Eldred's 2020 Summer Asian Art Auction by Eldred's Auction

ASIAN ART SEPTEMBER 17-18, 2020

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A S I A N A RT

Thursday and Friday, September 17-18, 2020

Robert C. Eldred Co., Inc. Headquarters 1483 Route 6A P.O. Box 796 East Dennis, MA 02641 (508) 385-3116 fax: (508) 385-7201 MA License #155 Connecticut Office 5 Roosevelt Avenue Mystic, CT 06355 (860) 912-8169

Terms

A buyer’s premium will be added to the hammer price of all purchases. The buyer’s premium is 25 percent of the final bid price up to and including $500,000, and 10 percent of the final bid price over $500,000. We accept checks, cash, money orders, wire transfers and major credit cards for payment. There is a 2 percent buyer’s premium discount for payment made in full via cash, check, money order or wire transfer within ten (10) days of the invoice date. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. Mixed payment methods are not eligible for the buyer’s premium discount. Bidders holding a Massachusetts or out-of-state resale number must provide the certificate or copy thereof when registering to bid or otherwise will be required to pay 6.25% Massachusetts sales tax on purchases. Items picked up in or shipped to Connecticut are subject to 6.35% Connecticut sales tax. Residents of other states may be subject to state and local sales taxes.

info@eldreds.com www.e ldre d s.com

Auction

Each session beginning at 10 a.m. Eastern at our East Dennis Headquarters.

Exhibit

Wednesday, September 16 from 10 a.m. to 5 p.m., the sale days starting at 8:45 a.m., and by appointment.

Absentee and Telephone Bidding

Please use the bid form found at the back of this catalog, visit our website, or phone 508-385-3116 to make arrangements for absentee and telephone bidding.

Online Bidding

This auction will be held simultaneously online at www.invaluable.com and www.eldreds.com. Prospective bidders must register and be approved prior to bidding.

Important notices

Prospective bidders should satisfy themselves by personal inspection as to the condition of each lot. It is the bidder’s responsibility to obtain a condition report, through personal inspection, visiting our website or contacting us. Although condition reports may be given upon request, such reports are statements of opinion only. The absence of a condition report does not imply the property is in good condition. Regardless of whether or not a condition report is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold as is. All dimensions and weights are approximate. Items made with ivory are not available for international shipping. COVID-19: Given the changing situation regarding the pandemic, changes to exhibition times and bidding options may occur. Please visit our website, www.eldreds.com, or call 508-385-3116 for the most up-to-date information.

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Staff Directory Antiques & Fine Art Specialists

Production & Administrative Staff

Joshua F. Eldred CEO and President Head of American and European Paintings jeldred@eldreds.com

Mary Ann Giddings Eldred Chairwoman of the Board maeldred@eldreds.com Wendy A. Dunford Treasurer wendy@eldreds.com

William Bourne Vice President Head of Americana and Maritime Arts bill@eldreds.com Eric S. Mulak Vice President Head of Sporting Antiques, Folk Art & Collectibles Consignment Manager eric@eldreds.com

Devyn Henry Administrative Assistant dhenry@eldreds.com Kristin Kiley Client Services Manager/Shipping kkiley@eldreds.com

Leah S. Kingman Head of European Decorative Arts lkingman@eldreds.com

Angela R. McParland Executive Assistant amcparland@eldreds.com

Glen Krawczyk Head of Oriental Rugs glen@eldreds.com

Kristyn Mills Head of Photography kmills@eldreds.com

Anne G. Lajoie Head of Asian Arts annie@eldreds.com

Madison Morris Assistant Head of Photography mmorris@eldreds.com Kathleen Morse Auction Coordinator kmorse@eldreds.com

Gregg Dietrich Senior Consultant and Specialist

Tanya Sargent Assistant to the Treasurer tsargent@eldreds.com

John H. Schofield Consultant Susan M. Schofield Consultant Jennifer Lacker Mystic Representative

Cheryl Stewart Head of Marketing Catalog Layout and Design cheryl@eldreds.com

Mary M. Kuhrtz, Barbara H. Cleary and Christine Leofanti Gallery Assistants

Sarah Eldred Taylor Vice President of Human Resources sarah@eldreds.com

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Caleb G. Seaver Shipping cseaver@eldreds.com

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eldredsauction

index Auction Information Page 1 Staff Directory Page 2 Session I Lots 1-420 Session II Lots 501-981 Bidder Information Page 181 Conditions of Sale Page 182 Absentee and Phone Bid Form Page 183

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Session i

Thursday, September 17, at 10 a.m. The Symmes / Shiro Kuma Collection Lots 1-105 Netsuke, Ojime and Inro Lots 94-195 A Western Massachusetts Collection of Netsuke Lots 106-155 A Private Midwest Collection of Netsuke Lots 156-183 Jewelry Lots 224-247 Weaponry Lots 248-254 Furniture & Rugs Lots 379-395 Books Lots 402-420 Also Paintings, Textiles, Metalware, Ivory and More

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THE SYMMES / SHIRO KUMA COLLECTION

CHINESE SCROLL PAINTING ON SATIN BY GWAN WEI GUNG 20th Century Depicts orchids and a poem about how happy one is to be drinking with friends. Signed. 43.75” x 13.25”. 1,000/1,500

CHINESE SCROLL PAINTING ON SILK 20th Century Depicts cottages along a river. Signed and seal marked upper left. 39.5” x 17.5”. 250/350

CHINESE PAINTING ON PAPER After an 18th Century example. Depicts a green parrot on a tree branch. 34.25” x 10.75”. 50/100

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THE SYMMES / SHIRO KUMA COLLECTION

CHINESE PAINTING ON PAPER 18th/19th Century Depicts bamboo and calligraphy. Signed and seal marked. 48.5” x 11.5”. Framed 61” x 15.5”. 250/350

CHINESE SCROLL PAINTING ON PAPER 20th Century Depicts birds in flight through mountains and gorges. Signed and seal marked. 26.25” x 25”. 500/700

CHINESE SCROLL PAINTING ON PAPER 20th Century Depicts magpies in a flowering tree. Signed and seal marked lower right. 25.5” x 13.25”. 300/500

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PAIR OF CHINESE SCROLL PAINTINGS ON PAPER BY TIEN SHAUPEN (ACTIVE CIRCA 1850) 19th Century Depict ladies, one on a balcony and one in a boat. 33.5” x 13”. 200/300

CHINESE SCROLL PAINTING ON PAPER AFTER MING DYNASTY ARTIST ZHANG ZAO CHUN 19th Century Depicts four fan-tailed goldfish. Marked with extensive calligraphy and three seal marks. 13.9” x 39.6”. 200/300 Presented to an American collector to inspire a life more centered, relaxed and spiritual.

KOREAN SCROLL PAINTING ON PAPER 18th Century Depicts islands, a bridge, a teahouse and calligraphy. 37.5” x 10.5”. 200/300

10.

CHINESE SPINACH AND EGG GLAZE POTTERY FIGURE OF A RECLINING BOAR Tang Dynasty Length 4.5”. 300/500

11.

CHINESE CHESTNUT GLAZE POTTERY FIGURE OF A RECLINING BOAR Tang Dynasty Length 4.1”. 300/400

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THE SYMMES / SHIRO KUMA COLLECTION

15.

CHINESE WHITE JADE CARVING Circa 1800 Relief dragon design. Modified from a girdle hook and mounted on a wooden stand. Carving length 2”. 100/200

16.

CHINESE LAPIS LAZULI CARVING OF A RECLINING DOG 20th Century Rich blue coloring. Length 4”. 300/400

17.

CHINESE CARVED WOODEN SCROLL WEIGHT 18th Century Extensively carved with calligraphy on two faces. Signed and seal marked. Length 10”. 200/300

18.

CHINESE BRONZE SCROLL WEIGHT 19th Century In the form of a seated sage holding a scroll. Length 3.25”. 400/600

12.

CHINESE BLUE AND WHITE PORCELAIN SEAL PASTE BOX 19th Century Rectangular, with a bat and vine design. Length 4.5”. 300/400 Exhibited: High Museum of Art, Atlanta.

13.

CHINESE ROBIN’S-EGG BLUE PORCELAIN WRITER’S COUPE In ovoid octagonal form, with a relief dragon at shoulder. Height 2.1”. Includes a silver plated dosing spoon. 500/700

14.

FOUR PIECES OF CHINESE PORCELAIN 1) Cylindrical famille rose jar with floral cartouches on a green ground. Height 10”. 2) Yellow glaze jar with butterfly and citrine decoration. Height 5.5”. 3) Famille verte covered jar with figural decoration. Height 6”. 4) Famille verte dish with floral and pahua motifs. Diameter 7”. 80/120

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19.

CHINESE GILT WOODEN POLE FINIAL 19th Century In the form of an acolyte standing on a lotus pod and holding an offering. Height 6”. 300/500

20.

TEN CHINESE STONE RUBBINGS From various Chinese monuments.

21.

CHINESE HAND-COLORED PHOTOGRAPH Early 20th Century Depicts the Great Wall of China. Housed in a Chinese export carved wooden frame. Framed 11.5” x 17”. 80/120

22.

CHINESE PAINTING ON PAPER Early 19th Century Depicts two ladies gathering lotus. Signed and seal marked. 56.5” x 13.25”. 200/300

23.

CHINESE FAN PAINTING BY XI QIAO SHAN RAN 19th Century Depicts orchids and grasses. Signed and seal marked. Length 20”. Framed. 300/400

24.

PAINTED CHINESE FAN 20th Century Depicts two fish and sea grasses. Length 15”. 150/250

50/100

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THE SYMMES / SHIRO KUMA COLLECTION

25.

JAPANESE SIX-PANEL SCREEN MOUNTED WITH PAINTINGS ON PAPER 17th/18th Century Painted in the Kano style by various artists including Kano Sansetsu and Kano Hogan-Tanseisai. Depicts various Immortals including Lao Tzu, Chokaro, Jittoku and Kanzan, Tai Gong Wang, and a sennin holding a bell. Height 66”. Total width 148”. 2,000/3,000

26.

Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

The Kishi School is well known for its animal paintings, particularly tigers. Gantai moved to Edo in 1868 and was a recipient of the court title Sakon Shogun.

27.

JAPANESE SIX-PANEL SCREEN 19th Century By Kishi Gantai, student of Kishi Ganku, founder of the Kishi School. Depicts a fierce tiger with dramatic striping. Signed and seal marked. Height 65”. Total width 140”. 8,000/10,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

JAPANESE SIX-PANEL SCREEN Edo Period Depicts cranes against a gold ground. Unsigned. Height 68”. Total width 144”. 2,500/3,500

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THE SYMMES / SHIRO KUMA COLLECTION

30 28 29

28.

JAPANESE SCROLL PAINTING ON PAPER Early 19th Century Depicts sages on a cliffside and an approaching sage and attendant. Signed and seal marked. 51.5” x 19.25”. 250/350

29.

JAPANESE SCROLL PAINTING ON PAPER ATTRIBUTED TO KOETSU Circa 1840 Fine dramatic brushwork depicts Daruma. Signed and seal marked. 64” x 37.5”. 1,800/2,200 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

30.

JAPANESE SCROLL PAINTING ON PAPER IN THE MANNER OF SESSHU 17th/18th Century Depicts a pavilion and towering cliffs. 42.25” x 15.75”. 600/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

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31, three

31.

SET OF THREE JAPANESE SCROLL PAINTINGS ON SILK BY KANO YOSHIN 18th Century Central scroll depicts Jurojin. Flanking scrolls depict bamboo and pine trees. Each signed and seal marked. Each 39” x 17.5”. With inscribed kiriwood box. 2,000/3,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Literature: Illustrated in Shinto Moments by Sabastian Velilla, Taishi Kato and Edwin Symmes. Kano Yoshin was a student of Tsunenobu.

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THE SYMMES / SHIRO KUMA COLLECTION

32.

JAPANESE SCROLL PAINTING ON PAPER ATTRIBUTED TO TENSHIN Early 19th Century Depicts Jurojin with a minogame and calligraphy. Signed and seal marked. 11.5” x 20”. 600/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

33.

JAPANESE KANO SCHOOL SCROLL PAINTING ON PAPER 18th Century Depicts a hawk in a pine tree. Marked with extensive calligraphy and three seal marks. 43.5” x 17.75”. 500/600 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

34.

JAPANESE SCROLL PAINTING ON SILK BY KANO TANSHIN MORIMICHI (1784-1835) Early 19th Century Depicts a lohan seated by a stream and poetry. Signed and seal marked. 21.5” x 16.5”. 1,500/2,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Kano Tanshin, the first-born son of Morikuni and painter to the Tokugawa shogunate, received the title Hogen, seventh-generation head of the Kajibashi branch of the Kano School.

35.

JAPANESE SCROLL PAINTING ON PAPER ATTRIBUTED TO KISHI GANKU 18th Century Depicts a fierce snarling tiger. Signed and seal marked. 48.25” x 21.25”. 500/700 see photos of all lots and view condition reports at www.eldreds.com

36, three

36.

Boston’s Museum of Fine Arts compared these paintings with others done at this time in Kano Tanyu’s life, including a triptych of pine, plum and bamboo and a landscape of Mount Fuji. These were noted to be of fine quality.

SET OF THREE JAPANESE SCROLL PAINTINGS ON SILK BY KANO TANYU (1602-1674) 17th Century Painted in his 64th year. Central scroll depicts poet Li Po riding a mule. Flanking scrolls depict a winter landscape with a pavilion and snow-covered mountains, and a river landscape with trees and towering cliffs. Each signed and seal marked “Seimei”. 44.25” x 15.25”. With kiriwood box and extensive authentication documentation from the Late 18th Century. 25,000/35,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Literature: Lead illustration in the March/April 1986 issue of Southern Accents Magazine, in an article in the Antiques feature titled “Oriental Scroll Paintings: The Survival of a Delicate Art Form” by Edwin C. Symmes, Jr.

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THE SYMMES / SHIRO KUMA COLLECTION

37, pair

37.

PAIR OF JAPANESE SCROLL PAINTINGS ON SILK BY KANO MASANOBU (1625-1694) 17th Century Depict a fierce dragon with sumiboku embellishments, and a tiger emerging from a bamboo grove. Both signed and seal marked. Both 43.5” x 19”. With extensively inscribed double-lined kiriwood box. 8,000/10,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Kano Masanobu was the son-in-law of Kano Tanyu.

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38.

JAPANESE SCROLL PAINTING ON PAPER BY YAMAGI TANGU 18th Century Depicts pine trees and a rising sun. 47” x 17.75”. 800/1,200 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Yamagi Tangu was a student of Kano Morihiro.

39.

JAPANESE SESSHU-STYLE SCROLL PAINTING ON PAPER 18th/19th Century Depicts birds in flight above a village. 34.5” x 17.5”. With kiriwood box. 300/500

40.

PAIR OF JAPANESE SCROLL PAINTINGS ON SILK BY KANO TANYU Late 17th Century One depicts pavilions and a peasant crossing a bridge, and the other depicts a teahouse and waterfall. Both signed and seal marked. Both 38.25” x 14”. 1,200/1,800

Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

40, pair

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THE SYMMES / SHIRO KUMA COLLECTION

44, three

41.

JAPANESE SCROLL PAINTING ON SILK 20th Century Depicts a tiger and bamboo. Signed and seal marked. 49” x 16”. 150/250

43.

JAPANESE SCROLL PAINTING ON SILK 20th Century Depicts a mounted samurai. 40.5” x 15.75”. 100/200

42.

44. SET OF THREE JAPANESE SCROLL PAINTINGS ON JAPANESE SCROLL PAINTING ON PAPER PAPER Mid-19th Century BY KANO YASUNOBU (1630-1685) 17th Century Central scroll depicts Kwannon and the flanking scrolls Depicts a heron in marsh grasses. Seal marked. 35.75” x 15”. depict mountain and seaside landscapes. Signed and seal 500/1,000 marked. Each 52.5” x 17.5”. 1,000/1,500 Provenance: Exhibited: Mathias Komor. Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Kano Yasunobu was the son of Kano Takanobu and studied under Kano Koi and his older brother Kano Tanyu. He was later adopted as heir to Kano Sadanobu. He was awarded the title Hogen and worked at the Imperial Palace in Kyoto.

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45.

JAPANESE SCROLL PAINTING ON PAPER 19th Century Depicts a sage watching birds in a snow-covered tree, and mountains in the background. 51” x 19.25”. 200/300

46.

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER Late 19th Century With 13 characters. Marked with signature and seal marks. 52.5” x 14.25”. 80/120

47.

JAPANESE SCROLL PAINTING ON PAPER Meiji Period Depicts white cranes in a marsh. Signed and seal marked lower right. 38.25” x 12.25”. 80/120

48.

JAPANESE SCROLL PAINTING ON SILK 20th Century Depicts birds in a red maple tree. Signed and seal marked. 45” x 17.25”. 80/120

49.

JAPANESE SCROLL PAINTING ON PAPER Circa 1900 Depicts a crow on a plum branch. Signed and seal marked upper left. 50” x 12.25”. 80/120

50.

JAPANESE CALLIGRAPHIC SCROLL PAINTING 19th Century With Sosho calligraphy in wet ink style. 52.5” x 12.5”. 80/120

51.

JAPANESE NANGA-STYLE SCROLL PAINTING ON SILK 19th Century Depicts a man being harassed by a dog, with Sosho calligraphy. 45” x 10.25”. 100/200

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THE SYMMES / SHIRO KUMA COLLECTION

53 52 55

52.

JAPANESE SCROLL PAINTING ON SILK BY KANO EISEN-IN II Late 18th Century Depicts a snowy winter scene with a boatman and a pavilion beneath towering cliffs. Signed and seal marked. 38” x 13.6”. 1,000/1,500 Provenance: Charles H. McClintock. Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

53.

JAPANESE SESSHU SCHOOL SCROLL PAINTING ON PAPER 18th Century Depicts a river landscape with sailboat, pavilion and distant hills. Marked with Sesshu seal. 24.5” x 9.5”. 800/1,200

54.

JAPANESE SCROLL PAINTING ON SILK Late 19th Century Depicts a rural retreat with pond and flowering trees. 10.4” x 9.75”. With kiriwood box. 200/300

55.

JAPANESE SCROLL PAINTING ON PAPER BY SUZUKI SHONEN (1849-1918) 19th Century Depicts a temple lantern partially obscured by a temple. Signed and seal marked. 54.75” x 12.25”. 800/1,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

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56.

JAPANESE SUMIYOSHI SCHOOL SCROLL PAINTING ON PAPER Early 19th Century Depicts a seated scholar and calligraphy. Signed and seal marked lower right. 26.5” x 10.25”. 3,000/4,000

57.

PAIR OF JAPANESE KANO-STYLE SCROLL PAINTINGS ON SILK Early 19th Century One, attributed to Yosenin Kanenobu (1753-1808), depicts a scholar and attendant. The other, by Eisen-in, depicts a riverside landscape. Signed. Both 48” x 17.25”. 2,000/3,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

57, pair

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THE SYMMES / SHIRO KUMA COLLECTION

58.

JAPANESE SHIJO SCHOOL SCROLL PAINTING ON PAPER Depicts bamboo and cursive calligraphy. Marked with signature and seal marks. 54.75” x 13.25”. 300/500

59.

JAPANESE SCROLL PAINTING ON PAPER BY YASUDA ROZAN (1830-1882) 19th Century Depicts bamboo. Marked with calligraphy and seal marks. 45” x 13.25”. 1,200/1,800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

60.

JAPANESE ZENGA SCROLL PAINTING ON PAPER BY KAZINO GENZAN 20th Century Depicts a tea ceremony moon. 49.25” x 12.25”. 500/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

61.

JAPANESE KOBORI SCHOOL CALLIGRAPHIC SCROLL PAINTING Late 19th Century After Kobori Masatada. Calligraphy translated as “Feel rich full house sake blank body”. 39” x 9.75”. 500/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

62.

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER 19th Century With five cursive characters. Marked with signature and seal marks. Comma design in mounting. 50” x 10.75”. 50/80

63.

JAPANESE SCROLL PAINTING ON PAPER 19th Century Depicts a lohan beneath calligraphy. 32.25” x 11.25”. 300/500

Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

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64.

JAPANESE SCROLL PAINTING ON SILK BY TENGAI 19th Century Depicts three monkeys, with chestnuts at upper right. Signed and seal marked. 18.5” x 19.75”. 600/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

65.

JAPANESE SCROLL PAINTING ON SILK BY HIMESHIMA CHIKUGAI (1840-1920) Early 20th Century Depicts three bats in flight. Marked with calligraphy and seal mark upper right. 34” x 13.25”. 600/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

66.

JAPANESE SCROLL PAINTING ON PAPER BY FEMALE ARTIST KIYOHARA YUKINOBU 17th Century Depicts a standing woman holding a flute. Signed and seal marked. 25.75” x 9.75”. Framed. 500/700 Kiyohara Yukinobu (1643-1682) is related to Kano Tanyu.

65 66

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THE SYMMES / SHIRO KUMA COLLECTION

67.

JAPANESE ZENGA SCROLL PAINTING ON PAPER Circa 1830 Depicts Daruma beneath calligraphy translated as “Wandering through Japan, I am delighted in the Buddhist lands”. 46” x 15.5”. 250/350

68.

JAPANESE CALLIGRAPHIC PAINTING ON PAPER 20th Century Depicts a Buddhist chant. 48.5” x 13”. 400/600 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

69.

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER Marked with two characters, artist’s inscription and two seal marks. 24” x 40”. 300/500 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

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70.

JAPANESE NANGA/KANO SCHOOL SCROLL PAINTING ON PAPER BY GYOKUSAN 18th Century Gyokusan (holding the title Hyogen, 1692-1755) painted this in his 78th year. Depicts a hawk perched on a tree stump above swirling water. 800/1,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

71.

72.

JAPANESE UKIYO-E SCHOOL SCROLL PAINTING ON SILK 18th Century Depicts the lady Tokiwa and her children exiting the residence of the shogun, leaving footprints in the snow. 28” x 13”. With kiriwood box. 1,000/1,800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

JAPANESE SCROLL PAINTING ON PAPER Circa 1830 73. JAPANESE SCROLL PAINTING ON SILK Depicts a swimming carp with bulging eyes. 39” x 11”. BY HIROMASA KEISHU (1729-1797) 18th Century 300/500 Depicts a nobleman on horseback and two attendants beneath a flowering cherry tree. Signed and seal marked. Exhibited: 45.5” x 17”. 2,000/3,000 Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Exhibited: Monsanto Gallery, Lander University, Greenwood, Literature: South Carolina, September 2011. Illustrated in the March/April 1986 issue of Southern Accents Magazine, in an article in the Antiques feature titled “Oriental Literature: Scroll Paintings: The Survival of a Delicate Art Form” by Illustrated in the March/April 1986 issue of Southern Accents Edwin C. Symmes, Jr. Magazine, in an article in the Antiques feature titled “Oriental Scroll Paintings: The Survival of a Delicate Art Form” by Edwin C. Symmes, Jr. A similar design was used by the lacquer artist Shibata Zeshin. Hiromasa Keishu was a master under Tokugawa Shogun, Sumiyoshi.

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THE SYMMES / SHIRO KUMA COLLECTION

74.

JAPANESE SCROLL PAINTING ON SILK 20th Century By sixth-generation Kikumasa. Based on a painting by Shokado. Depicts a rooster. 14.25” x 43.5”. 800/1,200 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

75.

JAPANESE NANGA SCHOOL SCROLL PAINTING ON PAPER Circa 1930 Depicts a peasant carrying a bundle of sticks while passing beneath snow-covered cliffs. Marked with artist’s seal and extensive calligraphy. 12” x 50.5”. 400/600 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

76. 74

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER 20th Century Signed and seal marked. Framed 33” x 12”. 80/120 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

77.

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER Early 19th Century Painted in the artist’s 91st year. Calligraphy translated as “Sometimes you can’t see the trees for the forest”. Signed and seal marked. 46.5” x 9”. 600/800 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

78.

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER Late 19th Century With dramatic calligraphy. 51.5” x 11.5”. 80/100

79.

JAPANESE CALLIGRAPHIC SCROLL PAINTING ON PAPER BY MUGAKU ZESSHU (1709-1795) 18th Century Using sumiboku technique, with stylized dragon calligraphy. Marked with signature and seal marks. 50.5” x 10.5”. 1,800/2,200 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Dragon calligraphies were employed to prevent drought, floods and fire.

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80.

SET OF THREE JAPANESE SCROLL-MOUNTED FAN PAINTINGS BY MASANOBU Late 17th Century Depict Mount Fuji, boating on a lake and fishing beneath mountains. Each signed and seal marked. Each 11.75” x 15.25”. With kiriwood box. 8,000/12,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

80, three

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THE SYMMES / SHIRO KUMA COLLECTION

82 81

81.

JAPANESE PAINTING ON PAPER 20th Century Depicts cranes in flight before Mount Fuji. Signed and seal marked. 17.75” x 20” sight. Framed 26” x 28.25”. 600/800

84.

JAPANESE BOOK PAGE ILLUSTRATION BY SETSUTEI Depicts figures at a teahouse. 7” x 5” sight. Framed 18.5” x 15.5”. 80/100

82.

JAPANESE WATERCOLOR ON PAPER BY TAKEO HIRAI 20th Century Depicts misty mountains. Signed lower left. 10.75” x 13” sight. Framed 18” x 20.25”. 250/350

85.

JAPANESE BOOK PAGE ILLUSTRATION Possibly by Morikuni. Depicts a man and a tiger. 7” x 5” sight. Framed 8.5” x 15.5”. 80/100

83.

JAPANESE BOOK PAGE ILLUSTRATION BY GAKUTAI 19th Century Depicts a cottage and mountain. 7” x 4.8” sight. Framed 18.5” x 15.5”. 80/120

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86.

JAPANESE SILK-EMBROIDERED KIMONO Embroidered with a weeping cherry pattern on a cream ground. Matching sash. 400/600

87.

JAPANESE IRON TETSUBIN Late 19th Century In flanged ovoid form, with paulownia design. Diameter 10”. 300/500

88.

JAPANESE BLACK, GOLD AND RED LACQUER MOKUGYO BELL Inscribed with calligraphy. Mounted on a cushion. Total height 12.5”. 100/150

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THE SYMMES / SHIRO KUMA COLLECTION

89.

JAPANESE BLACK AND GOLD LACQUER TEMPLE DRUM WITH TAMA-FORM STAND Circled comma design on one face and dragon design on the other. Drum diameter 20”. Stand height 51”. 800/1,000

92.

PAIR OF JAPANESE WOODEN HIBACHIS 20th Century With carved handles and copper liners. Widths 11.5”. Depths 11.5”. 200/300

90.

JAPANESE BAMBOO IKEBANA DISPLAY CONTAINER 20th Century In boat form. Length 26”. 100/200

93.

JAPANESE KIRIWOOD HIBACHI 19th Century With three small drawers, copper lining and ceramic pot holder. Height 11”. Width 21.25”. Depth 13.25”. 300/500

91.

JAPANESE BLACK LACQUER CLOTHING STAND 20th Century In torii form, with gold crane design. Height 60.5”. Width 56”. 150/250

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94.

JAPANESE IVORY NETSUKE BY MASATAMI 19th Century In the form of five monkeys collecting fruit. Signed. Height 2”. 2,000/3,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Literature: Netsuke, Japanese Life and Legend in Miniature, illustrated on p. 28 and p. 157, and described on p. 155. 94

95.

JAPANESE IVORY NETSUKE BY MASATAMI 19th Century In the form of a monkey examining an inro. Signed. Height 1.5”. 1,500/2,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Birmingham Museum of Art. Literature: Netsuke, Japanese Life and Legend in Miniature, p. 56-57 for an illustration and discussion of this netsuke. 95

96.

JAPANESE WOOD NETSUKE BY YAMADA-ISE MASANAO 19th Century In the form of a frog. Inlaid eyes. Signed. Length 1.5”. 1,000/1,500 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Birmingham Museum of Art. Literature: Netsuke, Japanese Life and Legend in Miniature, p. 148-149 for an illustration and discussion of this netsuke.

97.

JAPANESE IVORY NETSUKE BY MASATAMI 19th Century In the form of a rat with a candle. Signed. Length 1.75”. 1,500/2,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Literature: Netsuke, Japanese Life and Legend in Miniature, p. 164-165 for an illustration and description of this netsuke.

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98.

JAPANESE BOXWOOD NETSUKE BY SHINGETSU 20th Century In the form of a snail. Signed. Length 1.8”. With original kiriwood box. 2,200/2,800

Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Literature: Illustrated in an issue of Veranda.

THE SYMMES / SHIRO KUMA COLLECTION

99.

JAPANESE WOOD NETSUKE 19th Century In the form of a reclining boar. Length 1.75”. 250/350 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Birmingham Museum of Art. Literature: Netsuke, Japanese Life and Legend in Miniature, p. 92-93 for an illustration and discussion of this netsuke.

100.

JAPANESE IVORY NETSUKE BY TOMOTADA 18th Century In the form of a reclining water buffalo. Signed. Length 2.7”. 18,000/22,000 Provenance: Eskenazi, London. Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

100

101.

JAPANSE WOOD NETSUKE In the form of a fish. Length 3”.

19th Century 150/250

Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. 101

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102.

JAPANESE WOOD NETSUKE BY MASATAMI Early 20th Century In the form of a snake and frog resting on a hoe. Height 5.5”. 2,000/3,000 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011. Birmingham Museum of Art. Literature: Netsuke, Japanese Life and Legend in Miniature, p. 94 for an illustration and description of this netsuke.

103.

103, two views

102

JAPANESE GOLD AND SILVER OJIME 19th Century In the form of a lotus pod with movable seeds. Diameter .5”. 1,000/1,500 Exhibited: Monsanto Gallery, Lander University, Greenwood, South Carolina, September 2011.

104.

JAPANESE TSUISHU LACQUER OJIME Rectangular, with a floral design. Length .375”.

105.

JAPANESE WOOD NETSUKE BY SUZUKI MASANAO 19th Century In the form of a snarling tiger. Inlaid eyes. Signed. Length 1.6”. 10,000/15,000

50/80

105

conclusion of the collec tion see photos of all lots and view condition reports at www.eldreds.com

A WESTERN MASSACHUSETTS COLLECTION

106

107

108

109

106.

JAPANESE IVORY NETSUKE BY GARAKU 19th Century In the form of two frogs attempting to escape a snake while climbing on an openwork rock structure. Signed. Length 1.75”. 2,000/2,500

108.

JAPANESE GOLD LACQUER NETSUKE 19th Century In the form of an okina mask. Length 1.25”. 600/800

107.

JAPANESE SHIBAYAMA IVORY NETSUKE BY KAZUYUKI 19th Century In the form of a caparisoned horse standing on an oval platform. Signed. Height 1.4”. 2,500/3,000

109.

JAPANESE WOOD NETSUKE 19th Century In the form of two rats eating rice cakes as they stand on a footed tray. Height 1.2”. 800/1,200

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110.

JAPANESE TOKYO SCHOOL IVORY NETSUKE BY GYOKUMIN 19th Century In the form of a street entertainer singing and playing a biwa. Signed on inlaid plaque. Height 1.7”. 2,000/3,000

110

111.

JAPANESE IVORY NETSUKE BY TOMOCHIKA 19th Century In the form of a mask carver admiring his work. Signed. Height 1.5”. 1,000/1,200

112.

JAPANESE IVORY NETSUKE 19th Century Possibly signed Noriko. In the form of a flying tennin beating a drum. Signed. Height 2.5”. 1,200/1,500

113.

JAPANESE IVORY NETSUKE BY SEIKO (KOJUSAI) 19th Century In the form of a man battling two octopuses. Signed on inlaid plaque. Height 2.2”. 1,500/1,800

114.

JAPANESE IVORY NETSUKE Early 19th Century With openwork carving of quail and millet. Signed Gyokko. Height 2.6”. 1,200/1,500

115.

JAPANESE IVORY NETSUKE 18th Century In the form of a sennin carrying a shishi. Fine yellowed patina. Height 2.6”. 1,500/2,000

116.

JAPANESE IVORY NETSUKE Early 19th Century In the form of a sennin wearing a mugwart skirt and carrying a shishi on his back. Shishi with inlaid eyes. Height 2.25”. 1,500/2,000

111

112

113

114

115 see photos of all lots and view condition reports at www.eldreds.com

116 37

117.

JAPANESE IVORY NETSUKE BY RAKU Late 18th/Early 19th Century In the form of a reclining buck grooming its hindquarters. Finely inlaid eyes. Signed. Length 2”. 1,800/2,000

118.

JAPANESE KYOTO SCHOOL IVORY NETSUKE 18th Century In the form of a grazing horse. Finely detailed mane and tail. Height 2.5”. 3,000/4,000

119.

JAPANESE IVORY NETSUKE BY CHIKATOSHI Late 19th Century In the form of a seated priest holding a hoso. Stained details. Signed. Height 1.5”. 1,000/1,200

120.

JAPANESE IVORY NETSUKE BY SHUGETSU 19th Century In the form of a karako in a shishi mask. Inlaid eyes and movable jaw. Signed on inlaid plaque. Height 1.3”. 1,200/1,500

121.

JAPANESE IVORY NETSUKE BY KOSAI Late 19th Century In the form of a sushi chef wrestling an eel. Signed. Length 1.2”. 1,200/1,500

117

118

119

120

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121

A WESTERN MASSACHUSETTS COLLECTION

122.

JAPANESE IVORY NETSUKE Early 19th Century In the form of a desiccated salmon. Length 3.7”. 800/1,200

123.

JAPANESE IVORY NETSUKE BY SHUKOKU 19th Century In the form of a ranryu dancer in an elaborate costume and dragon helmet. Signed. Height 1.6”. 800/1,000

124.

JAPANESE IVORY NETSUKE BY NINSEI Meiji Period In the form of a sleeping mermaid. Signed. Length 1.8”. 1,000/1,200

122

123

125.

124

JAPANESE IVORY NETSUKE BY KYOGYOKU 19th Century In the form of two blind men kneeling on a raft while carrying their geta. Signed. Length 1.8”. 1,200/1,500

126.

JAPANESE KYOTO SCHOOL IVORY NETSUKE 18th Century In the form of a seated baku. Inlaid horn eyes. Height 1.4”. 3,500/4,000

127.

JAPANESE KYOTO SCHOOL IVORY NETSUKE 18th Century In the form of a kirin baying at the moon. Inlaid eyes. Height 1.8”. 3,000/3,500

125

126

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127

128

128.

JAPANESE IVORY NETSUKE BY RANICHI Early 19th Century In the form of a seated rabbit. Inlaid amber eyes. Signed. Length 1.5”. 2,500/3,000

129

129.

JAPANESE IVORY NETSUKE IN THE MANNER OF SUKENAGA 19th Century In the form of a cicada resting in a walnut shell. Length 1.75”. 1,800/2,200

130

130.

JAPANESE IVORY NETSUKE Circa 1800 In the form of a cat lying on an awabi shell. Length 1.5”. 2,000/2,500

131

131.

JAPANESE OSAKA SCHOOL IVORY NETSUKE 18th Century In the form of a long-haired spaniel on an awabi shell. Inlaid eyes. Length 1.7”. 2,200/2,500

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A WESTERN MASSACHUSETTS COLLECTION

132

136

133

137

132.

JAPANESE WOOD AND IVORY NETSUKE BY SOSAI Circa 1900 In the form of an okina dancer. Ivory feet and mask. Signed. Height 1.75”. 3,000/4,000

133.

JAPANESE WOOD AND IVORY NETSUKE BY YOSHIMITSU 19th Century In the form of two ivory rats cavorting on a wooden grain barrel. Inlaid eyes. Signed. Length 1.6”. 2,500/3,000

134.

JAPANESE WOOD AND IVORY NETSUKE BY NOBUTO Early 19th Century In the form of Daruma standing and enveloped in his robes. Ivory face and feet. Signed. Height 2”. 800/1,200

135.

134

JAPANESE WOOD AND IVORY NETSUKE BY YUKOSAI 19th Century In the form of Hotei sleeping on his treasure sack. Ivory head, hands and foot. Signed. Length 1.25”. 1,200/1,500

138

135

139

136.

JAPANESE WOOD NETSUKE BY ISE-YAMADA MASANAO 19th Century In the form of a shishi guarding a brocade ball, inside of which is a carved loose ball. Signed. Length 1.5”. 1,200/1,500

137.

JAPANESE WOOD NETSUKE BY TOSHITSUGU 19th Century In the form of a nio tying a sandal. Signed on inlaid plaque. Height 1.25”. 2,500/3,000 Provenance: Dr. James Rose.

138.

JAPANESE TAMBA SCHOOL WOOD NETSUKE IN THE MANNER OF TOYOMASA 19th Century In the form of a monkey emerging from a chestnut. Inlaid eyes. Length 1.75”. 2,500/3,500

139.

JAPANESE KYOTO SCHOOL WOOD NETSUKE ATTRIBUTED TO TOMOCHIKA 18th Century In the form of a shishi scratching at his ear. Length 2”. 3,000/3,500

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140.

JAPANESE WOOD NETSUKE Mid-19th Century In the form of an oni paddling a lily pad boat as transportation for Enma-o, the King of Hell. Length 1.8”. 1,800/2,200

148.

JAPANESE WOOD NETSUKE BY GOSAKU 19th Century In the form of a baku resting on a rockery base. Signed. Height 1.4”. 2,200/2,500

141.

JAPANESE WOOD NETSUKE BY TANEMITSU MASAKAZU 19th Century In the form of a fierce kirin balanced on an oval platform. Height 2”. 3,000/3,500

149.

JAPANESE WOOD NETSUKE 18th Century In the form of Shoki standing and holding a sword. Height 2.3”. 2,200/2,500

142.

JAPANESE WOOD NETSUKE Mid-19th Century In the form of a monkey crawling on a tatami mat. Finely carved. Double inlaid eyes. Length 1.5”. 800/1,200

150.

JAPANESE WOOD NETSUKE 19th Century In the form of a turtle climbing on a surprised monkey. Height 1.4”. 1,500/2,000

143.

JAPANESE WOOD NETSUKE BY ISE-YAMADA MASANAO 19th Century In the form of a monkey eating a peach. Inlaid eyes. Height 1.75”. 2,500/3,000

151.

JAPANESE WOOD NETSUKE ATTRIBUTED TO HARA SHUMIN 19th Century In the form of a karako in a shishi costume playing a drum. Height 1.3”. 1,200/1,500

144.

145.

146.

JAPANESE NAGOYA SCHOOL WOOD NETSUKE ATTRIBUTED TO ICHIMIN 19th Century In the form of a rat resting on a bean pod. Inlaid eyes. Length 1.75”. 3,000/4,000

JAPANESE INLAID WOOD NETSUKE BY TOKOKU 20th Century In the form of seated Hotei holding a horn and lacquer mask. Signed and seal marked. Length 1.6”. 1,500/2,000

JAPANESE WOOD NETSUKE BY SHINSAI 19th Century In the form of Ebisu and Daikoku dancing. Signed. Length 2”. 1,800/2,200

Provenance: Paul Zuege.

152.

JAPANESE WOOD NETSUKE BY GYOKUSEKI Early 19th Century In the form of a kirin baying at the moon. Signed. Height 1.5”. 600/800

153.

JAPANESE NAGOYA SCHOOL WOOD NETSUKE BY TOMONOBU Early 19th Century In the form of clamshells on an awabi shell. Length 1.8”. 2,000/2,500

154.

JAPANESE WOOD NETSUKE 19th Century In the form of a kappa suggestively resting on a cucumber. Length 1.5”. 800/1,200

155.

JAPANESE WOOD AND IVORY NETSUKE BY NAGAMACHI SHUZAN Early 19th Century In the form of a badger priest walking with a cane. Some polychrome details. Signed. Height 2”. 800/1,200

Provenance: Paul Zuege.

147.

JAPANESE INLAID WOOD NETSUKE 18th Century In the form of a reclining boar. Inlaid horn eyes and ivory tusks. Length 2.3”. 3,000/3,500

140

141

142

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143

A WESTERN MASSACHUSETTS COLLECTION

144

145

147

146

148

150

149

152

151

153

154

155

conclusion of the collec tion see photos of all lots and view condition reports at www.eldreds.com

A P R I VAT E M I D W E S T C O L L E C T I O N

156

157

159

158

156.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of a man holding a mirror surrounded by two children. Signed “Ichigyoku” (Kazutama). Height 2.5”. 500/600 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

157.

158.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of a monkey posing as a deity. Finely carved. Signed on plaque “Tenzan”. Height 2”. 400/500 Provenance: The collection of Robert Dupont. Purchased at I.M. Chait, Beverly Hills, California.

JAPANESE MARINE IVORY NETSUKE Meiji Period, circa 1900 In the form of Bishomon holding a model of a pagoda. Height 2”. 350/450 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

159.

JAPANESE IVORY NETSUKE Meiji Period, Circa 1900 In the form of a monkey trainer with his accoutrements. Signed “Gyokuichi”. Height 2”. 400/600 Provenance: The collection of Robert Dupont. Purchased at I.M. Chait, Beverly Hills, California.

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160

160.

161

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of a deity holding a staff and a dragon in a censer. Signed “Gyokosai”. Height 1.5”. 300/400 Provenance: The collection of Robert Dupont. Purchased at I.M. Chait, Beverly Hills, California.

161.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of Hotei, with three small children climbing on his treasure sack. Signed “Masatomo”. Height 2”. 450/650

162

Provenance: Purchased at I.M. Chait, Beverly Hills, California. 162.

JAPANESE STAG ANTLER NETSUKE Meiji Period, 19th Century In the form of a rabbit seated on a taboret. Height 2”. 300/400 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

163.

JAPANESE MARINE IVORY NETSUKE Meiji Period, Circa 1900 In the form of Daikoku with his sack and an attendant. Height 3”. 200/300 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

164.

JAPANESE BONE NETSUKE In the form of a sage holding a staff. Height 3.5”. 300/500

163

164

Provenance: Purchased at Sohn Auction, Evansville, Indiana.

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A MIDWEST COLLECTION

165

166

169

173

167

171

170

174

168

172

175

see photos of all lots and view condition reports at www.eldreds.com

176

165.

JAPANESE IVORY NETSUKE Meiji Period, 19th Century In the form of a quail. Inlaid eyes. Finely carved and parcellacquered. 300/400

171.

Provenance: Purchased at I.M. Chait, Beverly Hills, California.

Provenance: Purchased at I.M Chait, Beverly Hills, California.

166.

JAPANESE IVORY NETSUKE Late 18th Century In the form of a reclining shishi. Signed “Tomomasa”. Length 1.5”. 350/450

172.

JAPANESE BOXWOOD NETSUKE Late 18th Century In the form of a recumbent shishi with a loose ball in its mouth. Length 1.75”. Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection. 300/400

173.

JAPANESE IVORY NETSUKE Meiji Period, Circa 1900 In the form of Daikoku with his sack and an attendant. Height 1”. 200/300

Provenance: Purchased at I.M. Chait, Beverly Hills, California.

167.

JAPANESE IVORY NETSUKE Meiji Period, 19th Century In the form of a ferocious tiger. Double inlaid eyes. Finely carved. Signed “Hakuryu” in double gourd reserve. Height 1”. 600/800 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

168.

169.

174.

JAPANESE IVORY NETSUKE Meiji Period, Circa 1900 In the form of a seated figure with a puppet of Hotei. Signed. Height 1.75”. 200/300 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

175.

JAPANESE IVORY NETSUKE Meiji Period, Circa 1900 In the form of a man with a paddle, basket and octopus. Signed. Height 2.5”. 400/500 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

JAPANESE WOOD NETSUKE Meiji Period, Late 19th Century In the form of a recumbent shishi on a plinth. Well-carved. Signed “Toshinaga”. Height 1.5”. 300/400 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

170.

Provenance: Purchased at I.M. Chait, Beverly Hills, California.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of a man in a boat. Signed on lacquer plaque. Height 1”. 200/300 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

JAPANESE IVORY NETSUKE Circa 1900 In the form of three figures seated on a large treasure sack. Signed “Kogyoku” on lacquer plaque. 300/500

176.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of Komuso with a Shakuhachi and his woven tengai by his side. Signed “Meishi”. Height 1.5”. 400/600

Provenance: JAPANESE STAINED IVORY NETSUKE Purchased at I.M. Chait, Beverly Hills, California. Meiji Period, 19th Century In the form of a man holding a pick and dragging an oversized cauldron. Signed “Shukosai Anraku”. Height 1”. 1,000/1,200 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

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A MIDWEST COLLECTION

177.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of a scholar holding a staff and a fan and accompanied by two students. Signed “Gyokubun”. Height 2.25”. 300/400 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

177

178.

JAPANESE IVORY NETSUKE Meiji Period, Late 19th Century In the form of Daikoku and Ebisu with a young attendant. Signed. Length 2.5”. 250/350 Provenance: Purchased at I.M. Chait, Beverly Hills, California. 178

179.

IVORY NETSUKE Meiji Period, Circa 1900 In the form of a figure wearing a fox mask on the back of his head and holding a fan. Parcel-lacquered. Signed. Height 2”. 350/450 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

179

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180.

JAPANESE IVORY NETSUKE Late 19th Century In the form of a man kneeling beside a large carp. Carp with inlaid eyes. Signed. Length 1.5”. 350/450 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

181.

182.

JAPANESE IVORY NETSUKE Meiji Period, 19th Century In the form of a man seated on a large tortoise and scratching his head. Signed. Height 1.5”. 500/600 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

JAPANESE MARINE IVORY NETSUKE Meiji Period, Late 19th Century 183. JAPANESE IVORY NETSUKE Meiji Period, Circa 1900 In the form of a kneeling man with a sack. Height 1.5”. In the form of a boy bathing with his father. Signed on foot. 200/300 Height 1”. 250/350 Provenance: Purchased at I.M. Chait, Beverly Hills, California.

180

181

Provenance: The Robert Dupont Collection. Purchased at I.M. Chait, Beverly Hills, California.

182

183

conclusion of the collec tion see photos of all lots and view condition reports at www.eldreds.com

184.

JAPANESE IVORY NETSUKE Circa 1910 In the form of Ebisu and a fish. Signed. Height 2.25”. 200/250

185.

JAPANESE IVORY NETSUKE Circa 1900 In the form of the faces of the Zodiac animals. Inlaid eyes. Signed. Length 1.5”. 200/250

186.

JAPANESE IVORY NETSUKE BY MASAKAZU (1868-1911) 19th Century In the form of three deer beneath maple trees. Signed. Length 1.3”. 1,000/1,200

187.

JAPANESE STAINED STAGHORN NETSUKE Early 20th Century In the form of the animals of the Zodiac arranged as a mountain. Signed on oval base. Height 2.5”. 200/250

188.

JAPANESE NEGORO LACQUER-ON-WOOD NETSUKE 19th Century In the form of a scholar riding a horse, set on a rectangular base. Height 2”. 450/650

189.

JAPANESE WOOD NETSUKE 19th Century In the form of three mushrooms. Signed with kakihan. Length 1.5”. 300/400

190.

JAPANESE POLYCHROME WOOD NETSUKE BY NAGAMACHI SHUZAN Early 19th Century In the form of a scholar playing a flute. Height 1.75”. 500/700

186

188

189

190

see photos of all lots and view condition reports at www.eldreds.com

191

193

191.

JAPANESE WOOD NETSUKE BY JUGYOKU 19th Century In the form of Jurojin holding an open scroll and standing beside a deer. Signed on inlaid plaque. Height 1.6”. 800/1,200

192.

JAPANESE WOOD NETSUKE Late Meiji Period In the form of a bird-like figure with octopus arms. Inlaid eyes. Signed “Tusen”. 200/250

193.

JAPANESE STAGHORN NETSUKE 19th Century In a coin and ribbon design with calligraphy. Diameter 1.5”. 300/400

194.

FOUR JAPANESE OJIME Meiji Period One gold, diameter .5”, one silver, diameter .75”, and two carved bone with puppy and figural designs, diameters .5” and .75”. 500/1,000

195.

JAPANESE FOUR-CASE GOLD AND BLACK LACQUER INRO Meiji Period Gilt maple leaf design on a black ground. Length 2.75”. Wood chestnut-form ojime. 600/900

195

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196.

JAPANESE SCROLL PAINTING ON PAPER 20th Century Depicts a bird in a cherry tree. Signed and seal marked lower right. 43” x 10.5”. 300/500

197.

JAPANESE SCROLL PAINTING ON SILK Late 19th Century Depicts Okame in a multitude of poses. Signed and seal marked lower left. 40” x 16”. 200/300

198.

JAPANESE SCROLL PAINTING ON PAPER Meiji Period Depicts a farmer on a bridge within a winter landscape. Signed and seal marked lower left. 16” x 20”. Bottom mounting as-is. 200/300

196

197

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199.

SHINGO KUSUDA Japan, b. 1935 Untitled. Artist identified verso. Mixed media on paper, 27” x 19.5” sight. Framed 30” x 21”. 300/500

200.

JAPANESE PAINTING ON SILK 20th Century Depicts a tiger in bamboo. Seal marked upper right. 30” x 17”. Framed 36” x 24”. 200/250

201.

TWO JAPANESE WATERCOLORS OF TWO NIO GUARDIAN FIGURES Taisho Period Both signed “Yoko Tsuka Nikko”. Housed together in a single frame. Both 13” x 9.5” sight. Framed 22” x 29”. 200/250

202.

JAPANESE TWO-PANEL SCREEN Late Meiji/Early Taisho Period Depicts a Sumi painting of Jo and Uba at the base of a mountain and a calligraphic inscription on gold leaf. Height 28.5”. Width 70”. 400/600

199

202

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203.

FIVE CHINESE FOLK ART PAINTINGS BY PAN XIAOLING Contemporary Colorful figural and animal scenes, each titled and signed verso: “Chatting”, “Picking Up Strawberry”, “Considering Whose Achievement is More Remarkable”, “Spring Festival” and “Full of Pigsty”. Gouaches on paper, 21.25” x 29”. Unframed. 80/120 Provenance: A Private Florida Collection.

204.

NEPALESE MANDALA PAINTING Late 20th Century Depicts many Buddhist deities in various positions. 18” x 14”. Framed 24” x 19”. 300/400

204

205.

CHINESE SCROLL PAINTING ON SILK 19th Century A gray/green landscape after Shen Zhou. Marked “Wu School, Ming Dynasty, dated Year of the Monkey, 1644” on label verso. 48” x 16”. Framed 57” x 21”. 500/700

206.

CHINESE PAINTING ON PAPER 19th Century Depicts three figures on a footbridge at the base of a mountain. No signatures or seal marks noted. 55” x 25”. Framed 57” x 27”. 200/400

207.

CHINESE SCROLL PAINTING ON SILK 20th Century Depicts boatmen on a river. Inscribed and seal marked. 41” x 18”. 100/200 Provenance: A Private Florida Collection.

208.

CHINESE SCROLL PAINTING ON PAPER 20th Century Depicts various pavilions amongst towering cliffs. Signed and seal marked. 32.25” x 22.25”. 200/300

209.

CHINESE SCROLL PAINTING ON PAPER 20th Century Depicts pine trees on a hillside. 50.5” x 15”. 200/300

205

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211

212

210.

JAPANESE DRAGON EMBROIDERY ON SILK Meiji Period Depicts a three-clawed dragon amongst clouds. 47.75” x 19.5” sight. Framed 49” x 21”. 300/400

211.

CHINESE SILK WINTER WEIGHT COURT ROBE Late 19th Century Bodice with eight embroidered phoenix and peony rondels on a red ground. Colorful wave border at the bottom hem. Applied silk collar and horseshoe sleeves with similar rondels on a peony-filled black ground. Light blue silk lining. Length 54”. Width across sleeves 64”. 1,000/1,500

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212.

CHINESE AUBERGINE SILK ROBE WITH ERMINE LINING Late 19th/Early 20th Century Length 54”. Width across sleeves 59”. 1,000/1,500 Provenance: Anne Gleysteen, from the estate of William Gleysteen, an Ambassador to China.

213.

CHINESE SILK NEEDLEWORK PANEL Late 19th Century Depicts four finely embroidered Chinese deities, with some forbidden stitch and gold thread, on a gold thread ground with a red border. Length 44”. Width 7”. 400/600 Provenance: The estate of Archibald Johnston (1864-1948) of Bethlehem, Pennsylvania, a mechanical engineer for Bethlehem Iron Company.

213

214.

THREE CHINESE SILK NEEDLEWORK EMBROIDERIES 19th Century A rondel with cranes in a landscape, diameter 10”, a forbidden stitchwork depicting a temple landscape with two courtesans, 18.5” x 3.25” sight, and a gilt thread panel depicting bats, flowers and waves with a brocade border, 23” x 12” sight. All framed; largest frame 29.5” x 18”. 400/600

215.

CHINESE MANDARIN SQUARE RANK BADGE Late Qing, 19th Century Embroidered with an egret and sun over waves. Label verso for a Pasadena, California art gallery. 9.5” x 10” sight. Framed 17” x 17”. 150/250

216.

CHINESE SILVER METAL AND ENAMEL SUNBURST-FORM BADGE 20th Century Cannon and rifle designs on a white ground with tiger heads and clouds. Calligraphy on reverse. Diameter 3.5”. 300/400

217.

CHINESE SILVER METAL AND ENAMEL FLORIFORM BADGE 20th Century Commemorating Yuan Shikai. Diameter 3.5”. 300/400

218.

TWO JAPANESE IVORY OKIMONO Circa 1885 One in the form of a pig, length 2.25”, and the other a goldfish, length 1.5”. Goldfish with inlaid eyes and is signed. 250/300

219.

JAPANESE IVORY OKIMONO Circa 1910 In ball form, depicting all the animals of the Zodiac. Signed. Diameter 1”. 200/250

220.

JAPANESE IVORY OKIMONO Circa 1910 In the form of six rats coiled in a ball. Inlaid eyes. Signed. Length 2”. 200/250

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221.

JAPANESE CARVED BONE ZUSHI 19th Century In temple form, with a figure of Buddha behind two lotus-carved doors. Height 6”. 150/250

222.

JAPANESE IVORY OKIMONO Meiji Period, Late 19th Century A figure group of a fisherman holding an oar and a young boy with a toy boat. Signed on base “Seigetsu”. Height 5.5”. 600/800 Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

223.

JAPANESE IVORY OKIMONO Late 19th Century A figure group of a fisherman holding an oar and a fish, and a small child with a fish over his shoulder and a removable rake in his hand. Signed “Isshinsai Masayuki”. Height 6”. Length 3”. 400/600

221

222

223

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232

233

224.

THREE PIECES OF CHINESE JEWELRY A cinnabar brooch, length 1.8”, a jadeite brooch, length 1.4”, and a pair of green stone earrings in bi form, lengths 1.6”. 100/200

229.

CHINESE SILVER METAL AND JADEITE BANGLE BRACELET AND A WHITE METAL AND BOAR’S TUSK BANGLE BRACELET Both hinged. Interior diameters 2.12”. 200/300

225.

FIVE CHINESE STONE PENDANTS An amethyst fruit, length 1.2”, an agate pendant with fruit, length 1.7”, a jadeite pendant with fish, diameter 1.3”, a jadeite pendant with 14kt gold shou, diameter 1.3”, and a serpentine pendant with dragon, length 1.75”. 100/200

230.

OVERSIZE MOTTLED LIGHT CELADON JADE ARM BANGLE Diameter 4”. 200/300

226.

CHINESE OPAL PENDANT In the form of a qilong dragon resting on a lotus leaf. Length 2.5”. 100/200

227.

CHINESE GREEN AND WHITE JADE PENDANT NECKLACE 20th Century In keystone form, with carved floral design. Pendant length 2.25”. Gilt metal chain. 150/200

228.

THREE PIECES OF CHINESE JEWELRY Jadeite and silver metal bracelet with four jadeite panels, an amethyst bracelet with three rondels, and an agate, amethyst and jade necklace with butterfly design, length 14.5”. 200/300

Provenance: A Private Boston Collection.

231.

CHINESE WHITE JADE BANGLE BRACELET Traces of lavender coloring. Diameter 3.25”. 300/500

232.

CHINESE CARVED PALE CELADON JADE PENDANT ON A BEADED NECKLACE Rectangular plaque pendant carved with boy holding a peach branch staff on one face and calligraphy on the other, and with two open-carved qilin on each side. White jade beaded necklace. Plaque 2.5” x 1.5”. Necklace length 12”. 500/700

233.

CHINESE WHITE JADE BEAD NECKLACE Comprised of 43 beads. Length 11”. 400/600

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234.

CHINESE PALE LAVENDER AND APPLE GREEN JADEITE BANGLE BRACELET Circa 1910 Exterior diameter 2.9”. Interior diameter 2.25”. 600/800 Provenance: Collection of Louise Randall.

234

235.

CHINESE GREEN JADEITE, EMERALD, DIAMOND AND 18KT GOLD NECKLACE Comprised of 50 approx. .25” jade beads, 48 emerald spacers and a gold peony set with diamonds. Length 23”. 1,800/2,200 Provenance: Collection of Louise Randall.

235

236.

CHINESE PALE LAVENDER AND GREEN JADEITE BANGLE BRACELET Exterior diameter 2.75”. Interior diameter 2.3”. 400/600 236

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237.

CAMBODIAN SAPPHIRE, DIAMOND AND ENAMEL RING Approx. 22 carat heart-shaped blue sapphire in a yellow gold mount, surrounded by rose-cut diamonds on a blue and red scrolled enamel ground. 2,000/3,000

238.

CHINESE LAVENDER JADE, DIAMOND, AMETHYST AND 18KT GOLD DINNER RING Approx. 20mm oval cabochon surrounded by two bands of diamonds and three bands of amethysts. 2,000/3,000

239.

CHINESE APPLE GREEN JADE AND 14KT YELLOW GOLD RING Approx. 16mm oval jade cabochon. 500/700

240.

CHINESE NECKLACE Comprised of 18 baroque beads and black spacers simulating celadon jade. Length 24”. 200/300

241.

CHINESE NEPHRITE JADE BEAD PENDANT NECKLACE Comprised of 18 approx. 7mm beads, two white double-ring beads, one flower-form bead and a fruit-form pendant. 300/400

242.

CHINESE LAVA BEAD MALA Comprised of approx. 108 lava beads and four jade spacers. Length 22”. 200/250

243.

THIRTEEN AMBER BEAD NECKLACES AND BRACELETS Mostly in nugget style, some in natural style, though styles and colors vary. Lengths from 3” to 40”. 200/250

244.

CHINESE WOOD MALA BRACELET Comprised of 10 beautifully figured hardwood beads. Diameter 4”. 250/350

237

238

239

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245, two

245.

JAPANESE CASED GILT LACQUER COMB AND KANZASHI Meiji Period Both decorated with floral sprays. Kanzashi signed. Length 6”. 200/300

246.

APPROX. FORTY PIECES OF JAPANESE KOMEI AND DAMASCENE JEWELRY 20th Century Includes brooches, cuff links, bracelets, rings, earrings and pendants. Brooch lengths approx. 2”. Approx. 15.6 oz. 200/250

247.

JAPANESE OPIUM PIPE Meiji Period Bowl with mixed metal chrysanthemum-form mons. Naturally stained bamboo stem. Metal saddle. Length 22”. 100/150

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248.

JAPANESE TANTO World War II-Era Sharkskin grip with leather wraps, small tsuba, lacquer saya; missing kozuka. No signature found on tang. Blade length 11.5”. Total length 18.25”. 300/500

249

250.

249.

TACHI BLADE (NO MOUNTS) 20th Century In hon-dzukuri form with suguha hamon. Signed, possibly “Kanemune”. Length 26.2”. 600/800

CHINESE CELADON JADE KHANJAR DAGGER HANDLE 19th Century In the form of a horse’s head, with lotus carving at the guard. Length 5.2”. 3,000/3,500 Provenance: Collection of K.C. Liang, Hong Kong.

251. 250

CHINESE SAGE GREEN JADE KHANJAR DAGGER HANDLE 19th Century In the form of a ram’s head, with lotus carving. Length 5”. 2,500/3,500 Provenance: Collection of Amrik Singh, Mumbai.

251

252.

RUSSIAN SILVER METAL AND NIELLO KHANJALI (COSSACK DAGGER) Floral design on handle and sheath. Overall length 17.5”. 350/450

253.

INDO-PERSIAN WOOD, LEATHER AND METAL POWDER FLASK 19th Century Wood flask covered in leather, with metal nozzle and collar and circular medallions nailed about the body. Height 7”. Length 7.5”. 300/500

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254

254.

INDIAN KHANJAR DAGGER WITH GREEN JADE HANDLE 19th Century Carved handle mounted with gold, and rose-cut diamonds and pear-shaped rubies in a floral design. Brocade and gilt metal-mounted scabbard. Water-tempered blade with gilt mounts. Total length 16.5â&#x20AC;?. 18,000/22,000 Provenance: A European Collection.

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255.

TWELVE LARGE CARVED WOODEN STANDS Various shapes and sizes. 250/350

263.

APPROX. FIFTEEN CHINESE HARDWOOD STANDS Various shapes and sizes. 150/200

256.

THIRTEEN WOODEN STANDS Rectangular and square. Various sizes.

264.

APPROX. FIFTY-EIGHT ASIAN HARDWOOD STANDS AND BASES Various shapes and sizes. Most with black and brown paint. Diameters from 1.5” to 7”. 200/300

257.

THIRTY ASSORTED MEDIUM-SIZE WOODEN STANDS Various shapes and sizes. 300/500

265.

NINE CHINESE CARVED WOOD STANDS Assorted shapes and sizes; includes one pair. Diameters from 3.5” to 6.5”. 200/300

266.

NINE CHINESE WOOD STANDS Assorted shapes and sizes, including one that’s a crosssection of wood. Lengths from 2” to 15”. 200/300

267.

FOURTEEN ASSORTED CHINESE ARTIST’S BRUSHES All with bamboo handles. Some with bone mounts. 200/300

268.

APPROX. THIRTY-FOUR ASSORTED CHINESE ARTIST’S BRUSHES Made from various materials. Lengths from 6.5” to 11”. 200/300

269.

FIFTEEN CHINESE ARTIST’S BRUSHES One with bird carving. Several with turned handles. Lengths from 13.5” to 23.5”. 300/500

270.

JAPANESE CARVED ARCHITECTURAL ELEMENT In the form of a dragon fish. Mounted on a marble base. Total height 17”. Dragon fish width 20.5”. Base width 15”. Depth 5”. 500/700

258.

259.

150/250

TWENTY ASSORTED STANDS AND JAR COVERS Includes two jar covers. Stands in various shapes and sizes. 300/400

APPROX. TWENTY CHINESE HARDWOOD STANDS Various shapes and sizes. 200/250

260.

APPROX. SEVENTY CHINESE HARDWOOD STANDS Various shapes and sizes. 300/400

261.

APPROX. FORTY CHINESE HARDWOOD STANDS Various shapes and sizes. 250/350

262.

APPROX. THIRTY-FIVE CHINESE HARDWOOD STANDS Assorted shapes and sizes. 200/250

270

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271

271.

272

JAPANESE CARVED WOOD NOH MASK Meiji Period Depicts a tengu. Signed. Length 9”. 500/700

272.

JAPANESE CARVED WOOD NOH MASK Meiji Period Depicts Hannya, a jealous female demon. Traces of gilt paint to eyes, horn and teeth. Signed. Length 11”. 500/700

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273

273.

JAPANESE TENGU MASK 20th Century Sculpted and painted plaster with gilt highlights. Seal marked on interior. Length 9”. Width 6”. 200/250

274 275

274.

JAPANESE CARVED GILTWOOD FIGURE OF KWANNON Edo Period Standing on a lotus base. Glass diadem and eyes. Height 27”. 400/600

275.

CHINESE GRAY LINGBI SCHOLAR’S ROCK In the form of a mountain peak. Natural striations. Height 19”. Width 8”. Depth 7”. 400/600

276.

CHINESE SMALL LINGBI SCHOLAR’S ROCK In the form of a mountain peak. Height 4”. Length 4.5”. Mounted on a wood stand. 200/300

277.

CHINESE CARVED WOOD BRUSH POT Early 20th Century Raised decoration of birds in a pine tree landscape. Height 5.75”. Length across top 4.25”. 300/500

278.

CHINESE CASED INKSTONE Both stone and hardwood case with calligraphic inscription. Stone length 9.25”. Width 6.5”. Case length 10”. Width 7”. 500/700

279.

APPROX. FORTY-THREE SMALL CHINESE SEALS Made from bamboo and other wood, glass, lapis lazuli and butterscotch jade. Heights from .5” to 2.25”. 200/300

280.

CASED CHINESE INKSTONE Late 19th Century With raised qilin decoration. Rosewood case. Case height .5”. Length 7”. Width 5”. 300/400

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281.

CHINESE ZITAN BRUSH POT 19th Century Cylindrical, with inlaid agate bead. Height 4.75”. 500/700

282.

TWO CHINESE BAMBOO BRUSH POTS 19th Century One engraved with birds and calligraphy, height 5.6”, and one with extensive calligraphy, height 8.5”. 300/500

283.

CHINESE ZITAN BRUSH POT Height 8.8”. Diameter 8.25”.

284.

CHINESE ZITAN BRUSH WASHER In a form that simulates a squat ovoid basket. Height 2”. Diameter 3.25”. 250/350

285.

CHINESE HUANGHUALI BRUSH POT Tenmoku Auctions label on base. Height 8.5”. Diameter 8.5”. 400/600

400/600

281

283

286

286.

CHINESE CARVED BAMBOO BRUSH WASHER Raised decoration of a bat and gourds on a vine about the rim. Height 2.5”. Length 6”. 200/300

287

287.

CHINESE CARVED BAMBOO RHYTON-STYLE CUP Raised decoration of flowering prunus, pines and bamboo. Height 3.5”. 200/250

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288.

CHINESE CINNABAR LACQUER-ON-WOOD COVERED BOX Circa 1900 Figural landscape decoration. Diameter 7”. 250/350

288

289.

BLACKWOOD BOX WITH MOTHER-OF-PEARL INLAY Late 19th Century Inlay in a figural landscape design. Length 13”. 400/600

289

290.

CHINESE CARVED BAMBOO BUDDHA’S HAND FRUIT With a qilin curled on its side. Height 4.75”. Length 12”. 400/600

291.

CHINESE MINIATURE ROSEWOOD ALTAR TABLE Inset with a blue and white porcelain tile with raised animalistic and Greek fret design. Height 3”. Length 10”. 100/200

292.

CHINESE ROSEWOOD AND MOTHER-OF-PEARL STAND Early 20th Century Apron inlaid with a floral swag. Box stretcher. Four claw feet. Height 4”. Top 8” x 8”. 150/250

293.

CHINESE CARVED BAMBOO CYLINDRICAL BOX 20th Century Decoration of a pavilion in landscape. Height 5”. Diameter 2”. 250/350

294.

CHINESE CARVED BAMBOO TEAPOT Carved with a prunus landscape design that incorporates the handle into the design. No cover. Height 2.25”. Length 5.5”. 200/300

290

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295.

CHINESE OPEN-CARVED CIRCULAR WOODEN PLAQUE ON STAND 19th Century With floral decoration. Fits on a separately carved stand. Plaque diameter 5”. Height with stand 7”. 300/500

296.

CHINESE CARVED WOOD FRAGMENT Early 20th Century Depicts figures in a grotto. Traces of polychroming to their faces. Height 8”. Length 29”. 200/250

297.

CHINESE CARVED WOOD FIGURE OF A SEATED GENERAL Height 10”. Length 6”. 200/300

298.

JAPANESE IRON TETSUBIN Late Meiji Period Simulating an ikebana basket, with basketweave design on body. Bronze lid with silver paulownia flower-form finial. Signed under lid. Height with handle 9.5”. Length 7”. 1,500/2,500

299.

JAPANESE IRON TETSUBIN Late Meiji Period Square, with raised decoration of a farmer on one side and calligraphy on the other. Bronze lid with silver chrysanthemum-form finial. Signed on lid. Seal marked. Height with handle 10”. Length 7”. 500/700

300.

JAPANESE IRON TETSUBIN Late Meiji Period Ovoid, with recessed decoration of crab and sea life in a grotto. Bronze lid with silver ball finial. Signed under lid. Height with handle 8”. Length 6”. 800/1,000

298

299

300

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301

302

304

303

305

306

The origin of tetsubin, cast iron tea kettles, is unclear, though some believe it was developed from spouted and handled water kettles called tedorigama that were being used in the 1500s. They are traditionally hand-crafted and were considered status symbols rather than functional kitchen items as the popularity of infused teas grew in the 19th Century. Using a tetsubin significantly changes the taste of water, and tea brewed with this water becomes mellow and sweet. The iron content is also believed to be a health benefit.

307

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301.

JAPANESE IRON TETSUBIN Late Meiji Period Ovoid, with applied loop handles and raised chrysanthemum decoration. Bronze lid with silver finial. Mixed metal handle with applied silver bamboo, prunus and acorns. Signed under lid. Seal marked. Height with handle 10”. Length 8”. 1,800/2,400

302.

JAPANESE IRON TETSUBIN Late Meiji Period Ovoid, with raised mixed metal decoration of a village landscape. Bronze lid. Mixed metal handle with applied leaf and pinecone decoration. Signed on lid. Height with handle 10”. Length 7.5”. 1,000/1,200

303.

304.

305.

JAPANESE IRON TETSUBIN Late Meiji Period In bell form, with raised hibachi decoration on a mottled ground. Bronze lid with copper floriform finial (finial worn). Signed under lid. Height to handle 9.5”. Length 7”. 1,000/1,500

306.

JAPANESE IRON TETSUBIN Late Meiji Period In the form of bundled bamboo stalks. Bronze lid with silvered metal seed-form finial (finial worn). Signed under lid. Height with handle 10”. Length 9”. 1,500/2,000

307.

JAPANESE IRON TETSUBIN Late Meiji Period Square. Bronze lid with pierced finial. Height with handle 8.5”. Length 6”. 500/700

308.

PAIR OF JAPANESE PAINTED BRONZE CRANE SCULPTURES 20th Century Black cranes with red crowns. Heights 33”. Lengths 22”. 500/1,000

JAPANESE IRON TETSUBIN Late Meiji Period In bell form, with three short legs and raised silvered floral and boss decoration. Bronze lid with pierced ojime-form finial. Height with handle 10”. Length 8”. 700/900

JAPANESE IRON TETSUBIN Late Meiji Period In squat ovoid form. Bronze lid with metal floriform finial. Rust red patina. Signed on lid. Height to handle 9”. Length 7”. 400/600

308, pair

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309.

JAPANESE BRONZE VASE 18th/19th Century Slender cylindrical neck with two dragon-tail form handles. Squat ovoid base with dragon. Height 7.5”. 700/900 Provenance: Chait Galleries, New York.

310.

JAPANESE BRONZE KORO Meiji Period In chrysanthemum form, with pierced cover and three leafform feet. Height 3”. Diameter 4”. 200/250

311.

PAIR OF JAPANESE BRONZE PRICKET CANDLESTICKS Edo Period Kiku (chrysanthemum) petal-form dishes with removable supports for 2.5” tapers. Slender cylindrical shafts culminate in half-dome kiku-shaped weighted bases. One base marked with two-character signature. Heights 27”. 150/250

312.

JAPANESE BRONZE TIGER Unmarked. Height 8”. Length 20”.

309

312

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Late Meiji Period 500/700

313.

314.

JAPANESE BRONZE FIGURE OF A ROBED MAN HOLDING A PEACH BRANCH Meiji Period Signed on foot. Height 15.5”. 1,000/1,500

JAPANESE ARTICULATED COPPER LOBSTER Late Meiji Period Signed on carapace. Length of body 6”. Length from antenna tips to tail 13”. 500/700

313 314

315

315.

316. 316, pair

JAPANESE ARTICULATED COPPER LOBSTER Late Meiji Period Signed on carapace. Length of body 6.5”. Length from antenna tips to tail 15”. 500/700

PAIR OF JAPANESE BRASS HANGING LANTERNS Edo Period In baluster form, with four-lobed mon crest. Traces of gilding. Heights 29”. 3,000/5,000

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317

317.

318

JAPANESE CLOISONNÉ ENAMEL PLATE Meiji Period, Circa 1900 Colorful bird and peony decoration on a gold-flecked ground. Brocade border. Height 2”. Diameter 12”. 500/700

320.

Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

318.

JAPANESE CLOISONNÉ ENAMEL PLATE Meiji Period, Circa 1920 Decoration of blue birds, chrysanthemum and prunus on a black ground. Brocade border. Diameter 7.25”. 250/350

Provenance: Private Midwest Collection.

321.

JAPANESE CLOISONNÉ ENAMEL CHARGER Late Meiji Period Depicts a horse and rider in a landscape. Diameter 12”. 200/250

322.

THREE JAPANESE CLOISONNÉ ENAMEL VASES Meiji Period A pair of vases with decoration of doves in flight against a black ground, heights 3.5”, and an inverted pear-form vase with a floral rondel design, height 4.8”. 250/350

Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

319.

TWO JAPANESE CLOISONNÉ ENAMEL VESSELS Circa 1900 1) Small baluster-form vase with decoration of butterflies and flowers on a blue ground. Height 4.25”. 2) Brush washer vase with black reserves of bird and flower decoration on a blue ground. Height 4”. 350/450

TWO JAPANESE CLOISONNÉ ENAMEL VESSELS First Half of the 20th Century 1) Covered koro in ovoid form with trifoot base and colorful lappet and banded decoration on a black ground. Height 6”. 2) Jar, missing cover, with oval panels of butterfly, bird and flower decoration on a black ground. Height 4.75”. 300/500 Provenance: Private Midwest Collection.

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323

323.

324

JAPANESE CLOISONNÉ ENAMEL CABINET VASE Meiji Period, Circa 1900 Slender neck with lappet design. Hexagonal base decorated with bird, butterfly and flower panels with gold-flecked highlights. Height 6.5”. 250/350

325

326.

JAPANESE CLOISONNÉ ENAMEL VASE Meiji Period, Circa 1900 In baluster form, with finely detailed panels of phoenix and mon decoration. Height 7.5”. 300/500 Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

325.

JAPANESE CLOISONNÉ ENAMEL VASE Meiji Period, Late 19th Century Gold-flecked and floral lappet design on a black flower-filled ground. Height 8.5”. 250/350

JAPANESE CLOISONNÉ ENAMEL CABINET VASE Meiji Period, Circa 1900 Hexagonal, with butterfly and floral mon decoration against a black ground. Height 7.75”. 250/350 Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

Provenance: Private Midwest Collection.

324.

326

327.

TWO JAPANESE CLOISONNÉ ENAMEL COVERED JARS 20th Century In ribbed melon form. One lid damaged. Heights 6”. 200/250

328.

THREE PAIRS OF JAPANESE CLOISONNÉ ENAMEL VASES Early 20th Century All in baluster form, with lappet decoration about the shoulders. Various dragon and butterfly decoration on bodies. Heights 8”, 9” and 10”. 500/700

Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

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332.

CHINESE CLOISONNÉ ENAMEL BRONZE CANDLESTICK Early 20th Century Shaft with openwork design of tigers in bamboo and dragons. Openwork rounded base raised on three dragonform feet. Height 19”. Mounted as a table lamp. 200/250

333.

THREE SMALL CHINESE ITEMS Early 20th Century Cloisonné enamel wine cup and saucer with decoration of crossed American and Chinese flags and flowers on a blue ground, height 1.75”, a cloisonné enamel floriform bowl in a similar blue color palette, height 2” and diameter 5”, and a Peking amber glass egg-form mandarin’s hat bead mounted as a lamp finial, glass height 2”. 200/300

334.

SEVEN CHINESE CLOISONNÉ ENAMEL COVERED JARS 20th Century A pair of white jars with scrolling lotus and vine design, a turquoise jar with famille jaune floral reserves, one with colorful landscape decoration, one with multicolored brocade on a brown ground, one with flowers on a green ground, and one with flowers on a red ground. Heights from 3” to 7”. 300/500

335.

FOUR CHINESE CLOISONNÉ ENAMEL SHALLOW BOWLS Early to Mid-20th Century Two with yellow five-clawed dragon design on a black ground, diameters 7”, and two with floral design on a black ground, diameters 6”. One with seal mark on base. 500/700

336.

CHINESE BRONZE FLOOR LAMP Early 20th Century Bell-form base. Turned pedestal with bands of champlevé cloisonné enamel in figural, animal and bird designs. Height 57”. Diameter of base 14”. 300/400

337.

UNUSUAL METALWORK EGG-FORM BOX WITH ANCHOR Early 20th Century Anchor with floral mon and Togo family crest. Purportedly was given to a Japanese naval officer following the defeat of the Russian Navy. Length 4”. 150/250

338.

PAIR OF CHINESE BRASS-INLAID PEWTER JOSS STICK HOLDERS Late 19th Century In the form of rectangular vases with quadruped bases. Bird and flower decoration. Heights 13.25”. 300/500

338

329.

JAPANESE CLOISONNÉ ENAMEL VASE Early 20th Century In meiping form, with a dragon design on a brown ground, and copper floral lappets. Height 11”. 500/600

330.

TWO CHINESE CLOISONNÉ ENAMEL COVERED JARS First Quarter of the 20th Century 1) Globular, with a flared foot. Decorated with flowers and stylized lappets on a tomato red ground. Conforming cover with gilt finial. Height 9”. 2) In ginger jar form. Decorated with a flowering tree branch on a white ground. Height 5.5”. 400/600 Provenance: Purchased at I.M. Chait, Beverly Hills, California. Private Midwest Collection.

331.

EIGHT CHINESE CLOISONNÉ ENAMEL NAPKIN RINGS AND A CLOISONNÉ ENAMEL DESK SET Early 20th Century Rings in assorted shapes and designs. Desk set consists of four blotter corners and a matching rocker blotter. 200/250

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339.

CHINESE ARCHAIC GILT BRONZE VOTIVE Central bodhisattva flanked by two attendants, standing against a mandorla. Height 4”. 600/800

339

340.

TWO CHINESE BRONZE VOTIVES 17th-19th Century Both with Buddha against a flame-decorated mandorla. Heights 3.5” and 4.5”. 500/700

340, two

341.

342.

CHINESE GILT BRONZE VESSEL 19th Century In the form of a caparisoned elephant. Height 4”. Length 5”. 300/500

CHINESE ARCHAIC-STYLE BRONZE PILGRIM VASE Possibly Han Dynasty Loop handles at the shoulder. Height 12”. 800/1,000

342

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343

344

343.

CHINESE BRONZE QILIN-FORM COVERED CENSER 19th Century Cover formed as the qilin’s head. Height 8”. On a fitted wood base. 800/1,000

344.

CHINESE BRONZE CENSER 18th/19th Century Rectangular, with four legs. Body with raised gilt bronze floral decoration against an incised wave ground. Wood cover. Height to handles 7”. Length 5.5”. 500/700

345

347.

CHINESE BRONZE BOWL Late 19th/Early 20th Century In squat ovoid form. Raised cloisonné enamel rim with suspended lappets. Four-character mark on base. Height 3.5”. Diameter 4”. 200/250

348.

CHINESE MINIATURE BRONZE BOWL 19th Century Bowl flanked by two dragons facing each other, forming handles. Height 2.5”. Total width 5”. 300/500

345. CHINESE BRONZE COVERED CENSER 19th Century In squat ovoid form, with mask-head handles. Pierced wood cover with carved ruyi design and a carved jade figural finial. Separate bronze stand. Six-character Xuande mark on base. Height 7”. Diameter 8”. 800/1,200

349.

TWO CHINESE BRONZE SEALS/SCROLL WEIGHTS 19th Century A reclining water buffalo and herd boy, height 1.5” and length 1.5”, and a fu dog, height 2” and length 1.5”. Both with cut bases. 400/600

346.

350.

PAIR OF CHINESE BRASS LINEN HOLDERS 20th Century In the form of lion’s heads on lotus flower-form plaques. Lengths 5”. 200/250

CHINESE ZHOU-STYLE BRONZE COVERED CENSER 20th Century With dragon handles and mask motifs. Height 4.3”. 100/150

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351.

CHINESE BRONZE TRIFOOT DING 19th Century With openwork carved wooden cover, upswept handles, and four raised mythological animals on a geometric ground. Seal marked on base. Height 8”. 700/900

352.

CHINESE ZHOU-STYLE BRONZE DING In cauldron form, with two loop handles, engraved banding to bowl, and three animalistic legs. Height 7”. Diameter of bowl 6”. 700/900

353.

CHINESE BRONZE ARCHAIC DING With carved wood cover, two loop handles and tripod base. Exterior with green patina and lightly raised bosses about the rim. Interior with calligraphic marks. Height 7”. Diameter 6”. On a matching rosewood base, height 2”. 2,000/3,000

354.

TWO CHINESE MINIATURE BRONZE VESSELS 19th Century 1) Censer with two animalistic handles, raised lotus decoration on body, and four legs. Height 2”. Length across handles 2”. 2) Squat ovoid ding with banded decoration and three legs. Height 1”. Diameter 2”. 400/600

355.

CHINESE BRONZE PLANTER 19th Century Rectangular, with animal’s-head-form handles, elaborate repeating lappet design on body, and four bat-form feet. Height 6”. Length 16.5”. Width 11.25”. 200/300

356.

TWO CHINESE BRONZE MIRRORS 17th-19th Century One with raised animalistic decoration, diameter 3.5”, and one with raised dragon decoration, diameter 4”. 400/600

357.

CHINESE BRONZE PLAQUE Early 20th Century Bas relief depiction of Guanyin. Seal marked lower right. Diameter 13.25”. 200/300

358.

FOUR CHINESE HANDLED LIBATION CUPS 20th Century Three bronze with raised decoration, lengths approx. 7”, and one cloisonné with pale celadon jade belt hook attached to handle, length 5.5”. 300/500

351

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352

353

359.

CHINESE BRONZE FIGURE OF GUANYIN 19th Century Seated on a lotus throne with one knee raised. Vase missing from left hand. Height 4”. 400/600

360.

359

361.

SMALL CHINESE BRONZE FIGURE OF BUDDHA 18th/19th Century Seated in a lotus pose. Traces of gilding. Height 1.5”. 250/350

360

CHINESE BRONZE BUDDHA 20th Century Seated with hands in Dhyana Mudra. Dark patina. Height 9”. Length 7”. 200/250

362.

GILT BRONZE FIGURE OF BUDDHA Late 19th Century Seated on an altar bench. Height 6”. Length 5”. 400/600

362

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363.

CHINESE BRONZE FIGURE OF A STANDING ACUOYE GUANYIN 18th Century Made in two parts. Right hand raised and left hand cast down. Once attached to a larger sculpture. Traces of a gilt lacquered finish. Height 14”. On a wood base. 500/700

364.

FIVE INDIAN BRASS FIGURAL PLAQUES In the forms of a man with a basket, height 8.5”, a mermaid, height 11”, a man with a trumpet, height 10.25”, a man with raised arms, height 10.75”, and a Krishna, height 14”. 200/300

365. CHINESE BRONZE FIGURE OF SHOU LAO Standing in robes and holding his staff and a peach. Green patina. Height 11”. 300/400

366. TIBETAN BRONZE BUDDHA Early 20th Century Seated in meditation pose on a lotus throne base. Height 8.5”. 300/400

367. SINO-TIBETAN BRONZE FIGURE OF BUDDHA 19th Century In earth-touching posture on a double lotus throne. Height 5.5”. 250/350

368. THREE TIBETAN BRONZE FIGURES 19th/20th Century Yab-yum Buddha with consort on a lotus throne, height 5”, Ganesha on a lotus base with mandala and some gilt highlights, height 5”, and a head of Buddha, height 3”. Each mounted on a wooden stand. 500/700

369. TWENTY SMALL INDIAN AMULETS, BRONZES AND OTHER ODDMENTS 18th-20th Century Bronze Ganesha and Buddha sculptures, a double vajra, and other assorted pieces. Heights from 1” to 4”. 200/250

363

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370.

BRONZE SCULPTURE OF VAJRAKILA AND CONSORT 19th Century Traces of red paint. Separate flame mandorla and lotus base. Height 7”. Length 6”. 1,800/2,000

371.

PAIR OF THAI PARCEL-GILT BRONZE ACOLYTE FIGURES 20th Century In pointed headdresses and praying in a kneeling position. Heights 31.5”. 500/700

370

371, pair

372.

CHINESE GILT BRONZE FIGURE OF TARA Late 19th/Early 20th Century Seated on a lotus throne. Impressed lotus mark on base. Height 8”. 300/400

373.

THAI BRONZE FIGURE OF A MUSICIAN 20th Century Seated with a drum. Height 10”. 250/350

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374.

375.

INDIAN METAL SCULPTURE OF THE HINDU DEITY SHIVA Late 19th/Early 20th Century Depicted as Nataraja, Lord of the Dance, standing on a lotus base. Height 36”. Length from left foot to right arm 21”. 400/600

TIBETAN BRASS SINGING BOWL 19th Century Engraved figural and animal decoration on a scrolled ground. Height 10”. Diameter 12”. 600/800

374

376.

TIBETAN EARTHENWARE SINGING BOWL Early 20th Century In a brown glaze. Black-painted cartouches about the exterior and raised decoration of a seated Buddha on the interior. Possible signature on base. Height 5.5”. Diameter 9”. 300/400

377.

TIBETAN THANGKA Early 20th Century Depicts a central Buddhist deity within a mandala, most likely Tara on the back of an elephant in a colorful landscape. Mounted with a brocade backing. Silk cover. On paper. 24” x 17”. Mount 48” x 26”. 500/1,000

378.

TIBETAN THANGKA Early 20th Century Depicts a central Buddha figure surrounded by other Buddhist deities on lotus thrones. On canvas. 22” x 15” sight. Framed 28” x 21”. 200/300

377

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380

379.

380.

ANGLO-INDIAN BONE AND EBONY INLAID PLANTATION CHAIR Early 20th Century Two swing-out armrests transition to a lounger. Continuous cane back and seat. Back height 33”. Seat height 17”. Width across arms 29”. Length without arms extended 48”. 400/600

382

KOREAN ZELKOVIA WOOD TWO-DOOR CHEST 20th Century Two brass-bound doors open to reveal six tiers of eleven assorted drawers. Height 40”. Width 31”. Depth 18.25”. 500/1,000 381. BURMESE GILT AND BLACK LACQUER Provenance: HEXAGONAL TABORET 20th Century Butterfield and Butterfield, Honolulu, October 24-25, 1992, Gilt decoration of a beast in a lotus landscape, with similar Lot #1614, purportedly from the Doris Duke estate. decoration to legs. Height 13”. Width of top 13”. 200/300 Private Cape Cod, Massachusetts Collection.

382.

CHINESE ELMWOOD TWO-DOOR CABINET 20th Century Doors set with circular brass mounts. Carved apron. Height 78”. Width 41”. Depth 23.5”. 500/1,000

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383

383.

CHINESE CARVED WOOD LINTEL 19th Century Depicts a dragon, phoenix and carp flanking a pavilion with figures. Gilt and red painted details. Length 94”. 700/900

384.

385.

PAIR OF CHINESE CARVED GILTWOOD ARCHITECTURAL PANELS 20th Century Raised decoration of birds on flowering tree branches. 3” x 83”. 400/600

PAIR OF CHINESE HANGING LANTERNS Late 19th/Early 20th Century Hexagonal, with carved wooden frames, possibly hongmu, and reverse-painted glass panels with figural and foliate designs. Heights 33.5”. Widths 26.75”. 1,000/1,500

384, pair

385, pair

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386.

NESTING SET OF THREE CHINESE HUANGHUALI TABLES Late 19th Century Aprons carved with fruit and vine. Bamboo-carved legs and stretchers. Heights from 15” to 24”. Largest top 13” x 17.5”. 500/1,000

387.

CHINESE DREAMSTONE TABLE SCREEN Republic Period Rectangular stone with inscription and seal mark upper right, set in a rosewood screen. Height 10”. Width 8.75”. 200/400

388.

JAPANESE SIX-PANEL TABLE SCREEN WITH GLASS PHOTOGRAPHS Circa 1900 Positive image photographs depict women in traditional dress in gardens or landscapes. One with hand-colored accents. Wood frames fret-carved with maple leaves and quatrefoils. Formed as a hexagon. Height 12.5”. Length 14.75”. 300/400

386

389

389.

NESTING SET OF THREE JAPANESE BLACK AND GILT LACQUER STANDS Late Meiji/Early Taisho Period Each with red lacquer tops and crane and pine tree decoration about the sides. Heights from 9” to 9.5”. Lengths from 13” to 15”. 600/800

390.

JAPANESE TWO-PART LACQUER CABINET Meiji Period Upper case with two paneled doors over a full-width drawer; doors enclose eight interior drawers. Matching base. Decoration of figures, birds and branches. Height 33”. Width 20.5”. Depth 13”. 400/600

391.

JAPANESE KIRIWOOD AND CAMPHORWOOD DOCUMENT BOX Height 4.5”. Width 18.5”. Depth 4”. 100/200

392.

JAPANESE PAINTED WOODEN FOUR-PANEL FOLDING SCREEN 20th Century Painted decoration of a wintery landscape with egrets, willow trees and a lake against a gold ground. Height 36”. Width opened 80”. 250/350

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393.

ORIENTAL RUG: NICHOLS CHINESE 7’10” x 9’8” A tree with blossoming branches and birds rendered in blues, red and olive green extends diagonally through a tan field. Bird, butterflies and other symbolic elements about the perimeter. 200/400

394.

ORIENTAL RUG: TIBETAN RUNNER 2’3” x 9’5” Five rectangular panels in bright red, orange, ivory, light and dark blue, each featuring a central floral medallion and serpentine key fret borders. 150/250

395.

ORIENTAL RUG: PEKING CHINESE 17’10” x 17’10” Salmon red field with several rows of graceful meandering vines bearing dramatic blossoms in shades of blue and ivory, and a central medallion composed of clouds and frolicking fu dogs. Salmon red main border with a motif to match the field, contrasting with the interior border. 1,500/2,500

393

395

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396

396.

BURMESE STERLING SILVER FIVE-PIECE PRESENTATION TEA SERVICE Mid-20th Century Includes an oval tray, length 18.5”, a coffeepot, height 9.5”, a teapot, a covered sugar bowl and a creamer. Repoussé decoration of farming, hunting, boating and court scenes. Elaborate figural handles and spouts. Unidentified maker’s marks. All pieces excluding the tray marked with the letter “K” within a circle; tray with incised “BS” mark. In a fitted hardwood case. Approx. 168.8 troy oz. 4,000/6,000 Provenance: Presented as a gift from the family of U Thant in 1975. The lot includes a letter signed by Thant’s widow, daughter and one other. U Thant (1909-1974) was a Burmese diplomat and the third Secretary-General of the United Nations.

397.

PAIR OF SINO-TIBETAN SILVER PLATED FAT LAMPS Bell-form bowls with applied medallions. Turned stems. Heights 8.75”. 300/500

398.

JAPANESE SILVER PLATED TEA CADDY Early 20th Century Oval, with relief dragon and wave design. Height 4.5”. 80/120

400

399.

PAIR OF IMPERIAL YELLOW PEKING GLASS VASES 19th Century In meiping form, with dragon and foliate designs. Mounted as lamp bases. Glass height 8.5”. 500/700

400.

CHINESE EXPORT REVERSE PAINTING ON GLASS Circa 1850 Depicts three courtesans in an interior. 20” x 14”. Framed 23” x 16.5”. 400/600

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401, pair

401.

PAIR OF RARE POLYCHROME IVORY PAINTED SHADOW BOX PANELS Qing Dynasty, Qianlong Period A layer of finely carved and stained ivory landscapes with figures in various pursuits in and around waterfront pavilions, over a painted ivory river landscape. Glazed glass layer to lower section of river. Painted background decoration on paper, laid on board. Housed in Chinese carved rosewood frames. Label verso marked “X. Skarszewski”. 15,000/20,000 For similar example, see Sotheby’s Important Chinese Art, Hong Kong, April 3, 2018.

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402.

SIX VOLUMES PERTAINING TO CHINESE WOOD CARVINGS AND ARCHITECTURE Includes Wood Carvings in the Huizhou District, China’s Old Dwellings, Traditional Architecture in China and Chinese Architecture, etc. 100/150

403.

TWENTY-THREE VOLUMES PERTAINING TO CHINESE FURNITURE Includes two volumes of Connoisseurship of Chinese Furniture, two volumes of Chinese Furniture of the Hung Collection, Classic Chinese Furniture, Classic Chinese Furniture of the Qing Dynasty, eight volumes of Journal of the Classic Chinese Furniture Society, C.L. Ma Collection, Chinese Furniture, Ellsworth, etc. 500/600

ELEVEN VOLUMES PERTAINING TO CHINESE PORCELAIN Five volumes of the Transactions of the Oriental Ceramics Society, Shunzhi Porcelain, Chinese and Vietnamese Blue and White Wares, Hare’s Fur, Tortoiseshell, and Partridge Feathers, Chinese Ceramics by Rose Kerr, Percival David Foundation of Chinese Art and A Discourse of Hung Hsien Porcelain. 300/500

412.

ONE VOLUME PERTAINING TO SCHOLAR’S ROCKS When Men and Mountains Meet. 250/350

413.

ONE VOLUME PERTAINING TO SCHOLAR’S OBJECTS The Four Treasures. 30/50

414.

ONE VOLUME PERTAINING TO SCHOLAR’S ITEMS The Four Treasures of the Study - Ink Sticks and Writing Brushes. 150/200

404.

FIVE VOLUMES PERTAINING TO ASIAN ART Far Eastern Art, Tao-i Bustan IV, Asian Art Lark Mason, Asiatic Art Visser and Columbia Chronicles of Asian History and Culture. 100/150

405.

NINE CHINESE ART GENERAL REFERENCE VOLUMES 400/600

415.

SIX VOLUMES PERTAINING TO CHINESE CARPETS 200/300

406.

FOUR VOLUMES PERTAINING TO CHINESE BRONZES, LACQUER AND ANCESTRAL PORTRAITS 150/250

416.

407.

SIX VOLUMES ON ASIAN ART Masterpieces of Chinese Bronze Mirrors in the National Palace Museum, published in 1971, Japanese Temples, Sculpture, Paintings, Gardens and Architecture, published by Bijutsu Shuppan-sha, Tokyo, 1964, and assorted books on Japanese prints, written in Japanese. 200/300

EIGHT VOLUMES PERTAINING TO CHINESE COSTUMES Son of Heaven, Special Exhibition of Embroidery, Threads of Imagination, two copies of China’s Dragon Robes, etc. 150/250

417.

ONE VOLUME PERTAINING TO CHINESE PAINTINGS Seals of Chinese Painters and Collectors of the Ming Ch’ing Periods. 700/900

418.

SIX VOLUMES PERTAINING TO CHINESE PAINTING Studies in Connoisseurship, Spring in Jinling, Immortals and Sages, Christie’s: Fine Classical Chinese Paintings and Calligraphy, Chinese Painting of the Middle Qing Dynasty and The Way of the Brush. 200/300

419.

TWENTY BOOKS AND PAMPHLETS PERTAINING TO JAPANESE ARTS Hirado Prince of Porcelains, Japanese Export Ceramics, a book of Japanese crests, etc. 100/200

420.

THIRTEEN VOLUMES PERTAINING TO TIBETAN ART Tibet: Journey to the Forbidden City, Sacred Visions, The Iconography of Tibetan Lamaism, etc. 250/350

408.

409.

410.

411.

EIGHT VOLUMES ON CHINESE JADE AND IVORY Jade of the East by Jeffrey Wills, Jade Stone of Heaven by Richard Gump, Chinese Jades in the Avery Brundage Collection, Jade 5,000 B.C. to 1912 by Mircea Veleanu, Chinese Jades: Spink, London, Chinese Jade Articles from Orientations, Chinese Ivories from the Shang to the Qing and The Metropolitan Museum of Art Bulletin. 100/150 THREE VOLUMES REFERENCING CHINESE EXPORT PORCELAIN Kraack Porcelain, Blue and White Chinese Porcelain Around the World and The Diana Adventure. 200/300 TWELVE VOLUMES PERTAINING TO CHINESE EXPORT Chinese Export Silver, The Choice of the Private Trader, Chinese Blue and White Porcelain, Blue and White China, China to Order, etc. 250/350

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END OF SESSION I

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Session ii

Friday, September 18, at 10 a.m. The Troubetzkoy Foundation Collection Lots 501-550 Snuff Bottles Lots 551-608 Jade Lots 609-676 Porcelain and Pottery Lots 677-918 Prints and Multiples Lots 919-981 The Prints of Paul Jacoulet Lots 977-981

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T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

501

502

504 503

501.

PURE WHITE JADE PENDANT Late Ming Dynasty In the form of three entwined sinuous chilong dragons (baby dragons). Diameter 2”. 1,800/2,200

503.

This dragon design originated in the Warring States Period, though this stylized dragon and shape dates from the late Ming Period and is often associated with the endless knot and a long faithful marriage.

502.

WHITE JADE BI PENDANT Qianlong Period Circular, with a design of broken stem bamboo sprouts that signify new growth as springtime approaches, emblematic of strength and endurance. Small areas of russet skin tones, as is often found in 18th Century items. Diameter 2”. 1,500/2,000

SUPERB FLAWLESS WHITE JADE OPENWORK BI PENDANT Qianlong Period In the form of a sinuously curled archaic dragon holding ruyi fungus and with a small rat standing on its tail. Diameter 2.2”. 2,000/2,500 The rat legendarily snuck past a dragon, dog and other animals, jumped on the back of the buffalo and sprung to first position in line, becoming the number one Zodiac animal.

504.

FINE WHITE JADE BI PENDANT 18th Century Square, with delicate carving of archaic dragons on both sides. Dragons with strong sinuous bodies in an open sky, suggesting the courtship between male and female elements. 1.7” x 1.75”. 1,200/1,800

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T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

505.

RARE PAIR OF PURE WHITE JADE PENDANTS 18th Century Both in the form of two sinuous archaic-style dragons suspended from a ruyi finial, with the sacred pearl of immortality held between their heads. Their bifurcated tails, curled and decorated with comma designs, in archaic style. Lengths 2”. 3,000/5,000

506.

RIVER PEBBLE JADE PENDANT 17th/18th Century In leaf form, with a branch suspending an openwork design of a squirrel and clusters of grapes. Fine use of russet skin area and multi-layered carving. Length 2.5”. 1,800/2,200

505, pair

507.

MUTTONFAT JADE BELT BUCKLE 17th/18th Century Convex oval, with a multi-layered design of a goose in flight, swooping between long stems of lotus flower and lotus seed pods. Two circular suspension mounts on back. Length 2.5”. 2,000/2,500

508.

ICY WHITE RIVER PEBBLE JADE CARVING IN MOUNTAIN FORM 19th Century Obverse with Guanyin seated in a grotto, surrounded by pine trees and vaporous mists, and with a bubbling stream flowing beneath her throne, highlighted with natural inclusions. Reverse with pine trees, pavilions, a bridge, waterfall and rocky outcroppings. Height 2.75”. 2,000/2,500

509.

WHITE AND RUSSET JADE PENDANT IN THE FORM OF A CITRON 18th Century Also referred to as a Buddha’s hand fruit. Carved with overlapping fingers, a well-hollowed interior, and smaller growths emerging from the base. Russet-highlighted bat offers the wish for happiness falling from heaven. Height 2.3”. 2,000/2,500

506

507

508

509

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510.

WHITE RIVER PEBBLE JADE CARVING Qing Dynasty In the shape of a heart. Obverse with a flowering branch and rocky outcropping below an elegant butterfly, heralding the arrival of spring. Reverse with rockery and grasses. Wispy clouds carved in upper areas. Slight russet skin tone. Length 2.6”. 2,000/3,000

511.

CELADON/MUTTONFAT JADE CARVING OF A BIXI BEING ATTACKED BY A HAWK Late Ming Dynasty Bixi, a mythical beast, with two horns and a bifurcated tail, and with the hawk pecking at its mouth. Clear delineation of the bird’s tail feathers. Wheel-cut decorations on reverse. Length 2.25”. 1,500/2,000

512.

513.

514.

510

GRAY AND RUSSET JADE GOOSE-FORM PENDANT Late Ming Dynasty With its head turned back, tucked into a sleeping position. Folded wings with five delicately carved tail feathers. Wheelcut decoration. Length 3.2”. 1,800/2,200

511

WHITE AND BLACK JADE CARVING OF A MONGOLIAN WARRIOR Ming Dynasty or Earlier Mustachioed warrior wearing lamelar armor, holding a war hat in his right hand, and respectfully kneeling face-forward, pledging his mind and body to a high-ranking official. 2,000/2,500

512

WHITE JADE CARVING OF A RAMPANT DRAGON Qing Dynasty With raised head and tail, and a layered body decorated with archaic scrolls. Formed from a narrow section of jade and may have been used as a scholar’s brush rest. Some russet highlights. Length 3”. 2,000/3,000 513

515.

PURE WHITE JADE AND RUSSET CARVING OF A RECLINING HOUND Qing Dynasty In the manner of the Yuan and Ming Dynasties. Hound with its head in an alert, forward-facing position, waiting for a command, and its legs crossed and stretched forward. Dramatic russet tones on one side only. Possibly used as a brush rest. Length 2.75” . 1,800/2,200 514

515 see photos of all lots and view condition reports at www.eldreds.com

T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

520.

VERY RARE WHITE JADE CARVING OF THE IMMORTAL LIU HAI Qianlong Period Resting on and beating a large drum, which calls to the immortal three-legged toad. Capturing the toad awards the captor with immortality and the ability to transcend time and space. Highlighted by brown and russet skin areas. A rare form as indicated by the ruyi and coin at his shoulder. Length 1.8”. 1,800/2,200

521.

SAGE GREEN JADE CARVING OF A SOLITARY FISH Qing Dynasty Its tail is gently turned as it glides through shallow waters beneath lily pads and lotus at the water’s surface. Some russet and gray tones highlighting flowers and stems. Form suggests “affluence year after year”. Length 3”. 2,000/3,000 Provenance: C.P. Lee & Son, Perth, Australia.

516

516.

517.

518.

522.

FINE AND RARE CHINESE MOGUL-STYLE MOTTLED GRAY JADE DAGGER HANDLE 18th/19th Century In the form of a ram’s head with curled horns and realistic eyes. Cylindrical stem to fit into a metalwork frame for mounting to a staff or dagger. Length 3.5”. 1,800/2,200

TRANSLUCENT GRAY JADE CARVING OF A TWO-HORNED QILIN Qing Dynasty Crouching, with its head raised, its bifurcated tail swept over its right leg, and vaporous clouds rising beneath its four legs. Slight russet inclusions. Possibly intended as a scroll weight for the scholar’s desk. Length 2”. 2,000/2,500 Provenance: C.P. Lee & Son, Perth, Australia.

Rams are an animal of the Zodiac and are a popular motif.

523.

CARVED CELADON JADE FIGURE GROUP Qing Dynasty The God of Immortality standing with a female deity who holds a long stem of millet behind her back, a somewhat phallic wish for fertility, either through a good harvest or the birth of children. Height 2.5”. 1,200/1,800

TRANSLUCENT RIVER PEBBLE JADE CARVING OF A RECLINING QILIN Qing Dynasty Formed nearly from the original shape of the stone. Detailed carving of a ruyi branch held in the qilin’s mouth, as well as the qilin’s horns, ears, claws and tail. Mutton fat coloration with russet inclusions. Length 2”. 2,500/3,500

524.

FINELY CARVED CELADON JADE GROUP Qing Dynasty Two badgers with busy tails engaged in a playful fight. Possibly a mother with its young, suggesting conjugal joy. Some russet highlights. Length 2.25”. 1,500/2,000

CELADON JADE CARVING OF A MANCHU OFFICIAL Late Qing Dynasty In flowing robes and court hat, standing and holding a rectangular tablet in his left hand, facing forward with a pleasant facial expression. Fine even color. Height 3”. 525. CELADON AND RUSSET JADE PENDANT 1,500/2,000 Qing Dynasty In the form of a bent bamboo section alive with new Provenance: branches and abundant new leaves, and with two large C.P. Lee & Son, Perth, Australia. magic ruyi fungus attached. Symbolizes resilience, strength and the beginning of spring. Mutton fat coloration highlighted with russet inclusions. Length 2.7”. 519. RARE ICE WHITE FLAWLESS JADE PENDANT 1,800/2,200 Qianlong Period Rectangular, with double phoenix design above baby Provenance: dragons, possibly representing the empress and the birth of C.P. Lee & Son, Perth, Australia. princes. Delicately incised design throughout. Length 2.6”. 1,800/2,200

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518

517

520 519

521

522

523

524

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525

T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

526

527

528

526.

WHITE JADE CARVING Qianlong Period In the form of tightly spun rope formed as an endless knot, one of the eight sacred elements. Rope with broad ridge lines. Flawless and pure color. Length 2.75”. 1,500/2,000

527.

ELABORATELY CARVED WHITE OR MUTTONFAT JADE PENDANT Qianlong Period In the form of a curled branch filled with multiple layers of plum blossoms, the first flower of spring, suggesting new growth. Both sides delicately carved with a ribbon-tailed bird perched amongst prunus. Length 2.75”. 2,200/2,800

529

528.

PURE WHITE RIVER PEBBLE JADE CARVING OF A QILIN Qing Dynasty Seated in a recumbent position, with its head raised and its ears drawn back. Trifurcated tail with fine hairwork. Soft, glossy polish overall. Length 2.25”. 2,000/2,500 Provenance: C.P. Lee & Son, Perth, Australia.

529.

FINE MOTTLED WHITE JADE CARVING OF A BOAR Late Ming Dynasty Resting with its snout raised to test the air about him and burying its tusks in the suggestion of awakening. Some brown and black inclusions. Length 2.8”. 2,000/3,000 Boars are one of the twelve animals of the Zodiac.

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530

531

532

530.

531.

EXTREMELY RARE YELLOW JADE PIPE MOUTH PIECE 18th Century In the form of a ferocious dragon’s head, with vaporous clouds issuing from each side of its mouth. Details crisply and boldly rendered. Green/yellow coloration with darker inclusions. Clearly designed for a noble or wealthy merchant. Length 2”. 3,000/4,000

GRAY AND RUSSET JADE CARVING OF A RECUMBENT HORSE Late Ming/Early Qing Dynasty With its head turned back and appearing to roll over in a playful manner. Mane neatly incised with hairwork. Possibly designed for use as a brush rest on a scholar’s table. Length 3.5”. 3,000/4,000 Provenance: C.P. Lee & Son, Perth, Australia.

533

532.

CELADON AND SLIGHT RUSSET-COLORED JADE CARVING OF A ROOSTER AND HEN Qing Dynasty Perched on rocky outcroppings, the rooster brushes his chest feathers against a flower born on a long leafy stem. The flower, known as the cockscomb, is usually seen in bright red and is a symbol of auspicious times. Length 2.5”. 2,200/2,800 Provenance: C.P. Lee & Son, Perth, Australia.

533.

LARGE CELADON AND RUSSET-COLORED RIVER PEBBLE JADE CARVING Qing Dynasty In its near original shape. Obverse carved with multiple layers to depict a lohan seated in a grotto on a woven mat, surrounded by feathers and scholar’s books. Reverse carved with rocky outcroppings. Length 3.2”. 2,500/3,500

Horses are one of the twelve animals of the Zodiac and are a popular subject for carvers.

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T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

534.

YELLOW JADE FIGURAL CARVING OF A HIGH-RANKING CHINESE COURT LADY Qianlong Period Wearing a headdress, voluminous robes and holding a single magic mushroom in her right hand. The robe’s long sleeves are embellished with pendant tassels that are attached at the back, and the headdress is decorated with ruyi symbols. Drilled for suspension as a toggle. Length 2.3”. 2,000/3,000

534

535

535.

536.

CELADON JADE WATER COUPE OR BRUSH WASHER Ming Dynasty In the form of a crouching qilin with its head raised, its open mouth revealing fangs, vaporous flames encircling each leg, and a bifurcated tail curled about its back. Length 4.25”. 3,500/4,500

GRAY AND RUSSET JADE FINIAL Yuan/ Ming Dynasty In mountain form with dramatic openwork carving of heron, millet stems, pine trees, mushrooms, deer and bat, all symbols of auspicious events and the return of spring. Base cut with two holes for attachment. Height 3.25”. 3,000/3,500

536

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537.

CELADON JADE BOULDER CARVING OF A GOOSE Qing Dynasty Standing with its head turned. Finely detailed featherwork. Highlighted with russet details. Australian Antique Dealers Association label on base. Height 4.25”. Length 5”. 4,000/6,000

537

538.

WHITE JADE CARVING OF A SEATED IMMORTAL Ming Dynasty Wearing an official’s hat, a belted robe with voluminous sleeves, and loose trousers. Vaporous clouds issue from within the rectangular tablet he holds in his hands. Slight russet skin tones. Height 3.6”. 5,000/6,000 Provenance: C.P. Lee & Son, Perth, Australia.

538

539.

GRAY/RUSSET JADE CARVING OF A LOHAN Qing Dynasty Seated on a coiled rope mat and holding chopsticks. This follower of Buddha waits for the coming of Maitreya, the Buddha of the future, as indicated by his emaciated body. Height 3.6”. 4,000/6,000 A similar example can be seen in the Avery Brundage Collection, San Francisco. 539

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T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

540.

GRAY AND BLACK JADE CARVING OF THE LOHAN ZHANG MEI Late Ming Dynasty Wearing a long belted robe and standing while holding onto his enormous eyebrows. Some remaining burial pigment. Height 5.5”. 3,500/5,500

541.

GRAY AND RUSSET JADE CARVING OF A MYTHICAL CREATURE 17th/18th Century Possibly a stylized lion, with raised head, layered eyebrows, an open mouth revealing very ferocious fangs, a finely incised mane, and a finely carved spinal column that terminates in a bifurcated tail. Archaic-style carving highlights each of its four legs. Length 4”. 3,500/4,500 Provenance: C.P. Lee & Son, Perth, Australia.

540

542.

GRAY WHITE AND RUSSET JADE FINIAL Ming Dynasty In the form of a bird with folded wings, neatly incised tail feathers and carefully delineated feet. Underside of tail feathers carved with phoenix designs. Body cut with cylindrical hole, possibly indicating it was designed to mount on a staff or cane, which were symbolically used by men at 70 years old. Length 3.3”. 3,000/4,000

543.

CELADON AND BROWN JADE CARVING OF A RECLINING HORSE Ming Dynasty With its front legs outstretched and head slightly lifted. A well-defined mane drapes neatly on each side of its neck. Its tail is tucked beneath its rear legs and is slightly exposed at the horse’s right side. Balanced on a rectangular base. Body drilled for suspension. Length 2.4”. 1,800/2,200

541

542

Horses are one of the twelve signs of the Zodiac.

543

100

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544

544.

CELADON AND RUSSET JADE CARVING OF A QILIN Song to Ming Dynasty Reclining and positioned straight forward. Boldy carved with open mouth, single horn, trailing mane, trifurcated tail and with gentle flames emanating from its back legs. Length 4.8”. 3,500/5,500

545

545.

PURE CELADON JADE CARVING OF ARHAT Late Qing Dynasty Wearing a cloak tied with a ribbon while seated on a rockery base and holding a ruyi scepter, waiting for the return of Maitreya while attended by a guardian lion. Height 3.35”. 3,000/5,000

546

546.

GRAY AND RUSSET JADE SCROLL WEIGHT Qing Dynasty In the form of two squirrels and clusters of grapes within an openwork leaf, embodying the theme of songshu putao. Length 4.75”. 3,500/4,500 Provenance: C.P. Lee & Son, Perth, Australia. Well-known in Chinese art, the theme of songshu putao can be translated as a wish for an abundance in wealth and to have many children.

547

547.

CELADON AND RUSSET JADE SCROLL WEIGHT Qing Dynasty In the form of a carp and its young swimming through millet, lotus and ruyi fungus. Underside carved with swirling waves, forming additional ruyi designs. Millet seen in the flowing water suggests unexpected bounty. Length 4.65”. 4,000/6,000

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101

T H E T R O U B E T Z K O Y F O U N D AT I O N C O L L E C T I O N

548

549

548.

PALE CELADON JADE BI Early Qing Dynasty Carved with pierced phoenix and dragon motifs amongst archaic-style clouds. Slight russet inclusions. Possibly designed to be mounted in a wooden stand for use as a table screen. 3.5” x 3.6”. 2,500/3,500

550

550. 549.

STRIATED TRANSLUCENT WHITE JADE CARVING OF A QILIN Song Dynasty In a forward position with its head raised, its scrolled openwork horn thrown back across its body, and its tail curled. Wing-like flames emanate from beneath its front legs. Semi-calcified body due to burial; also shows erosion of small surface areas. Australian Antique Dealer Association label on base. Length 4.8”. 4,000/6,000 Provenance: C.P. Lee & Son, Perth, Australia.

MOST UNUSUAL MUTTONFAT JADE CARVING OF A FEMALE BEAR Song to Yuan Dynasty Head raised slightly and face with an animated expression, including bulging eyes and an open mouth revealing sharp fangs. Her tongue protrudes in a suggestion of song and her body is in a dance-like pose, her right leg extended and her left leg bent with her foot drawn close to her bulging stomach. Torso with well-defined breasts and extended navel, suggesting she is pregnant. Her left hand appears to grasp a circular ball, a representation of the pearl of immortality. Length 4”. 4,500/6,500 Provenance: Erik Hancock. Robert Kleiner, Ltd. Olympia Fine Arts, London.

conclusion of the collec tion 102

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551

552

553

554

555

551.

CHINESE HAIR CRYSTAL SNUFF BOTTLE 19th Century In the form of a giant temple bell on the back of a crouching qilin. Bell with dragon handles and engraved with geometric bands. Black tourmaline inclusions. Height 2.1”. White jade and gilt metal stopper. 1,500/2,000 Provenance: Anthony Kuo. Collection of Louise Randall. Illustrated with a different stopper in Important Chinese Snuff Bottles, Volume X, Year of the Dragon catalogue, Miami, 2000.

552.

CHINESE PALE CELADON AND RUSSET JADE SNUFF BOTTLE 18th Century Cylindrical, with natural mountain-like design. Height 2”. Coral stopper. 1,200/1,500 Provenance: Collection of Louise Randall.

553.

CHINESE CELADON GREEN JADE SNUFF BOTTLE 18th Century In flattened pear form with mask and mock ring handles at the shoulder. Height 2.1”. Silver stopper with shou design. 1,800/2,200 Provenance: Collection of Louise Randall.

554.

CHINESE CHICKEN BONE JADE SNUFF BOTTLE Early 18th Century In modified rectangular form. Dramatic gray, brown and cream markings. Height 2.25”. Metalwork stopper. 450/650 Provenance: Collection of Louise Randall.

555.

CHINESE INTERIOR-PAINTED GLASS SNUFF BOTTLE By Dong Xue in collaboration with his daughter. Modified rectangular bottle with figural landscape design of maidens, a scholar and bamboo. Signed and seal marked. Height 3”. Rose quartz stopper. 2,000/2,500 Provenance: Collection of Louise Randall.

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103

556.

CHINESE SWIRL GLASS SNUFF BOTTLE Late 18th Century In ovoid form, with red spangles on a wavy green ground. Height 1.75”. Rose quartz stopper. 800/1,200 Provenance: C.P. Lee & Son, Perth, Australia. Collection of Louise Randall.

556

557.

SUPERB CHINESE RED OVERLAY ON MILK WHITE GLASS SNUFF BOTTLE 18th/19th Century Cylindrical, with delicate carving of the Three Friends (pine, prunus and bamboo) and basketry at foot. Attributed to the palace workshops. Height 2.75”. Rose quartz stopper. 3,000/4,000 Provenance: C.P. Lee & Son, Perth, Australia. Collection of Louise Randall.

557

558.

CHINESE SPANGLE GLASS SNUFF BOTTLE 18th Century Ovoid, with red, amber and green markings. Height 1.8”. Simulated coral stopper. 1,000/1,500 Provenance: Robert Kleiner. Collection of Louise Randall.

558

559.

CHINESE BRICK RED ON WHITE OVERLAY GLASS SNUFF BOTTLE In amphora form, with a bird, bat and prunus design. Height 3.2”. Glass stopper. 400/600 Provenance: Joel and Thelma Mark, Lakeland, Florida.

559

104

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560.

CHINESE BEIJING ENAMEL-ON-COPPER SNUFF BOTTLE In pear form, with a prunus design on a tomato red ground. Four-character Qilong mark on base. Height 1.7”. Bronze dragon-form stopper. 2,000/2,500 Provenance: Christopher Sin, Hong Kong. Collection of Louise Randall.

561.

560

CHINESE SILVER-INLAID COPPER AND BRONZE SNUFF BOTTLE Early 19th Century Rectangular. Obverse with a scene of a scholar contemplating flowers in a garden. Reverse with inlaid inscription and signature. Height 2.5”. Conforming stopper. 2,000/2,500 Provenance: Collection of Louise Randall. 561

562.

CHINESE TWO-COLOR OVERLAY GLASS SNUFF BOTTLE In flattened ovoid form, with a white cage-like design enclosing a green songbird and branch design on an opalescent ground. Height 2.25”. Jadeite stopper. 450/650 Provenance: Ray Grover, Naples, Florida.

562

563.

CHINESE MOLDED PORCELAIN SNUFF BOTTLE 19th Century In aubergine form. Brown glaze. Attributed to Jindezhen Kilns. Length 3.25”. Aventurine stopper. 600/800 Provenance: Margaret Polak.

563

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105

564

564.

IMPORTANT CHINESE TWO-COLOR OVERLAY GLASS SNUFF BOTTLE 1740-1800 In ovoid form, with ruyi-form clouds and a dark gray qilong dragon guarding a dramatic comma-decorated green bi on an opaque lemon yellow ground. Height 2â&#x20AC;?. Coral and gilt porcelain stopper. 10,000/12,000 Provenance: Bob C. Stevens. Sothebyâ&#x20AC;&#x2122;s, Fine and Important Chinese Snuff Bottles from the Collection of Bob C. Stevens, Part I, Honolulu, November 7, 1981, Lot #1, color plate #1. Ashkenazie, San Francisco. Kaplan Collection. Collection of Louise Randall. Exhibited: Mikimoto catalogue, #48. Illustrated: The Collectors Book of Snuff Bottles by Bob Stevens (Vermont and Tokyo: Weatherhill, 1976). To Have and to Hold, Three Centuries and Beyond, J.W.A. International, Inc.

106

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565.

RARE CHINESE AVENTURINE GOLDSTONE SNUFF BOTTLE Qianlong Period In mallet form, with wheel-cut carving of cavorting dragons chasing a flaming pearl. Attributed to the palace workshops. Four-character Qianlong mark on base. Height 1.5”. Gilt metal stopper. 8,000/10,000 Provenance: Christopher Sin, Hong Kong.

565

566.

CHINESE FACETED COBALT BLUE GLASS SNUFF BOTTLE 18th Century In ovoid form, with extremely rare mallow flower carving on each face. Attributed to the palace workshops. Height 1.9”. Rose quartz stopper. 10,000/12,000 Provenance: John Sparks Ltd., London.

566

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107

567.

CHINESE CHALCEDONY FLOATER AGATE SNUFF BOTTLE 18th Century In flattened ovoid form, with mask and mock ring handles. Fortification marking. Height 2.3”. 800/1,200 Provenance: Collection of Louise Randall.

568.

CHINESE CHALCEDONY AGATE SNUFF BOTTLE 19th Century In ovoid form, with a relief russet-colored carp and lotus design on a white ground. Height 2.5”. Simulated malachite stopper. 1,000/1,500

574.

CHINESE OPAL SNUFF BOTTLE Late 19th Century In amphora form, with relief phoenix and dragon carving. Height 2.5”. Silver metal stopper. 1,800/2,200

575.

CHINESE CARVED MUTTONFAT JADE SNUFF BOTTLE 20th Century In spade shape, with raised gourd decoration. Height 2”. Green jade stopper. 300/500

576.

CHINESE BLUE AND WHITE PORCELAIN SNUFF BOTTLE 20th Century In spade shape, with elongated neck and decoration of a herd boy on an ox. Four-character mark on base. Height 3”. Blue lapis lazuli stopper. 250/350

Provenance: Adamek Marlow. Collection of Louise Randall.

569.

577. CHINESE FAMILLE JAUNE PORCELAIN SNUFF BOTTLE 20th Century CHINESE PUDDINGSTONE AGATE SNUFF BOTTLE Rectangular, with decoration of quail in a landscape on both 19th Century sides. Four-character Qianlong mark on base. Height 2.5”. In ovoid form. Tan and olive green markings. Height 3.1”. Gilt domed stopper. 250/350 Silver and simulated coral stopper with lion carving. 1,500/2,000 Provenance: Collection of Louise Randall.

570.

CHINESE CHALCEDONY FLOATER AGATE SNUFF BOTTLE 19th Century In spade form, with black-brown ruyi designs on a cloud white ground. Height 2.2”. Gilt metal stopper. 800/1,200

578.

CHINESE CARVED PALE CELADON JADE SNUFF BOTTLE In shaped rectangular form, with decoration of a carp and lotus on obverse and gold calligraphy on reverse. Height 2.5”. Green jade stopper. 500/700

579.

CHINESE YELLOW GLASS SNUFF BOTTLE 20th Century In ovoid form, with carved Greek fret and lappet design. Height 2.5”. Coral stopper. 300/500

580.

CHINESE CARVED PALE CELADON JADE SNUFF BOTTLE In spade shape, with etched decoration of a temple surrounded by boats on one face and extensive calligraphy on the other. Height 2.25”. Conforming stopper. 300/500

581.

TWO CHINESE HARDSTONE SNUFF BOTTLES Both in spade form. One with variegated brown coloring, height 2.5”, and one with gray and brown marbling, height 2”. 250/350

582.

THREE CHINESE ENAMEL SNUFF BOTTLES 20th Century 1) Blue cloisonné enamel in elongated form, with floral cartouche. Height 2.75”. Conforming stopper. 2) Brown floral cloisonné enamel in seed form. Height 3”. Conforming stopper. 3) In seed form, with a bat and coin design on a white ground. Height 2.5”. Glass stopper. 250/350

Provenance: Adamek Marlow. Collection of Louise Randall.

571.

CHINESE CARVED AGATE SNUFF BOTTLE In ovoid form, with carved depiction of a monkey trainer, a monkey and a horse. Height 2.5”. Agate stopper. 300/500

572.

CHINESE CARVED AGATE SNUFF BOTTLE In spade shape. Obverse depicts a sage resting in front of a doorway. Reverse with a continuation of the landscape with lotus flower, bat and ruyi. Height 2.25”. Agate stopper with knop. 300/500

573.

108

CHINESE TURQUOISE GLASS SNUFF BOTTLE Late 18th/Early 19th Century In bow leaf form, with a basketry pattern, rows of paired artemisia leaves at the shoulders and carved with a single flower at each side of the neck. Height 2.75”. Amethyst stopper. 1,000/1,500

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567

571

568

572

570

573

576

575

579

569

574

577

580

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578

581, two

109

583.

CHINESE OVERSIZE PÂTE-SUR-PÂTE BLUE AND WHITE PORCELAIN SNUFF BOTTLE 20th Century In spade shape, with raised flowering tree design. Height 3.5”. Blue stone stopper. 250/350

584.

CHINESE PORCELAIN SNUFF BOTTLE 20th Century In elongated form, with Thousand Flower design on a gold ground. Artemesia mark on base. Height 3.25”. Conforming stopper. 200/300

585.

CHINESE OVERLAY GLASS SNUFF BOTTLE 20th Century In elongated form, with iron red cut to white panels of Chinese elements and acanthus leaves. Height 2.75”. Red stone stopper. 200/300

586.

CHINESE BLUE AND WHITE PORCELAIN SNUFF BOTTLE 20th Century In ovoid form, with landscape decoration. Height 2”. Blue and white porcelain stopper. 200/300

587.

CHINESE IRON RED AND WHITE PORCELAIN SNUFF BOTTLE 20th Century In double gourd form, with fu dog decoration. Fourcharacter Qianlong mark on base. Height 2.5”. Conforming gilt stoppers. 200/300

588.

CHINESE GRAY JADE SNUFF BOTTLE 20th Century In ribbed amphora form. Height 2”. Red hardstone stopper. 200/300

589.

CHINESE QUARTZ SNUFF BOTTLE Circa 1900 In spade shape. Height 2.25”. Carnelian agate stopper. 200/300

590.

THREE CHINESE OVERLAY GLASS SNUFF BOTTLES 20th Century 1) In elongated form, with red cut to clear design of duck and lotus on one face and frog and lotus design on the other. Height 3”. Pink stone stopper. 2) In ovoid form, with red cut to aventurine design of sage in landscape. Seal marked. Height 2.25”. Agate stopper. 3) In ovoid form, with green cut to clear design of crane in a landscape. Height 2.5”. Stone stopper. 300/500

583

584

585

586

587

110

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591.

CHINESE INTERIOR-PAINTED GLASS SNUFF BOTTLE 20th Century Outer glass layer simulates a bucket. Interior with landscape decoration and calligraphy at shoulder. Height 2.75”. Pink hardstone stopper. 250/350

592.

CHINESE BLUE AND GREEN PORCELAIN SNUFF BOTTLE 20th Century In shaped rectangular form, with decoration of a green dragon chasing a fiery pearl against a blue ground. Height 2.25”. 250/350

593.

CHINESE AGATE SNUFF BOTTLE 20th Century In ovoid form with handles at neck. Natural black inclusions on a white ground. Height 2.5”. Red hardstone stopper. 200/300

594.

CHINESE PAINTED GLASS SNUFF BOTTLE 20th Century In ovoid form, with decoration of two cartouches depicting a mother and child in an interior. Four-character mark on base. Height 2.25”. Coral stopper. 200/300

595.

CHINESE FAMILLE ROSE PORCELAIN SNUFF BOTTLE 20th Century Depicts two songbirds on plum blossoms. Four-character Qianlong mark on base. Height 2.75”. Red stone stopper. 200/300

596.

CHINESE FLOATER AGATE SNUFF BOTTLE 20th Century In ovoid form. Black and gray inclusions. Height 2.5”. Agate stopper. 200/300

597.

CHINESE AGATE SNUFF BOTTLE 20th Century In spade shape. Height 2.5”. Coral stopper. 200/300

598.

CHINESE INTERIOR-PAINTED GLASS SNUFF BOTTLE 19th Century Rectangular. Obverse depicts a village landscape with figures in various pursuits. Signed upper left. Reverse with calligraphic inscription. Height 2.5”. Red hardstone stopper. 250/350

599.

CHINESE MOTHER-OF-PEARL INLAID BOX Containing approx. 150 pieces of snuff bottle tops, spacers, spoons, etc. 400/500

592

593

594

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595

111

605

600.

CHINESE GREEN HARDSTONE DOUBLE SNUFF SAUCER Circa 1900 Rectangular, with two concave dishes. Relief dragon decoration. Length 3.5”. 300/400

601.

SIX CHINESE SNUFF SAUCERS 20th Century Two porcelain, three hardstone, and one stoneware. Lengths from 1.5” to 3”. 200/250

602.

CHINESE MOSS AGATE SNUFF BOTTLE 20th Century In ovoid form. Height 2.5”. Blue simulated glass stopper. 200/300

603.

CHINESE MOTTLED HARDSTONE SNUFF BOTTLE In ovoid form. Yellow inclusions on a striated rose ground. Height 2.5”. Glass stopper. 200/300

604.

CHINESE OVERLAY YELLOW SNOWFLAKE GLASS SNUFF BOTTLE Rectangular, with overlaid white glass birds and butterflies in a landscape on one face and a grasshopper on a radish on the other. Signed. Height 3.25”. Yellow glass stopper. 200/300

605.

606.

112

CHINESE OPALESCENT HARDSTONE SNUFF BOTTLE Late 19th Century In spade shape, carved with two qilins chasing a fiery opal pearl. Height 2.5”. Replacement green hardstone stopper. 300/400 THREE CHINESE PEKING PORCELAIN ENAMEL SNUFF BOTTLES 20th Century Each in spade shape, with a four-character mark on base. 1) Depicts a herd boy on a water buffalo against a Peking yellow floral ground. Height 3”. Conforming stopper. 2) Depicts figures in a landscape. Height 3”. Conforming stopper. 3) Depicts flowering tree branches against a yellow ground. Height 2.25”. No stopper. 300/400

610

607.

THREE CHINESE SNUFF BOTTLES 20th Century 1) Oval shell and wood bottle. Height 2.75”. Replacement stopper. 2) Spade-shaped ruby glass bottle with molded qilin handles. Height 2”. Silver metal stopper. 3) Rectangular opaque white glass bottle, depicting figures in a landscape. Marked on base. Height 2.5”. Restored red stopper. No spoon. 200/300

608.

TWO CARVED AGATE SNUFF BOTTLES 20th Century 1) In temple jar form, with carved dragon and ruyi decoration on a brown matrix. Height 2.5”. Simulated ivory stopper. 2) In pebble form, with overlay decoration of an amber-colored Liu Hai with his string of coins, and a threelegged frog on a lotus leaf. Length 2.75”. Amber-colored stopper. 300/400

609.

CHINESE WHITE JADE SEAL Carved with a qilin standing on a shaped base with scroll and mask decoration about the sides. Base cut. Height 2.75”. Length 2.25”. 300/500

610.

CHINESE PALE CELADON JADE PLAQUE Shaped rectangular form carved with three children and a peach branch. Incised bat and wave decoration at top edge. 2.75” x 2”. 300/500

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611.

CHINESE MUTTONFAT JADE FIGURE OF A CICADA Length 3.25”. 350/450

612.

CHINESE PALE CELADON JADE CARVING OF A RECLINING DOG Some russet skin tones. Length 2”. 300/400

613.

CHINESE MUTTONFAT JADE CARVING OF A RECLINING HORSE WITH TWO MONKEYS Height 2”. Length 3”. 400/600

614.

CHINESE MUTTONFAT JADE CARVING OF A RECLINING RABBIT Length 4”. 400/600

615.

CHINESE PALE CELADON JADE CARVING OF A RECLINING RAM Height 3”. Length 3.5”. 500/700

612

613

611

614

615

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113

616

617

618

616.

CHINESE PALE CELADON JADE PENDANT Rectangular, carved with a fisherman on a footbridge on obverse and calligraphy on reverse. 2.5” x 1.5”. 300/400

618.

CHINESE PALE CELADON JADE CARVED PENDANT Rectangular. Obverse depicts a sage seated by a river. Reverse with calligraphy. Border with two dragons and a fiery pearl. 2.5” x 1.75”. 350/450

617.

CHINESE PALE CELADON JADE CARVED PLAQUE In shaped oval form. Obverse with central lotus pod and leaf. Reverse with four-character seal. Edges with open-carved decoration of children and lantern. 2.5” x 1.5”. 300/400

619.

PAIR OF CHINESE MUTTONFAT 621. TWO CHINESE CARVED JADE JADE OPENWORK-CARVED PLAQUES PLAQUES 1) Pale green nephrite jade with First Half of the 20th Century dragon design. Length 3.25”. Both depict phoenix in a landscape. 2) Muttonfat jade with flower and Heights 3”. Lengths 2.25”. 200/300 jardinière design. Length 2.5”. 250/350

114

620.

CHINESE WHITE JADE BELT BUCKLE Oval, with open-carved dragon and ruyi design. Length 4”. 400/600

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622.

CHINESE PALE CELADON JADE CARVING OF A SAGE WITH STAFF Length 3.25”. 400/600

622

623.

CHINESE LIGHT BROWN JADE CARVING OF A RECLINING HORSE Length 2.75”. 300/500

623

624.

TWO CHINESE PALE CELADON JADE GIRDLE HOOKS Both with raised carved qilong dragons along the shafts and dragon’s-head hooks. Lengths 4.25” and 4.5”. 500/700

625

625.

CHINESE WHITE JADE BELT HOOK Rectangular, with opencarved scrolling vine and qilin design. 2” x 4”. 400/600

626

626.

CHINESE PALE CELADON JADE CARVING OF A BUDDHA’S HAND FRUIT Length 3.5”. 400/600

627

627.

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CHINESE SPINACH GREEN JADE PLAQUE In the form of an ax head, carved with a dragon turtle (bixi) on lotus flowers over a brown open-carved ground. Length 4.5”. Width 2.25”. 400/600

115

629

628

630

631

633 634

635

628.

CHINESE PALE CELADON JADE PLAQUE Rectangular, with raised decoration of a warrior drinking tea on one face and incised bamboo and calligraphy on the other. Length 3”. 200/400

632.

CHINESE CELADON JADE PENDANT Rectangular, depicting conjoined dragons on both sides. Some russet skin tones about the edges. Length 2”. In a fitted box. 300/350

629.

CHINESE PALE CELADON JADE PENDANT Rectangular, carved with a sage and monkey under a tree on obverse and calligraphy on reverse. 2.5” x 1.25”. 400/600

633.

CHINESE PALE CELADON JADE BABY LOCK Figural decoration on obverse and calligraphy and bats on reverse. Length 2.25”. 300/500

630.

CHINESE PALE CELADON JADE PENDANT In “S” form. One side carved with two robed figures and the other side with a seated fisherman, a footbridge and a river. 3” x 2”. 400/600

634.

CHINESE PALE CELADON GREEN JADE FIGURE GROUP A sage and a young boy holding a staff. Height 2.75”. 400/600

631.

CHINESE PALE CELADON JADE PENDANT Rectangular, carved on obverse with a boy holding a banner and with four calligraphic characters on reverse. 2.75” x 1.75”. 300/400

635.

CHINESE WHITE JADE PLAQUE In the form of a qilin, goose and phoenix on a lily pad. Length 3.25”. 300/500

116

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636

637

639

638

642

643

641

636.

CHINESE WHITE JADE PENDANT Rectangular, with relief design of qilong dragons. Length 2.75”. 800/1,000

640.

TWO CHINESE GREEN JADEITE/SERPENTINE PIECES 20th Century 1) Seated Buddha. Length 5”. Mounted on a wood stand. 2) Cup. Height 3”. Mounted on a metal base. 300/400

641.

CHINESE MUTTONFAT JADE PENDANT In the form of a bat resting atop two joined stalks of bamboo. Length 3”. 300/500

642.

CHINESE PALE CELADON JADE PENDANT In shaped circular form. Depicts a seated lady on obverse and calligraphy on reverse. Length 2.5”. 300/400

643.

CHINESE OPEN-CARVED LIGHT CELADON JADE PLAQUE In the form of a fox curled in ruyi and vines. Length 2.5”. 300/400

Provenance: Miramar Miriam Marketing, Geneva.

637.

CHINESE TEA CRYSTAL PENDANT Oval, with relief carving of Buddha. Height 2”.

638.

CHINESE SPINACH GREEN JADE PENDANT Rectangular, with sunken relief carving of Guanyin. Extensive sutra inscription on front and back. Length 2.3”. 300/400

639.

250/350

CHINESE CHALCEDONY AGATE PENDANT Rectangular, with dramatic sage and pavilion carving. Length 2.25”. 300/400 Provenance: C.P. Lee & Son, Perth, Australia.

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117

644.

CHINESE SMOKY QUARTZ MINIATURE PERFUME BOTTLE In a faceted tapered form. Teardrop-form stopper. Height 2”. 200/300

645.

TWO CHINESE MUTTONFAT JADE FIGURES In the form of children at play. Heights 2”. 200/300

646.

CHINESE OPEN-CARVED CELADON JADE PENDANT In the form of three entwined qilong figures. Length 2”. 300/400

647.

CHINESE MUTTONFAT JADE ARCHER’S THUMB RING In the form of a coiled qilin with a fiery pearl on its back emanating from a lotus leaf with a rat at its base. Length 3”. 400/600

648.

CHINESE CELADON AND RUSSET JADE RUYI HEAD PANEL 18th Century In sacred fungus form, finely carved with a sage and deer in a landscape. Length 5.5”. 1,000/1,200

649.

CHINESE PALE GREEN JADE RUYI HEAD PANEL 19th Century In fungus form, with relief carving of boatmen on a river. Length 5.6”. 800/1,200

646

647

648

649

118

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650.

RARE CHINESE YELLOW JADE FOOTED CUP Qing Dynasty In baluster form, with body decorated with a rice pattern and a flared foot with a reeded design. Russet-on-yellow coloration. Height 4.35â&#x20AC;?. 8,000/10,000 Accompanied by certification regarding its natural color.

650

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119

651.

CHINESE MOGUL-STYLE PALE CELADON-ON-WHITE JADE FLORIFORM DISH 19th Century Kundan inlay of flowers, with rubies and emeralds set in gold. Diameter 5.2”. 6,000/8,000 Provenance: Ricardi, London. C.P. Lee & Son, Perth, Australia.

651

652.

CHINESE CELADON JADE CENSER WITH COVER 19th Century In squat ovoid form, with a bat, cloud and wave design. Openwork silver and iron cover set with a dark gemstone and with some gilt highlights. Diameter 3.5”. 8,000/10,000 Provenance: Ashkenazie, San Francisco.

652

653.

CHINESE GRAY JADE BI Superbly carved. One face with six qilong dragons in full relief. Other face in an archaic style with four Tao Tieh marks. Diameter 6.3”. 3,000/4,000 Provenance: Jade house, C.K. Liang, Hong Kong, 1985.

653

120

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654

655

654.

CHINESE CHICKENBONE JADE BI 19th/20th Century Openwork-carved leaping carp design. Diameter 10”. 600/800

655.

CHINESE CHICKENBONE JADE BI 19th Century Three concentric circles with repeating boss and bat decoration. Diameter 6”. 600/800

656.

CHINESE CELADON JADE FIGURE GROUP A mother and child standing below a bird perched on a swing. Height 7.25”. With wood stand and fitted case. 500/700

657.

CHINESE MOTTLED JADE WRITER’S COUPE In the form of a boy wrapping his arms around a gourd. Height 2”. Length 3”. Mounted on a wood stand. 300/400

656

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121

658.

CHINESE CHICKENBONE JADE RUYI SCEPTER 19th Century Inset with open-carved cabochons. Length 13”. 600/800

659.

THREE PIECES OF CHINESE CARVED FLUORITE A covered koro on a tripod base, height 7”, and a pair of fu dogs on plinths, height 6”. 250/350

660.

CHINESE CELADON AND LAVENDER JADE COVERED JAR In tapered cylindrical form. Open-carved design of a dragon in landscape wraps around the front face. Other side with incised shou design. Domed cover with pierced floral ball design and open ring knop. Height 6”. 700/900

661.

CHINESE MUTTONFAT JADE CARVING OF A RECUMBENT HORSE Height 3.25”. Length 3.25”. 400/600

658

660

661

122

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662.

PAIR OF CHINESE MUTTONFAT JADE RHYTON CUPS In phoenix form. Heights 3.5”. 400/600

663.

CHINESE SOAPSTONE FIGURAL GROUP Two birds and a chick feeding. Height 4.5”. Length 9”. 100/200

662, pair

664.

CHINESE MOTTLED MUTTONFAT JADE CARVING OF A RECLINING OX Height 5”. Length 10”. 600/800

664

665.

CHINESE CARVED AGATE KORO In squat ovoid form with elephant head-form loose-ring handles and a tripod base. Domed cover with fu dog. Height 6”. Length 6”. 200/300

666.

CARVED RED SOAPSTONE SCULPTURE Three assorted vases with an overlaid layer of birds, flowers and rockery. Height 12”. Length 8”. 300/400

667.

CHINESE MOTTLED BLUE-GREEN HARDSTONE CARVING OF A SEATED BUDDHA Height 3”. Length 4”. 300/500

668.

CHINESE CARVED SOAPSTONE COVERED CENSER 20th Century In ovoid form, with elephant trunk handles and raised fu dogs about the exterior. Mounted with removable ruyi-form finials. Cover with fu dog and pup with brocade ball. Carved soapstone stand. Height with stand 13”. Length across handles 10”. 300/400

667

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123

670

671

669.

TWO CHINESE CARVED SOAPSTONE PIECES Early 20th Century Guanyin standing with a lotus staff, height 8.5”, and a lotus flower-form vase with openwork carved flowers and a square base, height 6”. 200/300

673.

THREE PIECES OF CHINESE CARVED SOAPSTONE Early 20th Century A carved grape leaf cluster, height 5.25”, a carved peony cluster, height 5.25”, and a vase with carved peonies, height 6”. Each on a rockery base. 200/250

670.

TWO CARVED AGATE AND HARDSTONE CARVINGS In pebble form. Depict deities emanating from rockery, with good use of the polished agate skin. Heights 3”. Lengths 4”. Both on fitted hardwood stand, height 2” and length 7.5”. 300/400

674.

PAIR OF CHINESE CARVED SOAPSTONE BOOKENDS Early 20th Century Each with raised openwork carving of a dragon in clouds. Heights 8”. Lengths 6”. Depths 2”. 200/250

671.

CHINESE MOTTLED DARK SPINACH JADE CARVING OF A TURTLE Length 8”. 700/900

675.

TWO PAIRS OF SOAPSTONE BOOKEND/PLAQUES Both carved with a floral jardinière design. Heights 5”. 200/300

672.

TWELVE ASSORTED CHINESE SOAPSTONE SEALS 19th/20th Century In various shapes and colors; eleven with cut bases. Heights from .5” to 3.25”. Contained in a fabric-lined box. 200/300

676.

THREE PIECES OF CHINESE SOAPSTONE 20th Century A mountain-form sculpture of grapes and leaves, height 7” and length 12”, a seated Buddha with hand-painted gilt highlights, height 5”, and a rectangular seal carved with calligraphy and with a fu dog finial, height 7”. 200/250

124

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677.

CHINESE IMARI PORCELAIN SHELL DISH Kangxi Period, Early 18th Century With gilt highlights. Length 6”. 350/500

681.

PAIR OF CHINESE RED AND BLUE PORCELAIN PLATES Republic Period With floral decoration. Diameters 9”. 300/500 Provenance: Tenmoku Auctions, sale date unknown, Lot #2701.

678.

679.

680.

CHINESE IMARI PORCELAIN WINE POT 18th Century In pear form, with ribbed body and lotus decoration. Length 5.5”. 200/300

CHINESE IMARI PORCELAIN HEXAGONAL BOWL Late 19th Century Interior center with decoration of two young boys among ropes. Rim with landscape cartouches. Exterior with figural cartouches. Four-character mark on base. Height 4”. Length 10”. 250/350

682.

CHINESE UNDERGLAZE RED AND WHITE PORCELAIN MEIPING VASE 20th Century With dragon decoration. Six-character Kangxi mark on base. Height 9.75”. 300/400

683.

CHINESE RED AND WHITE PORCELAIN DOUBLE GOURD VASE Scrolling flower design separated by bands of waves and lappets. Height 8”. 250/350

CHINESE BLUE, IRON RED AND WHITE POTTERY BOWL Ming Dynasty Interior and rim with floral decoration. Exterior with an iridescent brownish glaze. Incised floral mark on base. Height 3”. Diameter 10.5”. 500/600

680

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125

684

684.

CHINESE UNDERGLAZE 686. CHINESE FLAMBÉ PORCELAIN BLUE AND WHITE PORCELAIN BOTTLE VASE 19th Century JARDINIÈRE With flared mouth and slightly Late 19th/Early 20th Century ribbed neck. Height 13”. 400/600 Carp and sea grass decoration. Height 13”. Diameter 8”. 2,000/3,000 Provenance: Eldred’s, sale date unknown, Lot #1545.

685.

126

BLUE AND WHITE SWATOW PORCELAIN PLATE 18th Century Bird and flower decoration at center surrounded by pahua motifs. Diameter 12.5”. 400/600

687.

CHINESE FLAMBÉ PORCELAIN VASE Early 20th Century In baluster form with three ram’s-head handles at shoulder. Four-character seal mark on base. Height 13.5”. 300/400

688.

CHINESE FLAMBÉ RED AND WHITE PORCELAIN EWER 20th Century Body in baluster form with lotus and vine decoration. Height 10”. Length from spout to handle 10”. 300/500

689.

PAIR OF CHINESE IRON GLAZE PORCELAIN BOWLS Late 19th Century Alternating shou and bat underglaze decoration and hand-painted gold coins. Marked on base. Height 2”. Diameter 4.5”. 300/400

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690, four

690.

691.

691

FOUR CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN SHALLOW FLORIFORM BOWLS 19th Century Central qilin and cloud decoration and lotus vine borders. Diameters 8.5”. 500/700

CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN EWER 19th Century In tear drop form with slightly flared mouth, elongated spout and loop handle. Height 12”. 400/600

692.

CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN MEIPING VASE 18th Century Decoration of ladies playing go. Height 11.75”. 600/800

693.

THREE PIECES OF CHINESE POLYCHROME PORCELAIN Early 20th Century 1-2) Two fahua porcelain vases: a bottle vase with phoenix design, height 10”, and a smaller bottle vase, height 5”. 3) Polychrome figure of a blindfolded man in blue robes, height 9”. 200/250

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692

694.

CHINESE FAHUA YELLOW GLAZED PORCELAIN BRUSH POT 19th Century Raised decoration of figures and a water buffalo approaching a village. Six-character Kangxi mark on base. Height 5.25”. Diameter 4.25”. 300/500

695.

CHINESE PORCELAIN ALTAR FRUIT Late 19th Century In the form of a citron. Length 5.7”. 250/350

127

696.

CHINESE AUBERGINE AND WHITE PORCELAIN EWER In hexagonal baluster form. Body with raised deity figures on each panel, handle with fiery pearls and neck with acanthus leaf lappets. Height 12”. 500/700

697.

CHINESE UNDERGLAZE RED AND WHITE PORCELAIN COVERED JAR Late 19th/Early 20th Century In ovoid form, with animalistic handles and a fruit-form knop on cover. Central decoration of a three-clawed dragon chasing a fiery pearl below bands of flowering vines and lappets containing fiery pearls. Height 12”. 500/700

698.

CHINESE UNDERGLAZE IRON RED AND WHITE PORCELAIN EWER Body in ribbed melon form with two small loop handles at the shoulder and floral decoration. Neck with wide circular mouth and acanthus decoration. Height 6”. Length across strap handle to spout 7.5”. 300/500

699.

CHINESE PORCELAIN VASE 20th Century In modified rectangular form, with grisaille decoration of figures and several landscape settings. Height 13.75”. 100/200

696

697

698

128

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701

700

700.

CHINESE CIZHOU BOWL Yuan Dynasty, 13th Century In conical form with slightly inverted rim. Brown/green glaze with russet splashes. Height 3.25”. Diameter 7.25”. 1,200/1,600 Provenance: R. & G. McPherson, 2010.

701.

CHINESE EARTHENWARE COVERED DING Han Dynasty With two loop handles, incised seven-character inscription 704, three at shoulder, and a tripod base. Cover with three applied loop handles. Accompanied by a French certificate of export. 800/1,000 703. CHINESE JIZHOU POTTERY BOWL 19th/20th Century Provenance: In conical form, with decoration of three green-glazed leaves Christies, Paris, The Georges Halphen Collection, on a dark brown glaze. Height 2.25”. Diameter 6”. November 20, 2003, Lot #454. 200/300

702.

CHINESE CHIZHOU PORCELAIN CADOGAN 18th Century In peach form, with decoration of brown flowers on a cream slip glaze. Height 4”. 500/700

704.

THREE CHINESE SANCAI GLAZED POTTERY TOMB FIGURES Tang Dynasty Three female attendants. Heights from 9” to 10” . 500/700

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129

705

706

705.

CHINESE FAHUA SANCAI GLAZE PORCELAIN COVERED GINGER JAR Late 19th/Early 20th Century In hexagonal form, with decoration of the Eight Immortals on each panel and a green lappet design at shoulder. Cover with peony decoration. Height 8.5”. 400/600

706.

CHINESE CELADON PORCELAIN EWER 19th Century In baluster form, with paneled incised floral decoration about the body and banded decoration at neck. Height 9.25”. 400/600

707.

CHINESE FAHUA-STYLE SANCAI PORCELAIN VASE Late 19th Century In baluster form, with an aubergine, blue and green dragon and wave design on a yellow cloudfilled ground. Height 8.5”. 800/1,200

708.

CHINESE DOUCAI PORCELAIN DISH 20th Century Lotus vine decoration. Six-character Yongzheng mark on base. 400/600

709.

CHINESE SONG-STYLE JUNYAO PORCELAIN SHALLOW DISH Late 19th Century In a predominantly lavender glaze. Height 2”. Diameter 8.5”. 400/600

710.

CHINESE SANG DE BOEUF PORCELAIN SHALLOW BOWL Kangxi Period, 17th Century Height 1.75”. Diameter 8”. 500/700

707

Provenance: Chait Galleries, New York.

709

130

711.

CHINESE JUNYAO PORCELAIN BOWL 19th Century Splashes of beige-on-purple on a crackled blue ground. Height 3.25”. Diameter 6.75”. 300/400

712.

CHINESE JUNYAO POTTERY SHALLOW BOWL 19th Century Lavender splash to interior. Height 1.5”. Diameter 6”. 300/500

710

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713

714

713.

CHINESE SONG-STYLE JUNYAO PORCELAIN BOWL Early 20th Century In bell form, with a lavender splash. Height 2.75”. Diameter 5.5”. 300/400

714.

CHINESE JUNYAO PORCELAIN DISH Late 19th Century With a ruffled edge and slightly raised foot. Height 1.5”. Diameter 7.5”. 300/400

715.

CHINESE SONG-STYLE JUNYAO PORCELAIN BOWL Late 19th/Early 20th Century In squat ovoid form with trifoot base. Height 4”. Diameter 5.5”. 400/600

715

716.

CHINESE BLUE AND WHITE NANKING PORCELAIN BOWL 20th Century Traditional Nanking coastal landscape scene with pagoda. Lattice border. Four-character mark on base. Height 4.75”. Diameter 12”. 700/900

717.

FIVE PIECES OF CHINESE BLUE AND WHITE PORCELAIN 19th Century An oval tray with landscape decoration, length 6.5”, a teacup, diameter 3”, and three Nanking dishes, diameters from 5.5” to 6”. 350/450

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131

718, seven

719, set

720

723

724

132

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718.

SEVEN CHINESE BLUE AND WHITE NANKING PORCELAIN PLATES 19th Century All with figural landscape decoration. Diameters 8.5” and 9.5”. 300/500

725.

TWO CHINESE EXPORT PORCELAIN HANDLELESS CUPS AND SAUCERS 18th Century Floral decoration. Cup diameters 3.5”. Saucer diameters 5”. 100/200

719.

CHINESE BLUE AND WHITE FITZHUGH PORCELAIN TEAPOT Together with four cups and saucers. Teapot length 10.5”. 500/700

726.

CHINESE EXPORT PORCELAIN SAUCER 18th Century Figural and floral decoration. Diameter 6”. 150/250

720.

CHINESE POLYCHROME PORCELAIN TEAPOT Circa 1900 In lighthouse form, with bat and shou design. Six-character Guangxu mark on base. Height 6.25”. 300/500

727.

CHINESE EXPORT PORCELAIN CUP AND SAUCER 18th Century Sepia decoration of a farmer and bull in a landscape. Monogrammed “JMB”. Saucer diameter 5.5”. 100/200

721.

CHINESE BLUE AND WHITE CANTON PORCELAIN COVERED TEAPOT 19th Century In drum form with entwined handle. Cover with fruit-form finial. Height 9.25”. 400/600

728.

PAIR OF CHINESE EXPORT SILVER SALT CELLARS Early 20th Century Glass liners. Matching spoons. Heights 1.6”. Diameters 1.75”. 150/250

722.

CHINESE EXPORT PORCELAIN TEAPOT In drum form with entwined handle. Cover with fruit-form finial. Decoration of flower baskets. Height 9.75”. 250/350

729.

SIX PIECES OF CHINESE BLUE AND WHITE CANTON PORCELAIN 1) Leaf-form plate. Length 8”. 2) Flower-form bowl. Diameter 8”. 3) Oval tray. Length 9.75”. 4) Rectangular tray. Length 10”. 5) Handled mug. Height 4.5”. 6) Cylindrical vase. Height 8”. 300/500

723.

CHINESE EXPORT PORCELAIN COVERED SUGAR BOWL Early 19th Century Domed cover with a fruit-form finial. Body with floral decoration and entwined handles. Height 5.25”. 250/350

730.

CHINESE EXPORT “TOBACCO LEAF” PORCELAIN FIVE-PIECE GARNITURE SET 19th Century Consists of two trumpet vases with shaped rims, heights 10”, and three covered baluster-form vases, heights 12”. Covers with floral decoration and onion knops. 800/1,500

724.

CHINESE EXPORT PORCELAIN POT DE CRÈME Domed cover with Fitzhugh decoration. Body with entwined handle, “L” monogram and figural and flower vase decoration. Height 3.5”. 100/200

730, set

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133

731, pair 732, pair

735

734, two

731.

PAIR OF CHINESE FAMILLE ROSE PORCELAIN BOWLS Late 19th/Early 20th Century Enameled floral decoration about the exterior and peach design on interior. Endless knot mark on the bottom. 400/600

732.

PAIR OF CHINESE EXPORT PORCELAIN CUPS AND SAUCERS Mid-18th Century Each piece with European mythological scene en grisaille, a black scrolled border and gilt rims. Cup heights 1.5”. Saucer diameters 4.75”. 1,200/1,600

733.

SIX CHINESE POLYCHROME PORCELAIN PLAQUES 19th Century In hexagonal, peach, rectangular and fan form. Each depict a lady in a landscape. Lengths from 3” to 4”. Backed. 300/500

134

736, two

734.

CHINESE FAMILLE ROSE PORCELAIN PLATE AND DISH Qianlong Period, Mid-18th Century Both with similar decoration of phoenix in a peony landscape. Plate with label marked “Garanti Ancien Selection, 77 Boul, Carnote, Lille”. Diameters 9”. Dish height 1.5”. 1,000/1,500

735.

CHINESE FAMILLE ROSE PORCELAIN HEXAGONAL PLATE Qianlong Period, Mid-18th Century Enameled decoration of a gilt bird in a peony landscape. Length 8.5”. 800/1,000

736.

TWO CHINESE FAMILLE ROSE PORCELAIN PLATES Qianlong Period, Mid-18th Century 1) With a shaped edge, enameled peony decoration and gilt highlights. Length 8.5”. 2) With enameled peony and peach decoration and gilt highlights. Diameter 9”. 800/1,200

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737.

PAIR OF CHINESE FAMILLE VERTE PORCELAIN OVERSIZE PLATES Kangxi Period Floral sprays on a white ground. Double foot ring and Artemisia mark on base. Diameters 13.25”. 2,500/3,500

738.

CHINESE FAMILLE ROSE PORCELAIN CUP Late 19th Century Peony, chrysanthemum and prunus decoration. Four-character mark on base. Diameter 3.5”. 100/150

739.

PAIR OF CHINESE FAMILLE ROSE PORCELAIN COVERED JARS Early 20th Century In bowed rectangular form, with a continuous figural design on each panel. Covers with Chinese objects and floral knops. Heights 12”. Tops 5” x 5”. 300/400

740.

CHINESE FAMILLE ROSE PORCELAIN VASE Late 19th/Early 20th Century In baluster form with mock mask-ring handles. Blooming lotus flower decoration. Calligraphy on obverse. Height 17”. 300/400

741.

CHINESE FAMILLE JAUNE PORCELAIN COVERED GINGER JAR Early 20th Century Famille rose peony design reserves on a flower-filled ground. Four-character Qianlong mark on base. Height 7”. 350/450

737, pair

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135

742.

CHINESE FAMILLE ROSE PORCELAIN WINE CUP Early Qianlong Period Floral sprays on exterior. Scrolled decoration on rim. Height 1.75”. Diameter 2.75”. 300/400

743.

CHINESE POLYCHROME PORCELAIN BOWL Late Qing Period, 19th Century Enameled decoration of figures in a detailed courtyard landscape. Four-character studio mark of Yu Zhao of Jingdezhen on base. Height 2.5”. Diameter 4.25”. 400/600

744.

CHINESE FAMILLE VERTE PORCELAIN BOWL Late 19th/Early 20th Century Decoration of peacock in prunus landscape. Four-character Guangxu mark on base. Height 2.5”. Diameter 4.25”. 300/500

745.

CHINESE POLYCHROME PORCELAIN WINE CUP Hongxian Period In tapered cylinder form, with pink peony and yellow prunus decoration. Four-character Qianlong mark on base. Diameter 3.3”. 800/1,000

742

743

Provenance: Collection of Louise Randall.

746.

CHINESE BLUE AND WHITE PORCELAIN MINIATURE VASE 19th Century In Meiping form, with a five-clawed dragon, pearl and wave design. Height 2.75”. 450/650 Provenance: Professor R.W. Jackson. Collection of Louise Randall.

747. 744

745

136

CHINESE FAMILLE VERTE PORCELAIN VASE Early 20th Century In rouleau form with ruffled edge and gilt fu dogs at neck and shoulder. Famille rose pheasant and flower decoration. Height 12”. 200/225

746

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748

748.

CHINESE FAMILLE ROSE PORCELAIN MEIPING VASE Qing Dynasty Hand-painted decoration of two bats and nine peaches on flowering branches against a light blue ground, with an elaborate lappet design about the neck. Six-character Yongzheng mark inside a double blue foot ring. Height 8.5â&#x20AC;?. 5,000/7,000

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137

749, pair

749.

PAIR OF CHINESE POLYCHROME PORCELAIN BOWLS AND SAUCERS Republic Period Enameled butterfly and squash decoration. Four-character Qianlong mark on base of each. Bowl heights 2”. Diameters 4.5”. Saucer diameters 4”. 500/700

752.

CHINESE FAMILLE ROSE PORCELAIN VASE 20th Century In slim baluster form. Enameled decoration of birds in a bamboo, peony and rockery landscape against a powder blue ground. Calligraphy and seal mark on obverse. Fourcharacter Qianlong mark on base. Height 8.5”. 250/350

753.

CHINESE FAMILLE ROSE PORCELAIN BARREL-FORM GARDEN SEAT 20th Century Finely decorated with cartouches depicting courtesans on a ruby ground filled with white lotus blossoms, vines and raised gilt bosses. Height 19”. Diameter of top 12”. 400/600

Provenance: Private Midwest Collection.

750.

CHINESE FAMILLE VERTE PORCELAIN VASE Early 20th Century In hu form. Decoration of figures playing “blind man’s bluff” on one side and a figure in a pavilion overlooking a landscape on the other. Enameled green lattice decoration to side panels, and famille rose mon decoration about the mouth and foot. Mounted on a metal plinth. Height 12”. 200/250 Provenance: Tenmoku Auctions.

751.

CHINESE FAMILLE VERTE PORCELAIN BOWL Late 19th/Early 20th Century Exterior decoration of alternating dragon, carp and crab cartouches on a red ground. Interior with floral and sea creature border. Green artemisia mark on base. Height 3.5”. Diameter 7”. 300/500

753

138

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754.

755.

CHINESE FAMILLE VERTE PORCELAIN VASE Republic Period In baluster form. Finely detailed decoration of two monkeys on a pine tree, with a mountainous background. Obverse with calligraphic inscription. Marked on base. Height 11”. 1,200/1,800

CHINESE IMPERIAL PORCELAIN BOWL Daoguang Mark and Period In bell form. Exterior with fine floral design on a yellow ground. Interior with five-bat design. Six-character mark on base. Diameter 7.25”. 5,000/7,000 754

755

756.

PAIR OF CHINESE FAMILLE VERTE PORCELAIN “HO HO” BOYS Qing Dynasty, 19th Century Standing on floral plinths and holding a vase with lotus. Executed in tones of green, iron red, yellow and aubergine. Heights 10.5”. On wooden stands. 1,000/1,500

756, pair

Provenance: Sotheby’s, New York, April 22, 1995, Lot #29.

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139

757, pair

757.

PAIR OF CHINESE FAMILLE ROSE PORCELAIN PILLOWS 19th Century Enameled bird and flower decoration. Heights 4”. Lengths 14.5”. 1,200/1,600

758.

PAIR OF CHINESE FAMILLE VERTE PORCELAIN PAINTINGS 20th Century Depict cranes and other birds, butterflies, insects and frogs in lotus flowers. Famille jaune borders. 13” x 10” sight. Framed 21” x 16”. 400/600

759.

PAIR OF CHINESE FAMILLE VERTE PAINTED TILES Early 20th Century Depict a village in a mountain landscape. Calligraphy upper left and right. Signed “Wang Yeting”. 17” x 8”. Framed 18” x 9.5”. 300/400

758, pair

Provenance: Kaminski Auctions, Beverly, Massachusetts, December 2016, Lot #5292. A Georgia Estate.

140

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760.

CHINESE PORCELAIN TILE PAINTING ON STAND Early 20th Century Polychrome decoration of a warrior. Housed in a rosewood stand with an openwork-carved bamboo motif. Tile 15” x 9.5”. Stand height 34”. Width 24”. Depth 9”. 700/900

760

761.

PAIR OF CHINESE FAMILLE VERTE PORCELAIN TILES Late 19th Century Both with finely enameled mountain river landscapes. Housed in elmwood frames carved with a flowering plum blossom motif. Tiles 14” x 9”. Framed 36” x 17.5”. 1,500/2,500

761, pair

762.

CHINESE FAMILLE VERTE PORCELAIN TILE PAINTING Early 20th Century Depicts a village landscape with a train crossing a bridge over the river. Calligraphic inscription top center. Tile 15” x 10”. Framed 20” x 15”. 600/800

762

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141

763.

CHINESE FAMILLE VERTE PORCELAIN TILE PAINTING Late 19th Century Depicts a river landscape with distant mountains. Housed in a rosewood frame. Tile 28” x 15”. Framed 30” x 17.5”. 800/1,000

764.

CHINESE BLUE AND WHITE PORCELAIN PLATE Early 20th Century Decorated with Chinese objects and symbols. Exterior with alternating bamboo, lotus and other greenery. Diameter 9”. 250/350

765.

CHINESE BLUE AND WHITE PORCELAIN BRUSH POT 20th Century Cylindrical, with decoration of Immortals and deer in a landscape setting. Height 7.25”. Diameter 8.25”. 700/900

763

765

766.

SIX PIECES OF CHINESE BLUE AND WHITE PORCELAIN Late 19th/Early 20th Century In Hawthorne and cracked ice patterns. Includes three vases, heights 7” and 11.5”, a covered ginger jar, height 6”, a malletform vase with hairline crack, height 8.5”, and a seed-form jar, height 8”. 400/600

767.

TWO CHINESE BLUE AND WHITE PORCELAIN TEA CADDIES A 19th Century caddy with floral decoration, height 5.75”, and a circa 1800 caddy with landscape decoration, height 4.75”. 200/300

768.

PAIR OF CHINESE BLUE AND WHITE PORCELAIN TEMPLE JARS Circa 1900 Prunus and cracked ice design. Four-character Kangxi mark on base. Heights 10.5”. 250/350 768, pair

142

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772

773

769.

PAIR OF CHINESE BLUE AND WHITE PORCELAIN PLATES Late 19th Century Temple decoration. Diameters 11.75”. 200/400

770.

THREE PIECES OF CHINESE BLUE AND WHITE PORCELAIN 19th Century 1) Covered jar in flower and shou design. Height 3.5”. 2) Jar with flower and shou design. Wood cover. Height 4.5”. 3) Jar with prunus and cracked ice design. No cover. Height 5.5”. 200/300

771.

BLUE AND WHITE STONEWARE JAR Circa 1900 In squat ovoid form, with grasses design. Height 5”. 100/200

772.

CHINESE BLUE AND WHITE AND CAFÉ-AU-LAIT PORCELAIN BOWL 19th Century Interior with carp and sea grasses decoration. Exterior with café-au-lait glaze. Diameter 4.5”. 200/400

773.

CHINESE BLUE AND WHITE AND CAFÉ-AU-LAIT PORCELAIN BOWL Early 19th Century In bell form. Interior with flower garden decoration. Exterior with leaf and fan cartouches. Diameter 6.5”. 400/600

774

774.

CHINESE IMARI AND CAFÉ-AU-LAIT PORCELAIN BOWL Early 19th Century Interior with flower garden design. Exterior with café-au-lait glaze. Diameter 5.7”. 400/600

775.

CHINESE BLUE AND WHITE PORCELAIN BOWL 19th Century Figural landscape design. Diameter 7.2”. 300/400

776.

TWO CHINESE BLUE AND WHITE PORCELAIN WRITER’S COUPES 19th Century One in beehive form with floral design, diameter 2.25”, and one in jar form, diameter 1.75”. 100/200

777.

CHINESE BLUE AND WHITE STONEWARE COVERED GINGER JAR 19th Century In ovoid form, with floral rondel design. Height 8”. 200/300

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143

778.

CHINESE BLUE AND WHITE ON CELADON COVERED JAR 19th Century In elongated ovoid form, with pahua and floral rondel design. Domed cover with onion-form finial. Height 12.5”. 300/500

779.

CHINESE BLUE AND WHITE PORCELAIN BOWL 19th Century Interior with figural cartouche. Exterior with figural and landscape decoration. Four-character Kangxi mark on base. Diameter 6”. 200/300

780.

CHINESE BLUE AND WHITE PORCELAIN SHALLOW FOOTED BOWL Late 19th Century Interior with central figural landscape decoration and lotus flower border. Exterior with continuous figural landscape. Export seal and double foot ring on base. Height 3.25”. Diameter 9.5”. 500/700

781.

CHINESE SWATOW-STYLE UNDERGLAZE BLUE AND WHITE PORCELAIN DISH Late 19th Century Eight cartouches containing Chinese elements about the center, surrounded by a flower and vine border. Shaped edge. Diameter 8”. 600/800

782.

TWO CHINESE BLUE AND WHITE PORCELAIN WINE CUPS 17th/18th Century One with stylized dragon design and the other with lotus design. Diameters 2.75”. 300/400

783.

TWO CHINESE BLUE AND WHITE PORCELAIN PLATES One with crane and pine tree design, diameter 9”, and one with flower vase and censer design, diameter 9.25”. 300/400

778

779

780 781

144

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784.

CHINESE BLUE AND WHITE PORCELAIN VASE Late 19th Century In gu form with a flared mouth. Decoration of figures in various pursuits in a landscape, all over a band of lotus and lappets. Height 14.5”. Diameter of mouth 7.5”. 700/900

785.

CHINESE BLUE AND WHITE PORCELAIN DISH Kangxi Period Floral center and flower garden border. Four-character Kangxi mark on base. Diameter 5”. 200/300

784

786

786.

CHINESE BLUE AND WHITE PORCELAIN PLATE 18th Century Decoration of a mandarin and youth surrounded by a fruit and lattice border. Six-character Ming mark on base. Diameter 8.75”. 500/700

787.

CHINESE BLUE AND WHITE PORCELAIN PLATE 18th Century Figural decoration of ladies on a balcony surrounded by a prunus and lattice border. Six-character Chenghua mark on base. Diameter 8.1”. 500/700

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787

788.

CHINESE BLUE AND WHITE PORCELAIN COVERED TEMPLE JAR 20th Century Decoration of dragon in a floral landscape, with lappets at foot and shoulder, and acanthus leaf border at neck. Domed cover with fu dog knop. Height 18”. 200/250

145

789.

NEAR-PAIR OF BLUE AND WHITE “BLEU DE HUE” PORCELAIN PLATES Late 19th/Early 20th Century For the Vietnamese market. Depicting flowers and ducks. Silvered rims. Four-character mark on base. Diameters 7.25”. 798. THREE CHINESE BLUE AND WHITE PORCELAIN 200/300 BOWLS Late 19th Century Made for the Thai market. Includes a pair with bat and Provenance: pomegranate decoration, diameters 5.25”, and one with Charlotte Horstmann & Gerald Godfrey, Ltd. dragon and wave decoration, diameter 4.25”. Each marked on base. 250/350

790.

CHINESE “BLEU DE HUE” PORCELAIN COVERED BOWL 20th Century Lotus and vine decoration. Height 6.5”. 200/300

799.

CHINESE “BLEU DE HUE” COVERED JAR 20th Century Made for the Vietnamese market. Lotus and shou decoration. Height 7.5”. 200/250

CHINESE BLUE AND WHITE PORCELAIN DISH 18th Century Floriform, with ribbed body. Goose and flower decoration. Diameter 5.2”. 100/200

800.

TWO CHINESE BLUE AND WHITE PORCELAIN WINE CUPS One with a phoenix and flower design on body and flute design on base, diameter 2.6”, and one with figural and floral design, diameter 2.5”. 150/250

CHINESE BLUE AND WHITE “RICE GRAIN” PORCELAIN BOWL Late 19th Century Interior with lotus flower and crane decoration and a bat design at border. Spurious six-character Kangxi mark on base. Height 2.25”. Diameter 5”. 200/300

801.

CHINESE BLUE AND WHITE PORCELAIN PLATE AND COVERED SUGAR BOWL Early 19th Century Fitzhugh plate with gilt details. Sugar bowl with entwined handles and river landscape decoration with some gilt details. Plate diameter 6.25”. Bowl height 5.5”. 300/400

ELEVEN PIECES OF CHINESE BLUE AND WHITE RICE PORCELAIN Early 20th Century A ball-form teapot, height 6”, a drum-form teapot, height 5.5”, and nine rice bowls, diameters 4.75”. Many with six-character Kangxi marks on base. 400/600

802.

FIVE PIECES OF CHINESE PORCELAIN Late 19th Century 1-2) Pair of wine cups with polychrome enameled decoration of deer in a landscape on a tomato red ground. Heights 2”. 3-4) Pair of rice pattern blue and white saucers. Marked on bases. Diameters 4”. 5) Jarlet with blue landscape on a crackled creamware ground. Artemisia leaf mark on base. Height 2.5”. 200/300

803.

CHINESE BLUE AND WHITE PORCELAIN HU-FORM VASE Early 20th Century With openwork foot and figural landscape decoration. Sixcharacter Qianlong mark on base. Height 13”. 300/400

791.

792.

793.

794.

SET OF TWELVE CHINESE BLUE AND WHITE PORCELAIN SHALLOW BOWLS Early 19th Century In Dutch Folly design. Diameters 7.6”. 800/1,000

795.

PAIR OF CHINESE BLUE AND WHITE PORCELAIN BOTTLE VASES 20th Century Slightly flared necks with acanthus leaf decoration. Bodies with lotus and vine decoration. Six-character Jiajing marks in a double ring on base. Heights 12”. 300/400

796.

CHINESE BLUE AND WHITE PORCELAIN PILGRIM VASE 20th Century Applied dragon handles at neck. Decoration of two dragons chasing a fiery pearl surrounded by lotus and vines. Height 12”. 200/300

804.

CHINESE BLUE AND WHITE PORCELAIN BOWL 20th Century Decoration of figures in a landscape at interior center and about the exterior. Four-character Qianlong mark on base. Height 2”. Diameter 4”. With fitted case. 500/700

797.

PAIR OF CHINESE BLUE AND WHITE PORCELAIN MEIPING VASES Early 20th Century Flowering peony and lotus decoration, with lappets at mouth and foot. One as-is. Heights 14”. 300/600

805.

CHINESE BLUE AND WHITE PORCELAIN VASE 20th Century In baluster form, with figural landscape decoration. Double blue ring on foot. Height 9.25”. 250/350

146

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806.

CHINESE BLUE AND WHITE PORCELAIN JAR 19th Century In ovoid form on a raised foot. Neck capped with a silver rim. Body with vine decoration. Collector’s label on base inscribed “Kia King”. Height 6”. 200/300

807.

CHINESE BLUE AND WHITE PORCELAIN PILGRIM FLASK 20th Century Made for the Islamic market. With onion bulb mouth flanked by handles, a slightly flared foot, and lotus flower and star decoration. Height 11”. 500/700

808.

CHINESE BLUE AND WHITE PORCELAIN JOSS STICK HOLDER Late 19th Century With saucer base. Decorated with flowers and vines. Height 11”. 400/600

809.

CHINESE BLUE AND WHITE PORCELAIN WINE CUP 19th Century Five-clawed dragon rondels on a lotus and bat-filled ground, with lappet border at base. Six-character Qianlong mark on base. Height 2.5”. 300/500

807

808

809

810

Provenance: Donnelley Collection.

810.

CHINESE BLUE AND WHITE PORCELAIN BOWL Late 19th Century Two five-clawed dragons on a lotus vine ground. Old collector’s label on base. Height 2”. Diameter 3.5”. 300/500 811

811.

CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN BRUSH WASHER Ming Dynasty Figural landscape decoration with iron red highlights. Height 1”. Diameter 2.5”. 400/600

812.

CHINESE BLUE AND WHITE PORCELAIN WINE CUP Late 19th Century Landscape decoration. Six-character Qianlong mark on base. Height 2”. Diameter 3”. With wooden stand. 300/400

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812

147

814 815 813

817

813.

CHINESE TURQUOISE CRACKLEWARE PORCELAIN BRUSH WASHER 19th Century With three short legs. Height 2”. Diameter 6.5”. 250/350

814.

CHINESE APPLE GREEN GLAZE CRACKLEWARE PORCELAIN MEIPING VASE Kangxi Period, Early 18th Century Height 7.5”. 600/800

815.

CHINESE TURQUOISE CRACKLEWARE PORCELAIN BRUSH WASHER 19th Century Cylindrical, with banded body and three short legs. Height 4”. Diameter 4.75”. 1,200/1,500

816.

CHINESE GREEN ON WHITE PORCELAIN WINE CUP Late 19th/Early 20th Century Bamboo shoot design. Six-character Kangxi mark on base. Height 1.5”. Diameter 3.5”. 300/400

148

818

819

817.

CHINESE MONOCHROME BLUE PORCELAIN WINE CUP Late Qing Dynasty Six-character Guangxu mark on base. Height 2.5”. Diameter of top 3”. 500/700

818.

CHINESE MING-STYLE BLUE AND WHITE PORCELAIN STEM CUP Exterior with figural landscape design. Interior with calligraphic mark. Diameter 4.5”. 200/250

819.

CHINESE BLUE AND WHITE PORCELAIN WINE CUP Kangxi Period In lotus form, with floral design. Four-character Kangxi mark on base. Diameter 3.3”. 200/300

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820

820.

821.

821

823. PAIR OF CHINESE TEA DUST PORCELAIN VASES CHINESE BLUE GLAZE PORCELAIN VASE Late 19th Century Ming Dynasty, 17th Century In lobed form, with cylindrical necks. Weighted and In elongated bottle form with a slender neck. Height 11.5”. mounted as table lamps with wooden bases and two-socle 2,000/3,000 fixtures. Vase heights 10.5”. 300/400 Provenance: Christies, London, 6/19/2011, lot #548. 824.

CHINESE DEHUA PORCELAIN LIBATION CUP Late 19th Century Raised flowering branch decoration. Height 3”. 300/350

825.

CHINESE GREEN GLAZED PORCELAIN BRUSH WASHER Height 2”. Diameter 6.5”. 200/300

CHINESE BLUE AND WHITE ON CRACKLEWARE PORCELAIN VASE 18th/19th Century In rouleau form, with decoration of two figures in a mountain village landscape. Height 10”. 700/900 Provenance: R. & G. McPherson Antiques, London.

822.

822

CHINESE POWDER BLUE PORCELAIN TRIPLE GOURD-FORM VASE Kangxi Period Decoration of cloud and fan-form cartouches filled with famille verte Chinese elements. Gilt highlights, worn. Height 10.5”. 1,200/1,800

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149

826.

CHINESE APPLE GREEN PORCELAIN PLATE 18th Century Black glaze at rim. Diameter 11.75”. 400/600 Provenance: Merle Alling.

827.

CHINESE GREEN GLAZED PORCELAIN WATER DROPPER 19th Century In the form of a herd boy resting on a water buffalo. Height 3.5”. Length 5.5”. 300/400

826

828

829

830

828.

CHINESE WHITE GUANWARE PORCELAIN JARLET Late 19th Century In globular form. Height 3”. 300/400

829.

CHINESE WHITE GUANWARE PORCELAIN VASE Late 19th Century In slender baluster form. Height 8.5”. 300/400

150

830.

CHINESE MING-STYLE CELADON CRACKLEWARE PORCELAIN EWER In ovoid form with a loop handle at neck. Height 4”. Length 5”. 200/300

831.

CHINESE CLAIRE DE LUNE PORCELAIN BRUSH WASHER 20th Century In squat ovoid form with an inward-molded rim. Six-character Yongzheng mark on base. Height 3”. Diameter 6.5”. 300/400

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832.

CHINESE MIRROR BLACK AND GILT PORCELAIN FIGURE OF AN ARCHER Early 20th Century With a shield on his back, standing on a demilune base. Height 11.5”. 700/900

832

833.

LONGQUAN CELADON BOWL Ming Dynasty In bell form. Decorated on the interior with an incised band of flowers about a chrysanthemum center. Rim decorated with lotus. Exterior decorated with relief passionflowers and lotus. Diameter 10.75”. With wood stand. 3,000/4,000 Provenance: Merle Alling.

833

834.

835.

CHINESE CELADON CRACKLEWARE PORCELAIN VASE In shaped baluster form, with flared octagonal mouth and raised mask and boss decoration at shoulder and neck. Height 11”. 200/300

CHINESE INCISED CELADON PORCELAIN VASE 19th Century In baluster form with a bulbous body. Six-character Chenghua mark on base. Height 6”. 300/400

836.

CHINESE CELADON PORCELAIN COVERED BOX With a molded circular top. Height 2”. Diameter 4”. 300/400

837.

CHINESE LONGQUAN CELADON PORCELAIN SQUARE DISH Late 19th Century Four raised carp on interior and incised cartouches about the four edges. Height 2”. 7” x 7”. 150/250 Provenance: A Private Florida Collection.

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151

839

152

TWO CHINESE CELADON STONEWARE BOWLS 1) Song bowl with incised cloud design. Considerable cracking and rim chips. Diameter 7.25”. 2) 18th Century bowl with lotus design. Diameter 6.2”. 250/350

839.

CHINESE LONGQUAN CELADON PORCELAIN WINEPOT 19th Century In ovoid form, with animal-form stopper and raised acanthus leaf design. Height 7”. 300/400

840.

CHINESE QINGBAI PORCELAIN COSMETIC BOX Possibly Song Dynasty Cover with raised decoration of a phoenix. Interior with three small pots and flower blossom decoration. Height 3”. Diameter 5”. 400/600

841.

FOUR CHINESE CELADON PORCELAIN WINE CUPS 19th Century Diameters from 2.5” to 2.6”. 150/250

842.

CHINESE CELADON STONEWARE DISH 17th/18th Century Floriform, with incised central design. Diameter 5”. 100/200

843.

CHINESE CELADON CRACKLEWARE PORCELAIN BOWL 19th Century In squat ovoid form. Labels on base for Sydney Moss Ltd. and a 1962 Oriental Ceramic Society exhibit. 400/600

844.

CHINESE WHITE GLAZE PORCELAIN DRAGON BOWL Ming Dynasty Incised iron red decoration of a dragon chasing a fiery pearl. Height 3.5”. Diameter 6.5”. 400/600

845.

CHINESE WHITE PORCELAIN DING-TYPE MEIPING VASE 19th Century Incised floral decoration. Height 8”. 400/600

846.

CHINESE CELADON CRACKLEWARE PORCELAIN BOWL Early 20th Century In squat ovoid form with slightly inverted rim. Height 4”. Diameter 7”. 300/400

840

844

843

845

838.

846

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847.

CHINESE POTTERY TOMB FIGURE A female dancer. Height 10”.

Tang Dynasty 1,200/1,800

848.

TWO POTTERY TOMB FIGURES Wei/Early Tang Dynasty Both warriors. Traces of original polychroming. Heights 8.5”. 1,200/1,500

849.

CHINESE POTTERY FIGURE OF A RECUMBENT RAM Tang Dynasty Height 3.5”. Length 4”. 1,000/1,500

850.

THREE CHINESE QINGBAI PORCELAIN BOWLS Possibly Song Dynasty 1) In conical form, with heavy crazing to glaze and irregularity at rim. Height 2.5”. Diameter 6.5”. 2) Shallow bowl. Height 1”. Diameter 5.5”. 3) Shallow dish with raised dragon design and black rim. Height 1”. Diameter 4.25”. 500/700

851.

CHINESE HAN-STYLE BROWN GLAZED VASE Possibly Han Dynasty In ovoid baluster form with mock ring handles. Height 12”. 250/350

852.

CHINESE GREEN GLAZED POTTERY COVERED FUNERARY JAR 18th Century In ovoid form. Body with decoration of figures and animals about two ruffled edges. Cover with mountain peaks. Height 10”. 200/250

847

848, two

849

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153

853

854

853.

CHINESE PAINTED POTTERY VASE Han Dynasty With a globular body, short neck and slightly flared mouth. Traces of scrolling and floral decoration. Height 11”. 400/600

854.

CHINESE SONG-STYLE WHITE GLAZE MEIPING VASE Banded glaze cut with incised calligraphy. Height 12”. 300/500

855.

CHINESE BROWN CRACKLEWARE PORCELAIN VASE 20th Century Loop handles at neck. Height 7”. 300/400

856.

154

856

857.

KOREAN PORCELAIN MEIPING VASE 20th Century Decoration of flying cranes over incised leaf design, with lappets at shoulder and foot. Height 10”. 200/300

858.

SAWANKHALOK CELADON PORCELAIN BOWL With scalloped edge, ribbed decoration on exterior, and wave banding on interior. Height 4”. Diameter 11”. 200/300 Provenance: A Private Florida Collection.

859.

KOREAN PORCELAIN WATER DROPPER First Half of the 20th Century In ring form, with underglaze blue and red star and scroll decoration. Height 1.5”. Length 3.75”. 200/300

KOREAN CELADON PORCELAIN MEIPING VASE Early 20th Century Crane and cloud decoration, with floral bands at shoulder and foot. Height 11”. 400/600

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860.

JAPANESE ORIBE POTTERY BOWL Late Meiji Period Decoration of a red lobster at the interior base. Rim with green slip. Signed on exterior. Height 4”. Diameter 9.5”. 200/250

861.

FIVE JAPANESE TEA-RELATED OBJECTS 20th Century 1) Pottery chawan. Diameter 6”. With box. 2) Porcelain fruit-form natsume. Height 2.5”. With box. 3) Pottery natsume with wood cover. Height 3”. 4-5) Two tea spoons. Lengths 9”. Cased. 250/350

862.

FOUR JAPANESE POTTERY CHAWAN 20th Century In various shapes and glazes. Diameters from 1.25” to 4.25”. 200/250

863.

PAIR OF JAPANESE MASHIKO ART POTTERY DISHES Mid-20th Century Decoration of blue grasses on a Shino cream glaze. Stamped on base. Heights 1.5”. Diameters 5”. 300/400

864.

JAPANESE POLYCHROME PORCELAIN VASE 20th Century In ovoid baluster form with a slightly flared foot. Paneled decoration of birds and flowers in Imari and other Asian palettes, with some raised elements. Marked on base. Height 24”. Diameter of mouth 10”. With wooden stand. 500/700

865.

JAPANESE BLUE AND WHITE ARITA PORCELAIN CHARGER Taisho Period Landscape decoration. Diameter 14”. 250/350

864

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155

866.

TWO PIECES OF JAPANESE ARITA PORCELAIN Early 20th Century Both with Imari decoration. 1) Covered ovoid bowl with chrysanthemum decoration to exterior, and chrysanthemum and bird decoration on interior. Cover with openwork knop. Six-character Chenghua mark on base. Height 5”. Diameter 6”. 2) Bowl with shaped edge and alternating panels of flowers, bamboo and prunus. Four-character mark on base. As-is. Height 2”. 400/600

867.

SET OF SEVEN JAPANESE BLUE AND WHITE PORCELAIN BOWLS BY INOUE MANJI 20th Century Bamboo decoration. Diameters 6.25”. With original kiriwood box. 200/300

868.

SET OF NINE JAPANESE BLUE AND WHITE ARITA PORCELAIN DISHES Meiji Period Three Friends decoration at center surrounded by flowers and vines. Six-character mark on base. Diameters 7.25”. 250/350

869.

JAPANESE BLUE AND WHITE PORCELAIN TEAPOT Meiji Period In basket form, with dragon design. Fixed handle. Height 8”. 100/150

870.

JAPANESE BLUE AND WHITE PORCELAIN SAKE BOTTLE 19th Century In mallet form, with grasses design. Height 11”. 100/200

871.

MAKOTO YABE STUDIO POTTERY MIZUSASHI Massachusetts, 20th Century Rectangular, with a loop handle on fitted cover. Blue and creamware slip. Signed on base. Height 9”. Width 4.5”. Depth 4.5”. 400/600

872.

MAKUZU KOZAN PORCELAIN VASE Meiji Period In baluster form, with cobalt blue dragon decoration on a tomato red ground. Signed on base. Height 6.5”. 250/350

873.

THREE JAPANESE PORCELAIN PIECES Late Meiji Period 1-2) Two vases attributed to Makazu Kozan, one cobalt blue in squat ovoid form, height 2.75”, and one celadon in baluster form with white flower decoration, height 4”. Both signed on base. 3) Apple-form brush washer painted yellow to green. Interior with worm decoration. Signed on base. Height 3”. 200/300

874.

JAPANESE HIRADO PORCELAIN FIGURE GROUP 20th Century In the form of a horse in front of a hollow tree trunk, on an openwork ruyi base. Height 7”. Width of base 7”. 250/350

872

874

156

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875.

JAPANESE KUTANI PORCELAIN DISH Taisho Period With pinched edges. Decoration of six assorted floral rondels and smaller rondels on a banded brocade ground. Seal mark and Shimazu crest on base. Height 2.5”. Diameter 6.25”. 250/350

876.

JAPANESE KUTANI PORCELAIN CHARGER Late Meiji Period Decoration of Ebisu with a scroll on the back of a fish, riding by three figures on shore. Threecharacter signature on base. Diameter 14”. 600/800

876

877.

JAPANESE KUTANI PORCELAIN SHALLOW BOWL Late Meiji Period Interior with brocade border and decoration of three warriors on a trail. Exterior with bamboo and fan decoration. Three-character signature on base. Height 2.75”. Diameter 9.5”. 500/700

877

878

878.

879.

JAPANESE KUTANI PORCELAIN BOWL Late Meiji Period Decoration of figures in a landscape, with a crane, boats and a mountain in the background. Two-character signature on base. Diameter 7”. 400/600

JAPANESE KUTANI PORCELAIN CHARGER Meiji Period Square, with gilt brocade border and finely detailed scenic decoration of four warriors preparing for battle in a spring landscape. Six-character signature plaque on base. 14.25” x 14.25”. 800/1,000

879

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157

880.

PAIR OF JAPANESE SATSUMA STONEWARE SWEET MEAT SETS SET IN LACQUER TRAYS Meiji Period Both consist of seven sections, all with shaped gilt rims, figural landscape decoration about the sides and central monogram. Signed on bases. Black lacquer trays with gilt floral decoration. Total diameters 14”. 400/600

881.

880, pair

JAPANESE KINKOZAN SATSUMA STONEWARE VESSEL Meiji Period A donut-shaped sake warmer or water dropper. Crane and floral painted decoration to exterior. Impressed “Kinkozan” seal on base. Height 2.25”. Length 4.5”. 200/300

882, set

882.

FINE JAPANESE SATSUMA PORCELAIN TEA SET Late Meiji Period Consists of a teapot, height 8”, a covered creamer and sugar, and six demitasse cups with saucers. Decoration of six ladies in wisteria. Covered pieces with gilt dragon knops and handles. Shimazu crest on bases. 600/800

883.

JAPANESE SATSUMA PORCELAIN TRAY Late Meiji Period Finely decorated and gilt-highlighted scene of quail in a patch of flowers, mostly chrysanthemums, surrounded by a brocade and chrysanthemum border. Signed lower left. 13” x 17”. 300/500

883

158

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887

884.

885.

886.

887.

888

JAPANESE SATSUMA POTTERY VASE Late Meiji Period In flattened ovoid form, with figural cartouches on a brocade ground. Gilt and “Japan” marks on base. Height 5.3”. 120/180

JAPANESE SATSUMA PORCELAIN KORO Late Meiji Period In the form of a caparisoned elephant with its trunk extended. Fabric cover. Height 8”. Length 14”. 200/300

PAIR OF JAPANESE SATSUMA PORCELAIN STANDS Late Meiji Period In squat bulbous form with four animalistic feet. Decoration of a brocade design with gilt highlights. Heights 5.5”. Accommodate a 5” diameter vessel. 400/600

JAPANESE SATSUMA PORCELAIN BOWL Late Meiji Period Interior with a maple leaf and Greek key fret border and decoration of an exterior court scene. Exterior in a brocade chrysanthemum pattern. Worn signature on base. Height 3”. Diameter 5”. 400/600

889

888.

JAPANESE SATSUMA PORCELAIN VASE Late Meiji Period In seed form, with white and gilt chrysanthemum design. Shimazu crest on base. Height 11”. 600/800

889.

JAPANESE SATSUMA PORCELAIN KORO Decoration of figural cartouches on a brocade fan-filled ground featuring a gilt Shimazu crest. Gilt rim. Animalform handles at shoulder. Trifoot base also marked with Shimazu crest. No cover. Height 4”. Diameter of top 2”. 400/600

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159

890

890.

JAPANESE SATSUMA POTTERY VASE Meiji Period Rectangular, with figural decoration. Black mark signature. Height 7”. 300/400

891.

JAPANESE SATSUMA POTTERY VASE Late Meiji Period In inverted pear shape, with court scene cartouches on a pink enameled ground. Height 12.5”. 250/350

892.

PAIR OF JAPANESE SATSUMA POTTERY VASES Meiji Period Cylindrical, with a dragon and lohan design. Shimazu crest at shoulder. Red mark signature. Heights 9”. 800/1,200

893.

JAPANESE SATSUMA PORCELAIN COVERED JAR Meiji Period Square, with decoration of four finely detailed mythological vignettes including the Gods of Good Fortune. Repeated elements at each chamfered corner. Domed cover with gilt knop and decoration of iris and repeated elements. Shimazu crest on signature plaque on base. Height 8”. Length 5.5”. 500/700

892, pair

893

160

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894

894.

895.

JAPANESE IMARI PORCELAIN CHARGER Meiji Period Decoration of a kirin surrounded by mandarin ducks in a landscape interrupted by three detailed mihrabs. Brocade border. Diameter 19”. 800/1,000

JAPANESE IMARI PORCELAIN WINE COASTER Late Meiji Period Petal-form edges. Central wave decoration surrounded by rockery cartouches and a floral design. Height 3”. Diameter 8.5”. 200/225

896.

JAPANESE IMARI PORCELAIN BOWL Late Meiji Period Fluted sides. Allover floral and bird decoration. Height 3”. Length 10”. 200/250

899.

SEVEN JAPANESE IMARI PORCELAIN PLATES AND DISHES Late Meiji Period Five floriform, diameters 8.5”, and two oval, lengths 8”. 200/300

897.

ASSORTED JAPANESE IMARI PORCELAIN TABLEWARE ITEMS Late Meiji Period Four small teapots, two creamers, two covered sugars, a salt and pepper, and four sake cups. 400/600

900.

ASSORTED JAPANESE IMARI PORCELAIN DEMITASSE CUPS AND SAUCERS Taisho Period Three 3” cups and saucers with pinwheel decoration and gilt highlights, and six 3” cups and five saucers with a flower garden design and Fukagawa mark on bases. 300/400

898.

FOUR JAPANESE IMARI PORCELAIN PLATES Late Meiji/Early Taisho Period Central kirin decoration and fan border. Diameters 7.5”. 200/300

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161

901, pair

901.

902

PAIR OF JAPANESE IMARI PORCELAIN COVERED GINGER JARS Meiji Period Molded tassel decoration at shoulders, and bird and tree decoration about the bodies. Heights 10”. 800/1,000 Provenance: Cantay Collection, England.

902.

903.

JAPANESE IMARI PORCELAIN COVERED JAR Meiji Period In baluster form, with ribbed sides and floral decoration. Domed cover. Height 12”. 500/700

JAPANESE IMARI PORCELAIN VASE Meiji Period, 19th Century In baluster form, with two bird and garden landscape panels on a floral and dragon-filled ground with gilt highlights. Height 10.5”. Diameter of mouth 4”. 600/800

904.

JAPANESE IMARI PORCELAIN CHARGER Late Meiji Period Central jardinière decoration. Diameter 14.5”. 250/350

905.

JAPANESE IMARI PORCELAIN CHARGER Late Meiji Period Pinwheel, chrysanthemum and mon decoration with gilt highlights. Diameter 13.5”. 250/350

906.

JAPANESE IMARI PORCELAIN SERVICE FOR EIGHT Late Meiji Period Consists of 8.5” plates, 4.75” rice bowls with covers, 7” bowls, 6” bowls and 2.75” sake cups. 500/700

Provenance: Christies, Amsterdam, 2001.

162

903

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907

910, two

908

907.

JAPANESE IMARI PORCELAIN TRAY Meiji Period Shaped sides with bird and flower cartouches. Bird and landscape decoration at center. Height 2”. Length 10.5”. 500/700

910.

TWO JAPANESE IMARI PORCELAIN BOTTLE VASES Meiji Period Both with ovoid bodies and slender necks. Heights 10” and 9”. 600/800

908.

JAPANESE IMARI PORCELAIN FLORIFORM PLATE Meiji Period Paneled floral, bird and dragon decoration. Diameter 13”. 400/600

911.

JAPANESE IMARI PORCELAIN VASE Late Meiji Period In ribbed baluster form with slightly flared mouth. Height 9.25”. 200/250

909.

JAPANESE IMARI PORCELAIN COVERED JAR Meiji Period In squat ovoid form with molded handles. Domed cover with chrysanthemum knop. Height 4”. Diameter 6”. 300/500

912.

TWO JAPANESE IMARI PORCELAIN FIGURES Late Meiji Period A boy beating a taiko, height 9”, and a Bijin with a lotus flower, height 10”. 500/700

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163

913

164

913.

JAPANESE IMARI PORCELAIN COVERED TEMPLE JAR Meiji Period Hexagonal, with floral decoration. Domed cover with onionform finial. Height 20”. 800/1,000

914.

FIVE JAPANESE IMARI PORCELAIN RIBBED FLORIFORM BOWLS Late Meiji Period Varying floral decoration at centers. Diameters 7”, 8.5” and 9”. 400/600

915.

TWO JAPANESE IMARI PORCELAIN BOWLS Late Meiji/Early Taisho Period Both with shaped rims. Six-character mark on bases. Heights 3”. Diameters 3.25”. 200/300

916.

TWO PAIRS OF JAPANESE IMARI PORCELAIN BOWLS Late Meiji Period Both pairs with shaped edges. One pair with phoenix and wave decoration, diameters 6”, and the other pair with boatmen on a river, diameters 7”. 400/600

917.

JAPANESE IMARI PORCELAIN BOWL Late Meiji Period Enameled floral and landscape decoration. Height 3”. Diameter 7”. 200/300

918.

JAPANESE IMARI PORCELAIN COVERED BOWL Late Meiji Period Cover doubles as an undertray. Height 3”. Diameter 10”. 250/350

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919.

EISEN A woman preparing tea. Matted.

Oban tate-e 150/250

920.

HARUNOBU Book Plate Two ladies playing a game. 10.5” x 7”. 100/150

921.

CHIKANOBU Chuban and Oban tate-e Both depict a woman in a flower garden. Unframed. 200/300

922.

FOUR WOODBLOCK PRINTS OF LADIES Oban Each matted. 1) Chikanobu: A lady standing on a rock (part of a triptych). 2) Kuniyasu: Woman in a garden. 3) Kogyo: Woman in a doorway. 4) Kogyo: Woman gathering iris. 200/300

923.

FOUR EDO PERIOD WOODBLOCK PRINTS Oban tate-e Each taken from a diptych or triptych. Unframed. 1) Kunisada: Actor print. 2) Chikanobu: Scene from the Imperial Palace. 3) Hiroshige: Village scene. 4) Kunichika: Scene of courtesans in an interior. 400/600

924.

SEVEN WAR-THEMED WOODBLOCK PRINTS Triptychs By various Ukiyo-e artists including Toshimasa and Ginko. Depict scenes of the Sino-Japanese War of 1894-1895. Unframed. 300/500

925.

SHUNKO Oban tate-e Two warriors fighting. Unframed. 250/350

926.

PORTFOLIO OF ELEVEN PRINTS AFTER SHARAKU Oban tate-e Depict various Kabuki actors. Five unframed, in portfolio, and six matted. Many with penciled identification notations in mats. Portfolio and mats 21” x 14”. 500/700 926, sampling

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165

927.

PORTFOLIO OF FIFTEEN PRINTS AFTER SHARAKU 300/400

928.

KATSUSHIKA HOKUSAI Surimono Matching game with Genroku poem-shells: The flower shell. Unframed. 600/800

929.

SHIN HANGA Moonlit beach scene with a figure. Matted.

Oban yoko-e 150/250

930.

TSUCHIYA KOITSU Mount Fuji in snow. Unframed.

Oban yoko-e 300/400

928

929

166

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930

932

931.

KUNIYOSHI Man with an anchor. Matted.

932.

YOSHITOSHI Oban tate-e Sumo wrestler Onagawa Kisaburo blowing smoke at a one-eyed monster. Unframed. 300/400

933.

934.

935.

Oban tate-e 200/300

936.

TOYOKUNI III Two Oban tate-e 1) An actor in a lady’s costume holding a fan. Circa 1845. 2) Man and woman, with extensive calligraphy. Unframed. 100/150

937.

UTAGAWA KUNISADA (TOYOKUNI III) Three Oban tate-e Each depict a woman in a fanciful kimono by a lantern under a moonlit sky and a blossoming cherry tree. All framed. 200/300

938.

UTAGAWA TOYOKUNI III Three seated Kabuki actors. Framed 21” x 24”.

939.

TORII KIYOTADA Two Oban tate-e Two Kabuki prints, one of a man with a fan and one of a man drawing a sword. Both bordered by title and gauffrage. Unframed. 300/400

TOYOKUNI Oban tate-e Kabuki Sasagawa Higezo, the gambler. Framed 22” x 17.5”. 200/300

TOYOKUNI II Two Oban tate-e 1) Seated actor on a balcony opening a scroll box. 2) Seated actor on a balcony with a sword. Matted. 250/350

KUNIYOSHI, TOYOKUNI III Two Oban tate-e 1) Warrior destroying a wine jar, from the Famous General War series. 2) Warrior with a stele. 300/400

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Diptych 200/300

167

940

940.

168

KUNISADA Oban Pentaptych Five figures in the snow. 14” x 48”. Unframed. 350/550

941.

UTAGAWA KUNISADA Two Oban tate-e “Akabane” and “Akagi”. Both in harimaze format, from the Flowers of Edo. Framed. 200/300

942.

UTAGAWA KUNISADA Diptych Actors playing roles of tattooed bandits from a play by Yagura Suikoden about 109 Heroes. Framed 19.25” x 25”. 250/350

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943

944

945

946

943.

TAKAHASHI SHOTEI Oban yoko-e 945. SHIRO KASAMATSU Oban tate-e Mount Fuji from Mizukubo, Evening. Framed 16.5” x 20.5”. Fishermen in a boat off a rocky coast. Matted. 200/400 300/500 Provenance: The Estate of Minor Myers, Jr., Mystic, Connecticut. Private Estate, Brewster.

944.

946.

SHIRO KASAMATSU Oban tate-e “Snow at Yomei Gate, Nikko”. Framed 22” x 16”. 350/450

TAHASHI SHOTEI O-hosoban Kamuso with Skakuhachi walking in snow at Okabe. Circa 1920. Unframed. 200/300

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169

947

948

949

170

947.

HIROSHI YOSHIDA Dai oban tate-e “Fuji from Funatsu”, from Ten Views of Mt. Fuji, 1928. Printed title and signature. Matted. 500/700

948.

KAWASE HASUI “Myohonji Temple”. Matted.

949.

KAWASE HASUI Oban tate-e “Hida-gawa River Valley”, 1924. Framed 16.5” x 21”. 700/900

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Oban tate-e 300/500

950.

TOSHI YOSHIDA Oban tate-e “Eagle Owl”. Printed title and signed in pencil lower right. Matted. 400/600

951.

HIROYUKI TAJIMA Two Dai oban tate-e “Old Alter [sic] of Shinto”, numbered 2/50, and “White Print”, numbered 20/50. Both titled, signed, numbered and dated 1978 in pencil. Both matted 22.5” x 18.5”. 300/500

952.

YOSHITOSHI MORI Dai oban yoko-e “Mad Ghost” from the Kabuki Stage series. Numbered 2/30. Signed, seal marked and dated 1965. Framed 36.6” x 30”. 500/700

Lot 952

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171

953.

KIYOSHI SAITO Oban tate-e Figures in a village. Signed and seal marked in image lower left. Framed 16” x 20”. 300/400

954.

KIYOSHI SAITO Dai oban tate-e “Clay Image”, depicting two Haniwa figures. Numbered 62/200. Titled and signed in pencil. 300/500

955.

KIYOSHI SAITO Dai oban tate-e A woman in profile. Signed in pencil in image lower left. Matted. 300/500

956.

KIYOSHI SAITO Dai oban yoko-e Aizu in winter. Signed in image lower left. Matted. 300/500

953

955

957.

KIYOSHI SAITO Oban tate-e “Winter in Aizu”. Signed and seal marked in image lower left. Framed 16” x 21”. 400/600

958.

KIYOSHI SAITO Oban tate-e “Ocha Teahouse”. Signed and seal marked in image lower left. Framed 16” x 21”. 400/600

959.

KIYOSHI SAITO Dai oban tate-e “Kinchoje Shrine, Kamakura in Spring”. Numbered 116/130. Signed in plate lower left. Dated “’85”. Framed 32” x 25”. 600/800

956

959

172

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960.

TED COLYER Woodblock Print “Byodoin, Nara II”. Numbered 41/80. Signed lower right and dated “’77”. 17” x 19” sight. Framed 22.5” x 24”. 400/600

960

961.

CLIFTON KARHU Woodblock Print “Daigoni Tea House”. Numbered 38/100. Signed lower right and dated “’79”. 11” x 11”. Framed 16” x 16”. 300/500

962.

HAJIME NAMIKI Dai oban yoko-e “Iris No. 9”. On gold foil. Numbered 43/100. Signed lower right and dated “’85”. Framed 25” x 40”. 600/800

963.

SHEN MIN-YI Two Dai oban tate-e 1) Boating through a canal with a temple in the distance. Numbered 78/500. Dated 1992. 2) Old house on a river. Numbered 96/100. Signed lower right and dated 1986. 200/400

961

962

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173

964, two

964.

KAZUTOSHI SIGIURA Two Silkscreens Both 24” x 16” sight. Framed 32” x 23”. 1) “Red Peony #11”. Numbered 67/90. Signed lower right and dated “’83”. 2) “Iris #41”. Numbered 6/82. Signed lower right and dated “’83”. 1,000/1,500

965.

TOKO SHINODA Color Lithograph “Drama”. Printed by K. Kimura. Numbered 11/35. Dated “’97”. 19” x 27” sight. Framed 29” x 36”. 800/1,000

966.

TOKO SHINODA Lithograph “Symphony”. Numbered 22/38. Signed lower right. 19” x 24” sight. Framed 29” x 33”. 500/700 965

967.

174

JUN DOBASHI Chuban Lithograph Untitled abstract in black, white, blue and red. Numbered 163/200. Signed lower right. 8” x 6.5”. Unframed. 100/150

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968, diptych

969 970

968.

SHUJI WAKO Diptych “How Deep is the Ocean” and “How High is the Sky”. Both signed lower right. Housed together in a common frame. Both 10.5” x 8” sight. Framed 17.5” x 26”. 700/900

969.

SHUJI WAKO Artist’s Proof “Woodblock Puzzle”. Signed lower right. 12” x 10.5” sight. Framed 21” x 18”. 400/600

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970.

SHUJI WAKO Artist’s Proof “Remembrance”. Signed lower right. 21.5” x 17” sight. Framed 28” x 24”. 700/900

175

971.

JUNSUKE WATARAI Two Colored Etchings and Aquatints 1) Doves and musicians. Numbered 30/80. Signed lower right and dated “’72”. 13” x 16” sight. 2) Village with flowers. Numbered 13/100. Signed lower right and dated “’75”. 15” x 11” sight. Largest frame 19” x 23”. 500/700

972.

TETSURO SAWADA Color Serigraph “In Space”. Numbered 10/20. Signed and dated “’81” lower right. 25” x 32”. Framed 32” x 41”. 500/700

973.

YOSHISUKE FUNASAKA Silkscreen Print on Paper Lemons. Numbered 3/100. Signed and dated 1973 lower right. 22” x 17” sight. Framed 29” x 22.5”. 400/600

971, two

972

176

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973

974.

CHARLES BARTLETT Hand-Colored Etching on Paper “The Imperial City Wall Peking”. Signed in pencil lower left “Charles Bartlett”. Titled in plate. 8” x 11” sight. Framed 11.5” x 15”. 500/700 Provenance: Private Collection, Cape Cod, Massachusetts.

974

975. CHARLES BARTLETT Woodblock Print Feeding the infant. Numbered in pencil lower right 18/75. Signed in pencil lower left “Charles W. Bartlett”. 8.5” x 10.5”. Framed 17” x 19”. 150/250

976. CHARLES BARTLETT Oban tate-e “Benares, 1916”. Signed and dated in lower left margin. Titled and monogramed in image lower right. 13.25” x 10”. Unframed. 400/600

975

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177

977

977.

PAUL JACOULET Woodblock Print Decembre. Signed in pencil lower right above the Peony seal. Seals of the carver, Kentaro Maeda, and printer, Yoshizo Onotera, lower right margin. Published May 1953. Two red seals on reverse: PJ in script and a circular collector’s seal. Excellent condition. Undamaged. 800/1,000

978.

PAUL JACOULET Woodblock Print Vieil Aino. Chikabumi Hokkaido, Japon. (Mr. Chikabumi, an Old Ainu Man of Hokkaido.) Signed in pencil mid-right above the Owl seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunosuke Honda, lower right margin. Published 28 October 1950. Two red seals on reverse: PJ in script and a circular collector’s seal. Excellent condition. Unframed. 1,000/1,500

979.

PAUL JACOULET Woodblock Print #67, Vendeur de Masques, Chinois. (The Chinese Mask Seller.) Signed in pencil lower left above the Butterfly seal. Seals of the carver, Kentaro Maeda, and printer, Fusakichi Ogawa, lower right margin. Dated 30 December 1940 and numbered 89/350 on reverse. Lightly toned. 18.25” x 14.25”. 350/450

978

979

178

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980.

PAUL JACOULET Woodblock Print #105, La Perruche Morte. Celebes. (The Dead Parakeet.) Signed in pencil lower left above the Ivy seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunosuke Honda, lower right margin. Published 3 July 1948. Numbered 29/350 on reverse. Margins and reverse show slight toning, with faint outline from previous matting. Reverse top also with slight loss from tape removal. Image within plate line is excellent. 18.5” x 14.25”. 800/1,200

980

981.

PAUL JACOULET Woodblock Print #20, La Geisha Kiyoka. (The Geisha, Kiyoka.) Signed in pencil lower left above the Mandarin Duck seal. Seals of the carver, Kentaro Maeda, and printer, Shunosuke Fujii, lower right margin. Published 24 May 1935. Numbered 42/350 on reverse. Barely discernible imperfection top margin and printing “dot” upper mid-right; otherwise very good condition. 18.75” x 14”. 500/800

981

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179

180

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BIDDER INFORMATION

ADVICE TO BIDDERS 1. Carefully read the Conditions of Sale. 2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They are not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price. Estimates are prepared well in advance of a sale and are subject to revision. 3. Carefully examine any item that you might consider bidding on for any variation from the catalog description. If you are unfamiliar with auction procedure or terminology, or if you would like clarification of a catalog description, please ask for assistance from our staff. 4. If you wish to leave an Absentee Bid or request a Telephone Bid, please review the Absentee/Telephone Bid Procedure and complete the Bid Form, or complete and submit it on our website, www.eldreds.com. 5. A buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000. 6. Online bidding is available through Eldred’s Live! at www.eldreds.com, powered by Invaluable.com with a 25% buyer’s premium. Prospective bidders must register and be approved prior to placing bids or bidding live online. 7. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid, if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and to insure fairness to consignors and other bidders.

THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TO THE TERMS AND CONDITIONS LISTED IN THIS CATALOG.

SHIPPING INFORMATION We require prompt payment and removal of your purchases as stated in Paragraph 12 of the Conditions of Sale. If you plan to pick up your purchases, please call ahead and we’ll make every effort to have your items ready. We provide shipping services directly from our gallery for select merchandise including small items, small paintings and rugs. We do not ship glass items or items framed under glass. Our staff can assist with determining if your items qualify for in-house shipping. Shipments from our gallery may take four to six weeks from receipt of payment. You will be charged for the shipping or carrier fees, packing and handling fees, and required insurance. There is a minimum handling charge of $15.00 for all shipments. Depending on the carrier, insurance limits may exist (i.e., Federal Express will only insure up to $500). If we are unable to ship your items we will provide you a list of alternative shipping agents. Upon your approval we will transfer your items to your chosen shipping agent. We require seven to ten business days for your payment to clear our banking system before releasing purchases to your chosen shipping agent. Shipping estimates can be provided only AFTER we receive payment for your invoice.

BIDDING INCREMENTS $0-$49: $5 $50-$199: $10 $200-$499: $25 $500-$999: $50 $1,000-$2,999: $100 $3,000-$4,999: $250 $5,000-$9,999: $500 $10,000-$29,999: $1,000 $30,000-$49,999: $2,500 $50,000-$99,999: $5,000 $100,000 and above: $10,000 Above $300,000 at the auctioneer’s discretion

Please adhere to the above bidding increments. Eldred’s reserves the right to adjust absentee bids to the nearest increment below the bid.

see photos of all lots and view condition reports at www.eldreds.com

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CONDITIONS OF SALE 1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised reasonable care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction. 2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered. 3. Eldred’s reserves the right to withdraw any property before the sale. 4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the article in dispute and his decision shall be final. 5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids or the fall of the hammer. 6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the property is thereafter at the purchaser’s sole risk and responsibility. 7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public auction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. At Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by checks, or in the case of bank or cashier’s checks, their authenticity has been confirmed. A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price. 8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone bids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of identical bids, the earliest received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit of 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be allowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be held responsible for any failure to properly execute

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such a bid whether it be due to equipment failure, loss of connection, or failure to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone is solely at the risk of the bidder. 9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not be held responsible for damage to picture frames or lampshades. 10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser: A) possesses a Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendor who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registers with the company prior to each purchase, or C) has purchases shipped out of state (with the exception of Connecticut and New York) directly from Eldred’s by a bona fide shipping agent. Connecticut residents picking items up in our Mystic branch or having purchases shipped to their Connecticut address are responsible for CT state sales tax (currently 6.35%). New York residents having purchases shipped to their New York address are responsible for NY state sales tax (currently 4.0%). Due to the 2018 U.S. Supreme Court ruling in South Dakota v. Wayfair, residents of other states may be required to pay their state sales tax on purchases as we meet each state’s nexus requirements. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204. 11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price between the auctioneer and the consignor, below which the article will not be sold). 12. COLLECTION OF PURCHASES: Delivery or shipping arrangements must be made within seven (7) days from the close of the auction for all purchases. All items must be removed from Eldred’s facilities within fourteen (14) days of the end of the auction. All items remaining after fourteen days may be subject to a $5/per item/perday storage fee. No items will be released unless storage fees are paid in full. Items remaining over thirty (30) days from the close of the auction may be sold for the buyer’s account minus auction and storage fees. 13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for details. 14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the time of the sale. 15. Bidding on any article(s) indicates acceptance of the terms set forth above. 16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.

see photos of all lots and view condition reports at www.eldreds.com

ABSENTEE/TELEPHONE BID FORM 1. Clearly print the lot number, the item description and the highest amount you are willing to pay. Please follow our standard bidding increments. 2. Carefully review your bid form for accuracy of lot numbers, phone numbers, shipping information, etc. Although we attempt to confirm descriptions against lot number, bids are posted by lot number. 3. Please submit your bids in a timely manner, to avoid the chance of posting error. We request all bids be received by 3 p.m. the day before the auction. In the event of identical Absentee bids, the earliest received takes precedence. 4. A 10% deposit is required. If you are successful, the amount of your deposit will be applied toward your invoice. If you are not successful, the full amount will be returned promptly to you. 5. A buyer’s premium will be added to the hammer price of each lot, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000.

Are you a new bidder with Eldred’s?

Yes:

No:

If so, please also complete our Buyer Pre-Registration form.

6. At the conclusion of the sale you will be notiﬁed if you were the successful bidder. All invoices must be paid in full within ten (10) days of the close of the auction. We accept checks, cash, money orders, wire transfers and major credit cards for payment. There is a 2% buyer’s premium discount for payment made in full via cash, check, money order or wire transfer within ten (10) days of the invoice date. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. Mixed payment methods are not eligible for the buyer’s premium discount. We reserve the right to hold goods until payment has cleared. 7. All purchases are subject to state and local sales tax unless you possess a Massachusetts or out-of-state sales tax exemption or resale number and register that number with us. The Robert C. Eldred Co., Inc. offers this service as a convenience to its clients and will not be held responsible for errors or failure to execute bids.

SALE TITLE: SALE DATE:

NAME:

Lot #

Item Description

Maximum Bid or “phone” for Telephone Bid

ADDRESS: check if change in address

PHONE: ALTERNATE PHONE: EMAIL: Signature (required): By signing you agree to place the above bids in the auction listed, subject to the Terms and Conditions of Sale put forth by The Robert C. Eldred Co., Inc. All bids are kept in strict conﬁdence.

Date: SHIPPING Do you have a tax resale #? Yes: Will pick up:

No:

Ship to address above:

25% buyer’s premium will be added to the hammer price. See Item 5 above.

Or ship to:

Total 10% Deposit

Have you examined the items listed above?

Yes:

No:

All property must be removed from our facility within 28 days of the close of the auction or be subject to a $5 per item/per day storage fee.

PLEASE SEND FORM AND DEPOSIT TO THE ROBERT C. ELDRED CO., INC. P.O. BOX 796, EAST DENNIS MA 02641 www.eldreds.com

info@eldreds.com

Phone: 508-385-3116

Fax: 508-385-7201

see photos of all lots and view condition reports at www.eldreds.com

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Illustrations Cover Lot 401 Back Cover Lots 566, 514, 105, 56 Page 3 Lot 748 Page 4 Lot 312 Pages 89 Lot 57 Page 90 Lot 664 Page 180 Lot 762 This Page Lot 204

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see photos of all lots and view condition reports at www.eldreds.com