PORT Portfolio. architecture Eduarda Vieira 2015
CONTENTS
[Academic Projects]
06 06 Hotel + Conference centre + SPA [Porto] architecture | F AUP | 2009-10
]Curriculum Vitae[
02
14 Municipal Library of Catalunya + Plaรงa de Catalunya [Barcelona] architecture + public space | ETSAB | 2ยบ Semestre 2011
]Professional Experience[
04
22
Arrebita! Porto
Collective Housing [Porto]
social entrepreneurship project on urban rehabilitation | 2014
housing + public space | FAUP | 2008
[Competition]
24
[Drawing]
30
Tanatorium [Porto] | Go Architecture! architecture | 2012
[Academic Research]
28 Master Thesis The Noir City: The Representation of Great American Cities in Film Noir city, cinema and architecture | FAUP | 2013
[Video]
34 [Reference letter | 36]
CV Eduarda Maria de Sousa Vieira 16.04.1988 | Architect
Professional Experience 2014
José Fernando Gonçalves, Arquitectos Associados Lda. [Nov.-January 2015] - Colaboration in aproject for a senior residence and community center in Vila Nova de Gaia, Portugal (Design development and technical design stages) ARREBITA! PORTO | member of team 9 [April- July]
Social Entrepreneurship project dedicated to the rehabilitation of the inner city of Oporto Organization and coordination of teamwork ( comunications done entirely in English)
Monitoring of some of the works done in building site (e.g. scaffolding, placement of the beams) Continuous development and organization of the Architectural Drawings (software used: Archicad) Understanding of several of the technical aspects of a paradigmatic refurbishment case Promotion of the project and its network of Partners
Education 2013
Master of Architecture Faculdade de Arquitectura da Universidade do Porto final grade : 15/20
Master thesis: The Noir City: The Representation of Great American Cities in Film Noir final grade: 19/20 | Tutorship: Arch. Luís Urbano 2010 – 2011
International Exchange Program [ Erasmus ] Escola Tecnica Superior d’Arquitectura de Barcelona Universidade Politécnica da Catalunya. Spain Grand Via de les Cortes Catalanes, 585 08007 Barcelona
2006 - 2009
Bachelor of Architecture Faculdade de Arquitectura da Universidade do Porto Portugal Via Panorâmica 4150-755 Porto
Skills Artistic | Manual
Software
Great competence in meticulous hand work, namely in the construction of detailed physical models | Excellent dexterity in several drawing techniques | Good knowledge of both analogic and digital photography and video ( acquired in “Cinemarchitecture” and “Cinema and Architecture” workshops )
CAD | Archicad | AutoCAD 3D | Archicad | Rhinocerus | 3D Studio Max | Sketchup | Artlantis Image | Adobe Photoshop | Adobe Illustrator Video | Adobe Premiere Pro Other | Adobe InDesign | Office
Comunications | Papers 2013 2013
Paper [En] | “The Noir City: representation of urban space in Billy Wilder’s ‘Double Indemnity’ and Stanley Kubrick’s ‘Killer’s Kiss’” | Inter[sections], a Conference on Architecture, City and Cinema | FAUP, Porto | 13.09 Paper [Pt] | “A Carreira de Moinhos de Alvarenga, investigação histórica e premissas para a sua recuperação” | co-authors: Ana Campos, Cristina Pinho, Samuel Goncalves, João Gaspar; tutorship: Arch. Carla Garrido | Internacional Colloquium of Popular Architecture | Casa das Artes, Arcos de Valdevez | 4.04
Competition | Acknowledgment 2011 2010
Competition | Tanatorium in Porto | 48 hour student competition Go!Architecture V.03 | FAUP | 18-20.11 Exhibition | final exhibition 2010, Anuária | Selected project: Hotel and Conference Centre, Architecture Design 4, tutorship: Arch. João Pedro Serôdio | FAUP, Porto
Workshops | Courses 2011 2011 2010
3D Modelling Workshop with Rhinoceros | OPO’Lab, Oporto Laboratory of Architecture & Design | Porto | 13 - 17. 02 Workshop Cinema and Architecture and summer course Revolutions, Arquitectura and cinema in the Sixties | organized by Silent Rupture, Intersections between architecture and film | FAUP | Porto | 7 - 12.07 Cinemarchitecture, International Workshop on Architecture and Film | organised by : Estonian Academy of Arts, Faculdade de Arquitectura da Universidade of Porto, Department of Architecture of the University of Cambridge and School of Architecture of the University of Liverpool | EAA , Tallin | 18 - 28.07
Video 2012 2011
2014
2013
“Vianna da Motta, Ballada nº1 Op16” | Photography and editing | co-authors Marta Martins, Diogo Real “New Image Competition Dédalo magazine” | promotional video for Dédalo magazine, issue #9 “Displaced” | FAUP Other Design | UM TIA-GT, Unidade missão Timor-Leste, Indonésia Austrália, Growth Triangle | corporate image design
Voluntary Work
Voluntary at the Museum of Contemporary Art, Serralves since May 2012
Languages Portuguese mother tongue English ( C- proficient user ) IELTS certificate | 8 band score Spanish( B1 - independent user) German ( A2 - basic user) French ( A2 - basic user) Catalan ( A1 - basic user)
[Language courses]
German Level A1 - A2| 18/20 Faculdade de Letras da Universidade do Porto | 09. 2012 - 07.2013 Erasmus Intensive course, Catalan, Level A1 | 8/10 Universidade de Barcelona | 22.08 - 5.09.2009 Aditional information Basic Life Support certificate Driving License B
Arrebita! Porto social entreupreneurship project | urban rehabilitation | Porto April - July 2014 coordinators : José Paixão, Rita Ferreira, Daniel Barbosa, Natalia Solano Meza team 9: Eduarda Vieira [pt], Alina Reinartz [gr], Diana Giráldez [sp], Elena Bejor [it], Cristiano Pepi [it]
4|
Arrebita! Porto is a social entrepreneurship project dedicated to the rehabilitation of the inner city of Oporto awarded by the competition “FAZ, ideias de origem portuguesa” by the Calouste Gulbenkian Foundation. It consists an innovative collaborative model which explores the synergies between a network of collaborators – young architects, engineers, established professionals, construction companies, suppliers and the local community – towards a sustainable refurbishment of the city centre. This model operates through a set of exchanges between the parties from which they benefit. Those benefits can be of a varied natures, from knowledge, to promotion of products and services. The pilot project for this model concerns the refurbishment of a building in the medieval core of the city. The project design was developed by a group of international teams composed by young architects and engineers (students and graduates fresh out of college, with no relevant professional experience) who work voluntarily during three intensive months under the supervision and monitoring of a permanent support team of professionals. The scope of work by the teams includes not only the design conception, but the promotion of the project, communication of its network of partners and performance of tasks in the building site- hands on learning experience. The international Team 9, which I took part of, was involved in the construction phase of the project, its continuous development and its divulgence in several occasions. My learning experience, therefore, went beyond the technical aspects of refurbishment. It involved teamwork coordination, mobilization of different parties and it was an elucidative first contact with how a building site works. Overall, it was a motivational learning process with a direct social impact.
[teams]
[dissemination of the project]
[contact with the building site ]
[cooperation between partners]
[2nd floor Housing unit 2 ]
[1st floor Housing Unit 1]
[ground floor commercial space]
[basement commercial space]
[Pilot Project nº 42, Rua da Reboleira, Porto] The program devised for the target building is composed by a commercial space in the ground floor, and low-cost housing for the first and second floor. Along with the building’s features (especially in what concerns natural light) all these aspects shaped the project design. In this sense, for the housing it was conceived two open spaces organised by a standardized volume which comprise all of the services (WC, kitchen, closet and laundry) in order not only to provide a flexible space for future residents, but to make the most out of poor lighting conditions. Simultaneously, this box was developed for standard product, easily manufactured that could be sold separately, customised and applied in similar cases – the A!box. |5
[kitchen]
11
[ WC | laundry ]
2 1 W
[A!BOX]
Hotel ***** + Conference Centre + Spa Massarelos | Porto
2009/10 | Architecture Design 4 teacher: João Pedro Serôdio studio head: Carlos Guimarães
6|
The objective of this [last] architecture design studio was to develop a complex, demanding programme in a challenging location in the city of Oporto. This exercise proved to be particularly chalenging - a project of a five star by the riverside equiped with a conference centre and a SPA, directly adjacent to a problematic high-density social neighbourhood. Consequently, it was my intention to exploit a morphology that would be responsive to its complex surroundings and, foremost, inclusive . The developed design consists of two volumes, a lower one that contains all the common areas and relevant service areas – conference centre, front desk, lounge, bar, kitchen, back office, administrative offices and SPA – and a tower with the private areas rooms, suites, and a panoramic restaurant on the two top floors. The morphology of lower volume was shaped from the site topography. It meets the height of the lower river frontline buildings. The SPA was strategically elevated and designed further back in order to preserve its due privacy. The tower was placed further back, closer to the existing set of social housing tower blocks built in the seventies– an option that I believed to carry an inclusive intention, although, naively. The position of his tower was devised in order to enhance the southwest view which almost meets the ocean, given that the city’s topography.
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restaurant
presidencial suite + bedroom
bedrooms (w-e) + suites (s)
1 st floor| Spa
8|
ground floor, W | conference centre
0 | generator 1.1 | Hotel entrance 1.2 | conference centre entrance 1.3 | service entrance
entrance
2.1 | reception 2.2 | waiting areas 2.3 | bar 2.4 | buffet, restaurant 3 | service areas 3.1 | back office 3.2 | offices 3.3 | storage 3.4 | kitchen | 3.4.1 copa | 3.4.2 zonas de confecção | 3.4.3 chef's office | 3.4.4 garbage area 3.5 | staff area 3.6 | meeting room 3.7 | WC 3.8 | staff locker room 3.9 | laundry 3.10 | HVCA and cistern 4 | conference centre 4.1 | conference rooms
C-03
ground floor, S | restaurant, front desk, lounge and bar
4.2 | auditorium 4.3 | courtyard [exterior] 5 | small courtyards 6 | elevators
1.3
3.9
3.8 3.8 3.10 3.7 6 5
4.2
3.2 3.2 5
2.2
3.2 3.4.4
3.2 3.3
4.1
5
3.3
3.2
4.1
2.2
3.2 5
3.3
3.4.3 3.4
|9 2.2 3.6
4.1 4.1
4.3
3.5
5
3.4.2
2.2
3.1 2.5
3.4.1 2.1 4 2.4
2.3
1.1
1.2 0
[Ground floor plan | Main common area and services | conference centre] ]
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[16th floor | restaurant ]
[15th floor | restaurant ]
[14th floor | Presidencial suite ]
[4th - 13rd floors | bedrooms + junior suites ]
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[construction detail | facade ] 1 gravel
25 lightweight concrete and
2 geotextile blanket
self-levelling mortar
3 insulation
26 root barrier
4 | 5 self-leveling layer
27 waterproof barrier
7 carpet
28 insulation
8 lightweight concrete slab
29 drainage layer
9 L profile
30 earth
10 acoustic foam barrier
32 pre-cast concrete slabs
11 self-leveling mortar 12 leightweight concrete 13 glass with solar control 1
Goda
2
Isolamento
4 5
regularizaçã Camada
14 window [vitrosca] Geotexti
3 Imperbeabilizaçã 15 vistrosca component (rain water)
16 subsill
17 custom facade components : metal support elements + galvanized steel cap 18 customized metal elements - facade 19 metal L profile 20 insulation 21 blackout 22 plasterboard 23 rockwool 24 waffle concrete slab 13 14 15 16 17 18
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Alcatif 7 Lajeta 8 9 Manta 10 11 Regularizaçã 12
[ right | view | bedroom ]
19 20
[ bellow left | sections | bedroom ] [ bellow, right | floor plan | bedroom ]
21 22 23
24 25 26 27 28 29 30
32
| 13
l
Municipal Library of Catalunya + Refurbishment of Plaรงa de Catalunya Barcelona | Spain
2010/11 | ETSAB | Proyectos X teachers: Eduard Bru e Aquiles Gonzรกlez PUBLIC SPACE DESIGN PROJECT team: Eduarda Vieira, Marcos Maia
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1.
M i
location
Briefly, the Catalunya Square, the second biggest in Spain, is essentially one of the most central and relevant public spaces of the city of Barcelona. It is its political and social epicentre. Additionally, it constitutes one central nodule in the city’s public transportation system gathering bus, subway and a train station [underground], taxi and several parking [also underground]. In short, it is the arrival and departure spot for thousands of commuters and tourists every day.
study | ground floor use
underground levels
plaça de Catalunya Street shops
Department stores and shopping malls Library Site Parking Theatre
Study | transportation systems and green areas
Our proposal reorganized all the elements [information spots, subway, bus stops, and underground parking entrances] under one single surface whose topography was carefully shaped to create two entrances: for the underground train station, bus stop and underground parking at South, and a second for the tourism office and subway station at North. Consequently, the central space remained unobstructed, and through the project’s topography it was possible to gather two “more intimate” areas with with park benchs and trees.
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“Indignados” May 2011
pro-independence demonstration Outober 2013
Underground Parking entrances Subway and Train entrances Bus Stops News and temporary food stands
final solution
100 m
P
N
ARCHITECTURE | MUNICIPAL LIBRARY individual project The urban space design project for Plaça de Catalunya was a supplementary exercise to the individual assignment – the development a project for the Municipal Library of Catalonia in one of three specific quarters [South, North and East]. Accordingly, I chose the North quarter, a corner building with Passeig de Grácia, one of the most emblematic and relevant streets of the city and one of the first of Ildefons Cerdà extension plan to be completely built by the end of the nineteenth century.
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The design process of this particular project revolved around the concept of a “corner building”. This concern was mostly motivated by the design of the city’s grid plan and its bevelled corners [an important component of the city’s image]. The investigation process intended to squarely establish continuity with history. The intertwining volumes that comprise the final project were designed in order to create a main corner face, pivoted slightly to the left, facing the square. The morphology of this project resulted of the intersection between basic volumes which contained different components of the program. The Library program was organized in different levels of privacy – starting from the entrance and information desk, children’s area and Newspapers, going all the way up to the study rooms at the top. The main volume, where these spaces are organized around a central area, was accompanied by a second west volume which contains service areas and administrative offices [it is important to point out Louis Kahn as an important influence to this particular project].
[ North Elevation | Passeig de Grácia ]
Top Volume Working area | Classrooms Terrace | Lounge | Coffee shop
Supporting Volume Service areas Administrative offices
Main Volume General Collection and reading areas Periodicals section | Teen area Entrance | Passeig dela Gracia Ground floor and mezzanine Hall | Information desk | Children's area
Entrance | Plaรงa dela Catalunya
-1 and -2 floors Archive | Auditorium
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[ East Elevation | Plaรงa de Catalunya ]
C
C'
C
C'
d
d'
d
d'
[7-8th floors | working areas ] [6th floor | bar and terrace ] GSEducationalVersion
C
C'
d
d'
GSEducationalVersion
[2nd- 5th floors | General Catalogue | reading areas | study areas| teenage area | administrative offices]
GSEducationalVersion
C
C'
C
C'
d
d'
d
d'
18|
[1st Floor | Newspapers | Information desk ] [Ground Floor | entrance | children's Area ] GSEducationalVersion
C
C'
d
d'
GSEducationalVersion
[ Basement | archive | Auditorium] [ section D | entrance ] GSEducationalVersion
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Section C - C'
Collective Housing Paranhos | Porto
2008/09 | Architecture Design 3 Teacher: Paula Petiz Studio head: José Soares Carneiro The second semester of Architectural Design 3, was structured in three phases: the first phase concerned an urban plan for a central area of the city of Porto with housing, commerce and offices; the second, a further development of a collective housing project in one of the three quarters devised; and lastly, a further detailing of its construction aspects - from the urban scale to the construction detail.
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The developed quarter was comprised by a residential building facing the main street with shops in the ground floor [Serpa Pinto] and an office building facing North. The intersection of the two volumes is where the main entrance is located. The access to the dwellings [three bedroom duplex] is made by an exterior gallery facing the courtyard.
Rua Egas Moniz
Rua Serp
Rua da Constituição
The purpose of this exercise was, essentially, the understanding of the program demands and challenges, its legal determinants [the building codes and regulations], and technical aspects of construction. Therefore, it proved to be a conservative learning approach, valuing a more “ordinary” housing design, for the practical knowledge it contains, and as a way to later understand the “exceptional”.
[ North Elevation | Rua Serpa Pinto ]
[ South Elevation | Rua Egas Moniz ]
pa Pinto
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[ East Elevation | inner Courtyard]
[ North Elevation | Rua da Constituição ]
Offices
22|
Ground floor | commercial spaces
Floors 1, 3 and 5 | Housing
Floors 2, 4 and 6 | Housing
c
5
8 7
2
a
5
1
9 9
3
6
a
c
4
b
[Dwelling Unit | 2nd Floor]
1 Hallway | 2-4 Bedroom | 5 Closet | 6 -7 Bathroom | 8 escrit贸rio | 9 Balcony | a. Shafts | b. frosted glass separation | c. Rainwater pipe , downpipe
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10
13
14
9
11
a
12
[Dwelling Unit | 1st floor]
10 Entrance Hall | 11 Living room | 12 Kitchen | 13 Laundry | 14 Small bathroom | 15 Balcony | a. Shafts | b. downpipe
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[ Section C-C' | Collective Housing Building ]
46
47
45
44
28 27 42
8
30
16
43 31
41
39
19
22
21
34
| 25
33
35
27
36
37
21
22
17
32
40
31 30
29 28 27 26 25 24
[Construction detail | Facade ]
23 19
20
16 15 17
14 11
12
18
11
13
10
1 9 6 8 5 7 4
3
2
1
2 concrete slab
24 aluminium subsill
3 geotextile blanket
25 standard metal L section
[waterproofing]
26 waterproof paint
4 drainage sheets
27 extruded Polystyrene sheet
5 drain
28 self leveling mortar
6 earth
29 acrylic plaster
7 screed
30 pvc waterproof sheet
8 geotextile blanket
31 edge strip
9 gravel
32 acrylic self-leveling plaster
10 mortar
33 metal profile
11 cementitious adhesive
34 stone cap
12 stone pavement
35 self leveling mortar
13 door step
37 concrete paving slab
14 slidding window
38 aluminium slidding window
15 aluminium subsill
39 concrete slab
16 lightweight concrete
40 wood floor
17 self-leveling mortar
41 concrete window sill
18 stone floor tiles
42 gravel surface
19 blackout
43 rainwater drain
20 suspended plasterboard ceiling 44 metal strap 21 rockwool
45 metallic parawpet cap
22 plasterboard
46 L plastic profile
Tanatorium* Agramonte | Porto
Competition GO!ARCHITECTURE V.03 organization - AEFAUP | 18-21.10. 2012 team : Ana Campos, Cristina Pinho, Eduarda Vieira
26|
The central concern of the project was to design a careful transition between day-to-day reality and the mourning rituals. Namely, by pursuing a design with spatial qualities that foster the required symbolic and spiritual weight of such experience, while remaining flexible to each religions’ requirements. Our team envisioned a ceremonial route that is charged further intimacy and intensity: starting at the entrance and going all the way up to the ceremonial space [sala de despedida]. This designed route goes through the waiting room to the chapels of rest, and rises up to the dome. From the ceremonial space, the exit is made through a different path that progressively detaches the user from the ceremony’s inherent intensity. The shape of the ceremonial space - the dome – is related to its underlying symbolism (which is related with the universe, life, origin etc) which is present in almost all religions and beliefs, therefore flexible to any desired ceremony.
EXIT
The creative process which led to this project was an uncompromised research, fundamentally supported on hand-drawing techniques and a model. For all of these reasons I hold it dearly.
1 2 3 4 5
Entrance Ceremonial space Chapels or rest Exit Parking space
Coffee shop 6 Flower shop 7 Back office 9 - 8 Service entrance 10 Service area | morgue and preparation of bodies 11 Waiting room 12 Waiting room | lounge 13 [1st floor plan | exit route ]
[ Ground floor plan | entrance route ]
[making of the Dome model] Chapels of rest
Ceremonial Space
Waiting room | Lounge
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ENTRANCE [ project landscape | model | scale 1/200]
*
funeral home; a group facilities devised to host different kinds of memmorial services.
[section | Dome and site landscape | hand drawn ]
The Noir City
[The Representation of Great American Cities in Film Noir] 2013 | Faculdade de Arquitectura da Universidade do Porto | Master Thesis tutorship: Luís Urbano
In the same way that buildings and cities create and preserve images of culture and a particular way of life, cinema illuminates the cultural archeology of both the time of its making and the era that it depicts. – Pallasmaa, Juhani in “The Architecture of the Image” The present academic investigation stemmed from my own personal interest. In its origin lies the conviction that the exercises of intersection between different fields of study – architecture, urbanism and cinema – are mutually complementary. As such, I decided to observe the city through cinema, using cinema to highlight matters of an architectonic and urban nature. 28| The film noir, the cinematographic phenomenon at the core of this dissertation, holds a special place in the history of cinema, being defined by the reunion and categorization of classic films that developed an emblematic urban imagery. Circumscribed in time and space, the film noir condenses depictions of the great American cities in the post-war, which assume a protagonist role. Their image is influenced by the issues derived from decentralization and sprawl dynamics in urban development. It also derives from a particular cultural framework - hardboiled literature and cinematographic movements, such as neo-realism and German expressionism, which shaped each filmmaker’s career. Raymond Borde and Étienne Chaumeton, the authors of the “Panorama of American film noir” published in 1955, suggested that film noir “responded to an emotive resonance” that was specific to a time and place. This statement implied that the gloomy nature of these films was directly related to its historical framework.
Admittedly, the period from 1941 to 1958 was a tumultuous time marked by important conflicts in Western history, as well as by profound transformations in the social landscape and an important urban development in the United States. These films channeled the war anxieties and social animosities between men and women into the screen by presenting a very peculiar imaginary of crime and corruption that gave an appealing image of the city as a rough enviroment. Namely, the city centers proved to be the ideal canvas for the development of grim and morose stories inhabited by lonely characters, where the urban spaces assumed a protagonist role. Furthermore, encouraged by Italian neorealism and war documentaries, noir filmmakers progressively moved filming from the studio to the streets. Therefore, developing this image closer to the urban unravel of the time. In view of this dialogue between the city and its representation, the investigation endeavoured to understand how the film noir depicted and interacted with the changing cityscape. By observing, in a first level, the frame of transformations and events that defined urban development, I attempted to clarify how the urban issues were appropriated by cinema. Secondly, I undertook the analysis of two case studies – Los Angeles in “Double Indemmity” and New York in “Killer’s Kiss”, while articulating architecture and urban space with their representation. In doing this, I intended to survey, in a general way, the depiction of the city in film noir in light of the reality that inspired it.
cap. I | film noir, the construction of a phenomenon
cap. II | the city in film noir | war, growth and urban unrest
cap. IV | two noir cities | Los Angeles | "Double Indemnity, 1944
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cap.IV | two noir cities | New York | "Killer's Kiss", 1955
Stanley Kubrick | Joseph Losey | Fritz Lang "Germania Anno Zero", 1948, dir.: Roberto Rosselini Levvitown, New York | "Heatspell", New York by Weegee 1943 | Hiroshima, 1945 | Jane Jacobs, 1963 "Double Indemnity", 1944, dir.: Biily Wilder "Killer's Kiss", 1955, dir.: Stanley Kubrick "Phantom Lady", 1947 dir.: Robert Siodmak | "When Strangers Marry", 1944 dir.: William Castle
Drawing
30|
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[watercolor | pencil | lead | dry pastel ]
[charcoal | watercolor and pen sketches]
sketch book
32|
[romanic church | Santa Cristina de Serzedelo | Guimar達es ]
[romanic and gothic | Igreja de Santa Cruz | Coimbra ]
[visigotic church | S. Furtuoso de MontĂŠlios | Braga ]
[above | Museum of Serralves] [ left | Infante Bridge | | Porto] [bellow | Carmelitas Church and Guindais | Porto ]
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[Casa dos Coimbras | Braga ] [romanic architecture | Igreja de S. Tiago | Coimbra ]
[SĂŠ de Coimbra ]
Video
colour | 9’39’’ | 2012 edition and photography [canon EOS 600/650 D] co-authors: Diogo Real [performer] , Marta Martins
34|
Piano preformance of “Ballada nº1, Op. 16” from the portuguese composer, Vianna de Motta [1868-1948] one of the most relevant composers of the turn of the century in Portugal. This preformance was filmed at the musical conservatorium of Gaia, who we kindly thank for lending us the space.
http://vimeo.com/32132738
https://www.youtube.com/watch?v=93flh6fYU9c | http://vimeo.com/52324646
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Dédalo’s dESIGN competition colour | 1’09’’ | 2011 stop motion photography [canon EOS 600D] authorship: team Dédalo #9 team Promotional video for Dédalo’s magazine issue #9 design competition. Stop motion animation using previous issues of Dédalo magazine. Designed, photographed and edited in colaboration with the editorial team of Dédalo magazine.
Reference letter | Arrebita!Porto
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Eduarda contact | eduarda
a Vieira a.v0@gmail.com
FoLIo