00
CV I’m Emerald, Lui Hiu Tung. This is just the begining of my endless architectural journey. LUI HIU TUNG EMERALD Contacts: emeraldlui.ht@gmail.com +852 68421889
EDUCATION DEGREE (BACHELOR OF ARCHITECTURAL STUDIES) THE UNIVERSITY OF HONG KONG
2015-2019
Know more about me: @emeraldlui
SECONDARY SCHOOL TWGHs. KAP YAN DIRECTOR’s COLLEGE
(HKDSE Electives: economics, physics, biology, mathematics - extended module 1 (calculus and statistics)
2009-2015
PROFESSIONAL PROJECTS
ACHIEVEMENTS
ARCHITECTURAL ASSISTANT
EXHIBITION
Flo Studio, Lwk & Partners (Hk) Ltd 00 0000 0000 0000
(Director: Ferdinand Cheung)
2021-present
theOOQ Limited
2020-2021
P&T Group
2019-2020
(Director: Ben Ip)
(Environmental Design Category)
2018Jun
COMPETITION 2020
2020 Evolo Megazine - Skyscraper Typology
2020
2017Jul-Aug
Intra-Varsity Dance Competition 全港大專聯校舞蹈邀請賽 (56th HKUSU Dance Society) (2nd Runner-Up)
2017
WORKSHOP Jocky Club Hku Rural Urban Design Project - Rethinking The Tulou (Field Work_construction)
2019
Shanghai Tokyo Asia Urban Study Program (Field Work_research)
2017
2021-2022Feb
INTERIOR DESIGN On Chill (Licensed Bar & Restaurant)
2022Jan
IKKI (Private Lounge)
2020Sep
CINEMATOGRAPHY 四美美學 SZEMEI1994
PHOTOGRAPHY & MODELING
Archigram Meets Central
2020 Archsharing - “Happy Homes France” (Finalist)
3D ART (NFT)
Music Video Production - Midnight Bay - Love is Over
2019Jun
2021Jul-Aug
PERSONAL PROJECTS Aotaverse
Degree Show (HKU Department Of Architecture)
2021
INTERN (Part time) Editecture
2019Oct
Pt 2.0 Public Toilet Design Competition (Shortlisted)
DOCENT (Part time) DFA Design for Asia Awards 2021
Rural Urban Framework: Building A Collective Identity
2021May 2021Aug 2019-present
CORE SKILLS SOFTWARE
LANGUAGE
3D work
Rhino, Grasshopper, Sketchup, Revit
English
2D work
Adobe Suite (PS, AI, LR, PP, ID)
Mandarin
Render
Blender, Enscape, Lumion
Cantonese
UI/UX
Adobe XD
ACADEMIC PROJECTS
Section of Normal Toilet Module (1:30 @A1)
LOCATION Urban, Rural & Recreational Space in Hong Kong
Competition _Shortlisted | 2021 Theme_pt 2.0 Public Toilet Design Competition MACRO-SCALE : CITY, A Concrete Jungle
MICRO-SCALE : TOILET STATION, An Inevitable Stop
Land scarcity
QUESTION: Recreate A Toilet-Scale City?
Restless Collective Lifestyle
Mimic our City
Crowded & Noise Space
Deconstructive Design
Fragmented Concrete Modules
Reflective Glass
Aluminum Plant Attractors
Inevitable Decay & Rebuild
Reflection of Surrounding
Grow & Flourish With Time
2020
population growth
7.5M in 2020 1960
Urbanisation on rural land
Tower-block City
Exploration on natural resorts sea, mountain, park
Collective Memory
When it disintegrates, it remains part of the city. Desire for Private Moment
Beauty of Ruined
A journey walking through the ruined and the growing
Collective Private Moment
Plan of Normal Toilet Module (1:30 @A1)
01
RETHINK PUBLIC TOILET MODULATED INTIMACY
FUNCTION Toilets - WC, Resting Space, Public Event Space, Park, Bike Parking Space
ANSWER: Grow with Decay, Decay with Growth
Section of Normal Toilet Module (1:30 @A1)
THE PAST a fully-exposed resting space, allowing users enjoy the landscape
THE PARK Preoccupy the void in the city as breathing space, create life in the concrete jungle
THE CITY Sculptures on the imperfect urban fabric
THE FUTURE Decay is a process rather than a fixed image and provokes thoughts and actions.
02
CO-LIVE TYPOLOGY - HOUSE UPON NATURE
FUNCTION Co-Living & Co-Working Space - Bedrooms, Kitchen, Living Room, Restaurant, Catering Space, Playground, Pet Kennels, Farmland, Chapel
Competition _Finalist | 2020 | Collaborated with Victor Cheng, Sean Mac Tang Theme_Archsharing - “Happy Homes France”
LOCATION Fay-les-étangs, l’oise (60), France BRIEF
“In looking for the right places to make these tiny changes, there are three broad areas of opportunity. You can tweak your beliefs—or what psychologists call your mindset; you can tweak your motivations; and you can tweak your habits. When we learn how to make small changes in each of these areas, we set ourselves up to make profound, lasting change over the course of our lives.”
(ARCHsharing proposes, in partnership with the association Happy Homes, the construction of the perfect housing, sustainable and replicable allowing the hosting of 6 persons and sheltering up to 8 animals. The proposal will also need to allow the development of many activities to reinforce the development of social interactions between the residents and the city or the village that will welcome this community.)
Susan David Consequences of Consumerist Lifestyle 00 0000 0000 0011
CITY
Nature
Modern Loneliness
Stress-free
+
Abandoned Dog
+
Reconnect with people
A Dialogue With The ‘Self’.
An Architectural Journey To Emotional Agility
Site Fay-les-étangs, l’oise (60), France
8 Dogs
6 Inhabitants
Establish Dialogues Between the Inhabitants, Dogs, And Nature
Nature as a mediator, physically, mentally, visualy to engage two parties truthfully
TYPOLOGY: BARN HOUSE
The barn house typology comes into the form seeking stage quite naturally due to its historic significance within the area and the frequent presence in the nearby villages. It is a typology belonging to the combination of house and barn [living and working]. It is arguably an artifact with roots in the natural world.
As a starting point, we abstract the barn house typology by introducing a new roof and structure into it. We aim to emphasize its semantics value and make it further integrate with the natural environment.
Emotional Readiness
Self
Acceptance
+
Reveal True Emotions
+
Reservation Of Solitude.
through
People
Co-Work
+
Ambiguous boundaries
Accuracy
inside
House
House
Traditional Nave And Aisle Configuration
Informal
a gradation of privacy -from west to east -from bottom to top
Minimize the disturbance to the flow of nature
Self-Sustained Restaurant Farming/Gardening + Cooking/Serving
DOG
Co-Live
SOCIETY
Nature Gateway - a gateway for for healing & emotion agility
Dogs can also partake in to create another level of intimacy engagement with the inhabitants The restaurant could be a meet up point between society and distant house
Playground - a threshold between house & nature
interaction
Teamwork : Trust + Communication SOCIALISE
gradually socialise with a small group of people with a sense of purpose achievement based on Teamwork
Sunken Entrepôt - with a view of the garden
Slope - where people plays with dog
Bottom corridor - kennels and living room
Upper corridor - with a viewing platform
G/F Plan
nature gateway
playground
sunken entrepôt
co-working area
1/F Plan
slope
Exploded Structural Diagram
co-living area
1
1 2
5 6 7
3 4
8 9 10 9 11
1 1
1 2
7
5 12
5
10
6 7
3 4
8 9 9
10 9 11
1 2
3 4
bottom corridor
engawa
upper corridor
1/F
G/F
B1/F
bedroom
1. 500X300mm Shingle 2. 100mm Insulation 3. 65X50mm Wood Frame 4. 50X150mm Wood Beam 5. 300X300mm Wood Structure 6. Concrete Box 7. 150X300mm Wood Rafters 8. 300X450mm Wood Beam 9. Wood Deck 10. 600X600mm Concrete Structure 11. Stone 12. U-shape Metal Fixer
03
SKYSCRAPER TYPOLOGY - GROUND FOR THE PEOPLE
Competition | 2020 | Hong Kong | Collaborated with Victor Cheng, Sean Mac Tang Theme_Evolo Megazine - Skyscraper Typology BRIEF eVolo Magazine recognizes visionary ideas that through the novel use of technology, materials, programs, aesthetics, and spatial organizations, challenge the way we understand vertical architecture and its relationship with the natural and built environments. QUESTION: Individualism & Collectivism?
ANSWER: Reunion & Parting
Individual Wish
Break up Individual Boundary
00 0000 0000 0111
Public Forum
Discussion & Reflectoin
Small discussion forum
Conversation with Larger Party
A Transparent PLatform
Team-up Similar Voices
Voting & DecisionMaking
Democracy
Collective Debate
A Skyscraper Typology As Public Forum, a Pop-up at City Junctions
“Where space was considered permanent, it now feels transitory - on its way to becoming. The words and ideas of architecture, once the official language of space, no longer seem capable of describing this proliferation of new conditions. But even as its utility is questioned in the real world, architectural language survives, its repertoire of concepts and metaphors resurrected to create clarity and definition in new, unfamiliar domains (think chatrooms, Web sites, and firewalls).”
FUNCTION Viewing Tower & Civic Centre - viewing platform, debate room, courtroom LOCATION Pop Up in 18 Districts, Hong Kong
VERTICALITY Draw People From Street
Monitor collectively
Narrrow Circulatory Ramp
Contemplate individually
Rem Koolhas Spatial Quality
Mentality
In-Between Space
Autonomy
Interpretation
Enclosed Box
Observe in small group
A Personal Journey Outside World
Atrium
Diversity
Debate Ground (Atrium)
Debate different paties
LOCALITY Bamboo Scaffolding
Assembl /Disjoin Efficiently
Install as Pop-Up in 18 districts
City-State Civic Participation free ground
atrium
hanging structure
frame and core
ramp
blackbox
stairs
in-between space
The Seminar
24m Above Ground Plan
The Atrium
12m Above Ground Plan The Pop Up The Box
The In-Between Space
Section The Court
The Ground
04
Typology Studies - Tulou As Prototype
Studio Project | 2019 | Field Trip to Fujian | Tutor: John Lin Theme_Research - Form Within (SOLID) & Form Outside (VOID) BRIEF “I would define the concept of type as something that is permanent and complex, a logical principle that is prior to form and that constitutes it,” - Aldo Rossi We abstract the form, explore the pure space-making process, and study the order in a pure diagrammatic way, which help us to understand the type of hierarchy we would like to curate, for any possible programs (not restriected to SCHOOL).
Hannes Meyer and Hans Wittwer, Trade Union School in Bernau, Germany, 1928
QUUESTION: Can the VOID be programmed as schooling space?
00 0000 0000 1111
Giuseppe Vaccaro, Kindergarden in Piacenza, Italy, 1953-62
Giorgio Grassi, Secondary School in Tollo, Italy, 1975
concrete massing - solid void study
ZPZ Partners, Nido Caribimbi, Italy, 2005
section study
Christian Kerez, Leutschenbach School, Switzerland, 2009
plan study
School Reference Plan & Solid Void
Prototype Plan
Sectional Model
WHAT IS TULOU?
WHAT IS TULOU TO ME?
In the Hakka culture in Southern China, Tulou shaped the living pattern inside - maintaining a shared open space for farming activities in the center while living in a vertical section of rooms that are wrapping the collective courtyard space. It has an enclosed thick loadbearing rammed earth walls, a larger courtyard in the middle, a ringshaped cluster of smaller rooms.
When we transform a tulou with addin structures or programs without retaining the collective spirit, this is never a Tulou. Fr om generation to generation, satisfying different modern needs, Tulou is gradually modified, rescaled, and opened up. Tulou became a symbol of collective housing, as certain artifacts always remain in people’s memories. Therefore to study Tulou as a prototype is not to study its form, but to study the communal life style and hierarchical living pattern retained in the form.
However, when rural is urbanized, the tulou’s center has housed other functions over time: religious activities, marketplaces, or schools.
Prototype Diagran
AANEW NEWPUBLIC PUBLICPROGRA PROGRA -SCHOOL SCHOOL
What Whatneeds needsto tobe bepreserved? preserved Prototype Model
SCHOOL TYPOLOGY function follows form? School is a collective of 2 contrasting programs - study and play. One is strictly organised while the other one is free. Thus, 2 types of spaces are formed - classrooms and playgrounds.
Circular / Square Tulou AAForm FormofofFeeling Feeling
Rooms
Access
Courtyard
tulou characteristics
Rammed Wall
Cut-Off
Cut & Replace
AApure puregeometry geometrywith withhousing housingunits unitsenclosing enclosinga acentral centralcourtyard courtyard- -a living, living,ananenclosed enclosedInward community. community. Offset Outward Offset
tulou mutations
An AnImage ImageofofHistory History
COLLECTIVE BUILDERS The structural logic construction system of is similar to ‘mud brick’, both support the load by compression and they are in a long process of time by layer.
LIFT UP THE TULOU WITH BRICK ARCH and brick they pure built layer
Tulou - the time and skill it needed are unlike any modern housing. Also, by only replacing the mud partly, other elements of Tulou can be maintained.
MUD
1:20 Section Module with Concrete & Wood (~50x100m)
With aa collective collective effort, With the heavy heavy mud mud wall is built the in aa long, long, tedious tedious process. in Builders need need to make Builders ‘mud bricks’ bricks’ by themselves ‘mud using mostly mostly soil and sand, using then stack stack the the mud bricks then layer by by layer layer to the optimal layer height. Dwellers Dwellers often build height. their own own Tulou Tulou collectively, their passing the the experience experience and passing tradition to to their children. tradition However,with with more people However, move out out of of Tulou and move moved to to modern modern buildings, moved this traditional traditional technique this and mud mud molding molding skill are and fading away away with with time. fading
BRICK
COLLECTIVE COLLECTIVE BUILDERS BUILDERS
The structural structural logic and The construction system of construction brick isis similar similar to ‘mud brick’, brick they both both support the they load by by pure pure compression load and they they are are built in a and long process process of time layer long by layer. layer. Brick Brick structure by often associated associated with isis often ‘arch’ -- the the most efficient ‘arch’ structural system system to span structural openings with with compression openings in uniform uniform load. load.Thus, there in has the the potential potential to form has void spaces spaces underneath void the Tulou Tulou by by altering the the patterning of of the brick wall patterning to form form arches. arches. to requires time time to remove ItIt requires mud bit bit by by bit bit and replace mud with brick brick carefully, carefully, itit with
MUD
With a collective effort, the heavy mud wall is built in a long, tedious process. Builders need to make ‘mud bricks’ by themselves using mostly soil and sand, then stack the mud bricks layer by layer to the optimal height. Dwellers often build their own Tulou collectively, passing the experience and tradition to their children. However, with more people move out of Tulou and moved to modern buildings, this traditional technique and mud molding skill are fading away with time.
FUNCTION School - playground, classrooms, viewing platform, civic centre LOCATION Lantian Village, Longyan, Fujian Province, China
In Nikolaus Pevsner’s “A History of Building Types ( 1976 )” -- types are manifested according to form: centralised plan, linear arrangement, courtyard. Under this exploration, a TYPE becomes a universal laguage, recognized by its form; not by its material, facilities, and program.
Interior - a park hidden in the urban
FORM WITHIN & FORM OUTSIDE
A RURAL HOUSE IN URBAN CONTEXT
In order to create ‘2 contrasting spatial configurations’ , I tested with concrete modeling for paradoxical forms within a pure geometry.
The old is forgotten, subsituted by an universal urbanisation. The land’s uniqueness is erased, with one Rural House remains, competes against all the dense blocks and housing developers. Originally as a collective housing, now it is a road bloack that is hard to access and lived by no one. However, it still functions as a locus for a city’s collective memories, a social history of the site.
In plan [form within] and in modeling [form outside], SCHOOL is a hybrid of ‘orderly space and freespace’. I scattered ‘Boxes’ freely within a lifted square platform to create a randomness in an enclosed form. There has no definite in-and-out , private-public relationship; however, hierarchies are displayed in a simplest way - an elevated public ground dominates the public land below and the rooms within.
Exterior - a past burried by the modern
Under urbanisation, a rural collective housing TYPE no longer retains the same function in an urban land. Thus, I challenged our preconceived ideas of a tulou for future programmatic, structural or spatial transformation of the TYPE.
Other Inhabited Tulou
SPATIAL LOGIC
Most enclosed
Enclosed 2-3/F (Classrooms) The Contrast Enclosed & Open
Plan LED E N I A R TS N O C
The Tulou is opened up for access yet it is not transparent. From the most private to the most public space in a vertical hierarchy, the design brings public into this enclosed community.
New Viewspots for Tulou
UG
Inside, spatial transformation in horizontal layers provides different perspectives to view the Tulou. It will be no longer symmetrical and less rational. However, under the original grid system of Tulou, a complex space is created with structural order.
LG1 / F 20m
100m
G/F
SPATIAL SPATIAL SPATIAL SPATIAL
LOGIC LOGIC LOGIC LOGIC G/F
MOST ENCLOSED
Most enclosed Most enclosed Most enclosed Most enclosed
20m
Plane
1/F
1/F (Resting Platform) Enclosed
20m
100m
most enclosed 2,3/f (classrooms)
2-3/F (Classrooms) 2-3/F (Classrooms) (Classrooms)
SECTION
FREE PLAN
LG1/F
3 LAYERS - ORDER, STRUCTURE, SPACE
SECTION
Roof Plan
G/F (Public Space)
Plane Plane Plane 1/F 1/F Plane (Resting Platform)
Permanency & Randomness
Mud Wall and Brick Arches are heavy and solid, hard to adjust afterwards. These permanent structures interact and create complex spaces for flexible activities, bringing lives and changes to an abandoned Tulou. The circulation and programs on the ground floor are random, contrasting with the program and movement above.
See-through & Concealed
ELEVATION
ELEVTION
1/f (entrance hallway)
FREE FORM FREE PLAN LG1/F FREE PLAN(Playground) FREEG/FPLAN FREEG/FPLAN (Public Space) G/FSpace) Least (Public constrained
G/F
Section ELEVATION
ELEVTION
G/F
G/FSpace) (Public (Public Space)
Elevation
plane
(Resting1/F Platform) (Resting1/F Platform) (Resting Platform)
The power of see-through and the power of concealed are equally powerful. By replacing the bottom structure that is ‘concealed’ by the dense urban environment, people can walk-through the Tulou and see the Tulou in different perspective.
1/F
2-3 / F 20m
100m
100m
Enclosed Enclosed 2-3/F 2-3/F Enclosed (Classrooms)
LG1/F
2-3/F
1/F
Layering Diagram
FREE FORM FREE FORM LG1/F FREE FORM LG1/F FREE FORM (Playground)
G/f (public ground)
free form LG1/f (playground)
LG1/F (Playground) LG1/F (Playground) Least constrained (Playground) Least constrained
1/F
free plan
Least constrained Least constrained ‘Lifting’ Concept Diagram
LESS CONSTRAINED
Original Tulou
Rooms
Enclosed Block
Courtyard
Rethinking The Tulou - The Plug In
Jocky Club HKU Rural Urban Workshop | 2019 | Tutor: John Lin Theme_Tulou Renovation | Design and Build
d
FUNCTION Community spaces - public library, viewing platform LOCATION Longyan, Fujian Province, China
BRIEF This project addresses the activation of abandoned tulou in Fujian Province, by implementing new collective programs into the historic buildings.
a Outer Skin 2000
b
8000 4000
c
d
9900
e
f Inner Frame
a
QUUESTION: Can The Defensive Wall Turn Inside-Out?
FORMATION
ANSWER: Plug-In System
f
2000
(Rural Urban Framework (RUF) is the research and design collaborative between Joshua Bolchover and John Lin. The objective of our work is to engage in the rural-urban transformation of China and Mongolia through built projects, research, exhibitions and writing.)
The Plug-in project rethinks the defensive wall by taking the tulou inside out, opening it to the new surroundings. Individual transformations such as plug-in of toilets already occurred in the tulou that was previously renovated into a children’s school by the Government. The Plug-in prototype transforms a small window into a new entrance, adding a public reading room to the already functioning school. The funnel staircase plugged into the opening invites people to sit, read and rest in the shadow, while serving as an open amphitheatre for activities in the courtyard.
e
b
c
Construction Diagram
Model Pictures
Construction Sequence
Column & Truss
7981 KH bulC 1v
GUWQ* HHCVUICN(
X IPKFNKW$ U GEPKT2
X DWN% -*
GEKHH1 VUQ2 NCTGPG)
EKH HV1 PG GE KHGH1 UQ V2U QNC2T GNCPTGG) )
X GUWQ* GPKFTC,
NNC* [VK%
NNC* [VK%
City design is therefore a temporal art… At every instant, there is more than the eye can see, more than the ear can hear, a setting or a view waiting to be explored. Nothing is experienced by itself, but always in relation to its surrounding, the sequences of events leading up to it, the memory of past experiences. - Kevin Lynch
FCQ4 [C TFTCWQ/4 [ C TT W/ MTCRTC% [MG ÄKV [NWG/ TCTRQTVCU% TQVUÄKVNW/
9981 s'neeuQ gnidliub
GEKHH1 VUQ2 NCTGPG)
X IPKFNKW$ GG; PC/
HQ MPC$ CPGP TKFG) HEH1 VQU 2 QVU 2NQC 2 NTCG TNPIG GNKPW) G EG KEH HGK1 KHVHU 1 $G C) P K J %
IPKFNKW$ VTWQ% GOGTRW5 FNQ
GEKHH1 VUQ2 NCTGPG)
X GU WXQ D* G -P*KF WN% T C ,
KHH 1 CP TGGP)G ) G E GKHEH1 VU QVU2Q 2 NC TNG X GUWQ* GPKFTC,
X IPKFNKW$ U GEPKT2
X GUWQ* GPKFTC, GUWQ* PQKP7
X MPC$ FGTGVTCJ%
IPKFNKW$ U PGGW3
X IPKFNKW$ U GEPKT2
X MPC$ FGTGVTCJ%
V% TCC% J % CGP $KFCT 1 FT G G VTTG J -X * XM NPCMXCVP PM$ G$ / PFTKVG TTCC FJCP
GW* UQW * Q V* KPVN K7 GU P Q PK PQQ7 * NG Q*
M XNP TCC% J % -X* F1G FPTGKTVCTTGFCVPJ C MVCPP$ GCK T$ /
NNC* [ NV NKNC% [ [V KV% NC* * K %
/ * [[ V % IPIKFPNKKFWNK$ [ C[ NNCTNNCTCTWT* W$ W/ VK K%
X GUW Q F TGCP,K F T X * GU GWPQK* C,
FWN $ KGW G$ X XI PIXKP FIKNFKPWNKK$ G; G G ;PG C; P/ C P/ C /
IPKFNKW$ VTWQ% GOGTRW5 FNQ
IPKFNKW$ CPKJ% HQ MPC$
KW $ X IXP IKFPNKKFWN$ GG G;G ; PC P/C /
-* NGV-Q-* * K* P P QQ VNV KN* * N PGNGQVQVVQN* K *
-* NCV-P-* G*K TN C 1 NCV PVPPGKGTKTCK1 TF1 PP C PKT/ KC TCF FP PC C/ /
-* * NNGGVVQQ* * PPQQVVNNKK* *
GUWQ* PFFQCCUQQ KJ4 4E V [W[C* CTT T TWW / / GUWQ* PMMQTTUCCKRJ GT TQQ VV % [[ G UUÄÄKKVVNNWW/ RTETCCVW %* /
TGYQ6 CEKTGO# HQ MPC$
X IPKFNKW$ GG; PC/
X IPKFNKW$ GG; PC/
NNC* [VK%
-* NGVQ* PQVNK*
s0791
-* NCVPGKT1 PKTCFPC/
FCQ4 [CTTW/ NN C * [VK% -K* C NG,V Q * P QVNK* NCTTVP GKT 1 FPC/ X GUWQ*- G*P IPKFNKW*$ N* C[V CP K T P KF TC VTK% NF GTVQ * PQVNK* GW KT/ 1 P C PC/ K[VN CW[T/ W/ MTCRTC% [ F GC TQ QNVN4 UCÄ* X GUWQ* GPKFTC, IPKFNKW$ [CTTW/ TTQTWVW4 / FCCTCTQ T W / MTC FRFCTCCQQ% U/ Ä K[ V NC W T / 44 [ [ [G XX GGUUWWQ Q* GGUPPWKF KQ FT* TCC, ,G P K F T C , IPPKF KFNKNW KW$I $ P [[KCFCTNTKTW TWW$ / T T W / X* G [ C I / VUUÄ ÄK[VKVNGW NWT/ M T [C[GRGTTQCQV% Q/VUÄKVNW/ MMTTCCRRTTCC%%
GUWQ* VPQOTKC(
-* NGVQ* PQVNK*
FCQ4 [CTTW/ MTCRTC% [GTQVUÄKVNW/
IIPPKKFFNNKKWW$ $ [[CCTTTTWW/ /
-* NCVPGKT1 PKTCFPC/
X GUWQ* GPKFTC,
IPKFNKW$ [CTTW/
TGTGYYQQ66 C CPPKJKJ%% H QHQ M MPPCC$$ * 4 NNGG VPVQQQ* NGVQ* VN T PP CQQ %VVN NT\TCCV% K% 4 \\ VVK K4
NGNGVQVQ** P PQQVNVTNCTC%% \ \VKV4 K4
F FGGTGTGVTVCTCJJ%% F FTCTCFFPPCCV5 V5 IT YC NQ K% $ JKM. R $ $ 6 C C KR CHHQ Q M M P P CC JQ % TGYGQTTTG6 KK J RKH$ % M K G VPQ PQP GF PWP Q .P C $$ I PK6 F % NWKR MP P C VGPY G % $
TGTGVPVPGG%% I IPPQQ-- I IPPWWGGJJ%% TGGN N[NCCV) % NN[NCCV* [TGN N [C[T) K) % [[VNVKNK% C%* K* % [[ V VKK%
J % FPT T C C VF F FFV TGGCXTT J G VVT T$ C F FGTG CFJ T% C 5 PP C X% % $ 5F * C V V55 G% 5 * KFF NNMKKWWP$ $ MMPPCC$ $ IPKFINIKP WPK$ C $ %*$ 5 * X % $X5
TGYQ6 CPKJ% HQ MPC$ TGYQ6 CPKJ% HQ MPC$
NGNGVQVQ** C COOCCTWTW(( % % TTGG IIP WWG G JJ % TGVPG %VVP PIGGP% Q PIQQPW GIIJPP% G* VQ * PVNQTC VNT%C % NGVNQ PQ \V K\4VK 4
TGTGYYQQ66 $ $%%%%
NCNCTVTPVPGG%% # #+# +# GY $ % % % 66% $ % TGYQTTG6 Y$QQ%
T GTGYYQQ66 % %((+ + NG % # # CC% TTVVP PV#G # +% [TNNNC GCTN) NVCPN ) K G% NC+ + # * [T G [V K[% N#N CN * [ V K[%VK% GN N[CV) NN[CV* [TGN N[CT) K% [VNKN% C* K% [ V K%
IPQ- IPQ*
UW VQP* VPTKQCDO C ( GUWQG* QO (W T NK%
U GNRQG2 GUGPKJ% U GGNRUQWGQ2* GVP UG KJTK% QP U*G EVPTQQ(O [TKO TO # PC Q( K V C TG D K. C(( Q T GGU UUWWGQQE* V( PQ TGQ [O OTTKC# KKV CC (TG D K. Q P P O IUPWKFQN* KW $VP I Q IPQ* IPKFNKW$ IPQ- IPQ*
U GNRQG2 GUGPKJ% UGETQ( [OT# PQKVCTGDK. IPKFNKW$ IPQ- IPQ*
VQ P* N % TPC Q \CV % K 4 \ NNGGVVNQG VQ CCV% Q* * P VNNTQT* \\% 4 NGQQ VP VVVNKT K4 VK 4 *C CTCWO O NNGG VCVQQO * TTWW NGVQ* (CC ((
HQC $ MP C $ TGYTQG6Y CQP6K JC%P KHJQ% M P
TGYQ6T GCY QJ6% CHQ H$Q M TGYQN6 KJP K% HPQ KJMC P%MCT P G VCQP* C O WC(P$C $
FTGTVTGCVTJC%J % CV 5 FG FT F CTFCPFCPV5 IFPNKKFWN$ KW $ MCP$C$ P MP FVTGI GK% VTC FJT% F FGTG CTJ CF PTCVF5P C V 5 MPC$ IPKFINKP WK$F NMKWP$C $
MP TGYQTG6Y CQP6KJ C%P KHJQ% M PHQC $ C $
0891 gnoK gnoH bulC
2891 tnomriaF esuoH 0991 dradnatS deretrahC knaB gnidliuB
s0991 GEKHH1 VUQ2 NCTGPG) GEKHH1 VUQ2 NCTGPG)
GEKHH1 VUQ2 NCTGPG)
FGTGVTCJ% FTCFPCV5 FTCFPCV5 IP FKFGNKTWG$VT CMJ P% C$ IPKFNKW$ MPC$
CKJP% KJ % TGTYGQY6Q 6 CP HQ HMQP MCP$C $
8891 ertneC oppiL
HH1 CT GPG) GUWQ* VPQOGTEKKC ( V U Q2 N
0991 knaB fo anihC rewoT
5 * X % $ Q Q* 5 P I P XX % %$ $ I 5P * I $ P* X* Q% I5 Q* DWN% DWN% VPO QTO KC GUGWUQW*Q * VP Q K CT ( (
GTVPG% QRRK. GGTTVVPPGG% %G QTQVRP RRG RK% K.. Q R R K .
City Centre is a main civic space. NGVQ* COCTW( [TGNNC) [VK% NNC* [VK% TGVPG% IPQ- IPWGJ% VQ* PQVNTC% \VK4 But, it needs a new design to [TGNNC) [VK% NNC* [VK% TGVPG% IPNQG IPWGJ% attract more visitors and connect with its surrounding. It is hidden and isolated by taller and denser [TGNNC) [VK% NNC* [VK% TGVPG% IPQ- IPWGJ% [TGNNC) [VK% NNC* [VK% TGVPG% IPQ- IPWGJ% commercial buildings. My design - City Cinema, attempts to commemorate the traces of old Hong Kong and trends of modern needs in the site.TGYQ6 $%% NCTVPG% #+# TGYQ6 %(+ [ [TGTGNNNCNC)) [ [VKV% K% NNNCNC** [ [VKV% K%
U GNRQG2 GUGPKJ% UGETQ( [OT# PQKVCTGDK. IPKFNKW$ IPQ- IPQ*
FGTGVTCJ% FTCFPCV5 IPKFNKW$ MPC$
TVP QGR%R KQ.R R K. GTVPG%
NGVQ* PQVNTC% \VK4 NGVQ* PQVNTC% \VK4
IPQ- IPQ* DWN%
3991 ztiR notlraC letoH
TGYQ6 CPKJ% HQ MPC$
X %$5*
8991 amaruF letoH
Central is known for its CBD value NGVQ* PQVNTC% \VK4 but not its civic performance. The place that once registers the memory of people’s daily lives now is congested and fragmented with skyscrapers and tunnels.
GTVPG% QRRK. GGEEKKHHHH11 VVUUQQ22 NNCCTTGGPPGG))
FGTGVTCJ% FTCFPCV5 IPKFNKW$ MPC$
9991 gnuehC gnoK retneC
IIPPQQ- IIPPQQ* * DDWWNN% %
UU GGNNRRQQGG2 2 GGUUGGPPKKJJ% % UUGGEETTQQ(( [[O OTT# # PPQQKKVVCCTTGGDDKK.. IIPPKKFFNNKKWW$ $ IIPPQQ- IIPPQQ* *
G P P C C V V5 FGTG VF TC CJ FTC TCCJ% CTVTC V5 5F F TJ FF% PPF CF F GTJG% T%GV T VFC C 5 KWWIP$ $PK F KMMFNPKPNWKCW C$$ $ M MPPCC$$ IIPPKKFFNNKI
FGTGVTCJ% FTCFPCV5 IPKFNKW$ MPC$
s0002
NGVQ* COCTW( NGVQ* COCTW(
[GVVNK KN% K% * [[TT G[GNTNNC NN NC CV ) [ CV* N% C [ V K % GC) N ) N[C T [) [% NKN% C [[ *VVKNK % [V*K %
JG %J % TGVPTGG% IVP G I %P IQP-W Q G -J VTP GG %Q I P I% WPG W
TTG6 GY %W I QQ(6 ((++ TGG % Q Y% GG VP% 6I+ W % P TGTVP IYP QP-Q IP GJG %J % TG%VP IGP%Q IP WG J % TGVPG IQP-W GIJP%
Commercial
[TGNNC) [VK% NNC* [VK%
NGGVVQQ* CC* T TWC C *N GCC O W C( (O C T TW NGVO W( ( QVQ* O
VQ * CCOTW C( TW ( NGVNQG* CO NG VCQO *C CTWO(C TW ( NGVQ*
TGVPG% IPQ- IPWGJ%
6002 lartneC AIA
M $P 5 C*$ NGVQ* PQVNTC% \VK4 GT VP G%G TQVPRGR%K. Q R R K . TGYQ6 CPK JX % %$ H5 Q * X %
O UUW WVQPQ* VVPP GUWQGG* Q*O TKQQ CO ( TT KKCC ((
5891 4v CBSH
GUWQ* PQUKJEVW* IPKFNKW$ U GEPKT2 TGYQ6 CEKTGO# HQ MPC$ GUWQ* PQUKJEVW* IP 6U CGEPKKTJG% O # U GNRTQGGY2Q G H Q MPC$ K F NK W$ U GEPKT2 GEKHH1 VUQ2 NCTGPG) U Q GT# NR QPCGQE2 UG P UGETQ(T G[ Y O KKVTC GGTO G D# K. KJ FN KIWP$Q * U G E P KT2 6 HQ% M P C $ IIPPQKGEKHH1 VUQ2G UNCWTQ G* PG P )Q U KJ E VW* U GNRQG2 GUGPKJ% G UEP KHQ H1 VKVUJ QG 2G U N CD TGKP P.GK ) % U G N R Q G 2 G G P % U G N R Q G 2 G J U G E T Q ( [ O T # K C T I P K F N K W $ I P Q I P Q * U G E T Q ( [ O T # P Q K V C T G D K . U G N R Q G 2 G U G P K J % I P Q * DWN% IPQ I1 VG VUUEQQK2 NC NC TVTUGGQPP2 H2H 1 ) NC T G P G ) I PQ * GUWQ* VP KC (VP Q O T KC( IPPQQ D-WGGEEKHKHHH1 GG) IPKFNKW$ IPQ- II PQ* KQ GQUO WQT* O K.KVCTGDK. U [[GIO EPTTQTQ # PDKQ. W(( $ -( P PI[QQPO UUPGGKEFETNTQ ## KVKQVCTC* TTGG D N%N % I IIPPPQQQ**- IPQ* IPDQWI P K F N K W $ I P Q I P Q * I P K F N K W $ I P Q I P Q * N% DWN% IPKFNKW$ IPQ- IPQ* DDWWN%
GEKHH1G GVEUEKQHKH2 NVC P2 GN C) ) 1 H1 UVTUQGQ2 NCT G T GP PG G)
2102 rewoT BCC
U GNRQ U GU 2 P2K JG % G GN RNGRQUQGG2 UUG G PP KJK J% G% UGETQ ( [EO #( [ P[O QOKTV# G DQKV.KCVCTG U UG G ETQ TTQ( TC#T P PQ TGDDK.K. GGP UUW $V PV P OQTKC( * I KFWQNQK* WI*I IQ PPKF NPKNWO KFQ KW$T$K CI II(PPP QQ Q- I IPPQQ** X % $ 5 * X % $ 5 * X %$5*
s0891
GUWQ* PQUKJEVW*
GUWQ* PQUKJEVW*
NGVQ* COCTW(
2102 )llaH ytiC( yrellaG ytiC
IPQ- I IIPPPQQQ* I IPPQQ** XX % 55** - %$$ DW N%QRRDR N. N % % TTVVP PQGGR% GTVPGG% R KQ. DRW KWK. %
TGYQ6 CEKTGO# HQ MPC$ TGYQ6 CEKTGO# HQ MPC$
3002 2 rewoT CFI
IPKFNKW$ U GEPKT2
letoH amaluF 1002-3791
GGUUWWQQ* * PPQQUUKKJJEEVVWW* *
IPKFNKW$ U GEPKT2
GGTVTPVPGG%% Q QRRRRK.K.
9791 6791 esenihC lareneG s'elpoeP ecffiO tsoP noitarebiL secroF ymrA gnidliuB gnoK gnoH
s0891
GUWQ* VPQOTKC( TTGGY YQQ66 CCEEKKTTGGO O# # HHQQ MMPPCC$ $
letoH notlra ztiR 8002-3991
Clubhouse/Hotel TGYQ6 $%%
TGYQ6 $%%
TGYQ6 $%% yrellaG ytiC 2102
NCTVPG% #+#
Military
$T% %V P % % # +# TGTYGQY6Q 6 $N C % G 6% $ % % TGYQTG6Y $Q%
NCTVPG% #+# Civic
YQQ66 T $ %Q G$Y % TTGGY % % %% 6 T G$ Y Q6 %(+ TGYQ6 $%%
VP%G % NCTNC VPTG # +#+ # C% TVP #G+% NCTVPNG # # + #
CTTVVP PG G% % #VP++# # # + NC T# G % # NNC NCTVPG% #+#
TTGGY T G% YQQ 66 %Y((Q++ 6 % ( + TGYQ6 %(+
TGYQ6 %(+ T G TYG QY6Q 6 % (%+( +
QTQ G6Y % ( +( + TG TY GY 6 %Q(6 + %
GHPURI L HJDPL \WLF ZHQ $ VJQLGOLXE UHWWDÁ GQD UHOODW \E GHFDOSHU GQD GHKVLORPHG HUD VJQLGOLXE \QDP HOLKZQDH0 WQHPQRULYQH FLPDQ\G VLKW QL GHWDGWXR GQD GHWDORVL VL OODK \WLF VXK7 OODK \WLF HKW JQÀUDZG
2202 kramdnal wen gnidliub
ANSWER: A Threshold for Civic & Commercial Space
GEKHH1 VUX Q2 NC$ TGP ) % 5G*
IIPPKKFFNNKKWW$ $ UU GGEEPPKKTT2 2 GEKHH1 VUQ2 NCTGPG)
U GNRQG2 GUGPKJ% UGETQ( [OT# PQKVCTGDK. IPKFNKW$ IPQ- IPQ*
IPKFNKW$ [CTTW/
s0991
U GNRQG2 GUGPKJ% GTVPG% QRRK. U GE TQ ( [OT# PQKVCTGDK. IPQ- IPQ* IPKFNKW$ IPQ- IPQ* DWN%
IPQ- IPQ* DWN%
X GUWQ* GPKFTC,
MTCRTC% [GTTQW VU/ ÄKVNW / F FCCQ FQ4C4 Q [[4CC TT[TCWT/ X GUWQ* GPKFTC, IPKFNKW$ [CTTW/ NW/ TGYQ6 CEKTGO # UP* WCQ I$ P K[ FC NKTW [ C TT W / GUWQ* PQUIKJPEKFVWNKW * TW$/ IPKFNKW$ MUT C GEMPTCKTR2T C [% [ GTQVUÄKV/ $ P K G KF X GHXQU G WMQ G* F TPC , T C , MTCRRTTCC% % [GGTQVUÄKKVVNNWW/ GUWQ* PQUKJEVW* IPKFNKW$ U GEPKT2 TGYQ6 CEKTGO# HQ MPC$ PPUQQWUUQKJ KJ VWWQ**U K J E V W * KFNKNW KW$I $ P UUK FG GNEKEWPP$ MPP# *EE VP TCGEEY QGO 6O # C#E HKHQTQG MO $ HQ M P C $ GGUUWWQQ** G IIPPKF KTKT 2U2 G E P K T 2 TTGGYYQQ66 C KTKTG CC$
GUWQ*GG UPUWQWQUQ* K* J EP PVQWQU* * UKJK J EE VWV W*
TGYQ6T G KTQ6 G6O O M# P#C $ C C# EEK TKHG H $ QHQ M MP PC C$ TCGYEYQ TQGO
NG VPQQ*VN TPCQ%VN T\CV% NGVQ* K4 \ VK 4
Facade can shape city identity, its pure material pattern shows the structural and aesthetic needs of the region. We can speculate the building type with the facade, i.e. stone for chapel, glass and frame for skyscrapers. Also, the grids of these repetitive patterns give us a sense of scale.
F PGKTG VTPCCJ/ % X XNVCT CMVJPP%GC K$ T 1 CF X MPC$ F* G TG I P KFNKW$ GG; PC/
X IPKFNKW$ GG; PC/
X MPC$ FGTGVTCJ%
NNC* [VK%
XX GGUUWWQQ* * GGPPKKFFTTCC,,
GEKHH1 VUQ2 NCTGPG)
5791 s'ecnirP gnidliuB
TGYQ6 CEKTGO# HQ MPC$
X %$5*
Q KPP7 7 -* G NGUVW Q QP* QP PVQQNKK* G* UW*
X MPC$ FGTGVTCJ%
GUWQ* PQKP7 IPKFNKWII$ [KFC PP KF NKNWTKWT$W$ / [ [C C TT W T W/ /
GEKHH1 VUQ2 NCTGPG)
s0691
H [yVtKi% C 2 6 9 1 NlNlCa*
-* * NNCCVVPPGGKKTT1 1 PPKKTTCCFFPPCC/ /
X GUW QXX* T CG ,GP P G G UGUWPWQKQF** KFK C ,, FT TC
IGPEKFKHNKHW1 VUQ2 NCTGPG) I PKFNKW$ VTWQ% GOGTRW5 FNQ $ CPKJ% HQ MPC$
s0002
In a timeline, we can see Central’s building envelopes change from solid, heavy, decorated masonry; to pure straight lines, flat, glass facade. In terms of the formation of the city image, we can see the city evolves from the complex, contoured, curvy-patterned facade to a flat, straight, thin-lined facade.
IPKFNKW$ VTWQ% GOGTRW5 FNQ
NNC* [VK% -* NGVQ* PQVNK* -* NCVPGKT1 PKTCFPC/ NNC* [VK% -* NGVQ* PQVNK* -* NCVPGKT1 PKTCFPC/ NC** [[VVK % KN% NGVVQQ-*** P PNQGQVVNQKN* K* NCVVPP-GG* / NC * [ V K % P Q VN K * 1 NC PVPPKTKGTCCKF TF1 CP/ KT C F P C / NNNC --** NG --** NC KTKT1 PPC
GUWQ* PQKP7
FCQ4 F [FCCCQTQT4W4 / [ [C C TT W T W/ / MTCRTCMM% V U[ Ä[GKVGTNWQ TC VUVUÄKÄVKNVWNW// T C[RRGTC TTCQ%% TQ/
IPKFNKW$ U PGGW3
GEKHH1 VUQ2 NCTGPG)
IPKFNKW$ VTWQ% GOGTRW5 FNQ
IPKFNKW$ CPKJ% HQ MPC$
FCQ4 [CTTW/
QUESTION: How To Mediate Old & New Elements?
X IPKFNKW$ U GEPKT2
X IPKFNKW$ GG; PC/
IPKFNKW$ CPKJ% HQ MPC$
W* Q P * Q7 P 7 Q* Q PQKQ PVPNK7 QWVQU* P K - G* UG W NU GG KP*
IPKFNKW$ U PGGW3
s0591
IPKFNKW$ U PGGW3
X IPKFNKW$ GG; PC/
X GUWQ* GPKFTC, GUWQ* PQKP7
IPKFNKWII$ UKF NGKNWKEW$P$ KUT U2 E EP PK TK2 PP KF G G T 2
LOCATION Central, Hong Kong
5X* I P HHCVUICN( X % $ KF NKW$ U GEPKT2 GU W Q*
PC / X IXP KI FP NKWKF$NK WG$G ;G GP;C /
2591 fo knaB anihC gnidliuB
X CM$P CF$G TFGGVTTCGJVT% C J % X MP
9981 s'ecnirP gnidliub 1v
GUWQ* HHCVUICN(
s0102
00 0000 0011 1111
IPKFNKW$ U GEPKT2
IPKFNKW$ VTWQ% GOGTRW5 FNQ
GUWQ* HHCVUICN(
X %$5*
7591 eeY naM gnidliuB 1v
W QP*Q KPQ GU WGQU* 7K P 7
IPKFNKW$ U PGGW3
X DWN% -*
X IPKFNKW$ GG; PC/
FWN $ KVWT W $ V% TW% Q O % GGTGO G5 TR 5FW N5 VTQW Q GO W FQN QF G RTWR N Q FWN $ KCW P$ IPIKPFIKNFKPWNKK$ CKP JCK% JP% KHJQ % H QM HPMQCP M$ CP $ C $ I PIKP FIKNFKPWNKK$ KW $ VQ TW%Q % GGOTR GW TR5W 5 IP IKFPNKKFWN$ VTW GO FN QF N Q KW $ KJ % IPIKFPNKKFWN$ CP CKJP% HQ HMQP MCP$C $
GTVPG% QRRK. IPKFNKW$ U GEPKT2
X MPC$ FGTGVTCJ%
X %$5*
X IPKFNKW$ U GEPKT2
9591 deretrahC knaB 1v
GUWQ* PQKP7
X MPC$ FGTGVTCJ%
GUWQ* HHCVUICN(
2691 noinU esuoH
W QG%O GO IP KI FP NKWKF$NK WVT$W QVT% TRGWT5R WF5NQ F NQ
X %$5*
IPKFNKW$ U PGGW3
1191 lareneG tsoP ecffiO
KW $ IP IKFPNKKFWN$ U PUG PGGWG3W 3
3691 3691 niradnaM notliH latneirO letoH KH gnoK gnoH
IPKFNKW$ VTWQ% GOGTRW5 FNQ
s0091
X DWN% -*
FW N $ KUW $ GEKHH1 VUQ2 N CI TG P PG W NKK I UP G PUGG PWGG3 WG3 KP F)IKN FKP $ W 3 X GUWQ* GPKFTC,
2691 llaH ytiC
IPKFNKW$ CPKJ% HQ MPC$
GUWQ* HHCVUICN(
2191 dlo emerpuS truoC gnidliuB
KW $ X IXP IKFPNKKFWN$ U GUE GPEKTP2KT 2
% MHQ IPKI FP NKWKF$NK WC$P KC JP %K JHQ P CM$P C $
X %$5*
IPKFNKW$ U PGGW3
Q P * FF N,TK WC $ , C P FWWQN $ K%UW G$ 2 $ 5KT P F 2 NKQT QW* GKP FGKTFIPCPTK,KC HQ MPC$ X X II PPIXKFKP FNKIWKNF UGO E GGUPTE RG X X G UGXWU G QWU* G KPW NVKKT$ KPWTE2 KJ % F,TC , X GXU GWUQW*Q * GP GKFPTKC
X DWN% -*
GUWQ* HHCVUICN(
0191 enidraJ esuoH 1v
PWG3 GW IP KI FP NKWKF$NK WU$ P GUG 3
X %$5*
9691 yarruM gnidliuB
X IPKFNKW$ U GEPKT2
X DWN% -*
2791 5791 5791 3791 knaB nosihctuH yarruM enidraJ fo esuoH daoR esuoH 3v aciremA -itluM rewoT yerots krapraC
T2 X IXP KI FP NKWKF$NK WU$ G EUP GKTE2P K
X GUWQ* GPKFTC,
IPKFNKW$ U PGGW3
s0591
W QG*P KG X GXU WGQU* FP TCKF,T C ,
GUWQ* HHCVUICN(
nedraG retahC
X %$5*
X IPKFNKW$ U GEPKT2
s0691
X DWN% -*
X GUWQ* GPKFTC,
IPKFNKW$ CPKJ% HQ MPC$
BRIEF Urban Studies - Revitalise Old City Hall City Centre is a main civic space. But, it needs a new design to attract more visitors and connect with its surrounding. My design - City Cinema, attempts to commemorate the traces of old Hong Kong and trends of modern needs in the site.
s0481
6481 ffatsgalF esuoH
W QHH*C VHUHC GU WGQU* IVCUNI (C N(
X %$5*
GUWQ* PQKP7
FUNCTION Cinema - cinemas, ampitheatre, restaurant, courtyard
X %X$ % 5$ *5 *
s0791
Studio Project | 2018 | Hong Kong | Collaborated with Christie Ma | Tutor: Ying Zhou Theme_Urban Studies & Building Alteration
WN % X DXW DN% - *- *
GUWQ* HHCVUICN(
s0202
05
Urban Studies Old & New City Image - City Cinema
* % W -N%* - * - * X X X D WDXNW %DN% W-N % * DXW ND
X %$5*
6881 CBSH 2v
QRLWXORYH HUXWFHWLKFUD V·HWLV HKW IR HQLOHPL 7 HUXJL) noitcnuf sti htiw segnahc thgieh dna ngised,lairetam s’gnidliub ,lartneC ni noitisnart eht tuo hguorhT X 5 * * ( $%* 5$* QW* HHVC UHVHIUCCIVUNC(IN (C N X X % % $ 5 G UGWU G QWU* HQH C .htworg cimonoce dna X %$5* GUWQ* HHCVUICN(
X DWN% -*
A - Harbourfront Section
B - Connaught Road Section Design Firstly, to add height to City Hall without modifying an existing structure, a new box is lifted above it. the decrease in space on the ground level is compensated by extending the volume horizontally above. Space is thus divided vertically. The covered outdoor space naturally becomes a resting place. The new volume shelters City Hall without touching it, while at the same time create a Billboard Effect for City Hall from further away. At the lower level of the building, we establish a core structure made out of 50cm thick concrete as a linear gallery space, an escalator attached on the core wall leading up through the thick floor slab to an open terrace. The terrace at the second level becomes a raised-up plaza with a main truss in the center, allowing for public activities and further creating an open sea-side view.
Structural Model A
B
A Billboard Celebrates Pop Culture My design - City Cinema, attempts to commemorate the traces of old Hong Kong and trends of modern needs in the site. The movie is a pop culture since the 1950s and is internationally commercialized in recent 10 years. It mediates the highclass theatric programs in City Hall and vitalizes the place with the pop culture. As such, an ideal program to update the City Hall.
balized city which will minimise geographical immobilty. Since it's hard to draw and compare them in effortless drawings, finding simpliest yet poetic way is a must. Luckily, what inspired Archigram also inspired me The Beatles. Yesterday, all my troubles seemed so far away...There's a shadow hanging over me," we think of using the past archiectural heritage (Colosseum) to represent the past and use different strokes, scales to draw it. It comes up to the expecation despite the risk and complication involved in this proect. I at last enjoy think and act like Archigram. Last remark, people should be aware of what they were, and what they are going to be, in order to evolve, or else swollen by the city.
Cinematic Drawing Re-Imagine Walking City
Shanghai Tokyo Asia Urban Study - Urbanisation & Capacity
Walking City for me is not a well-planned architectural program, it is a drawing inspiration from technology and pop culture extracted from a architect's fantastic phantasma. It provides imagination to continue expanding the crazy road, yet hiding myopic problems trapped in the 60s' knowledge. Year Those3 unrevealed is hard to| 2019 communicate. Year 2 Elective | 2016 | Tutor: Thomas Tsang Summer Elective | Field Trip to Shang Hai, Tokyo For instance, how can we visually showcase the scale problem positioned wrongly at mega-structure, but not Theme_Drawing & Animation Theme_Surveying & Animation human collectives. Also, change-of-perspective problem - transitioning the mega view of city life into the dramatic BRIEF BRIEF changes of value and identity regarding relationships when citizens are goinggovernor to liveShunichi in a fast-paced, glo-in the early 1990s to redevelop Odaiba as Tokyo Teleport Town, a showcase for futuristic living, with Reimagine an unbuilt project with an animation of charcoal drawings. (Tokyo Suzuki began aaccelerated major landfill plan balized city new which will minimise geographical immobilty. commercial development housing a population of over 100,000.) “Yesterday, all my troubles seemed so far away...There’s a shadow hanging over me,” Walking City Since it's hard residential to drawandand compare them in effortless I designed a game based way on my drawings, finding simpliest yet poetic is research a must. and for a forecast of future Odaiba. The site has different zones evolvses faster than modern social pattern, engulfing cultures and identity. Human no longer craves namic city appeared with and evolves faster timeand and changes with livelihood modern livelihood Such a dynamic cityspeed appeared withimprovement, speed and improvement, evolves fasterthan than time changes with modern Luckily, what inspired Archigram also inspired me other’s growth. that- lack interactions and capacity for each intimate relationships but limited resources on the island. The Beatles. Such a dynamic city appeared with speed and improvement, evolves faster than time and changes with modern livelihood"Yesterday, all Butmyintroubles practice master fail - because seemed so plans far away...There's a they create totalitarian order, not organic order. They are too pand, locking old spirit and soul behind the speed rigid;over theyme," cannot easily adaptthetopast thearchinatural and unpredictable changes that inevitably arise in the life of a shadow hanging we think of using tectural heritage (Colosseum) to representW. theAlexander past and use community. - Christopher different strokes, scales to draw it. It comes up to the expectation despite the risk and complication involved in this project. I at last enjoy think and act like Archigram. Last remark, people should be aware of what they were, and what they are going to be, in order to evolve, or else swollen by the city.
06
3035292640
Lui Hiu Tung, Emerald
00 0011 0111 1111
00 0000 0011 1111
liveless, with so many alikes yet alone, growing into the Walking city.
07
When individual scale suddenly scaled up to a mega structure, multiplied and expand, locking old spirit and soul behind the speed
Out, the scale is so big that only movable identical cubs are seen, with motion yet liveless, with so many alikes yet alone, growing into the Walking city. ARCH 2055 Visual Communication 1 | fall 2016
A5
Real cultures start to vanish with rapid evolution, when geographical boundaries getting smaller, true relationships getting hard to define, one becomes one only. Real cultures start to vanish with rapid evolution, when geographical boundaries getting smaller, true relationships getting hard to define, one becomes one only.
Walking City for me is not a well-planned architectural program, it is a for drawing from technology and propop Walking City me isinspiration not a well-planned architectural culture frominspiration a architect's phantasma. gram, itextracted is a drawing fromfantastic technology and pop provides imagination continue expanding the crazy culture extracted from atoarchitect's fantastic phantasma. Walking City | cinematic drawing It es start to vanish with rapid evolution, when geographical boundariesroad, getting smaller, true relationships getting hard to define, one becomes3035292640 one only. yet hiding myopic problems trapped in thecrazy 60s' It provides imagination to continue expanding the
ARCH 2055 Visual Communication 1 | fall 2016
08
Material Fabrication Modular Structure
Elective Project | 2019 | Hong Kong | Collaborated with Shuman Chan, Esther Chan, Jimmy Theme_Digital Media & Design Computation Fabrication - Carpentry And Joinery Our project intends to use modular joinery to create a pavilion. The kumiki joints have multiple wood sticks to form a cross-type joinery, they first are connected to form a curvy edge, then, with precise calculation, the modules interlock and form an arch.
00 0001 1111 1111
Fabrication - Waterjet And Frabic Our project marries two plastic materials which are different in terms of weight, thickness transparency and flexibility. The thicker upcycled polyethylene plastic performing semi strucutural quality as an enclosed ring and a stand, works in pair with the lighter rings that is less structural but more flexible to change its shape.
11
Personal Projects - Photography
00 0111 1111 1111
PROFESSION PRACTICE