Edwin Soreng | Architecture + Design | Undergraduate Portfolio 2021

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EDWIN SORENG BIO Date of Birth Nationality Address Languages

: 21st May 1999 : Indian : 323, Platinum Heights, Sector-18B, Dwarka, New Delhi-110078 : English, Hindi

CONTACT INFO Phone Email ID

: +918130984262 : edwynsoreng@gmail.com

Namastey, I’m a fourth year architecture student looking for an opportunity to apply learnings from my academic experiences in real world scenarios. Travelling from a very young age throughout the country, the curious mind of mine made me asked questions to the surroundings about certain concepts, phenomenons and processes. In search for those answers, I ended up studying architecture. Throughout this academic journey, I learned about the impact of design on both the living and the dead that can solve problems. I put my efforts to look for those simplest but effective solutions possible that already exists in the surrounding, hidden somewhere. All it takes is that one key question to ask.


CURRICULUM VITAE EDUCATION

ACADEMIC PROJECTS

2007

Delhi Public School Mathura, Uttar Pradesh

2018

2017

St. Francis De Sales Sr, Secondary School Janakpuri, New Delhi

2017present

School of Planning & Architecture Bhopal, Madhya Pradesh

Semester III Vernacular Documentation- Konyak Naga Vernacular Residence Aanganwaadi 2019

INTERESTS Theatre Dance Travel Abstract Photography

Cooking Reading Puzzle solving Crossfit

Drafting BIM 3D Modelling Rendering Graphics & Presentation

: Autodesk AutoCAD Autodesk Revit ArchiCAD : Trimble Sketchup Rhinoceros Grasshopper : Vray Lumion : Adobe Photoshop Adobe Illustrator Adobe InDesign MS Office

OTHER SKILLS Hand drafting Architectural sketching Photo and video documenting

Concept development Visualization Physical modelmaking

Semester IV Faculty Quarters for Residential School Furniture Design Semester V Indoor Swimming Pool Auto expo

2020

SOFTWARE SKILLS

Semester II Kiosk Weekend Cottage

Semester VI High-rise Housing Semester VII Five-star Hotel Product Design

2021

Semester VIII Urban Design (on going)

COMPETITIONS & EXPERIENCES 2019

120 Hours Skycity World Bamboo Workshop

2020

NASA Writing Architecture Trophy Kaira Lorro


The following contents are selected works that primarily focuses on the functional aspects by developing concepts that are most suitable for the given context.


TABLE OF CONTENTS ARCHITECTURE 01

KTM PAVILLION Long span structure

01 - 12

02

CASCADE HEIGHTS High-rise housing

13 - 24

03

RIDGE HOUSE Vernacular Residence

25 - 34

04

TUMAINI Emergency Operation centre

35 - 44

PRODUCT DESIGN 05

TARANG Furniture Design

45 - 52

06

NUTRALITE BUTTER Packaging Design

53- 58

MISCALLANEOUS 07

PERSONAL WORKS Abstract Photography

59 -62


01


KTM PAVILLION A showroom cum exhibition space by a private entity Long Span Structure V semester - Design Studio | Individual The brief asked to design an auto expo centre in Bhopal, Madhya Pradesh in India, on the Kaliyasot lake edge that overlooks the lake and the hills. The proposal is an example that stands on its brand ideologies. Using the backdrop comprised of lake, hills and sky, the building unveils the spirit of adventure through a journey that reveals frames of sceneries in a sequence. The design process explored the structures functionality along with the aesthetics that it can offer, just like the bikes of KTM with their exposed chassis and minimal body panels. An attempt was made to acheive a similar contrast between the envelope(facade and roof ) and support(structural system) that is able to convey the identity of the vehicular brand.

02


03


04


SITE PLAN & FORM DEVELOPMENT | KTM PAVILLION Legends

Auditorium (under construction)

1. Site entrance/exit 2. Parking 3. Plaza 4. Garage entry 5. OAT 6. Multipurpose zone 7. Veiwing point 8. Service entry 9. WTP, STP

Herbal Garden

Push & Pull to create scenic frames

05

Subtraction and addition forming continuous space

Circuit racetrack overlay forming looped circulation

Final ramp and mezzanine circulation

Architecture


SITE SETTING REVELATION STAGES | LONG SPAN STRUCTURE

Form attempts to blend with the undulated landform symbolizing KTM’s efforts for acceptence in a foreign land

ENVELOPE

NORTH-WEST REVEAL Dam and Lake veiw

SOUTH WING MEZZANINE

SOUTH-WEST REVEAL Hills veiw

NORTH WING MEZZANINE

Holistic realisation of the scenic landform

GROUND FLOOR CENTRE

2019 | Academics

06


SPATIAL ARRANGEMENT | KTM PAVILLION

Concepts

Permanent Exhibit

Dark room display

Platform display

Mezzanine Floor

Supporting spaces

For Sale Featured

Display components

Permanent Exhibit

Heavy duty spaces

Ground Floor In an attempt to create a universally accesible design, upper level can be accesed using ramps with 1:12W gradient. The same ramps are used for moving display elements such as bikes, engines and chassis. Permanent Exhibit forms the storyboard through a journey that continues till the end of south wing. For sale display can be directly accessed from building entrance for serious customers. Open plan allows visitors to choose their own direction of path, whichever display elements that attract them the most.

07

Architecture


FLOOR PLANS | LONG SPAN STRUCTURE Mezzanine Floor

Legends

Ground Floor

All dimensions in mm

2019 | Academics

1. Entrance Foyer 2. Cloakroom 3. Reception 4. Garage 5. Services room 6. Equipment storage 7. Sales and mangement 8. Storage for admin 9. Meeting room 10. Executive Lounge 11. Conference room 12. Toilets 13. Vehicle Storage 14. Cafe 15. Lounge seating 16. Information Desk 17. Seating

08


STRUCTURAL COMPONENTS | KTM PAVILLION

Roof Panels

Rolled steel tube roof frame

Rolled steel Tree structure

Ramps and Mezzanine

Ground Floor

Double Glazing with horizontal louvres

09

Architecture


DETAILS & ELEVATIONS | LONG SPAN STRUCTURE

ROLLED STEEL TREE STRUCTURE AND ROOF

ROOF AND WALL JUNCTION

SOUTH WEST ELEVATION

SOUTH EAST ELEVATION

2019 | Academics

10


VEIW FROM SOUTH WING MEZZANINE

The hills and lake vanishing near the horizon and due to haz 11

Architecture


KTM PAVILLION | LONG SPAN STRUCTURE

ze forms a perfect backdrop for the display elemnents 2019 | Academics

12


13


CASCADE HEIGHTS Mixed income housing sensitising social networks High-rise Housing VI semester - Design Studio | Individual The task given was to design a housing complex in the growing residential sector of Bawadiya Kalan, Bhopal in India. Being one of those cities which is not so fast paced than the other big metropolitan cities, the city has witnessed an influx of people in search for fresh new beginnings. The design intent was to develop dwelling units that can target various family types across the country. The FAR given to be consumed was 3 for a 4.8 acre site. Therefore, opportunities in vertical planning to integrate the different family typologies from different backgrounds and income have been explored. The proposal takes a bold step in combining the different income groups where basic facilities can be enjoyed by everyone, but still maintains a heirarchy for people who expects comfort.

14


23° 10’ 41” N

15


77° 26’ 25” E

16


SITE PLAN | CASCADE HEIGHTS Legends 1. Complex entrance 2. Guard Room 3. Waiting Room 4. Convenince store 5. Visitor’s parking 6. RWA Office 7. Transformer 8. DG Set 9.Underground Water Tank 10. STP 11. Recreational Hall 12. Gym & Indoor sports 13. Parking entrance (down) 14. Parking Exit (up)

SITE AREA 19,500 sq m

17

FAR 3

BUILT-UP AREA 58,500 sq m

Architecture


MASSING | HIGH-RISE HOUSING

2020 | Academics

18


PRODUCT MIX | CASCADE HEIGHTS

HEIRARCHICAL MIX

25% HIG

35% MIG

25% LIG

15% EWS

HIG/MIG/LIG

19

With increasing building height privacy increases, and street noise decreases The distribution of units is done based on the due to the above mentioned factors, where th can choose the best option out of all. Design which ensures daylight, acces to basic amen Architecture


UNIT DISTRIBUTION | HIGH-RISE HOUSING

s. e comfort he ones who can afford n equity still exists in the design nities and opportunities for a community life. 2020 | Academics

20


FLOOR PLANS | CASCADE HEIGHTS

LVL 15

LVL 10

LVL 5

LVL 2

Through continuous corridors, the mass ensures staircases at 30m. The aim was to have minimum number of service cores for vertical circulation. Units along doubly loaded corridor gives a chance to hide service shafts that are open to air at the top for ventilation.

21

Architecture


UNIT PLANS | HIGH-RISE HOUSING

2020 | Academics

22


PEDESTRIAN ZONE VISUALIZATION

The vehicle free walkable zone with ground floor apartments and central park makes i 23

Architecture


CASCADE HEIGHTS | HIGH-RISE HOUSING

it possible for a better community and social life with the sense of togetherness 2020 | Academics

24


25


RIDGE HOUSE Retreat for a senior citizen couple Vernacular Residence III semester - Design Studio | Individual Before this project, a study and documentation of the Konyak Naga House of Nagaland, India was done as a design academic exercise that developed the understanding of integrity of local building materials and passive climate techniques. Further in the same semester, the task given was to design a residence in a similar geographical context of the study utilising the learnings from documentation. The design is based for a fictitious client, an old couple, seeking for isolation and a calm environment, away from chaos. Therefore, a site atop a low sloped hill surrounded by lake veiws and a mountain was chosen, accesed by a single dead end road. Priority was given to mobility comfort with veiws of the serene landscape where the spatial planning was inspired from the Naga House.

26


26° 4’ 30” N

27


94° 16’ 32” E

28


SITE CONTEXT | RIDGE HOUSE

SITE LOCATION Wokha, Doyang Hydra project Located amidst dense vegetation at the top of a low ridge

Contour Intervals at 1m

MASSING CONSIDERATIONS a) Ventilation through lake breeze: Courtyard planned as a porch b) Veiws acoss multiple lakes: Visible from habitable and transition spaces

a)

29

b)

Architecture


SPATIAL ARRANGEMENT | VERNACULAR RESIDENCE

Least

Most PRIVACY

INSPIRATION DRIVEN SPATIAL ARRANGEMENT a)

b)

a) Konyak Naga House b) Contemporary Residence

Covered verandah separates the private from public zone. Linear planning along the mass creates shortest routes to access rooms

FLOOR PLAN 2018 | Academics

30


COMPONENTS | RIDGE HOUSE

Cane net & thatch

Split bamboo framework

Bamboo rafters & purlins

Lumber ridge & beams

Timber stud wall

Timber columns

Helper’s house Garage

Sunken bermed floor

31

Architecture


MATERIAL, JOINERIES & SECTION | VERNACULAR RESIDENCE

Lumber ridge beam 1 Lumber ridge beam 2 Timber column

LUMBER BEAMS AT RIGHT ANGLED JUNCTIONS

Rope fastened thatch

BAMBOO FRAMEWORK AT ROOF & THATCH CONNECTIONS

Split bamboo bolted to bamboo sideframes

Bamboo rafters tied through rope Bamboo tie beam concealed in metal bracket

TIMBER COLUMN & BAMBOO PURLIN AT EAVES

Timber column

SECTION AA’

2018 | Academics

32


INTERIOR PUBLIC ZONE VISUALIZATION

Sensory comfort prominently through visu 33

Architecture


RIDGE HOUSE | VERNACULAR RESIDENCE

ual connection with the scenery 2018 | Academics

34


35


TUMAINI Hope giver for the victims of disaster Emergency Operation Centre Competition Entry | Group of 5 The project brief given was to design an Emergency Operation Centre in a third world country located in SubSaharan region of Africa, Senegal. No specefic site was given, therefore a hypothetcal site location is considered with similar climatic conditions for the EOC. The proposed design uses light as a source of giving hope in the times of disaster. By using local materials, spaces are created for work operations, officials stay and healing for the affected. The potential of locally available materials and building startegies have been studied to provide thermal comfort. Further, Wexploration for adaptive reuse are looked for for community growth.

36


37


38


LIGHT-WELL AS HOPE | TUMAINI

The proposal comes from the idea of creating a sensory journey, revealing and building on the sense of humility. The community imprint different courses, yet they all believe and share the same ascension and spiritual graduation. The oculi of the light-wells symbolizing hope, are angled in a particular direction so that the natural light illuminates the area, representing the sun embracing the earth. These spaces are a gentle reminder to the communities and staff, that the building is an embodiment of hope.

Hope as a lightwell

Distribution of hope throughout

Connection through circulation

Programs around hope

Psychological spaces

Fenestrations, louvres & jaalis

A’

A

PLAN

39

Architecture


CONSTRUCTION PROCESS & SECTION | EMERGENCY OPERATION CENTRE

DAY 1 Step 1

DAY 2 Step 2

Digging & filling strip foundation

Plinth infill

DAY 3

Step 3

Step 4

Erection of wooden columns

Stud walls placement

Step 5

Step 6

Roof structure placement

Fixing sheet roof

The research of building techniques, cultural and construction patterns resulted in the re-interpretation of traditional patterns of inhabitation and the final design. Simplicity, lowtech design solutions and an understandable design process are the most significant aspects to communicate and realize the project succesfully with the local inhabitants and workers. The building dons locally sourced, sustainable materials and follows reversibility in construction. The components used, render the building modular, adaptable and flexible. The materials elicit emotions in space & invite meditation. One of the intent is the holistic interpretation and integration of the structure in the existing landscape.

SECTION AA’

2020 | Competition Entry

40


COMPONENTS & MATERIALS | TUMAINI

Corrugated Sheet

Using clay as an insulation for walls, it absorbs heat and keeps interiors cool during the day and releases the absorbed heat when the dusk arrives. Highly reflective roof panels adds to reduction in heat gain . Further, the gaps between walls and roof are covered with net to discourage entry of insects.

Rafters, Purlins & Fabrics

Stud walls, Curtains & Jaalis

Columns & Plinth

Rock strip Foundation

41

1. Corrugated iron sheet roof 2. Baobab rafters & purlins 3. Bamboo weave mesh 4. Stud wall Baobab fram e 5. Stud wall clay infill 6. Mangrove window modules 7. Mosquito net 8. Wire mesh & clay wall panel

Architecture


ENTRANCE ZONE VISUALIZATION | EMERGENCY OPERATION CENTRE

Semi open entrance zone meant for those seeking releif

2020 | Competition Entry

42


ADAPTIVE REUSE | TUMAINI

So, what ’s next? What future does the structure holds when the disaster goes away and the building which is now no more used as an EOC? By removing some lightwieght non load bearing components that are indicated below, the EOC can adapt itself for other spatial programes as community development centres. The two explored reuses can be a Public Trade Centre and an Educational Centre. PUBLIC CENTRE

EDUCATIONAL CENTRE

The now-morphed EOC still remains functional in the sense of a place for community growth and with continuous interaction, the life expectancy of the structure can be enhanced by regular maintenance and replacing the damaged materials from where it was obtained previously, the surrounding nature.

43

Architecture


CORRIDOR VISUALIZATION | EMERGENCY OPERATION CENTRE

Partially shaded verandah by vertical louvres and roof pergolas

2020 | Competition Entry

44


45


TARANG Making learning fun through low cost intervention Furniture Design IV semester - Design Studio | Group of 6 The time problem given was to design a product for children between the age of 6-10 of an Aanganwaadi (Child daycare centre) that is located in Barkheda Salam, less than 10kms away from our institute in Bhauri, Bhopal. Through a process of one-to-one interactions and exciting activities with the kids, our group decided to innovate in the product field of furniture that inspires and motivates the kids through its function and use. The prototype created was made out of discarded and non harmful materials procured from small scale businesses from Old Bhopal Market. Safety considerations were also adopted by using complementary eco-friendly materials. The design attempts to give a solution that is somewhere between the needs and desires of the kids where the need has been fulfillled by providing a basic furniture whereas the desires are to be accomplished by the kids themselves with their own intiatives and interactions with the furniture.

46


CLEINTALE & ENVIRONMENT STUDY | TARANG

The classrooms in Aanganwaadi are quite empty with just one storage space to keep food items, stationary and play equipments. All the learning and play activities are carried out on the floor which is well lit by indirect sunlight. The curriculum is not fixed for the students, therefore limited but common education model is followed which includes learning to read and write along with random co-curricular activities like making art, poetry recitation, etc. Also, during any occasion, for example birthday celebrations (that we witnessed on the day of visit), are some happy moments where these kids share their joy with each other.

a)

c)

b)

d)

a) Classroom activity mapping b) Teacher’s desk near the entrance door c) Waiting zone for parents and buaji’s (female helpers) d) Well lit learning zone

47

Product Design


DESIGN INTENT | FURNITURE DESIGN

e)

The proposed furniture intervention is a set of table platforms of different sizes and dimensions, that can be moved by rotating individual components as the kids may wish. Different modular components allow toddlers to read, write, draw and play, as the dimensions selected for the tables are based on anthropometry required for these activities . The intent of the design is to let the young ones explore own their own(under the guidance of an adult) the various configurations of these set of tables to adapt to and choose the kind of poisture that fits the best for their selcted activity. The furniture is meant to be a low cost intervention where the rotating mechanism is kept simple helping in improving the cognitive and motor skills of the kids. The space integrity of the classroom is left uharmed where the previous ways of learning and playing can continue with this product in classroom when packed in a compact form. It can be further used as a temporaray storage. f) e) 1:100 model made out of sticks to explore confgigurations f) Procured raw materialsfromsmall scale businesses of apparels and carpentary

2018 | Academics

48


EXECUTION PROCEDURE Step 1 - Sub components preparation a) Chamfered 8mm plywood of desired dimensions b) Steel L-lips bolted to paper rolls

Step 2 - Leg Bracing Linearly connected; no bracing where hinges to be located to allow movement (Step 6)

a)

b)

Step 5- Repeating steps 1-4 to make more modules with different dimensions

49

Step 6- Tying modules at legs using fabric hinge mechanism that are removable

Product Design


TARANG W| FURNITURE DESIGN Step 3 - Bolting sub components

Step 4 - Covering bolted elements for smooth and safe handling

Fabric cover

Fabric cushion

TADAAA - Final product ready

2018 | Academics

50


CONFIGURATIONS | TARANG Compactness When not in use

Hinged modules Read, write & play

Unhinged modules Flexible enough for class activities

Everyday can be a new day of adventure and learning by creating excitement and curiosity within the toddlers increasing their capabilities. A simple yet inspiring design that can act as a platform, both in literal and figurative sense, is what the kids needed in their empty classrooms helping them nurture in this sensitive stage of life. Exploration is the key feature that the furniture has to offer

51


FINAL OUTCOME | FURNITURE DESIGN

(i)

(ii) (i) (ii) (iii)

(iii)

Group members with the final product Packed condensed configuration 8 modules in the prototype

2018 | Academics

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NUTRALITE BUTTER Brand vision development Packaging Design VII semester - Product Design Studio | Individual The selected design problem was to redefine the brand’s vision to compete in a market of packaged dairy item, butter. The design development also attempts to resolve problems in the existing cardboard packaging. By the combination of these two solutions, a marketing strategy has been developed that can affect positively in the sales for Nutralite. At the end, an advertisement bulletin has been created that attempts to create a striking imprint on the reader’s mind. With already an influential competitor existing in the butter market, how should the brand establish its unique identity based

on its existing ideologies? Finally, what is the role of design in this case where the task is to change the preference of the consumer over a brand that has been the first choice for Indian households along with other competing brands like Nestle and Mother Dairy.

54


PROBLEM IDENTIFICATION | NUTRALITE BUTTER

The size of the butter market in India is Rs 1200-1400 crore, where GCMMF, that dates back to the days of early independence, dominates the market in India in this dairy product segment.

Others 15%

Amul 85%

Butter market share in India Source: The Economic Times, 2016

Entering a market that was primarily dominated by Amul butter, the decade old brand Nutralite promoted itself as an healthy alternative. With Amul, Nutralite faces a strong legacy and brand loyalty, which Amul had created in the market over the years. Market research indicated that consumers were uncertain about what kind of product Nutralite was.. Therefore, a study for existing ethics with the packaged butter was done to find the gap where intervention can be carried out.

Identified problems in existing packaging

Structure Oil leakages when kept in a place with temperature above room temperature, damages cardboard

55

Storage Usually kept in a designated container in every household, usually a plastic box or a simple plate, sometimes creates hygeine issues and leaves a foul smell

Control 500g block have handling issues, sometimes slips due to its size

Product Design


VISION DEVELOPMENT | PACKAGING DESIGN

VISION

A sealed and trustworthy packaging that maintains hygeine and flavor CONCEPT Introducing a packaging which is durable, light and transparent. A readily available container in which butter block can be replaced, everytime the consumer buys another block of Nutralite butter. Therefore, the existing cardboard packaging becomes the refill pack whereas this new packaging becomes the unit to keep the refill butter.

Related intangibles Retained product ethics

Unobstructed gliding for butter knife

Effect on consumer preference

Sales Strategy

Brand permanence in households, compatible dimensions only for this brand

Seasonal availability

Operability

Current packaging encased within the new packaging

2020 | Academics

Layers to be removed (optional choice to remove butter paper layer)

Butter block replaced in the vessel

56


DETAILS & IMPROVED FEATURES | NUTRALITE BUTTER

Transparent lid allow visual confirmation both when packed and unpacked

Feedback PET lid 1.5 mm

Butter block

Improved handling by adding a notch

Controllability

A’ PET tray 2 mm

Base projections ensures no contact with the lid Structure

Sunken surfce ensures contents remain within the case thus avoiding leaks

A

Components

Improved Interface elements

B

SECTION AA’

DETAIL B Dimensions in ‘mm’

57

Product Design


ADVERTISEMENT BULLETIN | PACKAGING DESIGN

2020 | Academics

58


ABSTRACT PHOTOGRAPHY Personal Works Following photographs seeks to reinterpret aesthetics and look beyond the fixed design principles through frame selection and veiw angles. What comprises aesthetics? How to acheive moods?

59


PERSONAL WORKS | ABSTRACT PHOTGRAPHY

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PERSONAL WORKS

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ABSTRACT PHOTOGRAPHY

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Thank You


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