Emilie Hellerup Po r t fo l i o 2 0 2 1
curriculum vitae EMILIE JESSEN HELLERUP
about Møensgade 6 9000 Aalborg +45 42 61 19 64 emiliehellerup97@hotmail.com
education 2019-2021
AALBORG UNIVERSITY Architecture and Design, Sustainability MA Cand. Polyt. Arch
2016-2019
AALBORG UNIVERSITY Architecture and Design BA
2018
UNSW, SYDNEY Study Abroad - Architecture
2015
2012-2015
STUDENTERKURSUS Mathematics A-level Chemistry C-level
ST. JOHNS INTERNATIONAL SCHOOL, WATERLOO BELGIUM International Baccelaureate
proficiency SKILLS
LANGUAGES
FREE -TIME
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Adobe Suite
Sketching
Rhino
Autocad
Lumion / Enscape
Revit
BE18
LCAByg
BSim
Vray
English
Danish
French
Spanish
DRAWING, TRAVELLING, SPORTS, BAKING, READING
Dutch
experience 2021-2022
ARCHITECTURAL RESEARCH ASSISTANT Assisting in innovative research topics in architecture, while also acting as a main supervisor for different courses on the bachelor and masters degree
2021
C.F. MØLLER - STUDENT WORKER Helping on various different architectural projects, making illustrations, sketching, modelling, etc.
2020-2021
C.F. MØLLER - INTERN Helping on various different architectural projects, making illustrations, sketching, modelling, etc.
2019
2018-2019
STUDY TRIP TO JAPAN A studytrip to Japan, gaining inspiration and knowledge of different building methods, and ways of looking at architecture.
PLAKATERIET Cooperation with plakateriet.dk with position of designer/ artist.
2017
CAN LIS, MALLORCA Summer course at Can Lis by Jørn Utzon, in which there was a focus on evolvling spatial, technical, and drawing skills.
2017-2021
AALBORG UNIVERSITY Exhibition worker. Part of a team setting up and exhibiting different projects and competitions related to the course architecture and design.
2015-2021
PROFESSIONAL ARTIST Personal business/hobby, creating drawings by demand. https://www.facebook.com/emiliestegningb/
2016
IVHQ Volunteering for 4 months in Bali and Vietnam, teaching local kids English, and helping renovate a school.
2015-2016
RED CROSS Volunteering advertisementworker, primarily through graphic design such as brochures, booklets, etc.
2012-2016
ST JOHN’S ISST’S GRAPHIC DESIGNER Designed T-shirts, brochures, and logos for International sports events held at the school every year.
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With a largely international background, I am a newly educated architectural engineer from Aalborg University, offering a fresh interdisciplinary approach to architecture, aspiring towards consensus between architecture and engineering. I believe successful architecture, roots in the corelation between building and context through awareness of atmospheres and environmental characters of the given place. Thus, architecture should be an integral part what already exists, and to be so, I believe that simplicity is key. Simplicity, found through harmony between the nature of the surroundings and the body of the architecture, defined and detailed according to the principles of the materials chosen to be compatible with the environmental context.
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01 duneside
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duneside CLIMATE CHANGE CENTRE IN BLOKHUS
info
PROJECT Aalborg University 10 sem. Spring 2021 Msc04 ARCH - Sustainable Architecture PLACEMENT Blokhus PERIOD 4 months (GROUP PROJECT) AREA 3200m2
about
With the increasing problematic of climate change, ‘Duneside’ exemplifies sustainable constructions, rooting in the correlation between building and context through awareness of atmospheres and environmental characters of a given place. Located at the Danish west coast in a distinctive nature, the project chooses natural materials, compatible with the context, that once disposed can return to become a part of natural and ecological resources. ‘Duneside’ challenges present time building strategies as it rethinks constructions, implementing traditional building techniques and design for disassembly as a tool to improve a circular approach towards architecture and constructions, limiting environmental and physical impacts. ‘Duneside’ takes a societal role, as architecture that motivates in a sustainable direction.
The choice of materials should be influenced by the context and the patinating of the rough sea setting.
A good indoor environment. Considerations of the building envelope in relation to the microclimate.
THIS PAGE - LEFT Atmospheric sketches of exhibition space THIS PAGE - RIGHT Design criteria OPPOSITE - TOP Arrival to Duneside render OPPOSITE - BOTTOM Concept description
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Strive to be made entirely of natural and non-chemical materials, considering the life cycle of various materials.
Should have a flexible and adaptable structure, by means of designing for disassembly
01 DUNESIDE - CLIMATE CHANGE CENTRE
PLACING VOLUMES
ELEVATING BUILDING
ALTERING OVERALL SHAPE
DETAILING BUILDING
Respecting climate
Touching the earth lightly
Regarding climate and indoor comfort
Providing an experience
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01 DUNESIDE - CLIMATE CHANGE CENTRE
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01 DUNESIDE - CLIMATE CHANGE CENTRE
OPPOSITE Contemplation & exhibition space
THIS PAGE Flexible exhibition space
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01 PIER 12 - SUSTAINABLE HOUSING
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01 DUNESIDE - CLIMATE CHANGE CENTRE
OPPOSITE - TOP 3D Short section OPPOSITE - BOTTOM Site plan 1:4000 THIS PAGE - TOP Closeup facade of entrance THIS PAGE - MIDDLE Closeup plans of spaces THIS PAGE - BOTTOM Plan in 1:1000
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Contemplation & exhibition space Flexible exhibition space Tech Storage Toilets Cafe Shop Reception Kitchen Wardrobe Office Meeting room Lab space 2
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01 DUNESIDE - CLIMATE CHANGE CENTRE
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THIS PAGE - LEFT Exploded view of structure
OPPOSITE Details & connections of building
THIS PAGE - RIGHT Construction elements & disposal
BOTH PAGES - BOTTOM South & West facade in 1:1000
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01 DUNESIDE - CLIMATE CHANGE CENTRE
Mounting frame Weatherstrip Window frame insulation
Thatched roof Fireproofing sheet Counter battens 21x45mm Roof battens 21x45mm Windbreaker 25mm Insulation 300mm Paperbased vapor barrier Ceiling Supportive beam Load-carrying beam Load-carrying column
Thatched facade Fireproofing sheet Counter battens 21x45mm Wall battens 21x45mm Windbreaker 25mm Insulation 200mm Paperbased vapor barrier Insulation 95mm Clay panels Clay plaster
Windowsill insulation Weatherstrip
Flooring OSB board Paperbased vapor barrier Insulation 200mm OSB board Insulation 300mm DHF board Timber beams 200x350mm Screw foundation
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pier 12 SUSTAINABLE HOUSING
info
PROJECT Aalborg University 7 sem. fall 2019 Msc01 ARCH - Sustainable Architecture PLACEMENT Between Skudehavn & Vestre bådhavn Aalborg, Denmark PERIOD 2.5 months (Group project) AREA 11089 m2
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about
The objective of the project is to design a social and environmentally sustainable housing complex with a diverse user group, and non-dwelling functions on the site which previously housed Limfjordsværftet in Aalborg. The project has a floor-to-area ratio of 143%, with 112 dwellings. Dwellings with architectural attributes and innovative reuse of materials are designed with a low-energy demand and high indoor comfort by taking advantage of the micro-climate and the surrounding characteristics of the site. The result is a place where the building volumes are formed and positioned by sunhour studies, gaining the most optimal sun-hours in the dwellings as well as the courtyards with their distinct character offering social interaction with the public, the maritime environment of boat builder’s workshops, social urban gardening, a plaza for the public circulation and the safety for the children of the inhabitants to play. The connection to the old Limfjordsværft is witnessed through the reuse of the existing materials on the balconies and landscaping whilst new modern sustainable materials are used in the construction to provide good indoor environment and safe living conditions for the occupants and their loved ones.
SEATING FOR BOAT WATCHING
STAIRCASE & RAMP
-Space for watching boats being pulled up -Entrance open space to invite public onto site
-Ramps for handicap access -Ramp for cars -Green areas for sitting and playing
GREENHOUSES -Communal gardening -Interaction between pulic and occupants
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PLAZA -Small poles surrounding seating for wind protection -Poles illustrating masts referring to maritime with sails
PLAYGROUND WITH GARDENS -Fences for safety -Front gardens -Interaction between parents and children
HARBOURFRONT -West for sunset -Steps used as seats -Placed on water -Interaction with boats
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02 PIER 12 - SUSTAINABLE HOUSING
THIS PAGE - TOP North facade THIS PAGE - BOTTOM LEFT West facade THIS PAGE - BOTTOM RIGHT Picture of model OPPOSITE Masterplan in 1:1000
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02 PIER 12 - SUSTAINABLE HOUSING
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THIS PAGE - TOP Axonometric of site
OPPOSITE - TOP LEFT Detail of roof, wall & floor in 1:50
THIS PAGE - BOTTOM Longitudinal section 1:500
OPPOSITE TOP RIGHT Plans of family appartment, and shared appartments in 1:200
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ROOF Cedar wood cladding 25mm Horizontal wooden batten 35mm Vertical wooden battens 35mm Highyl breathable synthetic membrane 0.4mm Woodfibre imsulation 60mm Woodfibre insulation w/ timber battens 180mm Monolithic vapor membrane 0.6mm CLT (three-layers) 160mm Woodfibre insulation 60mm Gypsum board (2 layer) 12,5mm each WALL Cedar wood cladding 25mm Horizontal wooden batten 35mm Vertical wooden battens 35mm Wind barrier & waterproof membrane 0.6mm Woodfibre insulation 60mm Woodfibre insulation w/ timber battens 180mm Monolithic vapor membrane 0.6mm CLT (three layers )160mm Woodfibre insulation Gypsum board (two layers) 12.5mm each
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off grid cabin WRITER’S CABIN
info
PROJECT Aalborg University 7 sem. fall 2019 Msc01 ARCH - Integrated Design of Sustainable Tectonic Architecture
PLACEMENT Pebermosen, Hammer Bakker Aalborg, Denmark PERIOD 3 weeks (INDIVIDUAL PROJECT) AREA 40m2
about
The cabin is designed as a retreat for a writer that wants to work remote from society and close to nature for some weeks or a few months in order to contemplate and concentrate, eventually seeking inspiration from nature. The retreat relates both practically and poetically to the place it is situated; responding to the genius loci and aiming to address the human sense of vision, touch and movement. The retreat is off-grid, using passive and active strategies in order to ensure energy, as well as modern technologies such as home bio-gas for toilet and stove. It ensures adequate natural daylight, and considers different DGNB requirements, specifically user control, visual quality, and outdoor environment. Wood is the primary material with straw insulation, creating a warm indoor environment, and use of local materials. The retreat aims to relate to the natural surroundings, by framing the views, and allowing one to easily open up to the outdoors. When one arrives at the building, it appears as a black wooden box, however when one enters the building, it opens up with large windows allowing a large amount of natural daylight, and incredible views to the lake. The form of the retreat provides a sense of comfort, with a lighter interior, while also providing shade and shelter from the climate.
Building is orientated towards the lake and the views to the woods, focus on nature and how to move through it.
Outdoor environment
Visual quality
User control Entrance to the cabin, blends in with the surroundings with vertical wooden cladding, emphasizes views upon entry.
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DGNB criterias focused on
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PLAN IN 1:200
EMILIE HELLERUP
ARCHITECTURE PORTFOLIO
2020
03 OFF GRID CABIN - WRITER’S CABIN
03 OFF GRID CABIN - WRITER’S CABIN
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SKETCH OF SUSTAINABLE SOLUTIONS 1. Windows ensure good views, while inviting natural daylight in to minimise artificial light. 2. Homebiogas for stove, and toilet. 3. Eaves provide shading during summer, while inviting sun in during the winter. 4. Natural cross-ventilation and flexible exterior shading ensures user control of atmospheric indoor climate and solar heating. 5. Walls and windows with low u-values and use of local natural materials.
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OPPOSITE - TOP West facade render OPPOSITE - BOTTOM LEFT Office render OPPOSITE - BOTTOM RIGHT Kitchen / living room render THIS PAGE - TOP Section with sustainable solutions
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a t e l i e r p o r t u ga l ARTIST’S WORKSPACE
info
PROJECT Aalborg University 6 sem. spring 2019 Bsc06 ARCH - Structural design & projection PLACEMENT Madeira, Portugal PERIOD 3 weeks (INDIVIDUAL PROJECT) AREA 110m2
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about
Situated in Madeira, Portugal, the atelier for a painter is built into a cliffside, facing north, with an entrance from the south. Upon arrival, one is met by the atelier, which is separated from the living space. The atelier provides views to the sea, whilst allowing a little glimpse of the living space below in order to create a connection between the two. A large staircase leads one to the view over the cliffside and the sea, with the warm wooden exterior inviting one into the living space. Here there is a kitchen, living room, bathroom, bedroom and guest room. The in-situ concrete construction is utilized as an element which helps to define and create the architectonic space. It defines the spatial process, delimitation and opening between the spaces, through the experience of materiality and scale, by having a heavier outer shell out of concrete, and a lighter inner side, the materials come to play of creating a comfortable environment and climatic shell. The room design focuses on spatial experience, interaction with the outside climate through the façade by means of natural daylight and passive solar heating and cooling, temperature, air quality, and energy consumption. Different shading devices, such as the large overhang, and sliding shutters contribute to a comfortable indoor environment in a climate such as that of Madeira. .
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Seperation of residential and workspace connected through stairs and views
Heavier outer shell, lighter inner shell. Two modules connected
Built into landscape with focus on surroundings
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04 ATELIER PORTUGAL - ARTIST’S WORKSPACE
SECTION IN 1:100
PLAN IN 1:100 29
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compact living INFILL BUILDING
info
PROJECT Aalborg University 3 sem. fall 2017 Bsc03 ARCH - Compact Living PLACEMENT Østre Havn, Aalborg, Denmark PERIOD 3 months (GROUP PROJECT) AREA 216 m2
Placement of rooms in terms of views and climate.
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about
In the modern society, we see a newly emerging problem of lack of co-existence in family life. This project therefore concerns the design of a compact housing, which is adapted to a family in the modern society, in which social interaction is at the forefront. The rooms are placed in consideration of the family’s day-to-day routine. by assembling the practical rooms on the ground floor, the more extroverted rooms on the first floor, leaving the introverted rooms to the upper floors. The first floor collects and connects the common spaces in the home, which with its leveling platforms forms a social landscape ranging from facade to facade. In the transition from the external to the internal, small ‘oases’ have been created in connection with the staircase, where there is room for immersion without losing contact with the residential public area. The bearing beams and striking rods that extend into the free space, aim to create dynamics and division into the external space as part of the construction. Through a precise design of the house’s spaces and atmospheres, through the use of light, of materials, of physical expression, of the structure of the building and through views and movement through the forms, one can create the ambiance and atmosphere of the home. House becomes home.
Focus on circulation
Public areas in bottom, private in the top
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WEST FACADE
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CENTER Longitudinal section
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Missing File: Sheet: F:\AAU\Semester 1or invalid reference 3\Den kompakte bolig\plan-2-køk.pdf
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