1. CHINESE
PORCELAIN PISTOL-HANDLED COVERED URN 19th Century
Body with two oval reserves depicting figural courtyard scenes on a gilt ground filled with butterflies, flowers and molded garland swags. Neck with similar square-shaped reserves. Conforming cover with onion-form knop. Square faux bois base. Height 17”. 2,000/3,000
EXPORT FAMILLE ROSE MANDARIN9. CHINESE EXPORT ROSE CANTON PORCELAIN TEMPLE VASE 19th Century
Two central panels depict exotic birds and butterflies in a landscape. Sides with similar decoration within smaller cartouches in the form of auspicious objects. Green and gilt floral ground. Height 26”. 1,000/1,200
26. CHINESE EXPORT GREEN FITZHUGH RAWSON CREST ARMORIAL PORCELAIN PLATE
First Half of the 20th Century Central gilt eagle’s-head crest with banner “Laus Virtutis Actio” surrounded by a traditional butterfly and floral Fitzhugh plattern. Diameter 9.5”. 300/500
For a similar example, see David Sanctuary Howard’s Chinese Armorial Porcelain, Vol. 1, p. 976, U8. “The service is the only one with British arms known with a Fitzhugh pattern in green enamel”.
27. PAIR OF CHINESE EXPORT PORCELAIN PLATES 18th/19th Century
Depict an en grisaille Western-style portrait of a woman in a hat seated with a dog. Gilt spearhead inner border and scrolled rim. Diameters 9”. 500/600
31. SET OF FOUR CHINESE EXPORT FAMILLE ROSE PORCELAIN PLATES
Circa 1800
Central floral sprig surrounded by a gilt bamboo and rose inner border and a gilt spearhead outer border. Labels on undersides for the Chinese Export collection of J. Louis Binder. Diameters 9”.
Literature:
1,500/2,500
Chinese Export Porcelain by Herbert and Schiffer (Atglen: 1975) p. 34, cat. 90.
China for America by Herbert and Schiffer (Exton: 1980), p. 107.
Chinese Export Porcelain in North America by Mudge (N.Y.: 1986), p. 160.
According to literature on the Daniel and Serga Nadler Collection of Chinese Export Porcelain at Winterthur, this pattern is similar to the service used by John and Abigail Adams at their home in Quincy, Massachusetts.
50. CHINESE EXPORT TOBACCO LEAF PATTERN
PORCELAIN SOUP DISH
Second Half of the 18th Century With a shaped edge and enameled floral decoration. Height 2”. Diameter 8.75”. 600/800
78. TSUCHIA KOITSU
Japan, 1870-1949
Torii in the Snow, Miyajima. Woodblock print, oban yoko-e, 10.5” x 16”. Unframed. 500/700
82. KAWASE HASUI
Japan, 1883-1957
Snow at Ueno, Kiuomizudo. Published by Sakai and Kawaguchi.Woodblock print, oban tate-e, 16” x 11”. Unframed. 2,000/2,500
84. KAWASE HASUI
Japan, 1883-1957
Autumn at the Arayu Hot Spring, Shiobara. From the series “Souvenirs of Travels, First Collection”. Woodblock print, oban tate-e, 15” x 10.5”. Unframed. 6,000/8,000
91. TORII KOTONDO Japan, 1900-1976
Autumn Leaves. From a limited edition of only 100. Cartouche verso. Woodblock print, large oban tate-e, 18.75” x 11.75”. Unframed. 1,500/2,000
Illustrated: The Female Image: 20th Century Prints of Japanese Beauties (Hotei: 2000), p. 138, illustration 185.
94. SHIRO KASAMATSU Japan, 1898-1991
Two nature scenes:
1) Awake and Sing. Signed and seal marked in image lower right. Dated 1957. Numbered 75/100.
2) Four Seasons. Signed and seal marked in image lower left. Dated 1957. Numbered 21/200. Selfcarved seal lower right. Woodblock prints, oban tate-e, 15.5” x 10.25”. Unframed. 800/1,000
96. KYOSHI SAITO
Japan, 1907-1997
“Caress”: two views of cats and kittens. Each signed in image lower right. Numbered 5/50 and 6/50. Mounted on a two-panel paper-backed floor screen. Woodblock prints, dai-oban yoko-e, 15” x 21”.
Screen height 27”. Length 63”. 1,000/1,500
107. TOKO SHINODA
Japan, 1913-2021
Twilight. Titled and signed lower right. Numbered 10/30. Lithograph on Arches paper, 25” x 34”. Unframed. 1,500/2,500
139. CHINESE SANCAI GLAZE EARTHENWARE JARLET Tang Dynasty
In squat ovoid form. Included fitted box with accession number. Jarlet height 2.5”. Diameter 3”. 350/650
143.
CHINESE SANCAI GLAZE POTTERY HORSE AND GROOM
Possibly Tang Dynasty
Groom standing near the horse’s head with his right arm raised. Rectangular base. Height 10”. Length 12”. Width 4.25”. 800/1,000
158. JAPANESE ANDO CLOISONNÉ VASE 20th Century
In ovoid waisted form. Thistle decoration against a dark purple ground. Silver rim and foot. Signed on base. Height 9”. Diameter across waist 10”. With kiriwood box.
1,000/1,500
162. CHINESE SCROLL PAINTING ON PAPER
19th Century
Depicts two sparrows on a flowering tree branch within a landscape. Signed and seal marked lower right. 52” x 24”. 500/800
165. PAIR OF CHINESE FINELY CARVED RED AND GILT WOOD PANELS
19th
Century
Taken from a floor screen. Heavily carved figural, floral and fu dog details in four sections. Mirrorbacked. Heights 50”. Widths 12”. 700/900
198. CHINESE FAMILLE ROSE PORCELAIN VASE
Late 19th Century
In seed form with a slightly flared mouth. Three rows of paneled decoration, each panel depicting an architectural landscape and with a four-character mark at top center. Four-character Qianlong mark on base. Height 10”.
500/800
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