EP 12547R, Rebecca Saunders, traces, for chamber orchestra, Score

Page 1

Nr. 12547 R

SAUNDERS traces for chamber orchestra (2006/2009)



REBECCA SAUNDERS

traces for chamber orchestra (2006/2009)

Unter der Nr. 12547 R in die Edition Peters aufgenommen

EIGENTUM DES VERLEGERS ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED

HENRY LITOLFF’S VERLAG / C. F. PETERS FRANKFURT/M. LEIPZIG LONDON NEW YORK


traces (2006/2009) for chamber orchestra ”The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.“ Exactitude, from Six Memos for the Next Millennium, Italo Calvino. trace1 /treIs/ v. & n. –v.tr. (small amount of) Spur, Hauch; (draw) zeichnen; (follow) verfolgen; (track down) aufspüren; (trace back to) zurückverfolgen; (path) Weg/Pfad. trace1 /treIs/ v. & n. –v.tr. observe, discover, or find vestiges or signs of by investigation; follow or mark the track or position of; follow back to its origins; mark out, delineate, sketch, or write; pursue one´s way along (a path). –n. a sign or mark or other indication of something having existed; a vestige. (ME f. OF trace [n.] tracier [v.] f. L tractus drawing) The Concise Oxford Dictionary „Es ist die Sache für sich, abgesondert von allem andern, aus dem Bedürfnis sie zu sehen, aus dem Bedürfnis zu sehen. Das Unbewegliche im Leeren, das ist endlich das Sichtbare, das reine Objekt …“ ”It is the thing in itself, isolated from all other things. Born out of the necessity to see it, and the need to see for seeing´s sake. The motionless in emptiness, that is, at last, the visible thing, the pure object …“ Die Welt und die Hose by Samuel Beckett, Suhrkamp Verlag. General Percussion R

Percussion L Clarinets Oboes Trumpets Trombones Piano

Double Bass (4)

Accordion

Violin 2 (6)

Viola (6)

Harp Violin 1 (6)

Violoncello (4)

Instrumentation Violin 1, violin 2, viola, violoncello, double bass. (6,6,6,4,4) 2 oboes, 2 clarinets in Bb (2. double bass clarinet in Bb), 2 trumpets in C, 2 tenor trombones. Percussion (4 players) – 2 players each far stage left and far stage right. Grand piano, harp and button accordion. Tempi given are only guidelines, and may be varied according to the acoustic, particualrly regarding pauses and resonances. I: This expressive double bass solo is a melody! Beautiful. III: Bring out the pulses of the interference tones. I, II, III: All attacca. Duration: ca. 13-14 minutes.

The revised version of was commissioned by the Staatskappelle Dresden for first performance on 26th August 2009 at the Semperoper Dresden. traces was orginally commissioned in 2006 by North German Radio and the Northern Sinfonia for premier on 17th November 2006 at NDR.

The score is transposed Satz und Layout:


Explanatory notes:

2 Oboes

Fluttertongue.

Z

flz + noise

Let through additional tones and noise.

vib.

Vibrato only if marked. Glissando. Raise or lower by a ¼-tone. Has an expressive and timbral function. Crescendo from, and diminuendo to, nothing. Double harmonic on given fingering. Quiet and balanced.

2 Clarinets in BÓ, 2nd doubling Bassclarinet in BÓ

Fluttertongue. If high and quiet additional lower tones may enter, but this is fine.

Z

flz + noise (noise and rough!)

Let through additional tones and noise.

air

Gradual smooth timbral transition.

tone

air

air

Air sound dominates written tone.

½-air

With written tone heard, like an echo.

vib.

Vibrato only if marked.

underblown

Play written tone and then gently „release“, gradually adding lower tone/s. Beautiful and quiet.

Raise or lower by a ¼-tone. Has an expressive and timbral function. Crescendo from, and diminuendo to, nothing.


2 Trumpets in C Mutes: wawa , harmon (use wawa and extend stem out ¾ for new timbre) and metal

wawa > senza

Remove mute while playing for fluid timbral transition.

wawa > harmon

Pull out stem while playing for fluid timbral transition. Regular rhythmic open/close trill with fingers in front of wawa mute.

/

Fast hand or finger open/close trill (always very fast) in front of wawa mute.

double max.

Double tongue maximum speed.

max. trem.

Valve tremolando maximum speed. Z

flz +

Fluttertongue. Raise or lower by a ¼-tone. An expressive and timbral function.

vib.

Vibrato only if marked.

2 Tenor Trombones with valve Mutes: wawa, metal and plunger

/

Fast hand or finger open/close trill (always very fast) in front of wawa mute.

Fall very fast down the overtones to the given lower tone.

Crescendo from and diminuendo to nothing. Z

flz +

Fluttertongue. Raise or lower by a ¼-tone. An expressive and timbral function.

vib.

Vibrato only if marked.


Percussion

Beaters Thin light snare stick. Ordinary snare stick: a) at tip (ord.);

b) at mid-point of stick.

Extra thick snare sticks. Bass drum beater. Large and soft beater. Superball(s). Dragged over skin gentle and smooth, producing deep ringing resonance.

Hard plastic. Small round-headed wooden beater. Â

Bass bow. Rubber beater (eg. handles of Kolberg triangle beaters). Thin, threaded aluminium dowel 20-25cm. Thick (12mm diameter) and long (40-55cm) threaded wooden dowel. Hard felt beater Wooden Chopstick


Percussion Left (Player 1 and 2) BD

Very large, low bass drum with natural skin on both sides. rim

Play on wooden rim.

skin

Play on skin.

Cymbal

Place medium cymbal upside-down in middle of drum.

wooden dowel



Dowel pressed lightly on skin, moved continuously and slowly, avoiding „dead“ centre. Snare stick strokes dowel slowly and continuously up and down. Hear high moving partials and drum resonance –like a smooth trill-like surface.

1 cm

Trill lightly on skin, at edge next to rim, over wooden ring/frame – high partials.

Centre.

SD

Piccolo Side Drum with and without snare. rim

Play on metal rim.

Metal dowel

On edge of rim, pull upwards fast and very loud.

MP

Mid/large flat metal plate laid on foam for resonance - Bronze or other metal with rich complex spectrum.

Low LR

Lions Roar, large/low with very long string - Replace normal string with double bass string or low harp string for long smooth tones.

TT

Part I: Large TamTam Wuhan 100-110cm Ø. For contact points, see Percussion Right. Part I: Bar 28 - Short stroke at contact point 3. onto Bar 29 with thin wood for mid-high squeak and long resonance.

Part I: Bar 37 - Drag SB-beater slowly over contact point 1. of tamtam for mid-low resonant tone.

Crotales

2 pitches hung, sounding two octaves higher than written:

BP

2 bell plates, hung: C2, C#2

Susp. Cymb.

Large, suspended. Bowed.

Gongs

2 large flat-faced, hung. Struck in the centre only.

WB

Med-high woodblock.

Ratchets

2 rachets, high/small and low/large, fixed on stands.

Wood

Simple dead wooden strokes in III - use wooden rim of BD, or table top.


Percussion Right (Player 3 and 4) BD

Very large. All effects as Percussion Left.

TT

Large Wuhan TamTam ca 110 -130 cm Ă˜ Contact points: 1. absolute centre 2. centre ring beside centre point 3. large smooth zone 4. outer ridged ring 5. side edge Bar 27/28 - Drag SB-beater slowly over contact points 3. and 4. of tamtam for very deep resonant tone.

Damp at point 5. with hand. Release at 5. with hand.

MP

As Percussion Left.

Crotales

3 pitches hung - sounding two octaves higher than written:

Timp

Bass timpani. De-tuned down minor third. Immediate gliss. (pedal) from highest to lowest tone (Bar 24). + Cymbal: see BD notes for Percussion Left.

Gongs

As Percussion Left.

High Ratchet

1 ratchet, high, fixed on stand.

Bongo

High bongo.

Wood

As Percussion Left.

Mid LR

Lions roar medium-low pitch.

SC

Sizzle cymbal. Large, suspended. Played with and without sizzle.

BP

2 bell plates, hung: D2, D#2


Piano Grand piano with sosenuto (third) pedal. Open piano-lid fully, but do not remove. Remove music-stand and place further back on the frame, or use the top section of a heavy music stand. Use stickers to mark the strings inside the piano. Requires a hard plastic plectrum for playing sounds inside the piano. Silently depress keys.

3.

3rd pedal. Sustaining pedal. Release pedal gradually.

Hit metal frame on lowest section inside piano – two sounds: low and very low. Chromatic cluster.

White key cluster.

Black key cluster.

arm

Whole of forearm(s).

In

Inside the piano on the strings. If frame of piano is in the way, choose another nearby cluster. Damp string/s near the bridge with one hand.

(

)

Damp strings behind dampers at node to get exact overtones notated. Written bass tones still heard. Damp the strings behind the dampers further along the string, seeking complex two- or threepart sound. Written bass tones still heard.

In plectrum

glissando over the strings with plectrum, fingertip or nail áá = brutal

™™ = gentle


Accordion Button accordion with three manuals: MI, MII and MIII Written at sounding pitch. Where there are pitch combinations from registers/stops, the lowest octave is notated. A chromatic cluster outer tones included.

A chromatic cluster, outer tones included.

A wide chromatic cluster in given range, exact tones not important.

vib.

Always without vibrato unless otherwise stated. Gradually depress for gentle start, as if from nothing. Decresendo as if to nothing. Accents always at maximum dynamic sf.

Half-depress button (M1) to lower tone by ca 1/4-tone. Bring out beats between the tones.

Harp Requires 2 hard plectrums. Tuning indictations given. Lowest two tones always Db and Cb. A chromatic cluster outer tones included. Chords are non arpeggio unless otherwise stated.

Secco. Plectrum. Arpeggio very fast with two plectrums in contrary motion.

près de la table

Dry. Play at bottom of string.


Strings Violin 1 – 6 players, Violin 2 – 6 players, Viola – 6 players, Violoncello – 4 players, Double bass – 4 players For the double basses: Scordatura prepared – fifth string de-tuned to Gb (or G if the string becomes too lax). Solo double bass additional scordatura in I – second string de-tuned to C#. fl

Sul tasto extreme flautando bow stroke at half way node on string; hollow, floating, beautiful.

s.p.

Sul pont:

™™/™™™ bring out overtones. ™™/™™™ and flautando, overtones dominate sound. á/áá sound towards distortion.

½-s.p.

Sul pont colouring, but actual tone heard clearly. Glissando to top of given string.

pizz.

Pizzicato with immediate glissando.

I

Highest tone on string, this may vary during composition and from one instrument to another. Left-hand with half-pressure like a harmonic, but at the given non-harmonic or harmonic node. With sul pont gives distortion.

behind I

Play on given string/s behind the bridge. Smooth careful bow. Pitch varies from one instrument to another.

E

Con sordino/senza sordino.

E

s.p.

Artificial harmonic. Natural harmonic. Raised or lowered by 1/4-tone. An expressive and timbral function. Crescendo from, and diminuendo to, nothing. Assume non vibrato unless otherwise stated.

vib. s.p.

ord.

Continuous and even transition from one timbre to the next. Bartok pizzicato, secco.

s.p.

Very fast arpeggio top to bottom string.

v.batt.

Battuto violently crini over the fingerboard. Very percussive. Hear wood of bow hitting the fingerboard.


traces I

q ca. 48-52 freely flowing in silence

 



2



Clarinet 1 in Bb



Bass Clarinet (2) in Bb



1

Rebecca Saunders (* 1967)

3½ q

 







 







 









 







 



 







2



 







1



 









 







 

   

1 Oboe

Trumpet in C

Tenor Trombone 2



L



3½ q

 

BD (1)

pp sempre

 

 



Percussion 2



 







Percussion 3



 







Percussion 4





 









 







 



















 









 







R

Harp

Piano

Accordion

 



D# Cb Bb E§ F§ G# A§

   

mp

    

      mp

 

q ca. 48-52







 







 



 



Violin 2



 







Viola



 







Violoncello



 















Violin 1

Double Bass 1. solo

Double Bass gli altri

freely flowing in silence

scordatura

 

    

è

scordatura

 

    

Litolff / Peters

IV V

a melody! beautiful and expressive s.p.  flaut.

      

  p

3½ q

ord.



è

mf



 

s.p. flaut.

è

   IV 

 

sub. pp

 

div. a 2 pizz.

 

mp

Nr. 12547 R

ord.

32957

 

f 





s.p. flaut.



pp

ord.



 

© 2009 by Henry Litolff’s Verlag 11/11


2   





2

 





Cl. in Bb (1)

 





B. Cl. (2)

  





  





 





 









8

1 Ob.

1



  

muta in Cl.



mp

Tpt. in C 2

1

BD (1)

 

  



wawa



    

l.v.



3

mp



 















 



  

      

 



  



 



mp







mp

 BD (3)   

Piano







 

TT (2)

pp



Harp

pp

Tbn. 2

wawa

mp

mp

  

In palm

   

mp

  

 pp   

  





Vln. 2

 





Vla.

 









Acc.

Vln. 1

      

div. a 2

Vc.

Db. 1. solo

  

 

pp

 mf



ord.



5



f

Db. gli altri

  



   

(pizz.)



è

 



 pp

mp

f

mf

32957

  

s.p. flaut.

 

mp

unis. arco

 

ord.

  

mp



pp

 

  

mp

s.p. sub. flaut. ord.

  

   

sffp sub. s.p.

f

    sff

sub. s.p.

 

  

f sffp 


3   

1 Cl. in Bb 2

slow vib.

pp slow vib.

 

pp

  

pp

Tpt. in C 2

 

wawa

 

 

 

 

pp

1

  

wawa

1

  

pp

pp

    

 

 



sf











   







 



 

 

 

ped. gliss. low - mid

(        ppp  

)

   f



   è    

 II    

sfp

flaut.

    

ord.



ffp

 

mp



pp

 

    

mp

f



 

 

 

 









  

  











  











  

 

poco vib.



   

 l.v.   

 

  



 



 

  

 

 



   



   

ord. non div.



 

ppp sempre

l.v.

p

  



3  



 1cm   



  



thi n



  

 

mp









 



   

beh. (non div.)



è

 

I II





ppp sempre



  



beh. (non div.)

   

II III

I   II  

beh. (non div.)



mp

  

mf      



 



mp

In frame

  

 

pp sempre





       

 



pp sempre

(wawa)

muta in Cl.



(wawa)

f

4

 

 

pp sempre

D§ Cb Bb Eb Fb G# A§



ord. I non div.

Db. gli altri



sfp

Db. 1. solo



I II

Vc.

 

mp

mp

In nail

        

 mp      

     

ppp

mp

 

(1 by 1)





 

















   

 

palms



Vla.

ppp sempre

Vln. 2



Vln. 1



Acc.











Bass Clarinet



  

 



  mp

  





 







   

Piano

p



BD (3)

Harp

 

TT (3)

Cymb. + (4) Timp.

edge

SC (3)

TT (2)

2 Gongs (2)



       

remove Cymbal W     

muta in Bass Cl.



Cymb. + (1) BD



  

      

 

 



 

             

Tbn. 2

14

 

 

 32957

div. a 2 fl.

 è  

 



ord.

  è 

pp

mp

 è  

   5 

 è  

  5 

div. a 2

pp

pp

mp

mp

  f

 f

f



s.p. flaut.

   



pp

  

ord.

 

mp

mp

sub. s.p. flaut.





 

   

 

ord.

 

5

mf


4   22

2½ q

 







2

 







1

 







 







 

 







 







 







 







 





 

Ob.

Cl. in Bb 2

1



Tpt. in C 2

1 Tbn. 2

2½ q



SC (3)

 





 





   

 

 



Harp

Piano

Acc.

Vln. 1

Vln. 2

Vla.

Vc.

Db. 1. solo

Db. 2. solo

Db. gli altri

 

 

 

       

 

 

 

2½ q

   





 



 



 



 

 

 

 

   

 

 



beh. (non div.)





   mp

   

    

In palm



    



 

 ppp

   

 

 

 

 

  

f

(ord.)

IV V

  

f

non div.





















s.p. sub. ord.







  

sfp

32957

 

ord.

 

pp

1cm

pp



ppp sempre

  

  

 

II   III      sub.

 

mfppp

 

  



 III



 

sfp

ord.

  

thi n

    

pp sempre



ppp sempre

(non div.)

( )

 

I

 





ppp sempre

 



 

I

beh. (non div.)

 

S

 



ppp sempre



   mp

I

beh. (non div.)

s.p. flaut.





p

 



p

IV



edge

 

    





pp



4

  



pp

 p 

D# Cb Bb E§ F§ Gb A§

Cymb. + (4) Timp.

    



    

 

mp

  

 

TT (2)

TT (3)

  



Cymb. + (1) BD

1









mf

loco

 



   

loco

s.p. flaut.

 






  28

1 Ob.

underblown



underblown

1

2 1 Tpt. in C 2

2 Gongs (3)

TT (3) Timp. (4)

Piano

Vla. div a 3

 

 

 5 



mp sf

ppp

p

 



  

 

ppp

 



 

p

mp

 

 

  







ord.



arco

 

 

p

 

ff

 

 

p

 

 

wait ,

 





 

arco

 



  

p













In palm

     p

 

    



  

beh.



I beh. II   



ppp

beh.   



ppp

I II

 



ppp

I II

beh.

ppp

I beh. II   



I beh. II   



ppp

ppp

I beh. II   

 

beh.   

ppp

I II

ppp

I  

beh.

ppp

I  

beh.

ppp

  I

beh.

ppp s.p. flaut

     p

 



I beh. II   

no sizzle

ppp

 

 







I II

 

f







 ord.

 

loco

sf mp

Db. gli altri

 

 pppp

muta in Bass Cl.

 



 

 

(wawa)

(wawa)



mp

 

 

p            

p

      p

In nail



pp

p



          loco

Db. 1. solo

Vc. div a 3

 

 Vln. 2 div. a 3

 

ppp sempre

    

   

ppp sempre

ord.

è



 

   

ppp sempre

 

 

 

ppp sempre

     



   Acc.  

Vln. 1 div a 3

mp

 

  

  

p

    p 

3

     





Harp



SC (3)



TT (2)

   

  

W



 

   



2 Gongs (2)



  

Susp. Cymb. (1) Cymb. + (1) BD

 

  

2

Cl. in Bb

5

I h hBf _ h h Ch



s.p. flaut.

   p

 

ppp

                          

 

ord.

f



 32957

mp



 



 



 



 



 



 



 



 



   

 

 ( )

 

 

p

pp

p

pp

p

 

pp

 

p

 

p

 

pp



p

pp

p

   

pp



p

pp

p

 



p

pp

p



pp

 

pp

pp

 

 

 



 





è

 

p



“echo” vib.

 

pp

 

 

pp

 

ord.       ord.       ord.         ord.  I    ord.      



 

     ord.      ord.      ord.      ord.   èè   ord. III      ord.         ord.



 

 

 

 

wait,

  

  

  

  

  

  

  

  

  

  

  

  


6  

34

1

pppp

Ob. 2

Cl. in Bb (1)

B. Cl. (2)

1

 

p

 

pp









 

   









 



mp

Cymb. + (3) BD

2 BP (4)



       

 

 

mp



 1



   

 

ppp

Db. 1. solo

Db. gli altri

   



pp sempre

 













  

pp

 



 

   

   

  

  

   

 ord.

   

sul pont. flaut.



f



ord.



è

 è 

 

f

sul pont. flaut.



f





 32957



sul pont. flaut.





mp



unis.

 



pp

ppp



 

 

 

unis.

unis. poco vib.

  

 

ord.

 

 

  

   

 

pp sempre

l.v.



  

ppp

mp



pp sempre

Vc. div. a 4

S

 

   

pp sempre

Vla. div. a 4

 

 



div. a2



In palm

  



     



p





 

p

p

Vln. 2 div. a 3

   

p

mf

p

D§ Cb Bb E§ F§ Gb A§







senza sord.

 



ppp

TT (2)

Vln. 1



Acc.



Piano

 



2 BP (2)

Harp

ppp

echo



 

1

Cymb. + (1) BD

 

è

2

2

echo



ord.

Tpt. in C

Tbn.

  


7  

 





2





 

Cl. in Bb (1)





 

B. Cl. (2)





 

 

 





 





 



 



 



 

40

1

4q

Ob.

1



 



pp

Tpt. in C 2

1

wawa





 

(wawa)

TT (4)





 





Harp

Piano

Acc.

Vln. 1

 



 





 



 







 

beh.





I

I

ppp

beh.

Vln. 2

Vc.

 







ppp

 

1

pp sempre

mp

l.v.

 

   

 

 

 

      mp

 pp sempre

 

 

p div a 2 pizz.

     

sub.

 

 

poco vib.

 

p

 

   

  

 

I II

p

   

4q

 



   

I II

 

p



 

remove Cymbal

p

 

1

p

1cm

 

   



  



pp

 

thi n

BD (3)

   

 



pp

TT (2)



Cymb. + (1) BD

pp

Tbn. 2



(1 by 1)



 

 

 

4q

 

 

mp

s.p. flaut.

Db. 1. solo

  è

ord.



pp

Db. gli altri

 



f

( )

       



sub. p

f

s.p. flaut.



 



s.p. flaut.

   pp

 

 

è

ord.

 



5

mp

 32957

 

p div a 2 pizz.

   

mp

s.p. flaut.



fp unis arco.

 

fp





  

   

attacca


8

II q = 60

 

 

2

Cl. in Bb (1)

1

 

 

 

Ob.

B. Cl. (2)

 1  2

1

2

 



 

 

 



      

 

 



 

 



 

 



 

 





 

rough! flz

 

sff

 

noise! flz

  pp

 

 

 



 

 

 



 

 



 

 

 



senza sord.

 

 



 

 

 



senza sord.

 

ff

  pp

 

 

pp



 



 



   l.v.       

      4

ff

       

sff

     



 

 

 

 

 

q = 60 vib.



   

 I  

ff

sff

sff

  

sff

scordatura (V only, leave other strings as before)





I





 

 

 

ff

    IV V   tutti v.batt.

ff

    

   

  







 

       l.v.   

sff





     



sff

 I 



sff



I

 

sff

     

arco s.p.

     

 

 

 

   

 

 

 

fff



    

 

fff

  

  

ff

32957

non vib. è

pizz.

  

slow gliss.

 

non vib.

 

non vib. non div.

  

non vib. non div.

  

div. non vib. 2. 1.

 

fff

 

ff

 

arco divisi

    

ord. non vib.

   2.  1.

pp

ord.

Db C§ B§ E# F# G§ Ab

      

ff

 

pp

pp

pp

pp

*

pp

f

 

         ff

 

ff

ff

      

ff

f

f

  

  

*

sff



f

*

  

*

        

 f

 

  

ff

f

*

ff





*

    l.v. 

15 q

    

     

       3

 

 

    



 

fff

fff



3½ q       

    





 

 

 

sff ppp



 

ff

   

 



    

sff ppp

 

ff

 



          3

 



 

 

ff





palms

 

 

 

 

15 q

 

 

l.v.



6½ q

    

vib. 

ff



 

 

 

       

ff

    ff

      3

 

D§ Cb Bb E# F# G# A§



 

 

3½ q

f





   l.v.

thic k

6½ q

 

Db.

 





Vla.

Vc.

 

Vln. 2



Vln. 1

 

Acc.

Piano



 

 

Harp

 

W

TT (4)

15 q

 

BD (1)

3½ q



 

Tpt. in C

Tbn.

6½ q

ff

        

ff

ff

sub. s.p.

     sub. s.p.

      sub. s.p.

    

sub. s.p.

    

unis. sub. s.p.

      

ff

sim.

         ff

sim.

           ff

sim.

           ff

        sim.

 

ff

 v.batt. unis.          

* At 8th q only pp! Very gradual cresc.

sim.

        

 

   

ord.

sff ppp


9

sub.

q = 46

q = 60

 









Cl. in Bb (1)





B. Cl. (2)



 



9

1 Ob. 2



 

muta in Cl.

 

ff

  1







pp

senza sord.



  



ff

Tpt. in C

1 Tbn. 2

  

  



  



f

   

Acc.

Vln. 1

sff



     

 



sff

 

 

 

 

  

  



 



 

ff

 

3

     ord.

loco







loco

mp

    







 



   

   



 

ord. vib.

 

p

sff

 

l.v.

p

è

 

R+L arms

 

Piano

5



 

   

Harp

 

pp sempre

      

wawa

f







wawa

pp sempre

W

TT (4)

f

BD (1)

2

mp

  



 sub.

q = 46

ff

q = 60 



ord. vib.

Vln. 2

ff

ord. vib.

unis.

Vla.

  

ff

ord. vib.

Vc.

Db.

  

  

  

ff



1. sub. sub. s.p. ord.

ff

   2. 

 



 

 32957

div.

non div. V VI

p



ppp



mp








10     16

1 Ob. 2

pp

  flz air

2    

flz air

1 Tpt. in C 2

1 Tbn. 2

       

(wawa)



pp

sf





      

Piano

Acc.

Vln. 1

sff

Vln. 2

 

 

 

     

        ff

ord. non vib.

 5  

f

 D§ Cb Bb E§ F§ Gb A§

ff

s.p.    

     

  

 

thic k

f

 



s.p.

    





ff

     



     3

 

s.p.

         

    

senza     

ff

   

 



 



 



ppp sempre

 

 



4q

 

6q

 

 

 



  

 



 

 



    

 

pp

ff

  



ppp sempre

  

     

 



 

 



 

 



 

 



 

 



 

ff

       III

 

 III     

 

  

 

ff

beh. fragile I

4q

 

II

III

   

ff

furioso! s.p.

  



ff

   

sff

 vib. ord.

  

beh. fragile II

III

  

div. ord. non vib.

s.p. dist.

p

  

div. ord. non vib.

   

 

 

ff

 



 

    



sff



32957

 

5

3q

flz

5q

½ - air



s.p.

 

 

release gradually

ff

sim.

ppp sempre



 

distort furioso! s.p.



 

 

sff

 

ff

f

distort furioso! s.p.

IV



  

 



½ - air

  



 

 





 

p



 

ppp

6q

 

 

ff

ff

sff

    

 

ff

I       

  v.batt.      IV   V 

s.p. dist. s.p.

 



 



 



 loco



    

III

ff

Db.

 

 

loco

4q

non dim.



s.p.

Vc.

sff

        

 

damp centre

unis. s.p.



5

pp

non dim.

 

I



pp sempre



 

ff

Vla.



pp sempre

ord.

non dim.

       



 

   

 

s.p.



 

ff

pp sempre



 

ff

1

  

  s.p.        

   



       pp f

sff

  



 



f



 

     f 

  



4

       

f



Harp

   



W

TT (4)





 

f



 

 

f

 

        

    

BD (3)

wawa

  

BD (1)

pp

  

  

f



(tone)

  

 

snare on rimshot

SD (1)

pp

 

 



ppp

(tone)

  

Cl. in Bb





  

1

  

espr.

   

arco

 



6q

 

pppp sempre

  pppp sempre

   pppp sempre

   pppp sempre

 

pppp sempre



 






sub.

    24

1







pppp

mp

Ob.

 

2

2

1

    

 

  

  

 

harmon

  



mp

ff

Tpt. in C

 

1

pp sempre

underblown

   5

2

underblown

   

1 Cl. in Bb

q = 60

pp sempre

 

  pp

 





  









senza sord.

sff f

senza sord.

senza sord.

  

 

sff



senza sord.



Harp

   

 

  

 

Piano

Acc.

  

 

Vln. 1 gli altri

Vln. 2

Vla.

Vc.

Db.

ff



    



 



 



 mp

      

 

pp

poco vib.

 

ppp sempre

  

air

 



 



 



 



 



 

ff

     

 



 



 

 

  

ff

pp

pppp





pppp

f

     

7½ q

 



 

  





sub.



q = 60 

vib.

mp



   



    



       



      

  

II

Vln. 1 solo

 



4

TT (2)

W

pp

pp

f

pp



f

pp

f

 

 

f



pp



  

7½ q

 

flz

pp

 

 

Tbn. 2

flz

11

q = 52

rit.

  

 



  

s.p.

            

sff pp

s.p.

sff pp

s.p.

sff pp

distort!

ff

sub. flaut.

 

 

pp

gentle ½ - s.p. poco vib.

sub. flaut.

 

 

pp

 

  

ff

unis. s.p.

   

 





ff

s.p.

  ff

 

 32957





pp sub. flaut.



 

p

non vib. flaut.

gentle ½ - s.p. poco vib.

sub. ord.

pp

ff

 

non vib. flaut.

unis. s.p.

q = 52

rit.

gentle ½ - s.p. poco vib.

distort!

            

ff

            

distort!

pp

  

7½ q

I

 



 



 



 

 

 



 



 




12

sub.

  



 



32

Ob. 2

1

 



Cl. in Bb

 2   1

Tpt. in C 2

1 Tbn. 2

Susp. Cymb. (1)





 

 

  

  

  

 

BD (1)

mp

  

    

  

Vln. 2

Vc.

Db.

 

wawa



wawa





  



 

 

  

 

ff

 

ff

 

 

pp



   

pp

      

ff



   







mp

f



        

 

ff

 



    

pp sempre

pp sempre

sub. ff

 





 



1

p

 

  









 



pp sempre

3

         

 D§ Cb Bb Eb Fb G# A§

 

  

 

  



    

  

 

mp

I II

 

 



pp sempre



beh. I



pp sempre

 





p

pp sempre

 

vib.

  ff

  

 

ff



    mp

ord. vib.

 

 

,



ff

 

  

I

 

—, 



 

ord.

 

 

     sff

III           ff sff sub.  ord.

s.p.

III               ff sff sub. ord.

s.p.

     

s.p.

ff

s.p.     

  ff

v.batt.

ord.

32957

  

ff

s.p.



,

ord. vib.



sff

,

 



ff

pp

vib.

 

D§ Cb Bb Eb Fb Gb A§

ff

 



    

 

q = 60



sub.

vib. espr.   

 



 

ff

sub.

ord. non vib.

 

 

sff

      



ord.



3

   

W

f

 

  

 

      

  



  

 

 

 

ff

 

  

 

rough!

  

non div. beh.

Vla.

ff

flz



Vln. 1

 



p

Acc.

rough! flz

 

Piano

  

Harp

  

tone

TT (4)





mf

BD (3)

 

arco

 

TT (2)

 

MP (1)

Crotales (2)



arco

tone





1

q = 60

       sff 

  

sub.

div. a 2 ord.

 

    sub. ff 

sub.

div. a 2


13  

37

1

 

vib. espr.

ppp









 





   f

Ob. 2



 

1

1

   

(wawa)

Tpt. in C 2

 

1







ppp

Tbn. 2

MP (1)

 

ppp

ff

pp

 flz             ff  flz

       ff 



f

 

      mp 





ppp flz

       sff

flz

       

f

sff

senza sord.

    f

wawa



wawa

senza sord.

f

   

       



f



f

  



























 

  

BD (1)

ppp



ppp

  

       



(wawa)



   p mf 

    ppp

Cl. in Bb 2



 

sub. f

sub. pp

pp

P

Harp

Piano

Acc.

Vln. 1

Vln. 2



         sff

 

ff

 

s.p.

          ff

 

sff

ff

      

   

  



 ff

       

ff

unis.

v.batt.     IV        V  ff

 

ff

  

 

ff

ord. vib.

              ff            

  

 div. a 2 ord.

      

ord.

 

pp



pp



ff

     

ff unis ord.

I

ff





   

   

sff

      sub. s.p.

ff



 sub. s.p.



ord. vib.

s.p.

unis. s.p.

Db.

 

s.p.

Vc.

     

ord. vib.

ff

Vla.

sff

    



  

f

         

 

  

MP (4)

distort s.p.

  ff

sff

32957

ord.



mp








14

1 Ob.

flz

f

  

2

flz

Cl. in Bb

 

     

1

 

f

1 Tpt. in C





 

 

 

    

flz



 

  



 

  





 

 



ff



 

 



 



 



 

   

Bass Cl.

warm

fff





pp sempre



 

 



wawa

 

 



 

 wawa   







 





 wawa   

pp sempre

Piano

Acc.

 

 

    l.v. 





 

 

 

 

   mp

 

   



  

 

 



s.p.

     



 



  

Db C§ B§ E§ F§ Gb A#

 

 

 

 

 

  

 

ff



    



 

 

ff

pp



  

 



vib. singing

sff ppp



f

s.p.

      



( )

½-s.p.

warm

( )

     



s.p.       

sff

 

      f



       

   

(s.p.)

ff



s.p.



 

ord.

 

 

ff 32957





mp

 

mp

ppp

p

 

( )

 

(s.p.) 

     

   

 

(s.p.)

(s.p.)

   

ff

      

 

ff

    

 pp

pp

 

  div. a 2 s.t. poco vib.

ord.        

 

  

            ff



mp

    mp

s.p. flaut.

  pp

s.p. flaut.

p

pp

pp

 

p

       

p

ord.    



s.t. poco vib.

  

ord.     

             ff (s.p.)

   

4½ q

 

ppp

f



ff s.p.

    

 

p

   mp

 

q = 52

pp sempre

   

5½ q

  

  

mp

 

 

ff



 

f

W   thi n

arco

 

     

ff

Db.

ord. espr.

        

  



sff

f

Vc.





f

Vla.





f

Vln. 2



Vln. 1

3





  

ff



f

p





  

pppp

 

  

  

pp





  

f

 

 

Harp

 

    

2 BP (4)

 

    l.v.        

 



4½ q

 

TT (3)

5½ q

 

SC (3)



  

Crotales (2)



 

BD (1)



2 BP (1)

  

pp sempre

 

muta in Cl.

wawa

Tbn. 2

4½ q

ff

senza sord.

muta in Bass Cl.

fff

f



senza sord.

f

ppp







            f

1

f

ppp

f

2



f

          

flz

   2   

 



    

q = 52

5½ q

    43

pp

  

 

 

loco


  52

1 Ob.

2

Cl. in Bb 2 1 Tpt. in C



1 Tbn. 2

Acc.

Vln. 2 div a 3

 

 

  







  

1cm

 

  

 

 

 

thic k

 

mp

 

   

 

  

 

è  

 

   

 

ppp sempre



  





ppp sempre

  



III



ppp sempre

 

III

5









ppp sempre

   III

ppp sempre

   III è  III













ppp sempre

 

ppp sempre

   

ppp sempre

   5  





ppp sempre





ppp sempre

   





ppp sempre

I

 Db.

 

   ff

 

 

ff

 

   





  

  

ppp sempre

non div. IV V

   f

  

 

    







 

 

ff

  

 

f

ff

f



 

 

 

ff

ff

 

  





 

 

ff

 

5q

                     

ppp sempre

   

q = 60  

 

 

 

 

 

 

 

 

 

           

 



   

   

I

 

I

 

I

ff



sff

 

   

sff



 

sff

sff



ff



sff



 

 

   

I

ff



   

 

 

 

sff



ff

vib.

sff ppp

I

   



    

 

 

 

 

 



sff

ppp



ppp



ppp



 



sff

 



sff

 





ff

 

 

 



    

W



ff

 





vib.

sff ppp



sub. s.p.



    

 

   loco







f



 loco





vib.

sff ppp

I

sub. ff 32957



 



  





 

   

 

 

sf

sff

 3

ppp sempre

IV

Clarinet

 

  

ppp sempre



III

Vc. div a 3

    senza sord. f   

   

 

   

senza sord.

7q



wawa

 



f



 

wawa

ff



 

 Vla. div a 3

 

 

Vln. 1 div a 3



Piano

Harp

 

BD (1)

BD (3)

 

MP (1)



2

 

 



7q

   

1

15

q = 60



vib.  ff

vib. 

ff

vib. 

ff



ff



ff



ff

5

p

ff

5

p

ff

5

  p

ff

  p

ff

  p

ff

p

 

 

 

 

 ff

 ff

 ff

ff

        



   


16   

 

 



 



  



  

  

58

1 Ob. 2

1 Cl. in Bb 2

1

  

ppp

1 Tbn. 2

  

 

  

TT (3)

 



  

 TT (4)   



 

     

  



Harp

Piano

Acc.

Vln. 1 solo

Vln. 1 gli altri

Vln. 2

sff

    

  



   

  

   





 



4

   

f

Vla.

Vc.

 

Db.

harmon

sff

 

 

       

sff

 

 



5q

 

   

 

 

 

 

 

ff

 

sff

     ff 

   

 

 

 







ff









ff



I/II   

non vib.



sff pp

ff

  

non vib.



I/II

sff pp

unis.

ff

  

non vib.



I/II

sff pp

ff

  

unis.

unis.



sff pp

      ff

     

ff

 

 

sub. s.p.

  

5q

 

  

 

  

 



  

 

ff

(s.p.)

  ff

 

v.batt.

v.batt.

    

 



 





 



 

wawa

 

wawa



 

wawa







 

5q

 

 



f

pp

l.v.

 



 

       

   

3

 

 ppp

ff

 



  p

  

    ff



  

   ff

 

   I  

I

ff

 

  

ff

 

  

sff



   5



   p

P



mp



  

arco

  



5

p

 

p



   





  

 

ff





5q

loco

loco

 

q = 46 

ord. vib. espr.

 

 

 

ppp

 mp



ppp



beh. non div.



 



 



 

 



 



 

I II



ppp sempre



beh. non div. II III



ppp sempre

arco ord.

  

mp

32957

   





p

 

  



 

ppp sempre

ff



 



 

 







ppp sempre

 

 

 

 

ppp sempre

ppp sempre





 



ppp sempre







ppp sempre

 

ord.

sub. s.p.



ord. sub. s.p.



ord. sub. s.p.

 

 







sff

  

wawa

ord.

(s.p.)

 

sff

ff

s.p.



ord.

s.p.

  

 

harmon

 

 

 

pp

poco vib.

 

fff



 

flz

f

pp

5

      3

BD (3)

ff

 

fff



p

pull out stem 3/4

 



pull out stem 3/4



pp

f



 

Crotales (3)

  

ppp

flz

q = 46

TT (2)

 

5q

BD (1)

 

ff

ppp

Tpt. in C 2

 

vib.

5q



ppp sub.




17   

 

63

1

 

dark

 

ppp sempre





Ob. 2

1

 

Cl. in Bb 2

1

  

  

 

  

  



 



 

 



 

espr.

  

 

 

 

ppp

mf

 

 

5

 





harmon





mf

1







5

mp

Tbn. 2

  



mp

 

air



pp

 

pp

 

 





















1

p



pp

  

TT (2)

    



Tpt. in C 2



 



ppp

  flz

5

muta in Bass Cl.

mf

edge



 

 TT (3)   























SC (3)

Piano

Acc.

Vln. 1 solo

Vln. 1 gli altri

Vln. 2

  

          pp sempre     

 

  ppp sempre

 

 









  

   

(vib.)

   



        

   

Vc.

ppp sempre

Db.

  

  

    

 

 



flaut. non vib. IV

 

IV

 

 

s.p.



s.p. flaut.

  pp







flaut.  

f

 

(s.p.)

 

 

sub. p

32957

mp

 

mp

unis.

mp



IV

5

flaut.    







flaut. non vib.

pp





flaut. non vib.

 



 

ppp sempre

div. a 2        

p

     

div. a 2

Vla.

1

Harp

 

  

p

     1.

 

pp

 






18

q = 52

q = 60

  

6½ q

 





2

 

 





Cl. in Bb (1)

 

 



  

 



69

Ob.

B. Cl. (2)

  1 

1

 

 

 

 

 

 

Vln. 1 solo

Vln. 1

Vln. 2

 

  

 

 

 

  

 

 

 

  

 



pp

pp

 





wawa

ppp



 

 

  





 





p



p

 

  

flz

wawa

 

sff

pp

flz

wawa



 

 

 

        

pp



















mf

senza sord.

 thi n



pp

 

pp

 





 

 

   

ff





























pp

3

pp

     

tone  

sffpp

 D# Cb Bb E§ F§ Gb A§



sffpp

sff

wawa

pp

 

flz



  



p

 

pp

 

  

 

p

 

 

 

 

 





RH





In plectrum

fff

  











 

q = 52

        

  tutti

6½ q

 

 fragile non vib. IV fl.

 sub. vib.

 

II III s.p.

 





II III s.p.



ord.

5 

mf



non div.



II III s.p.





ord.

è 

distort! s.p.

 

mf



non div.

pp



ord.

5 

espr.

 

 

q = 60

      



Vla.

wawa

Acc.

 

Piano



 

Harp

tone

  [100]  wawa

 

      

2 Gongs (3)

TT (4)

air

ppp

6½ q

BD (1)

Tbn. 2

 

Tpt. in C 2

Bass Clarinet



1

mf















sff

Db.

  

 

 

I  

 

mp

   pp

 

sub.



    p



distort! s.p.

    

unis.



Vc.

 

tutti

sff

s.p. flaut.

32957

     



  

ff sub. pp sempre




19     76

1



pp

mp

pp

dark espr. vib.



ppp



è

f

Ob. 2

Cl. in Bb (1)

B. Cl. (2)

 

 

  

|

 

è

ppp sempre

 

     flz

sff



flz

harmon

pp

sff

 

 

  

  

      

 

thi n

Piano

Acc.

Harp

pp

 

 

mp

  

D# C§ Bb E§ F§ G# A§

   

sff

    

  

 

 

 

hear the beats! non div.

II III

 



mp

è 



ppp

  mp   

IV

  

mp

Vln. 2 div.

   mp



IV

mp

Vla. div.

mp

   

 

5  

 

II/III

f

 



mp



mp

 

s.p. dist.

    

s.p. dist.

     ff

 

unis.

  

32957

  

    sub. 

  

    sub. 

sff

II III

sff

II 

   

f

II 

   

f

f

   ff

 



   

s.p.

ff

f



   



  

   



   

ff







  

 

    

IV

    

IV







 

s.p.

ord.

 

f



s.p.

ff

ff





   

sff

ord.

 

f



    



    



     



     







s.p.

ff



s.p.

ff

ff s.p. vib. dist.





sff

ff sub. s.p.

p

ff

    sub. 

sub. s.p.

 s.p.     

  

II III

ord.

    sub. 

f

   

sff

ord.

 



  f



  

    

 

II III

f

flz

sff



ff

 

5  

 

II/III

II III

 



ord. vib.

   

f

s.p. dist.

s.p. dist.

s.p. dist.

     s.p. dist.      



hear the beats! non div.

 

   

 

f

flz

sffp

 



ppp



div. a 2

  

 

ff

f

f



 

 

   

vib. è



 

  

è  

sffp



 

  

hear the beats! non div.

IV

  

  



 

II/III

 



f

hear the beats! non div.

  

sff

 

II/III

   

sffp



D# C§ Bb E§ F# G# A§

flz

 

     ppp

 

Vln. 1 div.

Db.



sffp

ppp

 sub. flz

  

    

 

pp sempre

 



pp



ff

f

 

1cm

 

   

Vc.

mf

BD (1)

wawa

  

ppp

 

f

ppp

sub. flz

Tbn. 2

  

wawa

sub. flz

flz

       

wawa

  

 

(fast)



harmon

ppp sempre

1



(fast)

ppp sempre

|

 

   

2

wide slow vib.

    1 Tpt. in C


20

1 Ob. 2

Cl. in Bb (1)

B. Cl. (2)

ff

    

ff

Tpt. in C 2

1 Tbn. 2

BD (1)

   f

   

ff

    

 ff

  

 

  

Vln. 1 gli altri

Vln. 2

Vla. solo

Vla. gli altri

Vc.

Db.



 



 

f



 

pp

    

W

    

f

  

 



  

sff pp

  

    

 

s.p.

ff

 

s.p.

  



ff

   

s.p.

      

ff



s.p.

  



ff



s.p.

  



ff

 

s.p.

   

ff

v. batt.

     ff



 

   

   

  

  

  

  

  

sff pp











     arco s.p.

    



    

f



  



 





 



 





 



 





 



  



        

 







 

arco vib.

 

 

sub. s.p.

     

 

 

sub. s.p.

   

 

 

sub. s.p.

   

    ff 



v.batt.

  

ord.

   

sff

sff

32957

pp

 



 

  

  

 

 



I

7½ q

     

   

sff pp sub. s.p.

    

s.p.

  ff

    



 

  

 

  

 

 

 



ppp sempre

ff



 

 

ff

 

 

ppp sempre

ff (vib.)



7½ q

ff



 

 

ff

sff pp

I

(vib.)

 

ff



 

sff pp

ord. vib.

D# Cb Bb E§ F§ G# A§

sff pp

 

   

ord. vib.

    

sff pp

arco ord.

 



 vib.    

ff

 

 

 vib.    

ff

arco vib.





ff

arco vib.

   



   



sim.

  

 

ff

ff

   

7½ q

  

pp



senza sord.

    l.v.        

  

senza sord.

 

f

 

 



p

   

     

muta in Cl.

 

vib.

arco s.p.







 









 



 

f



sim.

ff





  



 arco s.p.

ff

 

max. double



ff

 

max. double

 



7½ q



  

  

ff sempre

 

  

ff

flz

   



   





palms



      

  

 



  

ppp

4

  

 

 

  

sff

  

  



pp

ppp

   

  

f

  

  

sff

f

  

senza sord.



 

 

  

pp

ff

ff

 

  

pp

ff

 

Vln. 1 solo



  

Acc.

  

 

Piano

pp

ff

flz

senza sord.

 TT (4)   

Harp

 

 

  

Low LR (2)



ff

  1   

 

ppp

 

 

ppp

 

  

  

 



82



    

 

 

 

 



 

 




21

sub.

   87

molto

 

 

ff

Ob.

 

2

 



ff

    

  

(flz)

1 Cl. in Bb

  

   1

 

  

f

sff

1 Tbn. 2

f

 

  

Harp

Acc.

Vln. 1

  

Db.

vib.

ppp sempre

ppp sempre



sff f sempre

 

sff f sempre (plunger)



sff f

plunger

  

  

  

sff



pp

sff

pp

  

sff f



sff



sff



 

    

  

ff

 

  

 

    p

sff f

        

sff

  

  

 

sff

 

 

3

  

 













W



 



5

    



  

tutti s.p.

 

 

s.p.

  

 

    

   

  



arco s.p.

pizz.

     

    

 

 

arco s.p.

     

     

pp

 

 

   ff

( )

 

     s.p.

ff

s.p.

   ff

s.p.

 

sff

ff

 

v. batt.

    

non vib.



ff

sff pp

s.p.

 



 







  

I

 

 

 

 

I



 

 ff

  ff



 

ff

ff

 ord. vib.

sff

ord. vib.

 

 

ord. vib.

        ff s.p.           ff

32957

 

s.p.

 

 

loco

sff

ord. non div.

 

ff

ord.

s.p.

ff

 

 

sff

ff

     

sff

pizz.

non vib. ord.

ff

ff

ord. vib.

sff

sff

 

sff



  

 

sub.

q = 66

sff

sff

W

ff

3

tutti

Vc.

f



ff

Vla.

snare on

ff

Vln. 2

ppp

 

5

pp

     

Piano



 

MP (4) TT

pp

 



Bongo (4)

 

SD (1) BD



  

Clarinet

plunger

 

ord.

 

vib.

molto

ord.

 

pp

  

pp

ff

sff

2



Tpt. in C

 

sff f



2



1

q = 66

ff

v. batt.

       sff


22     

   

92

non. vib.

pp

ff

2

 

pp

3½ q

 

Cl. in Bb 2

1

 

  

1

 

 

 

 

Acc.

Vln. 1

 

 

    

D§ C# B§ E§ F§ G# A#



ff

  

s.p.

3½ q

 

 



I



  



 

 

 

s.p.

    

sff

        v.batt.

sff

ff

1½ q

 

1½ q

 

 I 

   

   

D§ C# B# E§ F§ G# A#

5½ q

 

loco

    

 

 

 

  

fff

 

  

ff

 

 

 

(s.p.) loco

     



        pp

I



(s.p.) loco

    



ff

ff

     



 

 

 



ord. non vib.

2½ q

   



      

    

     

    

pp

ff

 

 

 



ord. non vib.

   

heavy

 



heavy



sff pp



ord.

sff pp

      (s.p.)

ff

 



 



   

pp

s.p.

ff

        

sub. s.p.

ff

   

(s.p.)



 I 

sff pp

Db.

heavy

s.p.

Vc.

ff

sff pp

 

heavy

 

v.batt.

     

      

ff

s.p.

Vla.

   

 



sff f



 

sff



 

sub. pp

sff

 

 

 

ff

 



flz



près de la table

loco

ff

  3

 

 

 



 

f

ff

 

 

 



snare on

sff pp

Vln. 2

f





 

Piano

3½ q

 

Harp



ff sempre

SD (1) BD

pp

Tbn. 2



ff sempre

 

flz

pp

Tpt. in C 2

f

  flz

f

 

 

f



 



1

 



ff

 

f

non. vib.

5½ q



Ob.

 



ff



 v.batt.           

ff

sff

32957

 

v.batt.

  

sff

s.p.



1

1½ q

sim.

   

sff

 

 

 

 



 

vib. warm s.t.



ppp sempre

 

 

ord.

ppp sempre

5½ q

 


23    96



f sempre

Ob.

Cl. in Bb

ff

 5 

ff

 wawa  

flz



wawa

flz

 

2

 ff

1

pp

Acc.

Vln. 1

3

 

ff

noise! flz



 

ff



senza sord.







 

flz

 





 

 











     







ff

    

vib.

s.p.

   



    s.p.

     





 

è

  

5

sim.        

   



 

  

ff sempre

 

 

  

ff sempre

ff

ord. vib.

 





ff

ord. vib.

ff

sfpp

 

 



ff

ff

s.p.



   





ppp

sim. ff



pp sempre

ff

     

sff

         f

 

        



   

f

ff



   

     ff

  

  



sff p

ff

Db.



s.p.

s.p.





senza sord.

s.p.

  



ff

 

sff

 

ff

Vc.

  







 

   

ff

p

noise! flz





  







Vla.

sff

p

Vln. 2



      



f

sff

 





f

     

snare off

 

P

 

Piano

f

 

Harp



près de la table



ff

f

 

 



 

MP (4)

p

 

ff

5

 

metal

 

BD (1)

 

SD (1)

p

Tbn. 2





 

metal

 



ff

Tpt. in C





  

1

1

2

2



1



  

32957

     

ord.



v. batt.

     

ff sempre

sff

   

v. batt.

sff


24    100

1

pp

Ob.

1

  

 

pp

ff

 

5

pp

 1 













  





 



ff

    ff

Tpt. in C

2

ff

Cl. in Bb





2

2

 



   

MP (1)

   

sff



  

  

f

pp

 

BD (1)

      sub.



sf

 

sff



Harp

 

Acc.

Vln. 1

Db C§ B§ Eb Fb G# A#

    

3

près de la table

    sff

   ff

 

  

   

     

ff

5



 

Vla.

 

 5

 

Vc.

 

sff

sff

 









 

   f

  



 

W

4



 

ord.







Db.

 ff sempre





       

ff

s.p.        

    sff

32957

   sfpp

ff

     

ff





 



       





 

     f











         s.p.

 

         s.p.

ff

   v.batt.

     sff

     

  

  

s.p.      

sim.

ff

sim.

  



f

 

 

  

ff sempre s.p.

      

ppp



     3  loco    

sf

 

     



  

ff



P





ff

 

f

 

 



   f

  

W

 

Vln. 2

  

Piano





 

TT (4)

MP (4)

ff





W

Bongo (4)

sff

pp

 



sf

pp sempre

BD (3)

sff pp



ff

thic k

                  

WB (2)

f

ff



senza sord.

pp

Tbn. 2



senza sord.

   

ff

1

pp

sff



pp

ff


25  

104

1

 



pp

Ob.

f

1

 

 

 flz  1   

 

ff

Tpt. in C

flz

  

2

ff

wawa

 

 

  

f

   

BD (1)

SD (2)

   P

WB (2)

sff





  



  



  

            

sf

 



ff

 





M   rim



sf



 

f



pp





pp



sff pp

 

      sub. pp

pp sempre



f



ff

wawa

Tbn. 2

ff



 



sff pp

1

 flz

flz

 

Cl. in Bb

pp

2

2

f













W

Harp



pp sempre

      

 

 

Piano

Acc.

Vln. 1

sff





   

  (s.p.)    







  

   

ff

arco

sff

arco

non div. ord.

ff

 

32957





ppp







 



ff

 











                     



sim.

         

           sub. sub. sub. ff



pp

ff

pp

           sub. sub. sub. ff

pp

ff

pp

sim.

ff

4



         



pp

non div. ord.

   

  

sim.

pp

    

ff

unis. (s.p.)

sff

  

ff

  

      

ff

  

pp

(s.p.)

ff



     

ff

(s.p.)

(s.p.)

    

  

 

sff p

Db.



div a 2 (s.p.)

Vc.

       

    

sub. pp

 

 



ff

sff p

Vla.

f

 

sff p

Vln. 2

4

W

TT (4)

 

MP (4)

sub. pp

sub. ff

sub. pp

div.a 2 vib.

    

pizz.

  ff

 

 f




26     107

1

noise!



noise!



noise!



ppp

Ob.

  

2



ppp

  

1

ppp

Cl. in Bb 2





        1                



ppp

sff pp

sff

   f

 

  





  

 

  

        

s.p.

  

           

            



    

ff sempre

 

  

 



 

sf

 W

ff

4



distort





 v.batt.

    





non div. ord. vib.



ord. arco vib.

32957



s.p.

  

 

ff

ff

 



 

ff

ord. arco vib.



  

 







sub. pp

       

III IV

  

ff



ff

ff

ff

sff s.p.

sff pp

       



sff

ff

arco s.p.

   

pp

 

ff



ff

distort

 

ff

flz

Db C§ B§ E# F# G§ Ab

pp

sf

ff

f

 

flz

ord.

Db.

     3

Vc.

flz

ff

ff

Vla.



            

pp

sff pp

Vln. 2

sf

ppp

ord.

Vln. 1

sf

 

 

Acc.

flz



sff f

  

Piano

  

ff

wawa

                

   



 TT (4)    

Harp

ff

wawa

 

2 Ratchets (2)

pp

BD (1)

ff

  

ff



Tbn. 2

pp

pp

1

ff



    

2

ff

 

noise!

   

Tpt. in C

  

s.p.   

  

 

 


27  

109

1

flz

 



sub. pp

ff

Ob.

 



sub. pp

ff

 



 

1 Cl. in Bb 2



  



 





f

f



p

f

                 sub.



 

pp

f

Bongo (4) MP

Acc.

Vln. 1

  f

  

          ff  

     ff  

 

  

ff

      ff

 





  5 

sub. pp

sub. pp

  

    

    

 

I



  

  

ff sempre

 



  

 

    

loco

    ff

  







f

 

 

ord.





  



ord.   

v.batt.

ff

  

loco près de la table

ff sempre

ff

32957

ff sempre

 

  

ff

ff sempre

I

s.p.

pp

snare on

  

ord.

                         sub. pp



sff

ff

ff

ff

 



s.p.

sub. pp

D§ C# B# Eb Fb G§ A§

ff

sub. pp

ff

s.p.

  

      

ff

P

sff



                         ff





s.p.

pp

Db.

   



3.

III

Vc.

 

 





 

 

IV

Vla.

  

 



 

sff

pp

Vln. 2



 

Piano



2 Ratchets (2)

Harp





WB (2)

TT (4)



senza sord.

 





 

  

senza sord.

 









  



ff

                 sub. ff

SD (1) BD

f

Tbn.

f

ff

2



ff

1

 

 



Tpt. in C 2



ff

  1

 ff

flz

2



ff

   



ff

3.



loco

sub. s.p.

     

sub. s.p.

           

s.p.

       

     

s.p.

s.p.      

  

 

ord.

 

ff


28  

112

1



Ob.

Cl. in Bb 2

  

ff

ff

Tpt. in C

ff

1 Tbn. 2

2 Ratchets (2)



ff

 

Acc.

Vln. 1

  

   5 

vib. non div.

   

Vla.

    



 

Db.



 



pp

    



pp

     





pp

    



pp

     

 



 ff

 

  



 

5

 

 I   sff

 I   

ord.

ord.

 ff

  

ff

  

 

  

 

  

 

ff

 

v. batt.

    

sff

32957

  

 











     

  

ff sempre

ff

ff sempre

      div. a 2

ff sempre

     



      

   

arco s.p.



loco



unis. s.p.

     



    





  

unis. s.p.

   



    

ff



    

 

    

ff

loco

unis. s.p.

arco s.p.





    



         

pp



sff

  





div. a 2



f

ff

I II



f

  

pp

 

div. a 2

ff



sff

sf

pp

sf

  

 

sf

 

       



 

f

loco

 





f

                  sff f

p

pp

   

 

 I  



ord.

 

  

  

ff



W

ff

ff





ff

     ff

ff

    

ff

           

sff







 

 

      

ff

I



sff

     



ff







ff

  

 

   

 

ff

 

ff



ff





  



ff

 

ord. vib.

        

ff

ff

  



ff

     

vib.

Vc.



 



    

  

ff

ff sempre

ff

vib. non div.

   

  

  

ff

vib.

Vln. 2

       



3.

     ff  

 



  



sff



 

f

 

ff

Piano

Harp

f

      





   

  



sim.

  

 

P





senza sord.



 

TT (4)



 



4



senza sord.

ff

   

  

 

W



 

Bongo (4) MP



 





 



sf

BD (3)

ff

pp

p

M 

ff

  

 

SD (2)

ff





pp

SD (1) BD





p

  

2

pp

  

p

  1   

 



1



2



  

v. batt.

v. batt.

    

 

s.p.

ff

s.p.



ff

  

 


29   

 

117

1 Ob. 2

 

  

1 Cl. in Bb 2

  1 









 



 

  

  

Tbn. 2

sf

          



  

Vc.

Db.

 IV   



D§ C# B# Eb Fb Gb A#



sff

(s.p.)

(s.p.)        

ff

 

ff

 

ff











f







  

v. batt.



 

    

 





ord.

ord. s.p.

      

  IV 

ord. s.p.

       

  f

 

ord.

ff

f

ord. s.p.

ord.

      

 

ff

f

v. batt.

ord.

       

  



     

 

   

32957







 

ord.  

ff

ord.

 

(gliss. sul G)



sub.

ff

p



 

  

        

 

vib.

sub.

sub. s.p.

ff

vib.

p

molto vib.

ff

I

ff

 

ff

 

 

     

ff



 

         

loco



 ord. vib.

IV        III IV

ff

ff

sub. s.p.

ord. vib.

III IV



ff

ff

      

sub. s.p.

sub. s.p.



IV

ord. vib.

       

ff

ff





     



    



ff

s.p.

v. batt.

sff







 

 

ff

  sub. s.p.

thic k

             sff  

ff

ff sempre

 





pp



  IV  III

ff

     

sim.

sff





sff

      

ff

près de la table

sff

sff

 

         loco

ff

v. batt.

    

 

distort sub. s.p.

    

 

       

     



distort sub. s.p.

ord.

     

  









distort sub. s.p.

ord.

 

   

ff

     ff sempre metal     

  

  

 



ff sempre

metal



  

metal

 

p

   

 

IV

Vla.

  

IV

Vln. 2

            





       ff

f

     

ff

        

f

loco

p

p

     

sf f

    

Vln. 1



rough!





       

 

Acc.

 

ff

 

  5         

 

Piano

sf

 

BD (3)

Harp

sf

flz

             

p

rough!

 



pp

MP (4) TT



f

BD (1)

Bongo (4)

  

(senza sord.)



  

 

MP (1)



f

 



flz

(senza sord.)



ff



(senza sord.)

 



f sempre

1

  

ff

(senza sord.)

 

2

f sempre

Tpt. in C



ff


30     123

1 Ob. 2

ff

pp

  

Cl. in Bb

ff

1

pp

Tpt. in C 2

1 Tbn. 2

    

pp

 



pp

 

4

  

ppp

  

 





 flz

 

 

 

                      s.p.

         

 





ff

flz

 

 



       

ff

      





   

sff

sf



 



    





  III IV 

(s.p.)

  



pizz. div. a 2





(s.p.)

div a 2 arco

    

ff

  

arco

    

ff

   

ord.

     ff 

 

  

ord.

   ff





ff

ff

ff



  sub.

 



pp

  M 

  

rim







ff

 

sff





ff

pp sempre











 

sf

sf

sf

         

pp





ff







 



f



ff

s.p.





s.p.

s.p.

 

 





    

 



ff v. batt.





s.p.



ff









    

ff

sff

32957

  

f



ff

   



 

f

 

              





f

unis. ord.

     



 

ord.

ff



pp

  sub. ff pp  

          

non div. non vib. s.p.







ff



rough!

ff

ff



ord.      







  

sub. ff

sff

pizz.

ff

          



 

 

1cm





f

ff





près de la table

  

pp flz





loco



f

pp

ppp

pp





 

  



ff

s.p.

ff

s.p.





thic k

ord. vib.

ff





ff

I

 



  

  

wawa

senza sord.



   

   

ord. vib.





wawa



ff

Db.

  

ff

ff

  

 

ff

s.p.

Vc.



       

ff

Vla.

ff

    

f

s.p.

Vln. 2

  

  

ff



P



 

flz

ff

 

 

Vln. 1







  

Acc.

 

pp

 MP (4)   

Piano



 pp

   

Bongo (4)

Harp

(metal)

   

2 Ratchets (3)



 

 

pp

  

SD (2)

TT (3)

 

 

  

sff

ff

  

Low LR (2)





ff

    

2 Ratchets (2)

 

  

flz

BD (1)



ff

 2      1

 

 

    


31        

     

129

1 Ob. 2



 

f pp

ff

 

f





ff

1 Cl. in Bb 2

  

      ff

      flz

1 Tpt. in C 2

sff f

flz

     

sff f

1 Tbn. 2

  

    

     

f



sff

pp sempre

 

ff

 

   

 

sff pp

   



senza sord.



f



f

 f

sf

sf

sf



sf

pp

 



 



    



   

 

f

 ff

      

pp

ff

sub. pp ff

                 sff sub.

sff ff

sub. pp ff

v.batt.

  

v.batt.

    ff

pizz.

 

f

 

 

 

sffpp



ff

    5  

     

 è

 5

f

sim.

    

 sffpp

arco s.p.

 

sff



sim.

 

ff

arco

 

mp 32957

vib.

è

pp

ord.

 

5



f

 3

 f

ff IV

s.p. dist.

 

   



ff

 

      pizz.



sff

pizz.

    



sff

     



sff

    

pizz.



ff

 

 

pizz.



  



ff



arco s.p.

 

  

sff

s.p.

   

ff

ord.

ff

s.p. dist.

sff

  

sff

     

    

s.p.

sffpp

sim.

 

        ord. vib.

sff

      sf

 



vib.

sim.





sffpp

pizz.

pp ff

(s.p.)                   

sffpp

(s.p.)

ff



ff

               

ff

         

     

(s.p.)

4

sff

sff

      

 



sff

  



  

 

pp

sim.



 





f

 

   

 

    

  

sff

 



thic k

sff

   

f

  





f

sff pp

with plunger

      

  

ff

 

senza sord.

près de la table

   

f



sff sub. ff

  

sff

with plunger

f

ff

Db.

p sempre sff

ff

1      

sff

ff

            sub. 

        sub.

             p sempre sff

sub. ff



   

pp

     sff   

ff

          sffp

pp

Vc.

pp

Vla.

 

ff

pp

Vln. 2

 

Vln. 1

  

sffp

  

Acc.

 

 

  



ff



P

ff

Piano

 

  

      

MP (4)

 

    

Bongo (4)

 

   

Mid. LR (3)

Harp

  

Bongo (3)

  

f

 

pp

TT (4)

  

 

f

    



BD (1)

 



sff

 

  

pizz.

   

sff




32     132

1 Ob. 2

   

 

    

  

ff

   

ff

1

 



  



1

   



fff

 



 



 

 



 

 



pp

 pp

pp sempre

Cl. in Bb 2

9½ q

è

pp sempre



 





 



  

 



 



Tpt. in C

1

  



 

fff

ff

Tbn.





R arm

  



 

  

 



ff

   



 

 

   ff L arm

Vla.

mp

    l.v. ord.

 

ff

    

  



p

pp

 



ppp

Vc.

Db.

    

    

ff

arco s.p.

   ff

 

pizz. pizz.

 

pizz.

 

beh.

pp

 



   

 

 



 



 



 

 



 



 







I

 

pp 32957



 

pp sempre

p

sub. s.p. flaut.

ord.

 

mf



 

pp

sub. s.p. flaut.

arco ord.

   

9½ q

beh.

arco beh.



 

 

mf

 

sub. poco vib.

I

ff

arco s.p.

   

I

(s.p.)

   

( )

vib.

       



  

 



mp

 p

 

 3.

       

 

In finger

arco s.p.

 

p

ff

 

q 1cm 9½  

ppp sempre

D§ C# B# E# F# G§ Ab



arco



mp

1

arco tender s.t. espr.

mp

ppp

Vln. 2



 



Vln. 1

 

cup

    

 

  

4

3.

sff

sff

 



Acc.

     

    

W

  

 

Piano

 

  

Harp

   ff

  TT (4)   

p

BD (3)

ff



 

   

SC (3)

 

  



BD (1)

  

p



2





2



pp



sub. p

 

7½ q

 

 

 

 

 



7½ q

 






33

III   

 

138

1

 

 

Ob. 2

1

 

 

  

 

  

 

 

 

 

 

  

 

Cl. in Bb 2

1 Tpt. in C 2

1 Tbn. 2

BD (1)

  

 

Piano

Acc.

Vln. 1

 

   

   

  

 

 

sim.

pp sempre

4½ q

 

 

wood

pppp

 

pp sempre

 

 

(silent)

 

 

mf



  

  

pp















 

1cm

 

 

pp sempre

 q = 56

II fl.   

espr.

 

 

Vla.

 

 

 

 

Vc.

Db.

    

  

s.p. non div.

f

   IV   V sf

32957

 

 





 



 

 

pp

 

  

 



 





 





  



III   è

 

 sim.

 





p

 

gliss.



 

pp



p

pp

pp sempre

s.p.

 

 fl. (non vibr.)

 

è

 



Vln. 2

 

pp sempre



wawa

 

  

thi n

 















 

pp

 

4½ q



   



3.



fff





 





 

è



 





 

 

 

espr. slow vib.

p

 

 

[023,¼ ] harmon

q = 56

espr. slow vib.

 Timp. (4)   

Harp

4½ q





è

ord.

 III

 



pp sempre




34   











 











 











  











  

 







 

 



 

 



   







   



 

whisper





146

1 Ob. 2

1 Cl. in Bb 2

1

 

(wawa)

è

p

è

p

Tpt. in C 2

(wood)

whisper [ossia: cup closed]

1

  



pp sempre

 5 

pp sempre

pp sempre

Tbn. 2

   

Harp

Piano

Acc.

Vln. 1

Vln. 2

Vla.

Vc.

Db.

   

sim.

ppp sempre

    

gliss.

 

 



 

pp

 

p

    

  

         



   

   

   

sim.

 

è

 

  

p

Beh.

I





Beh.

I

   è

 

























 







  



 

  

pp



pp sempre

ppp

  



ppp sempre

 

   



 

 

  

pp



 



 

 

è

  



pp



  

  

  

è

 

32957

 



ppp sempre

pp





   

 

   



  





  



sim.     







sim.



 

 

sim.





 

ppp sempre

pp

 

 

pp

 

      

W

 

  

  

 



  



Timp. (4)

W

 

Wood (3)



Wood (1)

  

p



 



 

 


















35   









 









 



  

  





   1



 





 



152

1 Ob. 2

1

 

 

pp sempre

 

Cl. in Bb 2

Tpt. in C 2

1

   



 

5





 

è

  

 

 

  



mp



  

pp sempre













  



 



   ppp sempre

  

Tbn. 2

Wood (1)

     

Wood (3)

 

Piano

Acc.

Vln. 1





  



  p

ppp

  

 

 

  

 

Harp

ppp

pp

 

pp

    

 

 

  





     



  





p

  

 

pp





  

 

 

 







 

 

Vla.

 

Vc.

 

Db.

  



  

è

 

 

 

 

 

  

è

   



    

  

div. a 3 ord.

   

32957

 

 

è

 





 

pp

1



 

pp



ord.

 





IV

 

1

    

loco

    

pp sempre



 

  



 

 non vib. IV fl.  5  

p

ord.

Vln. 2

 

  

 

ppp sempre

 

pp







pp

  





   ppp sempre







ppp sempre

  





TT (4)



TT (2)

 



  

  

 

 

è

 



 


36

 

 

 

 

Ob.

1

  

underblown

5



 

  



Cl. in Bb 2

1

underblown

Tpt. in C 2

1

2

Wood (1)



 

TT (2)

TT (4)



 

Piano

Acc.

Vln. 1

 

 

ppp

Vla.

Vc.

Db.

  

 

 

 

 

  

p



  

 

 

 

 



è

pp



pp

 

  l.v.  

ppp sempre

 

 

 

10 q

 

sub.

 

 l.v.  

 

 

 

 

 

 

sub.

 

 

 

 

 

p



è

 

pp

ppp sempre

 

  

air

 



è

  

 

ppp

  (non vib.) 5

 è  

 

p

pp

 

pp

Vln. 2

   5 

pp sempre

pp

air

whisper [ossia: cup closed]

ppp sempre

Harp

ppp sempre

Wood (3)

 

[003,¼ ]

pp sempre

 

   





pp

 

pp

wawa

Tbn.

 

 

 

 

 

silence 10 q

 

 

 

 

 

 

 



è

   32957

 pp



pp

notengrafik berlin

2

07-09

1

silence 10 q

 

157






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