An Exceptional Single-Owner Sale by Eldred's Auction

Exceptional

AN SINGLE-OWNER SALE JULY 15, 2021 Property of a direct descendant of Founding Father Thomas Jeﬀerson, the contents of the Brick House at Coolidge Point, Manchester-by-the-Sea, Massachusetts

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AN Exceptional SINGLE-OWNER SALE

Thursday, July 15, 2021

Robert C. Eldred Co., Inc. Headquarters 1483 Route 6A I P.O. Box 796 East Dennis, MA 02641 phone: (508) 385-3116 I fax: (508) 385-7201 MA License #155 Connecticut Office 5 Roosevelt Avenue Mystic, CT 06355 (860) 912-8169

A buyer’s premium will be added to the hammer price of all purchases. The buyer’s premium is 25 percent of the final bid price up to and including $500,000, and 10 percent of the final bid price over $500,000. We accept checks, cash, money orders, wire transfers and major credit cards for payment. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address.

info@eldreds.com www.e ldre d s.com

Auction

Begins at 9:30 a.m. Eastern at our East Dennis Headquarters. Online, phone and absentee bidding available. Limited in-person bidding available.

Bidders holding a Massachusetts or out-of-state resale number must provide the certificate or copy thereof when registering to bid or otherwise will be required to pay 6.25% Massachusetts sales tax on purchases. Items picked up in or shipped to Connecticut are subject to 6.35% Connecticut sales tax. Residents of other states may be subject to state and local sales taxes.

Important notices

Exhibit

Wednesday, July 14, from 10 a.m. to 5 p.m., and by appointment.

Absentee and Telephone Bidding

Please use the bid form found at the back of this catalog, visit our website, or phone 508-385-3116 to make arrangements for absentee and telephone bidding.

Online Bidding

This auction will be held simultaneously online at www.eldreds.com. Prospective bidders must register and be approved prior to bidding.

Covid-19 Notice

Terms

As the situation regarding the virus unfolds, we urge you to visit our website, www.eldreds.com, for the most up-to-date information regarding auction dates, times and bidding options.

Prospective bidders should satisfy themselves by personal inspection as to the condition of each lot. It is the bidder’s responsibility to obtain a condition report, by either visiting our website or contacting us. Although condition reports may be given on request, such reports are statements of opinion only. The absence of a condition report does not imply the property is in good condition. Regardless of whether or not a condition report is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold as is. All dimensions and weights are approximate. Per Federal and international regulations, items made with whale bone, ivory or other protected species will not be shipped internationally. Items made with these materials and marked with an asterisk (*) may only be purchased by a Massachusetts resident and will not be shipped out of state. Firearms marked with an asterisk (*) will only be delivered to holders of a Federal Firearms Dealer’s License.

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Staff Directory Antiques & Fine Art Specialists

Production & Administrative Staff

Joshua F. Eldred CEO and President Head of American and European Paintings jeldred@eldreds.com

Wendy A. Dunford Treasurer wendy@eldreds.com Susan Eastman Client Services seastman@eldreds.com

Mary Ann Giddings Eldred Chairwoman of the Board maeldred@eldreds.com

Devyn Henry Administrative Assistant dhenry@eldreds.com

William Bourne Vice President Head of Americana and Maritime Arts bill@eldreds.com Eric S. Mulak Vice President Head of Sporting Antiques, Folk Art & Collectibles Consignment Manager eric@eldreds.com

Katie Lingoes Shipping klingoes@eldreds.com

Duncan H. Gray Head of General Merchandise dgray@eldreds.com

Rachel Martin Assistant Head of Photography rmartin@eldreds.com

Leah S. Kingman Head of European Decorative Arts lkingman@eldreds.com

Angela R. McParland Executive Assistant amcparland@eldreds.com

Glen Krawczyk Head of Oriental Rugs glen@eldreds.com

Madison Morris Head of Photography mmorris@eldreds.com

Anne G. Lajoie Head of Asian Arts annie@eldreds.com

Kathleen Morse Auction Coordinator kmorse@eldreds.com

Gregg Dietrich Senior Consultant and Specialist

Megan Nichols Shipping Coordinator mnichols@eldreds.com Cheryl Stewart Head of Marketing Catalog Layout and Design cheryl@eldreds.com

Jennifer Lacker Mystic Representative Mary M. Kuhrtz, Barbara H. Cleary and Christine Leofanti Gallery Assistants

Sarah Eldred Taylor Vice President of Human Resources sarah@eldreds.com

Kino Gray and Al Gray Shipping and Inventory Assistants

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Property of a direct descendant of Founding Father Thomas Jeﬀerson, the contents of the Brick House at Coolidge Point, Manchester-by-the-Sea, Massachusetts

1871 Thomas Jefferson Coolidge bought “… a wild promontory surrounded by the ocean”

known as Goldsmith’s Farm. The 116 acres cost $12,000.00, which is approximately $262,500.00 today. It has long since been known as Coolidge Point. Continuing a family tradition of civic-minded philanthropy and conservation, much of the land has been gifted and preserved. In 1824 Bostonian Joseph Coolidge, Jr. (1798-1879) visited Monticello and was introduced to Thomas Jefferson’s granddaughter, Ellen Wayles Randolph. They were married May 27, 1825 at Monticello and lived in Boston. Mr. Coolidge was involved in the China trade at August Heard & Co. His son Thomas Jefferson Coolidge (1831-1920), Jefferson’s great-grandson, was a successful businessman. He was involved in textiles, including the Amoskeag Mills in Manchester, New Hampshire, as well as banking, railroads, electricity, and the United Fruit Company. Like his greatgrandfather, he served as U.S. ambassador to France in 1892. In 1904 Coolidge retained his friend Charles F. McKim, of the New York architectural firm McKim, Mead & White, to design and build a summer home called “The Marble Palace”. It was known for its massive Ionic columns and was continuously used until its 1958 demolition. Among the contents of the Brick House, a former family residence on Coolidge Point, are furniture, rugs and decorative items removed from the Marble Palace, many of which are presented here. Thomas Jefferson Coolidge acquired most of the Jeffersonian armorial porcelain also included in this sale.

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Index of Artists DELACROIX, EUGENE (manner of )

319

BANNISTER, EDWARD MITCHELL

172

BUTTERSWORTH, JAMES EDWARD (attr.)

149

COX, GARDNER

262

GUIGOU, PAUL

209

GUILD, HARRIET

HALLETT, HENDRICKS A.

167, 237

HOUDON, JEAN-ANTOINE (after)

74,75

LONGFELLOW, ERNEST WADSWORTH

251, 252

LOTHROP, KRISTIN CURTIS

294

McFARLANE, DUNCAN

148

MILLET, JEAN FRANCOIS

204, 205

NASON, THOMAS WILLOUGHBY

283

POIRIER, DENNIS

298

TOMPKINS, LAURENCE

259-261

WHISTLER, JAMES MCNEILL

I llustrations Cover: Lot 259

Back Cover: Lot 59

282

Page 3: Lot 56

Page 4: Lot 252

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3, pair

PAIR OF QUEEN ANNE BRITANNIA STANDARD SILVER TRENCHER SALTS London, 1710 Maker’s mark “Co”. Diameters 2.75”. Approx. 3.4 troy oz. 500/800

TWO SIMILAR GEORGE II STERLING SILVER SALVERS London, 1729 and 1730 John Tuite, maker. Molded and peaked rims. Four unmatched hoof feet. One with period monogram “MB” on underside. Lengths 5.75”. Approx. 13.8 troy oz. 800/1,200

PAIR OF GEORGE II STERLING SILVER CANDLESTICKS London, 1749 John Cafe, maker. Hexagonal removable bobeches and feet with shells at points. Knopped and balustoid stems. Heights 9”. Approx. 43.2 troy oz. 1,500/2,000

GEORGE II STERLING SILVER CUP London, 1753 Peter Archambo II & Peter Meure, maker. Bell-form, on a molded foot. Gold-washed interior. Engraved with a rococo vacant crest. Height 3.5”. Approx. 6.5 troy oz. 300/400

GEORGE II STERLING SILVER SAUCE LADLE London, 1755 William Turner, maker. Shell-form bowl. Length 7.25”. Approx. 2.1 troy oz.

100/150

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GEORGE II STERLING SILVER PORRINGER London Date mark rubbed. Partial maker’s mark “WD”, possibly for William Darker. Caryatid handles. Chased and repousse decoration. Height 5”. Approx. 15.3 troy oz. 500/800

GEORGE III STERLING SILVER SALVER London, 1772 Maker’s mark “RR”, probably for Richard Rugg I. Engraved with the Grosvenor family coat of arms impaling those of the Vernon family. Three hoof feet. Diameter 8”. Approx. 12.1 troy oz. 800/1,200

FOUR GEORGE III STERLING SILVER OPEN SALTS London, 1771 R. & D. Hennell, maker. Oval, with gadrooned rims, shellform knees and hoof feet. Engraved with the Rowe family coat of arms and the motto “Innocens non Timidus”. Cobalt blue glass liners. Lengths 3.25”. Approx. 11.9 troy oz. 400/600

STERLING SILVER MUSTARD POT Newcastle, Third Quarter of the 18th Century John Langlands I, maker. Pierced shell-form thumbpiece. Underside with period monogram “N” over “CI”. Cobalt blue glass liner. Height 2.5”. Together with a later sterling silver mustard spoon. Approx. 2.6 total troy oz. 200/300

10.

GEORGE III STERLING SILVER TEAPOT London, 1786 Charles Hougham, maker. Ovoid, with beaded rims. Height 5.25”. Approx. 12.7 troy oz. 250/350

11.

GEORGE III STERLING SILVER TEAPOT London, 1791 Peter & Ann Bateman, maker. Oval, with peaked cover surmounted by a pineapple finial. Bright-cut engraved with floral swags. Two shields, one filled with an armorial engraving of a bird feeding her young, the other monogrammed. Height 6.5”. Approx. 18.0 troy oz. 500/800

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12.

PAIR OF GEORGE III STERLING SILVER STUFFING SPOONS London, 1792 Peter & Ann Bateman, maker. Terminals engraved with a squirrel eating from a plant. Lengths 12.75” and 13.25”. Approx. 7.5 troy oz. 300/500

13.

GEORGE III STERLING SILVER TEA CADDY London, 1794 Alexander Field, maker. Ovoid, with hinged and molded cover. Bright-cut decoration. Height 5.75”. Approx. 11.8 troy oz. 250/350

14.

15.

GEORGE III STERLING SILVER COFFEE BIGGIN POT London, 1797 John Emes, maker. Tapered cylindrical body with three reeded bands. Spread-wing armorial engraving on cover and body. Height 8.5”. Approx. 18.8 troy oz. 500/1,000

16.

THREE REGENCY STERLING SILVER LADLES London, 1817 Two sauce ladles, lengths 7”, and a soup ladle, length 12.75”. William Eley & William Fearn, maker. Terminals engraved with a knight’s helmet above a woman holding flowers and a pendant Maltese cross, with the mottos “Tria Juncta In UIno” and “Ich Dien”, possibly for the Order of the Bath. Approx. 12.2 troy oz. 300/500

17.

TWELVE SILVER FIDDLEBACK DINNER FORKS Monogrammed. Lengths 7.5”. 1-9) Nine Lincoln & Reed American coin silver. 10-12) Three sterling silver, London, 1828. William Chawner II, maker. Approx. 22.7 total troy oz. 400/600

18.

ELEVEN FRENCH STERLING SILVER FORKS Paris, 1819-38 Charles-Salomon Mahler, maker. Fiddle, thread and shell pattern. Monograms on the reverse. Lengths 8”. Approx. 31.3 troy oz. 600/800

GEORGE III DOUBLE-COMPARTMENT OVAL BOX London, 1804 George Smith II & Thomas Hayter, maker. Top engraved with the Prince of Wales feathers badge encircled by a “Royal Miner” garter belt and surmounted by a coronet. Goldwashed interiors. Length 6”. Approx. 10.4 troy oz. 300/400

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19.

PAIR OF FRANÇOIS-DESIRE FROMENT-MEURICE .950 SILVER JARDINIERES Paris, France, Circa 1840 Maker’s mark “F. Froment” above a sheaf of wheat. Rectangular, with cut corners. Exteriors with an acid-etched design. Stamped “Froment-Meurice”. Lengths 9.75”. Approx. 69.2 troy oz. 1,500/2,500

22.

BIGELOW BROS. & KENNARD STERLING SILVER CUP Boston, Mid-19th Century Beaded rims. Engraved with three fleur de lis impaling Thomas Jefferson’s coat of arms, his motto “Ab Eo Libertas A Quo Spiritus”, and “TJC” for Thomas Jefferson Coolidge. Height 3.5”. Approx. 6.5 troy oz. 200/300

20.

DUTCH .875 SILVER TEA CADDY Amsterdam, 1843 Indistinct maker’s mark. Oval, with beaded rim and hinged cover. Height 3.75”. Approx. 10.9 troy oz. 200/300

23.

TWO AMERICAN STERLING SILVER TEA STRAINERS Both with porringer-form handles. One Rand & Crane with single handle and one S. Kirk & Son with two handles. Lengths 5”. Approx. 3.4 total troy oz. 100/150

21.

S. KIRK & SON 11 OZ. SILVER COFFEEPOT Baltimore, Mid-19th Century Pierced gallery around rim. Repousse design of scrolling foliage. Monogrammed on shoulder. Interior rim of cover inscribed “Vera pro Gratis”. Height 12.5”. Approx. 33.1 troy oz. 1,000/1,500

24.

BIGELOW, KENNARD & CO. / KENNARD & JENKS STERLING SILVER CREAM POT Boston, Circa 1870 Marked for both makers. Spherical, on four claw & ball feet. Engraved “Dulcissima dulcia” and inscribed “Nora from her Uncle Laurence, June 18th 1879”. Height 4.5”. Approx. 10.0 troy oz. 200/300

19, pair

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25, pair

25.

26.

27.

28.

PAIR OF BIGELOW, KENNARD & CO. / KENNARD & JENKS STERLING SILVER SAUCE BOATS Boston, Circa 1870 Marked for both makers. Dolphin-form handles. Repousse floral borders. Monogrammed. Heights 6.5”. Approx. 26.8 troy oz. 1,200/1,800

29.

NINE GORHAM “MEDICI-OLD” STERLING SILVER SOLID DESSERT KNIVES Providence, Rhode Island, Late 19th Century Monogrammed. Lengths 8.25”. Approx. 21.1 troy oz. 300/500

30.

TWO MIDDLE EASTERN SILVER SHAKERS AND TWO SILVER PLATED OPEN SALTS All unmarked. Foliate designs. Shaker heights 2.25”. Approx. 3.0 troy oz. weighable silver 100/200

31.

TWO NOVELTY SILVER SHAKERS 1) Owl-form with glass eyes. Unmarked. Monogrammed on cover rim. Height 3”. 2) Barrel-form sterling silver with six-pointed star on pierced cover. Underside inscribed “C.W.A. Oct. 16, 1883”. Height 1.5”. Approx. 2.1 total troy oz. 200/300

32.

PAIR OF VICTORIAN STERLING SILVER SHAKERS Birmingham, 1893 Pill-form, on three ball feet. Heights 2”. Approx. 1.2 troy oz. 100/200

TEN CROSBY & FOSS STERLING SILVER SOLID DESSERT KNIVES Boston, Fourth Quarter of the 19th Century Tapered handles engraved with palmettes. Monogrammed. Lengths 8”. Approx. 20.3 troy oz. 200/300

TWO PIECES OF CONTINENTAL SILVER 1) Brandy ladle with French rectangular weevil mark. Bowl with scalloped rim. Baleen handle with silver and agate terminal. Length 13.5”. 2) Early 20th Century Dutch export .833 silver sugar basket. Pierced frame with removable cobalt blue glass liner. Length 4.25”. Approx. 4.3 total troy oz. weighable 150/250

TWO DOMINICK & HAFF STERLING SILVER OPEN SALTS New York, 1878 Both cylindrical, with three feet. Repousse floral design. Diameters 2.25”. Approx. 2.8 troy oz. 100/150

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33, assembled set

33.

ASSEMBLED “AMERICAN KINGS” STERLING SILVER FLATWARE SERVICE Various monograms. 1-42) Forty-two 7.5” forks: Twenty-four Bigelow, Kennard & Co. and eighteen Ball, Black & Co. 43-68) Twenty-six 6.75” forks: Fifteen Ball, Black & Co. and eleven Bigelow, Kennard & Co. 69-80) Twelve Bigelow, Kennard & Co. 8.25” place spoons. 81-96) Sixteen Ball, Black & Co. 8” place spoons. 97-120) Twenty-four 7” oval soup/dessert spoons: Twelve John Polhamus for Tiffany & Co. and twelve Bigelow, Kennard & Co. 121-131) Eleven Ball, Black & Co. 6.75” oval soup/dessert spoons. 132-146) Fifteen 5.75” teaspoons: Nine Ball, Black & Co., five Bigelow, Kennard & Co. and one Rand & Crane. 147-158) Twelve Bigelow, Kennard & Co. 7.75” solid breakfast knives. Approx. 346.3 total troy oz. 6,000/8,000

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34.

FOUR MATCHING SILVER PLATED CANDLESTICKS Late 19th/Early 20th Century Heights 10.25”. 120/180

35.

PAIR OF STERLING SILVER MINIATURE ANDIRONS America, 20th Century Gold-washed. Ball tops. Heights 2”. Approx. 1.4 troy oz. 100/200

36.

THREE SILVER TABLEWARES BELONGING TO WILLIAM APPLETON COOLIDGE 1) Regency bowl given to Coolidge for Christmas in 1963, with presentation inscription and numerous monograms. London, 1815. Rebecca Emes & Edward Barnard I, maker. Reverse engraved with an armored arm clenching a dagger. Diameter 5.75”. 2) Gorham mug engraved “William Appleton Coolidge” and inscribed “From his godmother Eleonora R. Sears January 13th, 1902”. 3) Dominick & Haff porringer inscribed “William Appleton Coolidge from E.J. Amory January 1920”. Approx. 21.5 total troy oz. 400/600

37.

38.

39.

40.

TWO STERLING SILVER PORRINGERS AND A SALVER 1-2) Two identical porringers bearing slightly different inscriptions and given to Catherine Coolidge on September 26, 1930. 3) Salver with gadrooned rim and hoof feet. Retailed by Cartier. Central monogram. Diameter 5.75”. Approx. 17.0 total troy oz. 300/500

THIRTEEN STERLING SILVER SMOKING ITEMS 1-5) Five Lebkuecher & Co. monogrammed matchbook covers. 6-9) Four Black, Starr & Gorham circular monogrammed ashtrays. 10-13) Four square ashtrays with central eagle engraving. Approx. 21.9 total troy oz. 350/450

MAPPIN & WEBB SILVER PLATED CONDIMENT SERVICE Mid-20th Century Together with two sterling silver and two silver plated spoons. Condiment set consists of six open salts, six pepper shakers and four covered mustard pots. Salts and mustard pots with cobalt blue glass liners. Shaker heights 2.75”. Approx. 0.6 troy oz. weighable 200/300

ENGLISH STERLING SILVER ASSEMBLED SALT AND PEPPER SERVICE Birmingham Eight open salts and pepper shakers, each with gadrooned rims and three hoof feet. Most Adie Bros. Ltd., maker. 1920s, various date letters, some rubbed. Two salts 1946, maker’s mark “E & B”. Shaker height 3.75”. Approx. 38.6 total troy oz. 400/600

41.

SIXTEEN PIECES OF STERLING SILVER AND SILVER PLATED FLATWARE Sterling silver unless otherwise noted. 1) Gorham “Eglantine” monogrammed berry spoon. Length 8”. 2) Gorham “Swiss” tongs. 3-7) Five assorted serving pieces. 8-9) Two assorted teaspoons. 10-16) Seven pieces of assorted silver plated flatware. Approx. 18.8 total troy oz. weighable 300/400

42.

TWELVE TIFFANY & CO. STERLING SILVER SALT SPOONS New York, Circa 1910 Initial mark for John C. Moore II. Japonesque, the hammered handles engraved with eight various designs. Not monogrammed. Lengths 2”. Approx. 1.3 troy oz. 300/500

43.

THIRTY DEMITASSE AND SALT SPOONS 1-4) Four Georg Jensen “Acorn” sterling silver demitasse spoons. 1910-25. Lengths 4.25”. 5-21) Seventeen engraved demitasse spoons, six with French .800 silver Minerva mark. Lengths 3.25”. 22-30) Nine American sterling silver salt spoons in two patterns, five monogrammed. Approx. 5.8 total troy oz. 100/150

44.

TEN GEORGE GEBELEIN STERLING SILVER DEMITASSE SPOONS Boston, Circa 1930 Monogrammed on fronts and backs. Lengths 3.5”. Approx. 2.2 troy oz. 150/250

45.

GEORGE GEBELEIN STERLING SILVER HOT WATER KETTLE ON STAND WITH BURNER AND SUGAR BOWL Boston, Circa 1930 Together with an English silver plated teapot, from which Gebelein copied the bright-cut engraving. All engraved with floral garlands and registers of alternating diamonds and circles. Vacant medallions. Underside of the sugar bowl inscribed “TJC to CC May, 20 1932”. Height to top of kettle handle 11.75”. Approx. 54.2 troy oz. weighable silver 1,000/1,500

46.

NAPIER SILVER PLATED COCKTAIL JIGGER AND TONGS Bucket-form jigger measures up to four ounces. Tongs length 8.5”. 100/150

47.

S. KIRK & SON STERLING SILVER COCKTAIL SHAKER Baltimore, Mid-20th Century Not monogrammed. Height 9.5”. Approx. 16.2 troy oz. 400/600

48.

TWELVE REED & BARTON STERLING SILVER CORDIALS Conical, on spreading feet. Monogrammed. Heights 2.75”. Approx. 20.6 troy oz. 400/600

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45, set

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The Thomas Jefferson “J” Chinese Export Service Lots 49-72

Presented here are 25 lots of the storied circa 1790 Chinese Export “J” dinner service, long associated with Thomas Jefferson (1743-1826), the third President of the United States. While historians have yet to discover documentation that links Jefferson to this particular pattern, the “J” dinner service is included in Margaret Brown Klapthor’s Official White House China (1984), considered the definitive guide to Presidential china patterns, and it has been on display as Jefferson’s service at Monticello, the White House and other American State Department facilities. Jefferson’s 19th Century descendants also firmly believed it was his service and sought to re-acquire it, a few generations after Jefferson’s grandchildren had auctioned off most of his personal belongings to pay down the $100,000 debt he had left at the time of his death. At the center of all the pieces is a gilt script “J” enclosed within a shield with a blue outline studded with thirteen gilt stars, surmounted by a knight’s helm set on a garlanded arabesque. The deep blue rims are trimmed with a gilt fleur-de-lis border.

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49, pair

49.

PAIR OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters 9.5”. 1,000/1,500

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50.

NESTING SET OF TWO THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTERS Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Lengths 11.25” and 13”. 1,200/1,800

51.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN SAUCEBOAT WITH UNDER PLATE Late 18th Century Jefferson arms at interior center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Lengths approx. 7.75”. 1,500/2,000

52.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN COVERED BUTTER DISH Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Height including lid 4.25”. Diameter 5”. 800/1,200

53.

TWO PIECES OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN Late 18th Century A small oval dish, length 7.75”, and a hot water plate insert, length 12”. Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. 600/900

54.

TEN THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters from 9.5” to 9.75”. 500/1,000

50, two

53, two

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55.

RARE THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN COVERED SOUP TUREEN Late 18th Century Jefferson arms, featuring a shield with a gilt “J”, on lid and on both sides of tureen. Blue, white and gilt borders. Lid with fruit-form finial. Tureen with entwined foliate and fruit handles at sides. Height 8.75”. Length 13”. 6,000/9,000

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56, pair

56.

PAIR OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN SOUP PLATES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters 9.5”. 800/1,400

60.

FOUR THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN BUTTER PLATES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters 6.125”. 300/500

57.

SIX THOMAS JEFFERSON ARMORIAL CHINESE EXPORT SOUP PLATES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters 9.5”. 1,000/1,500

61.

58.

SIX THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters 9.5”. 1,000/2,000

62.

59.

EIGHT THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN BERRY BOWLS Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters 6.5”. 400/600

63.

SEVEN PIECES OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN Late 18th Century Four saucers and three cups, all with the Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Largest diameter 6.25”. 200/300

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57, six

58, six

59, eight

60, four see photos of all lots and view condition reports at www.eldreds.com

64.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTER Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Handwritten note from Thomas Jefferson Coolidge pertaining to the history of the platter affixed to underside. Length 11.25”. 500/1,000

65.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTER Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Length 14.75”. 500/800

66.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN DISH Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Reticulated edge. Blue, white and gilt borders. 7” x 8”. 800/1,200

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67, three

67, set of three

67.

NESTING SET OF THREE THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTERS Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Lengths from 11.25” to 14.5”. 2,000/3,000

68.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTER Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. 15.25” x 17.75”. 2,500/3,500

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69.

PAIR OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN COVERED VEGETABLE DISHES Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Heights including covers 5.5”. Lengths 10.75”. 3,000/5,000

69, pair

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70.

THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTER Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. 15” x 18”. 3,000/4,000

71.

PAIR OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN PLATTERS Late 18th Century Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. 16” x 19”. 500/1,000

72.

SIX PIECES OF THOMAS JEFFERSON ARMORIAL CHINESE EXPORT PORCELAIN Late 18th Century Four soup bowls and two shallow bowls. Jefferson arms at center, featuring a shield with a gilt “J”. Blue, white and gilt borders. Diameters approx. 9.5”. 500/800

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73.

HARRIET GUILD America, 19th Century “Thomas Jefferson (The Medallion Portrait)”, after Gilbert Stuart. Unsigned. A typed copy of a letter (original letter not present) reads: “My dear Jefferson The box containing the head of my grandfather was among those bought from Randolph. I send it to you my son for your name’s sake ... it is the most admirable copy of altogether the best portrait ever made of President Jefferson. The original by Stewart, the copy in crayon by Miss Harriet Guild - Ever affectionately your mother Ellen W. Coolidge [all sic]”. The original portrait by Stuart is in the Fogg Art Museum at Harvard. Ellen Coolidge was Jefferson’s granddaughter. Mixed media on paper, sight diameter 17.5”. Framed 28” x 28”. 1,500/2,500

74.

AFTER JEAN-ANTOINE HOUDON 19th Century Bust of George Washington. Signed on side “Houdon”. Patinated plaster bust on a gray stone base, height 19”. 1,000/2,000

75.

AFTER JEAN-ANTOINE HOUDON 19th Century Bust of Benjamin Franklin. Signed and dated on side “Houdon 1778”. Patinated plaster bust on a gray stone base, height 18”. 1,000/2,000

76.

FRAGMENT OF A HAND-COLORED PRINT OF BOSTON HARBOR IN THE 18TH CENTURY Circa 1904 Cartouche upper left contains “Explan” and key of twenty ships and landmarks. Cartouche upper right contains “To John Hancock Esq. This Perspective View of Boston Harbor, Island, & Men of War & Landing Y. 29. & 14th Regmt. Sony. 1st. of Oct. 68. As Taken from End of Long Wharf...”. 10.25” x 54.25”. Framed 12.5” x 56.5”. 500/1,000

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77.

FOUR REVOLUTIONARY WAR HAND-COLORED ENGRAVINGS AFTER AMOS DOOLITTLE Boston, 1903 Re-engraved by Sidney L. Smith and published in 1903 by Charles Goodspeed. Includes plates I-IV, titled “The Battle of Lexington ...”, “A View of the Town of Concord”, “The Engagement at the North Bridge in Concord” and “A View of the South Part of Lexington”. Each numbered 60/75. On paper, 15” x 18.5” sight. Framed 21” x 25”. 700/1,000

78.

EARLY WILLIAM & MARY CHEST Late 17th/Early 18th Century In pine. Four varied full-width drawers, all with panel-molded fronts. Turned bun feet. Height 37.75”. Width 34”. Depth 22.25”. 1,000/1,500

79.

PAIR OF BACKSTOOL CHAIRS Late 18th Century Molded front legs connected by H-stretchers. Salmoncolored foliate upholstery. Back heights 38.5”. Seat heights 17.5”. 500/800

80.

77, four

PAIR OF SIGNED JOHN MOLINEUX BRASS STEEPLE-TOP ANDIRONS Boston, Late 18th/Early 19th Century Together with a near-matching pair of tongs and a shovel. Andirons signed “John Molineux Boston”. Heights 19.5”. Depths 19”. 500/800

79, pair

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81.

PIERCED BRASS AND COPPER FIREPLACE FENDER America, Late 18th/ Early 19th Century Some engraved decoration. Height 6.75”. Width 53”. Depth 6”. 400/600

82.

REPRODUCTION JOINT STOOL Late 19th Century In walnut, with turned legs joined by a box stretcher. Height 22.5”. Width 22”. Depth 13.5”. 200/300

83.

84.

EARLY TAVERN TABLE Pennsylvania, First Half of the 18th Century In walnut. Apron fitted with a single drawer. Turned legs joined with a box stretcher. Height 30.75”. Length 58.5”. Width 31.5”. 1,000/1,500

PIERCED BRASS FIREPLACE FENDER America, Late 18th/ Early 19th Century Height 4.75”. Width 44.75”. Depth 9.5”. 200/300

85.

PILGRIM-STYLE STAND 19th Century In varied woods, with circular top, turned pedestal and crossed feet. Height 25.75”. Diameter of top 16.25”. 150/250

86.

PIERCED AND ENGRAVED BRASS FIREPLACE FENDER America, Late 18th/ Early 19th Century Height 5.25”. Width 44.5”. Depth approx. 3.75”. 300/500

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87.

88.

PAIR OF ENGRAVED BRASS ANDIRONS America, Late 18th Century With urn finials and columnar monumental bases, the front panels engraved with a weeping willow, river and house. Heights 26”. Depths 21.75”. 800/1,200

PAIR OF BELL METAL ANDIRONS America, Late 18th Century With urn finials, bamboo-style columns and snake feet. Heights 27”. Depths 21.5”. 500/800

89.

90.

PAIR OF IRON KNIFE BLADE PENNY FOOT ANDIRONS America, Last Half of the 18th Century With brass urn finials. Height 23.5”. Depths 18.75”. 300/500

PIERCED AND ENGRAVED BRASS FIREPLACE FENDER America, Late 18th/Early 19th Century Height 5.5”. Width 47”. Depth approx. 6.5”. 400/600

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91.

WIRE AND BRASS FIREPLACE SCREEN Early 19th Century Height 24.25”. Width 49.5”. Depth 8.25”. 200/300

92.

TWO ANTIQUE SIDE CHAIRS One 18th Century Georgian in walnut and one Late 18th Century American in cherry, with ribbon back. Back heights 36.25” and 28”. Seat heights 17.25” and 18.25”. 200/300

93.

ENGLISH GEORGE II WING CHAIR Mid-18th Century Walnut legs, the front legs cabriole ending in pad feet. Beige foliate print upholstery. Back height 45.25”. Seat height 21”. 500/700

94.

SMALL ENGLISH GEORGE II SIDE TABLE 19th Century In walnut. Scalloped-edge gallery. Open compartment under top. Tapered legs end in diminutive pad feet. Height 26”. Width 29”. Depth 12.75”. 200/300

95.

ENGLISH GEORGE II PEMBROKE TABLE Circa 1800 In mahogany. Top with banded inlay. Single drawer at one end of apron. Tapered legs with string inlay and fitted with brass casters. Height 28.5”. Width 20.75” plus two 9” drop leaves. Depth 27.5”. 400/600

96.

ENGRAVING “TENIERS’S KITCHEN. IN THE COMMON PARLOUR AT HOUGHTON” London, Late 18th Century Published by John Boydell. 19” x 23.5”. Framed 27.5” x 32”. 250/350

97.

ENGLISH GEORGE II SIDE CHAIR Circa 1780 In mahogany. Back with elaborately carved crest rail and pierced splat. Needlework slip seat. Cabriole legs with carved knees and claw & ball feet. Back height 37.25”. Seat height 18”. 250/350

98.

ENGLISH BOWFRONT BUREAU Circa 1800 In walnut and walnut veneer. Three full-width drawers with cock-bead molding. French splayed bracket feet. Height 35.75”. Width 35.75”. Depth 18.75”. 400/600

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99.

ENGLISH THREE-PART KNEEHOLE PARTNER’S DESK 19th Century In walnut. Top with green leather writing surface and three varied drawers. Both pedestals with three drawers. Height 28.75”. Width 48”. Depth 31”. 500/1,000

100.

ENGLISH REGENCY LIBRARY STEPS 19th Century In walnut, each tread inset with green leather. Height 34.5”. Width 19.25”. Depth 29.5”. 400/600

101.

SET OF FOUR ENGLISH REGENCY ARMCHAIRS First Half of the 19th Century Hardwood with painted rosewood-style finish. Cane backs and seats. Turned legs. Back heights 33.5”. Seat heights 16”. 500/1,000

102.

GEORGIAN-STYLE FOOTSTOOL Late 19th Century Hardwood with leather seat. Grain-painted cabriole legs with shell carved knees and scrolled feet. Height 16”. Width 21”. Depth 21”. 200/300

103.

JOINT STOOL BY RESTALL BROWN & CLENNELL LTD England, 20th Century In oak. Height 22.5”. Width 13.5”. Depth 22.25”. 200/300

100

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104, ten

105

107

104.

COLLECTION OF TEN ENGLISH BLOWN GLASS LIQUOR BOTTLES Late 18th/Early 19th Century Assorted gilt decoration. Heights from 6” to 10.5”. 300/500

105.

ENGLISH MELON-FORM TEA CADDY 19th Century Hardwood with mottled finish. Height 6”.

400/600

106.

ENGLISH BUTLER’S TRAY TABLE 19th Century In walnut. Contemporary base. Height 22.75”. Length 30”. Width 20”. 150/250

107.

CHINESE CHIPPENDALE ARMCHAIR Late 18th Century Mahogany arm supports, legs and pierced H-stretcher in the Chinese Chippendale style. Needlework upholstery. Back height 37”. Seat height 16.5”. 500/1,000

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108, five

108.

SET OF FIVE CHINESE EXPORT ARMORIAL PLATES Late 18th/Early 19th Century Borders with floral and foliate decoration and a Germanic eagle. Central armorial crest with “Patria Cara Carior Libertas” banner. Diameters 9”. 400/600

110.

CHINESE EXPORT PORCELAIN BOWL 19th Century Unusual honeycomb molding to interior and exterior. Floral decoration throughout. Height 4”. Diameter 9”. 200/300

109.

SET OF SIX CHINESE EXPORT PORCELAIN PLATES Late 18th Century Central reserves with Indo-Persian decoration of an elephant with rider in a flowering landscape. Reserves surrounded by a pâte-sur-pâte-style raised white floral design. Diameters 9.25”. 1,000/1,500

111.

TWO CHINESE EXPORT PORCELAIN BOWLS 19th Century Both with floral decoration. Heights 3.5” and 4”. Diameters 8” and 9.25”. 200/300

109, six

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112, set

112.

113.

114.

TWENTY-SIX CHINESE EXPORT PORCELAIN SERVING PIECES Late 18th/Early 19th Century Two covered gravy boats with undertrays, two gravy boats with undertrays (covers missing), a covered vegetable dish, a vegetable dish cover, and sixteen oval platters, all with blue armorial decoration. Lengths from 12” to 19”. 3,000/4,000

PAIR OF CHINESE EXPORT PORCELAIN HOT WATER PLATES Early 19th Century Gilt and orange borders. Lengths 11”. 200/300

NINE PIECES OF CHINESE AND CHINESE EXPORT PORCELAIN 19th Century Four shallow bowls, diameters 6”, a soap dish with liner, a small mug, a drum-form teapot, height 6”, and a cup and saucer. 200/250

115.

CHINESE LACQUER AND GILT BOX 19th Century Octagonal, with carved bat-form feet. Height 5”. Width 8.25”. Depth 6”. 250/350

116.

CHINESE LACQUER AND GILT BOX 19th Century Octagonal. Height 4.5”. Width 7.75”. Depth 6”.

117.

200/300

PAIR OF CHINESE BLUE AND WHITE PORCELAIN COVERED TEA JARS Late 19th Century In ovoid form. One with shou and foliate decoration and the other with a floral cartouche, vessels and auspicious symbols. Heights 6”. 250/350

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118

118.

QUEEN ANNE BONNET-TOP HIGHBOY Newport, Rhode Island, Mid-18th Century In walnut, with burled walnut veneer drawer fronts. Broken arch pediment with three plinths supporting spiral- and urn-turned finials. Upper case with three varied side-by-side drawers, the central with a deep relief-carved shell, over four graduated full-width drawers. Lower case with a full-width drawer over three varied side-by-side drawers, the central with repetitive deep relief-carved shell. Cabriole legs end in pad feet. Retains original hardware. Height 84”. Width 38.25”. Depth 21.25”. 15,000/20,000

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119.

QUEEN ANNE DROP-LEAF TABLE Boston, Mid-18th Century In Cuban mahogany. Drop leaves with cut corners. Bold cabriole legs end in pad feet. Height 28.25”. Length 16.5” plus two 16.25” drop leaves. Width 42”. 1,000/1,500

120.

119

QUEEN ANNE SIDE CHAIR Boston, Circa 1750 In mahogany, with vasiform splat and cabriole front legs ending in pad feet. Back height 38.5”. Seat height 17.5”. 500/800

120

121

121.

HEPPLEWHITE CARD TABLE Boston, Circa 1790 In mahogany and mahogany veneer. Shaped top. Skirt with central raised oval panel with oak leaf and acorn inlay. Tapered legs with string inlay and cuff banding at ankles. Height 31.25”. Width 35.75”. Depth 17.5”. 1,200/1,800

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122.

CHIPPENDALE CARD TABLE Boston, Circa 1780 In mahogany, with molded-edge top and linenfold legs. Height 28.5”. Width 35.5”. Depth 18”. 500/800

122

123.

CHIPPENDALE OXBOW SLANT-LID DESK Boston, Circa 1780 In select mahogany. Interior with pigeonholes, drawers and central cupboard. Cupboard door with satinwood corner fan inlay. Conceals three block front molded drawers, the top with relief fan carving. Case with four graduated full-width drawers and ogee bracket feet. Retains period replacement hardware. Height 43.5”. Width 41.75”. Depth 23.5”. 4,000/6,000

123

124.

RARE CHIPPENDALE BLOCK FRONT DRESSING TABLE Boston, Circa 1780 In mahogany. Molded-edge top with good overhang. Full-width drawer across top, simulating three, and stacks of three graduated drawers on both sides of kneehole. Shallow drawer at top of kneehole and a paneled door at the back. Flat bracket feet. Period hardware. Height 31.25”. Width 34.5”. Depth 22”. 5,000/10,000

124

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125, pair

126, pair

127, pair

130

129

125.

PAIR OF BRASS CANDLESTICKS Early 19th Century Molded socles on fluted stems. Gadrooned double-stepped bases. Heights 12.25”. 300/500

126.

PAIR OF BRASS CANDLESTICKS Early 19th Century Beadwork socles on fluted columnar stems. Gadrooned bases. Heights 9.5”. 250/350

127.

PAIR OF BRASS CANDLESTICKS Early 19th Century Fluted column-form stems. Gadrooned bases. Heights 10.5”. 300/500

128.

CHIPPENDALE CORNER CHAIR Massachusetts, Second Half of the 18th Century In mahogany. Back with low crest rail and pierced splats. Brown slip seat. Block legs joined with box stretcher. Back height 29.5”. Seat height 17.5”. 300/500

129.

FEDERAL SHAVING MIRROR ATTRIBUTED TO THOMAS SEYMOUR Boston, Early 19th Century In mahogany. Oval mirror with string inlay along edge. Case with three side-by-side drawers, the drawers with satinwood veneer fronts and thin ebony banding along edges. Height 22”. Width 27”. Depth 9.75”. 1,000/1,500

130.

SHERATON TWO-DRAWER SEWING STAND ATTRIBUTED TO THOMAS SEYMOUR Boston, Circa 1805 In mahogany, the two drawers and basket slide in a lighter wood veneer. Top with cookie corners and molded edge. Three-quarter columns at sides of case with delicate ring turnings. Tapered reeded legs fitted with brass casters. Retains original hardware. Height 31”. Width 20.75”. Depth 17.5”. 2,000/3,000

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132

131

135

131.

QUEEN ANNE TILT-TOP TABLE Nantucket, Massachusetts, Late 18th Century In mahogany. Shaped top indicative of Nantucket cabinetmakers. Column and urn-form pedestal raised on cabriole legs ending in snake feet. Height 27.5”. Top 19.5” x 18.75”. 1,000/1,500

132.

CHIPPENDALE LOLLING CHAIR Massachusetts, Circa 1790 In mahogany, with shield crest, molded arms and slightly tapered linenfold legs. Yellow floral print upholstery. Back height 44”. Seat height 17”. 1,000/1,500

133.

QUEEN ANNE CANDLESTAND Central Massachusetts, Late 18th Century In cherry, with octagonal top, column-form pedestal and cabriole legs ending in snake feet. Height 24.25”. Top 15.5” x 15.125”. 200/400

134.

PAIR OF BRASS CANDLESTICKS First Half of the 19th Century Reverse-tapered stems. Heights 9.5”. 150/250

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135.

QUEEN ANNE CANDLESTAND Massachusetts, Last Half of the 18th Century In mahogany, with dish top, column-form pedestal and cabriole legs ending in modified snake feet. Height 25.75”. Diameter of top 18.5” x 19”. 500/800

136.

AFGHANI RUG IN PERSIAN DESIGN: 6’5” x 7’10” Late 20th Century Light blue field with a variety of stylized blossoms rendered in blues, tans, salmon red and ivory. Salmon red guard borders and navy blue main border. 500/800

136

137.

KAZAK RUG: 5’0” x 7’4” Late 19th Century Red, blue, green, gold and ivory stylized blossoms are contained within a red elongated geometric medallion with an ivory latch hook perimeter. Narrow blue field surrounded by red and ivory borders containing traditional elements. 1,000/2,000

137

138.

KAZAK RUG: 5’3” x 7’6” Circa 1900 Rust red field with several rows of alternating stylized blossoms and geometric medallions in peach, ivory and blue. Red, blue and ivory borders. 800/1,200

138

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139

139.

LAVER-KIRMAN RUG: 9’10” x 14’7” Circa 1900-1910 Tree of Life design consists of three staggered rows of graceful slender tan and olive green arbors, alternately bearing green and salmon pink leafy branches, bright ivory blossoms and green and light blue leaves. Multiple borders feature floral and foliate motifs and garrus vines. 3,000/5,000

141.

TURKISH RUG: 3’1” x 5’5” Early 20th Century Abrashed red field with small red, blue, green, yellow, ivory and dark brown blossoms surrounding a single row of five octagonal medallions containing geometric elements. Ivory and abrashed red borders. 300/400

140.

TURKISH PRAYER RUG: 4’2” x 6’2” 19th Century Curious brown and gold repeating landscape motif is stacked through a gray-green field. Flower branches and stylized cloud bands occupy the panels above the mihrab. Geometric motifs populate the ivory main border. 100/200

142.

NORTHWEST PERSIAN RUG FRAGMENT: 3’10” x 7’2” Circa 1900 Multiple colorful boteh and elaborate garlands fill a midnight blue field. Four colorful borders, including one in barber pole motif. 250/450

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144

143

143.

NORTHWEST PERSIAN RUNNER: 3’9” x 16’6” Early 20th Century Multiple columns of colorful boteh and elaborate garlands on a midnight blue field. Four colorful borders, one in barber pole motif. 800/1,200

144.

NORTHWEST PERSIAN RUNNER: 3’9” x 13’5” Circa 1900 Two rows of colorful boteh are surrounded by elaborate garlands on a midnight blue field. Multiple borders, some in barber pole motif. 700/1,000

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145.

BERGAMO RUG: 4’4” x 5’0” 19th Century Red geometric medallion contains a light blue, ivory, faded gold and brown floral bouquet. Blue subfield with additional blossoms in similar colors. Red, ivory and blue borders. 350/550

146.

NORTHWEST PERSIAN RUG FRAGMENT: 2’6” x 4’0” Circa 1900 Bold and colorful boteh and elaborate garlands fill a midnight blue field. Single yellow and ivory border. 125/200

145

147.

SERABEND RUG: 9’9” x 12’2” Late 19th Century Multiple rows of abrashed reddish-brown boteh cover a navy blue field. Red and blue guard borders. Antique ivory main border contains a red meandering vine and pink and brown boteh. 1,000/1,500

147

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148

148.

DUNCAN MCFARLANE Massachusetts/United Kingdom, 1834-1871 Portrait of the ship Adrian. Signed and dated lower right, on a piece of driftwood in the composition, “D.M.F. 18...”. Oil on canvas, 24” x 36”. Framed 30” x 42”. 12,000/18,000

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149

149.

ATTRIBUTED TO JAMES EDWARD BUTTERSWORTH New Jersey/New York/United Kingdom, 1817-1894 Yacht off Boston Light. Unsigned. Oil on canvas, 14” x 22”. Framed 22” x 30”. 20,000/30,000

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150

151

152

150.

CHINESE EXPORT PORCELAIN RAZOR BOX 19th Century Insect and floral decoration. Height 3”. Length 7”. Width 3.75”. 250/350

152.

CHINESE PORCELAIN RAZOR BOX 19th Century Landscape and figural decoration. Height 3”. Length 7”. Width 3.75”. 200/300

151.

CHINESE EXPORT PORCELAIN OVAL PLATTER First Quarter of the 19th Century Floral, insect and butterfly decoration surrounds a central gilt “CC” monogram. 12” x 14.5”. 500/700

153.

TWENTY-FOUR PIECES OF CHINESE EXPORT BLUE AND WHITE PORCELAIN 19th Century Eighteen handled cups and six matching saucers. All with gilt rims. Diameters 5.25”. 175/250

154.

THIRTY-THREE PIECES OF CHINESE EXPORT PORCELAIN Early 19th Century Five cups, seven saucers, eight shallow bowls and thirteen 7.5” plates, all with matching gilt rims studded with cobalt blue stars. 250/350

155.

CHINESE EXPORT PORCELAIN JAR Early 19th Century Decoration of flowers, grapes and two oval landscape vignettes. Height 9”. Mounted as a lamp. Total height 20.25”. 150/250

156.

SHERATON SOFA Massachusetts, Circa 1805 In cherry. Reeded crest rail and legs. Shaped arms with reeded supports. Soft green and beige striped upholstery. Back height 36.75”. Seat height 19.5”. 1,000/2,000

156

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157

158 159

157.

158.

QUEEN ANNE LOWBOY Pennsylvania, Mid-18th Century In walnut. Molded-edge top with nice overhang. Full-width drawer over three varied side-by-side drawers, the central with fan carving. Skirt with drop finials. Cabriole legs end in pad feet. Height 30.5”. Width 34”. Depth 19.5”. 3,000/5,000

CHIPPENDALE SIDE CHAIR Philadelphia, Circa 1780 In walnut. Cupid’s-bow crest rail with central shell and scrolled-out ears. Pierced owl’s-eye splat. Slip seat with rust-colored velour upholstery. Cabriole legs with beautiful shelland foliate-carved knees and claw & ball feet. Seat frame with mortise and tenon joints through the back stiles, indicative of Philadelphia cabinetmakers. Back height 39.5”. Seat height 18”. 1,500/2,500

159.

160.

QUEEN ANNE-STYLE SIDE CHAIR WITH JAPANNED DECORATION 20th Century Yoke back with vasiform splat. Slip seat with green upholstery. Cabriole legs joined by turned and blocked H-stretcher and end in pad feet. Back height 40.5”. Seat height 19.5”. 200/300

QUEEN ANNE CANDLESTAND New England, Second Half of the 18th Century In cherry, with octagonal top, turned pedestal and cabriole legs ending in snake feet. Height 25.5”. Top 15” x 15”. 200/300

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161.

CHIPPENDALE MIRROR America, Late 18th Century Mahogany veneer frame with gilt phoenix crest. Height 37.75”. Width 20.5”. 500/1,000

162.

CHIPPENDALE ARMCHAIR Late 18th Century In mahogany. Nicely carved and pierced splat. Scrolled-out arms. Molded front legs joined with H-stretcher. Back height 38.5”. Seat height 18.5”. 200/300

163.

QUEEN ANNE HIGHBOY Connecticut, Mid-18th Century In cherry. Upper case with five graduated full-width drawers. Lower case with a full-width drawer over three side-by-side drawers and cabriole legs ending in pad feet. Drawers with molded edges and period hardware. Height 76.25”. Width 39”. Depth 20.5”. 5,000/8,000

164.

CHIPPENDALE CHEST-ON-CHEST Connecticut, Circa 1780 In curly maple. Upper case with five graduated full-width drawers. Lower case with three graduated full-width drawers and flat bracket feet. Height 76.5”. Width 38”. Depth 19”. 2,500/3,500

163

165.

QUEEN ANNE CANDLESTAND Connecticut, Late 18th Century In cherry, with a delicate turned pedestal and cabriole legs ending in snake feet. Height 25.5”. Top 15” x 14.5”. 200/300

166.

SET OF COUNTRY CHIPPENDALE SIDE CHAIRS Connecticut, Circa 1780 In cherry. Delicate crest rails with carved ears. Pierced splats with central heart. Rush seats. Corner-molded block legs joined with box stretchers. Back heights 37.5”. Seat heights 17.5”. 500/800

164

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167.

PAIR OF BELL METAL CANDLESTICKS First Quarter of the 19th Century Molded reverse-tapered stems. Bases with beadwork. Heights 10.5”. 250/350

168.

BRASS CANDLESTICK 18th Century Spun square base. Height 5.5”. 200/300

167, pair

169.

170

171.

170.

168

169, pair

PAIR OF BRASS PUSH-UP CANDLESTICKS First Half of the 19th Century Molded socles on reverse-tapered stems. Heights 10”. 200/300

HEPPLEWHITE DRESSING TABLE Massachusetts, Circa 1800 In mahogany, with molded-edge top, two half drawers and tapered legs. Height 30”. Width 33.75”. Depth 17.5”. 500/800

CASED LIQUOR SET Early 19th Century Iron-bound oak case contains twelve bottles, two tumblers, one quart glass and a non-matching glass funnel. Case height 10.75”. Width 17”. Depth 10.75”. 800/1,200

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171

172

New England tonalist landscape painter Edward Mitchell Bannister was one of the first American Black men to win an important national art award, when he took first prize at the 1876 Philadelphia Centennial Exposition. Bannister, born in New Brunswick, Canada, took a job at sea shortly after the death of his mother in 1844. He settled in Boston around 1848, where he became a barber and

172.

EDWARD MITCHELL BANNISTER Massachusetts/Rhode Island/Canada, 1828-1901 Cattle through the trees. Signed and dated lower right “E. Bannister 1878”. Oil on canvas, 16.25” x 21.5”. Framed 23” x 28”. 8,000/12,000

learned to paint, though his formal studies were limited. Bannister often remarked that the judges at Philadelphia Exposition were so indignant a Black man had won they wanted to “reconsider” the award, but his fellow competitors upheld Bannister’s prize. The painting, “Under the Oaks”, was later sold in Boston for $1,500, a considerable price at the time. (Intriguingly, the painting has not been seen since the turn of the century.) Bannister’s reputation grew rapidly following the Exposition, and more awards and honors soon followed, allowing him to work exclusively as a painter. By 1869 or 1870 he and his wife had moved to Providence, Rhode Island, where they were prominent members of the Black American cultural and political communities. Bannister co-founded the Providence Art Club and was an original board member of the Rhode Island School of Design.

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173.

QUEEN ANNE DROP-LEAF BREAKFAST TABLE Massachusetts, Mid-18th Century In maple, with cabriole legs ending in pad feet. Nice surface and diminutive size. Height 27.75”. Length 13.5” plus two 13.5” drop leaves. Width 37.25”. 1,000/1,500

173

174.

PAIR OF BELL METAL LEMON-TOP ANDIRONS Massachusetts, Circa 1800 Heights 19.25”. Depths 19.5”. 500/700 174, pair

175.

CASED LIQUOR SET Early 19th Century Inlaid mahogany case contains an assembled set of eight gilt-decorated bottles, two quart glasses and a glass funnel. Case height 10.5”. Width 14.5”. Depth 11”. 800/1,200

175

176.

PAIR OF LEATHER FIRE BUCKETS First Half of the 19th Century Under old paint. Shield-form cartouches contain matching images of a horse-drawn hose wheel. Smaller shield-form cartouches below contain “3”. One handle loose but present. Heights to rim 13”. 500/1,000

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176, pair

177

179

178

177.

HEPPLEWHITE BOWFRONT BUREAU North Shore of Massachusetts, Circa 1800 In mahogany. Four graduated fullwidth drawers with satinwood and mahogany veneer fronts and cockbead molding. French splayed bracket feet. Height 34.5”. Width 40.5”. Depth 21.5”. 500/1,000

178.

SHERATON DRESSING TABLE ATTRIBUTED TO WILLIAM HOOK Salem, Massachusetts, Circa 1805 In mahogany, with two half drawers and delicate, tapered reeded legs. Acanthus-carved half columns at tops of legs indicative of William Hook. Height 32.75”. Width 36.5”. Depth 18”. 1,000/1,500

179.

HEPPLEWHITE BOWFRONT BUREAU Portsmouth, New Hampshire, Circa 1800 In mahogany, with mahogany and satinwood veneer. Four graduated full-width drawers with cockbead molding. Skirt with central rectangular drop panel. French splayed bracket feet. Retains period hardware. Height 38”. Width 41”. Depth 21.75”. 4,000/6,000

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180

180.

181.

DIMINUTIVE HEPPLEWHITE SIDEBOARD North Shore of Massachusetts, Circa 1790 In mahogany and mahogany veneer. Shaped top. Three varied drawers across top, with three cupboards below. Tapered legs end in spade feet. Height 41.5”. Width 58”. Depth 24”. 2,500/3,500

TOLE TRAY 19th Century Gilt floral, foliate and figural decoration on a black ground. 21.75” x 30.25”. 125/175

182.

183.

PIERCED BRASS FIREPLACE FENDER America, Late 18th/ Early 19th Century Height 4.75”. Width 44.75”. Depth 9.5”. 200/300

PAIR OF BRASS STEEPLE-TOP ANDIRONS America, Early 19th Century Together with a near-matching pair of tongs and a shovel. Heights 22.5”. Depths 22.5”. 300/500

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184.

THREE PAIRS OF BRASS CANDLESTICKS 19th Century Heights from 8.5” to 10.5”. 300/500

185.

CHIPPENDALE MIRROR America, Late 18th Century Nicely scrolled mahogany frame with raised sheaf of wheat crest. Height 32”. Width 16.5”. 300/500

186

186.

AMERICAN SCHOOL 19th Century Interior scene with a woman preparing food. Unsigned. Oil on canvas, 13.5” x 12”. Framed 15.5” x 14”. 200/300

187.

CHIPPENDALE OXBOW BUREAU Massachusetts, Circa 1780 In mahogany, with four graduated full-width drawers and flat bracket feet. Height 31”. Width 34.25”. Depth 18.75”. 2,500/3,500

188.

FIVE ENGLISH WHALING-THEMED LITHOGRAPHS 19th Century One depicts “Killing a Shark”. Remainder depict various whale capture scenes. Each approx. 7.5” x 9.5” sight. Framed 9.5” x 11.5”. 200/300

187

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189.

THREE WHALING-THEMED LITHOGRAPHS Massachusetts, Mid-19th Century 1) “Sperm Whaling No. 1 The Chase”. After A. Van Best and Robert Swain Gifford. Lithography by Endicott & Co. and published by Charles Tabor & Co. 18.25” x 26.5” sight. Framed 25.5” x 33”. 2) “Sperm Whaling No. 2 The Capture”. After A. Van Best and Robert Swain Gifford. Lithography by Endicott & Co. and published by Charles Tabor & Co. 18.25” x 26.5” sight. Framed 25.5” x 33”. 3) “Sperm Whaling No. 2 The Conflict.”. After J. Cole. Lithography by Prang and published by Charles Tabor & Co. 18.5” x 27” sight. Framed 25” x 33”. 800/1,200 189, three

190

190.

* EXTRAORDINARILY LONG NARWHAL TUSK Well-preserved, with just minor roughness at tip and base, and faint age lines and slight cracking, mostly following the natural spiraling of the tusk. * Per Federal Regulation, this item may only be purchased by a Massachusetts resident and will not be shipped out of state. Approx. 93.5”. 7,000/10,000 Purportedly kept aboard the auxiliary schooner Blue Dolphin owned by Amory Coolidge (18951952). The schooner was designed in 1927 by the naval architect William James Roue (Nova Scotia, 1879-1970) and her overall length was 99 feet.

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191, four

191.

ASSEMBLED SET OF FOUR CHIPPENDALE SIDE CHAIRS Massachusetts, Circa 1780 In mahogany. Each by the same hand but with subtle variations, notably two with slip seats and two with shellcarved crests. Backs with pierced splats and nicely carved rabbit ears. Cabriole legs with foliate-carved knees and claw & ball feet. Turned and blocked H-stretchers. Back heights 36.5”. Seat heights 18”. 800/1,200

192.

BRASS AND WIRE FIREPLACE FENDER Late 18th/Early 19th Century Height 12”. Width 52.25”. Depth 19.5”.

300/500

193, six

193.

SET OF SIX CHIPPENDALE SIDE CHAIRS Massachusetts, Circa 1780 In mahogany. Nicely carved and pierced splats. Slip seats with gold and cream-colored herringbone upholstery. Corner-molded block legs joined with H-stretchers. Back heights 38.5”. Seat heights 19”. 1,200/1,500

194.

HEPPLEWHITE ONE-DRAWER STAND New England, Circa 1800 In mahogany. Single drawer, simulating two, with brass pulls. Tapered legs. Height 29.25”. Width 17”. Depth 15”. 125/200

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195.

QUEEN ANNE PORRINGER-TOP TEA TABLE New England, Mid-18th Century In maple. Tapered legs end in diminutive pad feet. Height 27”. Length 36”. Width 23.5”. 3,000/4,000

195

196.

197.

198.

FEDERAL ARCHITECTURAL MIRROR America, Circa 1810 Gilt frame with column-form sides. Height 39.75”. Width 22.5”. 400/600

PAIR OF CHINESE FAMILLE ROSE PORCELAIN VASES 19th Century In baluster form, with slightly flared mouths. White glaze body and neck with floral spray decoration and a gilt-highlighted fish scale shoulder. Labels on bases for Louis Joseph, Boston. Height 14”. 500/700

CHIPPENDALE CARD TABLE New England, Circa 1780 In plum pudding mahogany, with a molded-edge top and linenfold legs. Height 29”. Width 36”. Depth 17.5”. 700/1,000 197, pair

199.

199

HEPPLEWHITE TWO-PART CYLINDER-TOP WRITING DESK North Shore, Massachusetts, Circa 1800 In mahogany. Upper case with a molded cylinder top that opens to reveal interior pigeonholes and drawers. Writing extension below. Lower case with half drawers and tapered legs fitted with brass casters. Height 38.5”. Width 36.5”. Depth 22.5”. 1,200/1,800

200.

WIRE AND BRASS FIREPLACE SCREEN Early 19th Century Height 10”. Width 40.75”. Depth 13.5”. 150/250

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201, set

203

201.

FORTY-FIVE PIECES OF JAPANESE BLUE AND WHITE PORCELAIN Late 19th/Early 20th Century Fifteen 8.5” plates, twelve 7.75” plates, eleven 6” shallow bowls, six small rice bowls and a small dish. 300/500

202.

JAPANESE IMARI PORCELAIN BOWL Late 19th/Early 20th Century Scalloped rim. Interior and exterior with three floral cartouches. Height 5”. Diameter 11.25”. 200/300

203.

CHINESE BLUE AND WHITE PORCELAIN COVERED JAR 19th Century In temple jar form. Shou decoration about the body and lotus-filled lappets at shoulder and foot. Domed cover with floral knop, and crane, wave and lappet decoration. Sixcharacter Kangxi mark on base. Height 9”. 350/450

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204.

JEAN FRANCOIS MILLET France, 1814-1875 “Man with Wheelbarrow (Le paysan rentrant du fumier)”. Signed in plate “J.F. Millet”. Etching on paper, 7” x 5.5” sight. Framed 16.25” x 14.25”. 700/1,000

204

205.

JEAN FRANCOIS MILLET France, 1814-1875 “The Sower”, 1851. Signed in plate. Lithograph on paper, 8.5” x 6.75” sight. Framed 16.25” x 14”. 2,000/3,000

205

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206.

PAIR OF CONTINENTAL ROCOCO GILT FRAME MIRRORS 19th Century Elaborate moldings in foliate and floral designs. Heights 41.5”. Widths 23.5”. 1,200/1,800

206, pair

207.

NEAR-PAIR OF PARIS PORCELAIN VASES 19th Century Landscape decoration against a gilt ground. Heights 13.5”. Mounted as table lamps. Total heights 26”. 300/500

207, pair

208.

SET OF EIGHTEEN ENGLISH COBALT BLUE BLOWN GLASS FINGER BOWLS Late 19th/Early 20th Century Heights approx. 3.25”. Diameters 4.5”. 400/600

208, set

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209

209.

PAUL GUIGOU France, 1834-1871 “Soleil levant sur les bords de la Durance à Mirabeau, 1865”. Signed lower left “Paul Guigou”. Museum of Fine Arts, Boston exhibition label verso. Oil on canvas, 26” x 59”. Framed 35” x 68”. 12,000/18,000

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210, twelve

210.

SET OF TWELVE DINING CHAIRS BY RICHARD OEDEL Boston, Contemporary Brown slip seats. Each branded, signed and dated. Back heights 34”. Seat heights 17.5”. 1,000/2,000

213.

PAIR OF IRISH CUT CRYSTAL SWEETMEATS Late 19th Century Heights 13”. 200/300

211.

PAIR OF FRENCH PROVINCIAL ARMCHAIRS Early 19th Century Walnut frame. Gold-colored upholstery. Back heights 36.5”. Seat heights 17”. 500/800

214.

PAIR OF PARIAN BISQUE FIGURES OF WOMEN MENDING NETS Late 19th Century One marked on back of base “J & TB 316”. Heights 12”. 200/300

212.

PAIR OF CUT GLASS MANTEL GARNITURES Late 19th Century Each with urn-form finials, a prism-form upper stem and two candle sockets. Heights 20”. Widths 11”. 200/300

215.

ENGLISH SOFT-PASTE COFFEE SERVICE Last Half of the 19th Century Pink and gilt floral pattern. Consists of a coffeepot, a creamer, an open sugar, nine coffee cups, six demitasse cups, twelve saucers and a small plate. 200/300

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216.

ANGLO/AMERICAN SCHOOL 19th Century Portrait of a young man. Unsigned. Inscribed verso “C.T. Lamely”. MFA label verso. Oil on board, 8” x 6.75”. Framed 12.25” x 11.25”. 700/1,000

216

217.

FRENCH SCHOOL Late 18th Century “Madame Lamballe”. Unsigned. Titled on label verso. Possibly Princess Marie Thérèse Louise of Savoy. Oil on panel, 9.25” x 6.5”. Framed 13.5” x 11.25”. 2,000/3,000

217

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218

218.

BAKHSHAISH RUG: 11’0” x 14’10” Late 19th Century Light blue field with pink, gold and ivory stylized cypress and willow trees amidst stylized branches and blossoms. Salmon red, tan and ivory borders contain leaves and blossoms. 3,000/5,000

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219

219.

KHAMSEH RUG: 5’2” x 9’4” Circa 1900 Navy blue field with a lattice pattern formed by red and blue linear vines adorned with rust red, pale blue, yellow and ivory stylized blossoms. Broad red main border. 500/700

220

220.

CAUCASIAN TALISH RUG: 3’4” x 9’9” 19th/20th Century Empty red field with a blue reciprocal spearpoint border about the perimeter. Multiple borders with colorful blossoms. 300/500

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221.

KARACHOPF KAZAK RUG: 5’0” x 7’4” Late 19th Century Traditional arrangement of ivory and blue geometric medallions on a red field. Brown and ivory guard borders. Blue main border. 1,000/1,500

222.

MELAS PRAYER RUG: 3’5” x 4’10” Late 19th Century Red field above an ivory subfield, with red and blue blossoms suspended above the mihrab. Ivory and faded yellow guard borders. Broad gold main border contains faded amethyst blossoms. 250/350

221

223.

KURD BIDJAR RUG: 4’4” x 7’5” Early 20th Century Dark blue medallion contains a floral motif and suspends green pendants on an open red field. Light blue subfield. Brown main border with winecup and serrated leaf motif. 350/450

224.

KURD BIDJAR RUG: 3’7” x 6’5” Circa 1900 Tan field is traversed by a light blue linear vine bearing geometric stylized blossoms in pink, blue and brown. Ivory, abrashed brown and faded gold borders. 250/450

223

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225.

FERAGHAN LONG RUG: 4’9” x 11’1” Circa 1900 Scarlet red field with diagonal rows of brown, blue, pink and ivory boteh. Four borders in colorful floral motifs. 450/750

226.

GABBEH MAT RUG: 2’2” x 2’3” First Quarter of the 20th Century Randomly colored and checkered stripes compose the borderless field. Possibly dated in red numerals at center. 100/200

227.

NORTHWEST PERSIAN RUNNER: 3’8” x 9’10” Circa 1900 Five rows of colorful boteh and elaborate garlands on a midnight blue field. Ivory main border includes date woven at one end. 400/700

228.

KUBA RUG: 3’9” x 5’10” Late 19th Century Bold stylized elements in red, ivory, green and blue are arranged in columns across a navy blue field. Blue and ivory cresting wave motif throughout main border. 300/500

229.

PESHEWAR RUG IN ENGSI DESIGN: 4’2” x 6’3” Late 20th Century Traditional navy blue branches are arranged in rows across a red field divided by narrow light blue and pink panels. Light blue, pink and red borders are traversed by meandering vines, pound symbols and stylized elements. 500/700

225

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230.

HERIZ RUG: 6’7” x 8’7” Circa 1930 Dark blue field with three columns of Herati pattern in salmon, pale yellow, ivory and shades of blue. Faded yellow and red borders. 500/700

230

231.

KARAJA RUG: 4’7” x 6’2” First Quarter of the 20th Century Three blue and ivory geometric medallions on a terracotta field. Turtle motif throughout dark blue border. 400/600

231

232.

LESGHI STAR KAZAK RUG: 3’6” x 6’6” 19th Century Three red, blue, ivory and green Lesghi stars occupy an abashed blue field. Ivory interior border. Barber pole exterior border. 400/600

232

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233.

PAIR OF CHINESE FAMILLE VERTE PORCELAIN GEESE Late 19th Century Famille rose wingtips and tail feathers. Heights 4”. Lengths 4”. On wood stands. 300/400

234.

PAIR OF CHINESE CLOISONNE ENAMEL GOOSE-FORM COVERED BOXES 19th Century Red, gold and blue decoration on a black ground. Heights 4”. Lengths 5”. 300/500

234, pair

233, pair

235.

HEPPLEWHITE BOWFRONT BUREAU Massachusetts, Circa 1800 In mahogany and mahogany veneer, with four graduated fullwidth drawers and high French splayed bracket feet. Edge of top and drawers with light wood and ebony string inlay. Height 36.75”. Width 40.5”. Depth 21.5”. 1,000/1,500

235

236

236.

HEPPLEWHITE CARD TABLE North Shore of Massachusetts, Circa 1800 In mahogany. Edge of top and legs with string inlay. Satinwood oval veneer panel at center of skirt. Height 28.5”. Width 34.75”. Depth 16.75”. 500/800

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237

237.

HENDRICKS A. HALLETT Massachusetts, 1847-1921 Dana Beach, Manchester, Massachusetts. Signed lower left “Hendricks A. Hallett”. Watercolor on paper, 17” x 23”. Framed 31” x 36”. 800/1,200

238.

PINE SHELF Second Half of the 19th Century Three fixed shelves. Height 33.5”. Width 46.75”. Depth 14”. 150/250

239.

SIX-BOARD BLANKET CHEST America, 19th Century In poplar. Height 20.5”. Width 35.5”. Depth 18.5”. 100/200

240.

PAIR OF WINDSOR ROD-BACK SIDE CHAIRS New England, Circa 1810 Bamboo-turned legs. Back heights 35.5”. Seat heights 17.5”. 180/250

241.

SHERATON TESTER DOUBLE BED Massachusetts, Circa 1810 In maple, with a mahogany headboard. Turned headboard posts and turned and fluted foot posts. Post heights 66.5”. Width between bolt holes 47.25”. Width of holes 3.25”. Length of side rails 71.5”. 400/600

242.

PAINTED TABLE New England, 19th Century Old crusty black paint. Top with molded edge. Slightly tapered block legs. Height 27.25”. Top 17” x 18.75”. 200/300

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243

243.

244.

245.

246.

247.

CHINESE BLUE AND WHITE PORCELAIN COVERED STORAGE JAR 19th Century Cylindrical, with decoration of figures in a landscape and birds in flowers and rockery. Cover with bird-form knop. Height 7”. On wood stand. 500/700

244

CHINESE MONOCHROME RED GLAZE PORCELAIN BOTTLE VASE 19th Century Height 9.5”. 500/700

248.

PAIR OF CHINESE PORCELAIN VASES 19th Century Character and figural decoration. Heights on stand 12”. Mounted as table lamps. Total heights 22.5”. 250/350

CHINESE CARVED WHITE JADE SNUFF BOTTLE 19th Century In ovoid form. Decoration of a central shou surrounded by bats. Conforming stopper. Height 2.75”. 400/600

249.

CHINESE OR KOREAN CELADON GREEN CERAMIC VASE 19th Century Incised floral decoration. Height 9.5”. Mounted as a table lamp. Total height 23.5”. 150/250

250.

TWENTY-EIGHT PIECES OF CHINESE BLUE AND WHITE PORCELAIN 19th Century A charger, a hot water plate, a tobacco leaf-form dish, three handled cups, eleven handleless cups, and eleven small plates and saucers. Includes some Canton and Nanking. Cup heights 2.5”. Largest diameter 13.5”. 200/300

CHINESE CELADON GREEN CERAMIC VASE 19th Century Elephant’s-head side handles. Height 13.75”. Mounted as a table lamp. Total height 24.5”. 200/300

CHINESE PORCELAIN VASE Late 19th/Early 20th Century Multicolored decoration of exterior views. Height 11.5”. Mounted as a table lamp. Total height 24.25”. 150/250

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251

251.

ERNEST WADSWORTH LONGFELLOW Massachusetts, 1845-1921 “Manchester”. Signed lower right “E.W.L. 73”. Titled on gallery label verso. Oil on canvas, 10.5” x 18.75”. Framed 18.5” x 27”. 1,500/2,500 Provenance: Vose Galleries, Boston.

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252

252.

ERNEST WADSWORTH LONGFELLOW Massachusetts, 1845-1921 Coolidge Point, Manchester. Signed and dated lower left “Ernest Longfellow 73”. 2,000/3,000 Provenance: Shannon’s Fine Art Auctions, Milford, Connecticut, October 23, 2003, Lot #4.

Ernest Wadsworth Longfellow, the son of noted American poet Henry Wadsworth Longfellow, was born in Cambridge, Massachusetts and attended Harvard. Though he was mostly based in Boston, he made frequent trips to Europe for work and study. He exhibited at the National Academy of Design in 1871, the World’s Fair in 1876, the Boston Museum of Fine Arts in 1880, and several galleries and art clubs.

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253, eight of a set of thirteen

253.

254.

255.

ASSEMBLED SET OF THIRTEEN CHIPPENDALE-STYLE DINING SIDE CHAIRS Circa 1900 In mahogany, with pierced ribbon splats and linenfold block legs. Slip seats with red upholstery. Back heights 37”. Seat heights 17.5”. 1,000/1,500

BRASS-BOUND WOODEN WASTE BASKET WITH FOUR UMBRELLAS AND A CANE 20th Century Basket with brass lion-form handles at sides. Basket height 14.5”. Diameter 13.25”. Cane length 35.75”. 125/175

AMERICAN SCHOOL Early 20th Century Looking down upon a valley. Unsigned. Watecolor on paper, 11” x 19” sight. Framed 20” x 28”. 200/300

256.

CHIPPENDALE-STYLE SLIPPER BENCH 20th Century In mahogany. Slip seat with pale yellow upholstery. Block legs. Height 19”. Length 21”. Depth 14.25”. 125/175

257.

PAIR OF OVERSTUFFED ARMCHAIRS 20th Century Light blue printed upholstery. Back heights 35”. Seat heights 21.5”. 400/600

258.

OVAL TWO-TIER TABLE Late 19th/Early 20th Century In mahogany veneer, with embossed leather tops and brass legs. Height 22.75”. Width 18.25”. Depth 14”. 100/150

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259.

LAURENCE TOMPKINS New York, 1897-1972 Interior scene. Signed and dated lower right “Laurence Tompkins 1959”. Oil on masonite, 24” x 20”. Framed 29” x 25”. 300/500

260.

LAURENCE TOMPKINS New York, 1897-1972 Interior scene of a home library. Signed and dated lower right “Laurence Tompkins 1959”. Oil on masonite, 16” x 20”. Framed 23” x 28”. 250/350

261.

LAURENCE TOMPKINS New York, 1897-1972 Interior scene. Signed and dated lower right “Laurence Tompkins 1957”. Oil on canvas, 24” x 20”. Framed 30” x 25”. 300/500

259

260

261

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262

262.

GARDNER COX Massachusetts, 1906-1988 Portrait of Thomas Jefferson Coolidge. Signed lower left “Gardner Cox”. Inscribed verso “T.J. Coolidge by Gardner Cox 1963”. Oil on canvas, 29.5” x 21”. Framed 39” x 30”. 400/600

263.

CHIPPENDALE-STYLE BUREAU BY WILLIAM PEASE Pennsylvania, Contemporary In walnut, with four graduated full-width drawers and high flat bracket feet. Maker’s paper label in upper drawer. Height 33.25”. Width 35.5”. Depth 19.75”. 500/800

264.

TWENTY-SEVEN REPRODUCTION CHINESE EXPORT PLATES AND SHALLOW BOWLS 20th Century Twenty plates and seven shallow bowls, all with Thomas Jefferson armorial decoration. Diameters 9.75”. 400/600

265.

PORCELAIN VASE 20th Century Indo-Persian design of figures riding oxen. Height 9.25”. Mounted as a table lamp. 80/120

266.

TWO CUT GLASS BOWLS 20th Century A serving bowl with chrome foot, height 7.5”, and a shallow bowl with scalloped rim, diameter 11”. 150/250

267.

PAIR OF CUT GLASS CANDLESTICKS Late 19th/Early 20th Century Heights 10.25”.

100/150

FOUR CLEAR GLASS COLOGNE BOTTLES ATTRIBUTED TO BACCARAT 20th Century Three with stoppers. One with silver plated cover. Heights from 5.25” to 6.75”.

150/250

PAIR OF CUT CRYSTAL DECANTERS Early 20th Century Banded and diamond cutting. Original stoppers. Heights 8.5”.

200/300

268.

269. 263

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270

270.

BONE CHINA BREAKFAST SET 20th Century By Hammersley & Co. Retailed by G. Goode & Co. LTD, London. Gilt and green foliate and floral decoration. Approx. twenty-four pieces, including plates, cups, saucers, etc. Heights to 7.5”. 300/500

271.

PAIR OF CUSTOM-MADE CHIPPENDALE-STYLE SIDE CHAIRS Massachusetts, 20th Century Multicolored striped upholstery. Hardwood legs joined with H-stretchers. Labeled on underside “Custom Built by Wilson’s of Winchester”. Back heights 39.25”. Seat heights 17.5”. 500/700

272.

PAIR OF CHINESE FAMILLE ROSE PORCELAIN VASES 19th Century Floral and figural decoration. Heights 13”. Mounted as table lamps. Total heights 26”. 400/600

273.

CHINESE BLUE AND WHITE PORCELAIN HAT STAND 19th Century Height 11”. Mounted as a table lamp. Total height 21.5”. 200/300

271, pair

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274

274.

CHART OF THE NORTH SHORE OF MASSACHUSETTS 20th Century “Ipswich Bay to Gloucester Harbor”. Framed 41” x 45.5”. 300/500

275.

FOUR VINTAGE PHOTOGRAPHS OF THE AUXILIARY SCHOONER BLUE DOLPHIN America, 20th Century Schooner owned by Amory Coolidge. Photographs blind-stamped by W.B. Jackson of Marblehead, Massachusetts. Largest 8.5” x 11”. Framed 13.5” x 16”. 150/250 Illustrated: One image in Fore-and-Afters by B.B. Crowinshield (Boston: Houghton Mifflin Company, 1940), p. 84, plate XLVIII.

276.

277.

TWO PHOTOGRAPHS OF HARVARD PORCELLIAN CLUB MEMBERS Group photographs of the 1899 and 1900 club members. 9” x 12.5” sight. Framed 20.5” x 24.5”. 300/500

VINTAGE COLLEGIATE SPORTING CLUB PHOTOGRAPHS England, 1925 1) Two black and white images housed together in a common frame, depicting the Balliol College Boat Club 1st Torpid 1928, one a team photo and the other showing the crew in action. Mat with painted decoration of team flags and the rowers’ names. Photographs 9.5” x 11”. Framed 18.25” x 36”. 2) Image of the Balliol College Golf Club. 9.25” x 11.5” sight. Framed 14.5” x 17.5”. 200/400

278.

BURBERRY UMBRELLA Wooden handle and shaft. Retains metal Burberry label. 100/150

279.

FOUR ASSORTED CASED ITEMS Contemporary Two compasses, a tool set and a corkscrew. Case heights from 3.75” to 8.75”. 100/200

279A. ATLAS OF THE NORTH SHORE BEVERLY TO MAGNOLIA ESSEX CO. MASS. Compiled and published by YeagerKlinge Co. Engineers & Publishers 1919. Housed in a contemporary cloth-covered box with marbled interior. 300/500

The Blue Dolpin was designed in 1927 by naval architect William James Roue (Nova Scotia, 1879-1970). Her overall length was 99 feet.

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280.

PAIR OF PORCELAIN RAM-FORM BOXES Late 19th/Early 20th Century Black and white rams with gilt horns. Blue double eagle and Cyrillic mark on undersides. Heights 4.75”. Lengths 7”. 400/600

280, pair

281.

PAIR OF PORCELAIN JARS 20th Century Gilt and celadon green floral decoration on a white ground. Heights 5.25”. Mounted as table lamps. 50/100

282.

JAMES MCNEILL WHISTLER Massachusetts, 1934-1903 “Victoria Club”. Signed in plate and in pencil lower left with the artist’s butterfly stamp. Lithograph on paper, 9.75” x 7” sight. Framed 19” x 15”. 500/1,000

282

283.

THOMAS WILLOUGHBY NASON Connecticut/Massachusetts, 1889-1971 “The Parson Capen House” (Topsfield, Massachusetts). Signed in pencil lower right “T.W. Nason”. Wood engraving on paper, 7” x 10”. Framed 12.5” x 15.5”. 100/150

284.

BRASS-BOUND MAHOGANY VENEER CANISTER Early 20th Century Galvanized liner. Height 24”. Diameter 13.5”. 300/500 284

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285.

PAIR OF CANE-SEAT ARMCHAIRS 19th Century Ebonized and gold painted finish. Back rails with floral and foliate decoration. Turned legs. Back heights 33.5”. Seat heights 16.5”. 250/350

288.

SET OF STEUBEN CRYSTAL BOWLS WITH UNDERPLATES 20th Century Nineteen bowls, heights 2.5”, and seventeen underplates, diameters 7”. Most etched “S” on undersides. 200/300

286.

LARGE MATCHED SET OF STEUBEN CRYSTAL STEMWARE 20th Century Pattern 7846. All pieces marked “S” in the center of the base. 1-16) Sixteen champagnes. Heights approx. 4.75”. 17-43) Twenty-seven cordials. Heights approx. 5.25”. 44-63) Twenty wineglasses. Heights approx. 6”. 64-75) Twelve water goblets. Heights approx. 7”. 76-93) Eighteen similar stemmed pieces. Heights from 5.5” to 5.75”. 2,000/3,000

289.

APPROX. SIXTY PIECES OF STEUBEN CRYSTAL 20th Century Includes salts and peppers, cigarette holders, bowls, tumblers, etc. Most etched “S” on undersides. Heights from 1.75” to 4.5”. 200/300

290.

THREE STEUBEN CRYSTAL VASES 20th Century Two matching, heights 7”, and one non-matching with applied glass base and etched “S” on underside, height 8.25”. 200/250

291.

FOUR PIECES OF CAPODIMONTE PORCELAIN First Half of the 20th Century Two plates, diameters 6.5”, and two small oval trays, lengths 8.5”, all with polychrome raised decoration of a marsh scene with herons and swans. 125/175

292.

NESTING SET OF FOUR CHINESE TABLES Second Half of the 19th Century Black finish. Tops with gilt decoration of exterior views. Maximum height 27.75”. Width 19.5”. Depth 11.75”. 125/175

287.

FORTY PIECES OF STEUBEN CRYSTAL STEMWARE 20th Century 1-16) Sixteen champagnes. Heights 4”. 17-40) Twenty-four cordials. Heights from 4.5” to 4.75”. Many etched “S” on undersides. 400/600

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286, large set

287, 40-piece set

288, set

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293, twelve

293.

294.

295.

296.

SET OF TWELVE DINING SIDE CHAIRS BY PHILIP C. LOWE Massachusetts, 20th Century In mahogany. Vertical pierced splats. Slip seats with green upholstery. Block legs joined with H-stretchers. Back heights 39”. Seat heights 18.5”. 2,000/3,000

297.

FOOTSTOOL 20th Century In mahogany, with over-upholstered seat. Height 18”. Top 19” x 15”. 80/125

298.

DENNIS POIRIER Massachusetts/Maine, b. 1954 A tree in front of a brick building. Signed and dated lower right “Poirier 83”. Watercolor on paper, 9.25” x 12”. Framed 15.25” x 17.5”. 100/200

299.

COUNTRY HEPPLEWHITE ONE-DRAWER STAND Connecticut, Circa 1800 In wavy cherry. Height 28.75”. Width 18.5”. Depth 14.25”. 150/250

300.

SHERATON-STYLE BED Contemporary In mahogany. Pencil-form headboard posts. Foot posts with fluted and twist columns and Marlborough feet. Height of posts 83.5”. Width between bolt holes 55.5”. Rail lengths 76.75”. 500/1,000

KRISTIN CURTIS LOTHROP Massachusetts/Arizona, 1930-2004 Plaque depicting a bust portrait of a couple. Signed and dated at lower edge “KC Lothrop 93”. Bronze, diameter 14.5”. 200/300

CHIPPENDALE-STYLE ARMCHAIR 20th Century Mahogany arm supports, legs and H-stretcher. Muted floral and striped upholstery. Back height 40.25”. Seat height 21.5”. 400/600

BARREL-FORM ARMCHAIR 20th Century Pale green printed upholstery. Back height 30.5”. Seat height 19”. 150/250

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301

301.

FEDERAL DOUBLE PEDESTAL DINING TABLE Massachusetts, Circa 1810 In select mahogany. Turned pedestals on molded reversearched legs fitted with brass casters. Height 30.25”. Length 71.5”. Width 44.25”. 1,200/1,800

305.

NANTUCKET-STYLE TILT-TOP CANDLESTAND 20th Century In mahogany, with column and urn form pedestal, and cabriole legs ending in snake feet. Height 27.25”. Width 20.75”. Depth 18.25”. 150/250

302.

CHIPPENDALE-STYLE WING CHAIR Late 19th/Early 20th Century Salmon-colored upholstery. Linenfold legs joined by an H-stretcher. Back height 44”. Seat height 18”. 200/300

306.

CHIPPENDALE-STYLE CONSOLE TABLE 20th Century In mahogany, with molded-edge top and fluted block legs. Height 34.25”. Width 54.25”. Depth 18.25”. 200/300

303.

HEPPLEWHITE ONE-DRAWER STAND New England, Circa 1800 In mahogany. Drawer with brass pulls. Tapered legs. Height 30.75”. Width 19.5”. Depth 17.5”. 150/250

307.

WICKER CHEST Early 20th Century Leather and canvas cover initialed “W.A.C.”. Height 18”. Width 35”. Depth 22.5”. 150/250

304.

CHIPPENDALE-STYLE ONE-DRAWER STAND BY WILLIAM PEASE Pennsylvania, 20th Century In the style of Goddard Townsend. In mahogany. Fluted and stop-fluted block legs with chamfered backs. Maker’s label in drawer. Height 28.5”. Width 33.5”. Depth 24”. 200/300

308.

WICKER TRUNK Early 20th Century Canvas and leather cover painted with initials “A.C”. Height 18.5”. Width 35.5”. Depth 22.5”. 150/250

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309.

QUEEN ANNE TEA TABLE Massachusetts, Mid-18th Century In mahogany. Tray top with candle slides at both ends. Cabriole legs end in small pad feet. Height 27”. Width 29.5”. Depth 20”. 1,200/1,800

309

310.

CHIPPENDALE MIRROR America, Late 18th Century Mahogany veneer frame, the top with a central oval inlay with shell and insects. Broken arch pediment ends in floral rosettes and centers a floral urn crest. Gilt foliate and floral vines at sides. Height approx. 53”. Width 23”. 1,500/2,500

310

311

311.

CHIPPENDALE CARD TABLE Newport, Rhode Island, Circa 1780 Shaped top with grooved cut edge, similar to the work of John Goddard. Molded legs with applied Chinese Chippendale corners. Height 28.5”. Width 34.5”. Depth 17.5”. 1,000/1,500

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312.

313.

CHIPPENDALE TILT-TOP TEA TABLE Circa 1780 In mahogany, with piecrust top, carved and fluted pedestal, and foliate-carved cabriole legs ending in paw feet. Height 27”. Diameter of top 21.5”. 3,000/5,000

PAIR OF QUEEN ANNE TRANSITIONAL SIDE CHAIRS Eastern Massachusetts, Circa 1770 In mahogany. Cupid’s-bow crest rail with carved ears. Vasiform splats. Slip seats with pink and cream floral print upholstery. Cabriole legs joined by block and turned H-stretchers and end in pad feet. Back heights 37.5”. Seat heights 18”. 1,000/1,500

312

313, pair

314.

QUEEN ANNE BIRDCAGE TILT-TOP TABLE Massachusetts, Last Half of the 18th Century In mahogany, with dish top and cabriole legs ending in snake feet. Height 27.75”. Diameter of top 22.5”. 500/1,000

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314

315.

CUT CRYSTAL CHANDELIER Probably Ireland, Early 19th Century Six candle arms with sockets and prisms.

316.

PAIR OF OVERSTUFFED ARMCHAIRS Contemporary Beige textured upholstery. Back heights 32.5”. Seat heights 17”. 300/500

317.

WROUGHT IRON LOW TABLE WITH GREEN MARBLE TOP First Half of the 20th Century Height 17.5”. Top 21.75” x 15.5”. 100/150

318.

PAIR OF IRON FLOOR LAMPS 20th Century Painted gold. Trifoot base. Total heights 59.5”.

315

316, pair

1,000/1,500

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150/250

319

319.

MANNER OF EUGENE DELACROIX 19th Century Signed lower left “Eug. Delacroix”. Museum of Fine Arts, Boston loan exhibition label verso. Oil on canvas, 10.5” x 16”. Framed 17” x 23”. 2,000/4,000

320.

HEPPLEWHITE SIDE CHAIR Massachusetts, Circa 1790 In mahogany. Shield back with fan inlay where splats converge. Molded front legs joined by H-stretcher. Back height 38.5”. Seat height 18”. 250/350

321.

HITCHCOCK CHILD’S CHAIR 19th Century Stenciled fruit decoration on a black-painted ground. Rush seat. Back height 21.25”. Seat height 10.5”. 100/150

322.

ART NOUVEAU DESKTOP CLOCK AND BAROMETER SET First Half of the 20th Century Barometer, thermometer and clock inset in a glass panel mounted in a brass base. Height 4.75”. Length 13.75”. 100/200

323.

CONTEMPORARY PENCIL POST BED Hardwood with painted finish. Post heights 81”. Width between bolt holes 49.5”. Rail lengths 74”. 400/600

324.

TWO NEEDLEWORK DOORSTOPS 20th Century One with whale decoration and the other with pheasant, rabbit, frog, fox and unicorn decoration. Heights 2.5” and 3”. Lengths 8” and 8.75”. 50/100

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GLOSSARY OF TERMINOLOGY AND ADVICE TO BIDDERS Authorship of Paintings and Works of Art

Advice to Bidders

1. Carefully read the Conditions of Sale.

LEMUEL D. ELDRED Massachusetts, 1848-1921 In our opinion, this is a work by the artist. ATTRIBUTED TO LEMUEL D. ELDRED Massachusetts, 1848-1921 In our opinion, probably a work by the artist based on the style of the piece, however, the work lacks a signature, marking or adequate provenance to fully ascribe it. MANNER OF LEMUEL D. ELDRED Massachusetts, 1848-1921 In our opinion, a work made in the style of the artist listed, most likely by a follower or student.

D. SCHOOL OF LEMUEL D. ELDRED

Late 19th Century In our opinion, a work executed at the time and in the style of the artist listed.

AFTER LEMUEL D. ELDRED 20th Century In our opinion, a work made in the style of the artist listed, but not by the artist. Often used to describe a direct reproduction of an original work of art.

Ascribing Date of Origin If a date and location are included in a heading, it is our opinion the piece is essentially of the period and was made in the area indicated. The inclusion of the world “style” in the heading indicates the piece was made at a later date as an intentional reproduction of the earlier style.

3. Carefully examine any item that you might consider bidding on for any variation from the catalog description. If you are unfamiliar with auction procedure or terminology, or if you would like clarification of a catalog description, please ask for assistance from our staff. 4. If you wish to leave an Absentee Bid or request a Telephone Bid, please review the Absentee/Telephone Bid Procedure and complete the Bid Form. 5. A buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000. 6. Online bidding is available at www.eldreds.com and with a 25% buyer’s premium. Prospective bidders must register and be approved prior to placing bids or bidding live online. 7. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid, if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and to insure fairness to consignors and other bidders.

Shipping Information We require prompt payment and removal of your purchases as stated in Paragraph 12 of the Conditions of Sale. If you plan to pick up your purchases, please call ahead and we’ll make every effort to have your items ready.

Dimensions Unless otherwise specified, dimensions are formatted Height x Width. Dimensions are approximate as they are often rounded to the nearest quarter inch. Furniture and other objects are measured to the tallest and widest points. Paintings are measured by the dimensions of the stretcher or supports. A “sight” measurement is the visible size of an artwork if the piece is obscured by its frame or matting.

Condition Reports Condition reports can be viewed at www.eldreds.com. The absence of a condition report does not imply an object is free of defects or restoration. If provided, a Condition Report may only detail flaws or restorations, and may not take into account wear, fading or other issues consistent with an object’s age. Please contact Eldred’s before bidding with any questions as to condition.

The property listed in this catalog will be offered and sold subject to the terms and conditions listed in this catalog.

2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They are not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price. Estimates are prepared well in advance of a sale and are subject to revision.

We provide limited shipping services directly from our gallery; our staff can assist determining if your items qualify for in-house shipping. Shipments from our gallery may take 4-6 weeks from receipt of payment. You will be charged for carrier fees, packing and handling, and required insurance. There is a minimum handling charge for all shipments. If we are unable to ship your items we will provide you a list of alternative shipping agents. Upon your approval we will transfer your items to your chosen shipping agent once your payment has cleared. Shipping estimates can be provided only AFTER we receive payment for your invoice.

Bidding Increments $0-$99: $10 I $100-$499: $25 I $500-$999: $50 $1,000-$2,999: $100 I $3,000-$4,999: $250 $5,000-$9,999: $500 I $10,000-$29,999: $1,000 $30,000-$49,999: $2,500 I $50,000-$99,999: $5,000 $100,000 and above: $10,000 Above $300,000 at the auctioneer’s discretion

see photos of all lots and view condition reports at www.eldreds.com

CONDITIONS OF SALE 1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised reasonable care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction. 2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered. 3. Eldred’s reserves the right to withdraw any property before the sale. 4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the article in dispute and his decision shall be final. 5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids or the fall of the hammer. 6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the property is thereafter at the purchaser’s sole risk and responsibility. 7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public auction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. At Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by checks, or in the case of bank or cashier’s checks, their authenticity has been confirmed. A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price. 8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone bids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of identical bids, the earliest received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit of 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be allowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be held responsible for any failure to properly execute

such a bid whether it be due to equipment failure, loss of connection, or failure to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone is solely at the risk of the bidder. ONLINE BIDS: Eldred’s shall not be held responsible for any failure to properly execute bids placed online. All online bidding is solely at the risk of the bidder. 9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not be held responsible for damage to picture frames or lampshades. 10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser: A) possesses a Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendor who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registers with the company prior to each purchase, or C) has purchases shipped out of state (with the exception of Connecticut and New York) directly from Eldred’s by a bona fide shipping agent. Connecticut residents picking items up in our Mystic branch or having purchases shipped to their Connecticut address are responsible for CT state sales tax (currently 6.35%). New York residents having purchases shipped to their New York address are responsible for NY state sales tax (currently 4.0%). Due to the 2018 U.S. Supreme Court ruling in South Dakota v. Wayfair, residents of other states may be required to pay their state sales tax on purchases as we meet each state’s nexus requirements. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204. 11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price between the auctioneer and the consignor, below which the article will not be sold). 12. COLLECTION OF PURCHASES: Delivery or shipping arrangements must be made within seven (7) days from the close of the auction for all purchases. All items must be removed from Eldred’s facilities within fourteen (14) days of the end of the auction. All items remaining after fourteen days may be subject to a $5/per item/perday storage fee. No items will be released unless storage fees are paid in full. Items remaining over thirty (30) days from the close of the auction may be sold for the buyer’s account minus auction and storage fees. 13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for details. 14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the time of the sale. 15. Bidding on any article(s) indicates acceptance of the terms set forth above. 16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.

see photos of all lots and view condition reports at www.eldreds.com

ABSENTEE/TELEPHONE BID FORM

2. Carefully review your bid form for accuracy of lot numbers, phone numbers, shipping information, etc. Although we attempt to conﬁrm descriptions against lot number, bids are posted by lot number.

6. At the conclusion of the sale you will be notiﬁed if you were the successful bidder. All invoices must be paid in full within ten (10) days of the close of the auction. We accept checks, cash, money orders, wire transfers and major credit cards for payment. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. We reserve the right to hold goods until payment has cleared.

3. Please submit your bids in a timely manner, to avoid the chance of posting error. We request all bids be received by 3 p.m. the day before the auction. In the event of identical Absentee bids, the earliest received takes precedence.

7. All purchases are subject to state and local sales tax unless you possess a Massachusetts or out-of-state sales tax exemption or resale number and register that number with us.

4. A 10% deposit is required. If you are successful, the amount of your deposit will be applied toward your invoice. If you are not successful, the full amount will be returned promptly to you.

The Robert C. Eldred Co., Inc. offers this service as a convenience to its clients and will not be held responsible for errors or failure to execute bids.

1. Clearly print the lot number, the item description and the highest amount you are willing to pay. Please follow our standard bidding increments.

5. A buyer’s premium will be added to the hammer price of each lot, to be paid as part of the purchase price. The buyer’s premium is 25% of the ﬁnal bid price up to and including $500,000, and 10% of the ﬁnal bid price over $500,000.

Are you a new bidder with Eldred’s?

Yes:

No:

If so, please also complete our Buyer Pre-Registration form.

SALE TITLE: SALE DATE:

NAME:

Lot #

Item Description

Maximum Bid or “phone” for Telephone Bid

ADDRESS: check if change in address

PHONE: ALTERNATE PHONE: EMAIL: Signature (required): By signing you agree to place the above bids in the auction listed, subject to the Terms and Conditions of Sale put forth by The Robert C. Eldred Co., Inc. All bids are kept in strict conﬁdence.

Date: SHIPPING Do you have a tax resale #? Yes: Will pick up:

No:

Ship to address above:

Or ship to:

25% buyer’s premium will be added to the hammer price. See Item 5 above.

Total 10% Deposit

Have you examined the items listed above?

Yes:

All property must be removed from our facility within 28 days of the close of the auction or be subject to a $5 per item/per day storage fee.

PLEASE SEND FORM AND DEPOSIT TO THE ROBERT C. ELDRED CO., INC. P.O. BOX 796, EAST DENNIS MA 02641 90

www.eldreds.com info@eldreds.com Phone: 508-385-3116 Fax: 508-385-7201 see photos of all lots and view condition reports at www.eldreds.com

No: