Contemporary
SAUNDERS Still
for violin & orchestra Full Score
No. 12015 R
REBECCA SAUNDERS
Still for violin and orchestra (2011)
Unter der Nr. 12015 R in die Edition Peters aufgenommen
Ein Unternehmen der EDITION PETERS GROUP
Still, as in unchanging, ongoing, with an exhauting insistence, always, in essence, the same. Fragments, each time slightly varied, gradually create a single image. Imprints reiterated and projected into time and space. Like a giant mobile seen from many perspectives, that in itself remains untouched. And light changes, the focus, and the position from which perceived, is altered, as is nearness and distance to the object – a manifest complex protraction of the one single thing. Still, as in stasis, explores two starkly contrasting states, in a fragile state of equilibrium. Still refers to the framing of sound with silence, of “stillness“ imagined – silence being an endless potential, waiting to be revealed and made audible. The act of composing being to unveal, make visible. Pulling gently on the fragile thread of sound, drawing out from the depths of imagined silence; or alternatively, sound erupting from the stasis of relative silence. Still is also the title of a Beckett short story, which ends with the following: As if even in the dark eyes closed not enough and perhaps even more than ever necessary against that no such thing the further shelter of the hand … Leave it so all quite still or try listening to the sounds all quite still head in hand listening for a sound. Samuel Beckett, Still, Calder Publications 1974.
Beckett’s Still sketches a single situation: turning the head towards the setting sun, the unknown protagonist watches night fall, darkness gathering; then head placed slowly and carefully in hands, waiting, as darkness unfolds, for a sound. As if in eternity, a timeless melancholy, curtly and brutally honest, yet imbued with a humaness, a softness. A statis; the human body waiting, trembling. This work is dedicated to Carolin Widmann and with grateful thanks to Sylvain Cambreling and the BBCSO. RS
Auftragswerk des Beethovenfestes Bonn und des BBC Radio 3 für Carolin Widmann und das BBC Symphony Orchestra, gefördert durch die Ernst von Siemens Musikstiftung. Co-Commission of Beethovenfest Bonn and BBC Radio 3 for Carolin Widmann and the BBC Symphony Orchestra, supported by the Ernst von Siemens Music Foundation.
still
for solo violin and orchestra (2011) The score is written in C. Instrumentation and seating 4 flutes (1 doubling bassflute, 3 + 4 doubling piccolo) 1 oboe 3 clarinets in Bb (2 + 3 doubling bassclarinet in Bb) 4 horns 3 trumpets in C 3 tenor trombones, 1 bass trombone Bass tuba Percussion (4–6 players)
2–3 players each: far stage left and far stage right (not stage centre).
Piano Harp Button accordion Accordion, Piano and Harp together, stage right diagonally behind violins, in front of percussion. Accordion in curve of piano, harp in front of piano near edge of stage. Harp and accordion on slightly raised podiums. 12 violins 1 12 violins 2 10 violas 8 celli (stage left) 8 double basses (stage left behind celli) Tempi given are approximate guidelines, and may be varied according to the acoustic and interpretation. Pauses and resonances may need longer to surface in certain acoustics. Part I Part II
Furioso Very lyrical stretched melodic line.
Duration: ca. 20 minutes. RS, Berlin 23. 04. 2011
Legende General crescendo from / diminuendo to silence vibrato non vibrato raise or lower by a Âź-tone. Not exact - an expressive and timbral function.
vib. n.v.
Glissando
Wind instruments bisbigl. noise air tone flz +
Bisbigliando. A same-note trill, fast and fluid. Let through additional tones and noise. Gradually to tone with crescendo from silence. Fluttertongue
Horns +/o
stopped / open
Trumpets Mutes: Wawa, Harmon, Metal wawa
senza
Remove mute while playing for fluid timbral transtition. Fast hand or finger open/close trill (always very fast) in front of wawa mute. Double tongue maximum speed.
Trombones Mutes: Wawa, Cup, Metal/straight Fall very fast down the overtones to the given lower tone.
Bass Tuba Eg. 12 ft in F, or E
Piano Grand piano with sosenuto pedal. Open piano-lid fully, but do not remove. Remove music-stand and place further back on the frame, or use the top section of a heavy music stand. Use stickers to mark the strings inside the pano. Requires a hard plastic plectrum for playing inside the piano. Sustaining pedal.
Chromatic cluster.
Damp string(s) heavily at the bridge with one hand, play key with other hand. A big beautiful round resonant sound.
Inside the piano on the strings. If frame of piano is in the way, choose another nearby cluster. Glissando over strings with plectrum ( ) or fingertip (3. ). / = brutal; / = gentle.
Accordion Always without vibrato unless otherwise stated. Accents always at maximum dynamic Button accordion with three manuals, MI, MII and MIII.
Range of MI:
Range of MII/III:
A chromatic cluster with outer tones included.
A wide chromatic cluster in given range, exact tones not important.
Bellows shake – fast tremelando.
Half-depress button (M1) to lower tone by ca Âź-tone. Bring out beats between the tones.
Harp Requires 2 hard plectrums. Tuning indictations given. Lowest two tones always D and C . Harmonic, written at sounding pitch. A chromatic cluster with outer tones included. Chords are non arpeggio unless otherwise stated. Plectrum. Arpeggio very fast with two plectrums in contrary motion.
Percussion Stage Left (players 1 and 2, optional extra player 5)
PERC STAGE RIGHT
Player 1 BD
Very large, low bass drum with natural skin on both sides. rim
b.
PERC STAGE LEFT CONDUCTOR
Play on wooden rim. Use snare sticks at tip of stick (a.) or middle (b.) of stick. a.
Move from middle of stick to tip during tremolando.
skin
Play on skin
1cm edge
Trill lightly on skin, at edge 1cm from rim, near or over wooden ring/frame – hear high partials. Centre. Gradually move from edge to centre of skin.
Cloth
Place cloth on skin for a drier and less resonant sound.
+ Chain
Place very light sizzle chain on skin of drum – hear high trilling surface of sound with low resonance of drum. Often played trilling with light rubber beaters (R). Drag large superball beaters (use two and alternate for smooth sound) producing deep resonance when quiet and monstrous “noise” (with sizzle chain) when loud. Two very large soft beaters. Press first large fluffy beater on centre of skin. The second beater hits the first beater, not the skin of drum. Light rubber beaters. Eg. Use handles of Kolberg triangle beaters.
Other beaters: Hard Felt. Use thicker snare drum sticks, to avoid damage to skin of drum at loud dynamics. Smaller ordinary bass drum beaters. Large round wooden beaters as alternative to snare sticks when playing on skin (not for “rim”). Cab
Cabaza
ChC
Large chinese cymbal hung. arco
Bow with double bass bow. Light rubber beaters. Eg. Use handles of Kolberg triangle beaters.
MP
TT Large Ratchet ThS LSprD
3 flat metal plates laid on bubble foam or small pieces of foam for maximum resonance. 1. Aluminium plate: large, thick and heavy. Hard timbre. NO central tone. 2. Bronzeplate ex. Round bell plate with diamter ca 26 cm. Important: rich, complex spectrum. 3. Iron plate: medium eg. 25 x 40 x 0.5 cm. Played with small metal hammers or beaters. Ossia: if too loud use hard 2-tone or plastic.
Thunder sheet Large Spring Drum
from player 2 Single strokes.
Player 2 TT
Tamtam, diameter 100–110 cm, Wuhan. Contact points: 1- Absolut centre; 2- In central ring; 3- Large smooth zone; 4- Outer ridged ring; 5- Side edge.
1. Short stroke over full width of tamtam with a wirebrush – hear high partials and long resonance. 2. Drag superball beater slowly and carefully over surface of tamtam for mid-low resonant tones – beautiful and explorative. 3. Fast loud action around surrated edge of tamtam (at least half of the diameter!) with a metal beater. Hear high partials and long loud resonance. arco
Play with bass bow at edge (contact point 5).
Other beaters: small round-headed beaters Snare sticks Bass drum beaters or felt. Superball (see above) Metal beater (see above) 2 wire brushes 2 BP
The largest and lowest 2 bell plates possible C and C-sharp. Hung. Contact point at bottom of plate for lower octave.
Wh
Large whip.
LRat
Large low loud ratchet fixed on stand.
2 Coils
Two large car coils (eg. From Kolberg) 1. Light, 2. Heavy. Hung in the middle for maximum long resonance. Played with light metal beaters or light hammers.
LSprD
Large spring drum from Remo.
ThS
Thin narrow long thunder sheet hung. Subtle effect. Played with soft felt or bass drum beaters.
Crotale
1 single pitch (highest D) hung. Arco – played with double bass bow.
Percussion Stage Right Player 3 TT
Tamtam, diameter 110–130 cm, Wuhan. Contact points: 1- Absolut centre; 2- In central ring; 3- Large smooth zone; 4- Outer ridged ring; 5 Side edge.
Drag superball beater slowly and carefully over surface of tamtam for mid-low resonant tones – beautiful and explorative. Other beaters: small round-headed beaters Bass drum beaters or felt. Superball 2 wire brushes SC
Large sizzle cymbal, hung. Sizzle always “ON”. Arco - play with double bass bow. Hard felt beater.
SSprD
Small spring drum from Remo.
ChC
Medium chinese cymbal hung. Also bowed (double bass bow).
Guiro
Large and long. Played with thin wooden stick.
TubB
6 tubular bells pitches needed. Hung.
MP
3 flat metal plates laid on bubble foam or small pieces of foam for maximum resonance. 1. Large round-mouthed cowbell, if possible old and de-tuned! 2. Break drum. 3. Iron plate: medium eg. 25 x 40 x 0.5 cm. Played with small metal hammers or beaters. Ossia: two-tone beaters (hard inside, soft outside).
Timp. 26/28-inch tuned down a 4th to ca E2. Pedal alters relative pitch ca one octave. Note: no specific piches are notated. Pedal alters pitch between given maximum and minimum.
+ Chain
A very light sizzle chain on skin of drum the whole time – hear high trilling surface of sound with low resonance of drum.
1 cm edge
Trill lightly on skin, at edge next to rim, near or over wooden ring/frame – high partials. Centre.
Gradually move from edge to centre of skin.
Light rubber beaters. Eg. Use handles of Kolberg triangle beaters. Ossia: extra light snare sticks for quietest dynamics. Drag superball beaters (use two and alternate for smooth sound) producing deep resonance when quiet and monstrous “noise” (with sizzle chain) when loud. LR
from Player 4
Player 4 BD
Very large, low bass drum with natural skin on both sides. For all sounds and beaters please see description under Player 1
LR
Lions roar, large/low, with very long string. Hung. Please replace normal string with a long double bass string or low harp string for the long quiet smooth tones.
2 Coils
Two large car coils (eg. from Kolberg) 1. Light, 2. Heavy. Hung in the middle for maximum long resonance. Played with light metal hammers.
TT
from player 3 – one or two single strokes (see part).
arco
Play with bass bow at edge (contact point 5). Tremolando with 2 wire brushes.
ChC
Chinese Cymbal (from Player 3)
SSprD
Small Spring Drum (from player 3).
Also bowed (double bass bow)
All Strings Assume non vibrato unless otherwise stated. Sul tasto extreme flautando bow stroke well over fingerboard; hollow, floating, beautiful. Sul pont: / bring out overtones. / sound towards distortion. Sul pont colouring, but actual tone heard clearly.
fl. s.p. ½-s.p.
Glissando to top or bottom of string. behind bridge
Play behind the bridge on given string. Fragile, smooth and careful bow. Pitch varies from one instrument to another Vibrato pulse like Brahmsian tenuto.
Pizzicato with immediate glissando.
harmonics: Part one: Natural harmonic trills are always s.p. with fast fluid bow. Distorted. The harmonic nodes or contact points on the given string are given. Always very fast and regular, alternating the upper and lower trilling fingers. Part two: Quiet trill and tremolando played together throughout. Near tip of bow. Fragile and beautiful, much flautando. The harmonic nodes or contact points as well as the string are given. Always very fast and regular, alternating the upper and lower trilling fingers.
Double basses extra noisy and distorted. Accent deep in the string and fast release. Players 1–3 with five-string bass. Scordatura V down to G. Alternatively to G if string is too lax and flaps lossely on fingerboard – the unusual timbre is more important than the actual pitch. Players 4–8 with four-string double bass need an extension to C-natural.
Solo Violin extra (See also general string legende) Part One D string scordatura down a ¼-tone. Furioso! Enjoy the few moments of respite, bringing out warmth and lyricism of line, looking towards the second part of the work.
Up-bow double harmonic trill on III/IV, played with varying degrees of sul pont. Distorted trills always sul pont exploring layers of overtones – bring out relative differentiation of pitch, tracing a quasi-melodic line up and down the II/IV strings. Trill the double harmonics always very fast and regluar, alternating upper and lower trilling fingers (1/2 with 2/3). Play where possible with fast and fluid up-bow gesture. Harmonic nodes or contact points are given in the part/score. A chart below shows actual sounding pitches of the harmonics. Exact pitches are not critical, and it should be added that sul pont creates additional layers of overtones. Glissandi are very fluid. The short-note interjections of single tones, open strings, chords, also chordal harmonics, trace an elongated melodic line which is at times reflected in the orchestra.
Part Two Re-tune to D-natural. Restrained but expressive. Five fragments of an extended melodic line thread through the orchestral textures. The line is always in motion drawn out of and disappearing into silence. The overall effect creates a quasi-static multiphonic. Double, triple or quadruple chords combine open strings, open-string/harmonic trills and stopped tones. Fast string crossings - explore with varying bow pressure and changing bow strokes, avoiding cliché arpeggios I-IV-I. Varying degrees of sul pont creates additional layers of overtones. Open-string/harmonic trills immediately as fast as possible, and remain very fast, continous and regular. Build up playing all three strings. Bring out the harmonics more than the open strings. Noteheads in brackets add last and play less often.
Natural harmonics:
still
Score in C
I
(2011)
Rebecca Saunders (*1967)
=126-132
1-4
Flute
Oboe Clarinet in B
1-3
Horn in F 1-4 Trumpet 1-3 in C Trombone 1-4
Tuba
Right
BD
1 2
Percussion
3 4
Left
Harp
Piano
Accordeon
Violin Solo scordatura:
1.+2./3. max. trill s.p.+
ord. s.p.+ ord.
s.p.+
espr. s.p.
flaut. ½ s.p.
ord.
s.p.+ sim.
ord.
s.p.+ sim.
3
[]
Violin Solo
=126-132 Violin 1 1-12
Violin 2 1-12
Viola
1-10
Violoncello 1-8 (1.2.3.)
1.-3. unis. sub. s.p. ord.
[]
1-3 Double bass
sempre
4-8
Litolff / Peters Nr. 12015 R 10/11
33248
© 2011 by Henry Litolff’s Verlag
2 13
BD
1 Perc. R
ThS
2
BD
Perc. 4 L
sempre
Harp 8
Piano 8
P
MI 15
MI
Acc. 8
M III
s.p. ord.
s.p.+
½ s.p. flaut.
s.p.+ flaut.
½ s.p.
s.p.+
½ s.p.
Violin Solo
s.p.
1-4 s.p. Vln. 1 5-8 s.p.
9-12
s.p.
1-4 s.p. Vln. 2 5-8 s.p.
9-12
s.p. Db. 1-3
33248
ord.
3
s.p.+
3 23
n.v.
1 n.v. Fl.
2 take Piccolo
n.v.
3
1 Cl. in B
2 take bass clarinet
½+
Horn 1 in F
(BD)
coil 2
chopstick in coil back and forth trem.
1 sempre
Perc. R
(ThS)
2
TT
4
l.v.
3
TT
2
TT
2
l.v. pitched central tone l.v.
BD rim skin
Perc. L
b.
4
l.v. sempre
D C B E F G A
Harp
l.v.
8
Piano
3
In 8
P
15
8
Acc. 8
vib. n.v. ½ s.p. ord.
ord. s.p. vib.
IV III
Violin Solo
Vln. 1 1-12
Vln. 2 1-12
unis.
unis.
IV
vib.
s.p.+ ½ s.p.
s.p.
ord. ½ s.p.
s.p.+
II III
3
con sord. fl. n. v.
con sord. div. a 6 ½ s.p.
vib.
con sord. div. a 5 ½ s.p.
vib.
½ s.p. div. a 4
vib.
½ s.p. div. a 4
vib.
con sord. fl. n. v.
Vla. 1-10 con sord. s.t. div. a 8
sul A sul E
3
div. a 8
sul A sul E
3
fl.+
Vc. 1-8
Db. 1-8
33248
fl.+
flaut. 3
s.p.+
4 30 1 2
Fl.
sempre
espr.
Ob. Cl. in B
1
1. flz Wawa
1 3
harmon
Tpt. in C
1.3. a 2
Wawa
2
BD
1 sempre
Perc. R
coils
M M
M
TT
5
2 remove cloth
(BD) Perc. 4 L
BD
BD rim
b.
remove cloth
Piano 8
P
15
8
Acc. 8
fl. espr. IV
Violin Solo
vib.
sub. s.p.
ord.
s.p.+
ord. s.p. I II
ord. III
III
s.p. ord. s.p.+ sim.
III
ord. II
IV
s.p.+ senza sord.
1-4 s.p.+ Vln. 1 5-8
senza sord. s.p.+
senza sord.
9-12 senza sord.
s.p.+
senza sord.
s.p.+
senza sord.
s.p.+
1-4 Vln. 2 5-8
9-12 ord. unis. vib.
senza sord. s.p.+
ord. unis. vib.
senza sord. s.p.+
1-5 Vla.
6-12
unis.
ord. vib.
senza sord.
Vc. 1-8
1-3 sempre
Db.
4 5 sempre
6-8 sempre
33248
vib.
s.p.
5 43
flz
1 2
Fl.
Bass clarinet
tone
take clarinet
2 Bcl.
tone
1 (a 2)
flz
1 3 Tpt. in C
"
"
2 ChC small arco
l.v.
TT arco
l.v.
ChC med. arco
l.v.
ChC
1 Perc. R
Coil 1 chopsticks l.v.
2 very light sizzle chain on skin
Timp.
3
[
Perc. L
]
BD
4 sub. 15
Acc. 8
½ s.p.
s.p.+ ord.½ s.p. flaut.
s.p.
½ s.p.
s.p.
+ ord. s.p. III II
Violin Solo
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
n.v. ord.
unis.
pizz. secco
III
arco vib.
III
arco vib.
III
arco vib.
III
arco vib.
III
arco vib.
III
arco vib.
III
arco vib.
III
arco vib.
1-3
4-6 Vln. 1
7-9
10-12
1-3
4-6 Vln. 2
7-9
10-12 n.v. ord.
1-4
Vla. 5-7
n.v. ord. n.v. ord.
8-10 n.v. ord.
1-4 Vc.
n.v. ord.
5-8 sub. s.p. ord. Db. 1-3 sempre
33248
3
s.p.+
6 52 Fl.
1 2
Cl. in B
1 2
Hn. in F
1 3
Tpt. in C
1 2
flz
2. Clarinet
Tenor Tbn.
2. take bass clarinet
flz
flz
Wawa (100, ¼ ↓) cup
1.
2.
1 cup
sempre
2 sempre
Bass 4 Tbn. Tba.
BD
BD
rim
BD
skin
l.v.
1 Perc. R
TT
S
b.
rim
b.
l.v.
2 sempre
Timp.
3
3 TT 2
Perc. L
4
S S
[
drag
l.v.
]
3
BD 3
l.v.
ord.
l.v.
l.v.
Harp
if piano frame is in the way, place gliss. slightly lower
In
Piano loco
P
Acc.
1 by 1
P
8
Violin Solo
fl. espr. vib. 8va.
sub. ½ s.p. sub. n.v. IV
vib.
s.p.+
fl.
3
ord. s.p.
½ s.p.
ord. s.p.
s.p. 1./2.
+
s.p.
II III
I II
+
½ s.p. s.p.
s.p.
1-4 s.p. Vln. 1 5-8 s.p.
9-12 s.p.
1-4 s.p.
Vln. 2 5-8
s.p.
8-12 fl. espr.
vib.
s.p.
fl. espr.
vib.
s.p.
1-5 Vla.
6-10 s.p.
s.p. vib.
s.p.
s.p. vib.
1-4 Vc.
5-8 ord.
pizz.
sub. arco s.p. ord.
pizz.
arco s.p. ord.
pizz.
arco s.p. ord.
1-3
Db. 4
5-8
33248
a.
7 3. Piccolo
63
take flute
1 Picc.
take flute
2 tone espr.
bisbigl.
ord.
Cl. in B 1 Bass clarinet flz
2
Bcl.
flz
1
Tpt. in C
1
Bass Tbn.
4
Tba.
Coil 2
Perc. 2 R
M
BD
cloth
rim skin
Perc. 4 L
Piano 8
P P
15
sempre
Acc. 8
½ s.p. flaut.
s.t. espr. II
vib.
s.p. flaut.
ord.
ord.
s.p.+
½ s.p.
67
Violin Solo
sub.
behind bridge Vln. 1 1-12
I
sempre
behind bridge Vln. 2 1-12
II
sempre
1.-3.
1-3 4.
4 Db.
5.
5-6
6.-8.
7-8
33248
s.p.+ sim.
I ord. II
s.p.+ ord.
s.p.+ ord.
8 74
1.2. n.v.
1.
1 2 Fl.
Flute
3
3 4
n.v.
3
Cl. in B 1 2. take clarinet
Clarinet
2.
Bcl. 2 1
(non dim.) 3
3
Metal
1
Tpt. in C
Wawa
2 Bass 4 Tbn.
Tba.
LSprD
BD
l.v.
l.v.
1 Perc. R
Coils
2
M M
l.v.
BP
TT 4
3 Perc. L
rim
(BD)
skin
rim skin
4 l.v.
3
l.v.
l.v.
3
Harp D C B E F G A
In 3
Piano
8
P P MI
loco
Acc.
8
vib.
8
s.p. s.p.+
½ s.p.
s.p.+ ord. poco vib. espr. I II
½ s.p.
Violin Solo
3.
3
II
ord. espr. vib.
s.p.+
s.p.
1.2.
sempre
s.p.
1-4 Vln. 1 5-8
s.p.
1.-6.
s.t. vib.
espr.
s.p.
7.-12.
s.t. vib.
espr.
9-12
s.p.
1-4 Vln. 2 5-8
s.p.
1.-6.
s.t. vib.
espr.
s.p.
7.-12.
s.t. vib.
espr.
9-12 ord.
1-5 Vla.
ord.
6-10 3
s.p.
1-4 Vc. 3
s.p.
5-8
div. a 2
3
s.p.
Db. 1-8 6.-8. E 4.5. E 1.-3.
33248
ord.
9 85
flz
1 2
Fl. Ob.
1.
1.2.
Cl. 1 in B 2 Bcl. 1
1. 1 3 Hn. in F 2 4 Wawa Tpt. in C
flz
1 2
Tenor 1 Tbn. 2 Bass 4 Tbn.
Tba.
Coil 2
M
Perc. 2 R
SSprD
3 Perc. L
(rim)
BD
(rim)
4
Harp
8
Piano
8
(skin)
In sub.
P
P
vib.
loco
8
Acc.
8
+
ord. Violin Solo
I II
s.p.
III IV
+ ord.
flaut. s.p.
ord.
s.p.+
½ s.p. [
]
II III
s.p.+
½ s.p.
s.p. ½ s.p. IV
87
s.p.
s.p.+ ord.
s.p.ord.
III
IV IV
s.p.
ord.
s.p.
ord.
s.p.
ord.
s.p.
ord.
s.p.
ord.
s.p.
ord.
1-4 Vln. 1 5-8
9-12
1-4 Vln. 2 5-8
9-12 ord.
s.p.
III
1-5 Vla.
ord.
s.p.
III
6-10 s.p.
ord.
s.p.
ord.
1-4 Vc.
5-8 arco Db. 1-8 6.-8. 4.5. 1.-3.
4.-8. 1.-3.
IV V
33248
MIII
½ s.p.
10
sub. = 92
95 1 2 Fl.
a tempo = 132
(non flz)
n.v.
3
(non flz)
n.v.
3
3 4
a2
1 Cl. in B
3
2 (1.)
a2
1 3 Hn. in F
flz
a2
2 4
flz
senza sord.
1.
3.
flz
flz
5
1 senza sord. flz
Tpt. 2 in C
5
flz
senza sord. flz
3 senza sord.
3
3
3
3
3
3
1 Tenor Tbn.
sub. non flz flz
2 Bass 4 Tbn. Tba.
BD
Perc. 1 R (BD)
Perc. 4 L
remove cloth l.v.
Harp
Piano
In 8
P P
Acc.
vib. 8
½ s.p. s.p.+ flaut.
ord.
II III
Violin Solo
sub. = 92
III IV
a tempo = 132
Vln. 1 1-12
(unis.)
vib.
Vln. 2 1-12
(unis.)
vib.
(unis.)
vib.
(unis.)
vib.
pizz. secco
espr.
div. espr. 3
div. espr. 3
unis. pizz. secco
unis. ½ s.p.
Vla. 1-10 ½ s.p.
Vc. 1-8 pizz. unis.
1.-4. 5.-8.
div. a 2
arco
div. a 3
s.p. ord.
vib.
Db. 1-8 6.-8. 4.5. 1.-3.
33248
s.p. ord. II III
s.p.
11 a 2 flz
103 1 3 Hn. in F
2
Wawa
Tpt. 1 in C 2
flz
cup Tenor 1 Tbn. Bass 4 Tbn.
Tba.
BD
(BD)
SSprD
1 Perc. R
MP
3 Perc. L
Wh
l.v.
M M
l.v.
Coils
M M
2 [ ] rim
BD b.
4
a. b.
a.
l.v.
l.v. Harp
8
D C B E F G A In nail Piano
8
P P P
+ MIII
Acc.
8
ord.
s.p. ½ s.p.
s.p.
+ 104
Violin Solo
ord.
III espr. IV
s.p.
+
ord.
s.p.
+
ord. 3
II III
½ s.p.
s.p.
s.p. 1.-4.
div. a 6
Vln. 1 1-12
½ s.p. vib.
s.p. div. a 2 ord.
div. a 3
5.-8.
9.-12.
div. a 6
Vln. 2 1-12
div. a 3
1.-4.
s.p.
5.-8.
s.p.
9.-12.
s.p.
1.-5.
div. a 5
div. a 2
s.p.
6.-10.
s.p.
s.p.
Vla. 1-10 s.p. 1.-4. div. a 4
div. a 2 ord.
Vc. 1-8 (div. a 3) Db. 1-8
33248
5.-8.
s.p.
12 = 92
109 Cl. in B
1 2
senza sord.
1 3
a2
3
flz
non flz
sempre
Hn. in F
a 2 flz
senza sord.
2 4
2.
a2
1 3
flz
Tpt. in C
3
a2
flz
flz
2
3
3
flz
3
3
flz
1
Tenor 2 Tbn.
3
flz
3 Bass 4 Tbn.
Tba.
BP 1
Perc. 2 R
TT
3
3
(BD) skin
Perc. L 4
l.v. Harp
8
Piano
8
P
MI
P
M III
Acc.
Wait! surface out of resonances! ord. s.p. 109
Violin Solo
Vln. 1 1-12
Vln. 2 1-12
IV
s.p.+
ord.
III
unis. ord.
s.p. ord. III
½s.p. 3
= 92 3
unis. ord.
3
unis. ord. Vla. 1-10 3
unis. ord. Vc. 1-8 3
1.-3. Db. 1-8 4.-8.
33248
ord.
s.p.+
13
a tempo = 132
117 Cl. 2 in B
1.
1.
1 3 Hn. in F
2.
2.4.
2 4 flz
3
3
3
3
flz
1 Tpt. 2 in C flz
flz
3 sub. flz
5
1 5
Tenor 2 Tbn.
flz
3 Bass 4 Tbn. Tba.
BD
1 Perc. R
TT
3
2 rim skin (BD)
Perc. 4 L
Piano
8
P
P
Acc.
3
flaut. ½s.p. ord.
espr. ord.
½s.p.
3
½ s.p.
IV
Violin Solo
a tempo = 132 Vln. 1 1-12
3
Vln. 2 1-12
3
div. a 6
3
Vla. 1-10
3
Vc. 1-8
pizz. (div. a 2) Db. 1-8
33248
div a 4 arco
s.p.+
14 124
flz
Ob. 2. take bass clarinet
Cl. in B
1 2 flz
Hn. in F
1
Tpt. in C
1
Bass Tbn.
4
flz
Wawa
Tba.
BD
LRat
1 Perc. R
LR
2 2 BP
Guiro
3 Perc. L
3
SSprD
BD
4 sempre
ord. Harp
Piano
8
P
8
Acc. 8
½ s.p. 3
espr. ord.
3
(non gliss.) ord. s.p. s.p.+ ord.
s.p. 3
Violin Solo sempre
s.p.
1-4
Vln. 1 5-8
s.p.
div a 6 ord.
8ub.
s.p.
9-12 s.p.
1-4
Vln. 2 5-8
s.p.
div. a 6 ord.
s.p.
sub.
9-12 s.p.
1-5 Vla.
s.p.
div. a 5 arco ord.
div. a 2
div. a 4 arco
div. a 2 pizz.
div. a 2
div. a 4 arco
div. a 2 pizz.
6-10
Vc. div. a 3 arco
Db. 4.-8. 1.-3.
33248
6.-8. E 4.5. E 1.-3.
ord. s.p. s.p.
s.p.+ flaut.
15
1 2
Fl.
131 flz
flz
espr.
Ob. flz Cl. 1 in B 2. Bass clarinet Bcl.
2 1 1.
1 3 Hn. in F
3.
1.
3
sempre
2 sempre
flz Tpt. in C
1 3
Tenor 1 Tbn. Bass 4 Tbn.
Tba.
BD
BD
1 Perc. R
M M
2 coils
3
BPs
l.v.
2 S S
Timp.
3
[
(SSprD)
Perc. L
]
BD rim
4 l.v. Harp
8
Piano
8
In
3
P
P 3
Acc.
8
½s.p.
I II
s.p. ord.
s.p.
+
½s.p.
s.p.+ 3
III I V
Violin Solo
ord. vib. espr.
3
III
III
s.p. ord.
½ s.p.ord. ½ s.p. vib.
IV
IV 3
Vln. 1 1-12
I
Vln. 2 1-12
II
pizz. secco
arco
pizz. secco
II
vib. 3
arco
vib. 3
vib. Vla. 1-10 3
3
vib.
vib.
1-4 3
Vc. 3
vib.
vib.
5-8 3
div. a 3
div. a 2 3
Db. 1-8 6.-8. 4.5. 1.-3.
33248
16 sub. = 92
137 Fl.
flz
1 espr.
Ob. bisbigl. espr.
Cl. in B
1 2. take Clarinet
Bcl. 2 1
flz
flz
flz
3
3
1 a2 3
Hn. 2 in F 4
2.
3
a 2 flz
3
flz
3
flz
flz 3
3
3 flz
1 sempre
flz
Metal
Tpt. in C 2 Metal
harmon flz
flz
3
flz
1 Tenor 2 Tbn. 3
1
(div.)
2
3
flz
1
3
1.2.
(div.)
flz
Bass Tbn. 4 Tba.
8
loco
Cab
1 Perc. R
TT 4
LRat
slow
fast
2 TT
4
3 Perc. L
rim
(BD) skin
skin
LR
4 sub.
l.v.
Harp
8
Piano
8
In P
Acc. 8
Vln. 1 1-12
sub. = 92
Vln. 2 1-12
½ s.p.
ord. 3
½ s.p.
ord.
½ s.p.
ord.
3
ord.
3
3
Vla. 1-10
½ s.p.
div. a 2 sub. s.p. ord.
Vc. 1-8
unis.
div. a 2
div. a 2 arco s.p.
div. a 2
Db. 1-8 4-8 1-3
33248
sub ord.
slow
17 rit.
144
much slower 3
3
1 (non dim.) 3
2 (non dim.)
Fl.
3
3 4 bisbigl.
ord.
3
ord.
3
1 Cl. in B 2
Wawa
1 Tpt. in C
harmon
flz
2 cup
1 Tbn.
cup
2
ChC arco
Coil 1
1 Perc. R
TT
5
ThS
arco
2 SSprD
3 Perc. L 4
BD
l.v.
Harp
Piano 8
8
loco
P
Acc.
P
P
8
1 by 1
flaut. s.p.
s.p.+
Violin Solo
flaut.
sim.
fl. vib.
½s.p. 3
s.p.+
s.p.+ III IV
rit. Vln. 1 1-12
much slower div. a 6
II
ord. vib.
n.v.
ord. vib.
n.v.
sempre
½ s.p. vib.
1 2
sempre
½ s.p. vib.
3 4 ½ s.p. vib.
5 6 Vln. 2
½ s.p. vib.
7 8 ½ s.p. vib.
9 10
½ s.p. vib.
11 12
div a 10
div. a 5
½ s.p. vib.
ord. vib. n.v.
Vla.1-10 sempre
div a 8
div. a 4
½ s.p. vib.
ord. vib. n.v.
Vc. 1-8 sempre
ord.
vib.
(1.-3.)
n.v.
1.-3.
Db. 1-8 1.-3. 4.-6. 7. 8.
33248
sempre
flaut. vib.
s.p.
18 long
151
a tempo = 126 flz
3
1 flz
2
Fl.
3 4 1
Cl. in B
2 Bcl. 1 sempre
2.
Tpt. 1 in C 2
harmon 1.
espr.
Straight
Tenor Tbn. 3 Bass Tbn. 4 Tba. TT
S
Perc. 2 R
l.v. sempre
W
TT
3 Perc. L
(BD)
4
Harp 8
Piano
8
P
P
15
Acc.
sempre 8
8
loco
long
fl. espr. ord. vib.
Violin Solo
s.p.
flaut. (ord.) ½ s.p. IV
3
long
+
III I IV II
½ s.p.
+
ord.
s.p. ord.
s.p. ½ s.p. 3
a tempo = 126 ½ s.p. vib.
IV
fl. vib.
IV
fl. vib.
II
½ s.p. vib.
IV
fl. vib.
II
½ s.p. vib.
II
1-4 Vln. 1 5-8
s.p.
s.p.
9-12
pizz.
s.p.
fl.
I
s.p.
fl.
I
s.p.
fl.
I
1-4 Vln. 2 5-8
pizz.
pizz.
9-12
pizz.
s.p.
fl.
I
s.p.
fl.
I
1-5 Vla.
pizz.
6-10
fl.
vib.
div a 2 pizz. II
Vc. 1-8
div. a 2 pizz.
1.-3. unis. sub. s.p. ord.
Db. 1-8
33248
unis. arco ord.
4
19 160 1. n.v.
1 2
Fl.
espr.
Ob. Cl. in B
flz
1.
1 2
Bcl. 1
Hn. in F
1 2
Tpt. in C
1 2
Wawa
(1.)
flz Wawa cup warm
senza sord.
1 Tenor Tbn.
senza sord.
2 Bass Tbn. 4 poco
Tba. poco
rim
BD
Perc. R
1 Coils
BP
l.v.
2 SSprD
Perc. L
3 TT
4
BD rim
BD l.v.
Harp DC B E F GA
F
ord.
8
Piano P MI
15
sub.
Acc.
M I only 8
ord. vib.
Violin Solo
s.p.
espr.
ord.
s.p.+ord.
s.p.
IV
½ s.p. ord.
espr. 3
½ s.p.
IV vib.
+
ord. IV III
½ s.p.
3
III
Vln. 1 1-12
ord.
div a 2 ½ s.p.
I
div. a 6
div a 2
unis.
3
div a 2 sempre
sub.
pizz. secco
s.p.
pizz. secco
s.p.
pizz. secco
s.p.
ord. div. a 2
½ s.p.
3
unis.
3
unis.
3
unis.
½ s.p.
3
unis.
½ s.p.
3
unis.
1-4
Vln. 2 5-8
ord. div. a 2
div a 2
unis. ½ s.p.
ord. div. a 2
9-12
pizz. secco
arco
pizz. secco
arco
s.p.
1.2. 3.4. 5.
ord.
6. 7.8. 9.10.
ord.
1-5 sub.
Vla.
s.p.
½ s.p.
5-10 sub.
ord.
s.p. div. a 2
unis.
3
1-4 sub.
Vc.
ord.
s.p.
unis.
3
div. a 2
5-8 sub.
1.-3. unis.
div. 4.-8. IV
s.p.
div. a 4
III
ord.
Db. 1-8 sempre
1.-3. V
33248
3
div. a 2
20 167 Cl. in B
1 Clarinet 2 take Bass clarinet
2 Bcl. 1
Hn. in F
2. Bass clarinet
flz
1 3
1 3
Tenor Tbn. 2 senza sord.
3 Bass Tbn. 4 Tba.
rim.
BD
1 Perc. R
Coils
ThS
2
M M
Timp. (+chain)
3 Perc. L
l.v.
S S
drag
skin
(BD)
4 l.v.
Harp
8
Piano
8
In P 15
Acc. 8
Violin Solo
s.p. flaut.
s.p.+ ½ s.p. flautando
s.p.
ord.
s.p. ord.
s.p.
ord.
½ s.p.
IV
3
III
s.p.
s.p.
s.p.
s.p.
s.p.
s.p.
1-4 Vln. 1 5-8 9-12
s.p.
s.p.
s.p.
s.p.
s.p.
s.p.
1-4 Vln. 2 5-8
9-12
s.p.
s.p.
1-5 Vla.
s.p.
s.p.
5-10 s.p.
pizz.
arco s.p.
pizz.
arco s.p.
1-4 Vc.
s.p.
5-8
4.-8. pizz. 1.-3.
1.-3. arco
Db. 1-8
33248
1.-4. 5.-8.
4.-8. 1.-3.
s.p.
espr. ord. vib.
21 175
n.v.
1 2
Fl. Cl. in B
1 flz
2 Bcl. 1
Hn. in F
2. take clarinet
1 Metal
1 2
Tpt. in C
sub. flz
a2
Metal
3
Tenor Tbn.
1 2
Bass Tbn. 4 Tba.
F
BD
1 Perc. R
M M
2 ChC medium
3 Perc. L
(BD)
Coils
l.v.
W
rim skin
rim
skin
b.
a.
4
8
8
ord.
Piano P
sub. 15
Acc. sempre
s.p.
Violin Solo
(IV)
+ ord.
½ s.p. (
flaut. s.p.+
ord.
s.p. 3
)
3
1-4 3
Vln. 1 5-8
3
9-12
3
1-4 3
Vln. 2 5-8
3
9-12
3
1-5 Vla.
3
6-10 pizz.
arco ord.
div a 2
unis.
Vc. 1-8
pizz. div a 2
arco div a 3 ord.
Db. 1-8 1.-4. 5.-8.
6.-8. 4.5. 1.-3.
33248
3
ord.
½ s.p.
22 accel.
182 Fl.
= 92
1 espr.
Ob. Cl. in B
2. Clarinet
1 2
1.
1 3
flz
2. take bass clarinet
sub. flz
a2
flz
1.
sempre
Hn. in F
sub. flz
a2 3
2 4
flz
2.
flz
flz
2. flz
3. flz
3
1 Tpt. in C
2 3
3
3
3
3
flz
3
3.
flz 5
1 Tenor Tbn.
2
rim skin
3
ChC arco
Perc. R
TT
5
BD
l.v.
1 arco
l.v.
l.v.
TT
l.v.
2
5
drag
Timp
ChC arco
l.v.
3
[
3
] [ ]
Perc. L
rim skin
BD
4
rim
l.v.
b.
skin
a. b.
b.
rim
skin
b.
a.
l.v.
Harp
8
In
Piano
8
P
loco
15
sub.
Acc. 8
sub.
s.p.
½ s.p.
+
ord.
Vln. 1 1-12
Vln. 2 1-12
Vla. 1-10
s.p. ord.
s.p.
fl. espr.
vib.
½ s.p.
ord.
II III
III
Violin Solo
s.p.
ord. s.p. I II
IV
accel.
= 92
½ s.p. non div.
ord.
½ s.p. non div.
ord.
3
½ s.p. non div.
ord.
3
s.p.
ord.
3
s.p.
unis ord.
3
div.
unis.
3
1-4 Vc. div.
5-8
div a 2
s.p.
ord.
tutti div. sub. s.p.
1.-3. unis.
Db. 1-8 4.-8. 1.-3.
div a 2
ord. 3
23 188
flz
Fl. 1-3
Hn. in F
1 flz
1 flz
Tpt. in C 2 3 3
1 3
Tenor Tbn. 2
flz
3 Bass Tbn. 4 Tba. BD
Perc. R
BD
1 Coils
2
(Timp.)
M M
M M
low MP MP [
]
3
SSprD
LRat
3 Perc. L
(BD)
rim
skin
BD
4 l.v.
Harp
8
8
loco
In
Piano
8
8
loco
P 8
Acc.
3 8
8
½ s.p. II III
Violin Solo
s.p.
3
½ s.p.
s.p.
½ s.p.
s.p.
½ s.p.
s.p.
+
ord.
½ s.p.
+
3
½ s.p.
3
ord.
s.p. non div.
1-4 sub. sempre
½ s.p.
Vln. 1 5-8
3
ord.
s.p.
non div.
sub. sempre
½ s.p.
3
ord.
s.p.
non div.
9-12 sub. sempre
½ s.p.
3
ord.
s.p.
1-4 sub. sempre
½ s.p.
Vln. 2 5-8
3
ord.
s.p. sub. sempre
½ s.p.
3
ord.
s.p.
9-12 sub. sempre
½ s.p. 3
ord.
s.p.
1-5 sub. sempre
Vla. ½ s.p. 3
ord.
s.p.
6-10 sub. sempre
½ s.p. 3
ord.
s.p.
1-4 Vc.
½ s.p. 3
ord.
sub. sempre
s.p.
5-8 sub. sempre
(div.)
div. s.p.
3
Db. 1-8 4.-8. 1.-3.
33248
ord.
24 wait! 194
flz
1
Fl.
espr.
Ob. bisbigl.
Cl. in B
1 2. Bass clarinet flz
2 Bcl. 1 Hn. in F
1 non flz Wawa
Wawa flz
hand tr. fast /
1 Tpt. in C
Wawa
hand tr. fast /
2 cup
Tenor 1 Tbn. 2 Bass Tbn. 4
senza sord.
Tba. Coils
high partials ChC arco
l.v.
1 Perc. R
l.v.
arco TT 5
LRat
2
l.v. R R
high partials ChC arco l.v.
MP
Timp. [
3 Perc. L
BD
rim
skin
b.
a.
arco TT 5
l.v.
4
Harp
8
loco
Piano
In 8
P
(n.v.)
8
sempre
Acc. 8
½ s.p.
ord.
ord.
s.p.
III
Violin Solo
III IV
pizz.
flaut. s.p. (vib.)
vib. espr.
ord. vib.
II
arco 1.-3. II
ord.
1-4 4.
Vln. 1 5-8
pizz.
arco
ord. 5.6. 7.8. 10.-12. ord.
pizz.
arco
a4 pizz.
arco
a 4 pizz.
arco
1.-3. 4. ord. div.
a 4 pizz.
arco
div. ord. 10.-12.
9-12 9. fl. 1. Solo vib.
div. ord.
1-4 Vln. 2 5-8
9-12 9.
ord. espr.
fl. 1. Solo vib.
1.-4.
IV
5.-7.
II
8.-10.
II
ord.
ord.
1-5 Vla.
ord. espr.
ord.
8-10 1 2 3 4 Vc. 5 6 7 8
ord.
IV7
ord.
III 5
ord.
I2
ord.
IV5
div. a 2 ord.
Db. 1-8
1.-3.
fl.
wait! ord. espr.
]
25 200 Fl.
1 2
Cl. in B
1
tone flz
1.
flz
tone
tone
1 3 Hn. in F 2 4 Tpt. in C
Metal flz
1 2
BD
1
R R
BD
l.v. sempre
Perc. R
sempre
2 l.v.
3
TT
5
arco
l.v.
TT
5
arco
l.v.
Perc. L
Coils
MP
[
l.v.
M M ]
BD
LRat
4
l.v.
Harp D C B E F G A
[ossia: 2 hands, 2 glisses]
In
Piano
8
P
MIII
8
MI
vib.
loco
Acc. 8
(
fl. n.v. IV
Violin Solo
MIII
)
½ s.p. flaut.
vib.
s.p.
+ ord.
3
½ s.p.
flautando
III IV
1-3 espr., vib.
1-10 div. a 5
div. a 6
3
unis. n.v.
4-6 11-12 non div.
Vln. 1 7-9 10-12
Vln. 2 1-12
div. a 6 espr., vib.
(div. a 4)
3
unis. s.t. vib.
div. a 6
sempre 11-12 non div.
1-4 s.p. 1.-5.
Vla.5-7 div. a 5 (no E ) espr., vib.
3
6.-10.
3
unis.
3
unis.
s.p.
8-10 1.2. D 3.4. E (div.)
5.6. F 7.8. G 9.10. G s.p.
1-4 Vc. (div.)
s.p.
5-8
div. a 4 (1.-3.)
Db. 1-8
3
div. a 2 s.p.
s.p.
26 206 1
Fl. Cl. in B
1 flz
2 Bcl. 1 Hn. in F
1 3
Tpt. in C
1 2
metal flz
1 Tenor Tbn. 2 Bass Tbn. 4 Tba. BD
b.
a.
1 Perc. R
LSprD
Coils
2 Timp. +chain
M M
MP
3
Perc. L
S S
M M
l.v.
drag
BD
4
l.v.
Harp 8
In
Piano 8
8
loco
P
8
8
Acc.
MI 8
+
flautando ½ s.p.
ord.
½ s.p.
espr. 3
Violin Solo
II III
s.p.
½ s.p. III
s.p. ½ s.p.
s.p.
ord.
II
s.p.
pizz.
non div. arco
s.p.
pizz.
non div. arco
s.p.
pizz.
non div. arco
s.p.
pizz.
non div. arco
s.p.
pizz.
non div. arco
s.p.
pizz.
non div. arco
1-4 Vln. 1 5-8
9-12
1-4 Vln. 2 5-8
9-12 s.p.
s.p.
s.p.
s.p.
1-5 Vla. 6-10
s.p.
pizz. secco
arco s.p.
pizz. secco
arco s.p.
1-4 Vc. s.p.
5-8 div. a 2 ord.
s.p.
secco
Db. 1-8
33248
arco
27 211
flz
1 2 Fl.
sub. flz
3 4 Ob.
flz
Cl. in B
1
Bcl.
2 1
non flz.
1. flz
3. flz
1 3 Hn. in F 2 4
4. flz
2. sempre
Metal
Tpt. in C
1
Tenor Tbn.
1 2 3
Bass Tbn. 4 ThS
BD
1 Perc. R
LSprD
M M
MP
Perc. L
TT 5
LRat
l.v.
2 3
[
3
3
]
a.
MP
b.
BD
4 l.v.
Harp
8
Piano
8
ord.
(chr. cluster)
15
P
P
8
Acc.
8
8
½ s.p.
s.p.
+
ord. s.p.
ord. s.p.
ord.
s.p. ord.
s.p.
ord.
s.p. +
ord.
vib. s.p.
flaut. ½ s.p.
s.p.
sul D+G
3
Violin Solo
s.p.+
s.p.+ 1.-6.
½ s.p.
ord.
½ s.p.
ord.
1.-4.
1-4 s.p.+
Vln. 1 5-8
s.p.+ div. a 2 7.-12.
1.-3.5.7. a 4. g
div. a 3 5.-8.
s.p.+
s.p.+
ord.
6. g
8. f
9.-12.
ord.
9-12 9.10. 11.12.
s.p.+
s.p.+
1.-4.
1.3.5.7. a 4. e
ord.
1-4 2. f 6. e 8. d
s.p.+
Vln. 2 5-8
½ s.p. 1.-6.
s.p.+
div. a 2 7.-12.
½ s.p.
s.p.+ ord.
div. a 3
5.-8.
div.
9.10. ord.
unis.
11.12. ord.
s.p.+ ord.
9.-12.
9-12 s.p.+
ord.
ord. 1.3.5.7.9.
1-5 Vla. ord.
s.p.+
ord.
s.p.+
ord. 2.4.6.8.10. c-a
6-10 1.3.5.7.
II
ord.
1-4 Vc.
ord.
s.p.+ 2.4.6.8.
II
ord.
5-8 arco
pizz. div. a 2
div. a 4
Db. 1-8
33248
+
wait!
28 sub.
218
= 120
espr.
Ob.
flz
1 Hn. in F
2. flz
flz
2 4 harmon
1 2
Wawa
1.2. flz
1. 3
6
6
Tpt. in C
6
6
6
Wawa 3
3 Metal straight
Tenor Tbn. 1
BD
1 Perc. R
Coils
2 S S
Timp
Perc. L
M M
LSprD
3
[
drag
3
3
l.v.
BD
4
sempre
l.v.
]
Harp
l.v. 8
ord. 15
3
Piano
sempre 8
P
P
8
Acc.
loco
sub. 8
½ s.p.
s.p.
+
s.p.
ord.
½ s.p. I II
Violin Solo
s.p.+
III
½ s.p. II I
I II
½ s.p. ord.
IV 3. 3
sub. = 120 div. a 6
Vln. 1 1-12
sul G
Vln. 2 1-12
sul G
½ s.p.
II
unis. ord.
div. a 6
sul C
div. a 5
unis. ord.
sul C
½ s.p.
div. a 5
Vla. 1-10
div. a 4 ½ s.p.
Vc. 1-8
div. a 4 ½ s.p.
Db. 1-8
33248
unis. ord.
29 1.2. a 2 3.4. a 2 flz
223 Fl. 1-4
vib.
Ob. Cl. in B
1
Bcl.
2 1 1.
1 3 Hn. in F 2 4
flz
2. flz
flz
2. Wawa flz
1.
Tpt. 1 in C 2
3
6
flz
Wawa
6
6
2.3.
2.3.
3 3
3
3
senza sord.
3
3
3
take straight
1 Tbn.
Metal Straight
2 Bass Tbn. 4 sub.
Tba. sub.
Perc. R
BD
1 Coils
2 3
3
3
3
3
3
3
Timp.
Perc. L
3
[
Coils
4
S S ]
3
3
3 sempre
drag
M M
3
3
3
3
3
3
3
3
3
sempre sempre sim.
15
Piano 3 P
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
sub. sempre
sub.
Acc. 8
s.p.+
s.p.
3
½ s.p. + ½ s.p. +
½ s.p.
Violin Solo
sub. s.p.
ord.
sub. ½ s.p. s.p.+ tr
s.p.+
s.p.
unis. sub. ½ s.p. s.p.+ tr
s.p.+
s.p.
3
sub. ½ s.p. s.p.+ tr
s.p.+
s.p.
sub. ½ s.p. s.p.+ tr
s.p.+
s.p.+
3
sub. ½ s.p. s.p.+ tr
s.p.+
s.p.+
3
sub. ½ s.p. s.p.+ tr
s.p.+
s.p.+
3
ord.
3
3
1-4
Vln. 1 5-8
sub. s.p.
ord.
div. a 2 ord.
3
sub. s.p.
ord.
3
ord.
3
9-12 ord.
1-4 div. a 2 ord.
Vln. 2 5-8
ord.
9-12
3
sub. ½ s.p. s.p.+ tr
s.p.+
s.p.+
sub. ½ s.p. s.p.+ tr
s.p.+
3
s.p.+
unis. sub. ½ s.p. s.p.+ tr
s.p.+
3
ord.
1-5 Vla.
ord.
6-10
unis ord.
div. a 3
sub. s.p. 3
div. a 2 ord.
div. a 2 s.p.
Vc. 1-8 sub. s.p. ord.
div. a 2 ord.
Db. 1-8
33248
s.p.
s.p.
s.p.
s.p.
ord.
30 228 ord. Ob. flz
Cl. 1 in B
2 Bcl.
flz
1
1 3 Hn. in F
flz
2.
2 4 senza sord.
flz
1 Tpt. in C
senza sord.
2 3
2. flz
3. senza sord.
overtone gliss.
1 (straight)
Tenor 2 Tbn.
overtone gliss.
senza sord.
3 Bass 4 Tbn. Tba. BD
+chain
l.v.
1 (Coils)
Perc. R
l.v.
2 3
3
3
drag
3
3
3
3
l.v.
Timp.
3 Perc. L
(Coils)
4 3 sempre
3
3
3
3
3
3
3
3
3
l.v.
15
Harp DC B E F G A 15
Piano
3
3
P
3
3
sub. sempre
3
3
3
3
3
3
3
3
3
3
15
Acc.
s.p.
ord.
s.p.
Violin Solo
warm s.t. vib.
ord. III IV
(III )
Vln. 1 1-12
(s.p.)
tr
Vln. 2 1-12
(s.p.)
tr
III
pizz.
trem.
pizz.
trem.
(s.p.)
s.p.
tr
Vla. 1-10 div. pizz. secco
sim.
pizz. secco
sim.
unis. arco s.p.
Vc. 1-8
Db. 1-8
33248
31 233 Ob. flz
Cl. 1 in B
Bcl.
flz
2 1
1 3 Hn. in F 2 4
Tpt. in C
1 3 flz
2
Tenor Tbn.
1 2 3
Bass 4 Tbn. Tba.
MP
M M
1 Perc. R
3
(Coils)
3
3
3
3
3
3
2
Perc. L
5
5
M M
MP
3
5
5
5
sub.
sempre
l.v.
(Coils)
4
5
3
3
3
3
3
sempre
3
3
3
3
l.v.
15
Harp
sim. 15
Piano 3 P
3
3
3
3
3
3
3
3
3
3
15
Acc.
Violin Solo
Vln. 1 1-12
Vln. 2 1-12
arco s.p. tr
tr
arco s.p. tr
tr
trem.
s.p. trem.
IV
tr trem.
tr
trem.
tr
Vla. 1-10
div.
pizz.
sim.
unis. arco s.p. tr
pizz. div.
Vc. 1-8
pizz. div.
secco
sim.
Db. 1-8
33248
32 237 Ob. flz
3
Bcl.
2 1
1 3 Hn. in F 2 4 Wawa
flz
non flz
1 Tpt. in C
Wawa
2 3 2.
1.
1 2 Tenor Tbn.
3 Bass 4 Tbn. Tba.
(MP)
7
7
7
1 Perc. R
l.v.
(Coils)
l.v.
2 3
(MP)
3
5
3
5
3
3
3
5
5
3 Perc. L
(Coils)
3
3
3
3
3
3
3
3
3
l.v.
3
3
4
15
Harp
sim. 15
Piano
3
3
3
3
3
3
3
3
3
3
P
3 15
Acc. loco
retune III to D Violine Solo
Vln. 1 1-12
tr
Vln. 2 1-12
tr
trem.
ord. vib.
tr
s.p.
Vla. 1-10
div.
unis. arco s.p. tr
Vc. 1-8
div.
sim.
Db. 1-8
33248
arco s.p. tr
trem.
div.
unis.
trem.
33 1.2. a 2 3.4. a 2
241
1.2. a 2
flz
Fl. 1-4 flz Cl. 1 in B
Bcl.
bcl. 1.2. take clarinets
2 1
½+
1 3 Hn. in F 2 4
flz
a2
senza sord.
Tpt. 1-3 in C 1.
2.
1. senza sord.
1 2 Tenor Tbn.
3
Bass 4 Tbn.
Tba.
7
6
7
7
(MP)
1 Perc. R
7
l.v.
(Coils)
2
3
(MP)
3
3
5
3
3
3
5
5
3
3
5
5
3
3
5
5
3 Perc. L
(Coils)
3
l.v.
3
3
3
3
3
3
3
l.v.
3
3
3
4 l.v.
15
l.v.
l.v.
Harp
15
Piano
3
3
3
3
3
3
3
3
3
3
3
3
P
15
Acc.
tr
Vln. 1 1-12
tr
Vln. 2 1-12
trem. s.p. Vla. 1-10
3
trem. s.p. 3
div. a 6 s.t.
unis. s.p.
pizz.
3
div. a 6 s.t.
unis. s.p.
pizz.
3
div. a 5 s.t.
3
div. a 4 s.t.
3
unis. trem. s.p.
tr
s.p. div. a 2 arco tr pizz. unis.
Vc. 1-8
(div.) Db. 1-8
sim.
trem. s.p.
trem. s.p.
3
3
3
34 246
flz
1 Fl.
sempre
2 vib. Ob. flz Cl. in B
1
1.
1 3 Hn. in F 2 4
flz
non flz
1 Tpt. in C
2 3
1 Tenor 2 Tbn.
3 Bass 4 Tbn. Tba.
7
7
7
(MP)
1 Perc. R
2
(Coils) 3
3
3
3 5
(MP)
3
3
3
3
3
3
5
5
3 Perc. L
(Coils)
3
3
3
l.v.
3
l.v.
3
3
sempre l.v.
3
3
3
3
3
4
l.v.
15
Harp
15
Piano
3
3
3
3
3
3
3
3
3
sub.
3
3
3
3
3
3
sub.
P
15
Acc.
Vln. 1 1-12
Vln. 2 1-12
sub. s.p.
sub. s.p.
ord. espr.
tr
ord. espr.
tr
trem.
tr
sub. s.p.
trem.
tr
trem.
tr
Vla. 1-10 tr
sub. s.p.
pizz.
Vc. 1-8 sim. Db. 1-8
33248
tr
35 wait for violins and accordeon to filter through resonances
short
250 Fl. 1-4
Ob. 2.3. Clarinet Cl. 1-3 in B
1 3 Hn. in F 2 4
Tpt. in C
Tenor Tbn.
1 2 3 1 2 3
Bass 4 Tbn. Tba.
(MP)
3
3
7
7
7
l.v.short
7
1 sempre
Perc. R
(Coils)
l.v.
2 3
5
(MP)
3
3
3
3
5
5
3
3
5
5
3
3
5
5
5
l.v.
5
3 (Coils)
Perc. L
3
3
3
3
3
3
3
l.v.
3 3
3
3
BD
4 sempre
3
l.v.
l.v.
Harp
sim. Piano
3
3
3
3
3
3
P
vib. Acc. sempre
Vln. 1 1-12
div. a 4
behind bridge
I
behind bridge
II
behind bridge
II
behind bridge
II
behind bridge
II
short light, fragile, without stutter
sempre
non div.
light, fragile, without stutter
1-3 sempre
light, fragile, without stutter
4-6 sempre
Vln. 2
light, fragile, without stutter
7-9 sempre
non div.
light, fragile, without stutter
10-12 sempre
div. a 3 Vla. 1-10 div. a 4 Vc. 1-8 div. a 2 Db. 1-8
sim.
1.-3. unis.
sul V
36
II Dark, fragile, warm = 60
257 Perc. R
BD
delicate
BD
ChC
l.v.
1 TT 4
l.v.
2 Timp. + light sizzle chain
TT
S
3 Perc. L
BD
3
[
R R ]
3
4
l.v. Harp
8
D CB EFG A 15
Piano
In
In
ord.
In
8
(LH palm)
P
15
8
sub. M I
Acc. B.S.
M I + M III 8
fl.+ n.v.
fl.
IV
poco vib.
Violin Solo
Dark, fragile, warm = 60
trem. + trill.
III
trem. + trill.
III
trem. + trill.
III
s.p. flaut.
3
sim.
s.p. flaut.
3
sim.
s.p. flaut.
3
1-4 Vln. 1 5-8
sim.
9-12 s.p. trem. + trill.
flaut.
trem. + trill.
flaut.
trem. + trill.
flaut.
sim.
1-4 s.p. Vln. 2 5-8
sim.
s.p. sim.
9-12
trem. + trill. flaut.
s.p.
sim.
1-5 Vla.
trem. + trill. flaut.
s.p.
sim.
6-10 s.p. trem. + trill. flaut.
3
sim.
s.p. trem. + trill. flaut.
3
sim.
1-4 Vc.
5-8 trem. + trill.
trem. + trill. s.p.
1-3 V
trem. + trill.
trem. + trill. s.p.
4 IV
Db.
trem. + trill.
trem. + trill. s.p.
5-6 IV
trem. + trill.
trem. + trill. s.p.
7-8 IV
33248
37 265 1
Fl.
Ob. bisbigl.
Cl. 1 in B
sempre
Wawa
Tpt. 1 in C 2
/
very fast hand trill
Bass 4 Tbn. Tba. l.v.
1 sempre
Perc. R
3
BP 1
ChC
2
Perc. L
S S
3
drag
3
SC
4 Harp
8
8
loco
D CB EFG A
sub. B.S.
8
Acc.
MI + MIII
8
fl.+ sub. vib.
½ s.p. Violin Solo (
III)
s.p. vib.
fl. + n.v.
*)
IV
½ s.p. II
s.p.
½ s.p.
I
III
sub.
flaut. ord.
trem. + trill
3
s.p.
1-4
Vln. 1 5-8
flaut. ord.
trem. + trill
3
flaut. ord.
trem. + trill
3
s.p.
s.p.
div. a 2 1.-6.
ord. s.t. poco vib.
7.-12.
ord. s.t. poco vib.
9-12 trem. + trill
flaut. ord.
s.p.
trem. + trill
flaut. ord.
s.p.
div. a 2 1.-6.
ord. s.t. poco vib.
trem. + trill
flaut. ord.
s.p.
7.-12.
ord. s.t. poco vib.
1-4
Vln. 2 5-8
9-12
trem. + trill
flaut. ord.
s.p.
trem. + trill
flaut. ord.
s.p.
1-5 Vla.
6-10
trem. + trill
flaut. ord.
s.p.
flaut. ord.
s.p.
1-4 Vc.
trem. + trill
5-8 ord.
div. a 4
3
1-4 div.
ord.
3
Db. 5-6 ord.
div.
7-8
33248
3
38 273 Cl. in B
= 72
1 BD
Perc. R
1
TT
Perc. L
ChC
BP
2 3
3
4
3
3
BP 3
3
with very light sizzle chain
S S
BD
4
drag
l.v.
l.v.
l.v.
3
Harp
3
8
D C B EFG A
Piano
ord.
In
ord. 8
P
vib.
sub. B.S.
8
B.S.
Acc. 8
s.t.
Violin Solo
1 by 1
tender, delicate fl. + vib.
poco
= 72 1 2 3 4
Vln. 1
5 6 7 8 9 10 11 12
espr., poco vib.
s.t.
3
espr., poco vib.
s.t.
3
espr., poco vib.
s.t.
3
espr., poco vib.
s.t.
3
espr., poco vib.
s.t.
3
espr., poco vib.
s.t.
3
1 2 3 4 5 6 Vln. 2 7 8 9 10 11 12
1 2 3 4
3
espr., poco vib.
s.t.
3
espr., poco vib.
s.t.
3
3
espr., poco vib.
s.t.
3
3
espr., poco vib.
s.t.
3
3
espr., poco vib.
s.t.
3
3
espr., poco vib.
s.t.
3
3
espr., poco vib.
3
3
espr., poco vib.
3
3
espr., poco vib.
3
espr., poco vib.
3
3
espr., poco vib.
3
3
3
5 Vla. 6 7 8 9 10
sub.
sub. sempre
1 2 3 4 Vc. 5 6 7 8
s.t.
sub. sub. vib. n.v.
sub. sub. vib. n.v.
3
3
espr., poco vib.
s.t.
sub. sub. vib. n.v.
3
sub. sub. vib. n.v.
3
espr., poco vib.
s.t.
sub. sub. vib. n.v.
3
sub. sub. vib. n.v.
3
espr., poco vib.
s.t.
sub. sub. vib. n.v.
3
sub. sub. vib. n.v.
3
espr., poco vib.
sub.
1-4
trem. + trill
1-3
3
1-4
5-7
espr., poco vib.
1-4 1-4
Db.
sub.
trem. + trill
8, 1-3
espr., poco vib.
5-8
33248
C ,C A, B
sub.
3
l.v.
39 rit. 284
1. Bass flute flz
1. take Bfl.
1 2
= 42
Fl.
sub. = 60
3. flz
3 4
flz
air
1 Cl. in B
2 3 3
1 3
1. ½ +
Hn. in F 2 4 senza sord.
Tpt. in C 1-3
1.
1 2
Tbn. Tenor Tbn. 3 Tba.
BD
Perc. 1 R 2
2
BD
Perc. 4 L
Harp
3
TT
R R
(no chain)
8
8
loco
loco
DC B E F G A
In
Piano
8
loco
P
Acc.
8
loco
fl. n.v. espr. III
Violin Solo
rit.
IV III 3
IV
III 3 IV
= 42
trem. + trill flaut.
div. a 12
vib.
sub.
s.p.
1-4
Vln. 1 5-8
n.v.
3
trem. + trill flaut.
s.p.
trem. + trill flaut.
s.p.
trem. + trill flaut.
s.p.
trem. + trill flaut.
s.p.
trem. + trill flaut.
s.p.
unis. fl.
1. Solo espr. IV fl.
sub. = 60 vib.
1-12 sub.
1-4 sub.
Vln. 2 5-8 sub.
unis. fl.
1. Solo IV
espr. s.p. fl. vib. 3
9-12 sub. 2.3. 1.
trem. + trill. flaut.
s.p.
ord.
s.p.
ord.
1. Solo con sord.
1-5 5. 4. sub.
Vla.
trem. + trill. flaut.
6-10 sub.
trem. + trill. flaut.
s.p.
ord.
1-4 sub.
Vc.
trem. + trill. flaut.
s.p.
ord.
5-8 sub.
flaut.
s.p.
1. Solo
1-4 Db.
flaut.
s.p.
2. Solo
5-8
33248
espr. ½ s.p. fl. III vib.
40 293
(Fl. 2.)
Fl. 2 Bfl. (1)
3
(Bfl. 1.)
3
Cl. in B 1-3
Hn. in F
1
Tpt. in C
1
flute 3 take Picc. 1
3
3 4
Fl.
Wawa
flz
Tenor Tbn. 1
1 cm. edge
R R
BD
Perc. R
l.v.
1 TT
3
4
2
S S
Timp.
Perc. L
3
[
l.v.
]
TT 3
4 3
l.v.
Harp
8
loco
3
In
Piano
8
P 15
Acc. sempre
3
Violin Solo
sub. fl.
s.p. flaut.
IV
3
IV
3
Solo
Vln. 1 1-12
s.t. n.v.
fl.+ vib.
IV III
long flaut. bows
sub. s.p.+
½ s.p. vib.
3
sub.
sub.
div. a 2 behind bridge
s.p. flaut.
3
loco
I II sempre
1 2
(1. Solo)
con sord.
3 4 5 6 Vln. 2
7 8 9 10 11 12
1 2
con sord.
div.
con sord.
div.
con sord.
div.
a2 non div.
div.
div.
div.
div.
con sord.
div.
con sord.
½ s.p. vib. 1. Solo1. espr.
non div.
IV
non div.
IV
non div.
II III
flag. 3.
5.
6. 7.
7.
8. 9.
8.
II
unis.
IV
10. 3
con sord.
1. 2.
unis.
con sord.
3. 4.
unis.
IV
con sord.
5. 6.
unis.
III
con sord.
7. 8.
unis.
con sord.
fl.
con sord.
fl.
1-3 Db.
flag. 1.
4.
9 10
7 8
div.
con sord.
7 8
Vc. 5 6
con sord.
con sord.
5 Vla. 6
3 4
div.
2.
3 4
1 2
con sord.
con sord.
(1. Solo)
div.
non div.
4-8
33248
III
flag.
41 accel.
301
= 72
n.v.
vib.
Bfl. (1) flz
Fl.
2 espr.
Ob. flz
3
Cl. in B
bisbigl.
1 2.1.
Hn. in F 1-4 1. Wawa
Tpt. in C 1-3
tr +/o fast
3.4.
2.3. Wawa
cup
1 Tenor Tbn.
Perc. R
sempre
cup 2.
2 3
Wawa (2.3.) sempre
BD
1 TT
fluid, gentle, explorative drag S
l.v.
TT
BP
2
SC
Perc. L
on
3 +chain
BD
4
S S
fluid, gentle, explorative
ord.
l.v.
Harp In
Piano
In
8
P
MI
vib. 1 by 1
Acc.
MI 8
M III
I II
s.p.
s.p.+
I
Violin Solo
III
III
s.p. flaut.
fl. Solo espr.
accel.
fl.
= 72
1 2 3 Vln. 1 4-6
ord. div. a 3 trem. + trill. s.p. 1.-4.
ord.
ord.
5.-8.
ord.
9.-12.
3
trem. + trill. s.p.
tutti div. a 6 ord.
3
3
7-9 trem. + trill. s.p.
3
10-12
Solo
con sord.
½ s.p. flaut. espr. IV 3
III
IV
III
3
1 s.t. div. vib.
ord. con sord.
trem. + trill.
con sord. ord.
trem. + trill.
s.t. vib.
con sord. ord.
trem. + trill.
s.t. vib.
2-4 2. 3.4.
Vln. 2 5-8
9-12 Solo
½ s.p. espr. flaut.
vib.
3
1 2.
3
3.4.
3
5.-7.
3
2-4 Vla.
sempre
5-7 sempre
8-10 sempre Solo
3
1.2.
3
3.4.
3
1 2 3-4 Vc. 5 6 7 8
sempre 3
sempre 3
sempre
div. a 8
1.-3. unis.
Db. 1-8
33248
42 dark n.v.
309
take flute
Bfl. (1)
Ob. 1. bisbigl.
Cl. in B
dark
1 2
1 3 Hn. in F 2 4 (Wawa) a 2
Tpt. 1 in C 2 3 cup
Tbn. 1 Wawa
Tbn. 2 Tenor 3
BD
3
ChC
3
arco l.v.
1 Perc. R
TT
arco l.v.
5
2 Timp. +chain
3 Perc. L
[
S S ]
drag
BD chain
(BD)
4
S S
drag
l.v.
l.v.
Harp
l.v.
3
8
ord. 3
Piano
8
P
vib. 15
8
Acc.
B.S. 8
(
fl.+ espr.
)
fl.+
vib.
fl.
ord.
II
Violin Solo
8
poco vib.
fl. 3
senza sord.
vib.
1 Vln. 1
div. in 11
div. a 3 senza sord.
3
vib.
2-12 2.3. B 4.-8. B
Vln. 2 1-12
9.-12. A
senza sord.
div. in 3
div. in 12
3
vib.
3
1.-5. vib.
div. in 10
senza sord.
unis.
Vla. 1-10 (6-10 tacet)
sempre
senza sord. div. a 8
unis.
3
Vc. 1-8
div. a 8
1.-3. unis.
3
Db. 1-8 1.-3. E+F 4.5. E 6.-8. D
33248
43 319 Picc.
n.v.
Piccolo
take flute
1 (or large round wooden beaters)
1 cm. edge
Perc. R
1
BD
R R
Crotale
arco
l.v.
2 Perc. 3 L 4 Harp
3. TT
R R
4. BD
thick
or large wooden
4. BD
W
remove chain
8
D C B E F G A
Piano
In
8
P 15
Acc. 8
sub. s.p. vib. espr.
ord.
n.v.
s.p.+
8
Violin Solo
loco
1 2
8
3 4
8
5 6
8
7 8
8
9 10
8
11 12
8
loco
loco
3
loco
Vln. 1
loco
loco
sub.
Vln. 2
1 2
8
3 4
8
5 6
8
7 8
8
9 10
8
11 12
8
loco
loco
loco
loco
loco
loco
1 2
sub.
3 4
sub.
5 Vla. 6
sub.
7 8
sub. 3
9 10
sub. 3
1 2
sub.
3 4
sub.
Vc.
3
5 6
sub.
7 8
sub.
1.-3. ord.
1-3 Db.
loco
1.-4. s.p. flaut. sempre
3
3
4.5.
5.-8. s.p. flaut sempre
3
3
6.-8. ord.
ord.
4-5
6-8
33248
44
rit. 327
Fl.
= 60 wait for Vln. Solo to surface through resonances
3. Flute
1 2
1. flz
3. take Piccolo
3 4
Piccolo
tone
8
1.2. a 2
Cl. 1-3 in B
1 3 Hn. in F 2 4 1.2. senza sord.
Wawa
Tpt. in C 1-3
1.
fast tr. o/+ [003 ¼ ]
2. Wawa 3
senza sord.
Tbn.
1
Cab
b.
Rim
BD
1 Perc. R
3
LRat
BP (2)
BP (1)
2 low, quiet smooth
Guiro
SC on
(ossia: replace with perc.4: BD tr. if too loud, or high, or not smooth)
W
3
LR
3 Perc. L
3
4
(BD) BD
l.v.
Harp
D C B E F G A
l.v.
8
ord.
Piano
3 8
P
M III
vib.
MI
Acc.
sub. M II
B.S.
vib.
M III
8
3
8
[ ] EA+ A + G-
fl.+ espr.
surface through resonances
Violin Solo
3
II
II sub.
Vln. 1 1-12
div. a 2
s.p.
sub. ord.
rit.
= 60 con sord.
unis. 2.-12. fl.
IV
sub.
senza sord. 1. Solo fl.
vib.
sub. fl.
½ s.p.
espr. III
s.p. flaut.
vib.
(Solo Vln.1 senza sord.) s.p.
sub. ord.
s.p.
sub. ord.
s.p.
sub. ord.
s.p.
sub. ord.
1. Solo
fl.
vib. 3
1 sub.
Vln. 2 2-6
IV
IV
7-12
div. a 2
1. Solo fl. vib.
div. a 10
3
Vla.1-10
div. a 2
s.p.
1. Solo s.p. flaut.
sub. ord.
3
Vc. 1-8 div. a 2 pizz.
pizz.
Db. 1-8 6.-8. D 4.5. C 1.-3. B
3
1.-3. unis. arco
45 flz
336
tone
1 2. flz
Fl.
3. Flute
tone
Piccolo 1 take flute 3
2.-4.
2-4 (a 2)
Cl. in B
3
1 2
div.
1.
Hn. 1 in F 3
1. ½+ 3.
1.
Tpt. 1 in C 2
[100, ¼ ] tr +/o
3
cup
3
cup
3
1 Tbn. 2 Straight
Bass Tbn. 4 ChC
Perc. R
R R
1 3
TT
BP (1)
4
2
Perc. L
3
(delicate)
Timp. + chain
3
[
S S ]
drag
l.v. BD + chain
4
BD no chain 3
R R
l.v.
Harp
3
8
D C B E F G A
In
Piano
ord.
3
8
P 15
loco
Acc. 8
ord.
½ s.p. II
Violin Solo
s.p.
III I
(s.p.)
IV
(s.p.) (flaut.) espr. II III II
(Solo)
I III II
vib. 3
III
ord. vib.
s.p. II III
vib.
1.-4.
pizz.
3
1 trem.+ tr. ½ s.p.
senza sord.
s.p.
ord.
s.p.
ord.
s.p.
ord.
3
2-4 Vln. 1 5-8
trem.+ tr. ½ s.p.
senza sord.
3
trem.+ tr. ½ s.p.
senza sord.
3
9-12 (Solo)
IV
s.p.
fl.
3
s.p.
IV
fl.
vib.
1 trem.+ tr. ½ s.p.
s.p.
trem.+ tr. ½ s.p.
s.p.
trem.+ tr. ½ s.p.
s.p.
sub.
2-4 Vln. 2 5-8
9-12 s.p. flaut. III
(Solo)
3
vib.
s.p.
III
espr. fl.
vib.
1 trem. + tr.
s.p.
trem. + tr.
s.p.
s.p. vib.
III
fl.
s.t.
sub. vib.
s.t.
sub. vib.
Vla. 2-5 s.p. vib.
III
fl.
6-10 (Solo)
fl.
vib.
s.p.
vib.
ord.
I
1 s.p.
trem. + tr.
3
Vc. 2-4 s.p.
trem. + tr.
3
5-8 1.-3. trem. + tr.
s.p.
4.-8. arco trem. + tr.
s.p.
3
1-3 Db.
5.-8.
4-8
33248
pizz. 3
46 = 60 345
1.2. a 2
1 Fl.
flz
2 3
3. take Piccolo
8
3. Piccolo
take flute
espr. vib.
Ob. dark
Cl. in B
1 flz
3
Bcl. 1 1.2. ½+
1.
Hn. 1 in F 2
senza sord. Wawa
1 Tpt. in C
3
Wawa
flz
2 1 Tenor 2 Tbn. 3
cup
straight
Bass Tbn. 4
ChC arco
BD
arco
l.v.
arco
l.v.
1 Perc. R
BP (1) arco
TT
3
TT
4
5
BP
2 ChC
arco
3 Perc. L
SC on
SC on
TubB
3
BD
4 3
Harp
8
Piano
l.H.
In
r.H.
In
3
8
P
3 15
sempre
Acc.
sempre or
8
8
3
*) wait if necessary for tubular bells
espr.
fl+ espr.
IV
Violin Solo
3
III
IV
(IV)
sub.
= 60
fl. poco vib.
fl. vib.
Solo espr. 3
3
1 3
div. a 3
div a 11
II
3
3
Solo fl. poco vib. IV
3
1 3
Vln. 2 2-4
3
3 3
3
5.6. 7.-12.
5-12 fl. vib. espr.
Solo 3
1 3 3
Vla.2-5 6-10 3
IV7
div. a 2
III 5
Vc. 1-8 sempre
III 5
div. a 2 arco ord.
III 3
sub.
(Solo)
Vln. 1 2-12
IV
3
1.-3. unis.
3
Db. 1-8 sub.
33248
3
vib.
3
IV espr.
3
II
47 1.,2. a 2
353 flz
air
3. Flute 1.-4.
flz
Fl. 1-4 espr.
vib.
Ob. ½ air delicate
Cl. in B
1
Tpt. in C
1 2
Wawa
faster
3
BD
tr o/+ fast
3
BD
1 Perc. R
tone
sempre
sempre
TT
2 SC on
3 Perc. L
TT
(BD)
l.v.
4
4
l.v.
Harp
8
loco
In
l.v.
Piano P
vib. 15
Acc.
MI
n.v.
3
sub. B.S.
8
8
1 by 1
s.p. flaut.
III IV
Violin Solo
delicate air s.p.+ I sul D
tone ½ s.p.
sweet
ord. n.v.
poco vib.
s.p.
II [ ]
III IV
s.p.+
ord.
[]
II
sub.
3
½ s.p. poco vib.
Solo s.t. espr.
s.p.
(BD)
1 delicate, smooth
s.p.
I
2-4 delicate, smooth
Vln. 1 5-8
s.p.
I
delicate, smooth
s.p.
I
9-12 delicate, smooth I
s.p.
3
s.p.
3
s.p.
3
1-4 delicate, smooth
Vln. 2 5-8
I
delicate, smooth I
9-12 s.p.
1-5 Vla.
s.p.
6-10 s.p.
1-4 Vc.
s.p.
5-8 trem. + trill ord.
s.p.
trem. + trill ord.
s.p.
s.p.
3
1-4 Db.
s.p.
5-8
33248
3
48 362 silence Ob.
(BD) ( )
Perc. 1 R
l.v.
l.v.
TT
drag gentle, fluid, explorative
l.v.
l.v.
S
3 Perc. L
BD
4
Harp
8
Piano
In 8
P
P
poco button vib. MI
15
B.S.
sub. non B.S.
8
Acc.
M III 8
sub. s.p. flaut vib. espr.
½ s.p.
s.p.+ RH finger and LH bow disappear behind bridge
fl. sub. n.v.
I
poco vib.
II
III
IV
silence Violin Solo
3
s.p. flaut.
1. Solo
Vln. 1 1-12
trem. + trill. Db. 1-3
33248
3
silence
SAUNDERS
Still
Edition Peters No. 12015 R
w w w.e d i t i o n p e t e r s .c o m