Dillon - Circe by Edition Peters

Contemporary

DILLON Circe for 16 players in Six Scenes

Score

EP 73195

JAMES DILLON

Pharmakeia : 3

CIRCE

for 16 players in Six Scenes 2017

EDITION PETERS LEIPZIG

LONDON

NEW YORK

Instrumentation :Flute (+ Piccolo) Oboe (+ Cor Anglais) Clarinet in B- (+ Bass Clarinet & Contrabass Clarinet) Bassoon (+ Contrabassoon) Horn in F (+ mute) Trumpet in B- (+ Cup, Harmon & Solo Tone mutes) Trombone (Cup, Harmon & Solo Tone mutes) Tuba (+ mute) Percussion (1 player) Vibraphone Glockenspiel Tubular Bells

Large Tamtam *

Bass Drum

Hyoshigi

2 Chinese Opera Gongs **

Piano 1 Piano 2 (doubling Organ or El. Kb with organ samples) Violin I Violin II Viola Violoncello Contrabass * Tamtam minimum of 100cm ** Gong 1 â&#x20AC;&#x201C; ca 15cm; Gong 2 with glissando ca 22.5cm

Layout : (on riser) â&#x20AC;&#x201C;

Horn Trumpet Trombone Tuba

Piano 1 Percussion Piano 2/Organ Clarinet Bassoon Contrabass Violoncello Flute Oboe Conductor

Viola Violin Violin

Score in C Piccolo sounds one octave higher than written Bass Clarinet sounds one octave lower than written Contrabass Clarinet sounds one octave lower than written Contrabassoon sounds one octave lower than written Glockenspiel sounds two octaves higher than written Contrabass sounds one octave lower than written

1. three quarer-tones flat three quarter-tones flat 2.1. semitone flat 3. quarter-tone flat 2. semitone flat quarter-tone flat 4.3. natural 4. natural 5. quarter-tone sharp quarter-tone sharp 6.5. semitone sharp 6. semitone sharp 7. three quarter-tones sharp sharp 7. three quarter-tones 1.

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Commissioned by Ensemble Musikfabrik and Kunststiftung NRW

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To : Peter Rundel and Ensemble Musikfabrik

Circe (Kirke) was a goddess of sorcery (pharmakeia) who was skilled in the magic of transmutation, illusion, and necromancy. Circe’s (Kirke’s) name is derived from the Greek verb kirkoô meaning “to secure with rings” or “hoop around”– a reference to the binding power of magic. Circe is scored for Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion 2 Pianos, 2 Violins, Viola, Violoncello and Contrabass and forms the third part of a projected cycle PHARMAKEIA of four works.

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Edition Peters

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to acquire new works by composers such as Brahms, Grieg and Liszt, continuing into the twentieth century with Richard Strauss, Arnold Schoenberg and John Cage. Today, as the publisher of living composers from around the world, Edition Peters continues its role as a champion of new music while continuing to develop its historic and education catalogues with award-winning critical and pedagogical editions.

The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Tastenmusik. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie hinzugekommen. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt. Diese Tradition fand ihre Fortsetzung im 20. Jahrhundert in der Zusammenarbeit mit Richard Strauss, Arnold Schönberg und John Cage. Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.