Emanuel Tornquist 01 | 2015
Emanuel Tornquist Mag. arch
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A Haidgasse 12/14, 1020 Vienna T 0043/664/4596022 E tornquist.em@gmail.com H emanueltornquist.jimdo.com
education - until 2007 higher technical school for product design and exhibition design, HTL Ortwein Graz - 2007 thesis at HTL Ortwein: exhibition Design “Minimal Art - Minimal Maximal” - 2008 completed civil service - 3 semesters at Studio Greg Lynn, University for applied arts Vienna “DieAngewandte” - 2 semesters at Studio Wolf D. Prix, University for applied arts Vienna “DieAngewandte” - 6 months at UNStudio Amsterdam, Erasmus - 3 semesters at Studio Greg Lynn, University for applied arts Vienna “DieAngewandte” - Pre-Diploma at Studio Greg Lynn, University for applied arts Vienna “DieAngewandte” - Jan. 2015 Thesis Project “Event Fabriek Amsterdam” at University for applied arts Vienna, Studio Greg Lynn
work experience - 1 month at Magna Steyr Fahrzeugtechnik, Department for “Car-Styling” at Andreas Wolfsgruber Car design (Graz) - 1 month at Bartenbach Lichtlabor Light planning (Innsbruck) - 9 months working at Afro-Asiatisches Institut, civil service Graphic design (Graz) - Atelier Thomas Pucher Competitions (Graz) - Zechner und Zechner Competitions (Vienna) - Spikecloud by Peter Vikar, Vienna Fair Construction (Vienna) - thesis help at Southern California Institute of Architecture Concept and Visualisation (Los Angeles) - 6 months at UNStudio Amsterdam, Erasmus Project development (Amsterdam) - SOFA Architekten Competition (Vienna) - Fasch & Fuchs Architekten Competition/Construction/Visualisation (Vienna) - Graphic Design for Exhibition “Stadt und Verkehr”, Kunsthaus Mürzzuschlag Graphic Design (Mürzzuschlag) - currently working freelance for various clients in the field of visualisation Bramberger Architekten (Graz) Fiedler + Tornquist (Graz) MEMUX (Vienna/Vorarlberg) Döllmann Architektur/Design (Vienna) Fasch & Fuchs (Vienna) F2P Architekten (Vienna) Kunsthaus (Mürzzschlag) privat interests in industrial design, jewelery design, 3D experiments
program skills - adobe InDesign - adobe Photoshop - adobe Illustrator - adobe aftereffects - adobe premiere - Rhinoceros - Grasshopper - GH-Karamba - Autodesk Maya - Cinema 4D (Vray) - Digital Project - Autodesk Ecotect - Autocad - Bentley Mcrostation
(advanced) (advanced) (advanced) (basic) (basic) CAD/CAM/Rendering (advanced) Parametrics (advanced) Parametric structural design (advanced) 3D Modelling (advanced) Modelling/Rendering/Motion Graphhics(advanced) CAD (basic) Environmental Analysis (basic) CAD (basic) CAD (basic)
Event Fabriek - AMS/NL Universit채t f체r angewandte Kunst Wien Studio Lynn 2015 Thesis project by Emanuel Tornquist
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The project deals with the abandoned shipyard in maintenance for the vast amount Amsterdam Noord. It is embedded in a vital culture of of windparks in the north sea. events and creative spirit which is supported by the existing The hybridazation of a cultural and an industrial structures, adapted for various uses. industrial program aims to be prototype My Thesis project picks up both identities of the site and for a sustainable integration of industrial combines them in one building. programs into our cities.. The industrial identity is represented with a new The outside surface of the building is designed to type of factory. The cultural identity is sustained by a be accessed by the public to create a defined public broadcastcenter. Both programs share one big hall space which is currently not existing in this area. between them which gets tranformed by the roof On top of the building one would be able to spend time folding down to create bleachers and a stage in the restaurant and having a far view towards the city of element. The roof folded up provides one big hall Amsterdam. In case of an event one would enter the event for the factory. space from the top, going down into the hall. The industrial program is a maintenance The main transportaion system for this area, the ferry, is center for windturbines to match the brought to the building in order to focus the activity toward future demand of efficient sthe center of the area.
axo - building elements
rendering - building as landscape | SW
rendering - building in event mode | SE
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drawing - roofplan 20.90
drawing - longitudinal section
drawing - crosssection
rendering - hall in factory mode | roof is folded up
rendering - hall in event mode | roof is folded down
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drawing - roofplan
Vast Markt - DD/D Universit채t f체r angewandte Kunst Wien Studio Lynn 2014 Team: Emanuel Tornquist Banafsheh Fahimpour
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This project deals with objects in their context. The central market space i articulateded as a dominant concrete volume. It attracts the view to the center. At the same time all surfaces leading to the center are sloping downwards in a curved
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Our perception is depending on several paramters such as Size, proportion, distortion and context. Things appear far away but are actually closer than one would expect are. Same applies for size. Things seem smaller than they are if the context in which they are placed missleads our perception.
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manner to create an horizon. This horizon detaches the visual center from its context. The distance and size is hard to guess. The same principle applies for the view to the outside and from the side over the roof. The surrounding is visually seperated from the point of view making it hard to tell distances.
diagram - roof structure | reinforcements
rendering - main view axis
drawing - section
drawing - plan
photograph - center of the building from above
rendering - from the center of the building to the outside
drawing - section
MUJI Showroom - TYO/JPN Universität für angewandte Kunst Wien Studio Lynn 2013 Team: Emanuel Tornquist Karl Breinesberger
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This design for a Flagshipstore in Tokyo deals with various sizes of items which are displayed and sold by MUJI Japan. It is based on the concept that one would order prducts while walking through the showrooms. Your customized package will be delivered to one of two pick up zones next to the delivery wheele forming the heart off the building.
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The wheele is constantly moving to
the inside and to the facade of the building to attract people from the street. The willful delay of the shopping process between deciding and getting the product follows MUJI’s philiosphy of decelerating live and dowsizing products for economical reasons. This store communicates the activity inside by its movement and adresses the city and people by that.
plan - 3rd floor
plan - 2nd floor
plan - 1st floor
rendering - exterior
Cultural Campus Egypt - EG Universität für angewandte Kunst Wien Studio Prix 2011 Team: Emanuel Tornquist Cristoph Pehnelt Lea Dietiker Architectually the project deals with the problems of digging into the landscape. The transition between handmade and nature and control versus fortune. The unfinished scultures of Michelangelo, which are actually done, are also dealing with the idea of the potential of the unprocessed material and the point in the process where the future work doesn’t give any further information about the object anymore. This point is subjective and very hard to locate.
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The Cutural Campus in northern egypt inhabites a university for visual arts and perfomance. In order to be able to live in the extreme enivornment of the desert the architecture wind and brings it into the valley. has to provide shaded and well ventilated space to provide The canyon is shape like a tripot to comfort. creat an obstacle for the wind where A university in this region not only has to provide certain it is stopped and has an acceptable climatic qualities but also has to needs to give the student speed for the garden. the possibility to have as much space a possible in order to As the wind passes the two fassades of the practice and experiment with the space. university, it generates pressure along those. The The campus is located along the walls of an artificially dug facade is made of massive glass tubes where the air canyon. Behind the Univerisities housing units are sitis naturally pushed in to the university and the road netuated in small holes, connected by an underground work behind it. It them blows out through the holes for the network to provide a comfortable link between the housing. In order to have a really effective way of ventilation, universities and the housing units. the housing holes are partially covered with a roof which is Apart from a small garden at the bottom of haped to speed up the wind to support the suction. the canyon, it mostly has climatic funcArchitectually the project deals with the problems of digging tions. It is oriented towards north, the into the landscape. The transition between handmade and namain wind direction, to catch the ture and control versus fortune. The unfinished scultures of Michelangelo, which are actually done, are also dealing with the idea of the potential of the unprocessed material and the point in the process where the future work doesn’t give any further information about the object anymore. This point is subjective and very hard to locate.
floorplan - CCE
swarm behavior - housing
airflow system - housing
section - part1 - housing and univeryits for performing arts
section - part2 - canyon and universities
section - part3 - housing
model - 1/100
daylight - simulation - universities Air pressure
Air pressure
Air pressure
renderings - exterior
windflow - simulation - housing roofs
Asplund Library Extension - SWE Universit채t f체r angewandte Kunst Wien Studio Lynn 2012 Team: Emanuel Tornquist Mihaelo Milosevac Annamaria Kiss
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the middle of the large space. At the location of the conference room, closer to the asplund library, the roof is forming a high chimnes to enforce the open character of the program where as at the library part the roof is creating a cone coming down from the roof and which connects with the floor. This provides a more intimate space for reading and focussing, but also brings light to the groundfloor.
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The extension of the Asplund library in Sweden is though of a platform for verbal exchange and open speech. Today there is no need for a Library that only stores books. It is more important the these types of buildings are working as knowledge platformes and buildings where people can train their rethoric skills. The focus is on the verbal conveyance of information because the digital area has made our written knowledge easily accesable but left our verbal skills degenerated and very difficult to acces. In order to again strengthen our ability to communicate with other people more effectively we need to provide public plattforms. The existing building of the Asplund Library with its fine collection is the perfect addition on order to research. The building is consisting of one spiraled ramp at the perimeter of the building. This spiral is the essential part of the whole building. It forms a public plaza on the groundlevel with no structural barrier to have an easy acces from the street. While it is going up it still is acessible at any point of the groundlevel. This gives it the character of a landscape, floating into the building. When the Ramp delaminates from the Ground it becomes a bridge into the main library space. It goes along the outside of the enclosed space, passes small meeting spaces the small library of books and ends at the highest point of the conference room from where you can walk into it and down to the beginning. It always provides far views through the building and to the program in
main florrplan - library space
groundplan - public plaza
rendering - groundlevel - public plaza
cross section - NS
longitudinal section - part1 - EW
longitudinal section - part2 - EW
model - 1/50
model - 1/50
study - model
MASS EFFECTS - FR Universit채t f체r angewandte Kunst Wien Studio Lynn 2010
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arrangement. The following project, an aging facility for cheese in france has been fead by this task and also plays with two different asthetics in order to differentiate spacial qualities.
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This research task about mass effects deals with the relation between to masses in one building. It investigates moments such as enclosing, penetration and
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moodel - 1/200
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Elephant Scull - AUT Universität für angewandte Kunst Wien Digitales Entwerfen und Digitale Produktion 2011 Team: Emanuel Tornquist Verena Lihl Inés Klausberger Melina Girardi
The gained knowledge about decreasing information and still keeping the important information had then been translated in a small project, a kindergarden, in vienna.
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This projects deals with the reduction of information in a parametric manner. A detailed 3D model of an animal scull served as base for further strategies to strategical reduce information. The scull should stay readable.
abstractions - 3D
abstractions - 3D
versions - 3D
Emanuel Tornquist
VISUALS FOR CLIENTS
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Emanuel Tornquist August 2013