Iannotta - Trolodyte Angels Clank By by Edition Peters

Contemporary

IANNOTTA Troglodyte Angels Clank By for ampliﬁed ensemble

Score

EP 14323

CLARA IANNOTTA

Troglodyte Angels Clank By for amplified ensemble (2015)

EDITION PETERS LEIPZIG

LONDON

NEW YORK

Commandée par Radio France pour le Festival Présences 2016 Création : le 10 Février 2016 à la Maison de la Radio, Paris

Je tiens à remercier: Justine Mergnac-Hertenstein, Radio France, le Festival Présences et tous les musiciens de l’Ensemble 2e2m ; Chris Swithinbank, pour l’électronique, son aide dans la traduction français-anglais, et pour sa présence ; ma famille, pour le soutien quotidien ; Dorothy Molloy, pour ses poèmes, qui ont inspiré et inspirent ma musique depuis deux ans ; et en particulier, Chaya Czernowin, pour m’avoir aidé, à travers ses magnifiques cours, à sortir d’une période musicalement difficile.

E ffectif / Instrumentation

Flûte en Do + cliquet en métal fixé sur un morceau de bois + waldteufel Flute + metal ratchet fixed on a piece of wood + waldteufel

Clarinette en Sib et clarinette basse + waldteufel (petit) + appeau gelinotte Clarinet and bass clarinet + small waldteufel + gelinotte (grouse) birdcall

Cor + papier aluminium + cliquet en métal fixé sur un morceau de bois (à partager avec la Trompette) + appeau gelinotte Horn + tin foil + metal ratchet fixed on a piece of wood (to be shared with the Trumpet player) + gelinotte (grouse) birdcall

Trompette + cliquet en métal fixé sur un morceau de bois (à partager avec le Cor) + waldteufel + appeau gelinotte Trumpet + metal ratchet fixed on a piece of wood (to be shared with the Horn player) + waldteufel + gelinotte (grouse) birdcall

Percussion 1 : Gong Étouffé

(horizontal sur une table) || Damped Gong (horizontal on a table)

Plaque tonnerre (grande) || Thunder sheet (large) Crotales

sur une grande timbale

Vibraslap (le son ne doit pas être trop long) || Vibraslap (the sound must not be too long) Caisse Claire (avec timbre) avec un egg-vibrateur (low power) || Snare Drum with an egg-vibrator Gong grave -

à frotter avec le bord d’un petit Dobaci || Gong to be rubbed with the edge of a small singing bowl (Dobaci)

Percussion 2 : Spring Drum (grand) Waldteufel (petit) Grosse Caisse || Bass drum Guiro Cymbale médium (18’’) TAM (36’’) Waterphone

Piano préparé avec 3 aimants + scotch + vibrateur + billes + fil de pêche + trombone circulaire en métal Prepared piano (3 magnets + tape + vibrator + marbles + fishing line + circular, metal paperclip)

Harpe (3 cuillères à miel + baguette de triangle pour les glissandos + superball) + waldteufel Harp (4 honey spoons + trianle beater for glissans + superball) + waldteufel + vibrator

Violon 1 + 2 trombone circulaire en métal

|| Violin 1 + 2 circular, metal paperclip

Violon 2 + 2 trombone circulaire en métal + waldteufel || Violin 2 + 2 circular, metal paperclip + waldteufel

Alto + waldteful || Viola + waldteufel

Violoncelle

Contrebasse 5 cordes (scordatura de la 5ème corde accordée une octave une octave inférieure) 5-string double bass (5th string tuned one octave below)

Laptop performer laptop connected to a pair of stereo loudspeakers placed on the ground at the back of the ensemble

I ndications générales

- Les altérations affectent uniquement les notes devant lesquelles elles sont posées, à l'exception des notes répétées. Accidentals apply only to those notes before which they are placed, with the exception of repeated notes.

Bois et Cuivres || Winds and Brass Waldteufel : cet instrument est joué en deux façons || this instrument is played in two ways. Le fil en plastique doit être tendu et le mouvement circulaire || The thread has to be tight and it has to move in circle.\

Le fil doit être attaché et rayer sur la peu de l’instrument || The thread has slide on the skin of the instrument.

Appeau Gelinotte : il peut être acheté ici http://www.qbc.fr/index.php?cPath=23_21&osCsid=4cb45019efa6d2cff5c3cf7396045f26. Il doit être joué en deux façon : mes. 97 (pour la Trompette) — souffler et couvrir/ouvrir le petit trou avec un doit (un peu comme avec la sourdine wa-wa) ; mes. 142-157 (pour Clarinette, Cor, et Trompette) — souffler en laissant toujours le trou ouvert. Gelinotte (grouse) Birdcall: it can be purchased here: http://www.qbc.fr/index.php?cPath=23_21&osCsid=4cb45019efa6d2cff5c3cf7396045f26. It has to be played in two ways: bar 97 (for the trumpet player) — blow and cover/uncover the little hole with a finger (like a wa-wa mute); bars 142-157 (for clarinet, horn, and trumpet player) — blow leaving the hole uncovered.

Préparation de la clarinette basse : couvrir le pavillon de la clarinette avec un papier en plastique très rigide — un papier A4 plastifié suffit. Il devra être fixé avec un trombone. L’effet sonore peut être entendu ici http://heatherroche.net/2014/03/24/on-bass-clarinet-preparations/ Preparation of the bass clarinet: cover the bell of the clarinet with a stiff sheet of paper — a laminated A4 sheet is suitable — fixed with a bulldog clip.

Piano Préparation : Mettre du scotch sur les cordes marquées || Put some tape on the indicated strings Aimantes : (3 Néodyme Cylindriques : hauteur 60mm, diamètre 12mm) : positionner les aimants sur les cordes marquées. Toucher légèrement la pointe des aimants et les laisser vibrer (effet trémolo). Magnets (3 Neodymium Cylinder: 60mm height, 12mm diameter): position the magnets on the indicated strings. Lightly touch the tip of the magnets and let vibrate (tremolo effect).

Trombones circulaires et Fil de pêche : placer les 3 trombones sur 3 cordes de 3 touches (l’un à coté de l’autre, par exemple sol-sol#, et la) dans le registre médium, horizontalement (chaque trombone doit couvrir les 3 cordes de chaque touche), et dans 3 positions différentes. Faire passer le fil de pêche sous ces cordes. || Circular paperclips: put the 3 paperclips on 3 strings of 3 consecutive piano keys in the medium register (e.g. G-G#-A). Place them horizontally (each paperclip has to cover the 3 strings of piano key). Put the fishing line underneath these strings.

Billes : Avant le début de la pièce, mettre 15-20 petites billes dans le piano à la fin des cordes en direction opposée aux touches. Pousser doucement les billes avec les mains (pas toutes ensmble) pour le faire glisser lentement sur les cordes. || Before the beginning of the piece, put 15-20 little marbles inside the piano, at the end of the strings, in the opposite direction of the piano keys. Push gently the marbles with your hands (not all together) to allowthem to slide on the strings.

Vibrateur : Mettre un vibrateur sur les dernières deux cordes du piano dans le registre grave. Le vibrateur doit pouvoir vibrer très doucement. Voici celui conseillé : http://www.amazon.com/gp/product/B00GL50RI8?psc=1&redirect=true&ref_=oh_aui_detailpage_o00_s00 Vibrator: put a vibrator on the last two strings of the piano in the low register. The vibrator has to capable of very low power settings.

Harpe || Harp Cuillères à miel : Positionner 3 cuillères entre deux cordes. La position n’est pas importante, mais la première doit être placée entre deux cordes dans le registre médium, et la deuxième et troisième cuillère dans le registre aigu. L’effet sonore peut être entendu ici http://sites.siba.fi/web/harpnotation/wooden-object-in-strings Honey spoons: place 4 honey spoons between 2 strings. The pitch and the position are not important, but the first has to be places between two strings in the medium register, and the second and third ones in the high register.

Waldteufel : Poser l’instrument sur une base en bois et toucher la peu du waldteufel avec le vibrateur (low power) comme sur l’image. || Waldteufel: place the instrument on a flat wood base and touch the skin of the waldteufel with the vibrator (low power).

C ordes || Strings Violon 1 : Préparer les cordes 1 et 2 avec des trombones circulaire en métal (un AST et un MSP) || Prepare the strings 1 and 2 with circular paperclips (one AST and one MSP)

Violon 2 : Préparer les cordes 2 et 3 avec des trombones circulaire en métal (un AST et un MSP) || Prepare the strings 2 and 3 with circular paperclips (one AST and one MSP)

Pression main gauche : Left hand pressure

Pression main droite :

= presque pas de pression

Right hand pressure

Effet Radio : l’archet doit passer entre les deux doigts. Radio Effect : the bow should pass between the two fingers, continuously vary the bow pressure. The result should saound like radio static moving between frequencies.

Étouffer les cordes et jouer avec une vitesse d’archet très lente. Le son doit être brisé, avec des petits silences à l’intérieur. Un grain à la fois. || Damp the strings and play with a very slow speed of the bow. The sound must be broken, with small silences inside. One grain at a time.

Les trois lignes représentent les trois registres de l’instrument : aigu, médium, grave. Main gauche toujours demi appuyée. The three lines represent the three registers of the instrument: high, medium, low. Left hand always half pressure.

Main gauche : demi appuyée. Main droite : col legno tratto (clt), très peu de pression, près de la main gauche, suivre les mouvements de la main droite (gliss. vers l’aigu=MSP // vers le grave=AST) Left hand: half pressure. Right hand: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the right hand (gliss up = MSP // gliss down =. AST).

Pizz. Fluide : effectuer le pizzicato avec la main gauche. Après avoir pincé la corde, utiliser le bouton de l'archet et parfois le bois de l'archet. Poussez horizontalement avec la main droite, tout comme un bottle-neck pour une guitare. Cette action donne un glissando résultant de la division de la corde et du déplacement du bouton de l'archet. Pizz. Fluide : perform the pizzicato with the left hand. Once you have pinched the string, use the metal button of the bow, and sometimes the wood of the bow. Push horizontally with the right hand, like a bottle-neck for a guitar. This action gives a glissando resulting from the division of the string and moving the knob of the bow.

AST = alto sul tasto T = al tasto PO = posizione ordinaria SP = sul ponticello MSP = molto sul ponticello MV = molto vibrato V = vibrato NV = non vibrato l.b. = legno battuto c.l.t. = col legno tratto 1/2 = 1/2 legno

Amplification : tous les instruments doivent être amplifiés. Pour le piano, prévoir 3-4 dpa 4099 micros et deux micro condenser. Amplification: all the instruments have to be amplified. Amplification for the piano: 3-4 dpa 4099 microphones and a couple of conderser microphens.

Laptop performer/Conductor: The laptop performer (conductor, or other musicians) should have a laptop running a patch for Cycling 74’s Max software that produces sine waves (provided by the composer) connected to a stereo pair of loudspeakers. Numbers above the stave indicate that a change in the sine waves should be triggered by hitting the laptop’s spacebar. The cue numbers match bar numbers, so for example the first cue of the piece is number 13, the second 25, etc.

Instruction on how to play and use the patch will be found in the package provided by the composer/publisher alongside separated parts for the musicians, and explanatory audio files and videos.

clara.iannotta@gmail.com www.claraiannotta.com

Durée : 12’ ca.

aux musiciens de l'Ensemble 2e2m

TROGLODYTE ANGELS CLANK BY for amplified ensemble Score in C Clara Iannotta

Libero [rotation time] RATCHET

Flute

[5/4]

~5"

(~ 5")

~5"

(2015) simile

(~ 10")

(~ 15")

(~ 20")

(~ 25")

(~ 30")

[rotation time]

WALDTEUFEL

Clarinet

ALLUMINIUM

Horn

RATCHET

Trumpet

y= [3/4]

œ P

[gently crumple the tin foil. The sonic result should be very crispy and granulated.]

œ P

[rotation time]

y= [3/4]

~5" GONG damped

Perc. 1

(~ 5")

~5"

simile

(~ 15")

(~ 10")

(~ 20")

(~ 25")

(~ 30")

[slowly scratch the damped gong with a metal brush. The sonic result should be very crispy and granulated.]

& œ ( ) P [rotation time]

WALDTEUFEL

Perc. 2

Piano

Harp

y= [3/4]

ã ã

[scrape the strings vertically and irregularly with the nails, or a plectrum. The sonic result should be very granulated.]

œœ p

[scrape the string vertically and irregularly with the nails, or a plectrum. The sonic result should be very granulated.]

œ P ~5"

Violin 1

Violin 2

Viola

Cello

Double Bass

ã &EJUJPO 1FUFST &1

(~ 5")

~5"

simile

(~ 10")

(~ 15")

(~ 20")

(~ 25")

ª CZ )FOSZ -JUPMGGhT 7FSMBH

(~ 30")

2 TROGLODYTE ANGELS CLANK BY

7 Flute

[5/4]

~5"

(~ 5")

simile

(~ 10")

[ALLUMINIUM]

Horn

Trumpet

Perc. 1

Perc. 2

Piano

Harp

Violin 2

Viola

Cello

Double Bass

rall. molto

(~ 30")

ã ( œ) p (P) [gently crumple the tin foil. The sonic result should be very crispy and granulated.]

ã ( œ) (P) ã ( œ) y= [3/4]

~5"

(~ 5")

simile

(~ 10")

(~ 15")

(~ 20")

(~ 25")

(~ 30")

[slowly scratch the damped gong with a metal brush. The sonic result should be very crispy and granulated.]

& œ ( ) (P) towards a more continuous sound (the thread has to slide on the skin of the instrument

ã ( œ) p (P) y= [3/4]

? &

[scrape the strings vertically and irregularly with the nails, or a plectrum. The sonic result should be very granulated.]

rall. molto

( œœ) ( ) (p)

[scrape the string vertically and irregularly with the nails, or a plectrum. The sonic result should be very granulated.]

( œ) ( ) (P) ~5" ~5" simile (~ 5")

Violin 1

(~ 25")

towards a more continuous sound (the thread has to slide on the skin of the instrument

~5" [GONG damped]

(~ 20")

ã ( œ) y= [3/4]

Clarinet

(~ 15")

(~ 10")

(~ 15")

[register] medium low

(~ 25")

(~ 30")

P h m l

rall. molto

I MSP

m l

[damp the strings with the left hand and play on the indicated string(s) with a very slow bow speed. The sound must be broken, perforated, with small silences inside. One grain at a time.]

I AST II [damp the strings with the left hand and play on the indicated string(s) with a very slow bow speed. The sound must be broken, perforated, with small silences inside. One grain at a time.]

Ï p

III AST IV [damp the strings with the left hand and play on the indicated string(s) with a very slow bow speed. The sound must be broken, perforated, with small silences inside. One grain at a time.] h

ã ã

(~ 20")

III AST [damp the strings with the left hand and play on the indicated string(s) with a very slow bow speed. The IV sound must be broken, perforated, with small silences inside. One grain at a time.] high

m l

Ï p

MUTE

&EJUJPO 1FUFST

rall. molto

I AST II [damp the strings with the left hand and play on the indicated string(s) with a very slow bow speed. The sound must be broken, perforated, with small silences inside. One grain at a time.] h

Ï p

3 TROGLODYTE ANGELS CLANK BY * For the electronics operator: Press the space-bar of the computer to trigger the sine waves (see key page). NB: the numbers above the stave indicate that a change in the sine waves should be triggered by hitting the laptop's space-bar. The cue numbers match the bar numbers, so for example the first cue of the piece is 19, the second 25, etc.

[1257 Hz]

& = * 13

SINE WAVES

~5"

13 Flute

ã ( œ)

Clarinet

ã ( œ) (p)

[ALLUMINIUM]

Horn

~5"

(~ 5")

(~ 10")

simile

(~ 20")

(~ 15")

rall. molto

WALDTEUFEL

[gently crumple the tin foil. The sonic result should be very crispy and granulated.]

rall. molto

ã ( œ) o (P) ã ( œ) ~5"

[GONG damped]

Perc. 1

Perc. 2

Piano

Harp

~5"

(~ 5")

(~ 10")

simile

WALDTEUFEL

[scrape the thread against the skin of the instrument]

(~ 20")

(~ 15")

(p)

rall. molto

( œœ ) ( ) o

WALDTEUFEL

rall. molto

( œ) ( ) o (P) ~5" ~5"

(~ 10")

simile

(~ 15")

rall. molto

[scrape the thread against the skin of the instrument]

(~ 20")

(P)

ã Ê

WALDTEUFEL

o rall. molto

Cello

ã Ê (P) ãÊ (P)

[scrape the thread against the skin of the instrument]

p WALDTEUFEL

o rall. molto

rall. molto MSP

[MUTE]

Double Bass

ãÊ &EJUJPO 1FUFST

(~ 25")

rall. molto

Viola

(~ 30")

& œ ( ) (P)

AST

Violin 2

(~ 25")

[slowly scratch the damped gong with a metal brush. The sonic result should be very crispy and granulated.]

(~ 5")

Violin 1

(~ 30")

[scrape the thread against the skin of the instrument]

rall. molto

Trumpet

(~ 25")

[scrape the thread against the skin of the instrument]

(~ 30")

4 TROGLODYTE ANGELS CLANK BY

[1257 Hz] &

~5"

19 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

Piano

simile

(~ 10")

(~ 15")

(~ 20")

(~ 25")

ã (p)

3 4

(~ 30")

[scrape the thread against the skin of the instrument]

ã (p)

[scrape the thread against the skin of the instrument]

ã (p)

[scrape the thread against the skin of the instrument]

~5" [GONG damped]

(~ 5")

~5"

SINE WAVES

(~ 5")

~5"

& œ ( ) o (P)

U simile

(~ 10")

(~ 15")

(~ 20")

(~ 25")

ã (p)

3 4

(~ 30")

[scrape the thread against the skin of the instrument]

? ã (p) ?

[scrape the thread against the skin of the instrument]

Harp

~5" Violin 1

Violin 2

Viola

Cello

[MUTE]

Double Bass

(~ 5")

~5"

U simile

(~ 10")

(~ 15")

ã ã (p)

(~ 20")

(~ 25")

(~ 30")

[scrape the thread against the skin of the instrument]

ã (p)

[scrape the thread against the skin of the instrument]

ã ã

&EJUJPO 1FUFST

3 4

5 TROGLODYTE ANGELS CLANK BY

[1248 Hz] [1257 Hz]

25 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

Piano

Harp

3 4

‚

( ‚ ‰.

[beating between the two frequencies]

‚

( ‚ ‰.

)

‚

( ‚ ‰.

= 60

3 4

Violin 2

METAL MUTE

Viola

WOODEN MUTE

Cello

WOODEN MUTE

[MUTE]

)

SINE WAVES

Violin 1

Double Bass

METAL MUTE

&EJUJPO 1FUFST

)

simile

6 TROGLODYTE ANGELS CLANK BY

SINE WAVES

31 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

Piano

Harp

Violin 1

[METAL MUTE]

Violin 2

[WOODEN MUTE]

Viola

[WOODEN MUTE]

Cello

[MUTE]

Double Bass

& = P

‰.

ã ã

[METAL MUTE]

CROTALE on TIMPANI

:[with bow] #%

ã ã

& =

‰ O O ~ o

[fast bow, flautando] T [bright sound]

IV ‰ œO œO

& = ?

= B

O. p

%O .. p

%O ..

[bright sound] poco SP [fast bow, flautando] I

&EJUJPO 1FUFST

poco SP [fast bow, flautando] [bright sound] IV ( )

OO .. %. p

OO ..|v %. 15

poco SP [fast bow, flautando] 15 [bright sound] III

%rO .. o

%O .. p

T [fast bow, flautando] 15 [bright sound]

# #ÇœO .. o

%O ..

7 TROGLODYTE ANGELS CLANK BY

SINE WAVES

37 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

Piano

Harp

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

[WOODEN MUTE]

Viola

[WOODEN MUTE]

Cello

[MUTE]

Double Bass

& O. (p)

& %O .. (p)

%O ..

OO .. & %. (p)

OO .. %.

OO œ

? %O ..

%O ..

(p)

. B %O .

&EJUJPO 1FUFST

( )

%O ..

OO ‰ Œ œ o

œO

( )

œO ..

O ‰. o

Œ %O ..

8 TROGLODYTE ANGELS CLANK BY 48

SINE WAVES

43 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

Piano

Harp

[METAL MUTE]

Violin 1

& V

[METAL MUTE]

Violin 2

O .. & %O .. % (p) [slow, medium-large glissando]

[WOODEN MUTE]

Viola

[WOODEN MUTE]

Cello

[MUTE]

Double Bass

%O ..

œO

& ? B

&EJUJPO 1FUFST

O O .. O %O œ œ % [slow, medium-large glissando]

%O ..

9 TROGLODYTE ANGELS CLANK BY 50

SINE WAVES

49 Flute

Clarinet

Horn

Trumpet

Perc. 1

CROTALE on TIMPANI

& =

:[with bow] #%

p[soft beater] n œ Ó CROTALE & ‰ on TIMPANI =

œ ‰. p

P Œ

( )

Perc. 2

Piano

Harp

[METAL MUTE]

Violin 1

WATERPHONE

CORDIERA (on the strings)

Violin 2

[WOODEN MUTE]

Viola

[WOODEN MUTE]

Cello

[MUTE]

Double Bass

l.v.

BASS DRUM

[gently bowing the strings using the fishing line in the directions indicated.]

T T T

% p simile

% (p)

p[soft beater] ‰ œ- Ó Œ

# O& ‰ # œç Ó = p

‰ œœ

l.v.

-O Ó & ‰ = p IV

O %O & œO œ

%O ..

& ? B

&EJUJPO 1FUFST

%O ..

œO

SP [seagull effect using an artificial harmonic of 4th starting as high as possible]

>O —

( )

III

‰ Ó œ + = ?

[glissando using a tuning key]

[superball on the strings]

u ? = # %% p

V [METAL MUTE]

[with bow] : o

[pizz.] IV

SP [flautando]

‰ O & = œ- Ó p SP [flautando] - I O ‰ Oœ Ó & = II p SP [flautando] III ? ‰ œO Ó = p SP [bow] I - [flautando] # # œO B ‰ Ó = p SP [flautando]

10 TROGLODYTE ANGELS CLANK BY

SINE WAVES

55 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

[CORDIERA]

Piano

ã Œ ?

(°)

Harp

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

[WOODEN MUTE]

Viola

[WOODEN MUTE]

Cello

[MUTE]

Double Bass

% (p)

& & & ? B

Take the mute off

&EJUJPO 1FUFST

11 TROGLODYTE ANGELS CLANK BY

SINE WAVES

61 Flute

Clarinet

Horn

Trumpet

Perc. 1

CROTALE on TIMPANI

& =

:[with bow] #%

œ ‰. p

P Œ ( )

Perc. 2

[CORDIERA]

Piano

Harp

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

[WOODEN MUTE]

Viola

WATERPHONE

ã Œ ?

(°)

[with bow] : o

(p)

[superball on the strings]

u = # %% p ?

‰ œœ

l.v.

& & &

Take the mute off SP [seagull effect using an artificial harmonic of 4th starting as high as possible]

>O —

( )

[WOODEN MUTE]

Cello

Double Bass

? B

III

P + [pizz.] IV œ + t ‰ Ó = % . V Ø AST

&EJUJPO 1FUFST

Take the mute off

12 TROGLODYTE ANGELS CLANK BY 67

67 Flute

Clarinet

Horn

Trumpet

THUNDER SHEET

Perc. 1

BASS DRUM

Perc. 2

[CORDIERA]

Piano

Harp

SINE WAVES

( )

œ ‰

[slowly scratch the thunder sheet with a metal brush. The sonic result should be very crispy and granulated.]

p[soft beater] ã œ ‰ Ó

ã Œ ?

(°)

(p)

œ- ‰ %

. .

( ) ±±

. .

( ) ±±

±± . .

AST

I T + + OO

( )

Violin 2

* T & + + OO ..

( )

AST

[METAL MUTE]

[almost no bow pressure]

((++ OO ))

( )

. .

III

:I Viola

I II III IV

%% ..

1/2 legno [behind the bridge]

? ‰ Ó +œ

IV [pizz.]

Cello

Double Bass

[almost no bow pressure]

Violin 1

‰ œ- Ó

always harmonic pressure glissando ( )

[METAL MUTE]

œ ( pppp )

‰ Œ œ o

*= always as legato as possible. &EJUJPO 1FUFST

%% .. ‰ +œ œ Ø

+(+ OO ) ( ) ( + OO )

%% .. ?

‰ ‰

‰ Ó œ o

±± . .

( )

±. ±.

( )

%% .. Ó +œ

œ. Ø

. ( + Oœ) œ . ( ) ( + Oœ) œ

±±

( )

%% ..

+( Oœ) .

± œœ

73 Flute

Clarinet

Horn

Trumpet

Perc. 1

Perc. 2

[CORDIERA]

Piano

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

Viola

Cello

Double Bass

RATCHET

3 8

RATCHET

2 4

[4/4]

7 16

[rotation time]

, 38 ã

2 4

> Œ p

7 16 CROTALE on TIMPANI

( ppp )

3 œœ

œ 3

œ œ

>¿ not too fast

& =

U %% .. U

& =

‰ Œ p

7 16

p[soft beater] ‰ œ- Œ ã > Œ GUIRO ã . p [guiro effect] >. ¿ Œ & = P

[gguiro effect : glissando P.d.ch. using nails or a plectrum.] ( )

not too fast

œ Œ P 3

œ. œ.

2 4

% %

7 16

( )

>¿ . P

œ œ

œœ . .

œœ

œœ ..

œœ

Œ >. p

> . p

[guiro effect]

not too fast

4 8 ±±

7 16

œœ ..

. . œœ . .

( )

%% . .

4 p8 nœ

not too fast

l.v.

U %. %.

o œœ Œ <P

BASS DRUM

Honey spoons between the strings

&EJUJPO 1FUFST

œ Œ P °

((AST)) ( T) I ± œ. & ±. & œ) T II (p) (AST) (II) ( ) (T) & %% .. ( ) (III) T (p) (1/2 legno) %% .. I

CORDIERA (on the strings)

Magnets

& =

[gguiro effect: glissando using nails or a plectrum on the strings in the last fifth of the high register (prepared with tape).]

ã %.

WA-WA MUTE

[soft beater]

p-[soft beater] œ Œ

BASS DRUM

[scrape the thread against the skin of the instrument]

[rotation time]

TRUMPET

VIBRASLAP

7 16

4 8

[scrape the thread against the skin of the instrument]

y= [6/4]

II III IV

= 96

WALDTEUFEL

[share the Trumpet's ratchet]

(°)

Harp

, F

TROGLODYTE ANGELS CLANK BY

(

+O . +( O . ))

±± ± . œ.

. ( +O ) œ . ( + O)

œœ ..

œœ

14 TROGLODYTE ANGELS CLANK BY 83

Clarinet

VIBRASLAP

Perc. 1

BASS DRUM

Perc.

Piano Magnets

Harp

CLARINET in B b

‰ Œ ã œ

Violin 1

[METAL MUTE]

Violin 2

( )

& > Œ p

p[soft beater] ã œ- Œ

œ Œ ã 3 P ° ã

(±T) ( )

& ( œ) T (II) (p)

Double Bass

SNARE DRUM [turn on the vibrator on the snare drum]

BASS DRUM

±.

œ.

± œ

± ±

œœ

œœ ..

œœ

? ‰ +œ

‰.

( T) & (T ) (III) ( p ) (II)

I II III IV

( ppp )

AST

œ Ø

&EJUJPO 1FUFST

œ.

±.

( )

. .

( )

IV [pizz.]

Cello

O- ‰ o

[breath sound]

HORN

3 4

œ Œ ã 2 P

(1/2 legno)

Viola

œ O. P-

(I) [METAL MUTE]

& =

œ. ±. ±.

( )

œœ ..

‰ œ o

( )

± œ

( )

± ± œœ

Magnets

Honey spoons

±. œ. ±. ±. œœ ..

œ Œ P

‰ Œ

œ Œ P

‰ Œ

l.v.

2 4

±. ±. ±. %% ..

p[soft beater] œ- ‰ Œ P

œ p

c.l.t.

œ O. pO-

% ‰

œ- ‰ p

¿¿

c.l.t.

¿ ¿

¿¿

IV [pizz.]

V AST

‰ +œ %

( )

¿¿

‰ = +œ

¿¿

O- ‰ o

c.l.t.

œ- O . P

% p

3 4 . ±

[muffled attack = very gentle attack mixed with a lot of air using the "tongue-on-reed" technique.]

rall. molto

l.v.

Honey spoons

2 4

[rotation time]

Trumpet

= 60

ã œ ‰ .

y= [6/4]

Horn

3 4rall. molto

[4/4]

[rotation time]

Flute

SINE WAVES

‰ +œ %

15 TROGLODYTE ANGELS CLANK BY

87 Flute

Clarinet

Horn

Trumpet

[SNARE DRUM]

Perc. 1

[BASS DRUM]

Perc. 2

ã &

[muffled attack]

œ O. p-

ã O ‰ o

& % (p)

Piano

Harp

‰

Violin 1

[METAL MUTE]

Violin 2

(¿T) & ¿ (T) (II) ( p ) (c.l.t.) (II) ( ) ¿T ¿ ( & T) (III) (p) (I)

¿¿

I II III IV

( ppp )

? ‰ +œ IV [pizz.]

Cello

Double Bass

œ- ‰

O- ‰ o

‰

% Œ

œ- ‰

œ O. O- .

( )

% Œ

‰

( )

& =

œO

% œ- Œ

% œ-

œ O. -

O- ‰ Œ o

œ- ‰ Œ

(c.l.t.)

Viola

œ O. -

(c.l.t.)

[METAL MUTE]

O- ‰ o

[with vibrator]

ã œ p

œ O. -

% ( ppp )

&EJUJPO 1FUFST

¿¿

¿ ¿

¿¿

‰ +œ %

‰

Œ +œ

Œ %

+œ

? ‰ Œ = œ +

16 TROGLODYTE ANGELS CLANK BY

94 Flute

Clarinet

Horn

Trumpet

ã & ‰ =

& ã

œ O. -

( ) ‰ O-

FLUTE

‰

& =

‰

GELINOTTE

CROTALE on TIMPANI

& =

[BASS DRUM]

Perc. 2

(p)

O- ‰ o

Harp

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

Double Bass

( ) ± .

3 :[with bow] 4 #%

l.v.

%. ( )

: o [with bow]

‰ œ- Œ

WATERPHONE

‰

CORDIERA (on the strings)

[gently bowing the strings using the fishing line.]

[superball on the strings]

(¿T) & ( ¿) T (II) (p) (c.l.t.) (II) ( ) ¿¿T & (T) (III) (p) (c.l.t.) (I)

I II III IV

¿¿

U ¿¿

¿¿

( ppp )

¿¿

u ? = # %% p

? t

&EJUJPO 1FUFST

±± . .

3 4 +O

(O )

+O (p)

(I)

‰ %

Œ +œ

(II)

+ + OO .. (III) ( p )hair

(AST) hair [almost no bow pressure]

(II)

bow from beyong the bridge to ordinary position

IV [pizz.]

= %

((++ OO ))

( )

[flautando]

( )

(p)

O lœO l Oœ Oœ 5

l O . l Oœ

>O of 4th starting as high as possible] III —

[seagull effect using an artificial harmonic

( )

. .

( )

% ( ppp )

(AST) hair [almost no bow pressure]

( )

Cello

( )

(c.l.t.)

Viola

[blow and cover/uncover the end of the instrument with one finger (like a wa-wa mute)]

Piano

[breath sound]

Perc. 1 [with vibrator]

O. p

œ O. -

[whistle tones]

[muffled attack]

& =

& [SNARE DRUM]

3 4

Oœ n O .

O n œO ..

17 TROGLODYTE ANGELS CLANK BY

100 Flute

Clarinet

Horn

[GELINOTTE]

Trumpet

[SNARE DRUM]

Perc. 1

Perc. 2

[CORDIERA]

Piano

Harp

& O (p)

Violin 1

Violin 2

Cello

Double Bass

(—) Ó & o

ã %. (p)

[with vibrator]

ã ã %. (p) ã (°)

. .

(p)

. . & (p) (II)

(III)

Viola

(II)

[METAL MUTE]

(I) [METAL MUTE]

( )

( ) ±± ( ) ±±

( + OO )

œO O O

(I)

((+ + OO ))

O ‰. o

±± . . ±. ±.

( )

. ( + Oœ) œ . ( ) ( + Oœ) œ

±±

( )

(+ Oœ) .

± œœ

& =

œ. ±.

3 œœ œ 3

œ œ

%% . .

WOODEN MUTE

? t

(AST)

%. ( ppp )

&EJUJPO 1FUFST

18 TROGLODYTE ANGELS CLANK BY

~10"

106

= 96

3 4 %. %. &

Flute

Clarinet

& d %% =

Horn

Trumpet

Perc. 1

ALLUMINIUM

3 4

BASS DRUM

Harp

SPRING DRUM

pœ ‰ Ó P

Magnets

(°)

Œ . % . o p œ ‰ Ó Honey spoons ã 1 P ( ) O œ œ œ O AST O ( ) 3 3 T± — ±± . ± —— ±± 4 I +O ± — . . œ œ . & +O = 3 IIT P P O œ O œ O p [scrape the string vertically and irregularly with the nails, or a plectrum.]

Violin 2

[WOODEN MUTE]

Viola

Cello

+ O. r O. & j O. = p

& ? t

(

—— œ œ

âââ

OO . . O.

RADIO EFFECT SEV.

œ œ P

finger 1

: finger 2

(AST)

œ ( ppp )

&EJUJPO 1FUFST

œœ œ œ œœ œ

c.l.t.

III IV

œ œ

OO . . O.

œ œœ œ œ œœœ œ

œ.

œ. œ.

œœ œ

±±

( )

OO . . O.

œ œ œ œ œ. œ. œœ

[Left hand: half pressure. Right hand: col legno tratto (clt), very little pressure, close to the left hand, follow the movements of the left hand (glissando up = MSP // glissando down = AST).]

œ % œ % p

— —

[bow passing between the fingers changing continuously the pressure. See key page to understand exactly the technique] III-IV

Take the mute off

( )

)

±. ± œœ ± . ±

[circular bow passing from AST to MSP and viceversa]

(hair)

Double Bass

O +T

& +O = III T I II III

)

——

AST [METAL MUTE]

( )

œ ‰ Ó P

% . . . p

[scrape the string vertically and irregularl with a plectrum. The sonic result should be very granulated.]

~10" Violin 1

œ ‰ .. Ó

(

[METAL MUTE]

%% ..

OFF

Perc. 2

%% ..

% . P

ã œ (p)

%% ..

[gently crumple the tin foil. The sonic result should be very crispy and granulated.]

Piano

œœ

~10" [SNARE DRUM]

%% ..

œ œ œ œ œ

œ œœ.

( )

19 TROGLODYTE ANGELS CLANK BY

111 Flute

Clarinet

[ALLUMINIUM]

Horn

RATCHET

WALDTEUFEL

y= [6/4]

‰.

[rotation time]

[4/4]

œ rall. molto

[rotation time]

œ rall. molto

ã ( œ) (P) [WA-WA MUTE] o y=

+% . rall. molto [rotation time] % œ œœ RATCHET œ TRUMPET & ã Ó & = p <P beater] p[soft n œ> ‰ ‰ Ó CROTALE Ó VIBRASLAP ã & & on TIMPANI = P p P

[5/4]

Trumpet

Perc. 1

Perc. 2

S Piano

BASS DRUM

Ó ( )

GUIRO

ã ã

CORDIERA (on the strings)

(°)

Harp

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

# O& # œç ‰ Ó = P

œ. & œ. (II) (p) (I)

(II) ± ± & (III)

[WOODEN MUTE]

Viola

O. & OO .. (p) (â

ââ)

œ : œ finger 2 œ (P)

[RADIO EFFECT SEV.] finger 1

Cello

Double Bass

t .

&EJUJPO 1FUFST

±± ±

+O œ + O ..

—— P

+ + œœ

( )

œœ œ œœ

‰.

±.

œ.

. slowly

P slowly > . [guiro effect] ¿ ‰. P

O —— —— —— . .

‰.

OO . . O.

œ œ œœ. œ

& Ó =

[glissando using a tuning key]

pœ

‰.

. slowly ¿ > P

[guiro effect]

+O œ + O ..

O O

œœ p

%% . .

+O. (+( O .))

OO . . O.

œ œ

% %

œ œ

( )

œ ‰ Œ œ o

±± . .

( )

. . OO . . O.

((++ OO ))

( )

. . . . OO . . O.

( ) ±± ( ) ±±

20 TROGLODYTE ANGELS CLANK BY 119

122

SINE WAVES

rall.

117 Flute

Clarinet

[ALLUMINIUM]

Horn

Trumpet

Perc. 1

Perc. 2

Piano

rall. molto

~ 12"

ã ( œ) Ó ( )

( œ) rall. molto

(P)

ã ( œ)

rall. molto

rall.

beater] p[soft n œ ‰ Ó CROTALE & on TIMPANI = p

, 34

~ 12"

, 34

ã [play the indicated key and slide the magnet along the string at the same time]

‰ ‰ & œ ‰ Œ = P ‰ 2œ Œ Œ Magnets ã p °

& ã

# O& # œç ‰ Ó = P Œ ‰ 3œ Œ Honey spoons ã p O œ O 3 I ± œ. œ œ œ ( ) & . —— = ±. (+ Oœ) ( + Oœ) œ . œ œ œ II 3 p P [glissando using a tuning key]

Harp

[METAL MUTE]

Violin 1

[METAL MUTE]

Violin 2

& ã

+(+ O ) & ( O) (p) & ( + OO )

±. ±. ±. ±.

(p)

[WOODEN MUTE]

Viola

Cello

(â â â )

O. & OO .. (P) ?

(

( )

( ) ( + Oœ) œ

( )

OO . . O.

( )

œ œ œ œ œ p

œ : finger 2 œ

III-IV

finger 1

±.

. — œœ P

&EJUJPO 1FUFST

hair

& =

œœ

~ 12"

%. %.

‰ Œ

[bow close to the finger]

Double Bass

rall.

)

OO . . O. RADIO EFFECT SEV.

œ œ œ.

Take the mute off

U Take the mute off

œ œ œ . œ œ œœ œ ±.

( )

±.

( )

œ. Œ œ.

± ‰ Ó o

U U

, 34

21 TROGLODYTE ANGELS CLANK BY 127

SINE WAVES

3 4

123 Flute

= 96 [increase, gradually, the speed]

[speed]

start too slow] œ[don't [increase, gradually, the speed]

Clarinet

MUTE "SONS BOUCHÉS"

Horn

œ P [speed] [don't start too slow]

? #% æ

œ æ p

Trumpet

%. æ

œ œ bœ œ nœ Ó @@ @ @ @ 5 P

# œ œb œ œ n œ Ó @ @ @@ @ 5 p [WA-WA + o+ MUTE] œ œœœ œ ‰ & = p

? #œ = æ o @+ œ

œ #œ œ œ æ @@æ o + œ bœ ‰ Œ <P

( )

sub.

GONG

Perc. 1

SPRING DRUM

Perc. 2

Piano

Harp

3 4

[scrape the edge of the gong with a small singing bowl. The sonic result should be extremely metallic.] [pressure]

œ p

( )

âââ

slowly

( )

sub.

slowly

— . — .

fast

œ ‰ Ó p ° [whistle sound] œ . l.v. ? Ó = P

Magnets ã

[scrape the strings vertically and irregularly with the nails, or a plectrum. The sonic result should be very granulated.]

fast

œ P p

sub.

( )

— — ( )

[scrape the string vertically and irregularl with a plectrum. The sonic result should be very granulated.]

[gradually increase the pressure of the singing bowl in order to get more distortion.]

Honey spoons

œ Œ p

œ2 Œ

‰ 3œ Œ p

? bœ b œœ œ O p AST ( ) 3 ±. . —— I ±. 4 +T O ( + Oœ) œ . + & & = TO II o p P ( )

Violin 1

Violin 2

& = [bow close to the finger]

Viola

RADIO EFFECT SEV.

Cello

Double Bass

±.

I [bow passing between the fingers changing continuously II the pressure. See key page to understand exactly the technique]

%. : %. finger 2 p SP . I ± t finger 1

&EJUJPO 1FUFST

% %

±.

±. œ œ œ

œ œ œ. ±.

±. œ œ œ. œ œ œ.

œ œ

±.

œ œ œ œ.

œ œ œ œ œ œ œ ±.

I II

±. œ. œ.

( ) ‰ +T Oœ œ III T

AST

[damp the strings with the left hand and play with a very slow bow. The sound must be broken, perforated, with small silences inside. One grain at the time.]

œ œ œ œœ% ±.

22 TROGLODYTE ANGELS CLANK BY 130

SINE WAVES

134

129 Flute

Clarinet

[MUTE SONS BOUCHÉS]

Horn

[WA-WA MUTE]

Trumpet

[GONG]

Perc. 1

Perc. 2

Piano

[slowing down to one grain at the time.]

ã ( œ) ã ( œ) (P) ? œ æ ( ppp ) & Œ

œ œ# œ œ œ Œ @@ @ @ @ 5

+ o œ bœ Œ < p

? %. = æ

%. æ

+ o œ œœœ œ & ‰ = p

ââ)

slowly

— ( ) fast

& Magnets

(°)

— — — — fast

œ ‰. @ o

Œ bœ ‰. o

ã ( œ) (p) P

o@ + %.

sub.

ã ( œ) (p) (â

œ æ

œ ‰ 3œ ‰ p 2

slowly

œ ‰ Ó

[whistle sound] œ. œ . l.v. ? Ó Honey spoons ã Ó 1œ ‰ ã Œ ? Œ = P P Harp p ? (b b œœœ) ( ) o (p) ( ) O œ œ O œ O O O 3 ( ) I ± œ. œ œ œ 3 ( ) & ± — ±± . ± —— ±± = ±. ± — . O œœ %% (+ Oœ) . œ œ . Violin 1 œ œ œ ++ O & 3 II 3 p P p P p O œ O œ ( ) ( ) — —— —— œ œ ± . ±± ±± — . — ±. œ œ Violin 2 œ. œ œ % œ O & % œ. œ œ œ % œ ++ O P p p P MSP ( ) ( ) ( ) ( ) ± ±. ±(III) O± ( ) Ï ( ) ã Viola III (I-II) II-III # # %O (p) P3 p [RADIO EFFECT SEV.] finger 1 % . œ œ œ œ œ œ œ. œ œ œ œ œ œ. œ œ œ œ œ. Cello : %. œ œ œ. œ œ œ œ œ. œœ% œ. œ œ œ. œ œ œ œ œ finger 2 (p) ±. ±. ±. ±. ±. ±. t Double Bass ( pp ) [whistle sound] l.v.

(

&EJUJPO 1FUFST

)

(

)

( )

23 TROGLODYTE ANGELS CLANK BY SINE WAVES

135 Flute

[slowing down to one grain at the time.]

= 60

[increase, gradually, the speed]

ã ( œ) [increase, gradually, the speed]

Clarinet

[MUTE SONS BOUCHÉS]

Horn

Trumpet

ã ( œ) (P) ?

& =

‰ œ

‰. bœ % o

& =

PRACTISE MUTE

%. ƒ

[gradually increase the pressure of the singing bowl in order to get a lot of distorsion.]

ã ( œ) (p) ã (â

[GONG]

Perc. 1

Perc. 2

Piano Magnets

ââ)

SNARE DRUM

— ( )

slowly

fast

ã ( œ) (p) P &

ã Œ

(°)

Harp

? Œ ?

Violin 2

Viola

[RADIO EFFECT SEV.]

Cello

Double Bass

œ. & œ. (II) (p)

(II) — ±± — & (III) P ..

& finger 1

: finger 2 t

Vibrator (low register)

(p)

±.

( pp )

&EJUJPO 1FUFST

œ ‰ Ó o

% on the snare drum]

%. p

[turn on the vibrator

O œ ++O .. + + œœ

( )

œ œ œ œ œœœ

—— —— —— . .

%% . . ( )

+ ..

+ OO

P p P

l.v.

CYMBAL

œ ‰ P 3

— —

( )

p F P

œ œ œ œ œ œ œ. œ œ œ œ œ œ.

±.

[pressure]

‰ œ p

[put the waldteufel on a flat surface and gently touch the top of the instrument with the vibrator to get a sort of ricochet sound.]

œ [turn the vibrator ON] P ON

III

—

— — — —

—

ƒ I

—.

( )

ƒ ( ) I — ƒ

%. %. f

±.

[scrape the cymbal with a wooden beater (the one used for snare drums]. The sonic result should be a distorted sound consisting of high, screeching partials. Change the pressure to have more or less distortion.]

%. p

( )

—— —— —— . .

WALDTEUFEL

Honey spoons

±± ±

%. ƒ

fast

Œ 2œ ‰ p œ. P

— — — —

[whistle sound] l.v.

(I)

Violin 1

œ ‰.

—.

( ) — —

— — — — .

— — — —

— — .

—

( )

—.

( )

——

—

—.

——

%. %.

œ œ

±.

œ.

œœ œœ

24 TROGLODYTE ANGELS CLANK BY SINE WAVES

141 Flute

Clarinet

Horn

GELINOTTE

Trumpet

ã ( œ) ã ( œ) o (P) &

GELINOTTE

ã Œ

Perc. 1 [SNARE DRUM]

ã ( œ) (F) [with vibrator] ã %. (p) (â

[GONG]

[blow leaving the hole uncovered, to produce a flat, continuous sound.]

ââ)

[blow leaving the hole uncovered, to produce a flat, continuous sound.]

œ F

œ œ œ F

%. %.

[pressure]

[CYMBAL]

Perc. 2

Piano Vibrator

ã ( œ) (p)

ã %. (p) (°)

ã ( œ) (P) ã [with vibrator]

Harp

Violin 1

Violin 2

& &

— — — . ( ff )

—.

— —

( ff )

—.

( ff )

œ œ : œœ% finger 2

[RADIO EFFECT SEV.] finger 1

Cello

Double Bass

(f)

±.

(f)

&EJUJPO 1FUFST

— —

—

( )

— —

—

( )

—.

— — — .

—

—.

( )

— — — —

( )

Viola

— — — .

— — .

( ) — —

— . — .

—.

( )

— —

—

( )

( ) — — —

—

— .

— —

—

œ œ

œ œ œ œ.

—.

( )

— .

— —

œ œ œ œ œ œ œ

œ. œ.

—

œ œ œ œ œ ±.

œ. œ.

œ œ œ —

( )

œ.

œœ œœ — —

%. %. —

—.

— —

±.

25 TROGLODYTE ANGELS CLANK BY 151

SINE WAVES

rall. molto

147 Flute

Clarinet

[GELINOTTE]

Horn

[GELINOTTE]

Trumpet

‰ Œ œ ( ) ã ã

GELINOTTE

ã %. (F)

ã %. (F) ã ( œ) (F) ã %. ( p ) [with vibrator] (â

[GONG]

Perc. 1 [SNARE DRUM]

[CYMBAL]

Perc. 2

Piano Vibrator

[blow leaving the hole uncovered, to produce a flat, continuous sound.]

%. F

ââ)

ã ( œ) (F) &

ã %. (p) (°)

ã ( œ) (P) ã [with vibrator]

Harp

Violin 1

Violin 2

Viola

[RADIO EFFECT SEV.]

Cello

Double Bass

& & &

— . ( ff )

—.

— — — .

—

— —

—.

( ff )

( ) — — —

( ff )

œ œ : œœ% finger 2 finger 1

±.

&EJUJPO 1FUFST

— —

—

( )

— — .

( ) — —

— —

—

— — — —

— — — .

—

—.

( )

—.

—

— —

( )

— .

— —

( )

—.

— .

%. %.

—.

œ œ œ œ œ ±.

œ. œ.

œ œ œ œœ% ±.

26 TROGLODYTE ANGELS CLANK BY SINE WAVES

153 Flute

[GELINOTTE]

Clarinet

[GELINOTTE]

Horn

[GELINOTTE]

Trumpet

Perc. 1 [SNARE DRUM]

[CYMBAL]

Perc. 2

Piano Vibrator

= 50

ã ã %. (F)

ã %. (F)

ã %. (F) ã

ã %. ( p ) [with vibrator] ã ( œ)

Œ œ ‰ Œ o

ã %. (p) (°)

ã ( œ) (P) ã [with vibrator]

Harp

—.

—

( )

Violin 1

Violin 2

—.

( )

Viola

Cello

Double Bass

( )

—

( )

? t &EJUJPO 1FUFST

AST

= %. V

27 TROGLODYTE ANGELS CLANK BY SINE WAVES

M Libero ( = 60) ~5"

159 Flute

Clarinet

Horn

Trumpet

Perc. 1

ã %. (p)

[with vibrator]

[SNARE DRUM]

Perc. 2

Piano Vibrator

(~ 5")

~5"

(~ 5")

simile

(~ 10")

(~ 15")

(~ 20")

(~ 10")

(~ 15")

(~ 20")

simile

ã &

ã ( % .) (p) (°)

ã ( œ) (p) ã [with vibrator]

Harp

~5" Violin 1

Violin 2

Viola

Cello

Double Bass

simile

(~ 10")

(~ 15")

(~ 20")

[the bow follows the movements of the left hand] c.l.t. (MSP) I II

? t

~5"

(~ 5")

%. ( ppp )

&EJUJPO 1FUFST

(MSP)

(MSP) (AST)

simile

(AST)

28 TROGLODYTE ANGELS CLANK BY

~5"

165 Flute

Clarinet

Horn

Trumpet

(~ 5")

WALDTEUFEL

~5" [SNARE DRUM]

Perc. 1

Perc. 2

Piano Vibrator

ã œ (p)

(~ 10")

simile

(~ 15")

(~ 20")

(~ 25")

(~ 30")

(~ 15")

(~ 20")

(~ 25")

(~ 30")

[scrape the thread against the skin of the instrument]

(~ 5")

[with vibrator]

~5"

(~ 10")

simile

ã &

ã œ (p) (°)

ã ( œ) (p) ã [with vibrator]

Harp

~5" Violin 1

Violin 2

Viola

Double Bass

~5"

(~ 10")

simile

(~ 15")

(~ 20")

(~ 25")

(~ 30")

( ñ) (MSP)

Cello

(~ 5")

(c.l.t.)

ã t

(MSP)

(AST)

simile

( pp )

œ ( ppp )

&EJUJPO 1FUFST

29 TROGLODYTE ANGELS CLANK BY

~5"

171 Flute

BASS CLARINET

Clarinet

Horn

Trumpet

~5"

(~ 5")

simile

(~ 10")

(~ 15")

(~ 25")

(~ 20")

(~ 30")

ã ( œ) ( pp ) ?

[prepared with laminated paper — check the key page]

œ o

ã ( œ) ( pp ) simile

(~ 5") [SNARE DRUM]

Perc. 1

(~ 10")

(~ 15")

ã œ (p)

(~ 20")

[slowly scrape on the rear side of the TAM with the tip of a knitting needle. The sonic result should be very high, metallic, and continuous.]

Perc. 2

Piano Vibrator

TAM

âââ

œ o

(~ 25")

œ œ ?

[slowly going towards the marbles]

ã ( œ) (p) (°)

(~ 30")

ã ( œ) (p) ã [with vibrator]

Harp

~5" Violin 1

~5"

(~ 5")

(~ 10")

simile

(~ 15")

± V

Violin 2

Viola

Double Bass

± o

± ±

(~ 25")

(~ 30")

± ±

(AST) ( ñ) (MSP)

Cello

METAL MUTE

(~ 20")

(c.l.t.)

ã t

(MSP)

simile

( pp )

œ ( ppp )

&EJUJPO 1FUFST

30 TROGLODYTE ANGELS CLANK BY

~5"

177 Flute

Clarinet

Horn

Trumpet

(~ 5")

~5"

[SNARE DRUM]

[TAM]

Perc. 2

(~ 20")

(~ 15")

ã ( œ) ( pp ) œ

ALLUMINIUM

ã ( œ) ( pp )

[gently crumple the tin foil. The sonic result should be very crispy and granulated.]

œ o o (~ 10")

THUNDER SHEET

ã œ (p)

(â

ââ)

ã œ ( ppp )

(~ 15")

(~ 20")

Piano Vibrator

(~ 30")

œ o p œ

[gently remove the vibrator from the strings]

p ã ( œ) (p) (°)

(~ 25")

[slowly scratch the damped gong with a metal brush. The sonic result should be very crispy and granulated.]

[gently push the marbles with your hands, one by one to make them roll along the strings. Once all the marbles have started to roll, go to the piano.]

Marbles

(~ 30")

(~ 25")

(~ 5")

Perc. 1

simile

(~ 10")

(

(~ 20")

(~ 25")

)

ã ( œ) o (p) ã [with vibrator]

Harp

~5" Violin 1

(~ 5")

± V

[METAL MUTE]

Violin 2

Viola

& &

( pp ) ( ) ± ( pp )

Double Bass

simile

(~ 10")

(~ 15")

(c.l.t.)

ã t

(MSP)

(AST)

simile

( pp )

œ ( ppp )

&EJUJPO 1FUFST

o o

( ñ) (MSP)

Cello

~5"

(~ 30")

31 TROGLODYTE ANGELS CLANK BY

O 183 Flute

Clarinet

[ALLUMINIUM]

Horn

Trumpet

[THUNDER SHEET]

Perc. 1

Perc. 2

~45"

? ã ( œ) ( pp ) ã ~45"

ã ( œ) ( pp ) ã ?

Piano Vibrator

Harp

ã ( œ) (p) (°) ã ã

Violin 1

Violin 2

Viola

Cello

Double Bass

[gently remove the vibrator from the strings]

~45"

? t Berlin, London, Munich, Somerville April - December 2015

&EJUJPO 1FUFST

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