wasps in the jam-jar (ii)

SINE WAVES

AST

&

≤ ++ T O & O =

&

‰.

59 [Metal Mute]

1

[Metal Mute]

2

[Metal Mute]

3

[almost no bow pressure]

(

)

o ic glissand harmon (always)

I

Wã

&

&

remove the mute

6

&

remove the mute

1

ã

3

&

4

&

5

&

1

&

[Wood Mute]

 . . 

[with the finger]

œ œ o

œ p

âââ

œ

œ

œ 

≈ œ. 

Wã

Œ

[with the finger]

Wã

Œ

‰.

âââ o

œ p

œ

2

[Wood Mute]

1

[with the finger]

œ o

âââ

≤ ± II T ± III ‰ T

& Π=

Wã

O

O

( ppp) O

O

O

O

œ p

O

‰.

Œ

O

( )

œ ‰. o

œ

harmon

(

O

o

œ o

âââ

œ p

œ ‰. o

œ

O

O

O 

O

( )

( ppp)

o

Œ

&

Wã (SP)

# œO

œ.

œO

MSP

B

1

&

[Wood Mute]

2

[Mute]

3

o

Db

t

Œ

Œ

[with the finger]

œ 

âââ

3

o

Œ

remove the mute

ã

remove the mute

(SP)

[Mute]

Wã

œ ‰.  o

œ

[Wood Mute]

Cellos

œ ‰

o

‰

+ + œO p

/LWROII 3HWHUV

œO O

AST

œ

 œ

o

‰

Œ

remove the mute

[with the finger]

Œ œ

≈ œ. 

œ p

œ

œ

œ

œ 

âââ o

œ

p

o

o

‰

o

≤ ±±

( )

 ≥ +O . + O.  π

)

ic glissa nd (always) o

[with the finger]

O

&

2

Œ

AST

Vla. II [Wood Mute]

o

‰

≤ +O +O

( )

o

Vla. I [Wood Mute]

( )



[almost no bow pressure]

&

2

[Metal Mute]

≤ +O  + O

≥ (  ) ±±

remove the mute

5

[Metal Mute]

Vln. II

&



p

To

II

Vln. I

4

≥ ±±

O

( )

‰

Œ

≥ ++ OO

( )

10 dead wasps in the jam-jar (ii)

70

SINE WAVES

≥  &œ = ±  

≥ 67 ( ) ±  ≤  (I) T ± ++ O  ) 1 & (T   O (II)  (p) (AST) ( )

[Metal Mute]

[Metal Mute]

2

 œ

≤ ++ O  O 

( )

3

ã ã &

5

ã

6

&

≤  ±. ±.   p

II III

≥ O +T +O ( )

To

≥ œ œ

 œ œ 

≤ ++ O O ≤ ± ±

( )

[almost no bow pressure] ( )

≤ ± ± 

≥ ±±

( )

≥ ++ OO

p

≤ ±±

≥ ±±

( )

≤ ( )  ± ± 

≤ ± ≥ ±   +O +O 

≥ +O œ

 . . 



 . .

( )

( )

≤ +O  + O

≥ ( )  ±± 

≥ ++ OO  

&

≤ ± ±

( )



≤ ±. ±. 

≤ +O +O

( )

( )

( )

≥  œ œ

≤ ± ±

( )

+O 

≤ ± ± 

≥  œ œ 

3

3

≥ 

(

(

≥ + Oœ . .  O )  ±. ±. 

 T. . & T (III) ( pp ) (II) (

)

(

)

≤  ± ± 

≥

≤ ± ±

( )

≤ ( )  ± ± 

 . . 

≥ ++ OO

( )

≥ +O  + O 

≤ ± ±

( )

≤   ±. ±.  

≥

( )

+O +O

≥ 

œ

AST

≤

[flautando]

≤  ( ) 3  œ ≥ &œ ±  

≤ ≥ ± . ±  . 

T III — .

—.

T

≤   ±±  

3

(

≥ ≤ 

≥ 







≤

( )

≥  +O. œ. 

&

& + + œO =

4

&

& + + œO =

Oœ .. p

5

& œ

#œ

o

P MSP III

o

IV

o

MSP I

+ + Oœ

PO

[Wood Mute]

1

II

&

& =

Vla. I

2

1

ã

o

.

Oœ

# œO

poco SP

p

( )

p

(II)

& =

‰

poco

II

# Oœ 

( )

o

ã

2

B

3

‰. .

SP

jj Oœ 

I

P



lœ

(II)

 œO œ 

)

. + =œOœ =œO .

œ



I T

# # œO p

II

o

poco SP

+ + œO .. œ .  ‰

b Oœ œ  P

( )

MSP

II

‰ œO

 II œ nO b œœ ‰  PI

 ‰. = œœO œ = .

# œO ..

 l O O + + Oœ (II)  p (

Œ

& =

Vla. II [Wood Mute]

œ # Oœ

 (œ )

I

3

P

œO

 # œO

#œ

III

W

œ P

W

.

K



π

= =œO

Oœ

remove the mute

ã

Œ

T

1

Cellos

& b Ȯ =

&

o

finger 1 RADIO EFF. SEV. finger 2

2

ã

œ œ œ œ 

I [the bow passes between II the two fingers]

:Π3

3

œO

o

œ œ œ.

œ.

œ œ

p

œ œ

œ

+ + œO .. p

SP

œ

œO œ . œ

œ. œ. 5

œ œ œ 

P

l W

+œ

.

+ + œO .. P

Oœ

π

œ. œ œ.

œ œ

‰

œ. œ œ.

3

V sempre

— —

SP

Db

t

/LWROII 3HWHUV

t

=

‰.

I



o

—

( )

π

:[with bow] œ  o # Oœ ..

œO œO œ

p

T

(SP)

W

3

rw œO

SP

POLYSTYRENE

II

F

( )

[ordinary bow]

[Wood Mute]

Oœ .. p

.

F

T

n œO P

œO

Oœ

3

b Oœ .. p

SP



5

( )

(III)

œ

W

 ≤  ± ± 

3

& =

IV

≥ 

œ)

MSP

[Wood Mute]

≥  +O +O 

ã

Vln. II

 ± ± 

)

2

[Metal Mute]

[Wood Mute]

≤

ã

(AST) ( )

1

Œ

& =

4

[Metal Mute]

≥ + OT. & ≈+ O. = To

≥ ±± 

≤   ++ OO  

I II

[almost no bow pressure]

Vln. I

 . .  AST

AST

[Metal Mute]

≥ ±±

( )

œ

F

?

œ œ

11 dead wasps in the jam-jar (ii) SINE WAVES

≥  75 ±T. ±.  1 & T (p) (

[Metal Mute]

(

)

( )

≥ œ œ 

3

T)

(

[Metal Mute]

2

&T (

)

œ

[Metal Mute]

3 Vln. I

≤  T —— & T  P 3

(

)

(

)

6

1

[Metal Mute]

2

)

≥  ( ) œ . T

3

&

5

&

P

œO .. π

P

&

1

Oœ

2

&

P

1

Vla. II

& œO .. ‰. & + + œO F

ã œ. π

[Wood Mute]

1

[RADIO EFF. SEV.]

Cellos

RADIO EFF. SEV.

Db

2

3

?

Œ

 Œ + + œO œ  III

3

œ œ œ

œ. ≈ . : œ fg. 2 

œ œ

SP [the bow passes between the two fingers] II-III

—

( )

o

o

( pp )

O

Oœ

p

 ± ± 

b b Oœ

≤  ± ± ≥  œ œ  F

(III)

—≥ 

f # œO

F

 + + œO

Oœ ..

œ œ

( )

œ. 

o

≥ 3  — —  3 F

—.

≥  +œ œ 

 ≤ —. ≤ —>

—.

2 4

—.

≥ 3 ≥ ≤  —  — ≤ — —    œœ 3

≥ —> 

œ œ

œ œ œ. œ œ œ P —.

f œ œ œ

œ

œ ‰. o

—

— 3

V sempre

œO

F

—≥

SP

(MSP) (IV)

+ + œO ..

≥  œ. œ.  ≤ —>

≤ —> 

—

—

( )

f

œ œ —

( )

F

œ œ œ œ œ œ œ œ

œ œ

>—≥

—≥



— >—≤ 

>—≤

V sempre

—≥

œ

œ. 

—

—

œ œ. œ

f —

>—≤

≥ — >— .

—

≤ — —> .

≥ — —> .

—

≤ —>

o

≈

>—≤

—.

œ. œ œ. œ >—≥

œ œ



—

—.

≤ —.

≥  œ œ 

—

—

f

≥ — >— .

—

—

—

≥ —>

—.

≤ —> —

≥ —>

( )

≤ — —> .

—

—

—

—

>—≤

—.

≥> — —

—

—.

≥ —> —

≤ —>

— —

—

( )

≥ — —> 

—

( )

≤ ≥ —> >— 

—

œ œ

œ œ

—

≤ — —> 

—

—

≥ — —> .

3

≤ —>

≤ —>

3

— ≥ —> — 

—

3

œ œ œ

œ œ œ œ

œ. œ œ.

œ œ

œ œ œ

—

—.

≤ ≥ —> >— 

œ

≥ —> 

—

( )

—

( )

3

—

≥ —>

II

f

3

≤ —>

V sempre

V sempre

—

—.

MSP

Oœ

3

≥ —>

—.

3

( )

—

>—≥

—

≤ —. —. 

≥

—

Oœ

œ œ  œ

≤ —>

3

—

I

3

œ œ

≥ —>

≥> — —

—.

V sempre

( )

f

˙ F

≥ —>

f

≤  — —  

—

12.07.2016 — to Celine, my very first niece, who is born today, while I am writing this page !

/LWROII 3HWHUV

œ ‰. o

œ

3

≥ —>



—

o

—

≤ —> —

≤ — >—

—

≤ —>

≈ Œ

( )

œ

≥> — — 

—

3

—

≤3 — ≥  —  œ œ  3 ≥ —> —

œ.

f

( )

≤ — ≥ ≤ —    œ.  œ .

≥

≥— ≥ — >— .

—

œ

˙

œ

≤  —  ±  

3

V sempre

f

3

Ȯ

V sempre

5

œ F

V sempre

œ. œ  F œ

I

 = 60

>—≤

( )

III

f

SP

(III)

≤ ±±

 œ. œ.  ≥— V sempre

b b Oœ

o

# œO

—≤

œ œ.

 ≤3 œ œ 

f

3

f ≥— V sempre

œ jœ  p

œ  F ≥

≥

≤ ≥3 ≤ V sempre  — — — —

≥3

+O  +O

≤

≥ — —

V sempre

IV

œ

pœ

3 8

œ 

3

(II)

œ : œ fg. 2 (p)

t

III

œ œ

fg. 1

fg. 1

œ

MSP

3

F

F :[with bow] œ.

ã

 œ

+++ œœO Œœ IV  F

B

[POLYSTYRENE]

2

Oœ

(III)

SP

[Wood Mute]

F

Oœ

 (II) +œ

Vla. I [Wood Mute]

Oœ

POLYSTYRENE

( )

:

≥ . . 

T

[Wood Mute]

‰



≤



˙

≥ + OO +

Oœ

 œ œ  œ

( )

p Oœ

œO .. π

≥  œ œ 

≤ ±± 

F

[with bow]

P O ≤ ± ±



(IV)

4

œ 

T) + O . (III)

ã

≤ ± ±

≥

)

&(

œ

POLYSTYRENE

≥  ——

≤ ≥ ≤ &œ — ≥ =  — —  + + œœ  ++ œœ  

œ.

o

≤ T ± ± & T

Vln. II

o

+ œ. 

p

œ.

≥ ≤  —— . .  

2 ≤ 4 +œ .

O  ±± 

≥  + Oœ 

:[with bow] œ

&

&

. œ.

: œ 

‰

㠌

(

≤ ≥ ±  ± œ  +œ œ œ  F

[with bow]

㠌

(

[Metal Mute]

œ

3

≥ 3 ≤ = &œ 8 +O — +O  F



POLYSTYRENE

5

3

œ

≥  ±± 

≥  ± ±

POLYSTYRENE

4

)

≤  +O œ œ 

)

(

O

œ œ ≤ —> —

œ 

œ

3

œ œ

œ œ œ  3 ≥ > . — —

œ œ œ œ.

œ œ

˙ ˙

œ œ. œ.

œ œ œ

—

—

œ œ œ

>—≤

≥ —>

12 dead wasps in the jam-jar (ii) SINE WAVES

≤ — >— .

(III)

—

( )

83 [Metal Mute]

1

&

(f)

>—≤

—

(IV)

[Metal Mute]

2

&

(f) (I)

[Metal Mute]

Vln. I

3

4

5

6

&

>—≤

—

1

2

3

—

5

1

POLYSTYRENE

ã

POLYSTYRENE

&

& & &

≤ >— —

≥ >—

(f)

≥ — >— .

—.

— —

3

1

1

Cellos

2

& B

&

(f) —

≥ —>

>≥

œ

œ. 

œ 

o



III IV



(



>≤ 

o

>≥

>≤ 

IV 3

)

T)

(

3

>≥ . . 

)

(

)

—

—

fg. 1 fg. 2

( )

f

>≥ V  — — ‰ f >≥ >≤ 

—

—

( )

>≤

( )

V

≥ >

3



I   ——T — — T ‰ (



3

(

—

( )

)

)

f

œ 

F

≤>  T. . T 

—

(

)

(

)

—

( )

( )

≥>

3

o

‰

3

3

≤ > 

≥>  

V

T)

(

II

 — — ≈ Œ f

V

≤> 

T)

(

I

—

—

—

( )

—

—

( )

—

—.

≤ — >— 

(f)

—.

—

—

( )

—

—

( )

( )

—

—

( )

( )

œ :œ (f)

t

>—

—

—

( )

( )

—

( )

—

( )

≥ ( ) —> —

( )

( )

>—≤

( )

≥ — —> .

—

—

( )

—

—

( )

—

—

( )

( )

Œ

‰.

oæ+

—

—

—.

>— —

—

—

>—

( )

—

( )

—

( )

—

—

( )

—

( )

( )

ã

œ œ o

— >— .

—

( )

>—

œ œ P —.

—

>—

>—

—

( )

( )

3

≤ —> —

(f)

œ :œ (f)

—

f

GELINOTTE

?

fg. 1

—

( )

≈ Œ

NV ≥ > 3  ≤> T II — III — T

≥>  —T — T



>≤ T

œ

F

—



(

‰

—

( )

—

≤ —>

—

œ œ œ œ œ œ œ œ

—

(I)

Db

≤ — —> .

≤  > T — II — — III ‰ T F NV

( )

—

( )

—

—

(II-III)

3

o

( )

≥ — —> 

—

( )

(f)

ã

fg. 2

[RADIO EFF. SEV.]

—



˙ F

—

( )

—

>—≤

(I-II)

[RADIO EFF. SEV.]

:[with bow] ˙

NV

( )

( )

(III)

[Wood Mute]

œ F

o

≥>  . . 

>≤

>≥

III

GELINOTTE

Vla. II

2

ã

:[with bow] ˙

3

≥> >≤ 

V

> >   T. .  T

3

≥ ≤ —> — —> . 

(II) [Wood Mute]

≤ —>

—

(f)

(IV)

2

≥> —

ã

≥>  T I — II — T  F

œ F

o

( )

( )

>—≤ —

(f)

(f)

—

ã

>≤



NV

—

:[with bow] ˙

>≤ >≥3  ( )

ã

Vla. I [Wood Mute]

—

( )

ã

(III) [Wood Mute]

—

( )

( )



 —. ‰.

—

POLYSTYRENE

(IV)

4



—

( )

ã

—.

≥> 

F

>—≤ (—)

( )

(III)

Vln. II

—

(f)

(II) [Metal Mute]

— ≥ —>

—

( )

>≥— — . 3

(I)

[Metal Mute]

—

≥> —

>≤ T I — II — T

NV

—

œ œ

≥ —>

≥ — —> .

—

œ œ  œ

œ. œ œ.

œ œ. œ —

( )

3

œ

≤ —>

œ œ

—

—

( )

œ œ œ

œ œ œ œ

œ. œ œ.

œ œ

—

( )

—

œ

œ œ

œ œ

œ 

—

œ

œ œ œ œ.

œ œ œ  —

3

( )

œ œ. œ.

œ œ

˙ ˙ œ œ œ —

( )

(F)

/LWROII 3HWHUV

—

—

( )

( )

3

œ œœ œ œœ œ ( )

—

( )

( )

œ œ œ

œ œ œ œ

œ. œ œ.

œ œ

—

( )

œ

œ œ

( )

œ œ

œ 

—

œ œ œ œ  —

( )

œ p

œ œ œ œ.

3

œ œœ œ œœ œ ( )

o +

æ ≈ œ.  o

—

( )

œ œ œ

ã

3

œ œ. œ.

œ œ

13 dead wasps in the jam-jar (ii) SINE WAVES

≥> >≤  ( 3)

≥> ≤  > T  I — II — T  F

NV

92 [Metal Mute]

1

—

(III)

&

—

(f) (IV)

—

2

&

(I)

—

GELINOTTE

5

ã

GELINOTTE

6

ã

2

Vln. II 3

4

≥ T> (I) —— II — III & ≈T F — & Œ >— >— &  (f) 3 — >— . &

≥ >≤  >    >≥ T — —. III —. IV ≈T F

1

Vla. I [Wood Mute]

2

B

1

[RADIO EFF. SEV.]

Db

2

3

?

>≤

—

—

( )

—

—

( )

—

( )

—

( )

—

( )

—

—

( )

—

( )

( )

o

œ

o +

œ. P

œ œ œæ .

œ P

o



T

T)

(

(



(

>≤

(f)

œ :œ fg. 2 (f)

— ≈ f

T)

T)

o +

œ œ æœ

œ

( )

—

( )

—

( )

( )

œ œœ :œ œ œ œ fg. 2 (f) —

( )

—

œ

—

œ œ. œ ( )

—

3

œ

œ œ

œ 

œ. 

≈ Œ

o

—

‰

—

—

( )

—.

—

( )

œ. 

œ

—

( )

( )

>— —

ã

œ. œ œ.

œ œ

œ

—

— 

>— 

œ œ o

œ P

œ œ œ œ œ —

—

—

—> —

—

—

—

( )

—

( )

—

( )

—

( )

( )

—

( )

—

—

( )

—

( )

—

œ œ œ œ —

—

—

œ 

œ

œ

œ 

—

—

—

œ œ œ œ.

œ

3

œ œ

œ œ œ  —

—

—

3

œ œ. œ. —

—

o

—

( )

( )

—

( )

—

( )

—

( )

( )

—

( )

( )

( )

oæ+

—

( )

( )

>— .

‰.

—

( )

≈ Œ

—

— >— .

—

—

o

—

( )

( )

( )

( )

œ œ œ œ

—

—

—

oæ+

—

( )

( )

( )

œ œ œ

( )

—

(F)

/LWROII 3HWHUV

o

( )

—

—

œ. œ œ.

œ

( )

( )

( )

—

P

3

—

GELINOTTE

( )

o

œ

( )

—

—

œ œ œ œ œœ œ  œ

fg. 1

—

( )

( )

>— 

o

f

( )

( )

o +

‰ æœ ( )

>— (—)

—.

œ ‰  o

V

ã

>— (—)

(f)

—

II

—

—

( )

V

œ

˙

—

≥> 

œ.

(f)

fg. 1

t



3

oæ+

— >— —

㠜

[Wood Mute]

o +

( )

)

>— >— .

(f)

2

Vla. II

ã

( )

(

>— .

—

&

( )

>— >—

(f)

1

3

>— .

( )

[Wood Mute]

—

—

≈ œæ . 

I

>—

ã ˙ (P) &

ã

≥> ≥  >

>—

( ) [Wood Mute]

≤>

NV

[GELINOTTE]

5

—

( )

( )

( )

GELINOTTE

(II)

[RADIO EFF. SEV.]

—

ã

1

—

( )

( )

( )

4

[Metal Mute]

—

( )

(f)

NV

Cellos

—

&

Vln. I

—

( )

( )

3

[Metal Mute]

—

f

3

—

( )

[Metal Mute]



( )

(f)



 T) — . ( T) ‰ . (

—

( ) [Metal Mute]

III V

( )

—

( )

—

( )

( )

‰ —

—

( )

œ œ

œ œ ˙ ˙ —

( )

—

( )

œ œ

œ 

—

( )

( )

[keep the finger 1 in order to play as SP high as possible, ordinary bow pressure] I ( )

( )

œ

3

˙ ˙ —

( )

œ œ œ œ.

œ? œ

—

—

˙ ˙

˙ ˙

—

( )

o

o

14 dead wasps in the jam-jar (ii)

SINE WAVES

101 [Metal Mute]

1

&

—

( )

(f) —

..

( ) [Metal Mute]

2

&

(f) —

Vln. I

3

4

5

6

&

(f)

..

1

..

2

3

5

1

&

(f) —

&

(f) —

&

(f) —

&

(f)

ã

& B

1

&

Vla. II

2

[Wood Mute]

—

(f) —

(f) —

1

Cellos

2

3

(f)

ã ? ?

—

..

—

( )

..

—

( )

.. ..

—

( )

—

—

( )

—

( )

—

( )

—

—

—

—

( )

(f) —

( )

(f)

?

— —

( )

.. ..

—

( )

—

( )

—

( )

—

( )

—

—

.. .. ..

GELINOTTE

— —

( )

—

( )

—

( )

—

( )

—

( )

˙ ˙ ∏

[with bow] POLYSTYRENE GELINOTTE

ã

[fixed sound]

—.

—

( )

—.

—

( )

..

( )

—.

—

( )

..

( )

—

—.

( )

( )

..

[with bow] POLYSTYRENE GELINOTTE

3 4 ..

ã

[fixed sound]

2 4

—.

( )

˙ ˙ ∏ —

( )

—.

—

( )

.. ..

( )

—.

—

( )

( )

.. ( )

ã

[fixed sound]

..

( )

( )

˙ ˙ ∏

[with bow] POLYSTYRENE

( )

( )

—

ã

[fixed sound]

..

( )

..

GELINOTTE

( )

( )

˙ ˙ ∏

[with bow]

( )

—

—

( )

POLYSTYRENE

( )

..

( )

[Wood Mute]

..

ã —

—

( )

( )

.. ( )

—

—.

( )

..

( )

2

..

ã

( )

—.

( )

( )

..

Vla. I [Wood Mute]

—

2 4

( )

—.

( )

..

( ) [Wood Mute]

—

( )

—

..

ã

( )

4

—

( )

—

3 4

( )

..

( )

Vln. II

—

( )

..

( ) [Metal Mute]

—

( )

( ) [Metal Mute]

—

( )

( ) [Metal Mute]

—

( )

.. ..

[with bow] POLYSTYRENE GELINOTTE

ã

[fixed sound]

—.

˙ ˙ ∏ —

( )

( )

—.

—

( )

( )

SP

..

..

t

=

IV

˙ ∏ SP

Db

t

/LWROII 3HWHUV

..

..

t

=

V

˙ ∏

≥> ≤  >3 T I — II — T F 3 ≥> ≤  >3 T I — II — T F 3 ≥> ≤  >3 T II — III — T F 3

≥> . .

>≤

≥> . .

>≤

≥> . .

>≤

˙ ˙ f

˙ ˙ f ≥> ≤  >3 T II — III — T F 3 ≥> ≤  >3 T — III IV — T F 3 ( ) —

≥> >≤   ≥> >≤  

, ∏

≥> . . ≥> . .

, ∏ >≤

— —

( )

—

—

∏

F >≤

∏ ≥> >≤ ≥>

F >≤

∏

F

>≤

∏ ≥> >≤ ≥>

F >≤

∏ —.

F —

(f)

—.

∏ —.

—

(f)

∏

≥> >≤  ≥> >≤ 

œ. œ.

3 8

∏ ≥> >≤ ≥>

˙ ˙ f ≥> >≤ ≥>

—.

2 4

˙ ˙ f

—.

(f)

—.

∏ —.

(f)

∏

(f)

∏

—.

—.

—.

( )

( )

œ. œ.

—.

( )

>≤

œ. œ.

—.

˙ ˙ f

(f)

∏

( )

(f)

∏

f

œ. ∏

f

œ. ∏

—

( )

—

( )

—

—.

7 16

˙ ˙ f



∏

≥> >≤ ≥>

˙ ˙ f

œ. œ.

>≤

—

˙ ˙ f

œ. œ.



( )

˙ ˙ f

2 4



, ∏

˙ ˙ f

≥> >≤ 

3 8

—.

( )

—

f

( )

—

f

 f  f

—

 f

—

 f

—  f

—  f —  f

7 16

15 dead wasps in the jam-jar (ii) [repeat twice] SINE WAVES

110 [Metal Mute]

1

&

7 16 (I)

>≥ —T. —. T (

(II) (

)

)

>≥ —T. —. T (

(I) [Metal Mute]

2

&

(II) (

)

)

>≥ ——T. (II) . (III) T & (

[Metal Mute]

3 Vln. I

[POL]

4 [GEL]

[POL]

ã

6

ã

[GEL]

)

œ œ ∏

ã

5

[GEL]

[POL]

(

)

1

œ œ ∏ >≥ ——T. (II) . (III) T & (

)

)

>≥ T (III) — . —. (IV) T & (

[Metal Mute]

2

Vln. II 3

(

&

5

ã

[POL] [GEL]

1

&

Vla. I [Wood Mute]

2

[Wood Mute]

1

B &

Vla. II [POL]

2

[GEL]

[Wood Mute]

1

Cellos

2

3

Db

ã ? ? t t

)

—

7 16 [Wood Mute]

)

—

&

4

 — —  ∏  — —  ∏

œ œ ∏

(

[Metal Mute]

 — —  ∏

œ œ ∏ — — —  œ ‰. œ ‰.  ∏ — —

œ ∏ œ ∏

/LWROII 3HWHUV

 — —  ∏  — —  ∏

U  —. —. 

2 8

U  —. —.  U  —. —.  U  œ. œ.  U  œ. œ.  U  œ. œ. 

— .. — ( ppp) ( ) — .. — ( ppp) ( ) — .. — ( ppp)

. œ , . œ . œ , . œ . œ , . œ

( )

U  —. —. 

— .. — ( ppp) ( )

U  —. —.  U —.

— .. — ( ppp) ( ) — .. ( ppp) ( ) — .. ( ppp)

 ∏ —.

 ∏ U  œ. œ.  U —.

( )

.. œ œ

2 8

 ∏

..

 ∏

..

—.

—.  ∏ U ‰. ‰. U —.  ∏ —.  ∏

.. .. .. ..

U  œ.

..

U  œ.

..

( ) — ( ppp) ( ) — ( ppp) ( ) — ( ppp)

 — —   — —   — — 

≥>  

 — — 

( ppp) ( ) — ( ppp) œ œ



F ≥ >≤ > >≤ 

≥>  

F

≥> 

≥ >≤ > >≤  F

≥> 

F —

—

—

— f

—

f

 ∏ ≥>   ∏

>≤ ≥> >≤

≥ >≤ > ≥ >≤ >

F >≤ ≥> >≤

∏ >≥

F

∏

,

œ. œ.

,

œ. œ.

,

œ. œ.

>≤ ≥> >≤

≥ >≤ >

F

>≤ ≥> >≤

≥ >≤ >

—

f

 ∏

 œ œ f

œ œ f

≤>   ≤>   — 

—

— 

3 8

f

∏ —

∏ —

∏

—

—

f

 ∏

f

 ∏

— —

f

—

—  ∏

2 8

— 

— 

— 

2 4 ..

 F ≥> 

..

>≤ . .

. ,.

˙ ˙

. ,.

˙ ˙

 F

≥> 

>≤ . . >≤ . .

..

 F ≥> 

o

 F

..

>≤ . .

 f

..

 f

..

— —

—

—

Œ

 f

.. ..

— — —

≤  >≥ > —  —   

— — — —

≤  >≥ > —  —   

—— ——

 ——  ‰

∏

∏

 œ œ  f  œ œ  f ‰

ã

—— ——

∏

≈

  œ œ œ œ     œ œ œ œ   œ . 

o

≤  >≥ > —  —   

— — — —

∏

o

2 4

≤  >≥ > ——    

—

—

—.

—

—.



∏ —



∏

2 4 ..

—  f

—

ã ..

 f

—

∏

WALDTEUFEL

..

 F ≥> 

5 16

— — — —

.. >≤ . .

o

—

f

≤> 

≥> 

WALDTEUFEL

—

—



—

∏ œ œ f

≤> 

∏ >≥ ∏

—



>≥

f

—

≤> 

œ œ f

F —

2 8

∏ >≥

 ∏

f

ã



œ œ f ≥> 

F

>≥

f

—

—

 ∏

>≤ ≥> >≤

∏

œ œ

—

 ∏ ≥> 

3 8

f

—

œ œ f

—



≥ >≤ > >≤ 



 ∏ ≥> 

≥ >≤ >

œ œ f

œ , œ



≥> 

œ œ f

œ , œ

—

—



œ , œ

WALDTEUFEL

( ) —



≥ >≤ > >≤ 



œ œ f

 — — 

F

≥> 

œ œ f

œ œ f

≥ >≤ > >≤ 

 

œ .   o F

( )

5 16

—

—

—.

—

—.



∏ —



∏

 

—

∏

ã

o

.. œ . .   F —

( )

( )

—

—

f

∏

f

f

∏

f

—

œ ∏ œ ∏

— —

—

œ. ∏

f

—

œ. ∏

f

( )

—  ∏ —  ∏

—  —  —

f

—

f

( )

—  f —  f

.. .. .. ..

— —

˙ ∏ ˙ ∏

—

— 

—. 

—

— 

—. 

∏ ∏

— 

f

— 

f

.  . 

2 4

16 dead wasps in the jam-jar (ii)

SINE WAVES

2 4

119

T)

(

(I)

[Metal Mute]

1

& T F (

)

[POL]

(

4

ã

5

ã

6

ã

[GEL]

[POL]

& T F &

Vln. I

[GEL]

[Metal Mute]

1

[Metal Mute]

2

)

>≤

(II)

3

[Metal Mute]

>≥

T

(I)

2

>≤

(II)

(

[Metal Mute]

>≥

)

>≥

. .

2 8

3

>≥

— —

. .

∏

˙ ˙ ∏

,

œ œ

,

œ œ

&

5

ã

(

)

(

)

(

)

(

)

—

—

f

∏

—

& B

1

ã

2

ã

( )

—

Db

œ. œ. f

œ. œ. ∏

( )

( )

—.

—

—.

—

( )

3 8

—

f

 ∏

— — ∏

— —

>≥

≥ ≤> 3 > — — 

F >≥

3

>≤

— — ∏

— —

≥ ≤> 3 > — — 

F

3

>≤

>≤

≥> . .

>≤

≥> . .

>≤

3  ≥> —  — ∏3

 — — ‰ 

( )

— —

3  ≥> —  — ∏3

o

 — — ‰  o

Œ

Œ

( )

( )

˙ ˙

˙ , ˙

˙ ˙

˙ , ˙

( )

( )

˙ ˙ f

˙ œ ∏  œ ‰. œ ‰. o

˙ ˙ f

( )

œ ‰. 

˙

Œ

( )

—

—

 f

—

—

 f

( )

( )

—

—

∏ —

—

— —

∏

( )

( )

[damp the strings and play with a very slow bow. The sound must be broken, perforated, with small silences inside, between each sound (one grain at a time)] ( )

II III

ã

f

( )

[damp the strings and play with a very slow bow. The sound must be broken, perforated, with small silences inside, between each sound (one grain at a time)] ( )

III IV

ã

( )

( )

( )

( )

f

—

( )

—.

‰

o

—

WALDTEUFEL

ã

Œ

( )

—

 f

2 4

—

( )

( )

—

—

—

∏

( )

( )

[damp the strings and play with a very slow bow. The sound must be broken, perforated, with small silences inside, between each sound (one grain at a time)] ( )

II III

ã

( )

( )

f

œ  o F ( )

( )

( )

( )

( )

˙ . . o F

WALDTEUFEL

( )

( )

( )

( )

( )

( )

( )

( )

( ˙) . . (F) ( )

?

—

f

( )

3

2 8

∏

—

(III)

2

œ. œ. ∏

∏

f

( )

Cellos

>≤

( ˙) . . (F)

( )

Vla. II

1

œ. œ. f

( )

2

[Wood Mute]

≥>

≥>

>≤ . .  F

( )

—

f

Vla. I

[Wood Mute]

≥>  —. —. 

2 4

œ . . o F f ∏

ã

( )

( )

2 4

[Wood Mute]

—. —.

>≤ . .  F

( ˙) . . F ≥> ≥ ≤ ≥> ≥> ≤ >≤ 3 >≥ >≤ >≥ ≥ ≤> 3 > > >  >≤  ≥> > ( ) — — — . . . T . (II) — —. —. . — — — — — . (III) — . — — —  .  — & T   3 3 ∏ F F ∏ o F ∏ ≤ >≥ > >≥ —— —— . (III) T . . ( ) ( ) ( ) (IV) Œ œ . WALDTEUFEL ã & T o ∏ F F

&

1

≥>  —. —. 

—. —.

WALDTEUFEL

˙ ˙ ∏

4

[Wood Mute]

— —

∏

( )

Vln. II

3 8

? t t

—

( )

—

—.

—

—

—.

—

∏

f

∏

˙ ∏

œ

˙ ∏

œ

/LWROII 3HWHUV

( )

—.

( )

—  f —  f

—

—

œ. ∏

˙

f

œ. ∏

˙

—.

—

—

∏ —

o

f

( )

( )

—

( )

I II

ã

( )

f

( )

˙

( )

the guitar string between your foot and left :[tensing hand, bow the string around 3/4 of the way from the E-GUITAR STRING

˙

( )

[damp the strings and play with a very slow bow. The sound must be broken, perforated, with small silences inside, between each sound (one grain at a time)]

Œ

( )

—

ã

˙

o

f

( )

œ ∏

f

˙ ∏

—

˙ F

floor, producing a low, airy, trembling sound]

œ

˙ ˙

17 dead wasps in the jam-jar (ii)

E

F

Libero (= 60) ~5"

~5"

(~ 5")

128 1

&

remove the mute

2

&

remove the mute

(~ 10")

~5"

simile

(~ 15")

(~ 20")

the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the floor, producing a low, airy, trembling sound] E-GUITAR œ ã œ STRING o F

[bow changes ad libitum, trying to maintain a continuous sound]

œ

(~ 25")

(~ 30")

œ

towards a more continuous sound (the thread has to slide on the skin of the instrument)

3 Vln. I

ã ( œ) (F) p œ

㠜 ( ppp)

[POLYSTYRENE]

4

5

ã

E-GUITAR STRING

ã

œ

the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the floor, producing a low, airy, trembling sound] œ œ o F

remove the metal mute and the preparation on the violin

o

[bow changes ad libitum, trying to maintain a continuous sound]

œ

œ

œ

œ

œ

œ

œ

towards a more continuous sound (the thread has to slide on the skin of the instrument)

6

1

ã ( œ) (F) p the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the floor, producing a low, airy, trembling sound] E-GUITAR œ ã œ STRING o F

&

[bow changes ad libitum, trying to maintain a continuous sound]

œ

towards a more continuous sound (the thread has to slide on the skin of the instrument)

2

Vln. II 3

4

ã ( œ) p (F)

remove the metal mute and the preparation on the violin

(II-III)

ã

(f)

P

(III-IV)

ã

P

(f)

towards a more continuous sound (the thread has to slide on the skin of the instrument)

5

ã ( œ) (F) p

~5" 1

~5"

(~ 10")

~5"

(~ 15")

simile

(~ 20")

(~ 25")

(~ 30")

(II-III)

ã

(f)

Vla. I

2

(~ 5")

P

remove the wood mute put the normal mute

towards a more continuous sound (the thread has to slide on the skin of the instrument)

ã ( œ) (F) p towards a more continuous sound (the thread has to slide on the skin of the instrument)

1 Vla. II

towards a more continuous sound (the thread has to slide on the skin of the instrument)

2

[Wood Mute]

1

Cellos

ã ( œ) p (F) (I-II)

ã

remove the mute

2

P

(f) [E-GUITAR STRING]

3

Db

ã ( œ) p (F)

㠜 (F)

[bow changes ad libitum, trying to maintain a continuous sound]

œ

/LWROII 3HWHUV

œ

œ

SP

AST

œ

œ ( ppp)

œ ( ppp)

œ

[slow, very wide vibrato. It should cover an 'irregular' (always different) interval of a minor third (from F) up and down] (SP) AST

t t

œ

[very slow glissando. No need to follow the drawing]

AST

œ

MSP

œ

œ

[keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

œ

œ

18 dead wasps in the jam-jar (ii)

~5" 134 1

[E-GUITAR STRING]

㠜 (F)

(~ 5")

~5"

(~ 10")

~5"

(~ 15")

simile

(~ 20")

(~ 25")

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

2

&

3

ã

4

ã

(~ 30")

Vln. I

5

6

Vln. II

ã œ (F) ã

1

㠜 (F)

2

ã

3

ã

4

ã

5

ã

~5" 1

ã

2

ã

1

ã

2

ã

1

ã

(~ 5")

~5"

(~ 10")

~5"

(~ 15")

simile

(~ 20")

(~ 25")

(~ 30")

Vla. I

Vla. II

[E-GUITAR STRING]

Cellos

2

㠜 (F)

Db

œ

œ

œ

œ

t ( œ) ( ppp) SP

3

œ

t

AST

SP

AST

SP

AST

œ

œ

œ

œ

œ

[keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

œ ( ppp)

/LWROII 3HWHUV

19 dead wasps in the jam-jar (ii)

G 140 1

~5"

(~ 5")

[E-GUITAR STRING]

㠜 (F)

~5"

(~ 10")

œ

~5"

(~ 15")

œ

E-GUITAR STRING

&

3

the guitar string between your foot and left : [tensing hand, bow the string close to the left hand, producing a low, airy, trembling sound] œ ã œ o F

Vln. I

4

E-GUITAR STRING

ã

E-GUITAR STRING

ã

5

SPRING DRUM

㠜 (F)

S 㠜

œ F

o

œ

the guitar string between your foot and left : [tensing hand, bow the string close to the left hand, producing a low, airy, trembling sound] œ

œ

œ

œ

3 4

[bow changes ad libitum, trying to maintain a continuous sound]

6

1

㠜 (F)

2

ã

3

2 4

œ

˙. (F)

˙.

˙

œ

˙. (F)

˙.

˙

œ

˙. (F)

˙.

˙

œ. ≈ Ó 

œ

.

.

( )

π

o

 = 60

œ ‰. Ó 

[very gently shake the spring-drum, producing a quiet, continuous sound]

[E-GUITAR STRING]

Vln. II

œ

[bow changes ad libitum, trying to maintain a continuous sound]

o

[E-GUITAR STRING]

ã

(~ 20")

[bow changes ad libitum, trying to maintain a continuous sound]

floor, producing a low, airy, trembling sound]

 = 144

H

œ

the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the

2

~5"

œ

œ

œ

œ ‰ Ó  ( ) TUPPERWARE ON PLEXIGLASS

Mute

ã

using the tupperware as a pen, write your name (once or twice) very quickly and with a lot of pressure on the plexiglass

F/ f

( )

[tap the strings alternating the 2 fingers irregularly] 2 fingers (thimbles)

& =

put down the bow and prepare the 2 thimbles on the right hand's fingers

Œ

[tap the strings alternating the 2 fingers irregularly] 2 fingers (thimbles)

4

ã

5

ã

1

( ) TUPPERWARE ON PLEXIGLASS

~5"

(~ 5")

(~ 10")

~5"

(~ 15")

ã

~5"

(~ 20")

TUPPERWARE ON PLEXIGLASS the guitar string between your foot and left : [tensing hand, bow the string close to the left hand, producing

Vla. I

E-GUITAR STRING

& Π=

put down the bow and prepare the 2 thimbles on the right hand's fingers

~5"

2

㠜

1

ã

a low, airy, trembling sound]

o

œ F

œ

œ

ã

TUPPERWARE ON PLEXIGLASS

1

ã

TUPPERWARE ON PLEXIGLASS

2

3 4

( )

using the tupperware as a pen, write your name (once or twice) very quickly and with a lot of pressure on the plexiglass

F/ f

Ó

using the tupperware as a pen, write your name (once or twice) very quickly and with a lot of pressure on the plexiglass

F/ f

using the tupperware as a pen, write your name (once or twice) very quickly and with a lot of pressure on the plexiglass

œ

œ

œ

using the tupperware as a pen, write your name (once or twice) very quickly and with a lot of pressure on the plexiglass

F/ f

œ ‰. Ó  ( )

t Ó ( œ) o ( ppp) SP

3

Db

t

AST

SP

AST

œ

œ

œ

[keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

œ ( ppp)

/LWROII 3HWHUV

( )

( )

F/ f ( )

㠜 (F)

‰

Y.

±± . .

Y

Y.

±±

P

‰

Y.

±± . .

SP

‰ Ó œ

( )

Y

( )

poco SP

Y.

Y.

±± . .

P

( )

( )

( )

2

poco SP

F/ f

( )

Vla. II

Cellos

using the tupperware as a pen, write your name (once or twice) very quickly and with a lot of pressure on the plexiglass

œ

TUPPERWARE ON PLEXIGLASS

[E-GUITAR STRING]

( )

( )

2 4

Y.

‰

20 dead wasps in the jam-jar (ii)

I

Libero (= 60) ~5"

(~ 5")

~5"

(~ 10")

~5"

J (~ 15")

simile

(~ 20")

1

2

3 Vln. I

4

S

ã

E-GUITAR STRING

ã

œ

œ

œ

floor, producing a low, airy, trembling sound]

o

F

[E-GUITAR STRING]

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

㠜 (F) 㠜 (F) 㠜 (F)

5

ã

6

ã ( œ) ( pp )

1

(~ 25")

the guitar string between your foot and left :[tensing hand, bow the string around 3/4 of the way from the

147

ã

E-GUITAR STRING

remove the metal mute and the preparation on the violin

E-GUITAR STRING

ã

ã

the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the floor, producing a low, airy, trembling sound] œ œ

o

the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the floor, producing a low, airy, trembling sound] œ œ o F

œ

F

[bow changes ad libitum, trying to maintain a continuous sound]

(~ 30") [bow changes ad libitum, trying to maintain a continuous sound]

[bow changes ad libitum, trying to maintain a continuous sound]

œ the guitar string between your foot and left :[tensing hand, bow the string close to the left hand, producing

2

ã

a low, airy, trembling sound] E-GUITAR STRING

the guitar string between your foot and left : [tensing hand, bow the string close to the left hand, producing

Vln. II

3

ã

4

ã

5

ã

E-GUITAR STRING

~5" 1

(~ 5")

~5"

(~ 10")

~5"

(~ 15")

simile

ã

œ

a low, airy, trembling sound]

o

(~ 20")

ã

œ o

[bow changes ad libitum, trying to maintain a continuous sound]

œ F

(~ 25")

(~ 30")

ã the guitar string between your foot and left :[tensing hand, bow the string close to the left hand, producing

Vla. I 2

ã

1

ã

2

ã

1

ã

2

ã

㜠o

a low, airy, trembling sound]

E-GUITAR STRING

œ

F

Vla. II

Cellos

3

Db

t t

/LWROII 3HWHUV

t

= œ ∏

MSP

AST

œ

[keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

œ

21 dead wasps in the jam-jar (ii)

~5" 153 1

2

3

Vln. I

4

5

S

6

3

simile

(~ 20")

(~ 25")

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

[E-GUITAR STRING]

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

㠜 (F) 㠜 (F) 㠜 (F)

㠜 (F)

(~ 30")

2 4

ã ( œ) ( pp )

㠜 (F) 㠜

[bow changes ad libitum, trying to maintain a continuous sound]

F

[E-GUITAR STRING]

Vln. II

(~ 15")

œ

㠜 (F)

[E-GUITAR STRING]

2

~5"

(~ 10")

[E-GUITAR STRING]

[E-GUITAR STRING]

1

~5"

(~ 5")

㠜 (F)

4

ã

5

S 㠜

the guitar string between your foot and left :[tensing hand, bow the string around 3/4 of the way from the E-GUITAR STRING

ã

œ

floor, producing a low, airy, trembling sound]

o

œ F

[bow changes ad libitum, trying to maintain a continuous sound]

[very gently shake the spring-drum, producing a quiet, continuous sound]

SPRING DRUM

π

o

~5" 1

~5"

(~ 5")

(~ 10")

~5"

(~ 15")

ã

(~ 20")

the guitar string between your foot and left : [tensing hand, bow the string around 3/4 of the way from the E-GUITAR STRING

Vla. I [E-GUITAR STRING]

2

simile

㠜 (F)

1

ã

2

ã

1

ã

Mute

2

ã

Mute

[bow changes ad libitum, trying to maintain a continuous sound]

œ

œ

œ

ã

œ o

œ F

floor, producing a low, airy, trembling sound]

œ

(~ 25")

(~ 30")

2 4

[bow changes ad libitum, trying to maintain a continuous sound]

œ œ

Mute

Vla. II

Cellos

3

Db

SPRING DRUM

t t

S

ã

œ

[very gently shake the spring-drum, producing a quiet, continuous sound]

π

o

?

[very slow glissando. No need to follow the drawing] SP

AST

SP

AST

SP

AST

œ o ∏ [keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

œ ( ppp)

/LWROII 3HWHUV

œ

œ

œ

œ

œ

22 dead wasps in the jam-jar (ii)

 = 54

K 159 [E-GUITAR STRING]

[E-GUITAR STRING]

1

2

ã

2 4

[bow changes ad libitum, trying to maintain a continuous sound] 3/4

˙ (F)

˙ ˙

3

˙ (F)

ã

Vln. I

[E-GUITAR STRING]

[E-GUITAR STRING]

S

4

5

ã

6

ã

3/4

˙

˙

˙ œ

3/4

˙

˙

œ

˙

3/4

˙

3/4

œ

˙ ( )

˙

˙

3/4

˙

˙

œ

œ

˙

œ

œ

top

œ

œ

[bow changes ad libitum, trying to maintain a continuous sound] 3/4

˙

top

[bow changes ad libitum, trying to maintain a continuous sound]

˙

˙ top

˙

˙

˙

( ˙) ( pp )

˙

top

top

˙ (F)

3/4

top

œ

˙ (F)

ã

˙

[bow changes ad libitum, trying to maintain a continuous sound]

top

[E-GUITAR STRING]

top

[bow changes ad libitum, trying to maintain a continuous sound]

˙ (F)

ã

top

3/4

˙

œ

top

œ

˙

˙

3/4

œ

œ

top

˙

œ

( )

( )

3/4

top

œ

˙

˙

˙

( )

( )

( )

3/4

˙

œ

( )

( )

œ

[bow changes ad libitum, trying to maintain a continuous sound]

top

[E-GUITAR STRING]

1

˙ (F)

ã

top

[E-GUITAR STRING]

2

[E-GUITAR STRING]

Vln. II

3

˙

˙ (F)

ã

S [E-GUITAR STRING]

4

ã

˙ (F)

5

ã

( ˙) ( pp )

1

ã

Vla. I [E-GUITAR STRING]

2

ã

1

ã

2

ã

[Mute]

Vla. II

S

2 4

˙

œ

œ

3/4

œ

œ

˙

˙

top

3/4

œ

top

˙

˙

˙

˙

˙

˙

[bow changes ad libitum, trying to maintain a continuous sound]

œ

top

˙

˙

3/4

˙

˙

[bow changes ad libitum, trying to maintain a continuous sound]

top

3/4

[E-GUITAR STRING]

˙

3/4

top

[bow changes ad libitum, trying to maintain a continuous sound]

˙ (F)

ã

˙

3/4

˙

top

œ

œ

3/4

˙

œ

œ

˙

top

˙

˙

˙

˙

˙

˙

( )

( )

( )

( )

( )

( )

3/4

˙

˙

( )

( )

[bow changes ad libitum, trying to maintain a continuous sound]

top 3/4

˙ (F)

˙

˙

( ˙) ( pp )

˙

˙

˙

3/4

˙

[bow changes ad libitum, trying to maintain a continuous sound]

top

˙ (F)

top

top 3/4

˙

œ

œ

top

˙

˙

˙

œ

( )

( )

( )

( )

œ

3/4

˙

˙

˙

˙

( )

( )

( )

( )

3/4

[fast, airy bow, always delicate and legatissimo]

[Mute]

1

[Mute]

Cellos

2

3

Db

?

AST

œ. o

rœ . π

+œ ∏

œ

K



W

3

+œ

3

œ rœ œ π ∏

( )

3

œ.

W

 œ œ

œ +œ +œ œ =œ π ∏ π∏ π ?

ã t t

= SP

AST

AST

œ o

œ

+œ ∏

3

jœ jœ . π ∏

[fast, airy bow, always delicate and legatissimo]

.

yœ π

.

( )

+œ ∏

œ

 œ ‰ o

œ +œ

SP

dœ π

œ ∏ ( )

3

 #œ π

jœ ∏ jœ

o

‰

œ o

AST

( ˙) ( ppp) [keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

˙ ( ppp)

/LWROII 3HWHUV

˙

˙

˙

˙

˙

˙

˙

˙

23 dead wasps in the jam-jar (ii)

168 [E-GUITAR STRING]

1

top

ã ˙ (F)

˙

[E-GUITAR STRING]

2

3

Vln. I

[E-GUITAR STRING]

[E-GUITAR STRING]

S

4

5

6

˙

˙

[E-GUITAR STRING]

1

ã ˙ (F)

˙

˙

˙

2

[E-GUITAR STRING]

Vln. II

˙

˙

˙

œ

œ

3/4

S

4

5

˙

œ

œ

1

ã ˙ (F)

œ

ã ˙ (F)

˙

˙

œ

( )

( )

œ

3/4

œ

˙

œ

˙

˙

2

[Mute]

1

S [Mute]

ã ˙ (F)

˙

œ

3/4

˙

œ

( )

( )

œ

3/4

˙

œ

1

[Mute]

Cellos

2

˙

˙

œ

ã ( ˙) ( pp )

3/4

œ

œ

œ

˙

˙

˙

3/4

˙

˙

( )

( )

( )

Db

˙

˙

˙

˙

( )

( )

( )

œ

˙

˙

˙

3/4

˙

3/4

˙

3/4

3/4

˙ ( )

3/4

˙

o

o top

top

˙

o

Œ

[Mute] VIOLA

˙

ã

B

˙

AST [fast, airy bow, always delicate and legatissimo]

= +œ

ã ( ˙) ( pp )

.

o

( )

[fast, airy bow, always]

œ œ ( ppp)

3

jœ

[fast, airy bow, always]

œ ∏

o

‰

œ

œ

˙

˙

˙

˙

˙

˙

˙

( )

( )

( )

( )

( )

rœ π



3

.

rœ ∏

œ œ π

o

3

jœ + œ + œ π ∏

( )

.

jœ π

œ

o

‰.

[fast, airy bow, always delicate and legatissimo]

+œ ∏

o

œ

œ

+œ



o

( )

yœ ∏

( )

 ‰ œ +œ o ∏

œ π

AST

= œ

˙

( )

+œ.

B

top

3/4

3/4

œ. 

rœ

o

œ. π o

.

+œ ∏

œ. o

+œ ∏

( )

( )

( )

3

+œ +œ n œ ∏π ∏

 œO ‰ .

y œ r œ r ˙O π

#œ

 ‰ œ

( )

o

rœ π

o

( )

# # œO ‰ o

œO

jœ π

œ

o

( )

 O œ œ + œ + œ 3 ∏ p III

( )

≈ Œ

( )

Œ

œ π

rœ ∏

( )

3

3

( )

œ yœ . π ∏

( )

œ 

o

.

 . œO ‰ œ. œ IV ∏ (III)

3

 +œ ∏

#œ π

( )

œ



+œ

∏ π3 dœ

.

π

# Oœ

œ. œ

o

‰.

œ 

( )

o

towards white noise (on the bridge)

3

+œ  π

t ( ˙) ( ppp) SP

3

˙

top

˙ 3/4

˙

œ

ã ˙ (F)

dœ π

œ

top

ã ˙ (F)

?

œ

top

3/4

top

ã ˙ (F)

?

œ

top

Vla. II

2

3/4

top

˙

˙

3/4

Vla. I [E-GUITAR STRING]

˙

top

ã ( ˙) ( pp )

ã ˙

3/4

˙

top 3/4

top [E-GUITAR STRING]

˙

top

top

[E-GUITAR STRING]

˙

top

˙

3/4

3

˙

3/4

top

ã ˙ (F)

㠜 (F)

˙

3/4

top

top

[E-GUITAR STRING]

˙

top

3/4

[E-GUITAR STRING]

top 3/4

t

AST

SP

towards white noise (on the bridge)

[keep moving the bow slowly between AST and MSP, varying the alternation ad libitum]

˙ ( ppp)

/LWROII 3HWHUV

˙

˙

[white noise: bow on the bridge]

O "F "

˙

AST

O

O

O

24 dead wasps in the jam-jar (ii)

L 177 [E-GUITAR STRING]

1

top

top

ã ˙

˙

˙

3/4

˙

top

˙

˙

2

ã ˙

˙

˙

˙

3/4

˙

˙

[E-GUITAR STRING]

3

Vln. I

[E-GUITAR STRING]

[E-GUITAR STRING]

S

4

5

6

1

2

㠜 (F)

œ

˙

Vln. II 3

S

4

5

œ

1

ã

1

S

1

2

3

œ

œ

˙

˙

ã ( ˙) ( pp )

B #œ ã B

3

( )

( )

( )

VIOLA

‰.

[fast, airy bow, always]

œ

o

˙

œ

3/4

˙

œ

( )

( )

& =

œ

˙

œ

œ

œ

˙

˙

˙

˙

( )

( )

( )

+ œo

œ π

jœ o

( )

+œ. ∏

top

œ

3

œ jœ jjœO π ∏

˙

( )

# œO œO œO .. ∏ ( )

≈ . +œ

  ‰ jœO O

o

o

3/4

o

(AST)

jœ . π

AST [fast, airy bow, always delicate and legatissimo]

œ

3

3

œ

 œ π

III

 jœ œ œœ jœ œ . π ∏

œO π

3

II

jœ + + œO o

 œO b œO

3

‰ +œ

π

o

rO

œ.

π

∏

O

O.

nœ 3

O r œO r œO œO

3/4

˙

&

o

˙

˙

˙

˙

˙

( )

( )

( )

( )

( )

( )

œ ∏

AST [fast, airy bow, always delicate and legatissimo] 3

≈  = œ. o

 œ . o

jœ œ + œ π

+ œ œO π

( pp )

o

œ.

∏

[white noise: bow on the bridge]

œ

. œO œ .

rœ œ. ∏ π

3

œ +œ

‰

o

( )

 œ ‰.

( )

œO

d œ n # œO .. ∏ π

jœ . π

( )

? Oœ œ j œ

t

œ

top 3/4

˙

B

ã ( ˙) ( pp )

t

≈

& =

3/4

œO

+ œ = œO π [Mute]

? ( )

œ

top

ã ˙ (F)

Oœ ..

II

π

‰ œ o

Oœ Oœ œO 

œO ..

π

3

(II)

3

 œœO jœ‰

III

 œO ‰ . o

+œ ∏

3

IV

œO # œO o

œ  I

o

œ œO Oœ œO  π 3 œ. ∏

( )

3



π3

∏

jœ

( )

o

3

‰  O +œ œ π

Oœ ..

+œ .

Œ

o

rO

l Oœ lœO n O

l œ O.

dœ

π

œ 



o

# œO

( )

Oœ # Oœ œ 

œ

Oœ ‰ . 

( )

( )

II

œO

3

+œ

π

œO œ .

( )

O

œ

œ

.

jœ

∏ +œ. π

œ o

∏

rœ ∏

œ

III

∏

π3 3

( )

rœ ‰

( )

o

# œO

π

rO . œO

˙

˙

( )

( )

+œ

œ

∏

œ Oœ Oœ œ .

jœ +œ

I

II

&

O.

#œ

3

3/4

= Oœ

(AST)

+ œ = Oœ ..  π

o

+œ o

≈ œO

œ ∏

o

Oœ

π

Oœ + O

jO

O.

( )

Oœ l Oœ ..

O œO

Oœ # Oœ ..

Oœ œ jœ

π

O l Oœ l œO ..

(AST)

œ O r œO

( )

O.

3

 jjœO l œO .. π œ

( )

lO 3

O

 +œ ∏

O

O

O

O

O

O

O

O ( "F " )

O

O

O

O

O

O

O

O

( )

O #œ

O

/LWROII 3HWHUV

∏ nO

poco SP

( )

I

&

‰

(I) l O l Oœ

O F"

"

Db

˙

˙

[fast, airy bow, always]

[Mute]

Cellos

˙

VIOLIN

[fast, airy bow, always]

[Mute]

˙

VIOLIN

ã ˙ (F)

Vla. II

2

œ

˙

Mute

Vla. I

[Mute]

œ

3/4

Mute

o

2

˙

AST [fast, airy bow, always delicate and legatissimo]

[fast, airy bow, always]

[Mute]

œ

top 3/4

top

3/4

[E-GUITAR STRING]

œ

top

top

[E-GUITAR STRING]

˙

˙

ã ( ˙) ( pp )

ã

˙

top

œ

㠜 (F)

˙

top 3/4

top

㠜 (F)

˙

3/4

˙

top 3/4

˙

top

top

[E-GUITAR STRING]

˙

3/4

O

o

‰

3

 rO ‰

25 dead wasps in the jam-jar (ii)

186 [E-GUITAR STRING]

1

top

ã ˙ (F)

˙

3/4

˙

top

˙

˙

[E-GUITAR STRING]

2

3

Vln. I

ã ˙ (F)

˙

4

5

S

6

ã ˙ (F)

œ

˙ œ

ã ˙ (F)

œ

2

ã ( ˙) ( pp )

3

top

˙

˙

˙

3/4

˙

œ

˙

top

œ

˙

˙

3/4

œ

œ

˙

œ

œ

top

bO b n Oœ œO œ

l O lO r O . & O l O l œO œ œ 3 ( pp ) & œO O . ( pp )

˙

œ

( )

( )

O & ‰  π

poco SP

œO + O .

œ

3/4

O O œO # œO # œO œO ‰ b œO œ + jO .

[fast, airy bow, always delicate and legatissimo]

O.

(SP)

(AST)

rO

O r œO r Oœ ..

O

O

O

# Oœ b Oœ ..

œO ..

O  π

‰

3

œO # œO

II

Vln. II

˙

˙

( )

poco SP

[Mute]

˙

3/4

top

˙

˙

œ

( )

( )

( )

œ

3/4

˙

œ

( )

( )

œ

ã

[fast, airy bow, always] (III)

[Mute]

3/4

œ

(II)

1

3/4

top

[fast, airy bow, always]

[Mute]

˙

top

3/4

[E-GUITAR STRING]

˙

top

top

[E-GUITAR STRING]

˙

3/4

O

O l O l œO l Oœ l Oœ r O .

b Oœ

b n Oœ œO

œO + O .

‰

3 poco SP

jœO jœO

3

  n O œO b œO

O œO

O

( )

3

œ.

Oœ

3

r O O r œO r œO O.

(SP) (II)

Oœ ‰. 

rO

π

œO

œO # œO

œO O .

O r œO r Oœ ..

O

3

œO # œO # œO

O

O

O

O # Oœ ..

# Oœ b Oœ ..

œO ..

O  π

(SP)

O l O l œO l Oœ l Oœ 3

(SP)

OO O œO ‰ b œ œ + π O œO

O

( )

O

Oœ

jO .

jœO jœO

Oœ ‰. 

3

 nO

O.

(SP) (II)

π

rO

top

[E-GUITAR STRING]

S

4

5

ã ˙ (F)

ã ( ˙) ( pp )

[Mute]

1

jœO ..

˙

( )

( )

r O O r Oœ &  j Oœ Oœ 

O

O # Oœ ..

[fast, airy bow, always]

Vla. I [Mute]

2

B

( pp ) (SP) O j(III) O. B  ‰ π ( pp )

‰

1

Vla. II

S

2

ã ( ˙) ( pp )

1

Cellos

2

3

Db

& O r œO ( pp ) & t t

π jœO œO jOœ j Oœ O . ( )

[fast, airy bow, always] [Mute]

# Oœ I

&

œO r œO ..

remove the mute

( )

Oœ O œO œO O lO

Oœ

Oœ œO ( )

poco SP

 œO ‰ .

‰.

Oœ

Oœ Oœ ..

(AST)

[fast, airy bow, always]

[Mute]

o ( )

( )

o

[fast, airy bow, always] (AST) (I)

O. B  ( pp )

˙

Œ

poco SP

Oœ

jO . 

B

O O # œO œO 3

Oœ ..

+O

l O l Oœ (SP) (I)

≈ ≈ Oœ œO 

π

O w Oœ j O .

Oœ

Oœ l Oœ .. Oœ ..

≈

O œO # Oœ (O)

O.

(SP) (III)

π

O. 

&

r O O r Oœ 

poco SP

3

#O 

Oœ Oœ œO

O O # œO œO 3

Oœ ..

+ O O w Oœ

Oœ œO  jO .

Oœ

Oœ ..

jœO œO jOœ

Oœ # Oœ Oœ

Oœ

Oœ O œO œO O

( )

O.

jO . 

‰ ≈ O # œO œO π Oœ Oœ œO Oœ .. (SP) (I)

3

( )

( )

( )

( )

( )

( )

O F"

O

O

O

O

O

O

remove the mute

[white noise: bow on the bridge] ( )

 O O o

"

O ( "F " )

O

O

O

O

O

O

O

O

O ( "F " )

O

O

O

O

O

O

O

O

/LWROII 3HWHUV

≈ ≈ l O l Oœ π Oœ œO Oœ  (SP) (I)

3

+ O O w Oœ

26 dead wasps in the jam-jar (ii)

M 195 [E-GUITAR STRING]

[E-GUITAR STRING]

1

2

[E-GUITAR 3 STRING]

Vln. I

[E-GUITAR 4 STRING]

5

S

6

top 3/4

ã ˙ (F)

˙

1

˙

ã ˙ (F)

˙

ã ˙ (F)

œ

˙

2

Vln. II

ã ˙

˙

ã ( ˙) ( pp )

œ

b Oœ

b n Oœ œO

( pp )

 & œO b œO ( pp ) &

4

ã

1

3/4

[Mute]

2

3

œ.

rO

O r œO r Oœ ..

O

( pp )

1

S

1

Cellos

2

3

Db

˙

˙

˙

˙

top

top

˙

3/4

œ

œ

˙

œ

œ

( )

‰ O π

( )

# Oœ b Oœ ..

œO ..

(SP) (II)

3

O r œO r œO œO

œO O .

œO # œO

O

O œO

Oœ

O

O

( )

O

( )

( )

3/4

O l O l œO l Oœ l Oœ r O .

b Oœ

b n Oœ œO

( )

œO + O .

‰

3 (SP) (III)

O O œO # œO # œO œO ‰ b œO œ + jO . π 3

Oœ ‰. 

O.

(SP) (II)

rO

π

jœO jœO

O r œO r Oœ ..

O

3

O

O  π

(SP) (II)

  n O œO b œO O

3

œO .. œ. O œO

O

( )

˙

˙

( )

( )

using the tupperware as a pen, write your name very slowly and with almost not pressure on the plexiglass

o

pp / p

( )

ã

# Oœ b Oœ ..

( )

O l O l œO l Oœ l Oœ r O .

O

O lO . & œ œ. ( pp ) Oœ ..

O œO

# Oœ (O )

O. 

&

( pp )

jO . B 

3

≈

ã ( ˙) ( pp )

j(III) O. (SP)

π

‰

r O O r Oœ 

#O O ≈ O œ œ π (SP) (I)

jœO œO jOœ

Oœ O .

3

O Oœ œO  Oœ

O # Oœ .. Oœ

Oœ œO

Oœ ..

Oœ # Oœ

O

( )

+O

jO . 

‰ ≈ O # œO œO π

≈ ≈ l O l Oœ π (SP) (I)

(SP) (I)

3

Oœ ..

Oœ

Oœ O œO œO

O w Oœ j O .

3

j(III) O. (SP)

≈

π

Oœ œO 

jœO œO jOœ

Oœ

Oœ l Oœ .. Oœ ..

O œO # Oœ ( O) 3

Oœ

O.

Oœ Oœ œO

O. 

3

r O O r œO r œO

œO

Oœ

œO O . O.

(SP) (II)

Oœ ‰. 

‰

r O O r Oœ 

#O O ≈ O œ œ π (SP) (I)

Oœ ..

π

œO # œO rO

3

+ O O w Oœ

t

o

O Oœ œO  jO . 

O # Oœ .. Oœ

Oœ ..

pp / p

Oœ # Oœ

O

( )

(SP)

≈

π

jœO œO jOœ

( )

( )

( )

( )

( )

( )

O

O

O

O

O

O

O

O

O ( "F " )

O

O

O

O

O

O

O

O

O ( "F " )

O

O

O

O

O

O

O

O

‰ ≈ O # œO π (SP) (I)

3

j(III) O.

Oœ

Oœ O œO œO

( )

/LWROII 3HWHUV

O

( )

using the tupperware as a pen, write your name very slowly and with almost not pressure on the plexiglass

&

t

3

œO # œO # œO

O r œO r Oœ ..

( )

& O ( "F " )

b Oœ

b n Oœ œO

3

TUPPERWARE ON PLEXIGLASS

Vla. II

2

˙

( )

[fast, airy bow, always]

[Mute]

˙

o

˙

œO + O .

[fast, airy bow, always]

Vla. I

˙

˙

( )

rO.

&

˙ top

3/4

ã

[fast, airy bow, always] (I)

[Mute]

˙

TUPPERWARE ON PLEXIGLASS

3

5

˙

top

[fast, airy bow, always] (II)

[Mute]

˙

3/4

top

[fast, airy bow, always] (III)

[Mute]

˙ top

3/4

[fast, airy bow, always] (II) [Mute]

top 3/4

Oœ O .

Oœ

27 dead wasps in the jam-jar (ii)

204 [E-GUITAR STRING]

1

top

ã ˙ (F)

˙

3/4

[E-GUITAR STRING]

2

3

ã œ ã

o

Œ

œ 

o

‰

&

&

put down the bow and prepare the 2 thimbles on the right hand's fingers

4

6

㠜 (F)

œ

3/4

( )

ã

˙

œ

( )

( )

ã ( ˙) ( pp )

( )

œO + O .

‰ O π

œO ..

& œO ‰ b œO œO + O π

jO .

&

(SP) (II)

[fast, airy bow, always] (SP) (III)

[Mute]

2

O

O

[fast, airy bow, always]

[Mute]

3

&

4

ã

5

ã

Vln. II

( pp )

O œO

O

( )

1

Vla. I [Mute]

2

( )

1

S

1

Cellos

2

3

Db

( )

( )

˙

o

( )

&

put down the bow and prepare the 2 thimbles on the right hand's fingers

( )

( )

( )

jœO jœO

O

( )

( )

b n Oœ œO b Oœ

O l O l œO l Oœ l Oœ r O .

( )

œO + O .

‰ O π

(SP) (II)

3

3

  n O œO b œO

Oœ

Oœ ‰. 

3

œ. O.

(SP) (II)

π

3

rO

O r œO r œO œO

rO

O r œO r Oœ ..

( )

œO # œO

œO O . O

( )

O

O

( )

# Oœ b Oœ ..

œO ..

( )

( )

b n Oœ œO b Oœ

O l O l œO l Oœ l Oœ r O .

œO + O .

‰

3 (SP) (III)

O O œO # œO # œO œO ‰ b œO œ + jO . π 3

O œO

O

( )

O

( )

Oœ

Oœ ‰. 

( )

jœO jœO

O.

(SP) (II)

rO

π

( )

3

  n O œO b œO

3

O r œO r Oœ ..

3

r O O r œO r œO

œ. O

O

( )

O  π

(SP) (II)

O

O

( )

( )

( pp/p)

jO . & 

≈ ≈ l O l Oœ π [fast, airy bow, always] Oœ œO Oœ œO &  ( pp ) 3 B

Vla. II

2

# Oœ b Oœ ..

( )

( )

Oœ œO

Oœ ..

[fast, airy bow, always]

[Mute]

˙

[fast, airy bow, always] (SP) (I)

[Mute]

˙

( pp/p)

(II)

1

œ

3/4

[fast, airy bow, always]