Contemporary
Jesper Nordin
© Freddie Sandström
70 30 80th Street 04103 Leipzig London N1 6DN Glendale NY 11385
* gene.caprioglio@editionpeters.com
C. F. Peters Corporation
BIOGRAPHY
Deutschland UK USA
Leipzig London New York
His music is performed by conductors like Esa-Pekka Salonen, Daniel Harding and Kent Nagano and soloists like Martin Fröst, Diego Tosi and Jean Geoffroy. His orchestral pieces have been played and/or commissioned by such orchestras as the Orchestre Philharmonique de Radio France, BBC Scottish Symphony Orchestra, Sinfonieorchester Basel, Gothenburg Symphony Orchestra, St Paul Chamber Orchestra and the Swedish and Finnish radio orchestras. In 2014 the Royal Stockholm Philharmonic Orchestra highlighted the music of Jesper Nordin during a four day portrait festival.
Jesper Nordin (born in 1971 in Stockholm) is a leading Swedish composer who has garnered considerable international acclaim in recent years. His music, with its powerful emotional impact and traces of traditional Swedish folk music, rock music and improvised music, is broadcast and performed throughout the world.
Jesper Nordin
* stefan.conradi@editionpeters.com * katie.tearle@editionpeters.com
He is also included in the repertoires of several of the world’s foremost contemporary music ensembles, amongst them ensemble recherche, L’Itineraire, Ensemble Intercontemporain, Quaturo Diotima, Talea and The San Francisco Contemporary Music Players. He has received commissions from major institutions in Europe, including IRCAM, Radio France, Le Fresnoy, the French Ministry of Culture as well as several Art Councils and radio stations in Europe and North America.
Talstraße 10 2 6 Baches Street
( + (1) 718 416 7822
( +49 (0) 341 9897 9231 ( +44 (0) 20 7553 4033
His music has been performed at numerous festivals, including Verbier Festival, ManiFeste, Wittener Tage für Neue Kammermusik, ISCM, Gaudeamus, Musiques en Scène, Hudderfield, Ultima, Tokyo Summer Music Festival and Archipel. In 2010 he received the Grand Christ Johnson Prize for being ‘a sound magician, who explores and expands the acoustic space with originality and an uncompromising curiosity’ (Royal Swedish Academy of Music). He has also been awarded the Lesser Christ Johnson Prize and received a recommendation at UNESCO’s Rostrum as well as several international prizes for the piece calm like a bomb
C. F. Peters Ltd & Co. KG Peters Edition Ltd
Jesper Nordin has also had huge success with his iOS apps Gestrument and ScaleGen that is based on his own composition technique. It is used worldwide to create music in genres ranging from Electronica and Techno to Jazz Impro and Contemporary Classical music. www.gestrument.comwww.jespernordin.com
Nordin studied at the Royal College of Music in Stockholm with Pär Lindgren, Bent Sørensen and William Brunson, before taking further studies at IRCAM with Philippe Leroux and others. He subsequently was invited to be a Visiting Scholar at Stanford University, where he studied with Brian Ferneyhough and worked in the CCRMA studio.
From 2004 to 2006 he was Composer in Residence at P2, the Swedish Radio’s serious music channel. In 2006 the Swedish Radio released the portrait-cd ‘Residues’ that include several of his major orchestral pieces as well as works for choir, solo instruments and electronics. ‘Residues’ has been hailed as a ‘milestone for contemporary music lovers’ in France and as ‘a central album of the Swedish music from the first decade of the 21:st century’ in Swedish
BIOGRAPHY
at different electroacoustic studios around the world has made electronics a major part of his musical language both as a composer and as a performer with different constellations. His ensemble Trio Trespassing released their debut CD ‘Transitory Frames’ in 2009 and was called ‘the most important CD of the year’ in Swedens largest newspaper.
Hispress.work
1st Retrospective (2016) 11’ for orchestra and live-electronics
Residues (2006) 17’ for 3.3.3.3orchestra-4.3.4.0 - timp - perc(3) - pf - str commisioned by the Swedish Radio SRP2
Ärr (2013) 17’ for 3.3.3.3orchestra-4.3.3.1 - timp - perc(2) - str
Åkallan (2013) 12’ for 2.2.2.2orchestra-4.2.2.1 - timp - perc(2) - str
First performed 2018, by Brandenburger Sinfoniker EP 14313
Arv (2005) 16’ for 2.2.2.2orchestra-2.2.2.0 - perc(3) - str
2.2.2.2 - 2.2.2.0 - perc - str - live electr
First performed 13 November 2015, Clermont-Ferrand (F), Festival Demesurée, by Orchestre d’Auvergne, cond.: Roberto Forés EP 12828
Öde (2015/16) 21’ for 3.3.3.3orchestra-4.3.3.1 - timp - perc(3) - hp - pf - kbd - str
First performed 18 February 2006, Stockholm, Berwaldhallen, by the Swedish Radio Symphony Orchestra, cond.: Niklas Willén EP 12676
Inverted Mantra (2005/11) 12’ for string orchestra strings 5.4.3.2.1
First performed 10 April 2014, Stockholm, Konserthuset, by the Royal Stockholm Philharmonic, cond.: Baldur EPBrönnimann12823
2nd Retrospective (2017) 12’ for orchestra and live-electronics
First performed 10 April 2014, Stockholm, Konserthuset, by the Royal Stockholm Philharmonic, cond.: Baldur Brönnimann EP 14035
First performed 26 January 2017, Stockholm, Royal College of Music, by KHM orchestra, cond.: Tommy B Anderson EP 14212
1st Retrospective for String Orchestra (2019) 11’ for string orchestra, keyboard and electronics
2.2.2.2 - 2.2.2.0 - str - plus undefined number of percussion/live electronic groups
First performed 27 January 2005, Trondheim (N), by Trondheim Symphony Orchestra, cond.: Eivind Aadland EP 14015
First performed 13 October 2016, Stockholm, Berwaldhallen, by Swedish Radio Symphony Orchestra, cond.: Daniel Harding EP 14147
LISTWORK
Orchestra
First performed 02 June 2019, Munich, aDevantgarde Festival, by Munich Chamber Orchestra, cond.: Gregor Maryhofer EP 14408
œ
A
B j
F
úú
úb &æ b œ œb œ œb œB œ œB œb b œ 3 b œb b œ œ œb œ œb úb æ 3 3 B œb œb œb œ œ œ b b œ œB œb b 3 œ œb œ b b œb œ œb œb œB æ ú Bæ œb b œb œ b œ œb b œB œb œ œB œb 5 3 q = 96 F F F f f f F f F ƒ F F F F F F F F F F F F ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ F ƒ F F f f Ff f valve (freelytrilluse all three valves) F valve (freelytrilluse all three valves) F f F f F f ) F f p p
F f F F F F f f f f f f f F F F ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ ƒ
? úb ú F F
b j
b œb œ œb b œ œb œb œ úb œ œ œb œb µ n B b œ
œ œ
œb b b œµ œn œB œb œ œb µ n 3 ú æ œ æ úB b œ œn œB œb B b ú æ úb œb œb b µ n œB œb œ œb œµ œn 3 3 ú æ J œ æ œ œµ œn œB œb œB œ j œB J œ æ œB ú b œ œn œB J œb B b œB 3 p p p F F wn wb j œB œ w ú œ œB ú œ œn w b b wn J œ œn œ w j ú œ w 3 J j b wb wb ú æ úb æ ú æ ú æ œ Œ ú æ œ J n ú wb wb úb B w w ú œB j œb w ú b jB ú œ œb œ w œ for as long as w w w w œ b œb œb b b b ú j b œ œ œb b j œµ œn œB 3 3 b œ œ œµ œ œb œ œb œb œ œ œn µ n 3 3 b œ œb b œ œb ú œ œb œ œb œb œ µ n œB R Ô œ b ú œ œb œb b n œB œb 3 œr œn úú ú æ ú æ > ú æ ú æ b œb œ œb b b œ œb œb œb œb œb œb b æ œ œb œb œb œb œ œb b úb æ
œ
œ úµ
& & & & & & ? ? & ? & ? & & ? ? ? ? ã ã & & & & & & & & B B ? ? ? ? 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Flute 1 Flute 2 Oboe 1 Oboe 2 Clarinet in B 1 Clarinet in B 2 Bassoon 1 Bassoon 2 Horn in F 1 Horn in F 2 Horn in F 3 Horn in F 4 Trumpet in B 1 Trumpet in B 2 Trombone 1 Trombone ContrabassContrabassPercussionPercussionTimpaniTuba212ViolinI1ViolinI2ViolinI3ViolinI4ViolinII1ViolinII2ViolinII3ViolinII4Viola1Viola2Cello1Cello212 œ œb b œb œb œ b b œ úb3 œb œ œb b œb œ b œb B b œ œ 5 3 b b œb œb b œb œ b b ú œb œb œ œ œ b B B b œb œ œ 3 œ b œb œ œb j úµ œ œb œn œb œ œ œb œ œ œµ œn œB œb n œ 6 3 b œb œb œ œb œ b úb3 3 b œb œb œb b œb œ œ B b œB œb œ 5 5 3 Œ œ œn œ 3 R Ô œ b ú b œ œb œb œ œ b œb œB œb œb 3 œb œn œm œb b b œB œb œ B b 5 ú æ ú æ ú æ b œb œ œb b b œ œb œb œb œb œb œb b æ 7 6 œ œb œb œb œb œ œb b úb æ 3
B
úú
œ
w w w æ w w w w w
œ
úú wb ú œ œ ú w b 3 w w œ œn w n b wb wb ú æ úb æ ú æ ú æ œ Œ ú æ œ Œ ú wn n wb œ œb w ú úú œ J œb w w J b b ú œ b úú wb J œ œ ú œb ú j œ œ 3 F F F F F F F F F p p p p p F ) p p p p F F ú Œ ú œ Œ ú Œ úú úú œ b úb úú æ ú æ œ œ úú b úú œ úú ? œb F F p p
œ Œ ú Œ ú œ Œ Œ
Litolff/Peters: Nr. 14015 33593 Jesper Nordin*1971 Transposed Score © 2013 by Henry Litolff 's 11/16Verlag Åkallan baserad på Kulning av Karin Edvardsson Johansson Dedikerad till Göteborgs symfoniker och Kent Nagano
œ
œB œb œ úB J œ B J b œb b ú œB 3 ú œn œB œb œ œµ œ ú 3 œ b œb œB œb ú B 3 3 úµ J µ 3 œB œ œ œ œ B w æ w æ w æ æ úµ œ æ µ J œ æ œB ú 3 B b œ úB 3 ú b œb œ œ œb B œ æ J œB ú B b œB œb ú œ æ úb œb œ œ œb ú B 3 œ æ úb œB œ œ œB wB œb B b œB p F wn œ œb
n B b B œB œb œ œB 3 œ J B J b œb b œb œµ œn œB œb b µ n 3 3 ú œ
œb œ œn µ n œB œb œ 3 3 ú œ b œb n œB j œb œB œb œ B 3 b œ œµ œµ œn œB œb B œ J œµ œb œ œb µ n b n œB j œb œB œb µ 3 úµ Jµ µ n œB œb œB œ œ jB wn œb œ œn œB j œb B b œ œB 3 w æ w æ w æ æ œ ú æ µ œ æ œB ú œn œB œb œB B b œ œB 3 æ
Tam-tam p Gran cassa p large (attach two or three wooden balls or sticks to the frame and let them rattle freely whenever the Tam-tam is played) úú µ
œ
possible if it doesn't say you should stop it) F largemediumTam-tam(attach two or three wooden balls or sticks to the frame and let them rattle freely whenever the Tam-tam is played) ú úú úú ú úú úú úú ú úú úú ú æ ú æ ú ú úú úb úú ú úú B ? úú œ œb ? œ œb ú
j œb œ œ b b j œµ œn œB b œb œ œ b œ æ ú æ œ b œb œ b b œ œn œB œb œb œ b æ úb æ 3 & J œ œb œ b œb J µ n œB 3 3 3 b œ œb œb œb œb æ ú Bæ œ œb œb œ b œ œn œB œb 3 œ œb œb b œb æ ú Bæ
œb œb œ b b œb œb b œb ú æ œb œ b œb œ œb b œ œb œ B b œ œ 3 œb œ b œb j œb b œ œ b úB æ b œb œ œ œ b B œ B b b œ œ b jb œb œb ú æ œb b œb œ b œb œ œb b B b œB œb œ œB œb 6 3 œb œb b œ æ p
b b b œb b œb œ æ ú æ 5 3 œb œ b œ œ œb œµ œn œB œb œb œ œb œ œ æ œ æ B
Œ
úb ú wb F F F F P P P P P F F F F F F F F F (always let percussion resonate for as long as possible if it doesn't say you should stop it) ) G. C.(always let percussion resonate
úú n
œ b œ œ b b œµ œn œB 3
Fƒ F F F F F F F F F F ƒ p p p p p p f F pƒ F ƒ P P P P F F F F p p G. C.
Double Concerto (2003) 21’ for violin, violoncello and orchestra vn, vc soli - 2.2.2.2 - 2.2.0.0 - perc(2) - pf - str First performed 2003, Västerås (S), Concert House, by Daniel Frankel (vn), Åsa Åkerberg (vc) and Västerås Sinfonietta, cond.: Eivind Aadland EP 12675
Emerge (2017) 16’ for clarinet solo, orchestra and gestrument cl solo - 2.2.2.2 - 2.2.0.0 - perc - str - gestrument (virtual orchestra controlled by motion sensor) First performed 09 March 2018, Minneapolis (USA), Ordway Concert Hall, by St Paul Chamber Orchestra, Soloist and cond.: Martin Fröst EP 14306
trilogy for orchestra: Åkallan - Ärr - Öde 3.3.3.3 - 4.3.3.1 - timp - perc(3) - hp - pf - kbd - str
LISTWORK
First performed 13 October 2016, Stockholm, Berwaldhallen, by Swedish Radio Symphony Orchestra, cond.: Daniel Harding
Röster (2013-16) 50’
First performed 16 March 2012, Lyon, ‘Festival en Scéne’, by Jean Geoffroy and Ensemble Orchestral Contemporain, cond.: Daniel Kawka EP 12612
3rd Retrospective for String Orchestra (2019) 25’ for violin, string orchestra and live electronics
Solo Concertos with Orchestra / Ensemble
First performed 06 April 2008, Jönköping (S), by Anna Petrini and Jönköping Sinfonietta, cond.: Andreas Hanson EP 12822
First performed 13 February 2020, Växjö (S), Vaxjö Concert Hall, by Malin Broman, Jesper Nordin and Musica EPVitae14477
Circe (2011) 21’ for percussionist and ensemble perc solo - 1.0.1.1 - 1.1.1.0 - pf - str (1.1.1.1.1)
Arches (2008) 19’ for recorder solo and orchestra recorder solo - 2.1.1.1 - 2.2.1.1 - perc - pf - str
& & & & & & ? ? & ? & & ã & & & & & B B ? ? ? ? Fl. 1 Fl. 2 Ob. 1 Ob. 2 B Cl. 1 B Cl. 2 Bsn. 1 Bsn. 2 Hn. 1 Hn. 2 C Tpt. 1 C Tpt.Perc.2 Solo B Gestr.Cl.Vl.IVla.Vlc.Cb.Vl.II 160~~~~~ r œ‰ŒÓ r œ‰ŒÓ R œ‰ŒÓ r œ‰ŒÓ r œ‰ŒÓ R œ‰ŒÓ w wm 160w w R œ‰ŒÓ r œ‰ŒÓ w w æ 160> r œœb æ‰ŒÓ r œμ æ‰ŒÓ r œæ‰ŒÓ r œB æ‰ŒÓ R œmæ‰ŒÓ R œ æ‰ŒÓ æ wB æ w wm æ ÷ƒstr. f f f f f f f) f f f f f f f f f f f f f f fŒŒ U ŒŒ ÓU ŒŒ U ŒŒ U ŒŒ U ŒŒ U œ U œ U œ U œ U ŒŒ U ŒŒ U æ >œ œ æ U Œ U ŒŒ U ŒŒ ÓU ŒŒ U ŒŒ U ŒŒ U ŒŒ Ub æœ œ æ U æœ n æ Uμæœ næ U˜ æœæ U∑ œ∑ œŒÓ œŒÓ œŒÓ œŒÓ œ >ŒÓ w∑ w œœœœ œœæŒÓ œ æŒÓ œ æŒÓ œ æŒÓ π legato IVIIIIIIIInon-rhythmicpossibile, π fœ b œŒb ÓŒ œŒ œŒ œŒ œŒ œŒ œŒ œŒ œŒ œŒ œb œŒ J œ¿‰ œœœœœœœœœœœœ 7 w∑ w œœœœ œB œμ œn œμ œŒ œŒ œŒ œŒ π π π Fπ π G. SlowlyC. and gradually put rattling coins or chains on the drum skin smallIVIIIIIIIIglissadlibonIVand III π legato IVIIIIIIIInon-rhythmicpossibile, ππ π π π π π π π π π π π (x=dampen skin silently with mallet) T œb œŒœŒb œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒb œŒœŒ J ¿‰œJ ¿‰ œœ μ œμ œn 3 ww w w w w œB œμ œn œμ œ‘ œŒœŒ œŒœŒ œŒœŒ ŒœŒ smallIVIIIIIIIIglissadlibon IV and III πœ b œŒœŒb œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒ œŒœŒb œŒœŒ J ¿‰œJ œœ¿‰ œœœœœ m j œŒ 5 w wb w w‘ œ‘ œŒœŒ œŒœŒ œŒœŒ πŒœŒ 34 Emerging34324Tamt., G. C. Taken from Emerging for Clarinet, Orchestra and Gestrument (2018) © 2018 by Henry Litolff’s Verlag.
Waves (2018) 25’ for orchestra and Gestrument (a virtual orchestra) 3.3.3.3 - 4.3.3.1 - timp - perc(2) - pf - hp - str - live electr EP 14307c
14307Part
Currents (2018) 15’ for orchestra and Gestrument (a virtual orchestra) 3.3.3.3 - 4.3.3.1 - timp - perc(2) - pf - hp - str - live electr EP Part14307aII
Emerging (2018) 25’ for clarinet solo, orchestra and Gestrument (a virtual orchestra) cl solo - 2.2.2.2- 2.2.0.0 - perc(2) - pf - hp - str - live electr First performed 31 August 2018, Stockholm, Berwaldhallen, by Martin Fröst and the Swedish Radio Symphony Orchestra, cond.: Esa-Pekka Salonen EP Part14307bIII
Emerging from Currents and Waves 2020 (2019) 46’ for clarinet solo, orchestra and live electronics (including Gestrument, a virtual orchestra) clarinet solo - gestrument - 3.3.3.3 - 4.3.3.1 - timp, perc(2), hp, pf - strings First performed 19 June 2021, Paris, by Martin Fröst (cl) and Orchestre de Philharmonique de Radio France, cond.: Duncan Ward EP 14308
Morai (2006) 19’ for percussion and orchestra perc solo - 2.2.2.2 - 2.2.0.0 - perc(2) - pf - str First performed 15 March 2006, Västerås (S), Concert House, by Mika Takehara and Västerås Sinfonietta, cond.: Hannu Koivula EP 12826
Undercurrents (2007) 17’ for violoncello, ensemble and electronics vc solo - 1.0.0.1 - 1.0.0.0 - perc - pf - str (1.0.1.0.1) - electr First performed 06 March 2007, Andrezieux Bouthéon (F), by Benjamin Carat and Ensemble Orchestral Contemporain, cond.: Arie van Beek EP 12827
LISTWORK
Frames in Transit (2012) 26’ for trio and orchestra vn, perc, electr soli - 2.2.2.2 - 2.2.0.0 - str First performed 07 February 2013, Västerås (S), Concert House, by Trio Trespassing and the Västerås Sinfonietta, cond.: Johannes Gustavsson EP 12739
I
Emerging from Currents and Waves (2018) 65’ for clarinet solo, orchestra, solo conductor, live visuals and live electronics (including Gestrument, a virtual clorchestra)solo-3.3.3.3 - 4.3.3.1 - timp - perc(3) - pf - harp - str - live electr and live visuals First performed 31 August 2018, Stockholm, Berwaldhallen, by Martin Fröst and the Swedish Radio Symphony Orchestra, cond.: Esa-Pekka Salonen EP
Vicinities (2011) 35’ for bassoon and orchestra bassoon solo - 2.2.2.2 - 2.2.0.0 - 2 perc - pf - str
Pendant II 8’ for ensemble and live-electronics 1.0.1.0 - perc - pf - str (1.1.1.1.1) live video (optional) EP 12719b
Ensemble Music
Close Encounter of the Second Kind (2021/22) 16’ for ensemble and electronics clarinet in Bb, e-guitar, percussion, 2 Babel Tables, Siren Organ First performed 23 March 2022, Lyon, Biennale des Musiques Exploratoires, Le Périscope, by Ensemble Cairn & Totem Contemporain EP 14633
First performed 07 March 2020, Den Haag (NL), Festival Dag in de Branding, Nieuwe Kerk, by New European EPEnsemble14483
Pendant I 12’ for ensemble, live-electronics and live-video 1.0.1.0 - perc - pf - str (1.1.1.1.1) live electr, live video (optional) EP 12719a
First performed 09 September 2011, Stockholm, Berwaldhallen, by Fredrik Ekdahl and Swedish Radio Symphony Orchestra, cond.: Daniel Harding EP 12829
First performed 14 March 2021, Basel (CH), Stadtcasino Basel, by Basel Sinfonietta, cond.: Lin Liao EP 14566
Kinship (2009) 15’ for chamber ensemble 1.1.1.1 - 1.0.0.0 - pf - str (1.1.1.1.1)
Wave (2020) 17’ for conductor and orchestra 2.2.2.2 - 2.2.2.1 - timp, perc(2) - hp, pf - strings - Gestrument
Racines / Rötter (2022) 18’ for ensemble and live electronics fl, cl, hn, pf, perc, vn(2), va, vc, db (1.1.1.1.1), Gestrument First performed 04 April 2022, Paris, by Ensemble 2e2m EP 14639
First performed 11 February 2010, Sundsvall (S), by Nordic Chamber Ensemble EP 12824
First performed 28 April 2009, Paris, by Ensemble l’Itieraire, cond.: Dominique Dournaud EP 12719
All three pieces can be performed separately.
LISTWORK
Gaussian Blur (2020) 18’ for ensemble fl, cl, perc, pf (MIDI keyb), guit, vn, va, vc
Pendant III 9’ for ensemble and live-electronics 1.0.1.0 - perc - pf - str (1.1.1.1.1) live electr EP 12719c
Pendants (2009) 30’ for ensemble, live-electronics and live-video 1.0.1.0 - perc - pf - str (1.1.1.1.1) live electr, live video
Diffusing Grains (2011) 16’ for 5 percussionists
First performed November 2009, Stockholm, Capitol, by Trio Trespassing EP 11337a
Jublet (2012) 3’ for brass quintet hn, 2 trp, tbn, tba
calm like a bomb (2000) 10’ for violin and tape
In the midst of Trespassing No. 2 (2010) 15’ for violin, percussion, piano and electronics
First performed 22 February 2019, Perpignan (F), by Diego Tosi (Flashback Ensemble) EP
First performed 11 September 2011, Takefu (J), by musicians from the Takefu festival EP 11337
First performed 27 August 2022, Helsinki, Kalliosali, by Hanna Hohti (vla) and Anders Pohjola (electr) EP 14666
In the midst of Trespassing (2009) 15’ for violin, percussion and electronics
First performed 11 September 2012, Gävle (S), Brass festival Signal, by Stockholm Chamber Brass EP 12691
2cl, 2cor, harp, perc, strings (1.1.1.2.1), live electr
First performed 22 November 2013, Huddersfield Festival, by the Faint Noise Duo (Karin Hellqvist - vn, Anna Petrini - rec) EP 14006
Premonition (2013) 7’ for violin, double bass recorder and electronics
LISTWORK
First performed 2000, Stockholm, Nalen, by Daniel Frankel (KammarensembleN) EP 14218
First performed 17 March 2012, Lyon, ‘Festival en Scéne’, by Percussion Clavier de Lyon (PCL) EP 12613
First performed 06 June 2008, Dijon, by Dijon Ensemble XXI, cond.: Dominique Dournaud EP 12825
First performed 13 June 2015, Paris, ManiFeste, by Ensemble TM+, cond.: Marc Desmons EP 14106
Sculpting the Air (Gestural Exformation) (2015) 23’ for ensemble and live-electronics
Chamber Music
Surfaces scintillantes (2008) 11’ for flute,ensembleclarinet, strings (1.0.1.1.1)
First performed 30 March 2010, Montréal, by Quasar Saxophone Quartet EP 12852
Aftermath (2010) 16’ for saxophone-quartet and live-electronics
ashes in the fall (2018) 20’ for violin and live electronics
As if tied to a string (2022) 8’ for viola and electronics
Width of a Circle (2010) 18’ for voices and chamber ensemble 2 soprano soli, mezzo soprano - sax - tbn - pf - cb First performed 29 November 2010, Stockholm, Liljevalchs Museum, by KammarensembleN, cond.; Franck Ollu EP 12830
First performed 04 October 2016, Strasbourg, Musica Festival, by Quatuor Diotima EP 14161
the aisle (2001) 8’ for clarinet and string quartet
Vocal Music
Future Works
Convergence - Phase One (2021) 12’ for violin solo, orchestra and live electronics clarinet solo - 2.2.2.2 - 2.2.0.0 - perc(2) - strings First performance tba, San Francisco, by Pekka Kuusisto and San Francisco Symphony, cond. Esa-Pekka EPSalonen14629
Semper Dolens (2018) 15’ for soprano, guitar and live electronics text: “Sorrow, Stay” and ”Can she excuse” by John Dowland First performed 16 October 2018, Uppsala (S), by Tuuli Lindeborg and Petri Kumela EP
LISTWORK September 2022
First performed 14 February 2009, Stockholm, by Hägerstens Kammarkör EP 12853
Virtualis (2022) 12’ for percussion solo, live electronics and ensemble perc solo, electr (live), fl, cl, pf, perc, vln, vla, vlc First performance 23 Ocotber 2022, tba, by Norbotten NEO EP 14667
Visual Exformation (2016) 55’ for string quartet and live-electronics
Lamento d’Arianna (2009) 6’ for mixed choir text: Ottavio Rinuccini
First performed 29 September 2001, Royaumont (F), by Dominique Vidal and the Danel Quartet EP 11336
Sappho’s Legacy (2013) 41’ for soprano solo, 4 choirs and 2 ensembles text: Sappho / Hildegard von Bingen / Charlotte Perkins Gilman / Karin Boye / Märta Tikkanen and Pussy Riot s solo - 3SATB choruses - SSSAAATTTBBB ensemble - 1.0.1.alto sax.0 - 0.1.1.0 - perc(2) - pf(2) - str - electr First performed 26 September 2013, Marseille, by Musicatreize, Proxima Centauri, L’Itinéraire and ten choirs from Marseille, cond.: Roland Hayrabedian EP 12801
C. F. Peters Ltd & Co. KG Peters Edition Ltd
C. F. Peters Corporation
70 30 80th Street 04103 Leipzig London N1 6DN Glendale NY 11385 Deutschland UK USA +49 (0) 341 9897 9231 ( +44 (0) 20 7553 4033
*
(
Leipzig London New York
2 6 Baches Street
( + (1) 718 416 7822 stefan.conradi@editionpeters.com * katie.tearle@editionpeters.com
* gene.caprioglio@editionpeters.com
Talstraße 10