Portfolio Elena Chochanova by Elena Chochanova

Portfolio

Elena Chochanova

Copyright ÂŠ 2015 Elena Chochanova All rights reserved. No part of this document can be reproduced or transmitted without prior consent of the author. www.elenachochanova.com www.lateralstripe.com info@elenachochanova.com e.v.chochanova@hotmail.com +31 (0)641747481 Unless otherwise stated, all images are property of the author. The information contained on this booklet is for information purposes only. Whilst every effort is made to represent accurate information, inadvertent errors and typographical inaccuracies may occur. No claims can be made with regard to the validity of the information contained within this document. 2

Portfolio Elena Chochanova | Architecture, Art, Photography

Table of contents Architectural Projects Route to Revival 5 Eindhoven Canal Zone 17 Xochimilco Cultural Center 25 Betonballon 33 Competitions Faรงade Transplant 37 Volunteer Projects Holiday Resort 43 Graphic Design Logos 47 Appearances Exhibitions 51 Artwork 55 Photography 65

Portfolio Elena Chochanova | Architecture, Art, Photography

graduation project

Route to Revival

Project name:

Assignment: To redesign parts of the city of Kassel in a Project by Elena Chochanova way that relates both to its historical past as well as enhancing its present reputation The “Gleisdreieck”, as it is called, is located in the midst of a dense railway as aDue European capital of art and culture. network in the North part of the city of Kassel, Germany. to its geograph-

Route to Revival

Redesigning documenta city

ical and infrastructural secluded-ness there is no possibility for reintegration Design: within the city fabric. On one hand that is precisely what contributes to its spe“Gleisdreieck”, as it is called, is locatcial character; it is virtually invisible due to the largeThe amounts of vegetation ed in the midst of a dense railway network in Period: and around it. Yet, on the other hand the current access does not offer a Spring/Fall 2012 welcome for neither pedestrians, in nor the bicyclists. North part of the city of Kassel, pleasant, recreational

Germany. Due to its geographical and

Committee: there is no In Graduation order to revive the “Gleisdreieck” area one needsinfrastructural to create some secluded-ness virtual connection the city and more importantly a program that would trigger dr.ir. Jos with Bosman possibility for reintegration within the city the and tourists of Kassel to venture inside and Currently explore theabandoned site. ir.inhabitants Wouter Hilhorst fabric. the site holds Anir. engaging and interesting program combined withan anenormous inviting route is the for redevelopment. Bas Driessen potential formula that would be most suited in this case. In order to revive the “Gleisdreieck” I have Location:

created a physical and a virtual connection

Therefore, introducing a recreational biking route to the sitethe in addition Kassel, Germany with city. to new and flexible functions for the existing buildings is in the core of the design. That 6 task requires the creative integration of new elements within the old context, which is achieved through adaptive reuse.

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Recreational Route The atmosphere along that rail line is that of peace and tranquility as in the overgrown derelict wye. The creation of a recreational path across Northern Kassel will directly affect the perception of the Gleisdreieck, rendering it more a park, rather than a dividing and unused strip of infrastructure. Legend Industrial Heritage bike trail shed The character of the abandoned train over or under on site is especially strong thanks to pass its bike rental station enormous dimensions. The intervention will be part of the shed but it will be a kind of independent organism, forming a symbiotic relationship, which would benefit both industrial heritage and new addition.

Portfolio Elena Chochanova | Architecture, Art, Photography

way phion peion ra

The existing faĂ§ade of the train shed where the intervention will be applied. For the purpose no part of the existing fabric will need to be demolished. The new structure will protrude through the large doors.

The derelict state of the site has rendered it very picturesque. That is a quality that is worth preserving.

An original pre-war faĂ§ade of the abandoned train shed. It reflects on the architectural style of its time and the craftsmanship applied in its construction. Itâ&#x20AC;&#x2122;s a wonder how this building is not yet a listed monument of industrial heritage.

Opposite page: An impression of the transformed trainshed and its main entrance.

The loation of the train shed within the railway wye and the two added volumes within. Both volumes are detached from the historical structure, leaving an intact empty shell. In addition, the volumes are self-contained and acclimatized, since they house all the necessary functions for the transformation of the old train shed into an event hall.

An abandoned rail line leading from the Gleisdreieck to an old cargo station, alternates between tunnels and bridges. A recreational bike path will be built on top of the old infrastructure connecting the site to the surrounding districts and in particular the various sites of past or present industrial activity.

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Architectural Projects | Route to Revival

Opposite page: impression of the abandoned railway transformed into a foot path. The bike path ends directly into the building where a bike shed with a rental facility is located.

Impression of the abandoned railway transformed into and functioning as a bike path.

Impression of the new bike path leading into the â&#x20AC;&#x153;Gleisdreieckâ&#x20AC;? area beyond the tunnel.

Portfolio Elena Chochanova | Architecture, Art, Photography

A romantic impression of the railway wye after the transformation.

A nighttime impression of the glowing Entrance Volume with its distinct faรงade openings towards the nature park.

Detailed section of the foot path construction on top of the old railway.

Detailed section of the bike path construction on top of the old railway.

Opposite page: axiometric sections of the Entrance Volume.

Portfolio Elena Chochanova | Architecture, Art, Photography

Architectural Projects | Route to Revival

Opposite page: Ground floor plan of the train shed

Portfolio Elena Chochanova | Architecture, Art, Photography

The train shed could accommodate up to 2000 people during an event.

Impression of the stage volume from within the train shed.

A design sketch of the Entrance Volume with the Hercules statue in the Wilhelmshรถhe landscape park, a prominent landmark in the city, rising in the distance.

Portfolio Elena Chochanova | Architecture, Art, Photography

A model of the transformed railways into a footpath (using durable wood) and a bike path (using the steel plates currently used to bar off the windows of the train shed).

A model of the train shed showing the intricate detailing in the faรงade.

A model showing the site of the Gleisdreieck and its unique topographical and infrastrutural secludedness.

The transluscent faรงades of the new volumes give off a soft-grow at night, beaconing with their presence.

Architectural Projects | Route to Revival

Portfolio Elena Chochanova | Architecture, Art, Photography

industrial reuse

Eindhoven Canal Zone

Project name:

Industrial Waterfronts Period: Fall 2010

Location: Eindhoven, The Netherlands

Design: After a thorough analysis a design proposal was put forth, which addressed the canal as a whole new “leading thread” in and out of the city. The design shown here is one of the leading spots of creative activities along that thread.

Assignment: This project was part of the Master design studio ‘Industrial Waterfronts’ led by dr.ir. Irene Curulli. The aim of the studio was to

The design is of a new mixed-use residential block on a former industrial lot. The new structures define the block, which currently dissolves towards the existing

Supervisor: dr.ir. Irene Curulli

address the industrial heritage of the area around the Eindhovensche Kanaal. We were guided to use a sensitive approach to the historical value of the canal, both tangible and intangible.

residential district behind, carrying only ghostly fragments of the former textile factory that used to occupy that space. The binding element of this design is the square that connects old and new fabric. It is a main junction point between the different routes that lead to and away from the canal zone. The open space acts like a buffer bubble between all the activities. Facing the square are two main elements: studio housings for artists and designers on one side, and the office of the former textile factory, which is to be used as an café-restaurant with a path through that would connect the square to the canal.

Portfolio Elena Chochanova | Architecture, Art, Photography

An impression sketch of the square within the residential block.

The DAF museum should become more present in the canalscape. A new and grander entrance should be constructed in the historical part of the building.

Remnant DAF trucks would decorate the open space around it and point directly at the historical significance of the area.

Opposite page: a rendered view from within the residential block.

Harvesting the picturesque qualities of Eindhovenâ&#x20AC;&#x2122;s industrial heritage serves as the main inspiration for this masterplan.

Architectural Projects | Eindhoven Canal Zone

Activating the canal means allowing more direct interaction with the water. Pedestrian bridges, cafĂŠs and restaurants on the waterside and facilities for ice-skating would be introduced.

Bellow: a mind map of the Eindhoven canal zone. The concept was to establish a “leading thread” which would connect the various areas around the Eindhovensch Kanaal while preserving their individual characteristics and emphasizing their qualities.

Opposite page: an axiomatric extrusion of the building’s floor plans and a site plan. The binding element of this design is the square that connects old and new fabric. It is a main junction point between the different routes that lead to and away from the canal zone.

Portfolio Elena Chochanova | Architecture, Art, Photography

... wh

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ROUTES

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1. Housing Type 1 (apartments of about 70 m2) 2. Housing Type 2 (3 levels with shop and office at ground level) 3. Housing Type 3 (2 levels with working space at ground level) 4. Studio Housing (large spaces for free arrangement) 5. Public space (shops and food corners) 6. Common meeting room

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4. 6.

Architectural Projects | Eindhoven Canal Zone

5. 3.

Impression of the central open square to the block with the glass façades of the artists’ studios visible. The square has a very open and serene character, even though it borders many different functions.

1. Housing Type 1 (apartments of about 7 2. Housing Type 2 (3 levels with shop and at ground level) 3. Housing Type 3 (2 levels with working at ground level) 4. Studio Housing (large spaces for free arrangement) 5. Public space (shops and food corne 6. Common meeting room

Above: Elevation of the South-east façade Opposite page: Elevation6. of the South-east façade

Below: Section through the artists’ studios.

Portfolio Elena Chochanova | Architecture, Art, Photography

field trip research

Xochimilco Cultural Center

Project name:

Culture Shock Period: Spring 2010 Supervisors: dr. Jacob Voorthuis ir. Sjef van Hoof Location: Xochimilco, Mexico City, Mexico

Assignment: To design a contemporary colonizerâ&#x20AC;&#x2122;s intervention in the heart of Xochimilco, a traditional neighbourhood built within the Spanish colonizersâ&#x20AC;&#x2122; grid. Concept Manifesto: Mexico City is bi-polar. This is expressed through the stark contrast between the night-time and the day-time situation. While lively and vivid during the day, the city shuts itself in at night in such an aggressive manner that it renders itself almost uninhabitable. This agoraphobia is rooted in the Mexican culture and expressed through its architecture. New architectural interventions should blend in with the city and its habits while exag-

gerating the most valued parts of its traditions. The Mexican people want to be heard; their passion screams through their art, dance and music, all of which make up that colorful versatile culture. With the new development plan at the center of the Xochimilco district, they will be provided with that opportunity. It will be a space that enriches and supplements the existing social structure; a cultural center that would house art, dance and film.

Portfolio Elena Chochanova | Architecture, Art, Photography

Comfortably situated in a block in central Xochimilco, the cultural center faces the street with a flat Barragan-pink faรงade.

When the opening hour comes, this unsuspecting wall opens up by means of four hinged tall doors. Once inside the entrance patio, one could chose to either enter the gallery or go into the open-air sculpture museum.

The open-air museum runs along a stair. Its depth is emphasized by the adjacent seven-storey building and the high black lava stone walls. The sculptures are housed into square niches inside walls on both sides.

At the bottom of the stair one reaches a ticket-sales counter, from which one could chose to enter the openair cinema or go inside a tunnel under the raised seats with a stair leading to the rear of the building.

Architectural Projects | Xochimilco Cultural Center

The cinema space has a direct connection to the dancing halls, also at subterranean level, through a bright-green perforated wall.

Sketch of the dancing hallâ&#x20AC;&#x2122;s exit towards the open-air cinema

At night the open-air cinema would project not only to its immediate audience but also to the rooftops of the neighboring buildings. By allowing a voyeur view of the movie, the complex could communicate and give back to the whole block. Those who live there will profit directly from the popularity of the cinema among more remote residents of the district.

Impression of the dancing hall.

Portfolio Elena Chochanova | Architecture, Art, Photography

Top: Ground floor plan of the cultural center Bottom: Subterranean floor plan.

Architectural Projects | Xochimilco Cultural Center

Walking towards the rear of the building, one reaches a small patio with benches and then a small kitchen space. A narrow passage leads back to the tunnel under the auditorium seats.

Above & opposite page: aerial view of Xochimilco Cultural Center (note: roofs have been removed for the sake of clarity). Through a series of peek holes throughout the route, one is triggered to explore the building further. The resulting mixture of color and space sensations would reflect and emphasize the Mexican experience, which makes a lasting impression on anyone fortunate enough to encounter it.

Section through the open-air sculpture gallery and entry stairs towards the subterranean patio.

Portfolio Elena Chochanova | Architecture, Art, Photography

sustainable design

Betonballon

Project name:

Betonballon Period: Spring 2009 Supervisor: ir. Arno Pronk Location: TU/e, Eindhoven, The Netherlands Assignment: The purpose of this project was to design a sustainable solution for the enclosure of an experimental concrete structure real34

ized as a part of an ongoing research at the university terrain in Eindhoven. The ‘Betonballon’ prototype was built using a technique developed using the properties of membranes. In order to create the greatest stretches of concrete using the least material a pneumatic membrane was used instead of the traditional molds. Design: The design exercise here was to create a suitable façade for this extraordinary structure. The design uses sustainable materials in such a way as to maximize insulation of the structure. In addition to the double glass panels in the façade, additional thermal shutters have been fitted to add a flexible insolative bubble. The

design incorporates a traditional thatched roofing system covering the concrete membrane. Besides from being an ideal roofing method for curved surfaces, it provides a high level of insulation. Special attention is paid to the joints of the structure. Sustainability here is not only addressed during the construction phase but also throughout the building’s life through its material propertoes.

Portfolio Elena Chochanova | Architecture, Art, Photography

Architectural Projects | Betonballon

Portfolio Elena Chochanova | Architecture, Art, Photography

competitions

Faรงade Transplant

Project name:

International Velux Award 2012 Period: Spring 2012 Sponsor: Velux Co-designer: Jan Hang Lo Supervisor: ir. Jan Schevers 38

Assignment: â&#x20AC;&#x153;Light of Tomorrowâ&#x20AC;? is the overall theme of the International VELUX Award. The award seeks to challenge the future of daylight in the built environment with an open-minded and experimental approach. Therefore, the award seeks to widen the boundaries of daylight in architecture, including aesthetics, functionality, sustainability, and the interaction between buildings and environment. Problem: In the 20th century the exponential world population growth concentrated in urban areas called for high-density, high-rise, highly efficient dwellings, built at low-cost and in a minimum amount of time. NuPortfolio Elena Chochanova | Architecture, Art, Photography

Opposite page: Together with the “Façade Transplant” a new space is introduced into the apartment block. Instead of the claustrophobic former space that was used only entirely for vertical transportation, we propose a new spatial design that will provide a good new atmosphere and function. It will be a communal space that will provide a place for social interaction to the building’s inhabitants. Together with the façade metamorphosis and the increase of ceiling height, a wooden element is introduced that acts both as furniture and a façade facing South. The organic design allows for multiple functions and social arrangements, creating a unique ambience in the communal space.

We believe that the strengthening of the sense of community in a large building like this will not only improve on the inhabitants’ relationships amongst each other but it will, above all, improve on the inhabitants’ relationship with the building itself.

The “Façade Transplant” is executed in four simple steps

Competitions | Façade Transplant

merous buildings have been erected in accordance with those principles in order to meet the demand. Today these structures are dismissed as inappropriate or of poor aesthetic quality. As advocates of the architectural profession we believe that the best way to address the challenges of the future is to look at what is offered by the present. There is an incredible potential to be found in these largely underestimated buildings. Design: For the purpose of this design we have chosen for a deck access flat, typical of the 1970s in Europe. This kind of apart-

ment block is characterized by its repetitive and painfully obtuse, albeit functional and efficient design. The case study that is subject to this particular design is a twelve-storey apartment block with a single central transportation unit. The Unit contains the main stair and elevator and it leads to each of the hundred and twenty identical dwellings on the block. The lack of visual and aesthetic experience in the building is further accentuated by the low ceilings of merely 2.4 meters. Although the individual dwelling units receive optimal illumination and despite the fact that access decks have been designed to be as efficient as possible, the quality of light inside the building is lacking, es-

pecially in the transportation areas, such as the one around the elevator and main stair. That fact, combined with the low aesthetic essence of the buildingâ&#x20AC;&#x2122;s exterior creates an overall inadequate image for a building that should be called a home by its inhabitants. The design proposes a solution to this problem. We believe that the strongest characteristic of this rehabilitation design is the fact that, not unlike the building it is destined for, it is universal and it could be applied anywhere where high-density dwellings have been placed as stamps over the urban fabric. Opposite page: an axiometric diagram showing the elements the new communal spaces in the vertial transportation centers of the building.

Portfolio Elena Chochanova | Architecture, Art, Photography

volunteer projects

Holiday Resort

Project name:

Holiday Resort Period: spring 2014 - ongoing Location: Aba, Nigeria Client: Bruce Cerew, The Ray of Light Foundation Assignment: To design a budget holiday resort in the outskirts of Aba in Nigeria. The resort is part of a social project aiming to free and 44

empower the Nigerian middle class. Design: The holiday resort functions as a hotel, restaurant and family recreation. The design incorporates a multitude of requirements such as a restaurant, an event hall with a performance stage, swimming pool, sports and health center, childrenâ&#x20AC;&#x2122;s playground, hairdresser and several shops. 76 family apartments each of which can be lent as 2 separate double rooms with a shared sanitation. This project is currently under way to being realized. Portfolio Elena Chochanova | Architecture, Art, Photography

Opposite page An impression of the swimming pool, childrenâ&#x20AC;&#x2122;s playground and slide.

Volunteer Projects | Holiday Resort

An impression of the exterior of the family suites with the restaurant hall in the background.

Portfolio Elena Chochanova | Architecture, Art, Photography

graphic design

Logos

Company Logo Period: Spring 2014 Design: As a logo for a freelance business, its design needed to be simple, memorable and related to the company’s slogan “completing the i’s and t’s with a single stripe”. Above all the design was to incorporate the company name: Lateral Stripe.

Portfolio Elena Chochanova | Architecture, Art, Photography

Logo Competition Client: Architecture Student Association AnArchi Period: Spring 2009 Design: This logo design appropriately addresses the two words that have been so cleverly fused to make up the name of the new Architecture Student Association.

Graphic Design | Logos

Anarchy An antonym of the word “anarchy” is authority, which is organized governance with hierarchy as its main instrument. The notion of anarchy eliminates any hierarchy that might have been established by authority and governance. In the design one may notice a hierarchical organization in the decrease in total height as one reads the word (from left to right). However, the seemingly strict organization has been disrupted by subtle disorderly shifts, such as the slight overhang of the mirrored “N”, the fallen dot of the “i” and its pushed-out shaft. It is as if a natural degradation has taken its course, slowly leading to the anarchical paradise.

Architecture Architecture is as old as the first few stones stacked on top of each other that gave birth to it. The texture used on the letters is that of black marble, a magnificent and imposing natural stone. It is only fitting for marble to denote a discipline of such firm grounds.

Portfolio Elena Chochanova | Architecture, Art, Photography

appearances

Exhibitions

Redesigning documenta City Period: June 2013 Location: Kaz im Kuba, Kassel, DE. www.kazimkuba.de Photography by Rinse Tjeerdsma.

Exhibition entrance at Kaz im Kuba. www.kazimkuba.de

Myself, presenting the projects to a colorful crowd of students, professors and citizens of Kassel.

Myself, explaining details about the exhibited models.

A welcome speech by Prof. Alexander Eichenlaub of Kassel University.

Portfolio Elena Chochanova | Architecture, Art, Photography

Brabant Biennale Period: November 2012, Location: Catharinakerk, Eindhoven, NL. For more information on the research and the resulting publications please visit: www.industrialwaterways.weebly.com

Myself, presenting the “Canal zones of Brabant B5” research.

The section of the exhibition was dedicated to the “Canal zones of Brabant B5” research coordinated by dr.ir. Irene Curulli. Appearances | Exhibitions

Portfolio Elena Chochanova | Architecture, Art, Photography

lighting design

Artwork

Open Expo 2011 Period: Spring 2011 Location: HG, TU/e campus, Eindhoven TU/e students and staff often have artistic talents that normally remain hidden for a larger audience. In this exhibition, to mark the 55th anniversary of the TU/e, they got the chance to show their work to a wider audience. The unifying theme of this exhibition is the “experiment”, due to the materials, the subject and the basic idea.

Bottom- left: “The Core”, mixed media, 2004. Photography by Bram Saeys, TU/e. Bottom: “Expiring Bulb”, mixed media, 2011.

Portfolio Elena Chochanova | Architecture, Art, Photography

Zomer Expo 2014 Period: Spring 2014 Location: Gemeentemuseum Den Haag The theme of the competition that year was “light”. The title of my work is “Darkness Extinguisher”. To create it I used a discarded fire extinguisher I had found in a field nearby my home. I then cut it open, wired it with an LED bulb and poured wax around inside to create the illusion of a candle burning. “Darkness Extinguisher”, mixed media, 2014. Sculpture submitted for the Zomer Expo 2014.

Artwork

Chandelier Design Period: Fall 2014 Location: Utrecht For this home project I was using various used bottles to create a dining room chandelier. I experimented with different glass textures and colors, also using glass paint, and several ways of cutting the bottles to arrive at the final result. For the bulbs I used the LED filament bulbs. They have the look and the ambience of the classic incandescent bulbs but with the benefits of LED technology.

Portfolio Elena Chochanova | Architecture, Art, Photography

Photography

Post-Industrial Scenes of the Ruhrgebiet

Portfolio Elena Chochanova | Architecture, Art, Photography

Photography

Dynamic Dusk in Leidsche Rijn

Portfolio Elena Chochanova | Architecture, Art, Photography

Landscapes of Azerbaijan

Photography

Photography Portfolio Elena Chochanova | Architecture, Art, Photography

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