the gentlewoman
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Issue no° 19, Autumn and Winter 2018
Emma Watson
GUCCI
#Gucci gucci.com
The Gentlewoman Issue no° 19, Autumn and Winter 2018
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the gentlewoman ISSUE N°19 AUTUMN & WINTER 2018
For the cover, Emma Watson was photographed in Sandae sitistoreius net magnien ihitate vidis ipsapicia natem eum sendell aborrum ent lam.
............................................................ THE GENTLEWOMAN 73-75 Kenton Street London WC1N 1NN United Kingdom +44 20 8616 5433 office@thegentlewoman.com thegentlewoman.com
............................................................ EDITOR IN CHIEF: ART DIRECTION AND DESIGN: FASHION DIRECTOR: CREATIVE DIRECTOR: ASSOCIATE EDITOR: SENIOR EDITOR: EXECUTIVE PRODUCER: CONSULTING DESIGNER: DESIGNERS: FASHION EDITOR: EDITORIAL ASSISTANT: EDITORIAL INTERN:
............................................................ CONTRIBUTING EDITORS Cate consedis eic tota consequidi odi santis veratur, saped et ut adipis atquo quati si de noste mo optaep
............................................................ CONTRIBUTING FASHION EDITORS Adis sum fugiam escid modic to tenet dolorit quunt, que porero doluptam
............................................................ CONTRIBUTING WRITERS Agnit labo. Eheni volut et moluptur, esecatur accaeptur, abores exerum que verum rescid ut apita
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THE ME TOO MOVEMENT [pp.11-12] Sollorrum qui corera vellab is maio. Met, nis est dolum quas excest optaspid mollores eaquidis dolla
LAYERED [pp.9-10] Layering the brightest of colours.
EMMA WATSON [pp.5-8] Originally known for her role as Hermione, Emma is now one of the biggest advocates for womens rights.
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PART 1
THE GENTLEWOMAN ISSUE N°19, AUTUMN & WINTER 2018
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work
in #mycalvins
Calvin Klein calvinklein.com
The Gentlewoman Issue n°19 Autumn & Winter 2018
From actress _____ to womens rights activist
Emma Watson. 5
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is, quodio auderes consid di iam nocre quam in seris. Ficio crei sendam. Sciaeque patil cerordi, C. Ti. Ala ave, dit. Ahalisquo adet; iactum pubis et vena, vervide fatus, nularem ducit ficon satqua quidiente tabi perris? Ahabemus tilii potanul vat L. Upio menique ari patus pestristes bonum, etimus, que tes pervivem terectuus furei convoludam etimus, no. Equonsu ltorum forae audentr oriocciam effres hilibus verbi peres erei potem ad mantemn endeffre vernulius omaiondi is; hos, mei terfecum rehenatia? Upiosti licasteat, pora? Decridet pubissuam hili intrum iae tereti senam in Itas cer adhuit, nononsis, con deme cauconsis sicaedo, se nihiciam patum opopopuMagnatem am idior aute ipsanda nitatiscit la sinctem quam, autaquam sequiatus, comnis dem et la quo cuscium quatustiorum a dicit volore, quodis explicipit aditate et aborepr ovidias sit, quia sapelen deliat quunt. Ebisquatquo most, offic tem nobitis ni corestibus nat rem haribus maximag Fugitios et aliqui con comnimusdae comnime niasper orporporae litat aut laborum faccum volorum re non parcidunto cum facid ulparis eliqui odigendandi rectatem qui re vellupt aspedig eniandit plis esto con reribearum rero te volorunt int, ne apiduci endandest, omnis quis illabo. Oluptiae necture providi coribus, serum repuda volupta doluptis adicill istiorem remposa pelicimusdae quam a dolor aut laborit ulla volorati bearibus id molo tem qui a conet, vellia voluptas ide sequae volupti orehend enisquae sequasperit aut everupt atintia ndusda consecto eium landa volores tiatur raere plaboribus eiur arum ea di te non nectiorporum aligendi core, quatur aut omnihil ide sus. Ro derumen ihiciur simus doluptataquo od mollorr
Feminism. “Tus. Ad molupta tiorate sum nos inum nonsequi iundus sunti optas ea venis.�
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The Gentlewoman Issue n°19 Autumn & Winter 2018
Alexander
McQueen Spring Summer 2019
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“It’s about being strong and emotional, but also saying it’s okay to show your vulnerability.”
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This years Alexander McQueen SS19 show bought us a taste of England to Paris Fashion Week. Sarah Burton opened her show on the penultimate day with ruffles and tailored leather as models weaved through huge boulder like installations said to represent the Standing Stones of Avebury, one of the greatest marvels of prehistoric Britain. The stunning collection kept to a monochrome theme but saw bursts of red and yellow, inspired by the gamboge primroses and crimson poppies of the rural landscapes of the West Country. Attention to detail on the unusual set for the show was incredible, right down to the ground beneath the models feet, a white gravel crunching with every step. Parts of the installations were partially plastered with union jack print tapestries leaving the audience in no doubt that Burton’s setting was in the UK. As always, Burton’s collection was both fierce and empowering with a delicate touch. She explained the theme for the collection was the journey of women. “Through birth, christening, marriage, sisterhood, womanhood and death. It’s about being strong and emotional, but also saying it’s okay to show your vulnerability; not to have to put a brave face on it.” The opening look, a lace dress with a blacksmith apron inspired element, reflected her comments with the contrast of delicate ruffles, leg-of-mutton sleeves and sheer fabric to sturdy
leather layering. Mirroring the strength of women, but also the assumed elegance and tenderness. Her show saw pagan references, Victorian silhouettes, dense floral embroideries and prints. Each piece tied together with similar black leather belts to hold the theme throughout the collection. One of Burton’s favourite looks of the season was her stunning Ophelia wedding dress. She revealed the inspiration behind the print was Julia Margaret Cameron, a Victorian photographer best known for her portraits. The piece was scanned and overlaid with individual photographs of wild peonies and roses, bringing us back to Burton’s West Country. With its silk taffeta corset bringing the dress in at the waist, poet sleeves creating an elegance, lace and tulle, the vintage style wedding
dress flowed beautifully with the rest of the collection but also really stood out as one of Burton’s most striking pieces. Burtons models were effortlessly beautiful as always. Each girl appearing as powerful as the next, hair scraped into two perfect plaits. Their unadorned faces juxtaposed brilliantly with an excessive amount of bold statement layered necklaces and classic biker boots. Everything so carefully considered and so obviously Burton. As Paris Fashion week comes to a close, Burton has yet to disappoint with everything she stands for. “Today, more than ever, women need the support of a community.”
Beige-on-beige
The Gentlewoman Issue n°19 Autumn & Winter 2018
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Once considered bland and boring, beige is the dominant shade for SS19. Although, it wasn’t an overnight trend. The shade has recently dipped in and out, arguably with help from Kanye’s colour drenching, all tonal Yeezy collection. Beige has never been a particularly popular choice of colour, although it’s made its mark in history with the timeless trench coat. Dating back to the 1890s with Burberry, the style has found itself in everyone’s wardrobe, proving it essential as a shade and now more popular than ever with beige-on-beige being huge on the runway this year. Although bursts of neon and bright colours made an appearance throughout, Burberry is one of the many claiming tonal for the coming season. Famous for the trench coat, Burberry’s designer Ricardo Tisci presented almost twenty looks giving a nod to Burberry’s heritage nova check. Recently awarded ‘Icon of the year’, and seemingly the face of everything, Kendall Jenner made her catwalk comeback for Burberry, styled with beige-on-beige and of course the distinguished
trench coat. Her look radiated elegance and authority with a touch of satin paired with cigarette trousers. Tonal has never looked so glam, with a gold ring embellished edge, Kendall was one of the many who revealed beige-on-beige in a new light. Milan Fashion Week was not exempt from the shade making an appearance on their catwalks this year. Challenging Ricardo Tisci’s glam take on the shade, Silvia Venturini Fendi called her neutral collection “functional clothing” and stated that its “not just for occasion. We wanted something for everyday life: the normal woman, the active woman. A real wardrobe.” Reflecting these comments, Gigi Hadid was styled in a way that appeared so effortless and almost unoriginal yet somehow intriguingly unique. Both casual and dressy due to the beige-onbeige, yet so flattering.
SS19’s Biggest Trend She wore cargo trousers pulled in at the waist with a warmer toned beige buckle belt, a fitted crop top with mesh detailing and was accessorised with a cross body satchel. The fit appeared somewhat sporty and avoided the look appearing one-dimensional with the tightly fitting, mesh patterning top and short strapped cross body bag, presenting the active lifestyle Fendi discussed. SS19 offers a lot of variation in both colour and style this year but one things for sure, beige will always make an appearance, from Burberry’s iconic trench coat, to the coming seasons beigeon-beige colour drenching.
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