Nr. 12547 R
SAUNDERS traces for chamber orchestra (2006/2009)
REBECCA SAUNDERS
traces for chamber orchestra (2006/2009)
Unter der Nr. 12547 R in die Edition Peters aufgenommen
EIGENTUM DES VERLEGERS ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED
HENRY LITOLFF’S VERLAG / C. F. PETERS FRANKFURT/M. LEIPZIG LONDON NEW YORK
traces (2006/2009) for chamber orchestra ”The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.“ Exactitude, from Six Memos for the Next Millennium, Italo Calvino. trace1 /treIs/ v. & n. –v.tr. (small amount of) Spur, Hauch; (draw) zeichnen; (follow) verfolgen; (track down) aufspüren; (trace back to) zurückverfolgen; (path) Weg/Pfad. trace1 /treIs/ v. & n. –v.tr. observe, discover, or find vestiges or signs of by investigation; follow or mark the track or position of; follow back to its origins; mark out, delineate, sketch, or write; pursue one´s way along (a path). –n. a sign or mark or other indication of something having existed; a vestige. (ME f. OF trace [n.] tracier [v.] f. L tractus drawing) The Concise Oxford Dictionary „Es ist die Sache für sich, abgesondert von allem andern, aus dem Bedürfnis sie zu sehen, aus dem Bedürfnis zu sehen. Das Unbewegliche im Leeren, das ist endlich das Sichtbare, das reine Objekt …“ ”It is the thing in itself, isolated from all other things. Born out of the necessity to see it, and the need to see for seeing´s sake. The motionless in emptiness, that is, at last, the visible thing, the pure object …“ Die Welt und die Hose by Samuel Beckett, Suhrkamp Verlag. General Percussion R
Percussion L Clarinets Oboes Trumpets Trombones Piano
Double Bass (4)
Accordion
Violin 2 (6)
Viola (6)
Harp Violin 1 (6)
Violoncello (4)
Instrumentation Violin 1, violin 2, viola, violoncello, double bass. (6,6,6,4,4) 2 oboes, 2 clarinets in Bb (2. double bass clarinet in Bb), 2 trumpets in C, 2 tenor trombones. Percussion (4 players) – 2 players each far stage left and far stage right. Grand piano, harp and button accordion. Tempi given are only guidelines, and may be varied according to the acoustic, particualrly regarding pauses and resonances. I: This expressive double bass solo is a melody! Beautiful. III: Bring out the pulses of the interference tones. I, II, III: All attacca. Duration: ca. 13-14 minutes.
The revised version of was commissioned by the Staatskappelle Dresden for first performance on 26th August 2009 at the Semperoper Dresden. traces was orginally commissioned in 2006 by North German Radio and the Northern Sinfonia for premier on 17th November 2006 at NDR.
The score is transposed Satz und Layout:
Explanatory notes:
2 Oboes
Fluttertongue.
Z
flz + noise
Let through additional tones and noise.
vib.
Vibrato only if marked. Glissando. Raise or lower by a ¼-tone. Has an expressive and timbral function. Crescendo from, and diminuendo to, nothing. Double harmonic on given fingering. Quiet and balanced.
2 Clarinets in BÓ, 2nd doubling Bassclarinet in BÓ
Fluttertongue. If high and quiet additional lower tones may enter, but this is fine.
Z
flz + noise (noise and rough!)
Let through additional tones and noise.
air
Gradual smooth timbral transition.
tone
air
air
Air sound dominates written tone.
½-air
With written tone heard, like an echo.
vib.
Vibrato only if marked.
underblown
Play written tone and then gently „release“, gradually adding lower tone/s. Beautiful and quiet.
Raise or lower by a ¼-tone. Has an expressive and timbral function. Crescendo from, and diminuendo to, nothing.
2 Trumpets in C Mutes: wawa , harmon (use wawa and extend stem out ¾ for new timbre) and metal
wawa > senza
Remove mute while playing for fluid timbral transition.
wawa > harmon
Pull out stem while playing for fluid timbral transition. Regular rhythmic open/close trill with fingers in front of wawa mute.
/
Fast hand or finger open/close trill (always very fast) in front of wawa mute.
double max.
Double tongue maximum speed.
max. trem.
Valve tremolando maximum speed. Z
flz +
Fluttertongue. Raise or lower by a ¼-tone. An expressive and timbral function.
vib.
Vibrato only if marked.
2 Tenor Trombones with valve Mutes: wawa, metal and plunger
/
Fast hand or finger open/close trill (always very fast) in front of wawa mute.
Fall very fast down the overtones to the given lower tone.
Crescendo from and diminuendo to nothing. Z
flz +
Fluttertongue. Raise or lower by a ¼-tone. An expressive and timbral function.
vib.
Vibrato only if marked.
Percussion
Beaters Thin light snare stick. Ordinary snare stick: a) at tip (ord.);
b) at mid-point of stick.
Extra thick snare sticks. Bass drum beater. Large and soft beater. Superball(s). Dragged over skin gentle and smooth, producing deep ringing resonance.
Hard plastic. Small round-headed wooden beater. Â
Bass bow. Rubber beater (eg. handles of Kolberg triangle beaters). Thin, threaded aluminium dowel 20-25cm. Thick (12mm diameter) and long (40-55cm) threaded wooden dowel. Hard felt beater Wooden Chopstick
Percussion Left (Player 1 and 2) BD
Very large, low bass drum with natural skin on both sides. rim
Play on wooden rim.
skin
Play on skin.
Cymbal
Place medium cymbal upside-down in middle of drum.
wooden dowel
Dowel pressed lightly on skin, moved continuously and slowly, avoiding „dead“ centre. Snare stick strokes dowel slowly and continuously up and down. Hear high moving partials and drum resonance –like a smooth trill-like surface.
1 cm
Trill lightly on skin, at edge next to rim, over wooden ring/frame – high partials.
Centre.
SD
Piccolo Side Drum with and without snare. rim
Play on metal rim.
Metal dowel
On edge of rim, pull upwards fast and very loud.
MP
Mid/large flat metal plate laid on foam for resonance - Bronze or other metal with rich complex spectrum.
Low LR
Lions Roar, large/low with very long string - Replace normal string with double bass string or low harp string for long smooth tones.
TT
Part I: Large TamTam Wuhan 100-110cm Ø. For contact points, see Percussion Right. Part I: Bar 28 - Short stroke at contact point 3. onto Bar 29 with thin wood for mid-high squeak and long resonance.
Part I: Bar 37 - Drag SB-beater slowly over contact point 1. of tamtam for mid-low resonant tone.
Crotales
2 pitches hung, sounding two octaves higher than written:
BP
2 bell plates, hung: C2, C#2
Susp. Cymb.
Large, suspended. Bowed.
Gongs
2 large flat-faced, hung. Struck in the centre only.
WB
Med-high woodblock.
Ratchets
2 rachets, high/small and low/large, fixed on stands.
Wood
Simple dead wooden strokes in III - use wooden rim of BD, or table top.
Percussion Right (Player 3 and 4) BD
Very large. All effects as Percussion Left.
TT
Large Wuhan TamTam ca 110 -130 cm Ă˜ Contact points: 1. absolute centre 2. centre ring beside centre point 3. large smooth zone 4. outer ridged ring 5. side edge Bar 27/28 - Drag SB-beater slowly over contact points 3. and 4. of tamtam for very deep resonant tone.
Damp at point 5. with hand. Release at 5. with hand.
MP
As Percussion Left.
Crotales
3 pitches hung - sounding two octaves higher than written:
Timp
Bass timpani. De-tuned down minor third. Immediate gliss. (pedal) from highest to lowest tone (Bar 24). + Cymbal: see BD notes for Percussion Left.
Gongs
As Percussion Left.
High Ratchet
1 ratchet, high, fixed on stand.
Bongo
High bongo.
Wood
As Percussion Left.
Mid LR
Lions roar medium-low pitch.
SC
Sizzle cymbal. Large, suspended. Played with and without sizzle.
BP
2 bell plates, hung: D2, D#2
Piano Grand piano with sosenuto (third) pedal. Open piano-lid fully, but do not remove. Remove music-stand and place further back on the frame, or use the top section of a heavy music stand. Use stickers to mark the strings inside the piano. Requires a hard plastic plectrum for playing sounds inside the piano. Silently depress keys.
3.
3rd pedal. Sustaining pedal. Release pedal gradually.
Hit metal frame on lowest section inside piano – two sounds: low and very low. Chromatic cluster.
White key cluster.
Black key cluster.
arm
Whole of forearm(s).
In
Inside the piano on the strings. If frame of piano is in the way, choose another nearby cluster. Damp string/s near the bridge with one hand.
(
)
Damp strings behind dampers at node to get exact overtones notated. Written bass tones still heard. Damp the strings behind the dampers further along the string, seeking complex two- or threepart sound. Written bass tones still heard.
In plectrum
glissando over the strings with plectrum, fingertip or nail áá = brutal
™™ = gentle
Accordion Button accordion with three manuals: MI, MII and MIII Written at sounding pitch. Where there are pitch combinations from registers/stops, the lowest octave is notated. A chromatic cluster outer tones included.
A chromatic cluster, outer tones included.
A wide chromatic cluster in given range, exact tones not important.
vib.
Always without vibrato unless otherwise stated. Gradually depress for gentle start, as if from nothing. Decresendo as if to nothing. Accents always at maximum dynamic sf.
Half-depress button (M1) to lower tone by ca 1/4-tone. Bring out beats between the tones.
Harp Requires 2 hard plectrums. Tuning indictations given. Lowest two tones always Db and Cb. A chromatic cluster outer tones included. Chords are non arpeggio unless otherwise stated.
Secco. Plectrum. Arpeggio very fast with two plectrums in contrary motion.
près de la table
Dry. Play at bottom of string.
Strings Violin 1 – 6 players, Violin 2 – 6 players, Viola – 6 players, Violoncello – 4 players, Double bass – 4 players For the double basses: Scordatura prepared – fifth string de-tuned to Gb (or G if the string becomes too lax). Solo double bass additional scordatura in I – second string de-tuned to C#. fl
Sul tasto extreme flautando bow stroke at half way node on string; hollow, floating, beautiful.
s.p.
Sul pont:
™™/™™™ bring out overtones. ™™/™™™ and flautando, overtones dominate sound. á/áá sound towards distortion.
½-s.p.
Sul pont colouring, but actual tone heard clearly. Glissando to top of given string.
pizz.
Pizzicato with immediate glissando.
I
Highest tone on string, this may vary during composition and from one instrument to another. Left-hand with half-pressure like a harmonic, but at the given non-harmonic or harmonic node. With sul pont gives distortion.
behind I
Play on given string/s behind the bridge. Smooth careful bow. Pitch varies from one instrument to another.
E
Con sordino/senza sordino.
E
s.p.
Artificial harmonic. Natural harmonic. Raised or lowered by 1/4-tone. An expressive and timbral function. Crescendo from, and diminuendo to, nothing. Assume non vibrato unless otherwise stated.
vib. s.p.
ord.
Continuous and even transition from one timbre to the next. Bartok pizzicato, secco.
s.p.
Very fast arpeggio top to bottom string.
v.batt.
Battuto violently crini over the fingerboard. Very percussive. Hear wood of bow hitting the fingerboard.
traces I
q ca. 48-52 freely flowing in silence
2
Clarinet 1 in Bb
Bass Clarinet (2) in Bb
1
Rebecca Saunders (* 1967)
3½ q
2
1
1 Oboe
Trumpet in C
Tenor Trombone 2
L
3½ q
BD (1)
pp sempre
Percussion 2
Percussion 3
Percussion 4
R
Harp
Piano
Accordion
D# Cb Bb E§ F§ G# A§
mp
mp
q ca. 48-52
Violin 2
Viola
Violoncello
Violin 1
Double Bass 1. solo
Double Bass gli altri
freely flowing in silence
scordatura
è
scordatura
Litolff / Peters
IV V
a melody! beautiful and expressive s.p. flaut.
p
3½ q
ord.
è
mf
s.p. flaut.
è
IV
sub. pp
div. a 2 pizz.
mp
Nr. 12547 R
ord.
32957
f
s.p. flaut.
pp
ord.
© 2009 by Henry Litolff’s Verlag 11/11
2
2
Cl. in Bb (1)
B. Cl. (2)
8
1 Ob.
1
muta in Cl.
mp
Tpt. in C 2
1
BD (1)
wawa
l.v.
3
mp
mp
mp
BD (3)
Piano
TT (2)
pp
Harp
pp
Tbn. 2
wawa
mp
mp
In palm
mp
pp
Vln. 2
Vla.
Acc.
Vln. 1
div. a 2
Vc.
Db. 1. solo
pp
mf
ord.
5
f
Db. gli altri
(pizz.)
è
pp
mp
f
mf
32957
s.p. flaut.
mp
unis. arco
ord.
mp
pp
mp
s.p. sub. flaut. ord.
sffp sub. s.p.
f
sff
sub. s.p.
f sffp
3
1 Cl. in Bb 2
slow vib.
pp slow vib.
pp
pp
Tpt. in C 2
wawa
pp
1
wawa
1
pp
pp
sf
ped. gliss. low - mid
( ppp
)
f
è
II
sfp
flaut.
ord.
ffp
mp
pp
mp
f
poco vib.
l.v.
ord. non div.
ppp sempre
l.v.
p
3
1cm
thi n
mp
beh. (non div.)
è
I II
ppp sempre
beh. (non div.)
II III
I II
beh. (non div.)
mp
mf
mp
In frame
pp sempre
pp sempre
(wawa)
muta in Cl.
(wawa)
f
4
pp sempre
D§ Cb Bb Eb Fb G# A§
ord. I non div.
Db. gli altri
sfp
Db. 1. solo
I II
Vc.
mp
mp
In nail
mp
ppp
mp
(1 by 1)
palms
Vla.
ppp sempre
Vln. 2
Vln. 1
Acc.
Bass Clarinet
mp
Piano
p
BD (3)
Harp
TT (3)
Cymb. + (4) Timp.
edge
SC (3)
TT (2)
2 Gongs (2)
remove Cymbal W
muta in Bass Cl.
Cymb. + (1) BD
Tbn. 2
14
32957
div. a 2 fl.
è
ord.
è
pp
mp
è
5
è
5
div. a 2
pp
pp
mp
mp
f
f
f
s.p. flaut.
pp
ord.
mp
mp
sub. s.p. flaut.
ord.
5
mf
4 22
2½ q
2
1
Ob.
Cl. in Bb 2
1
Tpt. in C 2
1 Tbn. 2
2½ q
SC (3)
Harp
Piano
Acc.
Vln. 1
Vln. 2
Vla.
Vc.
Db. 1. solo
Db. 2. solo
Db. gli altri
2½ q
beh. (non div.)
mp
In palm
ppp
f
(ord.)
IV V
f
non div.
s.p. sub. ord.
sfp
32957
ord.
pp
1cm
pp
ppp sempre
II III sub.
mfppp
III
sfp
ord.
thi n
pp sempre
ppp sempre
(non div.)
( )
I
ppp sempre
I
beh. (non div.)
S
ppp sempre
mp
I
beh. (non div.)
s.p. flaut.
p
p
IV
edge
pp
4
pp
p
D# Cb Bb E§ F§ Gb A§
Cymb. + (4) Timp.
mp
TT (2)
TT (3)
Cymb. + (1) BD
1
mf
loco
loco
s.p. flaut.
28
1 Ob.
underblown
underblown
1
2 1 Tpt. in C 2
2 Gongs (3)
TT (3) Timp. (4)
Piano
Vla. div a 3
5
mp sf
ppp
p
ppp
p
mp
ord.
arco
p
ff
p
wait ,
arco
p
In palm
p
beh.
I beh. II
ppp
beh.
ppp
I II
ppp
I II
beh.
ppp
I beh. II
I beh. II
ppp
ppp
I beh. II
beh.
ppp
I II
ppp
I
beh.
ppp
I
beh.
ppp
I
beh.
ppp s.p. flaut
p
I beh. II
no sizzle
ppp
I II
f
ord.
loco
sf mp
Db. gli altri
pppp
muta in Bass Cl.
(wawa)
(wawa)
mp
p
p
p
In nail
pp
p
loco
Db. 1. solo
Vc. div a 3
Vln. 2 div. a 3
ppp sempre
ppp sempre
ord.
è
ppp sempre
ppp sempre
Acc.
Vln. 1 div a 3
mp
p
p
3
Harp
SC (3)
TT (2)
W
2 Gongs (2)
Susp. Cymb. (1) Cymb. + (1) BD
2
Cl. in Bb
5
I h hBf _ h h Ch
s.p. flaut.
p
ppp
ord.
f
32957
mp
( )
p
pp
p
pp
p
pp
p
p
pp
p
pp
p
pp
p
pp
p
p
pp
p
pp
pp
pp
è
p
“echo” vib.
pp
pp
ord. ord. ord. ord. I ord.
ord. ord. ord. ord. èè ord. III ord. ord.
wait,
6
34
1
pppp
Ob. 2
Cl. in Bb (1)
B. Cl. (2)
1
p
pp
mp
Cymb. + (3) BD
2 BP (4)
mp
1
ppp
Db. 1. solo
Db. gli altri
pp sempre
pp
ord.
sul pont. flaut.
f
ord.
è
è
f
sul pont. flaut.
f
32957
sul pont. flaut.
mp
unis.
pp
ppp
unis.
unis. poco vib.
ord.
pp sempre
l.v.
ppp
mp
pp sempre
Vc. div. a 4
S
pp sempre
Vla. div. a 4
div. a2
In palm
p
p
p
Vln. 2 div. a 3
p
mf
p
D§ Cb Bb E§ F§ Gb A§
senza sord.
ppp
TT (2)
Vln. 1
Acc.
Piano
2 BP (2)
Harp
ppp
echo
1
Cymb. + (1) BD
è
2
2
echo
ord.
Tpt. in C
Tbn.
7
2
Cl. in Bb (1)
B. Cl. (2)
40
1
4q
Ob.
1
pp
Tpt. in C 2
1
wawa
(wawa)
TT (4)
Harp
Piano
Acc.
Vln. 1
beh.
I
I
ppp
beh.
Vln. 2
Vc.
ppp
1
pp sempre
mp
l.v.
mp
pp sempre
p div a 2 pizz.
sub.
poco vib.
p
I II
p
4q
I II
p
remove Cymbal
p
1
p
1cm
pp
thi n
BD (3)
pp
TT (2)
Cymb. + (1) BD
pp
Tbn. 2
(1 by 1)
4q
mp
s.p. flaut.
Db. 1. solo
è
ord.
pp
Db. gli altri
f
( )
sub. p
f
s.p. flaut.
s.p. flaut.
pp
è
ord.
5
mp
32957
p div a 2 pizz.
mp
s.p. flaut.
fp unis arco.
fp
attacca
8
II q = 60
2
Cl. in Bb (1)
1
Ob.
B. Cl. (2)
1 2
1
2
rough! flz
sff
noise! flz
pp
senza sord.
senza sord.
ff
pp
pp
l.v.
4
ff
sff
q = 60 vib.
I
ff
sff
sff
sff
scordatura (V only, leave other strings as before)
I
ff
IV V tutti v.batt.
ff
l.v.
sff
sff
I
sff
I
sff
arco s.p.
fff
fff
ff
32957
non vib. è
pizz.
slow gliss.
non vib.
non vib. non div.
non vib. non div.
div. non vib. 2. 1.
fff
ff
arco divisi
ord. non vib.
2. 1.
pp
ord.
Db C§ B§ E# F# G§ Ab
ff
pp
pp
pp
pp
*
pp
f
ff
ff
ff
ff
f
f
*
sff
f
*
*
f
ff
f
*
ff
*
l.v.
15 q
3
fff
fff
3½ q
sff ppp
ff
sff ppp
ff
3
ff
palms
15 q
l.v.
6½ q
vib.
ff
ff
ff
3
D§ Cb Bb E# F# G# A§
3½ q
f
l.v.
thic k
6½ q
Db.
Vla.
Vc.
Vln. 2
Vln. 1
Acc.
Piano
Harp
W
TT (4)
15 q
BD (1)
3½ q
Tpt. in C
Tbn.
6½ q
ff
ff
ff
sub. s.p.
sub. s.p.
sub. s.p.
sub. s.p.
unis. sub. s.p.
ff
sim.
ff
sim.
ff
sim.
ff
sim.
ff
v.batt. unis.
* At 8th q only pp! Very gradual cresc.
sim.
ord.
sff ppp
9
sub.
q = 46
q = 60
Cl. in Bb (1)
B. Cl. (2)
9
1 Ob. 2
muta in Cl.
ff
1
pp
senza sord.
ff
Tpt. in C
1 Tbn. 2
f
Acc.
Vln. 1
sff
sff
ff
3
ord.
loco
loco
mp
ord. vib.
p
sff
l.v.
p
è
R+L arms
Piano
5
Harp
pp sempre
wawa
f
wawa
pp sempre
W
TT (4)
f
BD (1)
2
mp
sub.
q = 46
ff
q = 60
ord. vib.
Vln. 2
ff
ord. vib.
unis.
Vla.
ff
ord. vib.
Vc.
Db.
ff
1. sub. sub. s.p. ord.
ff
2.
32957
div.
non div. V VI
p
ppp
mp
10 16
1 Ob. 2
pp
flz air
2
flz air
1 Tpt. in C 2
1 Tbn. 2
(wawa)
pp
sf
Piano
Acc.
Vln. 1
sff
Vln. 2
ff
ord. non vib.
5
f
D§ Cb Bb E§ F§ Gb A§
ff
s.p.
thic k
f
s.p.
ff
3
s.p.
senza
ff
ppp sempre
4q
6q
pp
ff
ppp sempre
ff
III
III
ff
beh. fragile I
4q
II
III
ff
furioso! s.p.
ff
sff
vib. ord.
beh. fragile II
III
div. ord. non vib.
s.p. dist.
p
div. ord. non vib.
ff
sff
32957
5
3q
flz
5q
½ - air
s.p.
release gradually
ff
sim.
ppp sempre
distort furioso! s.p.
sff
ff
f
distort furioso! s.p.
IV
½ - air
p
ppp
6q
ff
ff
sff
ff
I
v.batt. IV V
s.p. dist. s.p.
loco
III
ff
Db.
loco
4q
non dim.
s.p.
Vc.
sff
damp centre
unis. s.p.
5
pp
non dim.
I
pp sempre
ff
Vla.
pp sempre
ord.
non dim.
s.p.
ff
pp sempre
ff
1
s.p.
pp f
sff
f
f
4
f
Harp
W
TT (4)
f
f
BD (3)
wawa
BD (1)
pp
f
(tone)
snare on rimshot
SD (1)
pp
ppp
(tone)
Cl. in Bb
1
espr.
arco
6q
pppp sempre
pppp sempre
pppp sempre
pppp sempre
pppp sempre
sub.
24
1
pppp
mp
Ob.
2
2
1
harmon
mp
ff
Tpt. in C
1
pp sempre
underblown
5
2
underblown
1 Cl. in Bb
q = 60
pp sempre
pp
senza sord.
sff f
senza sord.
senza sord.
sff
senza sord.
Harp
Piano
Acc.
Vln. 1 gli altri
Vln. 2
Vla.
Vc.
Db.
ff
mp
pp
poco vib.
ppp sempre
air
ff
ff
pp
pppp
pppp
f
7½ q
sub.
q = 60
vib.
mp
II
Vln. 1 solo
4
TT (2)
W
pp
pp
f
pp
f
pp
f
f
pp
7½ q
flz
pp
Tbn. 2
flz
11
q = 52
rit.
s.p.
sff pp
s.p.
sff pp
s.p.
sff pp
distort!
ff
sub. flaut.
pp
gentle ½ - s.p. poco vib.
sub. flaut.
pp
ff
unis. s.p.
ff
s.p.
ff
32957
pp sub. flaut.
p
non vib. flaut.
gentle ½ - s.p. poco vib.
sub. ord.
pp
ff
non vib. flaut.
unis. s.p.
q = 52
rit.
gentle ½ - s.p. poco vib.
distort!
ff
distort!
pp
7½ q
I
12
sub.
32
Ob. 2
1
Cl. in Bb
2 1
Tpt. in C 2
1 Tbn. 2
Susp. Cymb. (1)
BD (1)
mp
Vln. 2
Vc.
Db.
wawa
wawa
ff
ff
pp
pp
ff
mp
f
ff
pp sempre
pp sempre
sub. ff
1
p
pp sempre
3
D§ Cb Bb Eb Fb G# A§
mp
I II
pp sempre
beh. I
pp sempre
p
pp sempre
—
vib.
ff
—
ff
mp
—
ord. vib.
,
ff
I
—,
ord.
sff
III ff sff sub. ord.
s.p.
III ff sff sub. ord.
s.p.
s.p.
ff
s.p.
ff
v.batt.
ord.
32957
ff
s.p.
,
ord. vib.
sff
,
ff
pp
vib.
D§ Cb Bb Eb Fb Gb A§
ff
q = 60
sub.
vib. espr.
ff
sub.
ord. non vib.
sff
ord.
3
W
f
ff
rough!
non div. beh.
Vla.
ff
flz
Vln. 1
p
Acc.
rough! flz
Piano
Harp
tone
TT (4)
mf
BD (3)
arco
TT (2)
MP (1)
Crotales (2)
arco
tone
1
q = 60
sff
sub.
div. a 2 ord.
sub. ff
sub.
div. a 2
13
37
1
vib. espr.
ppp
f
Ob. 2
1
1
(wawa)
Tpt. in C 2
1
ppp
Tbn. 2
MP (1)
ppp
ff
pp
flz ff flz
ff
f
mp
ppp flz
sff
flz
f
sff
senza sord.
f
wawa
wawa
senza sord.
f
f
f
BD (1)
ppp
ppp
(wawa)
p mf
ppp
Cl. in Bb 2
sub. f
sub. pp
pp
P
Harp
Piano
Acc.
Vln. 1
Vln. 2
sff
ff
s.p.
ff
sff
ff
ff
ff
unis.
v.batt. IV V ff
ff
ff
ord. vib.
ff
div. a 2 ord.
ord.
pp
pp
ff
ff unis ord.
I
ff
sff
sub. s.p.
ff
sub. s.p.
ord. vib.
s.p.
unis. s.p.
Db.
s.p.
Vc.
ord. vib.
ff
Vla.
sff
f
MP (4)
distort s.p.
ff
sff
32957
ord.
mp
14
1 Ob.
flz
f
2
flz
Cl. in Bb
1
f
1 Tpt. in C
flz
ff
Bass Cl.
warm
fff
pp sempre
wawa
wawa
wawa
pp sempre
Piano
Acc.
l.v.
mp
s.p.
Db C§ B§ E§ F§ Gb A#
ff
ff
pp
vib. singing
sff ppp
f
s.p.
( )
½-s.p.
warm
( )
s.p.
sff
f
(s.p.)
ff
s.p.
ord.
ff 32957
mp
mp
ppp
p
( )
(s.p.)
(s.p.)
(s.p.)
ff
ff
pp
pp
div. a 2 s.t. poco vib.
ord.
ff
mp
mp
s.p. flaut.
pp
s.p. flaut.
p
pp
pp
p
p
ord.
s.t. poco vib.
ord.
ff (s.p.)
4½ q
ppp
f
ff s.p.
p
mp
q = 52
pp sempre
5½ q
mp
ff
f
W thi n
arco
ff
Db.
ord. espr.
sff
f
Vc.
f
Vla.
f
Vln. 2
Vln. 1
3
ff
f
p
pppp
pp
f
Harp
2 BP (4)
l.v.
4½ q
TT (3)
5½ q
SC (3)
Crotales (2)
BD (1)
2 BP (1)
pp sempre
muta in Cl.
wawa
Tbn. 2
4½ q
ff
senza sord.
muta in Bass Cl.
fff
f
senza sord.
f
ppp
f
1
f
ppp
f
2
f
flz
2
q = 52
5½ q
43
pp
loco
52
1 Ob.
2
Cl. in Bb 2 1 Tpt. in C
1 Tbn. 2
Acc.
Vln. 2 div a 3
1cm
thic k
mp
è
ppp sempre
ppp sempre
III
ppp sempre
III
5
ppp sempre
III
ppp sempre
III è III
ppp sempre
ppp sempre
ppp sempre
5
ppp sempre
ppp sempre
ppp sempre
I
Db.
ff
ff
ppp sempre
non div. IV V
f
ff
f
ff
f
ff
ff
ff
5q
ppp sempre
q = 60
I
I
I
ff
sff
sff
sff
sff
ff
sff
I
ff
sff
ff
vib.
sff ppp
I
sff
ppp
ppp
ppp
sff
sff
ff
W
ff
vib.
sff ppp
sub. s.p.
loco
f
loco
vib.
sff ppp
I
sub. ff 32957
sf
sff
3
ppp sempre
IV
Clarinet
ppp sempre
III
Vc. div a 3
senza sord. f
senza sord.
7q
wawa
f
wawa
ff
Vla. div a 3
Vln. 1 div a 3
Piano
Harp
BD (1)
BD (3)
MP (1)
2
7q
1
15
q = 60
vib. ff
vib.
ff
vib.
ff
ff
ff
ff
5
p
ff
5
p
ff
5
p
ff
p
ff
p
ff
p
ff
ff
ff
ff
16
58
1 Ob. 2
1 Cl. in Bb 2
1
ppp
1 Tbn. 2
TT (3)
TT (4)
Harp
Piano
Acc.
Vln. 1 solo
Vln. 1 gli altri
Vln. 2
sff
4
f
Vla.
Vc.
Db.
harmon
sff
sff
5q
ff
sff
ff
ff
ff
I/II
non vib.
sff pp
ff
non vib.
I/II
sff pp
unis.
ff
non vib.
I/II
sff pp
ff
unis.
unis.
sff pp
ff
ff
sub. s.p.
5q
ff
(s.p.)
ff
v.batt.
v.batt.
wawa
wawa
wawa
5q
f
pp
l.v.
3
ppp
ff
p
ff
ff
I
I
ff
ff
sff
5
p
P
mp
arco
5
p
p
ff
5q
loco
loco
q = 46
ord. vib. espr.
ppp
mp
ppp
beh. non div.
I II
ppp sempre
beh. non div. II III
ppp sempre
arco ord.
mp
32957
p
ppp sempre
ff
ppp sempre
ppp sempre
ppp sempre
ppp sempre
ppp sempre
ord.
sub. s.p.
ord. sub. s.p.
ord. sub. s.p.
sff
wawa
ord.
(s.p.)
sff
ff
s.p.
ord.
s.p.
harmon
pp
poco vib.
fff
flz
f
pp
5
3
BD (3)
ff
fff
p
pull out stem 3/4
pull out stem 3/4
pp
f
Crotales (3)
ppp
flz
q = 46
TT (2)
5q
BD (1)
ff
ppp
Tpt. in C 2
vib.
5q
ppp sub.
17
63
1
dark
ppp sempre
Ob. 2
1
Cl. in Bb 2
1
espr.
ppp
mf
5
harmon
mf
1
5
mp
Tbn. 2
mp
air
pp
pp
1
p
pp
TT (2)
Tpt. in C 2
ppp
flz
5
muta in Bass Cl.
mf
edge
TT (3)
SC (3)
Piano
Acc.
Vln. 1 solo
Vln. 1 gli altri
Vln. 2
pp sempre
ppp sempre
(vib.)
Vc.
ppp sempre
Db.
flaut. non vib. IV
IV
s.p.
s.p. flaut.
pp
flaut.
f
(s.p.)
sub. p
32957
mp
mp
unis.
mp
IV
5
flaut.
flaut. non vib.
pp
flaut. non vib.
ppp sempre
div. a 2
p
div. a 2
Vla.
1
Harp
p
1.
pp
18
q = 52
q = 60
6½ q
2
Cl. in Bb (1)
69
Ob.
B. Cl. (2)
1
1
Vln. 1 solo
Vln. 1
Vln. 2
pp
pp
wawa
ppp
p
p
flz
wawa
sff
pp
flz
wawa
pp
mf
senza sord.
thi n
pp
pp
ff
pp
3
pp
tone
sffpp
D# Cb Bb E§ F§ Gb A§
sffpp
sff
wawa
pp
flz
p
pp
p
RH
In plectrum
fff
q = 52
tutti
6½ q
fragile non vib. IV fl.
sub. vib.
II III s.p.
II III s.p.
ord.
5
mf
non div.
II III s.p.
ord.
è
distort! s.p.
mf
non div.
pp
ord.
5
espr.
q = 60
Vla.
wawa
Acc.
Piano
Harp
tone
[100] wawa
2 Gongs (3)
TT (4)
air
ppp
6½ q
BD (1)
Tbn. 2
Tpt. in C 2
Bass Clarinet
1
mf
sff
Db.
I
mp
pp
sub.
p
distort! s.p.
unis.
Vc.
tutti
sff
s.p. flaut.
32957
ff sub. pp sempre
19 76
1
pp
mp
pp
dark espr. vib.
ppp
è
f
Ob. 2
Cl. in Bb (1)
B. Cl. (2)
|
è
ppp sempre
flz
sff
flz
harmon
pp
sff
thi n
Piano
Acc.
Harp
pp
mp
D# C§ Bb E§ F§ G# A§
sff
hear the beats! non div.
II III
mp
è
ppp
mp
IV
mp
Vln. 2 div.
mp
IV
mp
Vla. div.
mp
5
II/III
f
mp
mp
s.p. dist.
s.p. dist.
ff
unis.
32957
sub.
sub.
sff
II III
sff
II
f
II
f
f
ff
s.p.
ff
f
ff
IV
IV
s.p.
ord.
f
s.p.
ff
ff
sff
ord.
f
s.p.
ff
s.p.
ff
ff s.p. vib. dist.
sff
ff sub. s.p.
p
ff
sub.
sub. s.p.
s.p.
II III
ord.
sub.
f
sff
ord.
f
II III
f
flz
sff
ff
5
II/III
II III
ord. vib.
f
s.p. dist.
s.p. dist.
s.p. dist.
s.p. dist.
hear the beats! non div.
f
flz
sffp
ppp
div. a 2
ff
f
f
vib. è
è
sffp
hear the beats! non div.
IV
II/III
f
hear the beats! non div.
sff
II/III
sffp
D# C§ Bb E§ F# G# A§
flz
ppp
Vln. 1 div.
Db.
sffp
ppp
sub. flz
pp sempre
pp
ff
f
1cm
Vc.
mf
BD (1)
wawa
ppp
f
ppp
sub. flz
Tbn. 2
wawa
sub. flz
flz
wawa
(fast)
harmon
ppp sempre
1
(fast)
ppp sempre
|
2
wide slow vib.
1 Tpt. in C
20
1 Ob. 2
Cl. in Bb (1)
B. Cl. (2)
ff
ff
Tpt. in C 2
1 Tbn. 2
BD (1)
f
ff
ff
Vln. 1 gli altri
Vln. 2
Vla. solo
Vla. gli altri
Vc.
Db.
f
pp
W
f
sff pp
s.p.
ff
s.p.
ff
s.p.
ff
s.p.
ff
s.p.
ff
s.p.
ff
v. batt.
ff
sff pp
arco s.p.
f
arco vib.
sub. s.p.
sub. s.p.
sub. s.p.
ff
v.batt.
ord.
sff
sff
32957
pp
I
7½ q
sff pp sub. s.p.
s.p.
ff
ppp sempre
ff
ff
ppp sempre
ff (vib.)
7½ q
ff
ff
sff pp
I
(vib.)
ff
sff pp
ord. vib.
D# Cb Bb E§ F§ G# A§
sff pp
ord. vib.
sff pp
arco ord.
vib.
ff
vib.
ff
arco vib.
ff
arco vib.
sim.
ff
ff
7½ q
pp
senza sord.
l.v.
senza sord.
f
p
muta in Cl.
vib.
arco s.p.
f
sim.
ff
arco s.p.
ff
max. double
ff
max. double
7½ q
ff sempre
ff
flz
palms
ppp
4
sff
pp
ppp
f
sff
f
senza sord.
pp
ff
ff
pp
ff
Vln. 1 solo
Acc.
Piano
pp
ff
flz
senza sord.
TT (4)
Harp
Low LR (2)
ff
1
ppp
ppp
82
21
sub.
87
molto
ff
Ob.
2
ff
(flz)
1 Cl. in Bb
1
f
sff
1 Tbn. 2
f
Harp
Acc.
Vln. 1
Db.
vib.
ppp sempre
ppp sempre
sff f sempre
sff f sempre (plunger)
sff f
plunger
sff
pp
sff
pp
sff f
sff
sff
ff
p
sff f
sff
sff
3
W
5
tutti s.p.
s.p.
arco s.p.
pizz.
arco s.p.
pp
ff
( )
s.p.
ff
s.p.
ff
s.p.
sff
ff
v. batt.
non vib.
ff
sff pp
s.p.
I
I
ff
ff
ff
ff
ord. vib.
sff
ord. vib.
ord. vib.
ff s.p. ff
32957
s.p.
loco
sff
ord. non div.
ff
ord.
s.p.
ff
sff
ff
sff
pizz.
non vib. ord.
ff
ff
ord. vib.
sff
sff
sff
sub.
q = 66
sff
sff
W
ff
3
tutti
Vc.
f
ff
Vla.
snare on
ff
Vln. 2
ppp
5
pp
Piano
MP (4) TT
pp
Bongo (4)
SD (1) BD
Clarinet
plunger
ord.
vib.
molto
ord.
pp
pp
ff
sff
2
Tpt. in C
sff f
2
1
q = 66
ff
v. batt.
sff
22
92
non. vib.
pp
ff
2
pp
3½ q
Cl. in Bb 2
1
1
Acc.
Vln. 1
D§ C# B§ E§ F§ G# A#
ff
s.p.
3½ q
I
s.p.
sff
v.batt.
sff
ff
1½ q
1½ q
I
D§ C# B# E§ F§ G# A#
5½ q
loco
fff
ff
(s.p.) loco
pp
I
(s.p.) loco
ff
ff
ord. non vib.
2½ q
pp
ff
ord. non vib.
heavy
heavy
sff pp
ord.
sff pp
(s.p.)
ff
pp
s.p.
ff
sub. s.p.
ff
(s.p.)
I
sff pp
Db.
heavy
s.p.
Vc.
ff
sff pp
heavy
v.batt.
ff
s.p.
Vla.
sff f
sff
sub. pp
sff
ff
flz
près de la table
loco
ff
3
f
ff
snare on
sff pp
Vln. 2
f
Piano
3½ q
Harp
ff sempre
SD (1) BD
pp
Tbn. 2
ff sempre
flz
pp
Tpt. in C 2
f
flz
f
f
1
ff
f
non. vib.
5½ q
Ob.
ff
v.batt.
ff
sff
32957
v.batt.
sff
s.p.
1
1½ q
sim.
sff
vib. warm s.t.
ppp sempre
ord.
ppp sempre
5½ q
23 96
f sempre
Ob.
Cl. in Bb
ff
5
ff
wawa
flz
wawa
flz
2
ff
1
pp
Acc.
Vln. 1
3
ff
noise! flz
ff
senza sord.
flz
ff
vib.
s.p.
s.p.
è
5
sim.
ff sempre
ff sempre
ff
ord. vib.
ff
ord. vib.
ff
sfpp
ff
ff
s.p.
ppp
sim. ff
pp sempre
ff
sff
f
f
ff
ff
sff p
ff
Db.
s.p.
s.p.
senza sord.
s.p.
ff
sff
ff
Vc.
ff
p
noise! flz
Vla.
sff
p
Vln. 2
f
sff
f
snare off
P
Piano
f
Harp
près de la table
ff
f
MP (4)
p
ff
5
metal
BD (1)
SD (1)
p
Tbn. 2
metal
ff
Tpt. in C
1
1
2
2
1
32957
ord.
v. batt.
ff sempre
sff
v. batt.
sff
24 100
1
pp
Ob.
1
pp
ff
5
pp
1
ff
ff
Tpt. in C
2
ff
Cl. in Bb
2
2
MP (1)
sff
f
pp
BD (1)
sub.
sf
sff
Harp
Acc.
Vln. 1
Db C§ B§ Eb Fb G# A#
3
près de la table
sff
ff
ff
5
Vla.
5
Vc.
sff
sff
f
W
4
ord.
Db.
ff sempre
ff
s.p.
sff
32957
sfpp
ff
ff
f
s.p.
s.p.
ff
v.batt.
sff
s.p.
sim.
ff
sim.
f
ff sempre s.p.
ppp
3 loco
sf
ff
P
ff
f
f
W
Vln. 2
Piano
TT (4)
MP (4)
ff
W
Bongo (4)
sff
pp
sf
pp sempre
BD (3)
sff pp
ff
thic k
WB (2)
f
ff
senza sord.
pp
Tbn. 2
senza sord.
ff
1
pp
sff
pp
ff
25
104
1
pp
Ob.
f
1
flz 1
ff
Tpt. in C
flz
2
ff
wawa
f
BD (1)
SD (2)
P
WB (2)
sff
sf
ff
M rim
sf
f
pp
pp
sff pp
sub. pp
pp sempre
f
ff
wawa
Tbn. 2
ff
sff pp
1
flz
flz
Cl. in Bb
pp
2
2
f
W
Harp
pp sempre
Piano
Acc.
Vln. 1
sff
(s.p.)
ff
arco
sff
arco
non div. ord.
ff
32957
ppp
ff
sim.
sub. sub. sub. ff
pp
ff
pp
sub. sub. sub. ff
pp
ff
pp
sim.
ff
4
pp
non div. ord.
sim.
pp
ff
unis. (s.p.)
sff
ff
ff
pp
(s.p.)
ff
ff
(s.p.)
(s.p.)
sff p
Db.
div a 2 (s.p.)
Vc.
sub. pp
ff
sff p
Vla.
f
sff p
Vln. 2
4
W
TT (4)
MP (4)
sub. pp
sub. ff
sub. pp
div.a 2 vib.
pizz.
ff
f
26 107
1
noise!
noise!
noise!
ppp
Ob.
2
ppp
1
ppp
Cl. in Bb 2
1
ppp
sff pp
sff
f
s.p.
ff sempre
sf
W
ff
4
distort
v.batt.
non div. ord. vib.
ord. arco vib.
32957
s.p.
ff
ff
ff
ord. arco vib.
sub. pp
III IV
ff
ff
ff
ff
sff s.p.
sff pp
sff
ff
arco s.p.
pp
ff
ff
distort
ff
flz
Db C§ B§ E# F# G§ Ab
pp
sf
ff
f
flz
ord.
Db.
3
Vc.
flz
ff
ff
Vla.
pp
sff pp
Vln. 2
sf
ppp
ord.
Vln. 1
sf
Acc.
flz
sff f
Piano
ff
wawa
TT (4)
Harp
ff
wawa
2 Ratchets (2)
pp
BD (1)
ff
ff
Tbn. 2
pp
pp
1
ff
2
ff
noise!
Tpt. in C
s.p.
27
109
1
flz
sub. pp
ff
Ob.
sub. pp
ff
1 Cl. in Bb 2
f
f
p
f
sub.
pp
f
Bongo (4) MP
Acc.
Vln. 1
f
ff
ff
ff
ff
5
sub. pp
sub. pp
I
ff sempre
loco
ff
f
ord.
ord.
v.batt.
ff
loco près de la table
ff sempre
ff
32957
ff sempre
ff
ff sempre
I
s.p.
pp
snare on
ord.
sub. pp
sff
ff
ff
ff
s.p.
sub. pp
D§ C# B# Eb Fb G§ A§
ff
sub. pp
ff
s.p.
ff
P
sff
ff
s.p.
pp
Db.
3.
III
Vc.
IV
Vla.
sff
pp
Vln. 2
Piano
2 Ratchets (2)
Harp
WB (2)
TT (4)
senza sord.
senza sord.
ff
sub. ff
SD (1) BD
f
Tbn.
f
ff
2
ff
1
Tpt. in C 2
ff
1
ff
flz
2
ff
ff
3.
loco
sub. s.p.
sub. s.p.
s.p.
s.p.
s.p.
ord.
ff
28
112
1
Ob.
Cl. in Bb 2
ff
ff
Tpt. in C
ff
1 Tbn. 2
2 Ratchets (2)
ff
Acc.
Vln. 1
5
vib. non div.
Vla.
Db.
pp
pp
pp
pp
ff
5
I sff
I
ord.
ord.
ff
ff
ff
v. batt.
sff
32957
ff sempre
ff
ff sempre
div. a 2
ff sempre
arco s.p.
loco
unis. s.p.
unis. s.p.
ff
ff
loco
unis. s.p.
arco s.p.
pp
sff
div. a 2
f
ff
I II
f
pp
div. a 2
ff
sff
sf
pp
sf
sf
f
loco
f
sff f
p
pp
I
ord.
ff
W
ff
ff
ff
ff
ff
ff
sff
ff
I
sff
ff
ff
ff
ff
ff
ff
ord. vib.
ff
ff
ff
vib.
Vc.
ff
ff sempre
ff
vib. non div.
ff
vib.
Vln. 2
3.
ff
sff
f
ff
Piano
Harp
f
sim.
P
senza sord.
TT (4)
4
senza sord.
ff
W
Bongo (4) MP
sf
BD (3)
ff
pp
p
M
ff
SD (2)
ff
pp
SD (1) BD
p
2
pp
p
1
1
2
v. batt.
v. batt.
s.p.
ff
s.p.
ff
29
117
1 Ob. 2
1 Cl. in Bb 2
1
Tbn. 2
sf
Vc.
Db.
IV
D§ C# B# Eb Fb Gb A#
sff
(s.p.)
(s.p.)
ff
ff
ff
f
v. batt.
ord.
ord. s.p.
IV
ord. s.p.
f
ord.
ff
f
ord. s.p.
ord.
ff
f
v. batt.
ord.
32957
ord.
ff
ord.
(gliss. sul G)
sub.
ff
p
vib.
sub.
sub. s.p.
ff
vib.
p
molto vib.
ff
I
ff
ff
ff
loco
ord. vib.
IV III IV
ff
ff
sub. s.p.
ord. vib.
III IV
ff
ff
sub. s.p.
sub. s.p.
IV
ord. vib.
ff
ff
ff
s.p.
v. batt.
sff
ff
sub. s.p.
thic k
sff
ff
ff sempre
pp
IV III
ff
sim.
sff
sff
ff
près de la table
sff
sff
loco
ff
v. batt.
distort sub. s.p.
distort sub. s.p.
ord.
distort sub. s.p.
ord.
ff
ff sempre metal
ff sempre
metal
metal
p
IV
Vla.
IV
Vln. 2
ff
f
ff
f
loco
p
p
sf f
Vln. 1
rough!
Acc.
ff
5
Piano
sf
BD (3)
Harp
sf
flz
p
rough!
pp
MP (4) TT
f
BD (1)
Bongo (4)
(senza sord.)
MP (1)
f
flz
(senza sord.)
ff
(senza sord.)
f sempre
1
ff
(senza sord.)
2
f sempre
Tpt. in C
ff
30 123
1 Ob. 2
ff
pp
Cl. in Bb
ff
1
pp
Tpt. in C 2
1 Tbn. 2
pp
pp
4
ppp
flz
s.p.
ff
flz
ff
sff
sf
III IV
(s.p.)
pizz. div. a 2
(s.p.)
div a 2 arco
ff
arco
ff
ord.
ff
ord.
ff
ff
ff
ff
sub.
pp
M
rim
ff
sff
ff
pp sempre
sf
sf
sf
pp
ff
f
ff
s.p.
s.p.
s.p.
ff v. batt.
s.p.
ff
ff
sff
32957
f
ff
f
f
unis. ord.
ord.
ff
pp
sub. ff pp
non div. non vib. s.p.
ff
rough!
ff
ff
ord.
sub. ff
sff
pizz.
ff
1cm
f
ff
près de la table
pp flz
loco
f
pp
ppp
pp
ff
s.p.
ff
s.p.
thic k
ord. vib.
ff
ff
I
wawa
senza sord.
ord. vib.
wawa
ff
Db.
ff
ff
ff
s.p.
Vc.
ff
Vla.
ff
f
s.p.
Vln. 2
ff
P
flz
ff
Vln. 1
Acc.
pp
MP (4)
Piano
pp
Bongo (4)
Harp
(metal)
2 Ratchets (3)
pp
SD (2)
TT (3)
sff
ff
Low LR (2)
ff
2 Ratchets (2)
flz
BD (1)
ff
2 1
31
129
1 Ob. 2
f pp
ff
f
ff
1 Cl. in Bb 2
ff
flz
1 Tpt. in C 2
sff f
flz
sff f
1 Tbn. 2
f
sff
pp sempre
ff
sff pp
senza sord.
f
f
f
sf
sf
sf
sf
pp
f
ff
pp
ff
sub. pp ff
sff sub.
sff ff
sub. pp ff
v.batt.
v.batt.
ff
pizz.
f
sffpp
ff
5
è
5
f
sim.
sffpp
arco s.p.
sff
sim.
ff
arco
mp 32957
vib.
è
pp
ord.
5
f
3
f
ff IV
s.p. dist.
ff
pizz.
sff
pizz.
sff
sff
pizz.
ff
pizz.
ff
arco s.p.
sff
s.p.
ff
ord.
ff
s.p. dist.
sff
sff
s.p.
sffpp
sim.
ord. vib.
sff
sf
vib.
sim.
sffpp
pizz.
pp ff
(s.p.)
sffpp
(s.p.)
ff
ff
ff
(s.p.)
4
sff
sff
sff
pp
sim.
f
sff
thic k
sff
f
f
sff pp
with plunger
ff
senza sord.
près de la table
f
sff sub. ff
sff
with plunger
f
ff
Db.
p sempre sff
ff
1
sff
ff
sub.
sub.
p sempre sff
sub. ff
pp
sff
ff
sffp
pp
Vc.
pp
Vla.
ff
pp
Vln. 2
Vln. 1
sffp
Acc.
ff
P
ff
Piano
MP (4)
Bongo (4)
Mid. LR (3)
Harp
Bongo (3)
f
pp
TT (4)
f
BD (1)
sff
pizz.
sff
32 132
1 Ob. 2
ff
ff
1
1
fff
pp
pp
pp sempre
Cl. in Bb 2
9½ q
è
pp sempre
Tpt. in C
1
fff
ff
Tbn.
R arm
ff
ff L arm
Vla.
mp
l.v. ord.
ff
p
pp
ppp
Vc.
Db.
ff
arco s.p.
ff
pizz. pizz.
pizz.
beh.
pp
I
pp 32957
pp sempre
p
sub. s.p. flaut.
ord.
mf
pp
sub. s.p. flaut.
arco ord.
9½ q
beh.
arco beh.
mf
sub. poco vib.
I
ff
arco s.p.
I
(s.p.)
( )
vib.
mp
p
3.
In finger
arco s.p.
p
ff
q 1cm 9½
ppp sempre
D§ C# B# E# F# G§ Ab
arco
mp
1
arco tender s.t. espr.
mp
ppp
Vln. 2
Vln. 1
cup
4
3.
sff
sff
Acc.
W
Piano
Harp
ff
TT (4)
p
BD (3)
ff
SC (3)
BD (1)
p
2
2
pp
sub. p
7½ q
7½ q
33
III
138
1
Ob. 2
1
Cl. in Bb 2
1 Tpt. in C 2
1 Tbn. 2
BD (1)
Piano
Acc.
Vln. 1
sim.
pp sempre
4½ q
wood
pppp
pp sempre
(silent)
mf
pp
1cm
pp sempre
q = 56
II fl.
espr.
Vla.
Vc.
Db.
s.p. non div.
f
IV V sf
32957
pp
III è
sim.
p
gliss.
pp
p
pp
pp sempre
s.p.
fl. (non vibr.)
è
Vln. 2
pp sempre
wawa
thi n
pp
4½ q
3.
fff
è
espr. slow vib.
p
[023,¼ ] harmon
q = 56
espr. slow vib.
Timp. (4)
Harp
4½ q
è
ord.
III
pp sempre
34
whisper
146
1 Ob. 2
1 Cl. in Bb 2
1
(wawa)
è
p
è
p
Tpt. in C 2
(wood)
whisper [ossia: cup closed]
1
pp sempre
5
pp sempre
pp sempre
Tbn. 2
Harp
Piano
Acc.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
sim.
ppp sempre
gliss.
pp
p
sim.
è
p
Beh.
I
Beh.
I
è
pp
pp sempre
ppp
ppp sempre
pp
è
pp
è
32957
ppp sempre
pp
sim.
sim.
sim.
ppp sempre
pp
pp
W
Timp. (4)
W
Wood (3)
Wood (1)
p
35
1
152
1 Ob. 2
1
pp sempre
Cl. in Bb 2
Tpt. in C 2
1
5
è
mp
pp sempre
ppp sempre
Tbn. 2
Wood (1)
Wood (3)
Piano
Acc.
Vln. 1
p
ppp
Harp
ppp
pp
pp
p
pp
Vla.
Vc.
Db.
è
è
div. a 3 ord.
32957
è
pp
1
pp
ord.
IV
1
loco
pp sempre
non vib. IV fl. 5
p
ord.
Vln. 2
ppp sempre
pp
pp
ppp sempre
ppp sempre
TT (4)
TT (2)
è
36
Ob.
1
underblown
5
Cl. in Bb 2
1
underblown
Tpt. in C 2
1
2
Wood (1)
TT (2)
TT (4)
Piano
Acc.
Vln. 1
ppp
Vla.
Vc.
Db.
p
è
pp
pp
l.v.
ppp sempre
10 q
sub.
l.v.
sub.
p
è
pp
ppp sempre
air
è
ppp
(non vib.) 5
è
p
pp
pp
Vln. 2
5
pp sempre
pp
air
whisper [ossia: cup closed]
ppp sempre
Harp
ppp sempre
Wood (3)
[003,¼ ]
pp sempre
pp
pp
wawa
Tbn.
silence 10 q
è
32957
pp
pp
notengrafik berlin
2
07-09
1
silence 10 q
157