MA PORTFOLIO \\
>/.
>\
>\ >> SELECTED WORKS OF EFE OZALP
>> >>/
} YLA M
>\ ANOM
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>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
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> \ { A N O M A LY } /////////////////////// /////////////////////// /////////////////////// ///// * /////////////////
>\ >> MURAT EFE OZALP
>\ >>000
///////////////////////
4
>\
MA PORTFOLIO \\
>\ >> SELECTED WORKS OF MURAT EFE OZALP
>/.
} YLA M
>\ ANOM
5
>\ >>FOREWORD
E_
6
OZALP
88
>\ { Error Code E88 } >>
>\ >> MURAT EFE OZALP
EFE
*} >> >>/
break the unity of the design but to maintain it.
I use this vision and reflect it to my artwork. I never intend to
slight or considerable interruption of the overall discipline.
degree of departure from the general conformity, resulting in a
design in which regularity still prevails. It marks a certain
I believe that Anomaly is the presence of irregularity in a
behind and the details inside it.
bilities. Good design will provoke people to discover the meaning
design. By experimenting with new visions, we create new possi-
as visual designers, we need to break the conventional rules of
unexpected with intriguing new things. What this means is that
Design should be about seeing the unseen. It should create the
>\ THE ANOMALY \\
> \ { A N O M A LY }
>/. _< }DROWE
R W >\ FOR
7
8
(VOICE HEARERS) >> 82
05>> (ALDOUS HUXLEY BOOKS) >> 104
(SCRATCH THE WALLS)
>> 08
02>>
(TYPE PASS; DIN)
>> 44
>> 62
( E X P E R I M E N TA L T Y P E )
03>>
04>>
>\ >>CONTENTS
01>>
>\ >> MURAT EFE OZALP
> \ { A N O M A LY }
01
02
03
04
05
>/. _< }STNET
>\ PROJECT
>\ CON
9
>\ >> DAVID FINCHER FILM FESTIVAL
MEMO
my
design to work as a set.
many elements and objects, altered them and put them in
I used a technique called scanography. For this I scanned
the psychotic fear in his movies. To create this project,
a narrative, I used the name, Scratch the Walls, to give
many hours of research about David Fincher. After finding
The concept of the project came from the hard work and
>\ PROJECT SOLUTION \\
movies to showcase to the world.
ate a whole campaign for the director and his respected
choice of a director was David Fincher. We needed to cre-
least 5 known movies which share a common thread. My
We were asked to select a movie director that has at
>\ PROJECT DESCRIPTION \\
>> >>/
>\ PSY
>\ >> MURAT EFE OZALP
> \ { A N O M A LY }
( DVD BOX SET )
( BOOK DESIGN )
( POSTER DESIGN )
>/. SEIR _ < } C I TO H C
10
(PROJECT) David Fincher Film Festival
(INSTRUCTOR) Christopher Morlan
REHCNIF
05
(SEMESTER) Fall 2016
04
(COURSE) Integrated Communications
03
01
02
*}
> >/
01
01
>>
>\ PROJECT
DAVID
D_
11
12
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
13
14
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
15
16
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
17
18
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
19
20
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
21
22
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
23
24
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
25
26
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
27
28
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
29
30
>\ >> MURAT EFE OZALP
> \ > > FDOARVEIW D OFRI D NCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
06
31
32
>\ >> MURAT EFE OZALP
>\ >> DAVID FINCHER FILM FESTIVAL > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
33
34
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
35
36
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
37
38
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
39
40
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
41
42
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
43
>\ >> TYPE BOOKLET
OF
phy. A good type should be universal for all the people
allows them to travel. Passports are also acceptable for typogra-
passport is a key essential for people to identify themselves and
a journey around the world, it might need a passport to travel. A
up with the idea of a passport for the type. Since this type has
After thinking what will suit my typeface and the project, I came
>\ PROJECT SOLUTION \\
and iconic typeface of all time from Germany.
the type itself. I chose my type as DIN, One of the most powerful
we choose pick and promote that typeface with a concept that suits
Our objective was to create a 16 page booklet for a typeface that
>\ PROJECT DESCRIPTION \\
>> >>/
>\ PASS
>\ >> MURAT EFE OZALP
>/. EPYT _ < } TR O P
44 ( BOOK DESIGN )
> \ { A N O M A LY }
(PROJECT) Ty p e fa c e P r o m o t i o n
05
(INSTRUCTOR) Andrew Loessel
SSAPEPYT
04
(SEMESTER) Fall 2015
03
(COURSE) Ty p e C o m p o s i t i o n s
02
*}
02
01
02
>> >>/
>\ PROJECT
DIN
D_
45
46
>\ >> MURAT EFE OZALP
> \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
47
48
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
49
50
>\ >> MURAT EFE OZALP
>\ >> TYPE BOOKLET > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
51
52
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
53
54
>\ >> MURAT EFE OZALP
>\ >> TYPE BOOKLET > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
55
56
>\ >> MURAT EFE OZALP
> \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
57
58
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
59
60
>\ >> MURAT EFE OZALP
>\ >> TYPE BOOKLET > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
61
62
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
63
>\ >> HEARING VOICES
to
hearers experience.
when you open the cover, it starts to simulate the crazy sounds that voice
well. As an extra, I also designed and put a sound card inside the book,
the idea of using glitches as a typographic expression inside the book as
state of mind. Working close with my instructor, we also came up with
to reflect the inner damage of a person that lives with this schizophrenic
solution to these grim and manipulative voices was to use glitch technique
phy. When I heard the crazy voices, I decided to work on this project. My
ers. It immediately grabbed my attention to reflect sounds into typogra-
I came up with a session about a mental illness called The Voice Hear-
>\ PROJECT SOLUTION \\
the radio show; This American Life, to find the best suited one for us.
our skills with a big project. We listen to many different sections of
book. Our teacher, Tim Carpenter, lead our class to discover and express
different topics, we chose one to express our typography skills into a
show called, This American Life by Ira Glass. After listening to many
Our objective to create this project started by listening to a radio
>\ PROJECT DESCRIPTION \\
>> >>/
>\ HEAR V
>\ >> MURAT EFE OZALP
>/. SECIO _< } GNI
64 ( BOOK DESIGN )
> \ { A N O M A LY }
>>
> >/
(PROJECT) Experimental Book Design
05
SRERAEH
04
(INSTRUCTOR) Ti m C a r p e n t e r
03
(COURSE) Ty p e S y s t e m s (SEMESTER) Spring 2016
02
*}
03
01
03
>> >>/
>\ PROJECT
VOICE
V_
65
66
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
67
68
>\ >> MURAT EFE OZALP
> \ > > FHOERAERWI N OG R DV O I C E S > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
69
70
>\ >> MURAT EFE OZALP
>\ >> HEARING VOICES > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
71
72
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
73
74
>\ >> MURAT EFE OZALP
>\ >> HEARING VOICES > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
75
76
>\ >> MURAT EFE OZALP
>\ >> HEARING VOICES > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
06
77
78
>\ >> MURAT EFE OZALP
>\ >> HEARING VOICES > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
79
80
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
81
82
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
83
>\ >> MURAT EFE OZALP
> \ > > FHOERAERWI N OG R DV O I C E S
>\ SPAC
light system.
them together with glue. For shooting the photos, I used a black
a 3D Printer. For the other posters, I used a white foam and stick
this project I used modern technology to create one of my types,
wanted to create an event that could work on this subject. For
tecture. In the days of Elon Musk wanting to colonize Mars, I
I chose to design the posters on a series for outer space archi-
>\ PROJECT SOLUTION \\
create by hand.
posters should be expressed with 3 dimensional type that we will
ers for a hypothetical architectural event. The concept for all 3
For this project our objective was to design a set of three post-
>\ PROJECT DESCRIPTION \\
> > > > \\
> \ { A N O M A LY }
( POSTER SERIES )
> / . E R U TC E T I H C R A _< } E
84
>>
> >/
(PROJECT) Architecture Posters
(INSTRUCTOR) Kathrin Blatter
STNEMIREPXE
05
(SEMESTER) Spring 2016
04
(COURSE) Ty p e E x p e r i m e n t s
03
*}
04
02
04
>> >>/
01
TYPE
>\ PROJECT
T_
85
86
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
87
88
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
89
90
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
91
92
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
93
94
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
95
96
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
97
98
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
99
100
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
101
102
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
103
104
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
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05
105
>\ >>BOOK COVER DESIGN
stand out.
ous feeling of his books and also a very distinctive typeface to
shelf. I used a psychedelic collage technique to give the mysteri-
nected between the mood and how the books would look good on the
made me who I am. Coming up with the idea for the project was con-
I chose book covers by Aldous Huxley. A long time favorite which
>\ PROJECT SOLUTION \\
the designs in order to create a continuous feeling.
reflects the theme of the book. There is a big relationship between
for future books. Each book cover is bold and has a collage that
create designs that will work together and also could be expendable
work as a set from the same writer. For this project we needed to
The task of this project was to design a series of book covers that
>\ PROJECT DESCRIPTION \\
>> >>/
>\ READ MORE
>\ >> MURAT EFE OZALP
> / . SK O O B _< }
106
[... // ] ( BOOK COVERS )
> \ { A N O M A LY }
>>
> >/
(PROJECT) Aldous Huxley Book Cover
YELXUH
05
(INSTRUCTOR) Andrew Loessel
04
(SEMESTER) Fall 2015
03
(COURSE) Ty p e C o m p o s i t i o n
02
*}
05
01
05
>> >>/
>\ PROJECT
ALDOUS
A_
107
108
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
109
110
>\ >> MURAT EFE OZALP
>\ >>BOOK COVER DESIGN > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
111
112
>\ >> MURAT EFE OZALP
>\ >>BOOK COVER DESIGN > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
113
114
>\ >> MURAT EFE OZALP
>\ >>BOOK COVER DESIGN > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
06
115
116
>\ >> MURAT EFE OZALP
>\ >>B F O ROEKWCOORVDE R D E S I G N > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
117
118
>\ >> MURAT EFE OZALP
>\ >>B F O ROEKWCOORVDE R D E S I G N > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
06
119
120
>\ >> MURAT EFE OZALP
>\ >>BOOK COVER DESIGN > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
121
122
>\ >> MURAT EFE OZALP
>\ >>B F O ROEKWCOORVDE R D E S I G N > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
06
123
124
>\ >> MURAT EFE OZALP
>\ >>BOOK COVER DESIGN > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
125
>\ >> SPECIAL THANKS
>\ SPECIAL THANKS
>\ >> MURAT EFE OZALP
> \ { A N O M A LY }
> / . OT _< }
126
[... // ]
caring person. Thank you baby.
mind. Your kind and soft love kept me on my feet. You are an amazing designer and an
Thanks for loving me, caring for me, feeding me when I was losing my hope and my
>\ TO MY LOVE \\
important for me.
energy to me, backed me up any time Iâ&#x20AC;&#x2122;ve wanted to give up, you people are really
From Istanbul to San Francisco, all my friends who have always give their positive
>\ TO MY FRIENDS \\
Isla, Phillip Hamlett and many others.
David Hake, Carolina De Bartolo, Bob Slate, Susan Pasley, Amirah Schwartz, Sandra
Special thanks to Mary Scott, Hunter Wimmer, Christopher Morlan, Tim Carpenter,
You were the guide and the light of my inspiration making good design become alive.
Thank you to my teachers and mentors, who helped me to pursue this crazy adventure.
>\ TO MY INSTRUCTORS \\
no matter what problems I face. I love you all deep from my heart.
from many health issues but always smiles at me and to my sister who always helps me
who always gives his wisdom, to my mother who has suffered so much in these 3 years
them, I would never accomplish these projects and come this far in life. My father
Who never stopped supporting me on my journey to earn my Masterâ&#x20AC;&#x2122;s degree. With out
> \ T O M Y F A M I LY \ \
[... // ]
127
>>
> >/
128
>\ >>COLOPHONE
> >/
(PHONE) +1 530 551 7745
(E-MAIL) epheozalp@gmail.com
(WEB SITE) www.efeozalp.com
(PERSONAL PROPERTY) Murat Efe Ozalp
>>
(PHOTOGRAPHY) Efe Ozalp & Dass Al ( Snappr)
(SOFTWARE) Adobe Creative Suite
(TYPEFACE) TT Mussels \\ Carbon \\ Courier
(PRINTING) Blurb
(INSTRUCTOR) Mary Scott
(ACADEMY OF ART UNIVERSITY) School of Graphic Design
>\ >> MURAT EFE OZALP
>> >>/
> \ { A N O M A LY }
>/. _<
NOHP
>\ COLO
129
130
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }
>\ PROJECT
01
02
03
04
05
131
132
>\ >> MURAT EFE OZALP
>\ >>FOREWORD > \ { A N O M A LY }