Emily McGuire Architecture Portfolio

Page 1

EMILY MCGUIRE ARCHITECTURE PORTFOLIO


TABLE OF CONTENTS 4

FLUID DEVIATION Design Development

20

CHICAGO FUTURE HOUSE-ATTACHED

CASE-Residential/Urban Studio

32

CHICAGO FUTURE HOUSE-DETACHED

CASE-Residential/Urban Studio

38

TIMBER IN THE CITY

ACSA Competition

46

CHICAGO ‘GALERIE’ HOTEL

an Urban Studio

54

MANUAL DRAWING Sketches + More

58

KOHN PEDERSEN FOX

Mixed-Use Tower Design



4


1

5

FLUID DEVIATION

DESIGN DEVELOPMENT STUDIO WITH MICHAEL EVERETT


6 INHERITED PROGRAMMATIC DIAGRAM

1 Typical Stacked Library Volume

2 Create Vertical Connection (Void)

3 Expand Public Space Around

REVISED PROGRAMMATIC DIAGRAM

1 Typical Stacked Library Volume

Previous Page / Sectional Model Photograph Top / Inherited Programmatic Diagram Bottom / Revised Programmatic Diagram

2 Fluid Deviation from Traditional Methods to New Technologies

3 Slice Ends to Reveal Librar

This library is a fluid deviation from traditional library ways to the newly redefined, technological age of the library. This form houses the typical library’s book stacks in one wing of the splitting volume and computer centers and data in the other wing. At the intersection of the deviating wings is a continuous void, connecting each floor and both wings and facilitating the spread of knowledge.


d Void

ry to Community

EMILY MCGUIRE ARCHITECTURE PORTFOLIO

4 Condense and Reveal Physical Knowledge

4 Create Vertical Connection (Void)

5 Expand Public Space Around Void

7


8 1 1

1

A302

A212

B 1

1

A302

A212

1

1

A302

A212

 

 





 

   



 





1 A210

 

 

 1 1

A211

A211

 



 



 

1 A301



  

  



 

 

 

  





 DN

 

       

       

 



 

1 A210

 





       



A00 - Level 0 1 : 100

0  

2

 1

1

A302

A212



1 A211

1 A302



 

1

1







 



  

 



 



1 A211  

  

 

 





A301

A301

 

1 A210









 

1 A211  

1 A301

 

 





A00 - Level 0 1 : 100



0

A01 - Level 1  

1 : 100

1



 

A101





 

Level 2 Ceiling Plan 1 : 100

2

Fluid Deviation Library Typology Daegu, South Korea Original Architects-1/9 6,000 sq m Basement-Level 5 Floor Plans






9

EMILY MCGUIRE ARCHITECTURE PORTFOLIO

3 C2

1

1

A302

A212

4

C3

C2

C3

1

1

1

1

A302

A212

A302

A212

C11

C11

C5

1

C5

A210

C12

1 A210

C12

 

C6

C6



C13

C13

C7

C7

  



C14

C14



  





C15 

C15









1 1

A210

C8

A210

C8  

C16

 

C16



       

       



1

1

A211

A211



 

C17

C18

 



C19



C9  







A301

C18 



  

C19 

C9

 

C20





C17

1



1 A301

C20









       



 C21

 C21

 C10





1 A401

C22

A04 - Level 4 1 : 100

4

C23

 

C1

       C1 

       

C4



C2

1

C4

C10

       

C22

A05 - Level 5 1 : 100

5

  C23

5

C3

A211  

1

1

A302

A212

A103



1

A30

C11

1

1

C5

A301

A301

C12

1



 









 



2 A401



1



C6

C13

C7

C14 

C15 



 





A210



A211

C8  

C16

1 A211

C17

 

1 A301

C18

 

C19 C9

 



Level 2 Ceiling Plan 1 : 100

2



A03 - Level 3 1 : 100

3



 

A102 C1

In accordance with the fluid concept, the circulation (both horizontal and vertical) via the core and void space are instilled with a sense of continuity and flow. As the operational diagrams show on the previous page, the new methods of library-keeping (through new technologies) have started to remove themselves from the typical stacks of the library. In order to showcase this new ideology and organization of a library while still giving reference to the historically

C4



C20 

C21

C10

C22

A04 - Level 4 1 : 100

4

C23

understood library through book stacks, the two methodologies are fluidly deviated from each other. The stacks, though, are ripped from the new technologically programmed spaces and are cantilevered, pushing the idea that traditional methods are no longer the foundation or grounding of a library space. Mediating between the two library functioning spaces (new and old book organization) is a void that connects all floors and functions.


10

North-South Light Rendered Section


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

With a rigid north-south building orientation, the form needed to account for plenty of daylighting without glare. Utilizing the void, most of the daylighting effects occur in the grand circulation path weaving up and down the void. Secondarily, but also very important, is the canted South facade (this was also mirrored on the North facade, just not for the same performance sake). Allowing the form to

11

self-shade by overhanging itself, users of the library at computers will not be blinded by glaring light entering the spaces. Above shows the longitudinal, north-south section and the light emittance designed for. Of note is the expansive skylight on the roof and the sliced and angled ends.


12 CUTAWAY SECTION PERSPECTIVES

A04 - Level 4 12250

A03 - Level 3 8750











 

 



  



   

 



       





        

       

1

 







 

 A03 - Level 3 8750

  

1

Wall 1 : 10

2

2

  Detailed Wall Section - Stacks 1 : 10

1

1 / Typical Metal Panel Wall Section 2 / Typical Perforated Metal Panel and Curtain Wall Section 3 / Typical “End Cut” Curtain Wall Section









  

Level 2 Ceiling Plan 5250 



2

Detailed Wall Section - Perforated Metal

A402

1 : 10

4



Detailed Wall Section - Glass Wall 1 : 10

3

D


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

13

3 Shown above are the three main types of curtain wall panel employed in the Daegu Library. Top left is the most typical, wrapped facade of cold formed aluminum panels (some operable) as a structural, insulated panel system. Bottom left is the perforated aluminum panel with glazing behind that occurs on the core-side of the building where light transmission is necessary for circulation around the core. Finally, the above image represents the “cut faces� of the building

where clear glazing and glass mullions allow for the most light exposure. In addition, where the glass panels meet with the aluminum panel system, back painted glass is exercised to hide the build-up behind.


14 WRAPPED PANEL APPLICATION

Above / East Elevation Adjacent Page-Top / West Elevation Adjacent Page-Bottom (left to right) / South Elevation, North Elevation

Elevations of the building show the use of the aluminum panel and the wrapping it must do to accommodate and reinforce the fluid form and “cut� glass faces. Juxtaposition of the fluid, solid form (created by the aluminum panels) and the transparent glass faces is best seen in the given elevational views.


A04 - Level 4 12250

A03 - Level 3 8750

15

EMILY MCGUIRE ARCHITECTURE PORTFOLIO

A02 - Level 2 5250

    A01 - Level 1 0

        

A00 - Level 0 -3500

A00L - Level 0 LH -5250

A06 - Level 6 20000

North 1 : 100

2

A05 - Level 5 15750

   

       

       

A06 - Level 6 20000

A06 - Level 6 20000

A04 - Level 4 12250 A05 - Level 5 15750

A03 - Level 3 8750

 A04 - Level 4 12250

A02 - Level 2 5250



  

A03 - Level 3 8750

  A02 - Level 2 5250

A01 - Level 1 0





A00 - Level 0 -3500 A01 - Level 1 0

A00L - Level 0 LH -5250

North 1 : 100

2

       

   

       

A00 - Level 0 -3500

A06 - Level 6 20000

South 1 : 100

A00L - Level 0 LH -5250

       



A201

1



A05 - Level 5 15750



A04 - Level 4 12250

A03 - Level 3 8750

A02 - Level 2 5250

A01 - Level 1 0

A00 - Level 0 -3500

A00LA06 - Level 0 LH - Level 6 -5250 20000

West 1 : 100

2 A05 - Level 5 A06 - Level 6 15750 20000



 A04 - Level 4 12250

 A03 - Level 3 8750

 

A02 - Level 2 5250

A01 - Level 1 0

A00 - Level 0 -3500

A00L - Level 0 LH -5250

South 1 : 100

1



A201



A05 - Level 5 15750

A04 - Level 4 12250 A05 - Level 5 15750

A03 - Level 3 8750 A04 - Level 4 12250

A02 - Level 2 5250 A03 - Level 3 8750

A02 - Level 2 5250 A01 - Level 1 0

A00 - Level 0 -3500 A01 - Level 1 0 A00L - Level 0 LH -5250

North 1 : 100

2

A00 - Level 0 -3500

A00L - Level 0 LH A06 - Level -5250 6 20000

East 1 : 100

1 A05 - Level 5 15750

A04 - Level 4 12250

A03 - Level 3 8750

A02 - Level 2 5250

A01 - Level 1 0

A00 - Level 0 -3500

A00L - Level 0 LH -5250

South 1 : 100

1


16 FLUID INTERIOR SPACE

Above / Interior Circulation Path at Desks and Book Stacks Adjacent Page (left to right) / Interior Void Render, Lower Level Gallery + Auditorium Entrance


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

Interior spaces rendered above show the material of concrete as the chosen fluid interior material. In addition to material choices, lighting and furniture are also deployed in the Daegu library design to reinforce the fluid concept of the space. As depicted in many images thus far, the structural system takes heed of the changes in the library’s typology and grounds the application of this form by

17

referring back to typical massive structure, giving stability to the project in the context. Without such visible stability, the library could be too far removed from its preceding ideals.


18

Top Left / Exterior Elevation Model Photograph Top Adjacent Page / Interior Section Cut Model Photograph Bottom / Programmatic Diagram Process Models


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

19



2

CHICAGO FUTURE HOUSE ATTACHED CONDITION-COMMUTER


22 IMPLICATIONS OF THE CHICAGO COMMUTER IN 2050

USA commuting + obesity percentages projections influenced by papers published by Harvard and MIT and Census data trends

2010 25%

data aquired from the United States Centers for Disease Control and Prevention and the Census

0 03

%

30

2

%

20 16 miles

90

19 13 mi les

50

15% 1970 home

les

mi

10 miles

100 miles work

Previous Page / Interior Living Room Perspective with view to Greenhouse Above / Diagram of distance between Work and Home and Obesity % within the USA Adjacent Page / Diagram of distance between Farm and Table in relation to above diagram

2050 42% OBESE home

This studio held two main constraints: - randomly selected ‘client’ profiles (which became the basis for comprehensive research to outline current demographics, patterns of consumption, and behavioral and relational dynamics). - lot size (either attached or detached, both case studies are presented here)


2010 // 2,000 miles

EMILY MCGUIRE ARCHITECTURE PORTFOLIO

to tab le

2,2

50

mi le

s/

/2

03 0

foo dm iles // f arm

23

,40

/1

0/

9 19 s

ile

0m USA commuting + obesity percentages projections influenced by papers published by Harvard and MIT and Census data trends

2030

30%

2010 25%

data aquired from the United States Centers for Disease Control and Prevention and the Census

20% 13

miles

16 miles

1990 15% 1970 home

50

miles

1970 // 1,200 miles

10 miles

100 miles work

2050 42% OBESE home

2,500 miles // 2050

If commuting discourages activities such as fitness and eating healthy foods, especially in the Midwest, and if Chicago commuting averages increase from twenty-five minutes today to two hours by 2050, then how will the Chicago house of 2050 counteract this dire commuting epidemic already present today?


24 CHICAGO URBAN FARM

IN 2050, COMMUTER RESIDENCES WILL HOUSE THE CHICAGO URBAN FARM

house of 2050

=

living space

1 Top / House of 2050 Diagram Bottom / Dreams of the House of 2050

+

mode of exercise

+

in the house of the future, you can grown your own magic beans from your own nursery

fresh food facilitator


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

2

in the house of the future, you can count your sheep under an apple tree

3

in the house of the future, you need to burn it to earn it

25


In addition to the constrained planning dimensions of the attached typology, the students were faced with a reduced amount of area for thermal and water collection and gain to only two short facades and the roof condition. Furthermore, the ratio of height to width and the attached nature of the neighbors created significantly constrained conditions for direct daylighting.

PROGRAMS OF THE HOUSE

As with the prior exercise, students used their client profile to situate and locate the contexts of their project in Chicago.

LEVEL 5 FLOOR PLAN

26

DN

Lot Line

DN

BUILDABLE AREA: FAR 0.55

Neighbor

Neighbor

UP

UP

Rear Yard Setback

Lot Line

Lot Line

DN

LEVEL 3 FLOOR PLAN

LEVEL 4 FLOOR PLAN

Front Yard Setback

DN

UP

Above / Chicago Attached Lot Size Plan Right / Levels 1-5 Plans UP DN

Adjacent Page-Top / Organizational Diagram Adjacent Page-Bottom / Exterior Street View

LEVEL 1 FLOOR PLAN

Plot Plan for the Attached Housing Typology. The Bulk Mass of the attached typology is inextricably linked to the neighboring condition through the structural party wall. Students were either asked to respect this condition, or devise the a new notion of the shared ‘Party Wall’

LEVEL 2 FLOOR PLAN

Lot Line


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

the new urban farm

billowed for sw exposure

intersection as circulation

27

billowed for se exposure

What does life look like when four hours of each day is Each Chicago commuter home of 2050 is part of a community of megaspent commuting? commuters, close to the high-speed train rail yards where the new urban How does that affect the home?

farmer also lives and harvests daily (from each commuter’s house). This community has diversity in not only the type of commuter, but also the food grown in each home which can be customizable for the inhabitants. Although this is a community integral to the new urban farmer’s way of life, each house has the ability plant to fit their own living styles and taste.


28 IRRIGATION SYSTEM

Right / Diagrammatic Section of Grey and Filtered Water Flows within the House Adjacent Page / Detailed Delivery, Wall + Floor Section of Water througout the harvested half of the house.


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

The greenhouse half of the row house is irrigated through pipes integrated into the structural system, as shown in the image above. Water is collected at the roof level (collection amassing to an average of 126 usg/day) and is directed through a series of waterways and drip beds, through the faceted floor slabs to irrigate the plants, and once at ground level, either recycled back up for greenhouse re-use when roof-top collection is not sufficient or ultimately filtered for

29

domestic use and pumped up to the attached family dwelling for use in “water closets� and those of the like. Finally, once used as irrigation for plants and possibly grey water in domestic facilities, the water is discharged at ground level in order to recharge the ground.


30 IRRIGATION-FLOW DIAGRAMS rainwater flow diagram

rainwater collection roof “tank” capacity: 1,310 usg

domestic water line controller

emergency shut-off s 3-way solenoid valve

roof

rainwater storage “tank” (pipe structure) capacity: 20 usg/floor (4 floors)

60 mesh screen drip filter 5x 1/2 gph PC Emitters

level sensor

3-way solenoid valve

50 mm Brass CBV

s 10x 1/2 gph PC Emitters

reduced pressure backflow preventer

level four

s

level three

s

level two

greenhouse return pump

s level one (shown on the domestic water flow diagram)

(left to right) / Rainwater Flow Plumbing Diagram, Rainwater Control Logic Diagram, Domestic Water Flow Plumbing Diagram

domestic water add-in pump

filter for domestic use


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

31

domestic water flow diagram

rainwater control diagram

3-way solenoid valve s

emergency shut-off 3-way solenoid valve s

rainwater collection roof “tank” level sensor

roof rainwater in collection roof “tank” ?

no

(shown in greenhouse flow drawing)

yes

switch emergency shut-off/ 3-way solenoid valve to domestic water

switch emergency shut-off/ 3-way solenoid valve to rainwater “tank”

are L1-L4 storage pipes at capacity? level four no

yes

no

50 mm Brass CBV toilet

open emergency shut-off/ 3-way solenoid valve to fill storage pipes with domestic water

open emergency shut-off/ 3-way solenoid valve to fill storage pipes with rainwater

keep emergency shut-off/ 3-way solenoid valve closed

hwh hot water heater

reduced pressure backflow preventer

sink shower head

level three is the soil moisture content in either L1, L2, L3, or L4 lower than the optimal 10%?

no

yes

hold water in storage and continue schedule of 1/4 gph for 1/2 gph-able PC Emitters

temporarily override the 1/4 gph schedule and increase emitters to 1/2 gph in drip beds for 1/2 hr

hwh

sink dishwasher

rainwater collection roof “tank” full? level two toilet no

pump excess greenhouse water back up to the uppermost point of greenhouse water system

yes

domestic water pump

hwh

shower head sink

filter excess greenhouse water for domestic use and pump into domestic water system

s

clothes washer

level one

domestic water line

In order to understand the irrigation system through pipes, above proves the possibility and applicability of the entire water collection and distribution design. These flow diagrams hold technical merit when they refer to the individual irrigation and plumbing fixtures to allow this design to operate. Diagrams of the actual parts and logic are essential to working successfully with contractors on projects that might reach outside the typical architectural design scope. An

domestic water add-in pump

(shown on the rainwater flow diagram)

filter to clean return water to ultimately recharge ground

understanding of these principles are vital for successful coordination and ultimately successful design no matter what discipline they fall under.

controller



3

CHICAGO FUTURE HOUSE DETACHED CONDITION-COMMUTER


Active Parameters: Finding Chicago

Design Constraint #2: 3.5 Week Project

34

Students began the semester’s work by undertaking intense analysis and identification of the climactic and energetic flows and environmental factors that define and characterize Chicago and its immediate region. This work immediately translated into foundational research into how Chicago and its metropolitan infrastructure currently process these flows, and what the sustainability of these systems will be in 2050. In addition to the climactic analyses and typical contextual research (topography, infrastructure, etc), the students specifically investigated and questioned:

In the first design exercise for the Future Home, students were given a theoretical ‘Lot’ with dimensions, setbacks, ‘North’, buildable areas, and FAR ratios to constrain the massing, area and heights of the projects. To determine the neighborhood and locations within Chicago, the students applied their Client profile and climactic analyses.

ENGULFED IN FOOD

The first Lot the students studied was the traditional ‘Detached’ lot typology typical of the majority of Chicago’s neighborhoods, seen particularly in Prairie, 4-Square, and Bungalow Style houses.

Water Scarcity - Can Lake Michigan support the city’s potable and other water uses at an urban scale in 2050, despite unregulated consumption and lack of treated recharge?

Lot Line

Food Consumption - Will Chicago’s position as a transit hub instigate the increasing distance between point of growth and point of consumption? Can this be mitigated with viable local solutions?

Neighbor

BUILDABLE AREA: FAR 1.25

Sideyard Setback

Neighbor

Sideyard Setback

Front Yard Setback

Quality of Life (Work + Travel) - How will projected expansion of transport networks also expand the acceptable daily ‘commute’? Human Health (Daylight + Artificial Light) - How does the proliferation of display technology and its infiltration throughout daily routines affect human health? Energy Generation - What forces and flows can consistently provide alternative local means to generate power?

Rear Yard Setback

Lot Line

Lot Line

Human Health (Air Quality) - How can our homes create probiotic environments that promote our health?

Lot Line

Plot Plan for the Detached Housing Typology. FAR stands for Floor Area Ratio, which is determined by multiplying the lot size by the FAR Factor to determine the allowable square footage of residence.

Air Flow - How can urban air flow be used to help calibrate micro-climates that contribute to the internal organization of the Future Home? Sustainable Devices- Can the devices and appliances we currently own and direct precious resources to become sources of energy capture and storage? Future Economies- Can the house of the future and its modes of operation create new economies and social contracts?

Detached Typology

Future Home (2050)

Professional Programs Studio

Our studio project program came from the Chicago Museum of Science + Industry’s brief for the speculative design of the ‘FUTURE HOME. (2050).’ The brief demands that we speculate what terms will define ‘home’ in the year 2050? What will be the global+local concerns that demand response? What will be the defining Previous Page / Interior Living Room Perspective problems that setup both the opportunities and constraints for human habitation? What programmatic elements, construction assemblies, and environmental systems will the Future Home consist of? How does this Future Home situate itself Detached in the history of postulated Future Homes? And of course, most importantly, what Above / Chicago Lotpreviously Size Plan will this home be and how will it work? The students were asked to respond to this myriad of questions The and urban farmer will have your crop harvested each day so that fresh imposed constraints with an approach informed by Ecological Thinking - that is to construct a design ecology food is ready for you upon your return from work and the hassle of Rightof questions, / Basement-Level 2 Plansand considerations to open up the process of design and be the departure constraints, parameters grocery shopping is diminished. point for the production of a piece of architecture.

Tired of spending time grocery shopping?

Adjacent Page / Level 3 Plan

Attached Typology


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

Under the same implications as the attached condition future house shown previously and the same fairytale farm home polemic, this detached suburban house employs a deep wall cavity enclosing each room so that the commuter is surrounded by healthy, accesible food for harvest when he or she returns home after such a long and exhausting day of work and travel. The same three programmatic aspects are used within the detached house: living, exercise, and

35

food facilitator as the plans above and adjacent show. As a detached condition refers to, the amount of exterior surfaces is increased and, therefore leads to increasing the importance of planting based on “north” or “south” exposure. Thus, each room can be linked to its harvestability per plant and season.


36 CORE STAIR (WORKOUT)

Above / Massing Axonometric Right / Longitudinal Diagrammatic and Programmatic Section through Workout Stair Adjacent Page / Transverse Diagrammatic and Programmatic Section


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

37

Never enough time for the gym? After work, there is no need for a gym when you live in the commuter neighborhood of Chicago; the “gym� is built into the core of the house and just navigating between rooms maximizes health by taking the continuous staircase from ground to top bedroom level.

Aligned with the midnight snack tale, favorite snacks are only ever a couple of staircases away. The staircase mass interacts with both the living and greenhouse sides of the house. With an open structural system, each space seems connected to the next and encourages movement up and down the vertical circulation between rooms and growing media.



4

TIMBER IN THE CITY

COMPETITION WITH MICHAEL EVERETT


40 connect green space

raise the roof

introduce program

identify view corridors

Previous Page / Street View Render of Peeling Landscape, Tower and Fabrication Facade Above / Complex Owner’s Company Logo Right / Organizational Polemic Diagram Adjacent Page / Fabrication Shop Rendered Section Perspective

extrude residential towers


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

41


42 LOCATION + ORGANIZATION

Above / Aerial View of Site in Red Hook Adjacent Page (top to bottom) / Level Two Complex Plan, Level One Complex Plan

LiveFAB is centered around creating a community greenspace that contrasts with the industrial past of Red Hook, Brooklyn. Located adjacent to a community garden and across from a waterside park, the project ties the green together conceptually, further integrating greenspace throughout the community. Just as Central Park is an immense green acreage in Manhattan, this will be the mini, yet still urban, expanse in Brooklyn. Looking from a bird’s eye view, the entire project site is covered with inhabitable greenspace.


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

43

level two 10 / wood storage 11 / offices 12 / digital storage 13 / residential module 14 / public greenspace

10 13

9

9

11 111111 13

13

13

11 11 11 11

13

12

14

6

7 7 7

level one / ground floor 1 / lobby 2 / bike shop 3 / wood production 4 / loading dock 5 / digital production 6 / gallery 7 / classrooms 8 / parking 9 / existing building

3 4

9

9

5

8 7

A large planar park is created, serving as both a roof for the program of the lower levels as well as a passive flood resistance device, providing more pervious land for water to be absorbed into alluding to and accommodating for circumstances as awful as Hurricane Sandy. In order to account for possible and inevitable floods, the storage and living programs have been removed from the ground level. A heavy timber waffle slab created by interlocking glulam

6

6

beams will support the planar green surface. The waffle slab maximizes plan efficiency allowing for large spans for the wood production and digital fabrication spaces that it houses. Residential modules can be produced onsite in the wood production facilities, or in other similar facilities. Modules are structured by high performance cross-laminated timber shear walls and floor plates.


44 RESIDENTIAL UNITS

15’

22’ 100units io stud

22’

15’

30 30’’

s unit

Right (top to bottom) / Typical Studio Floor Plan, Typical 1 Bedroom Floor Plan Adjacent Page (top to bottom) / Typical 2 Bedroom Floor Plan, Typical 3 Bedroom Floor Plan

30’

30’

30’

222’’ 2 25 nits 3R5units u 2B 1 BR

Low-income housing has been, historically, negatively identified as confining, dark, and brutalist. A number of systems will oppose these stereotypes in the LiveFab community 1 / all residential program is laid out in a modular system along view axes giving each room a view of either Manhattan, the Statue of’ Liberty, or the Atlantic Ocean.

22

30’


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

15’

22’ 100units io stud

22’

15’

30’’ 30

30’

30’

30’

30’

2’ 222’ 25 nits s 3R5un BR u it 2 B 1

30’

45

22’ 35 nits u 1 BR

22’

22’ 15 nits u 3 BR

22’

22’ 15 nits u 3 BR

2 / Corridors are single loaded, with glass on the nonresidential side to allow daylight and view corridors to be maintained. 3 / Corridors will be usable public space. Corridors will provide a number of different seating, studying and socializing spaces that will allow residents to occupy additional space to their individually leased apartments.

4 / All floors will have a south-facing lounge located in the circulation core tower with growing walls acting as screens. 5 / Each residential tower will have a fully functioning, accessible greenhouse on its top floor. 6 / All 1, 2 and 3 bedroom apartments will have an outdoor porch that also consists of living green side walls, integrating the green space with the residents of the immediate community.



5

CHICAGO ‘GALERIE’ HOTEL AN URBAN STUDIO


48 RETAIL GALERIE

‘galerie’ shopping

café

hotel occupied

Right (top to bottom) / Level 5 Plan (Typical Hotel Plan), Level 2 Plan, Level 1 Plan Right / Galerie Storefront Render Following Page / Exterior Elevation with Tribune Tower as scale


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

In order to respect and highlight the gothic verticality of the Tribune Tower, a low-profile massing and radial organization is employed throughout this mixed-use project. Not only does such a form allow for a gracious space buffer between itself and the Tribune Tower, but it also allows for the integration of the three dinstinct but interwoven programs: retail, cafe and hotel. By creating retail with entry from Michigan Avenue and on axis with Wacker Drive, shopping

49

will extend into the site of the Tribune Tower, alluding to the magical “Galerie� passageways of Paris where interior storefronts provide shelter to shoppers. In addition, the cafe will occupy the ground floor and sidewalk directly off of Michigan Avenue during the summer and ultimately in and above the retail spaces all year round. As cafes in Paris are, this Michigan Avenue cafe will be situated for seeing and being seen. Finally, the Hotel mass sweeps around the Tribune on floors three through five.


50 concrete rainscreen panel

oversized header triple pane glazing (including IGU)

oversized sill gypsum board

spandrel panels

Right: Michigan Avenue Full Street Elevation


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

51


52

Previous Page / Section and Elevations Details Above / Model Views in Site Adjacent Page / Hotel Lobby Render

The neo-gothic manifestation of the Tribune Tower in Chicago portrays some of the most recognizable features of the gothic era such as the pointed arch. In order to tie the new piece of architecture in with its surroundings, literally, the pointed arch is turned on its side and employed as the main galerie entrance. As shown on the following page, the remnants of the pointed arch are apparent in the hotel lobby, but carry no weight or significance like they did in the Gothic era.


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

53



6

MANUAL DRAWING SKETCHES + MORE


56

Right (top to bottom) / Docks en Seine Rooftop, Info Center across from St. Paul’s Cathedral, Interior of St. Paul’s Cathedral Adjacent Page (top to bottom) / Linear Perspective of DAAP, Atmospheric Perspective of DAAP, Plaka Perspective of DAAP


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

57


all renderings courtesy of Kohn Pedersen Fox


7

KOHN PEDERSEN FOX

MIXED-USE TOWER DESIGN


60 OFFICE + HOTEL TOWER CURTAIN WALLS

Top / Zoomed in hotel tower curtain wall caps Alongside the rest of the design team, I developed optional facade treatments (via mullion extrusions, material changes, curtain wall placement on the overall mass, and angle of curtain wall Middle / Zoomed in office tower curtain wall panels) and readied them for presentation to clients. Images of the top of the hotel tower were also caps studied to better understand how the tower could be “capped� off and how the cap related to the whole form of the curtain wall treatment (Rhino4 and 3DS Max). Both the hotel and office masses Bottom / Overall curatin wall options of both were investigated in these design options and also shown as pairs in presentation, as the bottom towers images show.


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

61


62 OFFICE TOWER ROOF CONDITION

ceramic rod louvers extruded aluminum mullions bench placed at minimum head-height

upturned beam (to make 90째 connection point to sloped curtain wall) dropped ceiling to hold services

Both Images / Detail Cutaway Perspectives of angled curtain wall roof application


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

63

As the cover rendering shows, the office tower roofs were designed to be angled curtain wall panels that turned the corner at the roof and continued across the edges of many floor slabs. This case study that I produced was to question and better understand better the condition of the roof at each office floor slab and the relation of the connection between each and the inhabitants inside. Visibility was an aspect that was to be preserved, yet the head-height of the space limited the end condition and suggested the placement of something like a bench, as shown in these renderings. An upturned slab condition seemed a best-fit scenario allowing for the delivery of systems to the exterior facade in a clean detail.


64 HOTEL SPACE PLANNING

Above / Hotel Tower Full Section Adjacent Page Top (left to right) / Typical 16Key Hotel Room Plan, Typical Split Serviced Apartment Plan Adjacent Page Bottom / Entry Level Plan


EMILY MCGUIRE ARCHITECTURE PORTFOLIO

Done in AutoCAD, these plans show the scope of work in relation to each program aspect of the hotel tower. In addition, the core configuration is of importance as the design is very tight to accommodate the many functions at each level, both front-of-house and back-of-house spaces. The section shows the vertical planning of the hotel, conference center, mechanical, and serviced apartment levels. This section is also

65

coordinated with the MEP consultants in regards to structure and floor sandwich depths. Finally, the integration of each programmatic feature is highlighted for ease of viewing but also to show the attention to detail in the space planning of the boundary conditions of each space.


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.