ISSUE ONE: THE QUEEN OF INSTAGRAM by Eight Magazine

ISSUE 001, FALL 2015

E.V.B.

THE QUEEN OF INSTAGRAM

CONTRIBUTORS THE TEAM KIT TO - EDITOR IN CHIEF JASMIN COLES - EDITOR JAMES GRIMSHAW - EDITOR BROGAN COLLIS - WRITER EMILY GILBERT - WRITER FREDDY NIELSEN - WRITER HOLLY ROSE - WRITER SUMMER ROSE - WRITER

THE EIGHT EIMEAR VARIAN BARRY KATARZYNA DRAZEK SAM GOODRIDGE KOTOKA IZUMI KRISTINA LECHNER CATERINA SCHMITT ISABELLA SINGLETON VICTORIA SKINNER

SUBMISSIONS We are constantly looking to find new, and creative artists. If you’re interested in submitting to our next issue, please visit our website and read our submissions guidelines at: www.eightmagazine.co.uk/submission

INSIDE FALL 2015 MAIN STORIES 8 Artist Feature Tigermlk

A talented New York based illustrator

20 Artist Feature Isabella Singleton

Sussex based luxury scarf designer, and founder of 'Bella singleton'

12 Artist Feature Sam Goodridge

34 Artist Feature Caterina Schmitt

Jasmin Coles speaks with London's hottest fashion designer

41 Artist Feature Katarzyna Drazek 'The Nymph'

COVER STORY 30 Artist Feature Kotoka Izumi

Drawings from an incredibly talented artist from Japan

54 Artist Feature Eimear Varian Barry 'The Queen of Instagram'

48 Artist Feature Kristina Lechner 'Food Not Food'

'Colour Vision'

OTHER STORIES

�8 �� LGBT Movements 38 The Arctic Issue 64 8 Exhibitions to visit this Fall 66 8 Fashion Trends for Fall

TIGERMLK PAGE 8

EDITOR’S LETTER

LIFE

can be a very daunting subject to write about. Its longevity can be difficult to comprehend. Take this for example; Earth has been around for around four and a half billion years, the human race has been around for about eight million years, and the average life expectancy of a human is seventy one years. If you were to compare the life of our planet to a metre long stick, the human race would measure to around a single strand of hair, and our individual lifespan would be microscopic. What I’m trying to get at is, life is short - do the things that make you happy. For most of us with a creative arts passion, doing the things that makes us happy might not be a possible career choice. Which leads me to the main principle that Eight was founded upon. We want Eight to become a platform where artists can share their work, and help to turn their passions into a career. One of my favourite quotes is by Casey Neistat, which is embedded into my box of memoirs, “Life is like this super, mega fragile thing. You can only get a nugget of time to really pursue the things you really care about”. Take a page from Walter Mitty’s book, stop day dreaming and start doing things (please don’t hold me liable if you get on a helicopter in Greenland, and jump into shark infested waters!). Or if you want to be super topical and relevant, listen to the wise sage words of Shia Labeouf, and “JUST DO IT”. To end on a lighter note, we chose the theme of life as a way of representing the birth of our magazine and platform. We've styled the issue with lots of whites to represent a new start, a clean blank slate. I personally hope Eight can continue to expand and become a place in which artists can network and share their work. I would like to thank everyone that has helped to make this issue possible; from my friends that I would constantly message on Facebook every five minutes to help me proof read emails, to the writers that worked their butts off, and finally the artists that believed in Eight and contributed their work with us.

Kit To, Editor-in-chief

GOSIA WOLINSKA

Artist Feature

TIGERMLK (aka. Victoria Skinner) Article by Kit To

Born and raised in Connecticut, Victoria Skinner was exposed to art at a young age. Her school activities had always driven her creative brain, “Whether it was figure drawing, acrylic painting, three- dimensional art. I consider myself to be very lucky to have gone to a school that offered so many options for artenthused students like me.” Having followed her passion for psychology in high school, she then went on to study it in college. A few years after graduating, Victoria started to seriously get back into art. "My parents were both very encouraging when it came to supporting my love for art (more specifically drawing), though neither had a creative career of their own."

“Tigermilk is the name of a Belle & Sebastian album that I feel very inspired by. When thinking of a name to brand myself that was one of the first things that came to mind” Victoria is based in Brooklyn, New York - which has homed many great and creative artists such as; Jean-Michael Basquiat, Mos Def, Jay-Z, and Barbara Streisand. New York is a creative hotspot for artists, but it can also remind you of how incredibly competitive the creative industry can be, “New York is extremely inspiring when it comes to street fashion. Everyone has his or her unique style here and I love to pull inspiration from that. At the same time, NYC can be pretty exhausting and competitive. I think it’s important to take a step back and remember to relax, because the hustle and bustle can really affect your creativity and energy if you don’t.” While her pencil and paper approach is refreshing to see in a vast digital media world, it is also a refreshing break for her as an artist, “I work full time as a graphic designer, so I am inevitably staring at a computer screen for 8 hours straight 5 days in a row. It is quite a relief to my eyes to come home and work more organically with pencil and paper. I like the idea of getting back to basics in a culture that is so digitally obsessed. I think it’s good to have that balance.”

Having drawn vibrant illustrations of fashionistas such as; Alexa Chung, Lindsey Wixson, and Abbey Lee Kershaw, it is obvious that Victoria’s drawings are inspired by the likes of fashion icons. “I’m inspired by a lot of fashion bloggers, since they experiment with the latest trends and are constantly updating their look. One of my favourite bloggers right now is Rachel Marie from Jag Lever.” If you’re unfamiliar with Jag Lever, Rachel Marie is a NYC based artist - both a fashion blogger and also a photographer. Her style is a mixture of modern and vintage pieces, and has an overall ��s bohemian vibe. Victoria revealed one of her fashion icons, being fashion queen and face of Longchamp - Alexa Chung, “I love Alexa Chung’s simple and chic style, Zooey Deschanel’s indie looks, Mary Kate & Ashley Olsen’s baggy-chic flair, and Nicole Richie’s hippie tendencies.” Victoria’s style reflects from the styles of her favourite fashionistas, “I love bohemian styles with flowy silhouettes and drape-y fabrics. Also, a little black dress is always a great idea. My favorite brands right now are Free People, Madewell, and Zara.”

Artist Feature

If you could swap wardrobes with someone for a day, who would you choose?

“I’d probably go with Mary Kate & Ashley Olsen! But if I had to pick one… Mary Kate.” On Tigermlk’s Instagram there are already hundreds of likes and comments on her illustrations of bloggers and celebrities,. She has accumulated thousands of followers, there is no doubt Tigermlk will continue to expand and inevitably lead to collaborations with fashion brands.. When asked whom she would like to collaborate with, she said, “I’d love to collaborate with sites like Refinery�� or Buzzfeed to create illustrations based on certain articles. I’d also love to collaborate with fashion brands like Free People, Sephora, or Topshop!”. Currently on the Tigermlk Etsy Store, you can purchase prints of her illustrations - as well as a few original pieces, greeting cards and phone accessories. Victoria said there are plans to expand Tigermlk’s market, and there is a possibility of her bringing the illustrations to life on t-shirts, hoodies and other pieces of clothing in the future. Well, I’ll definitely be keeping my fingers crossed for an Alexa Chung t-shirt! “I am practicing my digital illustration skills and would like to incorporate more of that to my portfolio.” Victoria is currently working on a Zodiac series. The series contains beautiful illustrations of each star sign personified. You can find updates, and early sketches from this series on the Tigermlk Instagram.

Where should people go to check out your work?

“Follow me on Instagram for the most up-to-date work at @tigermlk_; I often publish behind-the-scenes content and works in progress before a piece is officially finished. I also love to get to know my followers! You can buy original artwork prints and other products at my Etsy shop or even request a custom illustration! www.tigermlk.etsy.com

Rachel Marie of ‘Jag Lever’

Or you can visit my website at: www.tigermlk.com”

TO STAY UP TO DATE WITH THE LATEST ART, AND FASHION NEWS

ON SOCIAL MEDIA

FACEBOOK.COM/EIGHTMAG Sunglasses, Jida Watt Top, Lindex. Skirt, Lindex.

@EI8HTMAG

COLOUR V I S I O N Photography: Sam Goodridge Model: Artemis Fauna

WRITING BY EMILY GILBERT PHOTOGRAPHS BY KIP PHOTOGRAPHY, MODELLED BY STEPH SHAW, STYLED BY CYNTHIA ODUNUYI, MAKE UP BY DEBORAH QUINN

Sia Scarf (£��), Bella Singleton. Top (£��), H&M. Dungarees (£��), New Look. Bag, Debenhams.

Artist Feature

ISABELLA SINGLETON It’s not very often that you hear a fashion designer say they not only try to ignore trends, but completely avoid them all together. However, with scarf designer Isabella Singleton, this is her exact aim. Producing prismatic patterns upon the finest of silks, Isabella’s designs are completely void from any overwhelming outside influence, ensuring honesty throughout all aspects of the newly founded luxury label. As the brand matures and develops names from ‘Isabella Singleton Design’ to the more refined ‘Bella Singleton’, we take a seat with the young designer to discuss taking risks, her new line of opulent pocket-squares and her close relation with the Battle of Waterloo. Let’s begin with a little background on yourself? How did you get into fashion design and do you have any formal education? “Starting from the beginning, I studied for my Art Foundation in Falmouth, Cornwall which I absolutely loved and it really secured a love for the creative fields. However, I didn’t really realise that I wanted to go into pattern design or anything like that until just the last minute, I actually thought I might end up in the graphic design sector, but then my love for pattern and colour and crazy doodles kind of took over - something that I spend hours doing even to this day - so I decided to enrol at Leeds University doing printed textiles and design and I’ve never looked back.” When and how did you get around to starting your own business, ‘Bella Singleton’? “It kind of happened naturally, I didn’t really plan on doing it if I’m honest. When I left Leeds, I went and did a lot of internships at fashion houses and print studios and just got as much experience as I could and then after that I decided that I wanted to start selling my own, freelance prints. With that in mind, I went to Paris last year and went to Indigo, which is part of a massive trade show called Premier Vision, and I sold my own prints. However, whilst of course it was a great experience, it also kind of depleted my desire to go fully independent when it seemed like I was selling not only my designs but also my soul; no-one really seemed to care that I was the designer of whom had invested a lot into these designs, rather they were more interested in just grabbing what they could and leaving so it was really hard to keep going after that but I stuck with it and slowly recognition is coming and hopefully it wont stop!”

Isabella Singleton

Your prints are very fun and exciting. Where would you say you take inspiration from? “I’d probably have to go cliche and say London. I’m always just making mental notes as I’m wondering round so it mainly comes from the hustle and bustle of the town. I actually almost moved back home about two months ago and then I realised how much I would be missing out on and I changed my mind last minute. It’s the little things, just being able to visit little exhibitions and print galleries and meeting up with people who are doing something in your similar field, there’s just no other place like it! You really do take it for granted when you’re in London but creatives really do struggle outside of the capital so if you have the opportunity to even visit London, I would recommend definitely. I also have to of course mention Pinterest, who doesn’t take inspiration from there!” What would you say is your favourite part of the design process? From initial ideas to finished product? “Without a doubt my favourite part is definitely the drawing and the painting, the really really early stages. This stage is actually something I’m missing greatly at the minute because obviously I have quite a lot of designs available already so I’m now working solely on the marketing side of the label which of course has the opportunity to take over all my time. Its kind of the reasons why I’m still working freelance to allow myself to be creative and not lose -

Artist Feature

- that little part of me.” You’re releasing a new collection of pocket-squares? Tell us a little more about it... “Yeah the pocket-squares are a new venture so very exciting. I’ve just sent about �� off to my printers and even though I haven’t even started selling them yet, I’ve already had people putting in these little orders of them beforehand which is great. I think people like to give them as gifts which is probably why they're doing so well as they only retail at £�� to £�� which is of course a vast contrast from my new scarves for example which cost between £�� and £��.” Do the pocket squares foreshadow the possibility of expanding into different accessories? “As we speak today, there's no plans for anything else at the moment. I really just want to do each thing properly and ensure I do each thing exactly how I envision it. However, I definitely have things in mind that I’d like to address one day; tote bags and little caps definitely top of that list but there's no time frame of when that’s going to happen, a girl can simply dream at the minute!” What has been your most memorable achievement to date since you began designing? “Probably just taking the leap to actually do it to be honest. I was torn between starting the label and finding a job in the fashion/print design world but then as I stopped constantly worrying about the future, I ended up just naturally going down the independent label path. However, everything is really an achievement when I look at it; I’m already stocked in a few little shops and boutiques and I’ve also managed to set up my own website completely by myself and off my own back which I am really proud about.” You have recently collaborated with The Household Cavalry Foundation to create the limited edition ‘Waterloo Silk Scarf’, can you tell us a bit more about that? “The Waterloo collection was actually something very close to my heart. My Grandfather was an avid writer and wrote all these novels about my Great-Great-GreatGrandfather who fought in the battle of Waterloo; he lost his leg and the famous line goes ‘and he exclaimed, “By God, sir, I’ve lost my leg!”, to which the Duke of Wellington replied “By God, sir, so you have!”’ so there was this whole story so enriched in history and my heritage so it made the collection that much more special. As well, the collection was a charity project so it really fulfilled the feeling of giving something back and allowing people to have an extremely high quality scarf that would normally cost £��, for just £��.” What sets your designs apart from other labels? “Whilst there’s without a doubt a lot of other people doing pretty much exactly what I do, I feel I am set apart from those due to my focus on quality. I really try to ensure the feel of luxury is presented in all aspects of the brand, most importantly the products

and materials itself, so I’m not scared to do whatever is needed and spend what ever needs spending to ensure that I have the best quality materials and the best reputation. Also, all of my designs are hand drawn, meaning everything is very detailed which is something that some designers tend to overlook - but I think people like to see the craftsmanship and the art that has gone into their product so I don’t think there can ever be too much detail and it’s a mistake to sacrifice that. Following on from that point, I’ve also worked really hard at avoiding any influence from current fashion trends as I always want my designs to reflect myself and not a changing time - again, something that other brands overlook in order to make sales quick.” You’re a very talented artist and mention freelance projects on your social media accounts, what kind of things do you do outside of the label? “Why thank you! I try to do as much as I can. At the moment I’m doing some freelance prints for a few companies, so I just get given a brief each week, so for example ‘lace’ or ‘florals’, and that’s what I will spend one day a week doing to keep my creative side switched on. I also rather often spend my time on the more random illustration commissions as essentially I am an illustrator who’s just translating that talent into a fashion discipline. Alongside that, I also work part time in the marketing sector of a small art gallery - something that I also greatly enjoy!” You’re also based in London, what do you love most about being a small business, and even an individual, in London? “London has been invaluable to the success of the brand. The reason I’m not going to leave any time soon is because of the opportunity of networking; these random little meetings like now, whether it’s with a journalist, or a buyer, or a stylist there's always someone new to meet who’s interested in working together and collaborating. Also, I’ve got my studio in Caledonian Road (North London) where I share the space with about ten other creatives and that’s fantastic just in itself because we’re all doing same sort of thing just in different disciplines so you can regularly bounce ideas off each other - something that I’m sure wouldn’t be available in the small nooks and crannies of the countryside. London just keeps you busy and in turn, motivated.” Where do you hope to see the label and yourself in five, or even ten years time? Tricky question! I always struggle when looking in the future! In five or ten years time I guess I’d like to be stocked in some big, leading stores and department stores in London and the rest of the UK. As well, internationally would be a fantastic addition to that too. I’d also like to have a few more collaborations under my belt, hopefully one with a fashion brand to design a collection of garments and obviously what I mentioned earlier about the little caps and tote bags. In reality, there’s really no limit for the future; I’m hoping to take Bella Singleton as far as I can.

Luna Scarves (£��), Bella Singleton. Top (£��), H&M. Bag, Debenhams.

Azelea Scarf (£��), Bella Singleton.

Luna Scarf (£��), Bella Singleton. Top (£��), H&M. Skirt, All Saints.

2015 LGBT MOVEMENTS “When all Americans are treated as equal, no matter who they are or whom they love, we are all more free.” - U.S. President Barack Obama

Photo by Elena Isac at Pride in London ��

It’s been one good year for the LGBTQ+ community. Half a century since the first LGBT Civil Rights Movement on the �th of July ��, change is happening at a much quicker pace. After decades of demonstrations & campaigning, we are finally on our way towards equality. As of June ��th ��, �� countries recognize same-sex marriage: a considerable step forward, taking into account that �� of the �� countries only passed the law in the past 3 years. The most recent being Luxembourg, Scotland, Finland, Ireland, and the United States. No doubt the historic ruling by the US Supreme Court on the ��th of June remains one of the most talked about topics of the year so far. The event led to worldwide celebrations; from mass gatherings in big cities, to rainbows displayed on some of the most significant monuments, such as the White House, and The Empire State building. And, not forgetting

the support from pretty much every single social media website, and app, which the LGBTQ+ community received overwhelming messages from all over the world. The ruling by the Supreme Court is a huge turning point for those who have been waiting years, even decades to marry their loved ones. A country as big and as powerful as the US can only hope to inspire smaller countries to follow suit and take a step in the right direction. However, many members of the LGBTQ+ community are faced with more urgent matters than marriage. I’m talking about safe shelter for those who have been thrown out of their own homes for coming out, discrimination in the workplace and bullying in schools. I’m talking about healthcare and employment… The list goes on and on. Nevertheless, let’s not forget the smaller accomplishments that help pave the way towards true equality.

Yes, we’ve heard about the progress made in the US, but let’s not forget the historic changes that have been made in other countries, that may have been overshadowed. Here’s a list of achievements made in �� that deserve some more recognition: • • • • • • • •

In January, same-sex marriage was legalized in Luxembourg. On the ��th May, with Xavier Bettel as Prime Minister, Luxembourg became the first country in the EU to have a Prime Minister who’s in a same-sex marriage. On ��nd May, the Republic of Ireland became the first country to legalize same-sex marriage by popular vote (��.�% yes) As of ��, adoption by same-sex couples is legal in �� countries and some territories. The White House appointed its first openly transgender full-time staff member, Raffi Freedman-Gurspan. In June, Laverne Cox’s wax figure became Madame Tussauds first transgender wax figure in the museum's history. In July, Harvard freshman Schuyler Bailar became the first openly transgender swimmer to compete in the NCAA. On the 21st of September: a recorded number of ��,�� people attended Hong Kong’s Pink Dot LGBTI Pride Festival.

“Being gay is natural. Hating gay is a lifestyle choice.” - John Fugelsang It’s important to point out that the social change that’s currently taking place in our time can be witnessed on different platforms: including music, books, film & television. We are finally being given an honest insight into the lives of the LGBTQ+ community and their daily struggles. In terms of television, we are seeing more and more LGBTQ+ characters being represented, a huge milestone for the community who have been undeniably ‘ignored’ and silenced for decades. We are finally seeing more and more characters who are accurately representing the community and reflecting the daily struggles and the changes happening in today’s evolving and more accepting culture. You’ve probably heard of shows like; 'Orange Is The New Black', 'How To Get Away With Murder', and possibly even 'The ��'. Shows that include a diverse cast of gay, trans and bisexual characters (played by actual gay, bi and transsexual actors!) and ground-breaking storylines. This kind of change and acknowledgment has been long-awaited by the community. It’s an undoubtedly positive development, especially when you think about how much popular culture can influence our society. For a long time the importance of representation has been overlooked. Compared to the numerous white washed shows and films we see nowadays, these kind of stories are a breath of fresh air, and a real tribute to not only the LGBTQ+ community but people of colour as well. These

shows will make even the most close-minded individual reflect on their thoughts and feelings. So what’s next for the LGBTQ+ community? The legalization of gay marriage in the US brings hope to those who live in smaller, poorer countries that face daily discrimination and persecution. As of July ��, �� countries have laws criminalizing homosexuality. Yes, we have achieved a lot in the past ��-�� years, but it’s safe to say that only a very small fraction of our goal has been reached. Gay Marriage is but one of many elements in this fight. Yes, many people have expressed their support for Gay Marriage, and it’s now become a popular topic among conversations and is always subject to debate. But why aren’t we talking about trans rights? Adoption by same-sex couples? The fact that members of the LGBTQ+ community are the most likely to be victims of violence and murder? It’s time to educate people on the other important issues that the community face. We can only reach true equality by standing with the community and showing our support, by educating our youth, equal representation in Art and Media, and last but not least, pointing out and confronting those who give homophobic, transphobic, racist and sexist comments in public. It may take a while, but taking into account how much we’ve grown in the past few years, we’re on our way there. By Holly Read

KOTOKA IZUMI

Born in Tokyo, Japan. Kotoka began drawing in ��, and she has already developed a unique ink based drawing style. Currently, she is studying at university, and in her spare time she continues to further develop her art as an independent illustrator.

@kotoka_izumi

CATERINA SCHMITT

Styled by Caterina Schmitt, Photography by Nishant Pithia, Modelled by Lucy Feng, Make up and Hair by Monnie K Makeup Artist 34

Caterina Schmitt is a London based fashion and costume designer who graduated from the prestigious London College of Fashion in ��. Driven by an adventurous spirit, Caterina excels in creating eccentric pieces for the fashion, music and stage industries. Prior her training in Haute Couture and founding her own atelier, 'KRAKEN STUDIO', as a teen Caterina used to devote her passion to stage acting. Informed by that background, she has honed her talent to design for unorthodox identities. In those regards, Caterina’s work does not follow trends - every piece is a one off unique tailored creation, re-inventing her style and approach for each project. By nature, Caterina has always had a strong interest in challenging social issues and that motivated her to produce her first collection-

- A/W�� “MORTPARFAITE”. The collection reflected upon the unspoken role that the beautifications of violence play in the fashion media (and broadly in Western pop culture). These pieces immediately found great success, including a showcase at the official LCF Press Exhibition, live and static exhibitions at � major events across London, and individual shoots by �� talented photographers, each one bringing their own distinctive interpretation to her singular body of work. Caterina espouses the idea of clothing functioning not only as body-covering or status objects, but as an instrument of change. She creates works that argue and embrace her thoughts of the world through the innovative use of materials and silhouette.

Artist Feature

Q&A

By Jasmin Coles J: Describe yourself in 5 words… C: Unconventional, Nature-Lover, Warm-Hearted, Kinky, Gutsy J: Where did you study? C: I began my training in a small Italian couture studio in my home city, where I was taught about Bespoke. Once I moved to London, I attended the BA (Hons) Fashion Design: Womenswear course at London's College of Fashion, graduating in June ��. J: Did you enjoy it? C: Absolutely not! It was such a combination of overexpectations and extremely superficial teaching. Their formula would push students to the limit and we all led unhealthy lifestyles. Fashion people often think what they do is a “life or death” matter, which is funny, because fashionable things are just nice to have, nobody NEEDS them. The best I think I got out of it, is to know what I don’t want to become. I want to produce always better work, but I’m not interested in associating myself with the industry’s mentality. Even in the workplace, I have seen too many negatives sides of it to still feel fascinated by it. J: When did you know that you wanted to work in fashion? C: I think I decided to devote my time to Design after giving a cut to my stage acting experience, which wasn’t going anywhere. That was around � years ago, I was ��. Said that, I never really wanted to work in fashion as such, but I liked the idea of working closely with people and I’ve always been told I have a good sense of style. That’s perhaps why I am very keen on taking over bespoke projects for individuals. I find it very pleasuring to make clothes for “real” people, it’s a bit like becoming very intimate with somebody and understanding who they are.

J: What do you think influenced this? C: I think one could say it was the fault of couple of men. My dad and …David Bowie. Dad has always been a bit of dandy, very playful and humorous in style. Our house back home is basically his � floor personal wardrobe. That was my “playground” as a kid. Later in my teens I discovered Bowie, who totally blew my mind away and still has no rivals to me. That mixture of sophisticated elegance and daring sensuality was to me like an epiphany J: How would you describe your personal style? C: My personal style is very varied, I can potentially wear anything and the weirder, the better! I like having fun with myself when I select what to wear. At times I would go out all in one colour or dress up like music icons or movie characters. J: How would you describe the style of your work? C: My style changes from project to project, trying to meet the client/ purpose first of all. Overall, I would say what I produce is always bold, somehow bizarre and sexy. But I still have so much to grow…nothing is yet set in stone. J: Where does your inspiration come from? C: There is not one place to me, inspiration is everywhere and I am glad it is this way. I am very obsessive with my inspirations. Before I move on to something new, I can literally “squeeze that lemon” till there is not a single drop of juice left. In this moment specifically, I am inspired by hyper-realist and surrealist photography and the music world. J: If you’re ever stuck for ideas, what do you do? C: Panic. Ask my boyfriend to cuddle me. Get back to work.

J: Who are your favourite designers right now? C: I cannot but love Jean Paul Gautier because of his young, witty spirit and I admire Yohji Yamamoto’s simplicity and volumes, but the old Valentino has a special place in my designer heart. After seeing his retrospective show at Somerset House, I asked myself “Why should I make a t-shirts and sweatpants, when I could instead make…” J: If you could work with any designer or photographer in the world, who would it be? C: Right now, I would say Italian artist and photographer Maurizio Cattelan. J: What projects are you currently working on? C: After having just recently completed a work for Californian electronic artist Bo Keeney and a couple of other clients commissions, I am now working on a new collection for my label KRAKEN. It’ll be out for the Spring season. J: What has been your favourite collection to work on? C: Definitely the one I’m on at the moment, it’ll be my favourite. I got a very good feeling about it. J: What advice would you give to someone wanting to study fashion or costume design? C: Study/practice a lot on your own, you are the only one who can teach yourself the things that will help you to get where you wanna get, in university you can get an introduction to things but eventually, it’s all up to you. And, very importantly, work with as many talented people as you can to build the right connections. Who you know makes all the difference. J: Where do you see yourself in 10 years time? C: I don’t wanna think about it, I’m very concentrating on what is happening now. Hope life will surprise me in positive ways.

THE ARCTIC ISSUE By Freddy Nielsen

Pyramiden in Svalbard, photos by Brogan Collis

While the efforts to reduce our reliance on fossil fuel continues, the race to extract the world’s rapidly dwindling oil resources continues. More recently, focus has been on the Arctic area between Russia, Alaska and Greenland, where the effects of global warming have resulted in much of the ice in the area melting away and thus making the area more accessible for oil companies to drill in. While companies like Total, ExxonMobil, Chevron, ConocoPhillips, and Statoil have put their plans to drill in the Arctic on hold, Shell and a handful of other companies are pressing on to meet the demands of larger fuel reserves. HOW DOES IT WORK? Because of the structures required to extract oil, drilling for crude oil offshore in the Arctic will be more costly, complicated, and politically controversial than drilling for oil on land. The oil companies first explore the area by drilling a wellbore through the seabed. Shell had mixed results with this stage in ��, due to lacking safety procedures and little knowledge of the area, which resulted in a loss of $� billion and a two-year ban on drilling. Once explorative drilling has commenced, the temporary installation equipment is replaced with a more permanent structure commonly referred to as

a ‘Christmas Tree’. The ‘Christmas Tree’ gets its name from a combination of numerous tubes and valves necessary to control the flow of oil out of the well. However, the drilling equipment itself is only part of the full structure required to pull off offshore oil drilling; the Arctic project will also necessitate the building of ice roads, an ice airstrip and a drilling pad taking up several acres. In addition to the resources required to build these, figures from the Bureau of Land Management show that between eight and fifteen million gallons of water will be consumed over a five-month period of development and construction of the site, as well as for the drilling itself. WHAT’S TO GAIN? The three areas oil companies are interested in are the National Petroleum Reserve Alaska (NPRA), the Arctic National Wildlife Refuge (ANWR) and the �� Area. The U.S. Geological Survey (USGS) estimated in �� that the NPRA contained �� million barrels of oil to be extracted. The ANWR hold significantly more oil; the USGS estimated that this area holds over ��.� billion barrels of oil. Finally, the �� Area promises �.� billion barrels. That’s almost �� billion barrels of oil which companies like Shell, Unilever and Tesco stand to -

- gain from drilling in the Arctic. So how long will that oil last? It was estimated in �� that the United States as a nation consumed �.�� billion barrels of oil, averaging ��.�� million barrels per day. The oil extracted from the Arctic would then keep the United States going for a little over �� months.

As the name implies, the Arctic National Wildlife Refuge is meant to preserve the local wildlife, which is already under threat. Drilling for oil in this area could result in difficulties preserving said wildlife. The Federal Bureau of Ocean Energy Management (BOEM) have, based on the number of wells required and the history of spills by oil companies, calculated that if the Arctic oil drilling goes ahead as planned, there is a ��% likelihood of spills exceeding �� barrels of oil over the next �� years for each �.� billion barrels of oil extracted. However, these figures look very conservative in the light of previous oil spills, in particular the �� Deepwater Horizon (British Petrol) spill in the Gulf of Mexico, where over �.� million barrels of oil had a devastating effect on the wildlife and local economy. Finally, there are different opinions on whether or not the construction work and drilling will result in excess carbon emissions and further increase global warming. WHY IS IT CONTROVERSIAL? Because the area has not been drilled for oil previously, there are a number of factors to take into consideration – many of which could have disastrous consequences if ignored. Experts, including Peter Wadhams from University of Cambridge, believe that the oil being spilled during colder months could be absorbed into the ice and transported up to a thousand miles across the ocean where it would be released once the ice melts and cause unpredictable damage to wildlife in different parts of the Arctic. Shell, however, claims that it has the capabilities to clean up to ��% of any oil they may spill

during the drilling. This claim seems highly dubious; no one has ever managed to get anywhere close to this amount of recovery. In comparison, BP only managed to clean up �% of the oil spilled in the Gulf of Mexico in ��. The fact that the Arctic is still not very well understood when it comes to oil drilling makes it very unlikely that Shell will break any records when it comes to cleaning up after an oil spill in the area. WHAT HAPPENS NOW? After a few scandals resulting in heavy litigation against Shell, the oil company is now ready to go ahead with their plans to drill in the Arctic. Having somewhat satisfied the dubious safety requirements, the Obama administration has green-lit the project. President Obama himself has taken a bit of flack for this decision, as he is very outspoken on the topic of global warming and a proponent of phasing out fossil fuels. His decision to let Shell drill in the Arctic, despite continuous concerns for dangerous oil spills and the lack of a realistic recovery plan should the spills occur, is perceived as directly contradicting his statements on global warming. Meanwhile, Shell has officially been kicked out of the Prince of Wales’s Corporate Leader Group, a climate change project Shell helped found in ��, because of their irresponsible behaviour in the Arctic. Greenpeace reports that more and more of Shell’s allies and partners are severing ties with the oil giant due to their hypocritical stance on climate change.

The situation is clear; experts predict the likelihood of a Shell oil spill to be ��% and BP only managed to clean up �% of their spill in the Mexican Gulf which, compared to the Arctic, is a well-known area. The Obama administration has now, despite Shell’s history of failure in the area, given the go-ahead to drill in the Arctic. The question now is not if harm will be done to the local economy, indigenous peoples and wildlife, but rather when and how much.

Artist Feature

THE NYMPH Photography: Katarzyna Drazek Model: Marta Machnik Make up: Gabriela Janowska

Katarzyna previously studied at a creative arts high school in Rzeszow, Poland. She is now in her second year at Ravensbourne Universty studying Digital Photography. Her work practices several different themes, from highlighting social issues to fantasy themes. She takes a hands on approach to photography; she designs her own outfits, and props for her photoshoots. As she continues to further develop her skills, she further continues to gain recognisition, most recently at the AOP Student Awards, where she was a finalist.

FOOD

NOT

FOOD

Artist Feature

FOOD NOT FOOD BY KRISTINA LECHNER “Hello! My name is Kristina Lechner from Kalamazoo, MI (United States). During the day I work as a lead graphic designer for a community college in Kalamazoo, where I get to work on tons of fun projects with great people. Since I was old enough to hold a crayon I have wanted to be an artist. With a strong background in art, I earned a degree in Advertising at Western Michigan University so I could apply my skills in the industry. I am passionate about all things design, and am constantly looking for opportunities to learn and grow artistically. This “Food Not Food” series started as just an exercise to stretch my creativity. I have never been able to cook (I burn everything), but have always appreciated the artistic side of food. The process is pretty simple. Usually I pick out a specific item I want to use and build

the dish around it. Tying my running shoes one day gave me the inspiration for the “Shoelace Alfredo,” the sauce and garnish ideas came after. I have a mini “studio” setup in my apartment (ironically in my kitchen), and love to experiment with lighting, different background colors, and depth of field. I do minimal retouching, as I like to let the elements of the photo speak for themselves. Using household items to create food dishes pushes me to see ordinary things in a new light. I love taking an ordinary item and making it into something unique and beautiful. And, as a bonus, I can reuse most of my materials as their primary purpose! If you’re curious about this series, check me out on Instagram (@kristinalechner). Or, to see some of my other work, visit: www.designbykristina.com.”

@kristinalechner DESIGNBYKRISTINA.COM

HOT DOG Fries: Sponges Hot Dog: Paper towel roll Bun: Warby Parker eyeglass case Mustard: Goody hair ties Chopped Onions: Chopped cable ties Shading and Coloring: Covergirl blush and Clinique bronzer

SHOELACE ALFREDO Fettuccine: Shoelaces dyed with lemon lysol and foundation Alfredo: Gorilla Glue Garnish: The frilly end of a toothpick

BACON AND EGGS Egg White: Hand lotion Egg Yolk: EOS lip balm lid Bacon: Sandpaper

EIGHTMAGAZINE.CO.UK STAY UP TO DATE ON THE LATEST ART, AND FASHION RELATED NEWS AND EXCLUSIVE INTERVIEWS WITH THE HOTTEST ARTISTS AT THE MOMENT

EIMEAR VARIAN BARRY 'THE QUEEN OF INSTAGRAM' WRITING KIT TO, PHOTOGRAPHY KIP PHOTOGRAPHY, HAIR & MAKE UP SARAH NOBLE, AND PHOTO ASSISTANT JAMES GRIMSHAW

Bomber Jacket, Arethé Stockholm (€��). Leather Top, JUSTFAB. Pants, JUSTFAB.

Artist Feature

Having followed her Instagram for a while, I've become a huge fan of her style, and look up to her as a fashion idol. The only thing that was going through my mind when meeting her, "please don't be a bitch, please don't be a bitch". I needn't have worried, because I soon discovered that this girl was like a giant ray of sunshine with the perfect combination of Irish feistiness that makes you fall in love with her personality. We were constantly stopping to take photos because "the lighting is perfect". Even from the small amount of time I spent with her, it's obvious why her feed is filled with beautiful photos, and why over ��,�� people follow her. She's dedicated to her craft, and she sees things you and I would miss. It's unclear whether this is self-taught, or from her past art education. What's clear is when she's equipped with her trusty iPhone, she's unstoppable. With a massive following of over ��,�� people worldwide, her photos and captions will reach more people than we could ever meet in our lifetimes. She uses her influence to share with her audience the coolest bars, cafés, and salons to visit, and occasionally shares cute snaps of the adorable Saoirse. A fan recognised her whilst we were in the queuing for Five Guys (OMG! I KNOW RIGHT! - she's four months pregnant, eats at Five Guys and still looks like that!). Perhaps a regular encounter for someone with such a large following, but that didn't faze her. She fed off that energy, then screamed and freaked out as if she were the one that spotted someone famous. Even having worked with big brands such as the recent GAP Kids + Ellen DeGeneres' collection, she never loses herself to the success, or takes herself too seriously. The bright, pale, white tones you find on her Instagram feed reflects her clear, and sincere personality - she says exactly what's on her mind. However, that sometimes leads to long talks about the industry, and all things fashion. When her eyes passionately light up when talking about amazing artists, and the coolest clothing brands she had recently come across, it's a reminder of how much she honestly cares about the art, and the talent of this industry - not the politics or superficial things. This industry is her world, and she is the Queen.

K: First, let’s start with a little bit of a background on yourself, and how did you discovered your passion for fashion? EVB: I think my love for style began when my mother used to take me to fashion shows when i was around 4. Her friend was a model and I would look up in awe of these beautiful women, dressed so stylishly. I'll always remember being obsessed with a pair of shoes from one show. They were see through plastic. See through plastic shoes on an adult? I was captivated! My mother would collect us from the school yard with a shaved head, big earrings, jumper dress, ripped tights, Doc Martins and a vintage bike. Obviously at the time it was highly embarrassing, but I look back at it now and really admire her! I actually began my career working in production- radio and TV. Then moved to New York, where I was able to combine my love for fashion and producing, but working with the wardrobe departments on film, magazine and tv shoots! K: So, you’re a model, stylist and you also work as in fashion PR. Tell us a little about your work in the industry. EVB: I definitely wouldn't consider myself a model. But my blogging and Instagram work has led me to do a tonne of "modelling" work lately. I work part time for Lucky 8 PR- a fashion PR agency in London. It works to my advantage with what I do for myself, because it's working on the other side of it - with brands, and makes me understand the business of the digital influencer industry even more.

K: Is it difficult balancing work with being a mother? Does the industry still offer the same opportunities as it did before motherhood? EVB: Yes- it is. And with another on the way, I'm not sure how I will do it! As this all happened after I had Saoirse, I don't know how it would be any different. But when it comes to networking and attending events - which would be an advantage - I usually find it impossible to attend. Not having family around to help is quite difficult. Being a mother opens you up to even more opportunities, as you fit into more brand categories. K: Who are your fashion icons? EVB: @oraclefoxblog , Mira Duma, Alexa Chung, Olivia Palmero, Sienna Miller, @iamcharlottemartin @kellouhar K: If you could swap wardrobes with someone for a day, who would you swap with? EVB: Definitely @oraclefoxblog K: How would you describe your style? EVB: Simple, androgynistic, electric. K: How do you go about choosing an outfit for a night out? Any go-to pieces? EVB: I am completely in love with Australian labels and have an amazing Keepsake dress from 'The Birdcage Boutique'. Any opportunity to wear it!

Artist Feature

K: What’s in your bag? EVB: Nappies! Lots and lots of nappies. Oh- and SOPHIE LA GIRAFE BABY PROTECTION CREAM which I use for my hands, wipes, D&G L'temperance perfume, Sparking Water, Tangle Teazer, MAC Lipliner and Lipstick. K: What is your favourite moment that you will never forget? EVB: Three years ago, I worked on a tomato farm in Australia in the middle of the outback for 5 months. I would take a shortcut to the town, which was 12 miles away. I would have to carry my bike over my head, and wade through a river waist high. All for a trip to the charity shops, which had the most incredible vintage for nothing! K: What is your biggest fashion sin or mishap? EVB: Lepord Print Fur jacket. EW. K: Where do you draw inspiration from? Are there any particular quotes, movies or even people in your life? EVB: As I mentioned- my mother! Also Instagram, Pinterest. The usuals! I love getting lost in the world of digital fashion inspo. I like hanging round London cafes, people watching and seeing what's being worn. K: Name eight people that people should follow EVB:@kellimurray, @oraclefoxblog, @kellouhar, @iamcharlottemartin, @ernestoartillo, @cerealmag, @marklivermore, @jodimockabee K: What projects or collaborations are you working on at the moment? EVB: I've just done campaigns with GAP and Preen and going to Stockholm at the end of the month to collaborate with some brands over there! K: You’re very active on Instagram and have a great number of followers. Share your secrets with us! How do you find such interesting people to follow? EVB: I guess just staying active on it is key. Commenting, liking, producing similar, colour coordinated content. Also - clean your phone lens! It makes a huge difference to have sharp photos.

K: Do you feel pressure to constantly upload on Instagram? EVB: I get asked this a lot and to be honest I don't. If I am not in the mood to post or if I literally dont have time to look at my phone, then I don't. Being a full time mum and working nights, I really only shoot and do exciting things at the weekends. Which is when I mainly post! I have a lot of content which I would like to put up, but I don't like to overwhelm people either. K: You’ve worked all around the world, is there a place that you’ve enjoyed working in the most? EVB: Yes - Melbourne of course! It has my heart. I miss it so much. K: How does London compare to other cities in terms of opportunities in this industry? EVB: Evidently, it's similar to New York. Everybody is doing something intruiging and has an interesting story to tell. It's not as tough as New York. London is more homely... and not as harsh on the senses. K: In a world with an abundance of bloggers, photographers, stylists and designers, what advice would you give them? EVB: It is imperative to stay true to your brand and if you're not feeling something, don't do it. Trust your instincts. I have lots of examples of that in my life! Yes, hustle, but know the lines not to cross. A bit of an ego in important, It's what gives you confidence and helps you get ahead. But know not to be a dick. Treat others as you would like to be treated. People will always prefer to work with nicer people. Also, working my ass off and not stopping has paid off for me. And it will for you too! K: Where do you see yourself in five years? Do you have any plans for starting your own clothing line? EVB: I actually never thought about that. Who knows! All I want to do is what I am doing now, but to travel with it. Photographing, styling, working with brands, exploring cities and sharing my journey with my followers. K: Finally, is there a ‘Throwback Thursday’ moment that you will never post to Instagram? EVB: Yes- tonnes of my facebook photos of pissed up nights in New York, which I have just set to PRIVATE.

@eimearvarianbarry

THEEVBEDIT.COM 58

White Dress, BNKR (£��)

Top, Lindex. Leather Skirt, Lindex (£��).

8 EXHIBITIONS TO VISIT THIS FALL By Brogan Collis

The lead up to Christmas, in many Londoner’s judgment, is the best time to be in London, and additionally, the best time to visit its many galleries. Here’s a look at the must-see’s in the run-up to the new year.

AGNES MARTIN

Tate Modern until ��th October ��

“Art must derive from inspiration”, Agnes Martin once said, yet for years many have question what her minimalist paintings are all about. She referred to herself as an abstract expressionist, seeking out spirituality in the world in which to paint, describing herself as a mystic. No matter how you class her works, one must concede that there is something inexplicably hypnotic and mystical about these stark and bold designs, and definitely worth an explore.

CAPTAIN LINNAEUS TRIPE: PHOTOGRAPHER OF INDIA AND BURMA V&A until ��th October ��

These daintily and delicate photographs document the monuments and landscape of Raj India, where Captain Linnaeus Tripe gave the west a rare glimpse into a far-off land they had heard so much about; and indeed today, give yet another extraordinary and exotic peek into and old India, very different from today.

BARBARA HEPWORTH: SCULPTURE FOR A MODERN WORLD Tate Britain until ��th October ��

One of the most acclaimed sculptors in all of British history, comes the long awaited showing of Barbara Hepworth’s work, which has not be housed in the Tate since ��, where Hepworth attended the retrospective exhibition prior to her death in ��. Her iconic curved and voluptuous sculptures are engraved in great British art history, as some of the most celebrated works ever created and certainly a joy to see on show once again.

AUDREY HEPBURN: PORTRAITS OF AN ICON National Portrait Gallery until ��th October ��

Studying the life of a true icon, this captivating photographic exhibition shows the life of one of Hollywood’s greats, from her early years as a chorus girl in London’s West End, till her philanthropic work for United Nations in her later life, featuring portraits by giants in photography, such as Richard Avedon, Cecil Beaton, Irving Penn and Terry O’Neill. *Editors Choice: Do not miss the unique opportunity to see Audrey Hepburn: Portraits Of An Icon. It is a wonderful rarity to see the life of a megastar so beautifully and vastly displayed in one single viewing (ends 18th Oct. 2015).

THE LINE

Various London locations until ��st December ��

One of London’s most anticipated new exhibitions is in the form of a new sculpture trail, leading from the O� to the Queen Elizabeth Olympic Park, featuring pieces by celebrated sculpture artists such as Damien Hirst, Eduardo Paiolozzi and Martin Creed. This new sculpture trail leads walkers along a three mile waterway, interacting with the London’s Royal Docks and along the River Lea.

Audrey Hepburn photographed wearing Givenchy by Norman Parkinson, 1955 © Norman Parkinson Ltd/Courtesy Norman Parkinson Archive

MANGA NOW

British Museum until ��th November ��

Manga, over the past 100 years, has developed a cult-like following, with its artists, Chiba Tesuya, Hoshino Yukinobu and Nakamura Hikaru worshipped by their fans, inspiring much of modern art and pop culture in its sphere of influence today. Their graphic and bold artwork shows how this Japanese style of drawing has developed into the much loved form it is today.

ALARIC HAMMOND: CAUSTIC WINDOWS Saatchi Gallery until �st November ��

In a style that looks as if Andy Warhol’s iconic prints have been shredded and left to rust out in the rain, Alaric Hammond’s playful yet morbid works are presented in his indicative zinc assemblages, inspired by derelict buildings and the beauty in rust and age, planting symbolism and pop culture in his works for a gritty and satirical theme.

VAN DYCK: TRANSFORMING BRITISH ART

Nakamura Hikaru (b. 1984), Jesus and Buddha drawing manga. Cover artwork for Saint Oniisan vol. 10. Digital print, hand drawn with colour added on computer, 2014. © Nakamura Hikaru/Kodansha Ltd.

National Portrait Gallery until �rd January ��

Sir Anthony van Dyck (��-��) was, and still is, regarded as one of the titans of British painters. This vast exhibition explores the artist’s work over the years and how he independently transformed British portraiture over in a single lifetime.

8 FASHION TRENDS FOR FALL By Summer Read

Many of us are still clinging to the remaining fragments of the summer, our skin etching to feel The Sun's warmth and our minds longing for the free rein of the sunniest season. As hard as we may try, we can’t ignore the rapid approach of the cooler months. But with each new season comes a wave of new trends, and this Fall we’re transitioning into the cooler months with a little help from the ��’s. Here are our � trends for Fall ��.

CROPPED JEANS

Styled by Lauren Çokgüler (Fashion Panic)

The cropped trousers are the ideal transitional piece. The length is just right, not too short so that the Autumn chill will freeze our legs, yet not too long as to make us uncomfortable. For a laid back casual look, go for a cropped jeans with a ripped hem. For something a little more polished for an evening look, try a cropped flare trousers in one of the key colours for Fall: berry, bottle green and navy blue. As for shoes, converses will give it the ultimate ��’s nod, but ankle boots or mules will be flattering too. If you’re not sure what to wear the cropped piece with, try styling it with our second key trend: the pussy bow blouse.

THE PUSSY BOW BLOUSE

Once known as a neat, buttoned up piece, this Fall the pussy bow blouse has been given a makeover. Keeping in touch with the ��’s trend, the new pussy bow blouse is more ethereal and liberated than ever, with materials such as sheer and lace dominating the catwalks and streets. Wear with a pleated midi skirt or a wide leg pants for the most flattering look.

Styled by Reese Blutstein (Doubl3exposure)

THE MAXI DRESS

Fallen leaves and rich warm tones are the emblems of Autumn. This Fall, the maxi dress is long sleeved, flowy and characterized by its bohemian charm. Clinched at the waist and flowing down until it’s skimming the floor, the maxi dress is the ultimate folk trend piece. Worn with heeled ankle boots, it’s the perfect transitional outfit. If the Autumn chill proves to be too strong for this look, try wearing a shearling coat with it. Styled by Holly White, (HollyLovesTheSimpleThings)

THE SHEARLING JACKET

Not all of us are blessed in the art of layering, so this fall keep it simple with a turtle neck knit jumper and a shearling jacket. The versatile piece looks great with most outfits, dresses and trousers alike. Whether it’s a parka or a classic aviator, it will be sure to keep you warm.

Styled by Lauren Çokgüler (Fashion Panic)

THE LONGLINE WAISTCOAT

Transitional outerwear can be tricky, so if you’re not ready to invest in a coat just yet, the longline waistcoat will be well worth a try. Also known as a sleeveless trench or sleeveless coat, it can be worn over jeans and a striped top, or even with our favourite buttondown a-line skirt. A clean cut waistcoat can instantly make an outfit appear more polished, or for a more laid-back look try a waterfall style waistcoat.

Styled by Allison K (BrokeHell) Photo by Thu Tran

THE CULOTTES

Culottes have been dominating the streets recently and the trend isn’t going any time soon. Easy to dress up or down, this key piece can be worn with ankle boots or trainers. For an evening attire, try wearing it with a pussy bow blouse for a sophisticated look, or try styling it with a cropped polo neck jumper. Not only will the cut and fit flatter your body shape, if it’s in a rich autumn colour it will instantly draw the eye.

THE MIDI PLEATED SKIRT

Styled by Summer Read (The Twins' Wardrobe)

A-line skirts can be worn with some thin tights if it’s a little chilly, but not all of us want to give in to them just yet. Brave the bare legs a little while longer and invest in a midi pleated skirt. This staple piece that falls just below the knee can be easily dressed up or down, with trainers and a cropped knit tee for a casual look or heeled boots and a pussy bow blouse for a more sophisticated one. The eye catching pleat details and flattering length will remain a wardrobe favourite throughout the season.

Styled by Holly Read (The Twins' Wardrobe)

*EDITOR'S CHOICE THE SCARF

Scarves are the perfect accessory for fall, adding the finishing touch to a transitional look. Not only are they easily styled and look effortlessly cool, they can be so versatile. A classic tie-around-the neck creating a scarfchoker makes any casual outfit a little more interesting to look at, especially if you clash prints. Worn loose and hanging around your neck gives any outfit a more relaxed, Parisian feel. If you’re feeling more daring, try using one as a belt or even incorporate it into your hairstyle. Bella Singleton has a beautiful range of silk scarves, each one with a different colour palette and print to suit your individual style.

Steph Shaw wearing Azelea by Bella Singleton

Looking for more items for your Fall wardrobe? Follow 'EI8HTMAG' on Pinterest! We have a Fall �� board with the hottest items for this Fall. All items are chosen by Eight's editors, and featured artists.

EIGHTMAGAZINE.CO.UK/FASHION

FOR THE LATEST FASHION NEWS, AND EXCLUSIVE INTERVIEWS WITH INDUSTRY ARTISTS

GOSIA WOLINSKA A/W �� COLLECTION

This has been a fantastic adventure. I am truly grateful to have had met so many incredibly creative artists from all around the world. I have learned a lot from this wonderful experience. I still cannot believe I was fortunate enough to bring my dreams to actual print. Thank you. - Kit To, Editor-in-chief

FALL �� @EI8HTMAG