Elizabeth Heldridge - Portfolio Spring 2017

Page 1

PORTFOLIO SPRING 2017

ELIZABETH HELDRIDGE M.Arch - First Year University of Pennsylvania



ACADEMIC PROTOTYPE FABRICATION 2-7

BUILDING INFORMATION MODELING 8-13

ANALOG REPRESENTATION 14-15

SUBURBAN RESIDENTIAL 16-19

MESH MODELING 20-25

SEEM / LESS Critic: Miroslava Brooks PennDesign - Fall 2016

ARCHITECTURE HALL Critic: Joyce Raybuck, AIA LEED AP University of Nebraska - Fall 2014

FICTIONS OF SPACE Critic: Peter Olshavsky, Ph.D. University of Nebraska - Spring and Summer 2014

LANEWAY HOUSE Critic: Peter Olshavsky, Ph.D. University of Nebraska - Spring 2013

MANITOGA ARCHIVE Critic: Miroslava Brooks PennDesign - Fall 2016

PROFESSIONAL DIGITAL WORKFLOWS 26-35

PROVING GROUND Supervisor: Nathan Miller - Founder and CEO Internship - Summer 2016


AXONOMETRIC

ORTHOGRAPHIC VIEW

8"

3'-

3'8"

2'-8"

A

A’

3'-

8"

8"

3'-

Top Elevation

Seem/less is a project designed to address the contemporary issue of sensory overstimulation in domestic spaces. As communication technologies and information sharing increasingly penetrate the domestic realm, notions of privacy and intimacy traditionally suggested by the typology of the “home” become less clear.

9’-6’’

Seem/less counters this issue by providing an interior to the interior: a further layer of retreat situated within a domestic environment.

3’-0’’

In its combination of digitally-designed formal intricacy and a traditional approach to materiality, Seem/less is new, yet familiar; unique, yet integrative, melding harmoniously with the other elements of a domestic space. Side Elevation

—2 —


PROTOTYPE FABRICATION

SEEM / LESS Critic: Miroslava Brooks PennDesign - Fall 2016

This project was designed and fabricated by Elizabeth Heldridge, Yitian Zheng, Nikolas Kalantzopoulos, Logan Weaver, and Xiaoyu Duan for the 2016 Manitoga Pavilion Competition, where it was awarded “Best Craft”. —3 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


—4 —


EXPLODED AXONOMETRIC

ORTHOGRAPHIC VIEW

3'-

3'8"

2'-8"

8"

A

3'-

8"

8"

3'-

9’-6’’

3’-0’’

—5 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


My primary contribution to the project was the prototyping and fabrication of the recycled carpet “pods”. Each uniquely shaped pod was hand-cut using laser templates and assembled with a combination of machine and hand-sewing. —6 —


This half-scale prototype of was created for the Manitoga Pavilion Competition at the University of Pennsylvania School of Design, where it was awarded an honorable mention for “Best Craft”. It was constructed using pentagonal, laser-cut MDF frames which were connected via hinges to form the overall structural skeleton. The skeleton was then covered with sewn layers of recycled carpet to create the soft texture found on both the interior and exterior. At full scale, Seem/less would make use of a stronger frame and experiment with a variety of soft materials (wool, padded felt, polyurethane foam, etc) to produce the desired environmental effects. Seem/less is short listed for the upcoming 2017 Lexus Design Award.

—7 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


WARWICK BVLD.

EAST 44TH STREET

Located on the campus of the Kansas City Art Institute, this architectural program promotes architectural design which responds to the inhabitant and engages the community.

NELSON ATKINS ART MUSEUM

The natural drainage and circulation of the site are enhanced by a bioswale and pathway, providing a direct entrance to campus for the students and local arts community.

OAK STREET

The textured concrete mass embeds heavily into the naturally sloping landscape, contributing visual as well as tectonic weight to the design.

—8 —


BUILDING INFORMATION MODELING

Phil Claghorn, Eliza ARCH 4 J

ARCHITECTURE HALL Critic: Joyce Raybuck, AIA University of Nebraska - Fall 2014

This project was designed by Elizabeth Heldridge and Phil Claghorn using Revit BIM software. A sample architectural drawing set was created, focusing on wall assembly and details. —9 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


Level 1 Roof Plan 14' - 0"

LOBBY

STORAGE

STORAGE

STORAGE

CLASSROOM

GALLERY

LECTURE HALL

Level 1 0' - 0"

OUTDOOR SHOP

Level 0 -10' - 0"

2 A400

FOURTH YEAR STUDIO

THIRD YEAR STUDIO

FIRST YEAR STUDIO

CRITIQUE SPACES

1 A501

Level 3 Roof Plan 49' - 6"

Level 3 35' - 6"

LOUNGE

Level 2 21' - 6"

GALLERY

CAFE

CLASSROOM

Level 1 Roof Plan 14' - 0"

Level 1 0' - 0"

Level 0 -10' - 0"

— 10 —


— 11 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


1 A502

1 A400

Level 3 Roof Plan 49' - 6"

UPPERCLASS STUDIO

FIRST YEAR STUDIO

Level 3 35' - 6"

RESEARCH CENTER

Level 2 21' - 6"

Level 1 Roof Plan 14' - 0"

LOBBY

STORAGE

STORAGE

STORAGE

CLASSROOM

GALLERY

LECTURE HALL

OUTDOOR SHOP

2 A400

— 12 — FOURTH YEAR STUDIO

THIRD YEAR STUDIO

Level 1 0' - 0"

Level 0 -10' - 0"

1 A501

Level 3 Roof Plan 49' - 6"


Skylight Flashing Aluminum Parapet Cap

EPDM Roof Membrane 4" Rigid insullation

Level 3 Roof Plan 49' - 6"

6" Concrete Slab

GWB Ceilling On Metal Stud

Kalwall Skylight

Aluminum Mullion Exteior Glazing Unit

Cold Formed Metal Framing GWB interior wall finish 3/4" Densglass Sheathing Continuous Weather Barrier

3" Exterior Insulation 2' x 10' Aluminum Rainscreen Metal Z - Clip

Level 3 35' - 6"

W 12 x 26 Steel Beam 10 A503

Laminated Raised Flooring Panel

10" Steel Pedestal

Level 2 21' - 6"

2" Metal Decking

The upper studio levels are clad in subtly reflective aluminum rainscreen. The soft reflections of sky and the site’s dense treeline create the illusion of lightness, supported visually by the spatial separation of the two volumes. Perforated rainscreen panels create a diffusely illuminated studio, an ideal environment for focused and creative work.

Steel Structural Support 9 A503

2' x 10' Aluminum Rainscreen Soffit Steel Fascia Aluminum Z- Clip

Wood Block

2" Metal Framing

4" Batt Insulation 2" Rigid Insulation

3" Spray Foam Insulation

Wall Section 3 - Claghorn

Level 1 Roof Plan 14' - 0" EPDM 4" Tapered Insulation 6" Concrete 6" Structural Decking Insulated Glazing Unit

5 A503

Laminated Floor Panel

Level 1 0' - 0"

10" Steel Pedestal 4" Concrete 2" Metal Decking

Steel Angle Expansion Bolt

6 A503 Laminated Floor Panel

10" Steel Pedestal 4" CIP Concrete 4" Gravel

Level 0 -10' - 0"

2" Rigid Insulation

Wall Section 3 - Heldridge

1

Aluminum Storefront Mullion Cap

Lam. Floor Panel GWB interior finish

Aluminum Storefront Mullion

Wall Section 3 - Claghorn Heldridge 1/2" = 1'-0"

Level 2 21' - 6"

Cold Formed Metal Framing

Insulated Glazing Unit

3/4" Densglass Sheathing

Laminated Floor Panel

W 10 x 49 Member

3" Exterior Insulation Aluminum Rainscreen panel

3" CIP Conc.

10" Steel Pedestal

Wall Section 3 Elevation 1/2" = 1'-0"

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680

— 13 — Level 1 0' - 0"

Continuous Air / Vapor Barrier Exterior Glazing Unit

3

4

Wall Section 3 Enlarged Plan 1/2" = 1'-0"


These freehand ink sketches are from a travel sketchbook kept during a summer architecture course in Paris, France. Each sketch was completed while at that location, and feature two different types of architecture: the Basilica of Saint Denis and the Haussman style row house across from our residence near Montmartre. This program in Paris prompted my later attendance in a graduate theory seminar by the same professor, during which the image on the far right was created. This mixed media piece is inspired by desire, eros, and the poetics of space. The program of the bedroom and the three phases of the lovers moving together further emphasizes the space of desire and longing. Similarly, the viewer is drawn into the space and yet denied understanding. The use of multiple perspectives allows the viewer to engage with erotic space, seeking yet never reaching that understanding.

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ANALOG REPRESENTATION

FICTIONS OF SPACE Critic: Peter Olshavsky, Ph.D. University of Nebraska - Spring 2014

“The lover wants what he does not have. By definition it is impossible for him to have what he wants: as soon as he has it he is no longer wanting.” - Alberto Pérez-Gómez Built upon Love, pg.... 32 — 15 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


1

2

3

1

3

3

1

4

2

2

2

2

1 1

3

1

3

5

6

1. alley entrance 2. dual-unit utilities access 3. accessory dwelling private yard 4. accessory dwelling unit 5. residential host private yard 6. residential host unit 0

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5

10

1. alley entrance 2. accessory dwelling unit 3. accessory dwelling private ya 4. residential host unit 5. residential host private yard 4. multi-unit utility access 0

5

10


RESIDENTIAL

LANEWAY HOUSE Critic: Peter Olshavsky, Ph.D. University of Nebraska, Spring 2013

With the growth of suburban sprawl, architects and planners are searching for strategies which encourage densification. Laneway House , an accessory dwelling unit, responds to this condition. — 17 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


PRIV PUB

LIC

ATE

PUB

PRIV

LIC

ATE

SECTION SECTION 1 1 1

— 18 —

1

4

4


The Near South Neighborhood is divided into small, regular blocks of single residences, unusual for a Lincoln, NE suburb. A primary characteristic of this quiet residential area is the informal network of alleys and gravel lanes which irregularly punctuate the grid. These public rights of way pass discreetly past the houses, which typically do not have alley access. The Laneway House proposes a reversal of this practice by adding a secondary dwelling to an already occupied lot. The compact two story house is oriented towards the alley, engaging it as the primary lane of access. In doing so, the Laneway House acts as a prototype for suburban infill and practices of suburban density.

SECTION SECTION SECTION 2 22 1

11

4

SECTION SECTION SECTION 3 33 44

1

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11

4

44

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


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MESH MODELING

MANITOGA ARCHIVE Critic: Miroslava Brooks PennDesign, Fall 2016

The archive is located within the topographically challenging site of Manitoga, NY and is designed to make the visitor question their relationship to the surrounding landscape through a choreographed sequence of spaces. — 21 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


— 22 —


A series of circular ramps and centric spaces are organized along a singular axis positioned perpendicularly to the existing house. This linear organization produces a spatial displacement as one circulates through the galleries. The visitor is dislocated from the picturesque scenery that Wright meticulously planned upon entering, then reintroduced, having gained better understanding. The archive is entered through a nondescript arched passage embedded into the terrain. All other characteristics of the building are concealed, creating intrigue. Past this threshold, the visitor passes through the series of three galleries. Each is inspired by the curved forms of Wright’s ceramic collections, and is illuminated by natural light. Following the curvature of these vessels, the visitor moves through the volumes along the ramped walkway passing from interior to exterior seamlessly. The sequence concludes when the visitor exits through another arched passage at the level of the quarry pond, continuing along the natural stone pathways of Manitoga.

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Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


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0

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8

16

N

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680



PROFESSIONAL DIGITAL WORKFLOWS

Supervisor: Nathan Miller - Founder and CEO Internship - Summer 2016


— 28 —


DIGITAL WORKFLOWS

COST ANALYSIS DASHBOARD Supervisor: Nathan Miller Proving Ground, Summer 2016

This workflow creates a live data HUD (heads up display) in your Rhino interface. This sample interface reads in cost analysis, program analysis, and creates a user friendly control panel for its operation. — 29 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


— 30 —


DIGITAL WORKFLOWS

URBAN ZONING DASHBOARD Supervisor: Nathan Miller Proving Ground, Summer 2016

This workflow was created with fellow intern Kristen Schulte. It cross-references zoning and program data from excel, generates massings, and creates a user-friendly dashboard. — 31 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


— 32 —


DIGITAL WORKFLOWS

RHINO TO REVIT GEOMETRY GENERATOR Supervisor: Nathan Miller Proving Ground, Summer 2016

This workflow uses the plugin Rhynamo to read simple Rhino surfaces into Revit Geometry, specifying wall type, levels, and floor to floor height. — 33 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


— 34 —


DIGITAL WORKFLOWS

REVIT SOLAR ANALYSIS DASHBOARD Supervisor: Nathan Miller Proving Ground, Summer 2016

This workflow uses Dynamo to read Revit room parameters into Excel, where the data is then visualized using Power BI. — 35 —

Elizabeth Heldridge - ehel@upenn.edu - 402.936.0680


THANK YOU Elizabeth Heldridge ehel@upenn.edu 402.936.0680


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