Undergraduate Architecture Portfolio 2020 | ISSUE 1 by Egan Gavriel

ARCHITECTURE PORTFOLIO

2020.1 ISSUE

ARCHITECTURE | PHOTOGRAPHY

UNDERGRADUATE PORTFOLIO

E G A N G AV R I E L

“

I believe architecture is more than just basic physical needs. Architecture also plays a major role to make human, humane.

This portfolio represents my insightful journey and thinking process in architecture by both, learning in academic and experimenting in competitions, as well as graphic design, and photography.

Selected Architecture Works

This section presents some of my architecture projects that indicate the capability of architecture to deal with modern society problems. It is a gallery of conceptual projects in solving the non-building problems by designing buildings.

More projects to be displayed on https://www.behance.net/egangavriel

pg. 06

Academic pg. 12

pg. 18

pg. 24

Competition pg. 30

pg. 34

Philharmonie

Academic Project Studio Perancangan Arsitektur 5 - 2018 Function Concert Hall Location Kota Baru Parahyangan, Jawa Barat

Like a piece of music, life also has dynamics, atmosphere, tempo, to create harmony. However, we, as humans, tend to rarely think about balance and harmony in life that results in high levels of stress in big cities, one of which is Bandung. In fact, like music that must sound pleasing to the listener, life must also be harmonious to be pleasant to be lived every day. This concert hall is designed with the main theme of harmony, shown by the concept of shape and space. The main form is using non-geometric shape configuration as a reflection of human movement and also the dynamics of music that is not 'formal.' The usage of solid-void form, small-large scale, dark-light color also refers to the main concept of harmony that demands balance.

Area Size ≈ 14500 sqm Mentor(s) Dr. Kamal Abdulah Arif Programs Used Revit, Lumion, Photoshop, Grasshopper

Organic - Informal

Harmonious Balance

The site is located in Kota Baru Parahyangan, a new satellite city, to reduce the density of Kota Bandung. Representing the rebirth of the old Kota Bandung, Kota Baru Parahyangan was planned to have art deco-themed buildings. Building design strategy should not remain silent about it but responds to the use of the urban concept. The concept of art deco itself is a modern architectural concept that regards buildings as machines with their functionality. Therefore, the building is designed to 'borrow' one of the 'machines' in the world of music, namely the piano, to become the main form of a musical performance building, with other organic forms supporting it.

Architecture | Philharmonie Concert hall interior perspective view 5

Exterior view from across the road

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01. Roundabout and main road as the primary constraints, used for creating a dialog by building facades. Further setback to create a public space and implementing a walkable city. 02. From the sound data gathered, the site’s southwest is the most proper area to place the auditorium. 03. Piano-shaped abstraction, placing the blunt side towards the roundabout and creating shield with the other mass, giving a harmonious expression between the building and its site. 04. Creating a ‘green belt’ to reduce traffic noise and giving a live ambiance towards the roundabout.

main entrance

main hall

service & emergency lane

Building Section

The interior walls are designed not parallel to each other with rough material to minimize audial problems, such as long-reverberation that can cause the unwanted sounds to go through the wall into the main hall.

Lobby perspective view 7

Architecture | Philharmonie

roof garden

01. Main entrance 02. Bus parking area 03. Service lane 04. Public space 05. Main lobby 06. Lounge 07. Main hall

05 07

Site Plan

Architecture | Philharmonie Type 3

Type 2

2.7 m

0.45 m

perforated aluminum panel

Type 1 isometric construction model

The southwest facade is intentionally made with a different design approach to create a building that has 360° enjoyable and surprising facade, like music. Inspired by digital music waveform, the facade yet still has its dynamic effect on its static form.

Facade pattern

Home: Re-Birth

Academic Project Studio Perancangan Arsitektur 6 - 2019 Function Residential - Apartment Location Jl. R.E. Martadinata, Bandung, Jawa Barat Area Size ≈ 4500 sqm Mentor(s) Ir. Cecilia Subrata, M.T. Programs Used Revit, Lumion, Photoshop

Many Dutch heritage buildings in the form of houses were built in the northern Bandung area because of the cold air and the nature that made the Dutch people in the colonial era wanted to settle. Unfortunately, the community's ignorance of heritage buildings nowadays is pretty high. Many of the heritage buildings are destroyed and replaced with new, high-density buildings, regardless of the quality of space. As a result, most of the people aged 20-34 have never experienced or lived in a house with Dutch house typology in Sunda. The apartment units seem to have 'eliminated' the essence of the housing environment. Each occupant lives in their unit without knowing their neighbor, because of apartments nowadays are designed with narrow, dark corridors, without any effort to create a comfortable residential atmosphere for people to interact with each other in communal space. Therefore, this building exists as a rebirth to the soul of 'house' in Bandung by enhancing the character of parks and communal roads before entering the boundary of private space, bringing the soul of fair housing and community living to the building, with a modern context that is appropriate to the conditions of young people and the surrounding environment, to create a harmonious dwelling between human-environment and human-human. gardens

gardens

Dutch landed residential typology

residential typology + urban density

Sky terrace

11 Architecture | Home: Re-birth

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Exterior view from across 12

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01. The perforated aluminum panel lattice facade, to maintain the user's privacy visually from the outside in without significantly compromising user views from the inside out. (/ FACADE)

Architecture | Home: Re-birth

02. The openness of buildings to pedestrians creates continuous urban spaces, as well as the use of passive lighting and ventilation while maintaining control of the position and dimensions of openings on the site to regulate security and privacy. (/ SPACE CONTINUITY) 03. The front garden is made with the characteristics of Dutch houses, with border lines green gardens that tend to be broad and porous in terms of visuals. Act as a buffer zone between the public zone - road - and private - home zone. (/ FRONT YARD)

Building Section

Sky garden functions as a 'terrace' for the apartment units. A terrace that exposes one unit to another to increase the possibility of neighbors to meet each other face-to-face, to improve the quality of the residents' community. The number of 'terraces' and parks available in the buildings is expected to raise the awareness that humans are meant to live with nature to reduce stress and other psychological and physical problems. This design action needs to be done to improve the quality of life of the residents even though the impact will not be felt instantly, but periodically. Therefore, the building is also designed to use as much sunlight and natural ventilation as possible on building parts that are rarely used, such as circulation paths.

Isometric illustration of sky terrace

Sky terrace 14

Architecture | Home: Re-birth 01. Swimming pool facility 02. Living room - 2 bedroom units 03. Bedroom - 2 bedroom units

Re-Branding: Fish Market

Academic Project Studio Akhir Arsitektur 47 - 2019 Function Contemporary Fish Market Location Jl. Cakung Drainase, Cilincing, Jakarta Area Size ≈ 5500 sqm Mentor(s) Dr. Yuswadi Saliya Jimmy Sutanto, S.T., M.T. Programs Used Revit, Lumion, Photoshop

The image and typology of traditional markets in Indonesia that tend to be enclosed, smelly, dirty, lack of lighting, and air circulation are considered less attractive to visitors nowadays. Indonesia is an archipelago country and has many fish market points scattered among the nation. Fish markets should be more open, clean, and inviting for the people to come rather than just waiting for them. Efforts to change the image of the traditional market must be made to deal with times and technology. Because of this issue, the existence of the contemporary fish market is considered appropriate to answer the problem. A market that not only means a matter of buying and selling but also being able to meet the needs of the society for recreation and making memories. Thus, market and regional activities are also boosted by the combination of tourism factors, particularly Cilincing region, which is still attached to its bad stigma.

Market

Culinary

Tourism

Cilincing has long been known for its fisherman's settlement. The potential in the maritime sector is significant enough to say that Cilincing requires a place for its people to develop and introduce their 'selling-point' to a broader urban community. Therefore, the existence of Contemporary Fish Market could be the answer to the needs of the people of Cilincing region itself.

View from across the main street

17 Architecture | Cilincing Fish Market

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01. Program Needs - The contemporary fish market requires nine types of programs, including primary and secondary functions and support. The figure represents the estimated size of each program. 02. Basic Programs - The arrangement of market zones is based on the effectiveness of circulation and consideration of the site's form, which tends to be linear. All of the market halls cannot be combined into one level, but instead vertically stacked with broad stairs and elevators access. 03. Additional Programs - The gallery and restaurant are arranged at the top as a function that doesn't require too much loading-unloading activity, as well as consideration of functions with the most prolonged usage hours. Therefore, the building looks 'alive' throughout the day, even from afar. 04. Borderless - 'Borderless' is the main concept of the building, becoming part of the area by enabling the people to access it visually and physically. The shape also adjusts the existence of the heritage building next to it, made as if it overshadows the building, despite the significant height difference.

Architecture | Cilincing Fish Market

Building Section

Floor Construction Detail The sandwich-forged slab construction system is a construction system adopted from a precedent building, enabling the building to have a long span cantilever.

Night time bird-eye view 19

ROOFTOP. Roof Utility

04. Gallery Restaurant

03. Gallery Retail

02. Auction Retail Office

01. Wholesale Retail Service

Parking Service & Office B1. Parking Utility

Public Area Wholesale Wet Retail Dry Retail Auction Gallery Restaurant

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01. Fish market retail 02. Seafood restaurant 03. Gallery and aquarium

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Observation deck

Architecture | Cilincing Fish Market

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Rooftop garden

Entrance 21

Walk(a)way

Competition Project Satu Ruang 2018 Universitas Pelita Harapan Function Public Space Location Tj. Duren, Jakarta Barat Area Size ≈ 500 sqm Collaborator(s) Leonardo Devin Vandana Programs Used Sketchup, Lumion, Photoshop

Humans are supposed to live along with nature. On the other hand, technology improvement and industrialization create a city with a dense society. Deforestation continues considering the human need for new land while excessive urbanization led us to further problems. Today, Jakarta is one of the most crowded cities in the world. The existence of 158 skyscrapers in Jakarta is a reflection of the economic growth success rate in Indonesia. Even though Jakarta’s natural environment is considerably bad, but economical demand is forcing the community to stay and work in Jakarta. Unfortunately, people tend not to realize that city’s main problem is the degradation of human life itself. Sick building syndrome is one of the side effects of humans trapped in artificial spaces. Live and work in a skyscraper now is seen as a lifestyle rather than an activity. The accumulation time of events made in a building could affects the unaware users and decrease their productivity and increase the chance of depression. Made intentionally ambiguous, 'walkway' or 'walkaway' was named before the emotion of the community that wants to run away from urban chaotic ambiance, going back to nature. Connecting between Taman Anggrek Mall and Central Park, this walkway is designed to create a whole new ambiance in the transition. It acts as a runaway space for the urban community to restore the connection between humans and nature through senses. The main goal of this project is to create human, humane.

Smell

Sight

Hearing

Touch

Architecture | Walk(a)way View from across the main street 23

01. The existing site condition is elevated 2 metres below the road surface. Noise disruption could be reduced significantly because of this elevation difference. 02. There is an existing 2-way pedestrian circulation from Taman Anggrek - Central Park and otherwise. The walkway serves both ways at the same time. The mass is created lengthwise to respond to the current circulation. 03. Each entrance is ‘pulled up’ to show the building form up, creating a welcoming impression and ease at visual reach. 04. The entrance side is widened with a smooth transition to create a transitive, unique space experience.

SIT

ION LAT

U IRC

C AY 2-W

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Sky light with perforated metal sheet 24

WID

ENE

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Architecture | Walk(a)way The concept is to make a space with sensation trigger collaboration between touch and visual senses to create a perception from the materials used. For example, concrete by itself is hard and cold, as we know, but when it’s curved, it creates an organic effect. Hard and natural material properties in nature could represent rock and cave inside the mind. By just seeing, people could ‘feel’ the temperature and even the properties of the material. People could experience another dimension of place, other than space itself. “Architecture is the art of reconciliation between ourselves and the world, and this mediation takes place through the senses.” — Juhani Pallasmaa

Phase 1

Phase 2

Building Section

Phase

Phase 3

Phase 4, 5, 6

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A familiar experience, inside a typical modern building. As people walk towards inside, space is getting narrower gradually, creating a ‘squeezing’ effect. The visual sense is getting more limited by the reduction of glass window transparency. In this phase, people are expected to realize that they were locked up living in artificial spaces.

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The journey through the walkway is a transitive space experience. In this phase, people were introduced to feel the sun from the perforated ceiling, as being under tree shades. The existence of light acts as a lead to the transitional space experience. At this point, people are guided to feel architecture without thinking. (Zumthor, Peter)

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The end of the aisle isn’t shaded by any light source, to create a short, dark space experience. By making a dark, cold, cave-like ambiance, the visual sense turned low to make the other sense, such as hearing and touch more sensitive.

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Artificial waterfall acts as a semi-transparent partition and a stimulus to understand nature more. The waterfall makes people relax with its sound. Occasionally, the water could be sensed by the touch in this phase, while smelling the relaxing scent of thunbergia flower that covered the side walls at the same time.

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Public space acts as a place for people to express their feelings with others and socialize. Besides the nuance of the forest presented by the green walls and thunbergia flower, a column that resembles a twisted tree acts as a space maker to create a warm atmosphere.

Stone is the most honest natural element, and its existence is timeless. In this place, rock is a figure that helps humans to feel freedom in nature. A media that delivers people to reflect themself, reflecting their life and social life. Reconnecting the connection between humans and nature.

Phase 02

Phase 03

Phase 04

Phase 05

Phase 06

Architecture | Walk(a)way

Phase 01

Baileo Masigaro

Competition Project Tourist Information Center 2019 Propan Raya Function Tourist Information Center Location Morotai, North Maluku Area Size ≈ 300 sqm Collaborator(s) Leonardo Devin Vandana Programs Used Sketchup, Lumion, Photoshop

O Baileo Masigaro ngomi, manyawa lo Baileo lahyo masari yalelefoka umamune. The beauty of the Morotai Islands is inseparable from the naturality of the region, which is maintained by the wisdom of the local community. The need for the construction of a Tourism Information Center in the area is needed to boost the local tourism industry. Plus, the government also supports the holding of events such as the Morotai Island Maritime, Morotai Art Week, and Morotai Olympic Week. The series of Morotai Festivals will grow the tourism sector of the Morotai Islands region to the international scene. For reasons of maintaining the naturality of the area, vernacular architecture is the most suitable architecture to be placed in that location. Baileo traditional vernacular house is generally used as a conventional event hall in North Maluku Province. By taking inspiration from the Baileo traditional house combined with a touch of contemporary architecture, it is hoped that the architecture of this building can be in harmony with the local architecture. Leave a deep impression on tourists, and stick to it as the identity of the local community. The building is designed to elevate the beauty of the Morotai sea as a focal point for tourists, to raise the value of the Morotai sea itself, not against it.

Gallery and aquarium

29 Architecture | Baileo Masigaro

01. The mass took the form of the roof of the Baileo traditional house as an inspiration for the design. The philosophy of building traditional houses is still maintained to contribute to preserving the existing vernacular architecture, as well as introducing it to tourists. 02. The resulting space is in the form of an open plan following the characteristics of the Baileo house that respects the traditional beliefs about ancestral spirits in each building, while maximizing cross ventilation and daylight. 03. The pavilion is a small building that acts as the focal point of the building entrance. The sea is the main destination with the pavilion as the 'intermediary' between them. The path is made with denial and reward theory to create a more memorable experience. 04. The pavilion implies that the building is not the main attraction for tourists when arriving at the Morotai Islands, but the beauty of the sea panorama, which is represented by the existence of a pond. Pavilions can be used for tourists to sit and enjoy the sea, while 'sunken' into it.

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Architecture | Baileo Masigaro Visitors are treated to a 'continuous' sea view before entering the PIP building. Reflective ponds are made together between the outer and inner space to give the impression of oneness with nature. The interior is designed with a warm atmosphere, supporting the existence of an intimate conversation between tourists and the local residents as information providers. Sea view as the main element of the building. The pavilion was submerged to 'unite' the building with the sea.

Nyeni, weh!

Competition Project Warmadewa Architecture Week 2019 Universitas Warmadewa

Crowned as one of the creative cities by UNESCO, Bandung needs a flexible, creative space for various activities urgently. Starting from the exhibition of the results of creativity, discussion, and art community events in a container that can accommodate it all together.

Function Creative Hub

The main idea of this creative hub is a fair, permeable, and flexible space in response to the diverse needs of the creative community in the city of Bandung, as well as being informative for visitors.

Location Gasibu, Bandung, West Java Area Size ≈ 1200 sqm Collaborator(s) Vandana Programs Used Sketchup, Lumion, Photoshop

Site - Collective urban space around the Gedung Sate as the icon of West Java. Simplicity - Respect for the main icon of Bandung, do not become a ‘diva’ region. Space is formed as a result of duplication of tread form. Permeability - Permeable spaces create visual connections inside and out, integrated with the environment. Flexibility & Adaptability - Answering the needs of creative communities who need flexible space. Urban Representation - Visual frame for the city characteristics of Bandung, which is also known as a garden city.

Architecture | Nyeni, weh! Exterior view

Site Section

Creative Hub

Main Street

Gasibu 2

Site Section 33

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White Canvas Buildings can be used as needed by the community or the community. Structures act as media. The main focus is the artwork and the community itself.

02.

Exhibition Function The usage of buildings as an exhibition space for the work of the community and the community itself. Acts as a place to introduce Bandung creativity to visitors.

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Discussion Function The needs of Bandung people to hold a gathering and discussion forum can be accommodated in buildings, with flexible and modular furniture.

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Mixed Use Back to the concept, building flexibility is made possible based on the needs of local people and communities, using modular furnitures. GRC Box 45x45x45

GRC Panel 180x270x5

Interior The space under the roof is designed to blend with the outside space, especially the Gasibu Park and the inner court.

Architecture | Nyeni, weh!

'Invisible' Furniture Furniture is chosen with the same concept, which is invisible and simple, does not interfere with the primary purpose of making the art and the user themselves as the main object. Bright-Colored Materials Bright-colored materials are chosen to upgrade the visuals of an artwork or exhibition that tend to be more colorful. Make works and the community as the main focal points of the building. Inner Court Reflective glass material is used as the room enclosure, obscuring the presence of space by reflecting the surrounding environment, especially the parks surrounds.

Other Works

This section shows some of my experimental projects and interest in other fields, such as graphic design and photography. Some of the photographs were already displayed on the previous pages.

Barkpack Branding Set

Logo

Visual Graphic

Packaging

Logo Design

Photography

Barkpack Branding Set Barkpack branding set is a result of my branding practice for my business project as a stakeholder. The goal is to create the same brand value across all media and entities.This practice was done in graphic, visual, and packaging design areas. The branding itself started in 2019. Barkpack is a fashion brand that has a primary value of animal-friendly with a simple, yet fun concept. The brand also put eco-friendly materials forward as an additional value to create an animal-friendly ecosystem. The brand entities and visual graphics have to represent the brand value, theme, and features accurately to engage the market sales and perception. The logo takes a grid-type of logo with sans-serif geometric typeface to create a simple impression for the viewer.

Primary Logo 38

Product Mockup

Other | Barkpack Branding Set Visual Graphics Designed as a branding content for instagram and other platforms use.

Product Catalog

Shipping Label 40

Other | Barkpack Branding Set Packaging Design Designed for various products delivery with an eco-friendly concept.

onward Rocketship Logo

Panda Logo

Autonomous Car Logo

Logo Design Besides the logos displayed on the architecture project sections, I also made several other logos throughout my design experience. This section shows the results of several logos created following the daily logo challenge held online as well as several other logos. Some of the logos displayed were created as part of my learning process regarding the grid system used in logo design.

Dylan's Coffee Coffee Shop Logo

BRASS PEAK

LUXURY WEAR

Fashion Logo

Mountain Logo

Flame Logo

PACK + TRAIL G

LINCOLN N AT I O N A L PA R K Airlines Logo

Park Logo

Granola Company Logo

DNA F O A T A

Bike Shop Logo

Sneaker Logo

Lighthouse Logo

Personal Logo

Business Logo

Initial for Dylan

Initial for coffee

Coffee cup with coffee bean

Other | Logo Design

Yacht Logo

Beam&Bow ARCHITECTURE

Dylan's Coffee

Design process of Dylan's Coffee 43

Photography Photography always intrigued me personally with the capability of one single picture to tell a long story behind it. Architectural photography became one of my interests in the field of architecture.

45 Other | Photography

Thank You!

E. egangav@gmail.com M.

behance.net/egangavriel