EP 12547R, Rebecca Saunders, traces, for chamber orchestra by Edition Peters

Contemporary

saunders traces for chamber orchestra (2006/2009) Full Score

EP 12547R

REBECCA SAUNDERS

traces for chamber orchestra (2006/2009)

Unter der Nr. 12547 R in die Edition Peters aufgenommen

HENRY LITOLFF’S VERLAG / C. F. PETERS FRANKFURT/M. LEIPZIG LONDON NEW YORK

traces (2006/2009) for chamber orchestra ”The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.“ Exactitude, from Six Memos for the Next Millennium, Italo Calvino. trace1 /treIs/ v. & n. –v.tr. (small amount of) Spur, Hauch; (draw) zeichnen; (follow) verfolgen; (track down) aufspüren; (trace back to) zurückverfolgen; (path) Weg/Pfad. trace1 /treIs/ v. & n. –v.tr. observe, discover, or find vestiges or signs of by investigation; follow or mark the track or position of; follow back to its origins; mark out, delineate, sketch, or write; pursue one´s way along (a path). –n. a sign or mark or other indication of something having existed; a vestige. (ME f. OF trace [n.] tracier [v.] f. L tractus drawing) The Concise Oxford Dictionary „Es ist die Sache für sich, abgesondert von allem andern, aus dem Bedürfnis sie zu sehen, aus dem Bedürfnis zu sehen. Das Unbewegliche im Leeren, das ist endlich das Sichtbare, das reine Objekt …“ ”It is the thing in itself, isolated from all other things. Born out of the necessity to see it, and the need to see for seeing´s sake. The motionless in emptiness, that is, at last, the visible thing, the pure object …“ Die Welt und die Hose by Samuel Beckett, Suhrkamp Verlag. General Percussion R

Percussion L Clarinets Oboes Trumpets Trombones Piano

Double Bass (4)

Accordion

Violin 2 (6)

Viola (6)

Harp Violin 1 (6)

Violoncello (4)

Instrumentation Violin 1, violin 2, viola, violoncello, double bass. (6,6,6,4,4) 2 oboes, 2 clarinets in Bb (2. double bass clarinet in Bb), 2 trumpets in C, 2 tenor trombones. Percussion (4 players) – 2 players each far stage left and far stage right. Grand piano, harp and button accordion. Tempi given are only guidelines, and may be varied according to the acoustic, particualrly regarding pauses and resonances. I: This expressive double bass solo is a melody! Beautiful. III: Bring out the pulses of the interference tones. I, II, III: All attacca. Duration: ca. 13-14 minutes.

The revised version of was commissioned by the Staatskappelle Dresden for first performance on 26th August 2009 at the Semperoper Dresden. traces was orginally commissioned in 2006 by North German Radio and the Northern Sinfonia for premier on 17th November 2006 at NDR.

The score is transposed Satz und Layout:

Explanatory notes:

2 Oboes

Fluttertongue.

flz + noise

Let through additional tones and noise.

vib.

Vibrato only if marked. Glissando. Raise or lower by a ¼-tone. Has an expressive and timbral function. Crescendo from, and diminuendo to, nothing. Double harmonic on given fingering. Quiet and balanced.

2 Clarinets in BÓ, 2nd doubling Bassclarinet in BÓ

Fluttertongue. If high and quiet additional lower tones may enter, but this is fine.

flz + noise (noise and rough!)

Let through additional tones and noise.

air

Gradual smooth timbral transition.

tone

air

Air sound dominates written tone.

½-air

With written tone heard, like an echo.

vib.

Vibrato only if marked.

underblown

Play written tone and then gently „release“, gradually adding lower tone/s. Beautiful and quiet.

Raise or lower by a ¼-tone. Has an expressive and timbral function. Crescendo from, and diminuendo to, nothing.

2 Trumpets in C Mutes: wawa , harmon (use wawa and extend stem out ¾ for new timbre) and metal

wawa > senza

Remove mute while playing for fluid timbral transition.

wawa > harmon

Pull out stem while playing for fluid timbral transition. Regular rhythmic open/close trill with fingers in front of wawa mute.

Fast hand or finger open/close trill (always very fast) in front of wawa mute.

double max.

Double tongue maximum speed.

max. trem.

Valve tremolando maximum speed. Z

flz +

Fluttertongue. Raise or lower by a ¼-tone. An expressive and timbral function.

vib.

Vibrato only if marked.

2 Tenor Trombones with valve Mutes: wawa, metal and plunger

Fast hand or finger open/close trill (always very fast) in front of wawa mute.

Fall very fast down the overtones to the given lower tone.

Crescendo from and diminuendo to nothing. Z

flz +

Fluttertongue. Raise or lower by a ¼-tone. An expressive and timbral function.

vib.

Vibrato only if marked.

Percussion

Beaters Thin light snare stick. Ordinary snare stick: a) at tip (ord.);

b) at mid-point of stick.

Extra thick snare sticks. Bass drum beater. Large and soft beater. Superball(s). Dragged over skin gentle and smooth, producing deep ringing resonance.

Hard plastic. Small round-headed wooden beater. Â

Bass bow. Rubber beater (eg. handles of Kolberg triangle beaters). Thin, threaded aluminium dowel 20-25cm. Thick (12mm diameter) and long (40-55cm) threaded wooden dowel. Hard felt beater Wooden Chopstick

Percussion Left (Player 1 and 2) BD

Very large, low bass drum with natural skin on both sides. rim

Play on wooden rim.

skin

Play on skin.

Cymbal

Place medium cymbal upside-down in middle of drum.

wooden dowel



Dowel pressed lightly on skin, moved continuously and slowly, avoiding „dead“ centre. Snare stick strokes dowel slowly and continuously up and down. Hear high moving partials and drum resonance –like a smooth trill-like surface.

1 cm

Trill lightly on skin, at edge next to rim, over wooden ring/frame – high partials.



Centre.

Piccolo Side Drum with and without snare. rim

Play on metal rim.

Metal dowel

On edge of rim, pull upwards fast and very loud.

Mid/large flat metal plate laid on foam for resonance - Bronze or other metal with rich complex spectrum.

Low LR

Lions Roar, large/low with very long string - Replace normal string with double bass string or low harp string for long smooth tones.

Part I: Large TamTam Wuhan 100-110cm Ø. For contact points, see Percussion Right. Part I: Bar 28 - Short stroke at contact point 3. onto Bar 29 with thin wood for mid-high squeak and long resonance.



Part I: Bar 37 - Drag SB-beater slowly over contact point 1. of tamtam for mid-low resonant tone.

Crotales

2 pitches hung, sounding two octaves higher than written:

2 bell plates, hung: C2, C#2

Susp. Cymb.

Large, suspended. Bowed.

Gongs

2 large flat-faced, hung. Struck in the centre only.

Med-high woodblock.

Ratchets

2 rachets, high/small and low/large, fixed on stands.

Wood

Simple dead wooden strokes in III - use wooden rim of BD, or table top.

Percussion Right (Player 3 and 4) BD

Very large. All effects as Percussion Left.

Large Wuhan TamTam ca 110 -130 cm Ă&#x2DC; Contact points: 1. absolute centre 2. centre ring beside centre point 3. large smooth zone 4. outer ridged ring 5. side edge Bar 27/28 - Drag SB-beater slowly over contact points 3. and 4. of tamtam for very deep resonant tone.

Damp at point 5. with hand. Release at 5. with hand.

As Percussion Left.

Crotales

3 pitches hung - sounding two octaves higher than written:

Timp

Bass timpani. De-tuned down minor third. Immediate gliss. (pedal) from highest to lowest tone (Bar 24). + Cymbal: see BD notes for Percussion Left.

Gongs

As Percussion Left.

High Ratchet

1 ratchet, high, fixed on stand.

Bongo

High bongo.

Wood

As Percussion Left.

Mid LR

Lions roar medium-low pitch.

Sizzle cymbal. Large, suspended. Played with and without sizzle.

2 bell plates, hung: D2, D#2

Piano Grand piano with sosenuto (third) pedal. Open piano-lid fully, but do not remove. Remove music-stand and place further back on the frame, or use the top section of a heavy music stand. Use stickers to mark the strings inside the piano. Requires a hard plastic plectrum for playing sounds inside the piano. Silently depress keys.

3rd pedal. Sustaining pedal. Release pedal gradually.

Hit metal frame on lowest section inside piano – two sounds: low and very low. Chromatic cluster.

White key cluster.

Black key cluster.

arm

Whole of forearm(s).

Inside the piano on the strings. If frame of piano is in the way, choose another nearby cluster. Damp string/s near the bridge with one hand.

(

)

Damp strings behind dampers at node to get exact overtones notated. Written bass tones still heard. Damp the strings behind the dampers further along the string, seeking complex two- or threepart sound. Written bass tones still heard.

In plectrum

glissando over the strings with plectrum, fingertip or nail áá = brutal

™™ = gentle

Accordion Button accordion with three manuals: MI, MII and MIII Written at sounding pitch. Where there are pitch combinations from registers/stops, the lowest octave is notated. A chromatic cluster outer tones included.

A chromatic cluster, outer tones included.

A wide chromatic cluster in given range, exact tones not important.

vib.

Always without vibrato unless otherwise stated. Gradually depress for gentle start, as if from nothing. Decresendo as if to nothing. Accents always at maximum dynamic sf.

Half-depress button (M1) to lower tone by ca 1/4-tone. Bring out beats between the tones.

Harp Requires 2 hard plectrums. Tuning indictations given. Lowest two tones always Db and Cb. A chromatic cluster outer tones included. Chords are non arpeggio unless otherwise stated.

Secco. Plectrum. Arpeggio very fast with two plectrums in contrary motion.

prĂ¨s de la table

Dry. Play at bottom of string.

Strings Violin 1 – 6 players, Violin 2 – 6 players, Viola – 6 players, Violoncello – 4 players, Double bass – 4 players For the double basses: Scordatura prepared – fifth string de-tuned to Gb (or G if the string becomes too lax). Solo double bass additional scordatura in I – second string de-tuned to C#. fl

Sul tasto extreme flautando bow stroke at half way node on string; hollow, floating, beautiful.

s.p.

Sul pont:

™™/™™™ bring out overtones. ™™/™™™ and flautando, overtones dominate sound. á/áá sound towards distortion.

½-s.p.

Sul pont colouring, but actual tone heard clearly. Glissando to top of given string.

pizz.

Pizzicato with immediate glissando.

Highest tone on string, this may vary during composition and from one instrument to another. Left-hand with half-pressure like a harmonic, but at the given non-harmonic or harmonic node. With sul pont gives distortion.

behind I

Play on given string/s behind the bridge. Smooth careful bow. Pitch varies from one instrument to another.

Con sordino/senza sordino.

s.p.

Artificial harmonic. Natural harmonic. Raised or lowered by 1/4-tone. An expressive and timbral function. Crescendo from, and diminuendo to, nothing. Assume non vibrato unless otherwise stated.

vib. s.p.

ord.

Continuous and even transition from one timbre to the next. Bartok pizzicato, secco.

s.p.

Very fast arpeggio top to bottom string.

v.batt.

Battuto violently crini over the fingerboard. Very percussive. Hear wood of bow hitting the fingerboard.

traces I

q ca. 48-52 freely flowing in silence

 











Clarinet 1 in Bb





Bass Clarinet (2) in Bb



Rebecca Saunders (* 1967)

3½ q

 















 















 















 













 





 



















 



















 



















 













 



   

1 Oboe

Trumpet in C

Tenor Trombone 2









3½ q

 



BD (1)



pp sempre

 

 



Percussion 2







 













Percussion 3







 













Percussion 4







 



















 













 

































 













 













Harp

Piano

Accordion



 









D# Cb Bb E§ F§ G# A§

   

    

      mp



 

q ca. 48-52













 













 



 





Violin 2







 













Viola







 













Violoncello







 

























Violin 1

Double Bass 1. solo

Double Bass gli altri

freely flowing in silence

scordatura

 

    

scordatura

 

    

Litolff / Peters

IV V

a melody! beautiful and expressive s.p.  flaut.

      

  p



3½ q

ord.









 

s.p. flaut.

   IV 

 

sub. pp

 

div. a 2 pizz.

 

Nr. 12547 R

ord.

32957

 



f 









s.p. flaut.







ord.



 





2   











 











Cl. in Bb (1)

 











B. Cl. (2)

  











  











 











 































1 Ob.



  



muta in Cl.







Tpt. in C 2

BD (1)

 

  





wawa



    

l.v.



3









 

































 





  



      

 





  





 























 BD (3)   

Piano















 

TT (2)





Harp



Tbn. 2

wawa



  

In palm

   





  



 pp   

  











Vln. 2

 











Vla.

 



















Acc.

Vln. 1

      

div. a 2

Vc.

Db. 1. solo

  

 



 mf



ord.







Db. gli altri

  







   

(pizz.)





 





 pp









32957



  

s.p. flaut.





 





unis. arco





 

ord.

  





 

  

s.p. sub. flaut. ord.

  

   

sffp sub. s.p.

    sff

sub. s.p.

 

  

f sffp 





3   

1 Cl. in Bb 2

slow vib.

pp slow vib.

 

  

Tpt. in C 2

 



wawa

 

 

 

 



  

wawa

  

    



 

 





























   











 









 



 





 



ped. gliss. low - mid



(        ppp  

)



   f



   è    

 II    

sfp

flaut.

    

ord.



ffp

 







 





    







 

 

 

















  



  



















  























  









 

poco vib.



   

 l.v.   

 

  





 





 

  

 



 



   





   

ord. non div.





 

ppp sempre



l.v.

  





3  







 1cm   





  





thi n









  

 













 



   

beh. (non div.)







 

I II







ppp sempre







  









beh. (non div.)



   

II III



I   II  

beh. (non div.)





  

mf      





 



In frame

  

 

pp sempre







       

 





pp sempre

(wawa)

muta in Cl.





(wawa)



 

 





pp sempre



D§ Cb Bb Eb Fb G# A§









ord. I non div.

Db. gli altri





sfp

Db. 1. solo





I II

Vc.





 



In nail

        

 mp      





     

ppp

 

(1 by 1)



 



































   

 









palms



Vla.





ppp sempre

Vln. 2





Vln. 1





Acc.













Bass Clarinet







  



 





  mp

  







 









   







Piano









BD (3)

Harp

 



TT (3)

Cymb. + (4) Timp.

edge



SC (3)







TT (2)







2 Gongs (2)





       

remove Cymbal W     



muta in Bass Cl.









Cymb. + (1) BD







  

      

 

 



 

             

Tbn. 2





 



 

 32957

div. a 2 fl.

 è  

 





ord.

  è 

 è  

   5 

 è  

  5 

div. a 2

  f

 f



s.p. flaut.



   



  

ord.

 





sub. s.p. flaut.







 

   

 

ord.

 





4   22

2½ q

 















 















 













 













 

 















 















 















 













 







 

Ob.

Cl. in Bb 2



Tpt. in C 2

1 Tbn. 2





2½ q





SC (3)



 









 









   

 





 





Harp

Piano

Acc.

Vln. 1

Vln. 2

Vla.

Vc.

Db. 1. solo

Db. 2. solo

Db. gli altri



 





 



 

       

 

 

 

2½ q

   







 





 





 



 

 













 

 

   

 

 



beh. (non div.)











   mp

   



    

In palm





    



 

 ppp

   

 

 

 

 

  

(ord.)

IV V

  

non div.











































s.p. sub. ord.











  

sfp

32957

 



ord.

 



1cm





ppp sempre



  

  

 



II   III      sub.



 

mfppp



 



  



 III











 

sfp

ord.





  

thi n

    

pp sempre





ppp sempre

(non div.)

( )

 

 





ppp sempre

 





 

beh. (non div.)



 

 



ppp sempre





   mp

beh. (non div.)

s.p. flaut.







 









edge



 



    













  





 p 



D# Cb Bb E§ F§ Gb A§





Cymb. + (4) Timp.



    





    



 





  

 



TT (2)

TT (3)

  





Cymb. + (1) BD

























loco



 



   

loco

s.p. flaut.

 













  28

1 Ob.







underblown





underblown

2 1 Tpt. in C 2



2 Gongs (3)



TT (3) Timp. (4)

Piano















Vla. div a 3



















 



 

 5 



mp sf



ppp

 



  



 



ppp

 





 



 

 

  













ord.









arco

 



 



 



 

 

 

 

wait ,





 













 



arco

 







  





























In palm

     p

 



    



  

beh.



I beh. II   



ppp

beh.   



ppp

I II

 



ppp

I II

beh.

ppp

I beh. II   



I beh. II   



ppp

I beh. II   

 

beh.   

ppp

I II

ppp



I  

beh.

ppp

I  



beh.

ppp



  I

beh.

ppp s.p. flaut

     p





 





I beh. II   



no sizzle



ppp

 



 













I II



 











 ord.

 

loco



sf mp

Db. gli altri

 



 pppp



muta in Bass Cl.

 



 

 

(wawa)





 

 

p            



      p

In nail















          loco





Db. 1. solo





Vc. div a 3



 

 Vln. 2 div. a 3

 



ppp sempre



    





   

ppp sempre

ord.



 

   

ppp sempre

 

 

 

ppp sempre

     





   Acc.  

Vln. 1 div a 3

 



  



  

    p 



     





Harp







SC (3)







TT (2)

   



  









 



   





2 Gongs (2)





  



Susp. Cymb. (1) Cymb. + (1) BD

 

  





Cl. in Bb



I h hBf _ h h Ch



s.p. flaut.

   p

 

ppp

                          

 





ord.







 32957



 



 



 



 



 



 



 



 



   

 

 ( )

 

 



 

 

 



   



 





 



 

 

 



 







 



“echo” vib.

 

 



 

 

ord.       ord.       ord.         ord.  I    ord.      



 

     ord.      ord.      ord.      ord.   èè   ord. III      ord.         ord.



 

 

 



wait,

  



  



  



  



  



  



  



  



  



  



  



  



6  















pppp

Ob. 2

Cl. in Bb (1)

B. Cl. (2)

 

 























 

   





























 



Cymb. + (3) BD





2 BP (4)











       





 







 









 1







   



 

ppp



Db. 1. solo

Db. gli altri



   



pp sempre

 

























  

 



 



   

   

  

  

   

 ord.

   

sul pont. flaut.







ord.



è

 è 

 

sul pont. flaut.









 32957



sul pont. flaut.





unis.



 









ppp



 

 



 







unis.



unis. poco vib.

  



 





ord.

 

 





  

   





 

pp sempre

l.v.





  

ppp











pp sempre

Vc. div. a 4





 

   



pp sempre

Vla. div. a 4





 

 





div. a2





In palm



  





     









 







Vln. 2 div. a 3

   





D§ Cb Bb E§ F§ Gb A§



















senza sord.





 



ppp





TT (2)

Vln. 1





Acc.







Piano

 





2 BP (2)

Harp

ppp

echo



 

Cymb. + (1) BD

 



echo



ord.

Tpt. in C

Tbn.



  

7  

 























 

Cl. in Bb (1)













 

B. Cl. (2)









 



 

 











 













 









 





 





 

Ob.



 



Tpt. in C 2

wawa



















 

(wawa)



TT (4)









 











Harp

Piano

Acc.

Vln. 1





 







 













 







 



















 



beh.















ppp

beh.

Vln. 2

Vc.

 















ppp





 

1

pp sempre

l.v.





 



   



 



 



 

      mp





 pp sempre

 



 



p div a 2 pizz.

     





sub.



 

 





poco vib.

 







 

   

  

 



I II





   



 



   

I II



 







 







remove Cymbal

 



1

1cm

 



   













  





 



thi n

BD (3)

   

 





TT (2)

















Cymb. + (1) BD



Tbn. 2





(1 by 1)





 



 



 



 

s.p. flaut.

Db. 1. solo



  è

ord.





Db. gli altri

 





( )

       



sub. p



s.p. flaut.





 



s.p. flaut.

   pp

 

 

ord.

 



 32957

 

p div a 2 pizz.

   







s.p. flaut.



fp unis arco.



 







  

   

attacca

II q = 60

 

 



Cl. in Bb (1)

 

 

 

Ob.

B. Cl. (2)

 1  2

 





 

 

 





      

 

 



 

 





 

 







 

 







 

rough! flz

 

sff



 

noise! flz

  pp



 



 

 







 

 

 







 

 







 

 

 





senza sord.



 

 







 

 

 





senza sord.



 

  pp



 

 



 





 







   l.v.       



      4







       



sff





     









 

 

 

 

q = 60 vib.





   



 I  

sff



sff

  

sff

scordatura (V only, leave other strings as before)













 



 



 





    IV V   tutti v.batt.



    

   

  













 



       l.v.   

sff





     



sff

 I 



sff



 

sff

     

arco s.p.

     

 



 

 

   

 

 



 

fff



    



 

fff

  

  

32957



non vib. è



pizz.

  

slow gliss.

 



non vib.

 

non vib. non div.



  

non vib. non div.

  

div. non vib. 2. 1.

 

fff

 

 

arco divisi

    

ord. non vib.

   2.  1.

ord.

Db C§ B§ E# F# G§ Ab



      



 



 

         ff



 

      



  

  

sff









  

        



 f

 

  





    l.v. 



15 q



    



     

       3

 

 

    





 

fff





3½ q       

    





 

 

 



sff ppp



 

   

 



    



sff ppp

 

 





          3

 





 

 



palms

 

 

 

 



15 q

 

 

l.v.



6½ q

    

vib. 







 

 

 

       



    ff

      3

 

D§ Cb Bb E# F# G# A§



 

 



3½ q





   l.v.

thic k

6½ q

 





Db.

 



Vla.

Vc.

 





Vln. 2





Vln. 1



 



Acc.





Piano





 

 



Harp

 



TT (4)

15 q

 



BD (1)



3½ q



 

Tpt. in C

Tbn.

6½ q

        

sub. s.p.

     sub. s.p.

      sub. s.p.

    

sub. s.p.

    

unis. sub. s.p.

      

sim.

         ff

sim.

           ff

sim.

           ff

        sim.

 

 v.batt. unis.          

* At 8th q only pp! Very gradual cresc.

sim.

        



 

   

ord.

sff ppp

sub.

q = 46

q = 60

 



















Cl. in Bb (1)











B. Cl. (2)





 





1 Ob. 2





 





muta in Cl.



 



  1



















senza sord.





  



Tpt. in C



1 Tbn. 2





  

  





  



















   





Acc.

Vln. 1

sff





     



 





sff



 



 





 



 





  

  







 









 



 

     ord.

loco













loco



    

















 







   







   























 







ord. vib.

 



sff



 

l.v.







 

R+L arms

 

Piano





 

   



Harp



 



pp sempre

      



wawa











wawa

pp sempre

TT (4)





BD (1)





  



 sub.

q = 46

q = 60 



ord. vib.

Vln. 2



ord. vib.

unis.

Vla.





  

ord. vib.

Vc.

Db.



  

  

  



1. sub. sub. s.p. ord.



   2. 



 





 



 32957



div.

non div. V VI





ppp

















10     16

1 Ob. 2

  flz air

2    

flz air

1 Tpt. in C 2

1 Tbn. 2

       



(wawa)













      

Piano

Acc.

Vln. 1

sff

Vln. 2



 

 

 



     



        ff





ord. non vib.

 5  



 D§ Cb Bb E§ F§ Gb A§







s.p.    

     

  

 



thic k



 



s.p.

    







     







     3

 



s.p.

         





    

senza     



   



 



 



 



ppp sempre



 

 



 



  

 



 



    



 

  



ppp sempre



  

     





 







 

 







 

 







 

 







 

 







 









       III

 







 III     

 



  



 







beh. fragile I

 



III

   



furioso! s.p.

  





   

sff



 vib. ord.

  



beh. fragile II

III

  

div. ord. non vib.

s.p. dist.





  

div. ord. non vib.

   





 

 

 



 

    

















sff





32957

 

flz

½ - air



s.p.

 

 

release gradually

sim.

ppp sempre



 

distort furioso! s.p.



 

 

sff

 



distort furioso! s.p.









  



 



½ - air



  







 





 









 







 

ppp

 

 



sff

    

 







I       

  v.batt.      IV   V 



s.p. dist. s.p.

 





 









 





 loco







    

III

Db.



 





 

loco



non dim.





s.p.

Vc.





sff



        

 



damp centre



unis. s.p.







non dim.





 



pp sempre



 

Vla.



pp sempre



ord.

non dim.



       



 





   

 

s.p.



 







pp sempre



 

  

  s.p.        

   







       pp f

sff

  





 









 



     f 

  





       











Harp

   









TT (4)







 











 

 





 

        



    

BD (3)

wawa



  

BD (1)



  



  





(tone)

  

 

snare on rimshot

SD (1)

 





 





ppp

(tone)

  

Cl. in Bb







  

  



espr.

   



arco

 



 

pppp sempre

  pppp sempre

   pppp sempre

 

pppp sempre



 



sub.

    24







pppp



Ob.

 





    

 



  



  

 



harmon



  





Tpt. in C

 



pp sempre

underblown

   5



underblown

   

1 Cl. in Bb



q = 60

pp sempre

 

  pp

 







  





senza sord.

sff f



senza sord.

  

 





sff







senza sord.





Harp

   





 

  



 

Piano

Acc.

  



 

Vln. 1 gli altri

Vln. 2

Vla.

Vc.

Db.











    







 





 









 mp





      



 







poco vib.

 



ppp sempre

  

air







 







 







 







 







 

















 









     







 







 















 





 

  



pppp







pppp

     



7½ q

 



 

  



sub.



q = 60 

vib.



   



    



       





      





  





Vln. 1 solo



 





TT (2)





 





 











  



7½ q

 



flz

 





 

Tbn. 2

flz

q = 52

rit.

  

 



  



s.p.



            



sff pp





s.p.



sff pp

s.p.

sff pp



distort!







sub. flaut.

 

 

gentle ½ - s.p. poco vib.

sub. flaut.

 

 



 

  









unis. s.p.

   

 







s.p.

  ff

 



 32957











pp sub. flaut.



 



non vib. flaut.

gentle ½ - s.p. poco vib.

sub. ord.









 



non vib. flaut.

unis. s.p.



q = 52

rit.

gentle ½ - s.p. poco vib.

distort!

            





            



distort!

  













7½ q

 



 



 



 



 



 







 







 





sub.

  







 







Ob. 2

 





Cl. in Bb

 2   1

Tpt. in C 2

1 Tbn. 2

Susp. Cymb. (1)









 



 



  



  

  



 

BD (1)



  

    

  

Vln. 2

Vc.

Db.

 

wawa





wawa









  



 

 

  

 



 

 



 











   



      









   



















        





 



 







    



pp sempre

sub. ff

 











 







 



  



















 





pp sempre

         

 D§ Cb Bb Eb Fb G# A§





 

  

 

  















    

  



 

I II

 

 



pp sempre



beh. I



pp sempre

 







pp sempre



 

—

vib.



  ff

  



 



—







    mp

—



ord. vib.

 



 

,



 

  



 

—, 



 



ord.

 



 



     sff







III           ff sff sub.  ord.







s.p.



III               ff sff sub. ord.

















s.p.

     

s.p.











s.p.     

  ff

v.batt.

ord.





32957



  



s.p.







ord. vib.



sff







 





vib.

 



D§ Cb Bb Eb Fb Gb A§





 





    



 

q = 60



sub.

vib. espr.   

 



 

sub.

ord. non vib.

 





 



sff

      





ord.









   

 

  

 





      

  





  

 







 







 

 

  

 



rough!

  



non div. beh.

Vla.

flz



Vln. 1

 





Acc.

rough! flz



 

Piano



  

Harp



  

tone



TT (4)







BD (3)

 



arco

 

TT (2)





 

MP (1)

Crotales (2)



arco



tone





q = 60

       sff 

  

sub.



div. a 2 ord.

 

    sub. ff 

sub.

div. a 2





13  









 

vib. espr.

ppp













 







   f

Ob. 2









 







   

(wawa)





Tpt. in C 2

 



ppp

Tbn. 2

MP (1)



 

ppp







 flz             ff  flz





       ff 



 



      mp 





ppp flz





       sff

flz





       

sff



senza sord.

    f

wawa



wawa

senza sord.

   

       

















  























































 

  











BD (1)

ppp









ppp

  



       



(wawa)





   p mf 

    ppp

Cl. in Bb 2





 

sub. f

sub. pp



Harp

Piano

Acc.

Vln. 1

Vln. 2







         sff

 







 





s.p.

          ff

 





sff





      

   

  





 ff

       



unis.

v.batt.     IV        V  ff

 





  

 







ord. vib.

              ff            

  



 div. a 2 ord.

      

ord.

 









     

ff unis ord.









   



   



sff

      sub. s.p.





 sub. s.p.





ord. vib.

s.p.

unis. s.p.

Db.

 



s.p.

Vc.

     

ord. vib.

Vla.







sff





    

















  



         

 

  



MP (4)





distort s.p.

  ff

sff

32957

ord.











1 Ob.



flz

  



flz

Cl. in Bb

 



     

 



1 Tpt. in C















 





 



 

    

flz



 

  





 

  







 

 







 







 







 







 







 

   

Bass Cl.

warm

fff





pp sempre









 



 







wawa





 



 







 



 wawa   

















 











 wawa   



pp sempre

Piano

Acc.





 



 

    l.v. 













 



 





 



 

   mp





 



   



  

 





 



s.p.

     







 





  



Db C§ B§ E§ F§ Gb A#

 





 





 



 





 

  

 











    





 

 





  

 



vib. singing

sff ppp



s.p.

      





( )



½-s.p.

warm

( )



     





s.p.       



sff

 

      f







       



   

(s.p.)









s.p.





 





ord.

 



 





ff 32957











 







ppp



 

( )

 



(s.p.) 

     

   

 

(s.p.)



(s.p.)



   

      

 

    



 pp

 

  div. a 2 s.t. poco vib.

ord.        

 

  

            ff





    mp

s.p. flaut.

  pp

s.p. flaut.







 







       





ord.    



s.t. poco vib.

  

ord.     

             ff (s.p.)

   

4½ q

 

ppp







ff s.p.



    

 











   mp

 

q = 52

pp sempre



   

5½ q









  



  



 

 









 







W   thi n



arco

 





     



Db.



ord. espr.

        

  



sff



Vc.







Vla.





Vln. 2









Vln. 1







  













  

pppp

 



  

  





  

 





 





Harp

 

    



2 BP (4)

 

    l.v.        



 





4½ q

 



TT (3)



5½ q



 

SC (3)







  









Crotales (2)







 

BD (1)







2 BP (1)

  





pp sempre

 

muta in Cl.

wawa

Tbn. 2

4½ q

senza sord.





muta in Bass Cl.

fff





senza sord.

ppp







            f



ppp



          





flz

   2   

 



    

q = 52

5½ q



    43



  

 



 



loco



  52

1 Ob.



Cl. in Bb 2 1 Tpt. in C



1 Tbn. 2

Acc.

Vln. 2 div a 3





 





 

  









  

1cm

 

  



 





 



 

thic k



 



 

   















 

  

 





è  



 

   



 

ppp sempre



  





ppp sempre

  



III



ppp sempre

 

III









ppp sempre

   III

ppp sempre

   III è  III













ppp sempre

 

ppp sempre

   

ppp sempre

   5  





ppp sempre





ppp sempre

   





ppp sempre

 Db.

 

   ff

 

 

 

   



  

  

ppp sempre



non div. IV V



   f

  

 

    













 

 

  

 



 



 





 





 



  















 





 



 

                     

ppp sempre

   

q = 60  

 

 

 

 

 

 

 

 

 

           

 



   

   

 

 



sff

 

   

sff



 

sff





sff



 

 

   



   

 

 

 

sff



vib.

sff ppp

   



    

 



 





 





 



 



sff

ppp



ppp



ppp



 



sff

 



sff

 













 



 



 







    









 









vib.

sff ppp



sub. s.p.



    

 



   loco









 loco









vib.



sff ppp

sub. ff 32957





 



  





 



   

 

 

sff

 3

ppp sempre



Clarinet

 

  

ppp sempre



III

Vc. div a 3









    senza sord. f   

   





 



   

senza sord.





wawa

 





 

wawa





 



 Vla. div a 3



 



 

Vln. 1 div a 3







Piano





Harp



 



BD (1)

BD (3)



 





MP (1)











 



 







   





q = 60





vib.  ff

vib. 















  p

 



 



 

 

 ff



        



   

16   



 

 







 









  











  



  

1 Ob. 2

1 Cl. in Bb 2

  

ppp

1 Tbn. 2

  

 

  

TT (3)

 







  

 TT (4)   





 



     

  





Harp

Piano

Acc.

Vln. 1 solo

Vln. 1 gli altri

Vln. 2



sff

    

  





   

  

   









 





   

Vla.

Vc.

 

Db.

harmon



sff

 

 





       



sff





 

 





 

   

 



 



 



 



 





 





sff



     ff 

   

 



 



 





















I/II   

non vib.





sff pp

  

non vib.





I/II

sff pp

unis.

  

non vib.



I/II

sff pp

  



unis.





sff pp

      ff

     







 





 

sub. s.p.

  



 

  



 

  



 



  





 



(s.p.)

  ff



 

v.batt.



v.batt.

    





 



 





 





 

wawa



 

wawa





 

wawa











 



 



 



l.v.

 





 

       

   

 

 ppp

 



  p

  

    ff



  

   ff

 

   I  

 

  

 





  

sff



   5



   p







  





arco

  







 



   







  

 











loco





loco



 

q = 46 

ord. vib. espr.

 

 



 

ppp

 mp



ppp



beh. non div.



 



 



 



 



 





 

I II



ppp sempre



beh. non div. II III



ppp sempre

arco ord.

  

32957





   







 

  



 

ppp sempre



 



 





 









ppp sempre

 



 

 





ppp sempre





 



ppp sempre





ppp sempre

 

ord.

sub. s.p.





ord. sub. s.p.





ord. sub. s.p.

 

 









sff



  





wawa

ord.

(s.p.)



 



sff

s.p.





ord.

s.p.

  





 

harmon



 

 



 







poco vib.

 



fff





 



flz







      3





BD (3)

 

fff





pull out stem 3/4







 







pull out stem 3/4











 





Crotales (3)

  





ppp





flz



q = 46



TT (2)

 





BD (1)

 

ppp

Tpt. in C 2

 

vib.



ppp sub.



17   



 



 

dark



 

ppp sempre













Ob. 2

 

Cl. in Bb 2

  

  

 

  

  



 



 

 





 

espr.

  

 

 

 

ppp

 

 

 









harmon















Tbn. 2

  







 



air





 







 



 

















































1













  



TT (2)

    







Tpt. in C 2



 



ppp

  flz

muta in Bass Cl.









edge







 



 TT (3)   













































SC (3)

Piano

Acc.

Vln. 1 solo

Vln. 1 gli altri

Vln. 2



  



          pp sempre     



 

  ppp sempre

 



  

   

(vib.)

   



        

   

Vc.

ppp sempre

Db.

  

  

    

 

 





flaut. non vib. IV

 



 

s.p.







s.p. flaut.

  pp













flaut.  

 

(s.p.)



 

 

sub. p

32957





 



unis.







flaut.    





flaut. non vib.





flaut. non vib.



 





 

ppp sempre

div. a 2        





     

div. a 2

Vla.





Harp

 

  











     1.

 



 

















q = 52

q = 60

  

6½ q

 









 

 









Cl. in Bb (1)

 

 







  

 





Ob.

B. Cl. (2)

  1 



 

 





 

 



 

 

Vln. 1 solo

Vln. 1

Vln. 2









 





  

 





 

 

  

 

 

 

  

 















 





wawa

ppp





 

 

  









 





















 





  

flz

wawa

 

sff





flz

wawa





 

 

 







        





















senza sord.

 thi n



 

 









 

 

   























































3

     





tone  

sffpp



 D# Cb Bb E§ F§ Gb A§





sffpp

sff

wawa

 



flz



  





 



 





  

 

 

 



 

 





 













In plectrum

fff

  



















 

q = 52

        

  tutti

6½ q

 

 fragile non vib. IV fl.

 sub. vib.

 

II III s.p.



 







II III s.p.





ord.

5 



non div.





II III s.p.









ord.

è 

distort! s.p.

 



non div.





ord.

5 

espr.

 

 



q = 60

      



Vla.

wawa



Acc.

 



Piano





 





Harp



tone

  [100]  wawa

 

      

2 Gongs (3)

TT (4)



air

ppp

6½ q

BD (1)





Tbn. 2



 

Tpt. in C 2

Bass Clarinet





















sff

Db.

  

 





I  

 

   pp

 

sub.





    p









distort! s.p.

    

unis.



Vc.

 

tutti



sff

s.p. flaut.







32957



     



  

ff sub. pp sempre



19     76









dark espr. vib.







ppp











Ob. 2

Cl. in Bb (1)

B. Cl. (2)

 



 



  

|

 

ppp sempre











 





     flz

sff





flz

harmon











sff







 

 

  



  

      

 

thi n

Piano

Acc.



Harp





 

 

  





D# C§ Bb E§ F§ G# A§





   



sff

    



  



 





 



 



hear the beats! non div.

II III

 



è 



ppp

  mp   

  



Vln. 2 div.

   mp





Vla. div.



   

 



5  

 

II/III

 















 





s.p. dist.

    





s.p. dist.

     ff



 

unis.

  



32957

  

    sub. 

  

    sub. 

sff

II III

sff

II 

   



II 

   



   ff

 



   

s.p.



   



  



   





   







  



 

    



    















 

s.p.

ord.

 





s.p.























   

sff

ord.

 





    





    





     





     













s.p.





s.p.













ff s.p. vib. dist.









sff

ff sub. s.p.

    sub. 

sub. s.p.

 s.p.     

  

II III

ord.



    sub. 

   



sff

ord.



 









  f





  



    



 

II III



flz





sff





 



5  

 

II/III



II III

 





ord. vib.

   





s.p. dist.



s.p. dist.

     s.p. dist.      







hear the beats! non div.

 



   



 



flz



sffp



 



ppp



div. a 2

  

 









 



 





   

vib. è





 

  

è  

sffp



 

  



hear the beats! non div.

  

  



 

II/III

 





hear the beats! non div.

  

sff

 

II/III





   

sffp



D# C§ Bb E§ F# G# A§

flz

 

     ppp









 

Vln. 1 div.

Db.





sffp

ppp

 sub. flz



  

    

 

pp sempre



 













 

1cm

 



   

Vc.





BD (1)



wawa



  



ppp

 







ppp

sub. flz

Tbn. 2

  

wawa



sub. flz

flz

       



wawa

  





 



(fast)





harmon









ppp sempre



(fast)

ppp sempre

|



 

   

wide slow vib.



    1 Tpt. in C







1 Ob. 2

Cl. in Bb (1)

B. Cl. (2)





    



Tpt. in C 2

1 Tbn. 2

BD (1)



   f

   





    

 ff

  



 





  



Vln. 1 gli altri

Vln. 2

Vla. solo

Vla. gli altri

Vc.

Db.



 













 





 

    









    











  



 



  

sff pp

  

    

 

s.p.







 

s.p.

  









   

s.p.

      







s.p.

  











s.p.

  









 

s.p.

   







v. batt.

     ff





 



   



   



  



  



  



  



  



sff pp





















     arco s.p.

    



    



  







 





 







 





 







 









 









  



        

 









 



arco vib.

 

 



sub. s.p.

     

 

 



sub. s.p.

   

 

 



sub. s.p.

   

    ff 



v.batt.



  

ord.

   



sff

32957

 



 

  



  



 

 



7½ q





     

   

sff pp sub. s.p.

    

s.p.

  ff

    



 

  

 

  





 

 

 



ppp sempre



 

 

 

 

ppp sempre

ff (vib.)



7½ q





 

sff pp



(vib.)

 



 



sff pp

ord. vib.



D# Cb Bb E§ F§ G# A§



sff pp

 







   

ord. vib.

    



sff pp

arco ord.

 



 vib.    

 

 

 vib.    

arco vib.









arco vib.

   





   



sim.

  

 

   

7½ q

  







senza sord.

    l.v.        

  

senza sord.

 





 

 



   

     



muta in Cl.

 

vib.

arco s.p.









 













 



 



sim.







  



 arco s.p.

 

max. double



 

max. double

 







7½ q



  



  

ff sempre

 

  

flz

   







   





palms





      





  

 







  

ppp



  

 





 

  

sff





  

  



ppp



   

  

  



  

sff





  

senza sord.



 

 

  



 

  





 

Vln. 1 solo









  

Acc.

  



 



Piano





flz

senza sord.

 TT (4)   

Harp

 

 



  

Low LR (2)









  1   

 

ppp

 



 

ppp

 



  

  

 







    

 

 

 





 



 



 



sub.

   87

molto

 







 



Ob.

 

 











    

  

(flz)

1 Cl. in Bb

  



   1



 

  



sff



1 Tbn. 2



 

  

Harp

Acc.

Vln. 1

  

Db.

vib.





ppp sempre





ppp sempre





sff f sempre



 



sff f sempre (plunger)













sff f

plunger



  

  



  









sff





sff



  

sff f







sff









sff















 



    



  



 

  



 





    p

sff f

        



sff

  



  

 

sff





 

 

  



 





























 













    



  



tutti s.p.

 

 



s.p.

  

 

    

   





  







arco s.p.

pizz.

     

    

 



 



arco s.p.

     

     





 



 

   ff

( )



 



     s.p.



s.p.



   ff





s.p.



 

sff

 

v. batt.

    

non vib.



sff pp



s.p.

 









 







  



 

 



 



 









 











 ff





  ff













 



 ord. vib.



sff



ord. vib.

 

 



ord. vib.

        ff s.p.           ff

32957

 

s.p.

 

 

loco









sff

ord. non div.

 

ord.

s.p.

 



 



sff

     





sff

pizz.



non vib. ord.

ord. vib.

sff



sff





 



sff



  

 







sub.

q = 66



sff





sff



tutti

Vc.







Vla.





snare on

Vln. 2

ppp

 





     

Piano







 





MP (4) TT





 













Bongo (4)

 





SD (1) BD





  



Clarinet

plunger

 



ord.

 

vib.

molto

ord.

 





  



sff









Tpt. in C

 

sff f













q = 66





v. batt.



       sff



22     



   



non. vib.





 

3½ q

 



Cl. in Bb 2

 

  



 



 



 

 

Acc.

Vln. 1

 





 

    

D§ C# B§ E§ F§ G# A#





  

s.p.

3½ q

 

 





  



 



 

s.p.

    



sff

        v.batt.

sff



1½ q

 

1½ q

 

 I 





   



   



D§ C# B# E§ F§ G# A#

5½ q

 





loco









    

 





 



  

fff



 

  



 



 







 



(s.p.) loco

     





        pp



(s.p.) loco

    





     





 

 

 







ord. non vib.

2½ q

   



      

    

     

    



 

 

 







ord. non vib.

   

heavy

 



heavy



sff pp



ord.

sff pp



      (s.p.)





 







 



   

s.p.



        

sub. s.p.

   

(s.p.)



 I 

sff pp

Db.



heavy



s.p.

Vc.



sff pp





 

heavy



 

v.batt.

     

      

s.p.

Vla.





   

 





sff f



 

sff







 



sub. pp

sff

 

 

 





 



flz



près de la table

loco

  3

 

 

 





 

 

 



snare on

sff pp

Vln. 2







 

Piano





3½ q

 

Harp





ff sempre



SD (1) BD





Tbn. 2



ff sempre

 

flz



Tpt. in C 2



  flz



 

 



 



 





 

non. vib.



5½ q





Ob.

 







 v.batt.           



sff

32957

 

v.batt.

  

sff

s.p.



1½ q



sim.

   

sff

 

 



 



 



 

vib. warm s.t.



ppp sempre

 

 

ord.

ppp sempre

5½ q

 

23    96



f sempre

Ob.

Cl. in Bb

 5 



 wawa  



flz



wawa



flz

 

 ff



Acc.

Vln. 1









 



noise! flz



 



senza sord.















 

flz

 







 









 























     



















    

vib.



s.p.

   



    s.p.

     







 





  



sim.        

   



 





  



ff sempre

 



 









  

ff sempre

ord. vib.

 





ord. vib.



sfpp

 







 





s.p.



   













ppp



sim. ff





pp sempre

     



sff





         f

 



        



   



   

     ff

  

  



sff p

Db.





s.p.





senza sord.

s.p.

  





 



sff

 

Vc.

  







 

   



noise! flz









  









Vla.



sff

Vln. 2



      







sff

 











     



snare off

 

 

Piano



 

Harp





près de la table



 

 





 



MP (4)



 



 

metal

 

BD (1)

 



SD (1)





Tbn. 2







 

metal

 





Tpt. in C





  

















  

32957

     





ord.





v. batt.

     



ff sempre

sff





   

v. batt.

sff







24    100

Ob.



  

 



 

 1 

























  









 







    ff

Tpt. in C









Cl. in Bb







 



   



MP (1)







   



sff



  



  

 





BD (1)

      sub.





 

sff











Harp

 

Acc.

Vln. 1

Db C§ B§ Eb Fb G# A#









    

près de la table

    sff

   ff

 





  

   

     



 

Vla.

 

 5

 

Vc.

 

sff



sff







 





















 

   f

  





 





 

ord.

























Db.



 ff sempre







       



s.p.        

    sff

32957





   sfpp



     











 







       











 





     f























         s.p.

 



         s.p.



   v.batt.

     sff



     



  

  



s.p.      



sim.





sim.

  





 



 



  

ff sempre s.p.





      









ppp







     3  loco    





 

     





  















 



 

 



   f



  





 

Vln. 2





  

Piano















 





TT (4)





MP (4)













Bongo (4)

sff

 









pp sempre





BD (3)

sff pp





thic k

                  







WB (2)







senza sord.

Tbn. 2





senza sord.

   

sff



25  

104

 



Ob.



 



 



 flz  1   





 



Tpt. in C

flz

  



wawa



 

 





  



   





BD (1)







SD (2)





   P





WB (2)





sff







  



  



  

            











 







 











M   rim









 















sff pp



 



      sub. pp

pp sempre











wawa



Tbn. 2





 





sff pp



 flz



flz

 

Cl. in Bb



























Harp



pp sempre

      



 



 

Piano

Acc.

Vln. 1













sff













   



  (s.p.)    











  





   





arco

sff





arco



non div. ord.





 



32957









ppp













 









 



















                     



sim.

         

           sub. sub. sub. ff



           sub. sub. sub. ff

sim.









         









non div. ord.

   





  

sim.

    



unis. (s.p.)

sff

  



  



      









  



(s.p.)









     





(s.p.)



(s.p.)

    

  



 



sff p

Db.





div a 2 (s.p.)

Vc.

       







    

sub. pp



 

 





sff p

Vla.







 









sff p

Vln. 2



TT (4)



 

MP (4)



sub. pp

sub. ff

sub. pp

div.a 2 vib.

    

pizz.

  ff

 



 f



26     107

noise!





noise!





noise!



ppp

Ob.

  



ppp

  

ppp

Cl. in Bb 2





        1                



ppp

sff pp

sff

   f



 



  











  







 

  

        

s.p.

  



           



            



    

ff sempre

 

  



 











 









 W







distort









 v.batt.

    











non div. ord. vib.



ord. arco vib.



32957



s.p.

  



 







 



 





ord. arco vib.





  

 











sub. pp

       

III IV



  











sff s.p.

sff pp

       



sff

arco s.p.



   



 











distort





 





flz



Db C§ B§ E# F# G§ Ab







 



flz



ord.

Db.



     3



Vc.



flz

Vla.





            



sff pp

Vln. 2



ppp

ord.

Vln. 1

 

 



Acc.



flz



sff f

  

Piano

  

wawa

                

   







 TT (4)    

Harp

wawa



 

2 Ratchets (2)





BD (1)



  







Tbn. 2









    

 

noise!

   

Tpt. in C



  

s.p.   

  

 

 

27  

109

flz

 



sub. pp

Ob.

 



sub. pp



 



 

1 Cl. in Bb 2











  





 

















                 sub.







 



Bongo (4) MP



Acc.

Vln. 1

  f





  

          ff  









     ff  

 

  











      ff

 



















  5 

sub. pp



sub. pp

  

    

    







 





  

  

ff sempre





 





  

 

    

loco



    ff

  













 

 

ord.











  



ord.   

v.batt.

  

loco près de la table



ff sempre

32957



ff sempre

 

  

ff sempre

s.p.



snare on

  



ord.

                         sub. pp







sff





 



s.p.

sub. pp



D§ C# B# Eb Fb G§ A§

sub. pp







s.p.

  

      







sff





                         ff





s.p.

Db.



   



III

Vc.

 

 





 

 



Vla.

  



 





 

sff



Vln. 2





 

Piano





2 Ratchets (2)

Harp





WB (2)

TT (4)



senza sord.



 













 







  

senza sord.







 













  











                 sub. ff



SD (1) BD



Tbn.









 

 









Tpt. in C 2





  1

 ff

flz







   









loco





sub. s.p.

     



sub. s.p.

           



s.p.

       

     

s.p.

s.p.      

  

 

ord.



 

28  

112





Ob.

Cl. in Bb 2

  



Tpt. in C





1 Tbn. 2





2 Ratchets (2)



 

Acc.

Vln. 1





  



   5 





vib. non div.

   

Vla.

    





 

Db.







 













    







     









    







     





 







 ff

 

  



 







 

 I   sff



 I   

ord.



ord.



 ff

  

  

 

  

 

  

 







 

v. batt.

    



sff

32957



  

 























     

  

ff sempre



ff sempre

      div. a 2

ff sempre

     





      



   



arco s.p.



loco







unis. s.p.

     





    









  

unis. s.p.

   



    





    

 

    

loco

unis. s.p.

arco s.p.







    









         





sff





  







div. a 2





I II



  



 





div. a 2



sff







  



 





 

       



 

loco

 







                  sff f



   



 

 I  







ord.



 

  

  

















     ff



    



           

sff







 

 

      





sff

     













  



 

   

 

 











  







 

ord. vib.

        





  





     

vib.

Vc.



 





    

  





ff sempre



vib. non div.

   

  

  

vib.

Vln. 2



       



     ff  

 







  











sff





 



 





Piano







Harp

      













   

  











sim.

  

 









senza sord.





 



TT (4)



 







senza sord.



   

  

 







 



Bongo (4) MP





 







 





BD (3)

M 

  





 

SD (2)













SD (1) BD









  

  



  1   



 















  

v. batt.

    

 



s.p.





s.p.





  

 

29   



 



117

1 Ob. 2

 



  



1 Cl. in Bb 2

  1 

















 



 

  

  

Tbn. 2

          







  

Vc.

Db.





 IV   





D§ C# B# Eb Fb Gb A#







sff







(s.p.)



(s.p.)        

 





 























  

v. batt.



 









    





 





ord.

ord. s.p.

      

  IV 

ord. s.p.

       



  f



 

ord.

ord. s.p.

ord.

      



 

v. batt.

ord.

       



  





     



 



   

32957



















 

ord.  





ord.

 



(gliss. sul G)





sub.



 

  



        



 

vib.

sub.

sub. s.p.

vib.

molto vib.







 

 

 

     





 



         



loco



 ord. vib.

IV        III IV

sub. s.p.

ord. vib.

III IV



      

sub. s.p.





ord. vib.

       







     



    



s.p.

v. batt.

sff













 

 



  sub. s.p.

thic k

             sff  



ff sempre

 













  IV  III





     

sim.



sff







sff

      





près de la table

sff

 



         loco

v. batt.

    

 

distort sub. s.p.



    

 

       

     



distort sub. s.p.

ord.

     



  



















distort sub. s.p.



ord.

 



   





     ff sempre metal     





  



  

 









ff sempre

metal





  

metal



 



   



 

Vla.



  

Vln. 2





            







       ff



     



        



loco

     





sf f

    

Vln. 1



rough!









       





 

Acc.

 



 



  5         



 





Piano

 

BD (3)

Harp

flz







             





rough!



 





MP (4) TT



BD (1)

Bongo (4)

  

(senza sord.)





  

 





MP (1)







 



flz

(senza sord.)









(senza sord.)



 





f sempre





  



(senza sord.)



 





f sempre

Tpt. in C





30     123

1 Ob. 2



  

Cl. in Bb







Tpt. in C 2

1 Tbn. 2

    

 





 



  





ppp



  

 











 flz

 





 

 



                      s.p.

         

 







flz

 

 







       



      







   

sff







 







    









  III IV 

(s.p.)

  





pizz. div. a 2







(s.p.)



div a 2 arco

    

  



arco

    



   

ord.

     ff 



 

  

ord.

   ff



















  sub.

 





  M 

  



rim



















 



sff









pp sempre















 







         













 











s.p.





s.p.



s.p.



 

 







    









 









ff v. batt.







s.p.

















    



sff

32957

  











   



 

 





              







unis. ord.

     



 

ord.





  sub. ff pp  

          



non div. non vib. s.p.













rough!





ord.      





















  







sub. ff

sff



pizz.

          



 

 

1cm



























près de la table

  



pp flz











loco











ppp





 

  





s.p.





s.p.





thic k



ord. vib.



















 









  



  

wawa



senza sord.





   

   

ord. vib.







wawa









Db.



  







  



 

s.p.

Vc.





       

Vla.





    







s.p.

Vln. 2

  

  









 





flz





 

 

Vln. 1









  

Acc.

 

 MP (4)   

Piano





 pp

   

Bongo (4)

Harp

(metal)

   

2 Ratchets (3)



 



 





  

SD (2)

TT (3)

 

 

  

sff

  

Low LR (2)







    

2 Ratchets (2)

 

  

flz



BD (1)



 2      1

 

 

    

31        



     



129

1 Ob. 2









 



f pp

 

















1 Cl. in Bb 2

  

      ff

      flz

1 Tpt. in C 2

sff f



flz

     

sff f

1 Tbn. 2



  

    

     







sff

pp sempre

 



 

   



 

sff pp



   



senza sord.







 f









 



 



    





   



 



 ff

      





sub. pp ff

                 sff sub.

sff ff

sub. pp ff

v.batt.

  

v.batt.

    ff





pizz.

 







 



 





 



sffpp





    5  



     

 è

 5







sim.



    

 sffpp



arco s.p.

 

sff







sim.



 



arco

 





mp 32957



vib.

ord.



 











 3

 f





ff IV

s.p. dist.

 



   







 

      pizz.



sff



pizz.

    





sff



     





sff

    

pizz.





 

 

pizz.



  







arco s.p.

 

  



sff

s.p.

   

ord.



s.p. dist.

sff



  

sff

     



    

s.p.

sffpp

sim.



 

        ord. vib.

sff



      sf



 





vib.

sim.















sffpp



pizz.











pp ff

(s.p.)                   





sffpp

(s.p.)







               







         

     

(s.p.)





sff



sff



      

 







sff

  



  

 



sim.











 











 

   



 



    

  

sff

 



thic k

sff

   

  





sff pp

with plunger





      

  

 

senza sord.



près de la table

   



sff sub. ff

  





sff

with plunger





Db.

p sempre sff

1      

sff



            sub. 



        sub.

             p sempre sff

sub. ff



   

     sff   



          sffp



Vc.





Vla.

 

Vln. 2

 



Vln. 1

  

sffp



  

Acc.

 

 

  







Piano

 





  







      

MP (4)

 





    

Bongo (4)

 



   

Mid. LR (3)

Harp



  

Bongo (3)

  

 

TT (4)

  

 

    





BD (1)

 



sff





 

  

pizz.

   

sff





32     132

1 Ob. 2



   

 

    

  









   



 





  







   



fff

 





 



 



 



 



 















 pp

pp sempre

Cl. in Bb 2

9½ q

pp sempre





 







 



  



 



 



Tpt. in C

  



 

fff



Tbn.







R arm



  





 



  

 











   







 

 

   ff L arm

Vla.







    l.v. ord.





 

    

  











 



ppp



Vc.

Db.

    



    





arco s.p.

   ff

 



pizz. pizz.

 

pizz.







 

beh.



 









   

 



 





 





 





 



 





 



 

















 

pp 32957





 

pp sempre



sub. s.p. flaut.

ord.







 















 

sub. s.p. flaut.

arco ord.

   



9½ q





beh.

arco beh.



 

 

 

sub. poco vib.









arco s.p.

   



(s.p.)

   

( )

vib.



       







  





 





 p

 

 3.

       

 

In finger



arco s.p.

 

 





q 1cm 9½  

ppp sempre



D§ C# B# E# F# G§ Ab









arco







1



arco tender s.t. espr.















ppp



Vln. 2





 







Vln. 1

 

cup



    

 

  







sff

 





Acc.

     

    



  



 



Piano





 





  

Harp

   ff



  TT (4)   



BD (3)





 



   

SC (3)



 



  





BD (1)

  















sub. p

 

7½ q

 

 

 

 

 



7½ q

 







III   



 



138

 



 



Ob. 2

 



 

  



 

  



 

 



 

 



 



  



 



Cl. in Bb 2

1 Tpt. in C 2

1 Tbn. 2

BD (1)

  



 

Piano

Acc.

Vln. 1

 



   



   

  

 

sim.



pp sempre

4½ q

 



 

wood

pppp

 

pp sempre



 



 



(silent)

 

 







  





  





























 

1cm



 



 





pp sempre



 q = 56

II fl.   



espr.

 



 



Vla.

 



 



 



 

Vc.

Db.

    



  



s.p. non div.





   IV   V sf

32957

 



 









 







 



 

 

  



 





 









 









  





III   è

 

 sim.

 





 

gliss.



 







pp sempre

s.p.

 



 fl. (non vibr.)



 

 





Vln. 2

 

pp sempre





wawa

 

  

thi n

 























 

 



4½ q





   











fff









 







 







 









 

 



 

espr. slow vib.







 





[023,¼ ] harmon







q = 56

espr. slow vib.



 Timp. (4)   

Harp

4½ q





ord.





 III

 



pp sempre



34   





















 





















 





















  





















  



 











 

 



 



 



   















   









 

whisper





146

1 Ob. 2

1 Cl. in Bb 2



 

(wawa)



Tpt. in C 2

(wood)

whisper [ossia: cup closed]

  







pp sempre

 5 



pp sempre

Tbn. 2

   

Harp

Piano

Acc.

Vln. 1

Vln. 2

Vla.

Vc.

Db.

   

sim.

ppp sempre

    





gliss.

 

 







 



 



    

  

         





   

   

   

sim.

 

 





  







Beh.









Beh.

   è



 











































 









  





 



  









pp sempre









ppp

  



ppp sempre

 

   







 



 

  









 



 

 

  









  



  

  

 

32957



 



ppp sempre











   

 

   













  







  



sim.     

















sim.







 



 

sim.











 

ppp sempre



 

 

 



      

 



  

  



 





  









Timp. (4)

 

Wood (3)







Wood (1)

  



 





 



 























35   



















 



















 







  

  









   1







 









 



152

1 Ob. 2

 

 



pp sempre

 





Cl. in Bb 2

Tpt. in C 2

   



 











 



  

 

 

  













  

pp sempre





























  





 





   ppp sempre



  

Tbn. 2

Wood (1)

     

Wood (3)

 



Piano

Acc.

Vln. 1









  





  p



ppp





  



 

 





  

 

Harp

ppp











 





    

 

 

  







     





  









  



 









  

 

 

 













 

 

Vla.

 

Vc.

 

Db.

  



  

 

 

 

 

 

  

   





    

  

div. a 3 ord.

   

32957

 

 

 





 







 







ord.



 



 



    

loco





    

pp sempre



 

  



 



 non vib. IV fl.  5  



ord.

Vln. 2

 

  



 

ppp sempre

 













  











   ppp sempre













ppp sempre

  









TT (4)







TT (2)

 





  

  

 





 

 



 







 



 



 

Ob.

  

underblown









 

  













Cl. in Bb 2

underblown

Tpt. in C 2

Wood (1)





 

TT (2)

TT (4)





 



Piano

Acc.

Vln. 1

 



 



ppp

Vla.

Vc.

Db.



  

 

 

 

 





  











  



 



 



 







 





 

  l.v.  



ppp sempre





 

 



 





10 q

 

sub.

 





 l.v.  



 



 



 



 



 



 



sub.



 



 



 

 



 





 



ppp sempre









 





  





air





 









  



 



ppp

  (non vib.) 5

 è  

 







 

Vln. 2

















   5 

pp sempre







air



whisper [ossia: cup closed]

ppp sempre



Harp





ppp sempre



Wood (3)



 



[003,¼ ]

pp sempre



 



   







 

wawa

Tbn.

 









 



 

silence 10 q

 



 

 



 

 



 



 













   32957

 pp





notengrafik berlin

07-09

silence 10 q

 

157

Edition Peters For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, Edition Peters had by 1802 acquired Beethoven’s First Symphony as well as several solo piano and chamber works. In the second half of the nineteenth century, an active publishing policy enabled the company to develop the catalogue through the promotion of contemporary composers such as Brahms, Grieg and Liszt. This policy continues today: as the publishers of composers such as John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss and Erkki-Sven Tüür, Peters continues its historical role as a champion of new music. This is accomplished in conjunction with the continuing development of the traditional catalogue.

The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Klavierwerken. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie sowie an diversen Klavier- und Kammermusikwerken hinzugekommen. Durch enge Zusammenarbeit mit zeitgenössischen Komponisten wie Brahms, Grieg und Liszt gelang es in der zweiten Hälfte des 19. Jahrhunderts, den Katalog beständig zu erweitern. Dieser Tradition ist das Unternehmen bis heute verpflichtet: Als Verleger von Komponisten wie John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss und Erkki-Sven Tüür ist die Edition Peters weiterhin Anwalt neuer Musik, während zugleich das angestammte Verlagsprogramm kontinuierlich ausgebaut wird.

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