Wind Ensemble and Symphonic Band 2024 Holiday Concert Program

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From Elmhurst University Bands

to you . . .

Elmhurst University Music Department Presents

Wind Ensemble and Symphonic Band

HOLIDAY CONCERT

December 8, 2024 | 7:00pm

Hammerschmidt Chapel

Elmhurst University Wind Ensemble

Adam Kehl, conductor

Morning Alleluias for the Winter Solstice (1991) . . . . . . . . . . . . . . . . . . . . .Ron Nelson (1929-2023)

La Procession du Rocio (1913) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joaquin Turina (1882-1949) arr. Alfred Reed

Winter Ricercar (2015) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin M. Walczyk (b. 1964)

Sparkle (2001) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . Shafer Mahoney (b. 1968)

Carols in the Dark (2023) . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . Harrison Collins (b. 1999)

Elmhurst University Symphonic Band

James Hile, conductor

Symphonic Prelude on Adeste Fideles . . . . . . . . . . . . . . . . . . . . . . . . . . Claude T. Smith

Christmas Through the Looking Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . David Lovrien

Have Yourself a Merry Little Christmas . . . . . . . . . . . Hugh Martin and Ralph Blane arr. Douglas E. Wagner

Nick Pulikowski, vocal soloist

Somewhere in My Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Williams trans. James Hile

The Night Before Christmas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Randol Alan Bass

Nick Pulikowski, narrator

A Christmas Festival . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leroy Anderson

Piccolo

ELMHURST UNIVERSITY SYMPHONIC BAND

Joseph Johnson

Flute

Mya Budzichowski

Sarah Collins

Fatima Dabbah

Jennifer Jeffrey

Jessica Jeffrey

Heather Johnson

Camryn Nowak-Brown *

Victoria Palomino

Aliah Robles

Olivia Simmons

Ben Steger

Dorothy Stelzik

Cristina Vermeulen

Coral Weikert

Oboe/English Horn

Claudia Sandine *

Bassoon

Nick J. Agliata III *

Clarinet

Gina Carter

Steve Goldman

Caroline Husa

Kim Hempel

Dan Kesselring

Melissa Lehmann

Laura Mensik

Mia Merrell *

Mya Robles

Bass Clarinet

Sean Gaertner

Alto Saxophone

David Andrusyk

Karabeth Footman *

Lauren Hauser

Cadence Leucht

Asher Newman

Tenor Saxophone

Frank Barrett

Dominic Bouffard

Georgios Panagiotidis

Haris Smajkic

Baritone Saxophone

Emma Leucht

Eric Sanders

Trumpet

Eric Barbier

Mackenzie Costa

Justin Czarnowski

Bob Dickinson *

Abigail Komperta

Joe Miceli *

Luke Miller

Glenn Morimoto

Emmie Pawlak

Anna Thompson

Horn

Melissa Mescher

Julie Perez

Sybil Siska *

Trombone

Corinne-Nicole Ahyee

Sebastian Cabezas

Michael Cumberland *

Ed Hempel

Brianna Maciel

Drew Pekkarinen

Lazaro Tovar

Euphonium

Paul Eakley *

Mike Taylor

Tuba

John Kasongo

Edward A. Susmilch

Logan Turney *

Percussion

Paola Aguilera

Brandon Cojulun

Shane Dickinson

Mike Paroline

* denotes principal

ELMHURST UNIVERSITY WIND ENSEMBLE

Piccolo

Tori Marchi#

Flute

Bianca Cima

Anthony Galang

Eliana Kiltz *#

Claudia Rejowski

Oboe

Disha Virdi*

Bassoon Tobie Schroeder#

Eb Clarinet

Joe Valenti

Clarinet

Nayely Casales

Audrey Dunwoody

Eliza A. Martinez

Faith Negele

Leonardo Rodriguez*#

Cristian Zavala

Bass Clarinet

Evan Auriemma (contra)

Zoe Offenbecher

Alto Saxophone

Sophia Frasca

Lissette Hernandez*# (soprano)

Christoper Tejeda

Tenor Saxophone

Nina Hoek#

Baritone Saxophone

Bryce Leitzinger

Trumpet

Ian Bardes

Tim Gorman

Sebastian Martinez*#

Charlie Rossi

Aldre Delos Santos

William Stezowski

Horn Hannah Hadraba*#

Trombone

Nathanial Gibson

Ian Martinez*#

Taylor Nygrne

Ashley Rokosz

Euphonium

Milton Nonato

Ethan Soltys*# (piano)

Tuba

TJ Countryman Jr.

David Johansson*#

Patrick Williams

Percussion

Anthony Cox #

Henrik Rivadeneira*#

Brian Tacastacas

Tyler Wolf

• denotes principal

# denotes Chamber Player

A Christmas Festival Sing-Along Lyrics

Joy to the World

Joy to the World The Lord has come

Let Earth receive Her King

Let every heart, prepare him room

Let heaven and nature sing

Let heaven and nature sing

Let heaven and nature sing

Deck the Halls

Deck the Halls with boughs of holly

Fa La La La La La La La La Tis the season to be jolly

Fa La La La La La La La La Don we now our gay apparel

Fa La La La La La La La La Troll the ancient yuletide carol

Fa La La La La La La La La

Good King Wenceslas

Good King Wenceslas looked down

On the feast of Stephen

When the snow came round about

Deep and crisp and even Brightly shown the moon that night though the frost was cruel When a poor man came in sight Gathering winter’s fuel

Hark the Herald

Hark, the Herald Angels Sing Glory to the newborn king Peace on Earth and mercy mild God and Sinner reconciled

Joyful all ye nations rise Join the triumphant of the skies

With angelic host proclaim Christ is born in Bethlehem Hark, the Herald Angels Sing Glory to the newborn king

Silent Night

Silent Night, Holy Night

All is calm, All is bright Round you Virgin Mother and Child

Holy Infant so tender and mild

Sleep in heavenly peace Sleep in heavenly peace

Jingle Bells

Dashing through the snow in a one-horse open sleigh

O’er the Yields we go Laughing all the way Bells on bop tails ring Making spirits bright What fun it is to laugh and sing a sleighing song tonight

Jingle Bells, Jingle bells

Jingle all the way

Oh what fun it is to ride in a one-horse open sleigh

Jingle Bells, Jingle bells

Jingle all the way

Oh what fun it is to ride in a one-horse open sleigh

O Come All Ye Faithful

O Come all ye faithful

Joyful and Triumphant

O Come ye, O Come ye to Bethlehem

Come and Behold Him

Born the King of Angels

O Come let us adore him

O Come let us adore him

O Come let us adore him

Christ, The Lord!

Auld Lang Syne

Should old acquaintance be forgot and never brought to mind

Should old acquaintance be forgot and old lang syne

For auld lang syne my dear for auld lang syne

We’ll take a cup of kindness yet for auld lang syne

We Wish You a Merry Christmas

We wish you a Merry Christmas

We wish you a Merry Christmas

We wish you a Merry Christmas and a Happy New Year!

Good tidings we bring to you and your kin

We wish you a Merry Christmas and a Happy New Year!

We wish you a Merry Christmas

We wish you a Merry Christmas

We wish you a Merry Christmas and a Happy New Year!

WIND ENSEMBLE – PROGRAM NOTES

Ron Nelson was born in 1929 in Joliet, Illinois. He began his musical study on the piano at age 6, starting to compose via improvisation shortly after. He earned a Bachelor of Music degree in 1952, a Master’s in 1953, and a Doctor of Musical Arts in 1956, all from the Eastman School of Music. He also studied in France at the Ecole Normale de Musique and at the Paris Conservatory in 1955. Dr. Nelson served on the faculty of Brown University faculty until his retirement in 1993.

He composed two operas, a mass, music for films and television, 90 choral works, and over 40 instrumental works, including multiple contributions to the standard repertoire for wind band. In 1993, his Passacaglia (Homage on B-A-C-H) made history by winning all three major wind band compositions – the National Association Prize, the American Bandmasters Association Ostwald Prize, and the Sudler International Prize.

Morning Alleluias for the Winter Solstice was commissioned by Frederick Fennell. It was premiered by the Tokyo Kosei Wind Orchestra on May 14, 1989 with Fennell conducting. The work begins in an ethereal mood consisting of singing, trombone glissandi, and meditative inflections (aleatoric rhythms). Above this rises a hymn-like progression in the flutes and later the clarinets. Halfway through the tempo becomes twice as fast with incessant eighth notes in the piano and percussion. The faster section contains two Japanese inspired tunes, a powerful one heard in the brass and then a more subdued one in the woodwinds. Fennell wrote of the piece:

“Morning Alleluias probably became the spirit as well as the title which Ron Nelson chose for this music when I told him of my personal experience in awakening one morning in a Hiroshima hotel room that was ablaze with brilliant morning sunlight. As I lay in bed with so many dark thoughts also crowding-in on that morning’s bright expectancies for the living day ahead, I knew that these moments could only be celebrated as the triumph of the people of Hiroshima through the creation of a musical expression. The Hiroshima morning was in late November. Ron accepted my commission a few days later in Chicago. Other work was put aside so Ron could produce the score, which he signed on 1 March 1989.”

Joaquin Turina was a native of Spain but was influenced early in his career by romantic and impressionistic composers such as Debussy, Ravel, and Rimsky-Korsakov while studying in Paris. La Procession du Rocio was premiered in Madrid in 1913. The piece was so well received that it quickly catapulted him to the top of the Spanish musical world, where he would remain as a leading composer of Spanish classical music until his death.

La Procession du Rocio is divided into two distinct sections. It opens with a depiction of the celebration honoring the Virgin Maria in Triana (a colorful neighborhood in Seville, although the true festival and procession are held in Rocio, a town approx. 80 miles southeast of Sevilla), which features stylized gypsy dances and a general mood of festivity. This leads, without break, into the procession itself. As the procession moves slowly through the streets, the sound of bells, the tap of drums, and strains of church music reflect the solemnity of its

religious origin. Finally, the music grows to a brilliant climax, with themes derived from the opening fanfare, along with a brief quotation from the Spanish national anthem. Since Reed’s transcription for wind band was created in 1962, the piece has been a foundational piece of the wind band repertoire, filling the need for music from authentic Spanish compositional giants.

Dr. Kevin Walczyk received his B.A. in Education from Pacific Lutheran University, and a M.M. and DMA from the University of North Texas, studying composition with Martin Mailman, Jacob Avshalomov, and Cindy McTee. He currently serves on the faculty of Western Oregon University. He has received commissions from a wide range of ensembles, and has won numerous awards, including nominations for the Pulitzer Prize and the Grawemeyer Award.

Winter Ricercar is an instrumental chamber work based on the traditional English Christmas carol, Upon the Snow-clad Earth. The carol was originally set to Reverend Richard Robert Chope’s lyrics by composer Henry John Gauntlett (1805-1876). The melody was slightly altered by composer Arthur Sullivan in 1876 and it is Sullivan’s melody that is used in Winter Ricercar. Named after its Renaissance and Baroque counterparts, the ricercar is an instrumental composition that explores the permutations of the melody of Upon the Snowclad Earth The carol is developed in similar fashion to both the homophonic treatment of the early ricercar and the highly imitative form of the later ricercar that favors variation form and is a predecessor of the fugue.

Dr. Shafer Mahoney has a B.A. from Princeton University, and an M.A. and Ph.D. from the Eastman School of Music. He studied composition with giants such as Samuel Adler, Warren Benson, Christopher Rouse, and Joseph Schwantner. Mahoney’s music has been described as “tonal and imaginative” and “dazzling,” and has been performed around the world in top venues such as Carnegie Hall, Lincoln Center, Merkin Hall, and Miller Theatre. He has won numerous awards, including two from BMI, a Morton Gould Award from ASCAP, and the Bearns Prize from Columbia University.

Sparkle is a rhythmic, celebratory work, in a quasi-minimalistic style. The work is, in a way, episodic, with lightly scored sections focusing on a single group of instruments, over an ostinato bass line with percussion. The first half of the work alternates between solis for flute and clarinets, with the flutes employing light, cheerful scales, while the clarinet line is somewhat darker, but still rhythmically playful. Later, a second minimalistic idea featuring legato up-beats is introduced in trumpets (muted), horns and saxophones. Gradually, the work builds on itself, culminating in a final full ensemble section that resonates with joy.

Harrison Collins was born in Texas in 1999 and began composing at the age of just fourteen. Combining his musical studies in academic settings with years of self-teaching and a strong intuition to write music that challenges and connects to performers and listeners alike, he has made a name for himself across the United States as a skilled composer. Harrison studied at Illinois State University, before moving to Texas Christian University in 2021 to continue his studies in composition and bassoon Collins' works for wind ensemble have been performed across the United States and internationally. He is a winner of numerous composition competitions, including the Sinta Quartet Composition Competition, the Dallas Winds Fanfare Competition, the National Young Composers Challenge, the Austin Symphony

Orchestra's Texas Young Composers Competition, and multiple Fifteen Minutes of Fame competitions held by Vox Novus, including one in which his work was selected for performance by the West Point Band.

The composer writes of the work:

“Carols in the Dark was composed as a gift for Brian Youngblood, one of my band directors at Texas Christian University and one of the fiercest advocates of my work. Mr. Youngblood and I had spoken about Christmas music on more than one occasion, and during one such conversation, he presented an idea to me: the melodies of Greensleeves and Carol of the Bells pair together so well, he told me, and yet there was no higher-difficulty arrangement of these two tunes out in the wild world of wind ensemble repertoire. I got the hint; inspired by his suggestion, I sought to fill that gap by composing a colorful and engaging work that takes full advantage of the myriad of musical possibilities posed by the two tunes. The result is a dramatic thrill ride that pushes and pulls the two melodies to their limits in a whirlwind of sound and energy. ”

About the Conductors

Dr. Adam Kehl serves as Director of Bands, Associate Professor of Music at Elmhurst University where he conducts the Elmhurst Wind Ensemble, teaches conducting, and provides leadership for all facets the universities band program. Previously, Dr. Kehl served as Associate Director of Bands at the University of Hawai’i at Manoa, and as Director of Bands at Elon University in Elon, NC. Originally from the Pacijic Northwest, Dr. Kehl holds Bachelor of Music degrees in Music Education and Percussion Performance from the University of Oregon, a Master of Music in conducting from the University of New Mexico, and a Doctor of Musical Arts in conducting from the University of South Carolina. He previously served as a high school band director in the public schools of California and is highly active as a clinician, adjudicator, and guest conductor for concert and marching bands around the United States.

Dr. Kehl maintains an active research agenda, primarily focusing on the creation of historically accurate critical editions, for the purpose of modern performance, of wind music from the French Revolution. Four of his editions from composers Gossec, Catel and Hyacinthe Jadin are published and available from Maxime’s Music Publishing, with additional editions scheduled in the coming years. He also frequently presents sessions at conferences on conducting gesture development, score study, and student leadership development. Dr. Kehl has completed three musical tours abroad, including tours in China and Italy, and served as an Associate Producer on the USC Wind Ensemble’s critically acclaimed “Bernstein: The Transcriptions for Wind Band” for Naxos Records.

He is an advocate for new music, media integration, creative programming and inter-arts collaboration, and is actively involved in bringing new works to life through commissioning

and conducting premieres, including works by Donald Grantham, Kevin Walczyk, David Clay Mettens, Carter Pann, Juan Pablo Contreras, Adrienne Albert, Todd Coleman, Ted KingSmith, David Kirkland Garner, Nick Omiccioli, Aaron Perrine, and Tyler Ono, and has worked with such guests artists as Dr. David Constantine, Dr. Nave Graham, famed Hawaiian singers Willie K and Henry Kapono, Lynn and John Beck, the Elon Dance Department, and Elon University President Dr. Leo Lambert.

Dr. James Hile currently serves as Chair of the Music Department at Elmhurst University. He most recently served as Director of Bands at Elmhurst University and taught in the public schools at Highland Park High School (IL). He served as Director of Bands at the University of North Carolina at Chapel Hill and began his collegiate teaching career as the Assistant Director of Bands at the University of Illinois.

Hile has gained a national reputation as a band arranger and his arrangements and transcriptions have been performed by numerous high school, college and university bands, the United States Army Band, the United States Army Brass Band, the United States Air Force Band, the Interlochen Music Academy Bands, the Dallas Wind Symphony, and the Israel Philharmonic Winds. He has received numerous awards for teaching excellence at both public school and collegiate levels and is also a recipient of the “Citation of Excellence” by the National Band Association. He has been recognized as a Chicagoland Outstanding Music Educator, Illinois Bandmaster of the Year and was recently recognized in Who’s Who in America. He currently maintains an active schedule as a guest conductor, arranger, clinician and adjudicator.

Elmhurst University Music Department

Chair: Dr. James Hile

Administrative Assistant: Trish Thoren

Elmhurst University Applied Wind and Percussion Faculty

Flute: Professor Marie Bennett

Oboe: Professor Julie Popplewell

Bassoon: Professor Dianne Ryan

Clarinet: Professor Andrea DiOrio

Saxophone: Professor Matthew Beck

Trumpet: Professor Christopher O’Hara French Horn: Professor Emma Sepmeier

Trombone: Professor Thomas Stark Euphonium/Tuba: Professor Josh Wirt

Percussion: Professor Bob Rummage

Elmhurst University Concert Band Staff

Director of Bands/Wind Ensemble

Dr. Adam Kehl

Director of Symphonic Band

Dr. James Hile

Director of Varsity Band

Mr. Eric Morong

Band Managers: Claudia Rejowski, Ethan Soltys

Band Staff: Leo Rodriguez, Evan Auriemma, Disha Virdi, Lissette Hernandez, Hannah Hadraba, Charlie Rossi, Karabeth Footman

Program and Poster Design: Sabina Fijor

Recording: Mr. John Towner and Student Recording Service

Upcoming Elmhurst University Bands Events

Wind Ensemble and Symphonic Band Winter Concert

March 16, 2025 – 2:00pm in Hammerschmidt Chapel

featuring the premiere of: “桃太郎 (Momotaro)” for band and digital animation from composer Tyler Ono, with digital animation by Jewel Racasa

Wind Ensemble and Symphonic Band Spring Concert

May 4, 2025 – 2:00pm in Hammerschmidt Chapel

featuring Gunnery Sargeant Dr. David Constantine, Timpanist from the US “President’s Own” Marine Band

We hope to see you again at an upcoming Elmhurst University Bands Event!

Stay Connected!

Elmhurst University Bands: facebook.com/ElmhurstBands @elmhurst.bands

Elmhurst University Music Department: facebook.com/MusicElmhurst @elmhurstuniversitymusic

TO DONATE TO ELMHURST UNIVERSITY BANDS SCAN THE FOLLOWING QR CODE YOUR SUPPORT IS GREATLY APPRECIATED!

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