EP 12553R, Rebecca Saunders, Stratum, for orchestra, Score

Page 1

Nr. 12553 R

SAUNDERS Stratum (2010)



REBECCA SAUNDERS

Stratum (2010) for orchestra

Unter der Nr. 12553 R in die Edition Peters aufgenommen bfdbkqrj=abp=sboibdbop=· ^iib=ob`eqb=slo_be^iqbk= ^ii=ofdeqp=obpbosba=

HENRY LITOLFF’S VERLAG / C. F. PETERS Ein Unternehmen der EDITION PETERS GROUP FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK



Stratum (2010) for orchestra

stratum /´stra:tem, ´streI-/ n. (pl. Strata /-te/) 1 esp. Geol. A layer or set of successive layers of any deposited substance. 2 an atmospheric layer. 3 a layer of tissue etc. 4 a a social grade, class, etc.

Stratum was commissioned by the Semperoper for first performance by the Staatskapelle Dresden conducted by David Robertson on 13th, 14th, and 15th June 2010


Legende ȱ 2 Clarinets in Bb and 2 Flutes flz +

Fluttertongueȱ ȱ

Crescendo from, and diminuendo to silence. Use „air“ timbre to facilitate coming out of, and going into, silence. Raised or lowered by ¼ -tone.

Dark and expressive. Into and out of silence. Sempre non vibrato.

Flute 3, doubling piccolo flz +

Fluttertongue

Senza vibrato unless otherwise indictated.

3 Trumpets in C Mutes: Wawa, metal (metal straight), and harmon (Tpt. 1 only).

Wawa

senza.

Remove mute while playing for fluid timbral transtition (Tpt. 1 only). Gradually from closed to open with hand in front of wawa mute.

+/o

8

flz +

Very fast open/close trill with 1 or 2 fingers in front of wawa mute bell. Fluttertongue Raised or lowered by ¼ -tone.

Horns 1-4 in F flz +

Fluttertongue

+

Stop with hand or stopping mute.

½+

Half-stopped. Raised or lowered by ¼ -tone.

Trombones Tenor trombones 1 and 2 (with valve) Mutes: cup (or other quiet warm mute) and metal (metal straight). Bass trombones 3 and 4 (with independent double valve) Mutes: cup (or other quiet warm mute). flz +

Fluttertongue Raised or lowered by ¼ -tone.


Percussion Percussion 1 and 2 BD (1)

Large, low bass drum with natural skin on both sides. Player 2 also plays BD at bar 175. Play on wooden rim. When sf, sff and f, play at mid-point of stick.

rim skin

Play on skin.

1cm

Trill lightly on skin, at edge next to rim, over wooden ring/frame – high partials. Centre.

Large cloth covers over half of BD skin. Play near or on cloth.

Bars 111–141: continuous trill. Move suddenley to centre of BD at crescendo. Damp as quickly and fully as possible.

TT (1+2)

1 tamtam, Ø 95cm. Wuhan.

Contact points: 1. Absolute centre; 3. Large smooth zone; 4. Outer ridged ring; 5. Side/edge.

Bars 111–149: damp at point 5 with left-hand: R

RR;R

Not damped: release hand at 5: Full damp (body). ;

LR (1+2)

1 lions roar, large drum-head, low pitch, with very long string (no handle) to execute long smooth ppp tones. Suspended.

Crotale (2)

Single pitch (c) sounding two octaves higher than written.

4 BP

BP1 and BP2 (2): C#, E – very large, suspended. BP5 and BP6 (2): d, d# – large, suspended.

2 Cymb (1 + 2)

1 medium and 1 large, suspended.

2 Chin. Cymb. (1) Guiro (2)

Medium and large, suspended. Long hard wood guiro (or metal guiro).

Cabaza (1)

Largest metal cabaza.

Rachet (1+2)

1 low large, fixed on stands.

Thunder sheet (1)

Small thin long.

Beaters 1 + 2: Thin light snare stick (1) Round soft felt (1+2)

Extra thick snare sticks (1), play at mid-point at sf, sff and f. Hard felt (1)

Large/soft (1+2)

Hard plastic (1)

Bass bow (1+2)

wire

Wirebrush (1)

2 Bell plate beaters large/soft (BP 2)

2 Bell plate beaters large/metal (2)

Wooden stick (guiro 2)

Small round-headed wooden beater (1)

2 Metal beaters (2) – square-edged and light – perfect is Kolberg triangle holders! (2)

Percussion 3 and 4 BD (4) rim skin

Largest bass drum with natural skin on both sides. Large black cloth to cover over half of BD skin. Play near or on cloth. Play on wooden rim. When sf, sff and f, play at mid-point of stick. Play on skin. When sf, sff and f, play at mid-point of stick. Player 3 plays on the rim of BD at bars 111-141. Ossia: a hard wood plate, very like BD rim sound. Bars 111–141: continuous trill. Move suddenly to centre of BD at crescendo. Damp as quickly and fully as possible.

TT (3)

Tamtam, Ø 65-70 cm. Wuhan. Contact points: 1. Absolute centre; 3. Large smooth zone; 4. Outer ridged ring; 5. Side edge. (See diagram above for Percussion 1 and 2.)

2 Crotales (3+4)

b (4) and g# (3) suspended, sounding two octaves higher than written.

SC (3)

Medium sizzle cymbal, hung with very thin light sizzle chain.

BP (3)

BP3, BP4 and BP7: c, c#, e

Tubular bells (3)

Standard set. glissando diatonic scale only.


Bongo (3) Beaters 3 + 4:

Mid-pitch bongo.

wire

Extra thick snare sticks (3+4)

Round soft felt (3+4)

Hard felt (3+4)

Large/soft (4)

Small round-headed wooden beaters (3)

2 Bell plate beaters large/metal (3)

Hard rubber (3)

Birch (TT 2)

Wire brush (3)

Bass bow (3+4)

Harp Lowest two strings tuned to Db and Cb. secco

glissando

Piano Grand piano. Open piano lid fully, but do not remove. Remove music stand and place further back on the frame, or use the top section of a heavy music stand. Use white stickers on the metal frame to mark the strings inside the piano. There are five sounds. Four use the inside of the piano:

Damp string/s right by the bridge with left hand with maximum pressure for very round, dark and damped sound.

Damp strings in front of dampers further along the string for exact written overtones. Use brightly coloured thread wound around the string to mark exact position of each overtone. Written bass tone still heard. Release the finger damping the string immediately for maximum resonance of the harmonic.

Damp strings nearer bridge for very high indeterminate overtones. Dry. First of five is played „ord.“ and damped immediately!

Glissando gently and quickly with fingerpad over strings inside the piano. If frame of piano is in the way, choose another position nearby. ord. Chromatic cluster on the keys (ord.!).

Accordion Always without vibrato unless otherwise stated. Button accordion with manuals MI, MII and MIII, with the following ranges: = Range MI

= Range MIII

Written at sounding pitch with registers/stops indications. MI A chromatic cluster outer tones included. Clusters appear and disappear one-by-one.

Gradually depress for gentle start, as if from nothing. Decresendo as if to nothing.

MIII or MII


Strings: Non vibrato unless otherwise stated Violin 1 (12), violin 2 (12) and violas (10) fl.

Sul tasto extreme at half way node on string. Always flautando. Hollow, floating, like a flute.

s.p.

sul pont.: ȱpp and flautando, overtones dominate sound. fȱandȱff sound gives distortion.

s.p.

ord.

Continuous and even transition from one timbre to the next. Artificial harmonic. Natural harmonic. Raised or lowered by ¼- tone. Crescendo from, and diminuendo to, nothing. Bartok pizzicato, secco.

Violoncelli (8) fl.

Sul tasto extreme at half way node on string. Always flautando. Hollow, floating, like a flute.

s.p.

sul pont.: ȱpp and flautando, overtones dominate sound. f and ff sound gives distortion.

s.p.

ord.

Continuous and even transition from one timbre to the next. Artificial harmonic. Natural harmonic. Raised or lowered by ¼- tone. Crescendo from, and diminuendo to, nothing. Bartok pizzicato, secco.

pizz.

Pizzicato with immediate glissando.

Double basses (6–8 with five strings) Scordatura prepared – fifth string de-tuned G# (see score and part). fl.

Sul tasto extreme at half way node on string. Always flautando. Hollow, floating, like a flute.

s.p.

sul pont.: pp and flautando, overtones dominate sound. f and ff sound gives distortion.

s.p.

ord.

Continuous and even transition from one timbre to the next. Artificial harmonic. Natural harmonic. Raised or lowered by ¼- tone. Crescendo from, and diminuendo to, nothing. Bartok pizzicato, secco.

pizz.

v.batt.

Pizzicato with immediate glissando.

Battuto violently crini over the fingerboard. Very percussive. Hear wood of bow hit the fingerboard.


General Instrumentation 2 flutes 2 clarinets in Bb flute 3, doubling piccolo 3 trumpets in C 4 horns 4 trombones – tenor 1 + 2 (with valve), bass-trombone 3 +4 (with independent double valve) harp 4 percussion button accordion grand piano violins 1 (12) violins 2 (12) violas (10) violoncelli (8) double basses (6–8) Seating Strings seated from high to low, left to right. Third flute/piccolo and brass in one line behind strings - piccolo and trumpets central. Piano, harp and accordion – stage left behind or within the violins, accordion in curve of piano, harp in front of piano. Percussion in a line behind brass – percussion 1 and 2 far stage-left, percussion 3 and 4 far stage-right. The 2 clarinets and 2 flutes stand in boxes or balconies left (flutes) and right (clarinets) of the stage. Sightlines to conductor essential. Exactly how far away depends on acoustic limitations and spacial possibilities. The written dynamics are relative to the orchestra and depend on the acoustic of the performance hall and the distance from box/balcony to stage. Tempi given are approximate guidelines, and can change according to the acoustic, particularly regarding pauses and resonances. Allow tempo fluctuations as necessary within each tempo in the slower opening pages. Bring out the close difference tones by varying the tempi as necessary.

The four winds separated from the orchestra weave a melodic strand through the orchestra. A fleeting juxatposition.

Duration: 9 – 10 minutes RS, Berlin 04.2010

Satz und Layout:


Stratum (2010)

Score in C

Rebecca Saunders (* 1967)

for orchestra

= 60 Flute

1.

1 2

non vib. dark, expressive

non vib. dark, expressive

Clarinet 1 (in B ) 2 flz Flute

3 [100, ¼ 1. con sord. harmon flz

Trumpet 1-3 (in C)

1.

3

]

½+

1 3 Horn in (F) 2 4 1.2. con sord. cup (Tenor) 1 2 Trombone (Bass) 3 4

Thunder Sheet

BD l.v.

1

TT

2 4

Percussion

3 BD

4

E F G A D C B

Harp

E F G A D C B

E F G A D C B

8

* ( )

Piano 8

* let difference tones ring

P

Accordion 8

= 60

solo con sord. gentle and very expressive, whispers fl. vib.

III

s.p. flaut.

IV fl.

vib.

sim.

Violin 1 IV

solo con sord.

IV

fl. gentle and very expressive, whispers vib. 3

sim.

vib.

Violin 2

solo con sord.

III

fl. gentle and very expressive, whispers vib.

s.p. flaut. vib. I II I II

Viola

solo con sord.

fl. gentle and very expressive, whispers vib.

s.p. flaut. vib.

Violoncello V Scordatura Double Bass

Litolff / Peters

8

[]

Nr. 12553 R

solo

tutti div. in 2

33065

© 2010 by Henry Litolff’s Verlag

11/11


2 10 Fl.

1. flz

(1.)

1 2

Cl. (B ) 1 2 sempre

Fl.

Tpt.

3 1. [003, Âź ]

1. con sord. Wawa

1 2

3

2. con sord. Wawa

1 sempre

Hn. (F)

3 sempre

(Tenor) 1 2 Tbn. (Bass) 3 4

LR

smooth

3

1 sempre

3

BP1

Perc. 2

BP2 3

BD

4

Harp 8

(

)

Piano 8

P

3

Acc. 8

Vln. 1

vib.

IV fl.

(solo)

s.p. flaut.

fl. IV vib.

gli altri con sord.

IV fl.

(solo)

vib.

vib.

3

sim.

sub.

Vln. 2

fl. IV vib.

gli altri con sord.

Vla.

(solo)

III

gli altri con sord.

III

fl.

vib.

fl.

vib.

sim.

s.p. flaut. 3

(solo) Vc. unis. Db.

pizz.

3

8

33065

arco

fl.

vib.


3 19

1. non flz

1 2

Fl.

sempre

1.

Cl. (B ) 1 2

sempre

3

Fl.

[100 , Âź

3

]

+/

Tpt. 1

1 Hn. (F)

3 3

(Tenor) 1 2 Tbn. (Bass)

3.4. con sord. cup

3 4

3

8

arco

med. Chinese cymbals large

BD

l.v.

1 TT

3

BP1

4

BP2

2 Perc.

TT

3

l.v.

3 3

l.v.

4

Harp

l.v.

3 8

(

)

( )

(

)

Piano 8

P

3

non vib. vib.

Acc. 8

(solo)

Vln. 1

(s.p. flaut.)

3

ord. vib.

(gli altri)

ord. vib.

s.p. vib. II III

ord. vib.

senza sord.

senza sord.

gli altri

s.t. non vib.

2-6 7-12

sim.

3

Vln. 2

sub. s.p.

(gli altri)

ord. 2-6

gli altri

senza sord.

Vla.

(solo)

(gli altri)

vib. s.p.

(solo)

Vc.

(gli altri)

III

s.p.

vib.

ord.

vib.

sempre

III fl.

senza sord.

IV 2-5

gli altri

senza sord.

6-10

ord. vib. I

sempre

IV

ossia: artificial harmonic sempre

sub.

vib. I

IV ossia: artificial harmonic 2-4

gli altri

div. in 2 Db.

senza sord.

s.t. non vib.

7-12

3

vib. s.p. III fl.

sempre

IV fl.

s.p.

(solo)

3

8

33065

pizz.

5-8 III

arco

sempre


4 28

1.

1 2

Fl.

flz sempre

flz

1. non flz

Cl. (B ) 1 2 non flz

sempre

3

Fl.

(Wawa) (1. 103, ¼ )

1 2 Tpt.

/

sub.

con sord. Wawa

3 sub.

1 3 3

Hn. (F)

2 4

3

1.

con sord. cup

(Tenor) 1 Tbn. (Bass) 3 4 med. Cymbal TT

3

l.v.

BD

1 arco

BP1

l.v.

2 BP2

Perc.

3

Tub. bells

TT

l.v.

5

arco

l.v.

3 BD

4

E F G A

Harp

E F G A

D CB

l.v.

3

l.v.

D C B

8

(

(

)

)

Piano

In

3.

8

3

P

Acc.

8

ord. solo III

II

vib.

vib.

3

III

1-4 gli altri fl. 2-6 III

Vln. 1 5-8 9-12

7-12 III solo

vib.

unis. III

non vib.

1-4 gli altri fl. 2-6 III

Vln. 2 5-8 9-12

3

vib.

7-12 III (solo) s.p.

sub. ( )

ord. vib.

¼

III vib.

1 sub.

Vla.

unis.

( )

2-5 6-10

(solo) s.p.

sub.

ord. vib.

¼

III

IV

( )

unis. IV

( )

vib.

1 Vc.

sub.

2-4 5-8 sub.

unis. div. in 2 Db.

pizz.

3

8

sub.

33065

arco


5 37

8

piccolo

non vib.

take flute

3

Fl.

sempre

1.

1 2

Tpt.

+/

2.

senza sord. 1.2. flz

+/ 1.

1 3 Hn. (F)

2.

2 4

½

(Tenor) 1 Tbn. (Bass) 3 4

senza sord.

sempre

chin. cymb. med.

cymb. [wire] med. l.v.

sempre

1 TT

BD

3

BP1 BP2

l.v. low rachet

l.v.

2 TT

Perc.

4

3

R

l.v.

BD

4 sempre l.v. EFG A D C B

Harp

l.v.

8

Piano 8

vib.

P 8

8

3

sub.

Acc.

(RH) 8

(LH and RH)

vib.

8

( )

1-4 Vln. 1 5-8 9-12

vib.

8

unis.

( )

( )

1-4 Vln. 2

unis.

5-8 9-12

unis.

1-3 4-6 Vla.

( )

s.p.

s.p.

¼

( )

ord.

¼

ord.

( )

7-10

s.p.

¼

pizz.

ord. arco

con sord.

pizz.

ord. arco

con sord.

1-4 Vc. s.p.

¼

5-8 (div.) Db.

unis.

8

33065

div. in 2


6

a little faster 46

ca.

1 2

Fl.

non flz

= 72 3

sempre

1.

Cl. (B ) 1 2

sempre

flz

3

Fl.

non 1. con sord. harmon flz

3

sempre

flz

Tpt. 1-3 2.+3. con sord. Wawa ½

1 Hn. (F)

2 Tbn. 1 (Tenor) 2

2. con sord. cup l.v.

very light snare sticks

BD

1

arco

M M

crotales

BP1+2

sempre

l.v.

8

2 Perc.

SC

3

staccato attack on top edge with squareheaded beater M

tub. bells

l.v.

gliss. l.v.

ON arco crotales

l.v.

8

4 3

E F G A D C B

Harp

l.v.

8

Piano

In 8

8

1 by 1 Acc.

poco vib.

MII [D-, A +, B - ] 8

loco

a little faster ca.

vib. fl. vib.

unis.

1-4 5-8

vib.

Vln. 1

div. in 3

fl. vib.

= 72

s.p. non vib.

unis. con sord.

II

s.p. non vib.

con sord.

II

s.t.

s.p.

s.t.

s.p.

9-12

con sord.

1-4 5-8

fl. vib.

unis.

3

s.p. div. non vib.

unis. s.t.

div.

unis. II

unis. 4-6 10-12 s.t.

div.

unis. II

div.

unis. II

1-3 7-9

vib.

sempre

fl. vib.

Vln. 2 con sord.

3

s.p. non vib.

vib.

9-12 sempre

con sord.

1-3 4-6 Vla.

unis.

con sord.

fl. III vib.

s.p. div. non vib.

1-3

s.t.

1-3 4-6

fl. III vib.

s.p. non vib.

4-10

s.t.

7-10

vib. II

7-10

unis.

1-3 4-6 Vc.

3

3

s.p. div. non vib.

senza sord.

s.p. non vib.

senza sord.

7-8 (div.) Db.

8

33065

vib.


7

tempo 54

long

1.

1 2

Fl.

accel.

= 84

= 72

(1.)

Cl. (B ) 1 2

non flz

sub. flz

3

Fl.

1. senza sord. 2. flz

(2. non flz) 1.+2. con sord. metal

1 2 Tpt.

3. con sord. metal

non flz

3 Hn. (F) 1-4 senza sord.

(Tenor) 1 2 Tbn.

3 4

(Bass)

BD rim

high partial arco chin. cymb. med.

LR

b.

1 BP1+2

high partial chin. cymb. large arco

BP1+2 M M

2 Perc.

BP3+4 TT

high partial TT 5 arco

M M

3

3 l.v.

BD

rim b.

4

près de la table

l.v. Harp

l.v.

8

loco

Piano

8

P

molto vib. expr.

MI Acc.

sub. non vib.

sub.

15

8

+

MIII

= 84

s.p. vib.

senza sord.

accel.

tempo ord. vib.

1-4 5-8

long

= 72

1-6 3

Vln. 1

s.p. vib.

senza sord.

sempre

ord. vib.

9-12

7-12 3

sempre

ord. vib.

s.p. vib.

senza sord.

1-4 5-8

div.

1-6 3

sempre

Vln. 2

s.p. vib.

senza sord.

ord. vib.

9-12

7-12 3

ord. vib.

s.p. vib.

senza sord.

sempre

IV

1-5 sempre

Vla.

s.p. vib.

senza sord.

ord. vib.

6-10 III non div.

pizz.

III IV non div.

pizz.

arco

vib.

sempre

1-4 Vc.

sempre

arco

vib.

5-8 unis. pizz. Db.

arco

III IV

div. in 2 arco

pizz.

8

sub.

sempre

33065

sempre

( )


8 63 1 2

Fl.

Cl. (B ) 1 non flz

3

Fl.

Tpt. 1-3

1 3 Hn. (F)

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4 BP5

sempre l.v.

1 BP6

2

sempre l.v.

Perc.

8

3

crotale arco l.v.

high partial BD

4 5

5

5

5

5

5

5

5

[very high undefined overtones: see legende] sim. sim.

Piano

7

7

7

7

7

7

7

8

P

vib. 1 by 1

Acc. 8

(1.-4.

sempre

)

s.p. non vib.

vib.

singing, expressive, expansive vib.

s.p. non vib.

vib.

s.t.

unis.

1-4 5-8 (5.-8.)

Vln. 1

singing, expressive, expansive vib.

s.t.

9-12

unis. con sord.

1-4 5-8 Vln. 2

con sord.

9-12 (1-5 only)

1-5 Vla.

6-10 s.p. flaut. sempre high overtones always

3

3

ord.

s.p. flaut.

s.p. flaut. sempre high overtones always

3

3

ord.

s.p. flaut.

1-4 Vc.

5-8

div. in 2 Db.

s.p. flaut. sempre

3

3

8

33065

3

ord.

s.p. flaut. 3


9

sub. 1. flz

71

1. non flz

= 126 (max.)

1 2

Fl.

(1.)

Cl. (B ) 1 2

1.

flz

sempre

1.[103, Âź ] flz 1. and 3. con sord. metal

1.

2. senza sord. non flz

2.

3. 1.

Tpt. 1-3 ord.

1 3 Hn. (F)

ord.

2 con sord. metal

(Tenor) 1 2 Tbn. (Bass) 3 4 BP5

BD

BP6

guiro

1 W

2 Perc. TT

l.v.

3

mid. Bongo

W

3 BD

4 5

Piano

7

7

7

8

P

non vib. loco

8

Acc. 8

div.

sub.

(unis.)

= 126 (max.) con sord.

1-4 5-8 Vln. 1

unis.

con sord.

vib.

senza sord.

s.p.

vib.

senza sord.

s.p.

vib.

senza sord.

s.p.

vib.

senza sord.

s.p.

9-12 (unis.)

div. unis.

1-4 5-8 Vln. 2 9-12

con sord.

1-3 4-6 Vla.

div.

1-5

con sord.

6-10

vib.

vib.

senza sord.

senza sord.

7-10 pizz. 3

3

div. 1-3

1-4

arco

1-5 4-5

Vc. 3

3

6-8

5-8

pizz.

arco

6-8 (div. in 2) 3

Db.

pizz.

3

8

33065

unis. arco


10 80 3

Fl.

con sord. wawa

1. flz 2.

2. non flz 3.

(2. wawa) open

Tpt. 1-3 3

flz

1 3 Hn. (F)

3

flz

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4

non flz

1.

non flz

2.

senza sord. 8

BD

BD rim

rachet

skin

b.

1 smooth

LR

2

sempre

Perc.

TT

W

SC

5

l.v.

3 TT

4

BD

4

l.v. *) bisbigl.

E F G A D C B

Harp

sempre 8

Piano 8

P

sempre

Acc. 8

ord.

3

ord.

3

pizz.

1-3 4-6

div. arco

pizz.

7-9 10-12

div. arco

III

unis.

1-6 Vln. 1

sempre

unis.

7-12 sempre

ord.

3

pizz.

1-3 4-6

ord.

3

pizz.

7-9 10-12

div. arco

unis.

1-6 Vln. 2

sempre

div. arco

unis.

7-12 sempre

pizz.

1-3 div. 4-6

arco

unis.

1-6 3

sempre

pizz.

Vla.

7-10

arco

I

7-10 3

sempre

3

pizz.

1-4

ord. pizz.

3

pizz.

5-8

ord. pizz.

1-4 Vc. 5-8

div. in 2 Db.

unis.

8

*) ossia: octave tremolo

sub. 33065

div. in 2 pizz.


11 89

take piccolo

3

Fl.

(wawa) non flz

senza sord.

flz

1 Tpt. 2.

2 3 1 Hn. (F)

2 (Tenor) 1 2 Tbn. (Bass) 3 4

8

chin. cymb. large

1

sempre

BP1+2

2

l.v.

Perc.

3 BD

4

Harp

E F G A D C B

l.v. 8

8

loco

Piano

loco

In 8

P

1 by 1 Acc. 8

1-4 5-8

div. vib.

1-6 Vln. 1

non dim.

9-12

7-12 non dim.

1-4 5-8

div. vib.

9-12

vib.

1-3 4-6

div. vib.

7-10

vib.

1-6 non dim.

Vln. 2 7-12

non dim.

1-5 non dim.

Vla. 6-10

non dim.

1-4

tutti unis.

Vc. (div.) Db.

8

33065

arco


12 99 1 2

Fl.

Cl. (B ) 1 2 Piccolo flz

take flute

8

Picc. 1. con sord. Wawa

[ 103, ¼ ]

1.-3. senza sord.

Tpt. 1-3 1.

1 3

½

3. non flz

ord.

4. non flz

ord.

sempre

Hn. (F)

2.

2 4

½

sempre

senza sord.

(Tenor) 1 2

( )

Tbn. (Bass)

3 4

3. 8

loco

med. cymbal l.v.

Large metal Cabaza

P

1 rachet

LR

2 Perc. TT

5

TT

l.v.

R

3

3 BD rim

4

b.

l.v. Harp

l.v. 8

Piano 8

P

+

Acc. 8

unis.vib. expr. IV non div. III Vln. 1 unis.sub. s.p. distort 8

div. in 3 1-4 ord. 5-8 9-12 IV poco vib.

unis.

Vln. 2 unis. s.p. distort

sempre

div. in 2 ord. 1-5 6-10 III poco vib.

unis.

Vla. 1-4 5-8 div.

3

s.p. flaut. vib.

arco (div.)

3

s.p. flaut. vib.

unis.

ord.

div. in 2

Vc.

Db.

8

33065

unis.

pizz.

W


13

sub. 108

= 80

1 2

Fl.

Cl. (B ) 1 2

3

Fl.

Tpt. 1-3

1 3 Hn. (F)

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4

sempre

rim

BD

skin

b.

1 non dim. TT

2

l.v.

1

[

[ birch] TT 4

Bongo

Perc.

TT

BD rim

l.v.

1

sempre

= damp with left hand at 5 . = damp with arms and body = not damped

]

3

[

b.

BD rim

BD skin

b.

4

b111 - b152 BD: = , = . move trill suddenly towards BD centre with cresc. damp immediately

l.v. E F G A DC B

Harp 8

(

(

)

)

sim. sim.

Piano 8

P 8

sempre

Acc. 8

sub. = 80 1-6 Vln. 1 I 7-12

1-6 Vln. 2 II 7-12

III

ord.

fl. vib.

1-5 non dim.

Vla.

ord.

fl. vib.

6-10 non dim.

(div.)

unis.

fl. vib.

Vc. non dim.

arco non div. batt. viol. Db.

batt. viol.

8

33065

pizz.

]


14 115 1 2

Fl.

Cl. (B ) 1 2

3

Fl.

Tpt. 1-3

1 3 Hn. (F)

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4

BD

sim.

1

b.

full

TT

2 Perc.

sub.

BD rim

3 BD

sim.

4

Harp 8

(

Piano

sim.

)

sim.

(

)

sim.

sim.

(

sim.

) sim.

(

)

sim.

8

P

P

P

8

Acc. 8

unis. Vln. 1 sempre

unis. Vln. 2 sempre

sub. s.p. distort

unis.

ord.

Vla. sub.

sub. s.p. distort

I

ord.

Vc. sub.

batt. viol.

arco Db.

8

8 8

33065

pizz.

(

)


15 120 1 2

Fl.

Cl. (B ) 1 2

Fl.

3

Tpt.

1 2

1.2. flz

1.2. (flz)

1 3 Hn. (F)

ord.

2.

2 4

sempre

senza sord.

(Tenor) 1 2 Tbn. (Bass) 3 4

BD

1 full

TT

2

l.v.

sub.

Perc.

BD rim

sim.

3 BD

4

Harp 8

(

(

)

sub.

Piano

)

(

(

)

)

sempre

8

P

P

8

Acc. 8

3

s.p. vib.

arco ord.

pizz.

3

Vln. 1 sempre 3

s.p. vib.

3

s.p. vib.

arco ord.

pizz.

3

Vln. 2

pizz.

arco ord.

3

Vla.

s.p. vib.

pizz.

arco ord.

Vc. 3

sempre

arco Db.

pizz.

3

batt. viol.

8

33065


16 126

long

1 2

Fl.

Cl. (B ) 1 2

3

Fl.

long

(flz)

1 2 Tpt.

non flz

con sord. Wawa

3

1 3 Hn. (F)

2 4

sempre

long

1.

sempre

2. sempre

long (Tenor) 1 2 Tbn. (Bass) 3 4 BD

b.

long

sim.

1 TT

full

l.v.

full

full

2 Bongo

Perc.

BD rim

BD rim

3 sempre

ord.

b.

BD

sempre

4 long E F G A D C B

Harp 8

(

)

(

)

(

(

)

)

(

)

(

)

(

)

(

)

long

Piano

(

)

sempre

8

P

8

Acc.

long

sim. 8

non vib. non div. III/IV

long

(non div.) s.p. vib.

pizz.

(non div.) s.p. vib.

pizz.

Vln. 1 sempre

non vib. non div. III/IV Vln. 2 sempre

non vib. non div. II/III

vib.

s.p.

vib.

s.p.

vib.

pizz.

Vla.

II

div.

pizz.

Vc. batt. viol. Db.

batt. viol.

pizz.

arco

8 8

33065


17 pause -

132

let brass through piano resonance and hold

1 2

Fl.

Cl. (B ) 1 2

3

Fl.

(3.)

1.2. con sord. Wawa

2.3. senza sord.

Tpt. 1-3 sempre

ord.

1 3 Hn. (F)

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4

sempre

ord.

sempre

1. sempre

8

loco

sempre

BD

l.v.

1 full

TT

full

full

2 Perc.

BD rim

3

sempre

BD l.v.

sim.

l.v.

4

Harp 8

(

)

(

)

(

)

(

(

)

sub.

Piano

)

sempre

8

P

P 8

Acc. 8

arco ord.

3

IV s.p. 3

ord.

3

IV s.p. 3

ord.

3

III s.p.

ord.

Vln. 1

arco ord. Vln. 2

ord.

arco Vla.

3

arco

pizz.

div.

unis. Vc. 3

batt. viol.

arco Db.

div.

8

8

33065

pizz.

(

)


18 138 1 2

Fl.

Cl. (B ) 1 2

3

Fl.

1. (Wawa)

2.3.

expr.

1. senza sord.

Tpt. 1-3

flz

½

1. non flz

1 3

sempre

Hn. (F)

½

2.

2 4

sempre

(Tenor) 1 2 Tbn. (Bass) 3 4

1.2. con sord. metal

1.2. senza sord.

3.4. con sord. metal

3.4. senza sord.

BD

1 l.v.

TT

2 Perc.

Bongo

BD rim

ord.

b.

3 BD

4 sempre

près de la table EFG A D C B

Harp 8

(

)

(

(

)

)

(

)

Piano 8

P

P

P

loco

8

Acc. 8

8

loco

non div. III/IV

s.p.

div. in 2

ord. unis.

Vln. 1 sub.

ord. s.p.

div. in 2

unis.

Vln. 2 ord. s.p.

sub.

div. in 2

unis.

Vla. sub.

arco

s.p.

1-3 4+5

poco vib. s.t.

1-4

pizz.

Vc. 6-8 unis. ord. pizz. Db.

5-8

batt. viol.

pizz.

8

33065

arco unis.


19 146 1 2

Fl.

Cl. (B ) 1 2

3

Fl.

flz

non flz

Tpt. 1-3 ord. (3. non flz)

1 3 Hn. (F)

ord.

2 4 (Tenor) 1 2 Tbn. (Bass)

3 4

BD rim

BD

1

full

l.v.

TT

2

sub.

Perc.

BD rim

Bongo

3 sempre

sempre

BD

4

EFG A D C B

Harp

l.v.

8

(

)

(

)

(

)

(

)

(

Piano

)

(

sempre 8

P

Acc.

sim. 8

sub. s.p.

3

ord.

non div.

3

1-4 5-8 div. 9-12

3

1-4 5-8 div. 9-12

Vln. 1 IV III

3

sub. s.p.

3

sub. s.p.

ord.

Vln. 2

IV

div. in 2

ord.

Vla. 3

s.p. II

div. in 2

ord.

Vc. 3

pizz.

arco Db.

8

33065

arco

)


20 = 52

152 1.-3. con sord. metal

1. con sord. Wawa

sub. = 72 (max.)

espr.

Tpt. 1-3

1 3 Hn. (F)

2 con sord. metal

(Tenor) 1 2 Tbn. (Bass) 3 4

senza sord.

chin. cymb. large

BD

sempre l.v.

1

BP

med. cymb. large

M 4:3

sempre

6. 5.

2

2. Perc.

BP

3

1. very long

M

l.v.

3

TT

(strings surface out of BPs resonance)

sempre l.v.

3

3

1

3

sempre

3.

4.

7. SC off

3

BD

4

l.v. E F G A

l.v. Harp

sempre l.v.

sempre

l.v. sempre

DC B

8

(

sempre

)

Piano

sempre 8

P

Acc.

8

1-6

non div.

7-12

non div.

3

= 52

III vib. 1.-6.

sub. = 72 (max.)

non vib.

1-3 4-6

div. in 4 non vib.

7-9 10-12

1-4 Vln. 1

div. in 12 IV vib. 7.-12.

3

5-8 9-12

1-3 4-6

1-6 3

vib.

non vib.

vib.

non vib.

1-4 Vln. 2

div. in 4

div. 7-12 3

5-8 9-12

7-9 10-12 III non div. IV

1. 2.

vib.

div. in 10 3. 4.

vib.

non vib.

3

vib.

1-3 non vib.

vib.

4-6

vib.

7-8 II non vib.

1-5 3

Vla.

3

non vib.

non vib.

6-10 5. 6. 7. 8.

3

1. 2. 3. 4.

vib.

non vib.

3

9. 10.

9-10 III

sub. vib.

vib.

1-2 3-4

non vib.

vib.

5-6 7-8

non vib.

3

non vib.

1-4 3

div. in 8 5. 6.

Vc.

sub. vib.

sub. sub. 3

non vib.

5-8 3

7. 8. batt. viol.

Db.

sub. sub.

ord.

3

8

sub. sub.

33065


21

rit.

161 1 2

Fl.

Flute

3

Fl.

1.

1. con sord. harmon

2.3. con sord. Wawa 2.

Tpt. 1-3 3.

2. 3. ord.

1 3 Hn. (F)

1. ½

+/

ord.

2 4

1. con sord. cup

(Tenor) 1 2 Tbn. (Bass) 3 4

sempre

Cabaza

BD rim

Thunder sheet

1 b.

rachet

2 Perc.

Guiro

SC on

3 W

R

BD

4 l.v.

l.v.

l.v.

Harp E F GA DC B

ord.

E F GA D C B

3

loco

Piano 8

P sempre 8

Acc. MII

[ A D-, +, B - ]

MIII 1. solo s.p.

1-3 4-6

expr. sub. fl. vib.

rit.

sub.

Vln. 1

2-12 unis. s.p.

7-9 10-12

gli altri div. in 3 ord.

2-4 5-8 9-12

sub.

unis. s.p. 1-3 4-6

sub. fl. vib.

1. solo fl. expr.

ord. II 1-4

sub.

Vln. 2

unis. s.p.

7-9 10-12

tutti div. in 3 ord.

sub. fl. vib.

5-8 9-12

sub.

unis. s.p. 1-3 4-6

sub. fl. vib.

solo fl. expr.

1-5 ord.

sub.

Vla.

unis. s.p.

7-8 9-10

tutti div. in 2 6-10 ord.

sub. fl. vib. sub.

unis. s.p. 1-2 3-4

sub. fl. vib.

solo

s.p. flaut. expr.

ord.

sub.

unis. s.p.

Vc. 5-6 7-8

sub. fl. vib.

sub.

div. in 2 Db.

sub. fl. vib.

3

2-4: III gli altri div. in 2 ord. 5-8: I arco

8

33065

unis.


22 169

Slower tempo still flowing, dreamŦlike

1 2

Fl.

sempre

Cl. (B ) 1 2 sempre

3

Fl.

Tpt. 1-3

1 3 Hn. (F)

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4

Thunder sheet

1

sim.

l.v.

l.v.

2 Perc.

3 BD

4

Harp 8

Piano 8

P 8

RH and LH

Acc.

1 by 1

1 by 1

8

Slower tempo still flowing, dreamŦlike fl. ’echo’ vib.

3 soli

tutti unis. con sord.

fl.

[non gliss.]

Vln. 1 IV

3.

sempre

3 soli

fl. ’echo’ vib.

3 soli

fl. ’echo’ vib.

tutti unis. con sord. IV fl.

Vln. 2 sempre

con sord. tutti unis.

Vla. sempre

3 soli

fl. ’echo’ vib.

Vc. sempre

2 soli

’echo’

unis.

8

sub.

Db.

gli altri

pizz.

sempre

arco

8

33065

III fl.


23 177

2. non flz

flz

1 2

Fl.

sempre

Cl. (B ) 1 2

3

Fl.

flz

1. con sord. Wawa

1

Tpt.

1 Hn. (F)

sempre

2 4 (Tenor) 1 2 Tbn. (Bass) 3 4 Thunder sheet

l.v.

1 sempre

2 Perc.

3 BD

l.v.

sim.

4

Harp 8

3.

Piano

3.

In 8

P

fast bellows trem. RH and LH

Acc.

sempre

sim.

8

vib.

1-2 3-4 5-6 div. in 6

sub.

vib.

7-8 9-10 11-12

sub.

1-6 Vln. 1 7-12

IVvib.

div. in 3

1-6 Vln. 2

IVvib.

1-2 3-4 5-6

7-12 (tacet)

sub.

7-12 vib.

1-2 3-4

vib.

div. in 5 5-6

1-5 Vla.

sub.

6-10 7-8 9-10 [hear high overtones] s.p. flaut. ord. fast trem.

sub.

div. in 4 1-2 con sord. 3-4

II

Vc. 5-6 7-8 tutti unis. fast trem. Db.

div. in 3

non trem.

1. 2.

unis.

8

3. pizz. 33065

(3. arco)

fast trem.


24 186

1.

1 2

Fl.

1. flz

2.

sempre

1.

Cl. (B ) 1 2

1. 2.

flz

3

Fl.

Tpt. 1-3

1 3 Hn. (F)

2 4 1.2. con sord. cup (Tenor) 1 2 Tbn. (Bass)

sempre

3.4. con sord. cup

3 4

Thunder sheet

1 BD

sempre

sempre

2 Perc.

3 l.v. 4

Harp

l.v.

l.v.

8

3.

3.

Piano

3.

8

P

P

Acc.

sim. 8

pizz. vib.

unis.

arco

fl. vib.

div. in 2

1-6 7-12

’echo’ non vib.

Vln. 1 IV

sempre

fl. vib.

unis.

div. in 2

1-6 7-12

’echo’ non vib.

Vln. 2 IV

sempre

sempre

senza sord. 1-5 div. in 2 6-10

vib.

Vla. sub.

fast trem.

s.p. flaut.

ord.

s.p. flaut.

Vc.

Db.

8

33065




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