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2. ¡ÒÃÁÕ»¯ÔÊÑÁ¾Ñ¹¸ Interaction . Áѹ໚¹ÊÔ่§·Õ่´Õ ·Õ่µÑÇËÅÑ¡¢Í§àÃÒä´Œ¨ÑºËÃ×ÍÁÕ»¯ÔÊÑÁ¾Ñ¹¸ ¡ÑºÍÐäÃÊÑ¡Í‹ҧÃͺæµÑÇà¢Ò â´Â੾ÒÐÍ‹ҧÂÔ่§Çѵ¶Ø·Õ่Ê×่Ͷ֧ÇѲ¹¸ÃÃÁ¢Í§à¢Ò ËÃ×ÍÊÔ่§·Õ่ºÍ¡¤ÇÒÁ໚¹µÑÇà¢Ò »¯ÔÊÑÁ¾Ñ¹¸ ´ŒÒ¹¡ÒÂÀÒ¾ ໚¹á¹Ç¤Ô´´ŒÒ¹·‹Ò·Ò§ÍÕ¡Í‹ҧ·Õ่©Ñ¹¤Ô´ÍÂÙ‹µÅÍ´àÇÅÒ äÁ‹µÑÇàͧ¡็¤¹Í×่¹ ã¹µÑÇÍ‹ҧ¹Õ้¼Áä´ŒÀÒ¾à´็¡ªÒ Masai ·Õ่ÇÒ§ÈÕÃÉÐäÇŒº¹Á×͵ÑÇàͧáÅÐᢹÊÓËÃѺ໚¹¡ÒÃÁÕ»¯ÔÊÑÁ¾Ñ¹¸ ºØ¤¤Åઋ¹à´ÕÂǡѹ¡Ñº
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4. ¡ÒÃáÊ´§ÍÍ¡ Expression ¡ÒèѺÃÐÂСÒÃáÊ´§Í͡໚¹ÊÔ่§·Õ่´Õµ‹Í¡Òö‹ÒÂÀÒ¾ºØ¤¤Å áÅлÃÐàÀ·ÀÒ¾·Õ่ÁÕ¡ÒÃÂÔ้Á¡ÇŒÒ§æä»·Õ่¡ÅŒÍ§¹Ñ้¹´Ù´Õ ᵋ໚¹ÀÒ¾ºÃÃÂÒ à¾Õ§ÍÒÃÁ³ à´ÕÂÇ ¼ÁÊÒÁÒöºÍ¡µÑÇËÅÑ¡ãËŒ·Óã¹ÊÔ§่ ·Õ¤่ ³ Ø µŒÍ§¡ÒÃä´Œ áÅÐÊÒ¸ÔµÇÔ¸Õ¡Òà ⴡÒ÷ÓãËŒà¢Ò´ÙáÅŒÇãËŒà¢Ò·ÓµÒÁ Áѹ¹‹Òʹ㨵ç·Õ่ ¢ÍãËŒµÑÇËÅÑ¡äÁ‹ÂÔ้ÁáÅÐãËŒ´Ù໚¹¡ÅÒ§æ ẺäÁ‹µŒÍ§ÁÕ¡ÒÃáÊ´§ÍÍ¡ã´æ µÑÇËÅÑ¡ÊÒÁÒöËҧÀÒ¾·Õ´่ àÙ ËÁ×͹ÅÖ¡áÅÐÊзŒÍ¹ÍÒÃÁ³ 㹡Òö‹ÒÂÀÒ¾ ºÒ§¤Ãѧ้ ¤Ø³ÍÒ¨¨ÐµŒÍ§¡ÒÃãËŒµÇÑ ËÅÑ¡·Ô§้ ÊÒµÒä»·ÕÍ่ ¹่× ·Õä่ Á‹ãª‹¡ÅŒÍ§¶‹ÒÂÀÒ¾ áÅСóչÕ้¼Á¨ÐµŒÍ§ªÕ้¨Ø´·Õ่¼ÁµŒÍ§¡ÒÃãËŒà¢ÒÁͧ ¾ÂÒÂÒÁËÒÁØÁ·Õ่ ᵡµ‹Ò§¡Ñ¹ à»ÅÕ่¹·ÕÅйԴ à¾×่ÍËҨشᵡµ‹Ò§·Õ่ÂÔ่§ãËÞ‹
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5. Çѵ¶Øã¡ÅŒãºË¹ŒÒ Object Close to Face ¡Ò÷Õ่ÁÕÍÐäÃÊÑ¡Í‹ҧÁÒã¡ÅŒËÃ×ÍÊÑÁ¼ÑʡѺãºË¹ŒÒã¹ÅѡɳСÒö‹ÒÂẺã¡ÅŒªÔ´ ໚¹ÀÒ¾·Õ่·Ã§¾ÅѧÍ‹ҧÁÒ¡ Çѵ¶Ø¹Õ้ÊÒÁÒö໚¹ä´ŒËÅÒÂÍ‹ҧ ÃÇÁ¶Ö§ÍØ»¡Ã³ ઋ¹ ¼ŒÒ¾Ñ¹¤Í ·Õ่ÊÒÁÒöÊÌҧ¡ÃͺÃͺæãºË¹ŒÒä´
6. ÊÌҧÃٻẺ Make a Pattern ¾ÂÒÂÒÁ·Õ่¨Ð¨Ô¹µ¹Ò¡ÒÃÃÙ»·Ã§ËÃ×ÍÃٻẺ ·Õ่¤Ø³ÊÒÁÒö¨Ñ´¡ÒáѺµÑÇËÅÑ¡¢Í§¤Ø³ áÅÐÁÕͧ¤ »ÃСͺ·Õ่ÊÌҧÊÃä
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POST PROCESSING
¡ÒûÃѺÀÒ¾ POST PROCESSING. ¡ÒûÃѺÀҾ໚¹¢Ñ้¹µÍ¹·Õ่ÊÓ¤ÑÞÊÓËÃѺ©Ñ¹Áҡ㹡ÒÃÊÌҧÊÃä ÀÒ¾¶‹Ò ¢Ñ¹ ้ µÍ¹ÊØ´·ŒÒÂã¹áµ‹ÅÐÀÒ¾ ¡ÒÃ㪌â»Ãá¡ÃÁâ¿âµŒªÍ» ©Ñ¹¨ÐªÍº·Õà่ ¾ÔÁ่ ¤ÇÒÁÊÇ‹Ò§ ãËŒ¡º Ñ Ê‹Ç¹µ‹Ò§æã¹ÀÒ¾áÅзÓãËŒÊÇ‹ ¹Í×¹ ่ æ Á×´ ¡ÒÃ㪌ª¹ ้Ñ µ‹Ò§æ㹡ÒûÃѺà»ÅÕÂ่ ¹áÅÐ layer mask 㹷ӹͧà´ÕÂǡѹ ©Ñ¹ªÍº·Õ¨่ Ðà¾ÔÁ่ ÊÕµÅÍ´·Ñ§้ ÀÒ¾à¾×Í่ ໚¹¡ÒÃà¾ÔÁ่ àµÔÁ ãËŒ¡ºÑ ÀÒ¾ ÊÔ§่ ¹Õà้ »š¹ÊÔ§่ ·Õà่ ¡ÕÂ่ Ç¢ŒÍ§¡Ñº¡ÒÃà¾ÔÁ่ áÅÐÅ´¤ÇÒÁÍÔÁ่ µÑǢͧÊÕ·à่Õ ©¾ÒÐà¨ÒШ§ ¡ÑºÇѵ¶Øâ´Â੾ÒÐËÃ×ÍʋǹÍ×่¹æ ¢Í§ÀÒ¾ ¢Ö้¹ÍÂÙ‹¡ÑºÊÔ่§·Õ่àÃÒµŒÍ§¡ÒÃãËŒÁѹÍÍ¡ÁÒ à»š¹áººä˹ Í‹ҧ©Ñ¹àͧ¨ÐàË็¹´Ç§µÒ㹤ÇÒÁ¤Ô´¢Í§©Ñ¹µÑ§้ ᵋáááÅŒÇ µÒÁµÑÇÍ‹ҧ ´ŒÒ¹Å‹Ò§ ©Ñ¹àÍÒÊÕ¹Ó้ à§Ô¹ÍÍ¡¨Ò¡á¼‹¹ ´Ç§µÒ áÅм¹Ñ§´ŒÒ¹ËÅѧ («Ö§่ ໚¹ÀÒ¾ÊзŒÍ¹ ¨Ò¡·ŒÍ§¿‡Ò) à¾Ô่Á¤ÇÒÁÊÇ‹Ò§ãËŒãºË¹ŒÒ ´Ç§µÒ áÅÐàÊ×้ͼŒÒ¢Í§¼ÙŒËÞÔ§¤¹¹Õ้áÅзÓãË À ้ Ò¾¾×¹ ้ ËÅѧÁ×´ ©Ñ¹ªÍº·Õ¨่ ÐÃÑ¡ÉÒàÊŒ¹ãËŒÁ¤ Õ ÇÒÁ¤ÁªÑ´ áÅÐà§ÒºÒ§à§Ò¨ÐÁ×´ÁÒ¡º¹ ãºË¹ŒÒ à¾×่Í໚¹¡Ò÷ÓãËŒà¡Ô´¤ÇÒÁ¢Ñ´áÂŒ§ ¡็¨ÐãÊ‹áʧÊÇ‹Ò§ÁÒ¡æà¾×่ÍÊÌҧ¤ÇÒÁ ªÑ´à¨¹ãËŒ¡ÑºµÑÇËÅÑ¡¢Í§àÃÒ
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AWARD OF
DAVID LAZAR ã¹»‚ 2011 ª¹Ð¡ÒûÃСǴÀÒ¾¶‹Ò Abercrombie & Kent »‚2012 ª¹Ð¡ÒûÃСǴÀÒ¾¶‹Ò»ÃШӻ‚¢Í§ Smithsonian (»ÃÐàÀ·¡Ò÷‹Í§à·Õ่ÂÇ) áÅж١àÅ×Í¡ÀҾ໚¹ÀÒ¾»¡¹ÔµÂÊÒà ¢Í§ÊÒ¡ÒúԹÊÔ§¤â»Ã áÍà äŹ (Silverkris) ã¹à´×͹¾ÄȨԡÒ¹ 2012 In 2011, winners a photo contest Abercrombie & Kent. Photo Contest 2012 winners of the annual Smithsonian (tourism sector) and select the image as a magazine cover. Airlines, Singapore Airlines (Silverkris) in November 2012.
»‚ 2014 ª¹ÐÃÒ§ÇÑ Å ÀÒ¾¶‹ Ò Â·Ò§ÇÑ ² ¹¸ÃÃÁ·Õ ่ ´ Õ · Õ ่ Ê Ø ´ ¢Í§ ÍԹⴹÕà«Õ ˹่֧ 㹪‹Ò§ÀÒ¾Á×ÍÍÒªÕ¾ à¢Òà¡็ºÀÒ¾¤ÇÒÁÍØ´ÁÊÁºÙó µ‹Ò§æ ¢Í§ËÁÙ‹à¡ÒÐÍԹⴹÕà«ÕÂáÅмٌ¤¹ änj䴌Í‹ҧÊǧÒÁ 2014 won the best photograph of Indonesian culture. A professional photographer He kept the pictures in abundance. Islands of Indonesia and its people. Beautifully made
»˜¨¨ØºÑ¹à¢Òä´ŒÃѺ¤ÇÒÁÊÓ¤ÑÞ㹡ÒÃËÇÁ§Ò¹¡ÑºÊ×่ÍÃдѺâÅ¡ ઋ¹ National Geographic, Capture, The Smithsonian, Lonely Planrt, Intrepid Travel, Singapore’s Silver Kris, Digital Photography, Digital Camera, Practical Photography, UK Daily Mirror, Daily Mail, and Herald Sun.
He has been critical in working with global media such as National Geographic, Capture, The Smithsonian, Lonely Planrt, Intrepid Travel, Singapore's Silver Kris, Digital Photography, Digital Camera, Practical Photography, UK Daily Mirror, Daily Mail, and Herald Sun.
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David Lazar
David Lazar
A travel photographer and a musician himself from Australia. David Lazar is a very familiar name in the travel photographer’s circle and has some incredible photographs mostly portraits to his identity. David loves to capture moments of life, beauty and the varied culture across our planet. When we look at his gallery, David has always been drawn to locations with rich cultural background and his specialty in portrait photography shows great talent.
Your Inspiration? Being inspired by other people’s work is a great way to be motivated and push yourself creatively. I was inspired by Manny Librodo, Joey Lawrence and Art Wolfe.
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HOW DID THIS LOVE FOR TRAVEL HAPPEN & HOW FORTUNATE YOU FEEL TO BE A PHOTOGRAPHER? My first inspiration came after my a big trip to India and Nepal in 2004. After this I discovered more about travel photography as a genre of art and became drawn to it I now had a desire to capture artistic and powerful photos from around the globe myself. I became involved in online forums where I was exposed to lots of other travel photographs, and from 2005 I continued to experiment
and learn more about the art form. I feel very fortunate that my work is popular and that I am creating the pictures I had always wanted to create ever since I was first inspired 10 years ago. My work is being seen by people around the world through publications and I’m now doing some international photography assignments. This part of my life is always growing.
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Being approached by Luminous Journeys to run photo tours in Myanmar. I learnt to appreciate the beauty and diversity of people around the world, and I realised that we are all basically the same with the same goals and values in life for ourselves and for our loved ones. I also learnt that the happiest and kindest people on this earth may not be the ones with most monetary wealth.
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HOW TO PHOTOGRAPH PEOPLE WHEN YOU TRAVEL . People often tell me that they find it difficult to take good portrait photos when they travel. Approaching strangers and asking to photograph them, usually with a language barrier, can be a daunting prospect. And how do you take a portrait that is creative and meaningful rather than just a simple snapshot of the person? I have developed approaches and techniques over the years to help become confident as a travel portrait photographer. 1. Encounter people that you meet while exploring a place and ask to take their photo, usually after an initial interaction. 2. Organise a shoot by paying ‘models’ for their time which involves some kind of meeting and prior planning. I’ve done . this on a few occasions, such as shooting the Masai in Kenya, the fishermen at Inle Lake in Myanmar, and some of the Amazon portraits in Brazil. 3. Shoot without any interaction with the person in a documentary/reportage style. Perhaps the most common approach, but it is hard to capture engaging facial expressions and there’s little control over the elements of the scene, which is why very few of my portraits are taken like this.
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SIX POSING IDEAS “DAVID LAZAR�
1. Lean on a Surface Have the subject lean on something, especially in close up portraits. This will make their posture appear relaxed and engaging. Standing straight and upright with the shoulders down may not engage the viewer quite so effectively. The surface can be a chair, table, and often I get the subject to sit down and use their knee to lean on. Leaning on something relaxes the person down and keeps them still, in a way that standing upright is perhaps more difficult and the subject is more likely to move their head or change expression.
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SIX POSING IDEAS “DAVID LAZAR” 2. Interaction It is good to have the subject touch or interact with something around them, preferably an object that says something about their culture or who they are. Physical interaction is also another posing idea I’m always thinking about, either with oneself or with another person. In this example, I’ve got the Masai boys to rest their heads on their hands and arms for a personal interaction as well as with the tree.
3. Activity Taking photos of people engaged in an activity can help make for images that tell a story. At times you may stumble on a person already doing the activity, and other times you will have to creatively construct the scene yourself. It is also possible to go one step further and organize a shoot, and usually this involves some payment for the subject’s time. Out if this, you can get great activity photos that you have full control over creating.
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SIX POSING IDEAS “DAVID LAZAR” 4. Expression It’s good to capture a range of expressions in your portraits, and ‘smiling broadly at the camera’ type photos are nice but depict only one emotion. Often you will need to tell the subject what you want, and it’s good to demonstrate this so they can copy you. It’s interesting that by asking the subject not to smile, and therefore looking neutral and potentially expressionless, the subject can portray seemingly deep and reflective emotions in photography. Sometimes you might want the subject to look off camera, and in this case point to an area for them to look at. Try a few different angles as slight changes in head tilt make a big difference.
5. Object Close to Face Having something close or touching the face in a close up portrait can be extremely powerful. This object could be many things, including material such as a scarf which creates a frame around the face.
6. Make a Pattern Try to imagine a shape or pattern you could arrange your subjects into, for interesting and creative compositions.
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POST PROCESSING Post processing of images is a very important step for me in the final creation of each photograph. Using Photoshop, I work on the photo to enhance light to my taste by brightening parts of the image and darkening other parts, done using adjustment layers and layer masks. In the same way I also work on getting the colours to be as complimentary as possible throughout the entire photo. This can involve boosting and decreasing saturation of specific colours on specific objects or areas of the photo, depending what needs to be done as I originally saw it in my mind’s eye. In the example below I removed the shades of blue from the plate, eyes and wall behind (reflections from the sky), brightened the lady’s face, eyes and clothes, and darkened the background. I always like to keep
certain lines and some shadows very dark on the face, to contrast alongside the strong brightening to give definition and clarity to the subject.
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¤³Ð¼ÙŒ¨Ñ´·Ó ¾ÑªÃÔ´Ò ÊÔ§Ë ¹ŒÍ ¾ÃÄ´Õ ÊØ·¸ÔÇ§È »ÃÐªÒ ¹ÀÊà ¹¾Ãѵ¹ ÍÀÔÞÞÒ ¤Ó¨Ñ¹·Ã ÊÔ¹Õ¹Ò¯ °ÔµÔÇѲ¹ÇԨԵà ÁËÒÇÔ·ÂÒÅÑÂÃÒªÀѯÀÙà¡็µ
͌ҧÍÔ§ http://davidlazarphoto.com/galleries http://asean-focus.com/asean/david-lazar https://www.facebook.com/dvlazar http://www.boredpanda.com/myanmar-travel-photography-david-lazar https://www.youtube.com/The Story Behind The Photo: David Lazar http://articles.spokedark.tv/2015/02/12/myanmar-travel-photography/#.ViZ-D_nhDIU http://davidlazarphoto.com/category/blog/ http://davidlazarphoto.com/bio/