PROCESSFOLIO ++ ILLUSIE/ ERROR
PROCESSFOLIO ++ ILLUSI 4 12 16 24 Willekeurige inspiratie inspiratie
Vorm en Emotie
onderzoek
Kleur en Emotie onderzoek
Videomapping
inspiratie
30
Lightpainting inspiratiei
O IE 35 50 42 54 76 48 88 constructivisme
muziek + vorm
inspiratie
inspiratie
De Stijl
Hedendaagste vormgeving
inspiratie
Shape of a song onderzoek
Metric 72 Simon Page Atelier Olschinsky Andreas Nicolas Fischer Christoph Klemm Andy Huntington James Clar Eva Schindling Jul et Mat Andrew Nip & Andrew Spitz Candas Sisman
Experimentele Typografie
Logo Expo
WILLEKEURIGE+ INSPIRA 4
++inspiratie
4
++ ATIE ++inspiratie
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SELECTIE MET INSPIRATIE ++ 5
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++inspiratie
WILL
SELECTIE MET INSPIRATIE ++ 6
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++inspiratie
LEKEURIGE++ INSPIRATIE
7
ILLEKEURIGE++ INSPIRAT 8
++inspiratie
SELEC ME INSPIR 8
+ TIE
CTIE ET RATIE ++ 9
++inspiratie
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10
++inspiratie
WILLEKEU IN
SELECTIE MET INSPIRATIE 10
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++inspiratie
URIGE++ NSPIRATIE
E ++ 11
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++the emotion of shape
THE EMOTION SH
Pavlova, M., Sokolov, A.A., & Sokolov, A. (2005). Perceived dynamics of static images enables emotional attribution. Perception, 34, 1107-1116. Assigning emotions to shapes is nothing new. In experiments as early as the 1940s, individuals have been found to consistently apply the same emotions to shapes in schematic cartoons: “angry” triangles and “loving” circles. But only one study had attempted to see if people consistently assigned emotions to static shapes based on the appearance of dynamic forces. In that study, participants viewing two slashes ( / / ) tended to see the slash leaning towards the other as “bossy,” while the one leaning away was “submissive.” In 2005, Irena Pavlova, Arseny Sokolov, and Alexander Sokolov made the first study of emotions and dynamics in single shapes: they showed participants triangles,
ovals, and lines in a variety of orientations, and asked them to rate the figures for the emotions they conveyed. The triangle balanced on its point (Number 1 in the above figure) or lying on its side was viewed as the most stable, and similarly, the oval balanced on either its end or its side was seen as stable as well. Instability correlated significantly in these figures with perceived suffering and fear. For the triangle, the oval, and the line, there was a significant negative correlation between joy and the degree of rotation from vertical: the more vertical, the more joyous the figure appeared. This correlation held for anger as well, but only in the case of the oval and the line. Pavlova and her colleagues
argue that the implied imbalance in the pictures of static objects is what leads individuals to attribute emotion to them. They note as well that neural imaging of patients with Asperger Syndrome shows that the parietofrontal circuits in these individuals are activated differently compared to normal individuals. Since one symptom of Asperger Syndrome is an inability to detect emotional states of others, the team suggests that there is a direct link between perception of the physical orientation of an object and perception of emotional states. This finding has implications for the field of art as well. If certain shapes are indeed associated with emotions, then this may partially explain the appeal
of abstract art. Rather than being a seemingly random collection of shapes, abstract art may evoke common emotions in many viewers.
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OF HAPE 13
++the emotion of shape
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++the emotion of shape
THE
OF S
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EMOTION
SHAPE
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++the emotion of shape
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COLOR MOODCHA A THEO 16
++color and moodchanging
The most emotionally intense color, red stimulates a faster heartbeat and breathing. It is also the color of love. Red clothing gets noticed and makes the wearer appear heavier. Since it is an extreme color, red clothing might not help people in negotiations or confrontations. Red cars are popular targets for thieves. In decorating, red is usually used as an accent. Decorators say that red furniture should be perfect since it will attract attention. The most romantic color, pink, is more tranquilizing. Sports teams sometimes paint the locker rooms used by opposing teams bright pink so their opponents will lose energy.
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AND ANGING.
ORY OR? 17
++color and moodchanging
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COLOR AND MOODC A THEORY OR 18
++color and moodchanging
Currently the most popular decorating color, green symbolizes nature. It is the easiest color on the eye and can improve vision. It is a calming, refreshing color. People waiting to appear on TV sit in “green rooms� to relax. Hospitals often use green because it relaxes patients. Brides in the Middle Ages wore green to symbolize fertility. Dark green is masculine, conservative, and implies wealth. However, seamstresses often refuse to use green thread on the eve of a fashion show for fear it will bring bad luck.
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CHANGING.
R?
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++color and moodchanging
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The color of the sky and the ocean, blue is one of the most popular colors. It causes the opposite reaction as red. Peaceful, tranquil blue causes the body to produce calming chemicals, so it is often used in bedrooms. Blue can also be cold and depressing. Fashion consultants recommend wearing blue to job interviews because it symbolizes loyalty. People are more productive in blue rooms. Studies show weightlifters are able to handle heavier weights in blue gyms.
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++color and moodchanging
COLOR AND MOODCHANG A THEORY 20
GING.
OR? 21
++color and moodchanging
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COLOR AND MOODCH A THEORY OR? 22
++color and moodchanging
Cheerful sunny yellow is an attention getter. While it is considered an optimistic color, people lose their tempers more often in yellow rooms, and babies will cry more. It is the most difficult color for the eye to take in, so it can be overpowering if overused. Yellow enhances concentration, hence its use for legal pads. It also speeds metabolism.
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?
HANGING.
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++color and moodchanging
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++videomapping
VIDEO++MAP
++ 24
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++videomapping
PPING
+MAPPING 25
Video Projection Mapping is an exciting new projection technique that can turn almost any surface into a dynamic video display. Specialized software is used to warp and mask the projected image to make it fit perfectly on irregularly shaped screens. When done right, the end result is a dynamic projection installation that transcends ordinary video projection.
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++videomapping
VIDEO++MAPPI
++ 26
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A-cero XV Aniversario. 3D Mapping
+MAPPING 27
++videomapping
ING
VIDEO++MAPP ++MAPPING 28
++videomapping
vj constructiv augmented sculpture
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++videomapping
PING 29
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++lightpainting
LIGHT ++ PAINTIN BEW 30
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NG
WEGING ++ KLEUR 31
Light painting, also known as light drawing or light graffiti is a photographic technique in which exposures are made usually at night or in a darkened room by moving a handheld light source or by moving the camera. In many cases the light source itself does not have to appear in the image. The term light painting also encompasses images lit from outside the frame with hand-held light sources.
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++lightpainting
LIGHT
BEWEG all works can be found on lightgraff.org
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++lightpainting
T ++ PAINTING
GING ++ 33
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CONSTRUCTI ++constructivisme
VO 1919+ 34
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++constructivisme
IVISME
ORM ++ KLEUR
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Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1919, which was a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century, influencing major trends such as Bauhaus and the De Stijl movement. Its influence was pervasive, with major impacts upon architecture, graphic and industrial design, theatre, film, dance, fashion and to some extent music.
++constructivisme
1919+
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VO
CONSTRUCTIV Kazimir Malevitsj - black square Kazimir Malevitsj - red and black square Kazimir Melevitsj - red square
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++constructivisme
ORM ++ KLEUR
VISME 37
VO 38
1919+ ++constructivisme
NSTRUCTIVISM Lyubov Popova - no title Lyubov Popova - no title Lyubov Popova - no title
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ORM ++ KLEUR ++constructivisme
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ME 39
Alexander Vesnin - composition Alexander Vesnin - composition Alexander Vesnin - composition
191 40
++constructivisme
CONST
VORM ++ KLEU 40
19+
TRUCTIVISME
UR 41
++constructivisme
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1917+ ++de stijl
DE STIJL
VO 42
++de stijl
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ORM ++ KLEUR 43
Proponents of De Stijl sought to express a new utopian ideal of spiritual harmony and order. They advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to the vertical and horizontal directions, and used only primary colors along with black and white.
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1917+
++de stijl
DE STIJL Theo van Doesburg and architect Cornelis Van Eesteren, drawing Theo van Doesburg Composition IX Theo van Doesburg Composition XIII
VO 44
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++de stijl
+
ORM ++ KLEUR 45
DE STIJL VORM ++ KL 46
++de stijl
Piet Mondriaan Victory boogie woogie Piet Mondriaan Broadway boogie woogie
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1917+
++de stijl
LEUR
47
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++shape of a song
SHAPE OF
Arc Diagrams: Visualizing Structure in Strings Martin Wattenberg IBM Research
The diagrams in The Shape of Song display musical form as a sequence of translucent arches. Each arch connects two repeated, identical passages of a composition. By using repeated passages as signposts, the diagram illustrates the deep structure of the composition. For example, the picture on the right was built from the first line of a very simple piece: Mary Had a Little Lamb. Each arch connects two identical passages. To clarify the connection between the visualization and the song, in this diagram the score is displayed beneath the arches. This diagram visualizes the refrain from the folk song Clementine. As you would expect, the refrain consists of multiple repetitions of the same passage--and that is exactly what the diagram shows. The score isn’t shown in this diagram since the notes would be too small to read. More complex compositions create more intricate diagrams. The diagram above represents one of the Goldberg Variations. It shows that the piece divides into two main parts, each made of a long passage played twice--or what a musician would call an “AABB” structure. The diagram, however, provides much more detailed information than the simple “AABB” notation. For instance, you can see that the A and B passages are loosely related, as shown by the bundle of thin arcs connecting the two halves of the piece.
SONG 48
A 49
++shape of a song
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++muziek en vorm
MUZIEK + VORM
Ljรณsiรฐ (previously known as Let Yourself Feel) from Esteban Diรกcono on Vimeo.
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++muziek en vorm
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VORM + GELUID 51
VORM + 52
++muziek en vorm
MUZIEK + VORM 52 140 dB from Tadas Svilainis on Vimeo.
++muziek en vorm
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+ GELUID
53
ACTUAL THREAT Geometry of space 1-2-3
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++metric 72
++INSPIRATI
VORM ++ KLEU 54
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++metric 72
IE
METRIC 72
UR 55
afbeeldingen en info op www.metric72.com
Broken tiles album art
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++simon page
++INSP
VORM ++ KLE 56
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++simon page
PIRATIE SIMON PAGE
EUR 57
afbeeldingen en info op simoncpage.co.uk
Cities IV / Deconstructed
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++atelier olschinsky
ATELIER
VORM ++ KLEU 58
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++atelier olschinsky
R OLSCHINSKY
UR 59
++IN afbeeldingen en info op www.olschinsky.at
PL IV PL III PL I
IRATIE
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++ Andreas Nicolas Fischer
VORM ++ K ANDREAS NICO 60
++ Andreas Nicolas Fischer
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KLEUR OLAS FISCHER 61 afbeeldingen en info op http://anf.nu/
Orproject
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++INSPIRATIE ++ Christoph Klemm
VORM +
CHRIS 62
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++ Christoph Klemm
E
++ KLEUR
STOPH KLEMM 63 afbeeldingen en info op http://www.klemmt.com
Cylinder
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++Andy Huntington
ORM ++ KLEUR
++ ANDY HUNTI 64
++Andy Huntington
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+INSPIRATIE INGTON 65
afbeeldingen en info op http://andyhuntington.co.uk
Rolex Tower Order Chaos Order
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VORM ++James Clar
++INSPIRATIE 66
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++James Clar
M ++ KLEUR
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JAMES CLAR afbeeldingen en info op http://www.jamesclar.com/
Liquid Sound Collision
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++Eva Schindling
++INS EVA SCHIND
VO 68
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++Eva Schindling
SPIRATIE DLING
ORM ++ KLEUR 69
afbeeldingen en info op http://www.evsc.net/
Metronomy - on the motorway
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++Jul et Mat
VORM ++ KLE
JUL &
++INSP 70
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++Jul et Mat
EUR
& MAT
PIRATIE 71
afbeeldingen en info op http://www.juletmat.fr/
Paper Note
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++Andrew Nip & Andrew Spitz
VORM ++ KLE
ANDREW NIP &
++INSPIRATIE
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++Andrew Nip & Andrew Spitz
EUR
ANDREW SPITZ 73
afbeeldingen en info op http://www.soundplusdesign. com/?p=4946
Flux
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++Candas Sisman
++INSPIRATIE VO
CANDAS SIS 74
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++Candas Sisman
E ORM ++ KLEUR
SMAN 75
afbeeldingen en info op csismn.com/
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IS ++ GE BEEL ++experimentele typografie
TAAL
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ELUID LD ++
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++experimentele typografie
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++experimentele typografie
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++experimentele typografie
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++experimentele typografie
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++experimentele typografie
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++experimentele typografie
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++experimentele typografie
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++logo expo
BELGISCHE ++LOGO TENTOONSTEL
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LLING
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++logo expo
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++logo expo
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++logo expo
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++logo expo
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