E M I LY S T I N EM ET Z I N T E R I O R D E S I G N P O R T F O LI O
2013-2015
ABOUT ME
THE PROFILE E MIL Y STINEMETZ INTERIOR DESIGN PROFESSIONAL NAME : EMILY ANNE STINEMETZ DEGREE: B.S. IN INTERIOR DESIGN CUMULATIVE GPA: 3.95 WEBSITE: http://issuu.com/emilystokley/docs
9707 RICHMOND AVE Houston, TX 77042 334.322.9034
emily.s.stinemetz@gmail.com
ABOUT ME
CREATIVE DRIVEN PEOPLEORIENTED PATIENT KIND HARD WORKING ORGANIZED INNOVATIVE WELL-ROUNDED
WORKING PROGRESS
WORKING PROGRESS
LEARNI NG
TH IN KIN G
DESI GN I N G
Learning how to think and work as a
Thinking as a designer means thinking
Designing
designer has been one of the most
for other people. It means getting a
putting all my energy into the project.
cha llenging yet rewarding experiences
clear understaing of how they function
It means lots of scribbles, trash paper,
of my life thus far. It has taught me to
in a particular space. One of my favorite
doodling, and revisions. It’s a process,
be a better communicater and more
things about design is just that; learning
not an overnight achievement. It’s ever-
detail-oriented.
how different professions use space.
changing process that requires practice.
a
space,
for
me,
means
COLLECTION
PORTFOLIO COLLECTION U NIVERSITY OF SOU THERN MISSISSIPPI 2013-2015
RESIDENTIAL
RESIDENTIAL DESIGN DOVE HOUSE
The Dove House project is based on a real house in Hattiesburg, MS that was in desparate
need of a renovation. Our professor had us draw different scenarios out of a bowl and design the house based on those requirements. For example, we were given a couple or single person, age group, hobbies, disabilities, and their ethnicity.
I had a couple in their mid thirties, the husband was Caucasian, the wife was Asian, they
had 3 little girls, and he built model trains. So, I designed the house based on their needs which included 4 bedrooms, a model room/offices, and a playroom across from the kitchen so the girls could play while their mommy cooked.
The project also included specifying fininshes and furniture, and pricing the furniture. The
four finish boards for this project are located within this segment.
RESIDENTIAL
RESIDENTIAL
RENDERED BEDROOM FURNITURE PLAN
BEDROOM RENDERING EXTERIOR PERSPECTIVE
RESIDENTIAL
RENDERED LIVING ROOM FURNITURE PLAN
DOVE HOUSE SPACE PLAN
VIGNETTE SKETCHES
DOVE HOUSE BUBBLE DIAGRAM
RESIDENTIAL
BEDROOM FINISH BOARD (1 OF 2)
BEDROOM FINISH BOARD (2 OF 2)
LIVING ROOM FINISH BOARD (1 OF 2)
LIVING ROOM FINISH BOARD (2 OF 2)
RESIDENTIAL
RESIDENTIAL DESIGN T I N Y H O U S E 2 - W E E K P R O J E CT
The 2-week tiny house project originated
from learning about how architects and designers
TINY HOUSE EXTERIOR
are becoming increasingly concerned with social change. We learned about the new concept of ‘ti ny houses’ that are built in small communities to help battle the growing homeless population in the United States.
TINY HOUSE ELEVATIONS
TINY HOUSE STACKING PLAN
In addition to that, people are buying tiny
houses to use as vacations homes all over the country. This particular project was given to us to do just that, create a small vacation home. We were able to design the exterior and interior of the house
in any style we choose and it must be less
than 600 sqaure feet.
This house is designed in the craftsman style
and is nestled in the mountains of Tennessee. It is 545 square feet and includes one bedroom, one bathroom, two living areas, a small kitchen, laundry TINY HOUSE MAIN & LOFT FLOOR PLANS TINY HOUSE INTERIOR
facilities, and a dining nook. The loft is open to below and it houses the entertainment center and poker table.
RESIDENTIAL
RESIDENTIAL DESIGN O UM A’S HOU S E
DIGITAL PRESENTATION BOARD
The goal of the exterior design of Ouma’s Cottage was to fix all issues and rejuvenate the house with a new
paint scheme, landscaping, and lighting. The addition of gutters will help with drainage and a wooden trellis awning will provide shade over the windows on the front of the house. The front porch has been restructured to fix water runoff to the front door and new wood railings have been added.
For the back of the house, we added a back porch for social gathering with new outdoor furniture and a new
wall sconce. The driveway has been re-finished with a wooden trellis car port constructed over the parking area. The covered trellis leads to the back door for carrying in items without getting wet from rain. The outdoor shed has been plastered and painted to match the main house, new asphalt shingles on the roof, and a new painted door with a wall sconce on the outside. New trees, shrubs, and flowers will finish the exterior, giving an inviting and homey element to a once dreary house.
RESIDENTIAL
EXTERIOR VIEW
3D FLOOR PLAN
BUBBLE DIAGRAM
RESIDENTIAL
RESIDENTIAL DESIGN L a wler Kitch en
This kitchen renovation was designed in a Spanish eclectic style
to match the 1925 historic home. Materials used in this design include all-natural hon ed finishes as desired. Eighteen-inch honed Travertine tile floor makes for minimal grout lines and 2 1/2” Carrera marble for the counter tops and backsplash complements the floor’s natural look. New Kraftmaid cabinets will be installed with a Walnut finish to coo rdinate with the color scheme of browns, soft muted yellows, and creamy whites. Glass cabinet door fronts will be installed on the north wall at the sink, and antique plates will be displayed on the north wall between the two glass cabinets.
The breakfast nook was designed to seat 5 people and is also
custom built for storage. Two large drawers pull out of the L-shaped bench to store large pots and pans or appliances not often used. A pantry was also added to account for the client often buying food in bulk. Large pillows with a brown, ‘chunky’ herringbone pattern provide cushion for the back of the bench and add a cozy feel to the kitchen. The ceiling was lowered to add recessed lighting and wood beams that complement the Spanish theme.
RESIDENTIAL
KITCHEN FLOORPLAN
RESIDENTIAL
FLOOR PLAN AND SPECIFICATIONS
RESIDENTIAL
LIGHTING PLAN
DIGITAL FF&E BOARD
RENDERED SOUTH VIEW
COMMERCIAL
COMMERCIAL DESIGN PALACIOS/STOKLEY ARCHITECTURE FIRM
This project was by far my favorite.
The Palacios & Stokley architecture firm was a collaborative project between the interior design students and the architecture students at Southern Miss. My partner was the talented architect, Hans Palacios, who was also one of the instructors for the class.
Our assignment was to come up with
a firm owned by the two of us, including a full set of contruction documents, a formal presentation with boards and a slide show, branding and logo design, furniture specs, and finishes to correspond with our brand.
The firm was 11,000 sqaure feet and
inlcuded a detailed program that uncluded a lobby/reception space, an open studio space, executive
offices,
a
library,
a
conference
room, a break room, and many more ancillary spaces. It was a joy to design and we were very proud of the finishes product. OPEN OFFICE
COMMERCIAL
LOBBY/RECEPTION
EXTERIOR VIEW
REFLECTED CEILING PLAN
COMMERCIAL
GOALS COMMUNITY
Palacios & Stokley Architecture Firm is located in the heart of the quaint downtown Hattiesburg, MS. This photo is the aerial view of the site where Palacios & Stokley Architecture firm will be built. The goal was to integrate the building façade design with the adjacent community. Utilizing materials and building scale that is consistent with local architecture, the building design contributes to the prevalent theme, yet explores opportunities to showcase modern design strategies.
FUNCTIONALITY
PRELIMINARY LOBBY SKETCH One of the requirements for this project was to create and brand an architecture firm based on you and your partner’s design style. Our style was modern yet timeless and I designed this logo to reflect that. I used Illustrator to create this logo to use throughout the project.
PRELIMINARY FLOORPLAN
KITCHEN ELEVATION
Functionality is to meet the performance objectives of the client. Building systems integration through BIM and spatial flexibility offer the client freedom and opportunities to configure the spaces to suit their needs throughout the building’s life cycle. Collaboration areas were integrated to give the employees flexibility in working styles including working in their own work station alone, working in a quiet room in small groups, working in the staff conference room in large groups, or relaxing on a lunch break in the spacious break room. The integration of DIRTT walls located in the studio quiet rooms and the executive offices also allows the client to reconfigure the space later and add different panels and glass types.
COMMERCIAL
SUSTAINABILITY
To enhance the project site and user comfort with sustainable design initiatives. Sustainable design is employed to optimize the site and natural resources, to benefit from the use of sustainable building materials and systems, to moderate energy and water resources allocated for building operations, and to address occupant comfort with an enhanced indoor environmental quality. While designing this building, we kept in mind that sustainable design takes research, so we plan to use local products and materials to alleviate transportation costs and air pollution.
ACCESSIBILITY To provide accessibility and flexibility through universal design. The connectivity of the spaces in a singlestory building allow for ease of access and flexible spatial configurations. There are also ADA compliant rest rooms, an ADA compliant sink in the break room, as well as slip resistant flooring. To the far left is a life safety plan configured for the ease of access in case of an emergency. It shows that all occupants would be able to easily exit the building. There are four exterior exits that the correct widths apart to ensure that the building meets code and no occupant has to travel more than 200’ to an exit.
ACCESSIBILITY ADA compliant sink in Break Room SUSTAINABILITY Store front windows to allow natural daylight and views into the Studio space FUNCTIONALITY Quiet rooms provide privacy from the rest of the studio and allow for flexibility of work spaces SUSTAINABILITY Raised flooring to help with energy costs and efficiency- also, recylcled-content carpet tile ACCESSIBILITY ADA compliant public restrooms5’ turning radius and compliant sink SUSTAINABILITY Low-VOC paint used to prevent off-gassing
ACCESSIBILITY ADA compliant stafff rest room FUNCTIONALITY DIRTT walls used to flexibility of room layout FUNCTIONALITY Power/data ran through workstations for ease of use and reconfiguring SUSTAINABILITY Recycling bins in library for outdated samples and catalogs SUSTAINABILITY Recycled-content upholstery used for furntiure COMMUNITY 3-form used to incorporate modern design strategies ACCESSIBILITY Non-slip flooring used COMMUNITY Materials and building scale that is consistent with local architecture
12 10
COMMERCIAL COMMERCIAL
COMMERCIAL
OFFICE FURNITURE PLAN
FINISH BOARD
NORTH ELEVATION
BUBBLE DIAGRAM
COMMERCIAL
RESTROOM DETAILING
PRESENTATION BOARD (1 OF 3)
SITE PLAN
COMMERCIAL
11
COMMERCIAL
COMMERCIAL DESIGN JO H NSO N S CIENCE TOW ER : USM
The intent of this design was to revitalize
the Johnson Science Tower by making it a functional and sustainable space. New flooring and wall finishes will create a lighter atmosphere in the halls and lobby. LED lights
PRELIMINARY LOBBY SKETCH
PRELIMINARY LOBBY SKETCH
will be added to brighten the dim hallways as well as cutting energy costs. Way- finding and new furniture will also be incorporated to make the space more functional.
The large outdoor area to the front of
the building will be landscaped and outdoor furniture will be placed to provide a relaxing retreat. All o f these changes will make the Jo hnson Science Tower a warmer environment that will help promote creativity and learning.
PRELIMINARY LANDSCAPING SKETCH
COMMERCIAL
GOALS SUSTAINABILITY
WAYFINDING
COLLABORATION
+LED light fixtures with a daylight harvesting feature to save energy +A recycling center centrally located in the lobby to reduce pollution and energy consumption +Bike racks outside to promote wellness and fitness +New vegetation to provide shade, buffer sound, and block wind
+A specific color will be assigned to each department for easy way finding +The assigned color will be represented on the upholstery of the benches on each corridor floor and painted on the door frames along the corridor +There will be directories located in the lobby and on every floor to minimize any confusion
+New furniture will be added to the lobby to give students and faculty a place to sit and work +Exciting colors and patterns will provide a creative space to inspire students and increase productivity +Tables, chairs, benches, and a bar to sit at has been added to the exterior to give students a place to work will enjoying the exterior elements
ELEVATOR LOBBY & SIGNAGE
MAIN LOBBY
PRELIMINARY OUTDOOR AREA
COMMERCIAL
FINISH BOARD
LANDSCPAING PLAN
RENDERED FLOOR PLAN
HOSPITALITY
HOSPITALITY DESIGN TH E BRONSON HOTEL For this project we were given the task of designing a hotel using a 1910 warehouse located in the Warehouse Distric t of New Orleans. Know known as the Arts District, the building sits among fine restaurants, world class museums and amazing art galleries. The warehouse district was originally established as an industrial area used to store coffee, grains, and produce that was shipping out of the Port of New Orleans. This turn of the century building is within walking distance to the convention center, Riverwalk, the National WWII Museum, and is approximately one mile from the French Quarter. M y client wanted to attract a larger percentage of younger guests (ages 25-45) and business travelers. The interior should be upscale,
and
tech
driven
with
amenitites that
appeal
to
this
clientele.
The
client
indicated that the chain is open to suggestions related to the overall style of the interior. They prefer something more contemporary that incorporates the history of the warehouse district. Electicism-- a mixture of old and new. Each part of the hotel has its own concept that is located along with plans and renderings.
HOSPITALITY
RENDERED HOTEL FLOORPLAN
Brand & Logo Concept My concept for The Bronson’s logo was to keep it simple and clean. The text is all-caps and demands the attention of the viewer immediately upon glimpsing it. The text is industrial-inspired and goes well with the interiors for the hotel. The pineapple motif that is located within the ‘O’ in Bronson symbolizes hospitality. During the early 1900s, when the warehouse was originally built, pineapples were put outside the homes of families who welcomed weary travelers. I wanted The Bronson hotel to be known for its hospitality and welcoming staff, so the pineapple fit perfectly for the theme. The Bronson is a hotel that welcomes weary travelers for a fun night on the town, or a cozy night in enjoying a movie.
HOSPITALITY
LIGHTING, FURNITURE, & FINISHES
THE TRUMPETER
HOSPITALITY
LIGHTIING LEGEND 8” RECESSED CAN COPPER GLOBE 10” INDUSTRIAL SCONCE WROUGHT IRON CHANDELIER
REFLECTED CEILING PLAN
RESTAURANT CONCEPT the trumpeter
Scale
RENDERED FLOOR PLAN
The Trumpeter is a semi-formal Greek restaurant that is famous for its traditional Greek gyros and baklava. The restaurant is a hot spot not only for the hotel guests, but also Nola visitors and locals! The Trumpeter will have touches of Greek flare including Greek key upholstery, gold hues, and traditional Greek place settings. The rest of the design concept will keep with the industrial theme of the hotel including a brick fountain wall in the center of the restaurant and wooden slat booth dividers. The restaurant will be mostly open for the convenience of the guests- they can go in and work on their laptops or have a small meeting during non-operating hours. The glass curtain wall that faces the interior of the hotel creates a visual barrier but still gives the illusion of an open space moving from the restaurant to the cocktail lounge.
HOSPITALITY
ADA SUITE FLOORPLAN
ADA PLANNING GUIDELINES Circular space: The turning space shall be a space of 60 inches diameter minimum. The space shall be permitted to include knee and toe clearance complying with 306. Floor and ground surfaces. Shall be stable, firm and slip resistant and shall comply with 302. Vertical. Changes in level of ¼” high maximum shall be permitted to be vertical. Protrusion Limits. Objects with leading edges more than 27 inches (685 mm) and not more than 80 inches (2030 mm) above the finish floor or ground shall protrude 4 inches (100 mm) maximum horizontally into the circulation path.
KING SUITE
FINISH BOARD WEST ELEVATION
SOUTH ELEVATION
HOSPITALITY
REGISTRATION PODS
HOSPITALITY
HOSPITALITY
POPOLOGY CONCEPT
Popology is a gourmet popsicle shop that is located near the west entrance of the hotel. The shop will give off an all-natural, earthy vibe that is compatible with the all-natural ingredients used to make the popsicles. Easylistening music will be playing in the background which will encourage the occupants to dinein and enjoy their popsicles at the 12-foot bar overlooking the popsicle options. An old-fashioned wooden sign with a chalkboard surface will be used as the menu and hang over the stainless steel counter top behind the transaction area. Cozy booths line the west wall and each has a large window displaying the busy streets of the New Orleans Arts District.
POPOLOGY
FINISH BOARD
POPOLOGY FLOOR PLAN
HOSPITALITY
identification ID-1 Hotel Lobby ID-2 Secondary Lobby ID-3 Concierge Desk ID-4 Baggage Check ID-5 Elevators ID-6 Stairs ID-7 ATM ID-8 Men’s Restroom ID-9 Women’s Restroom ID-10 Starbucks ID-11 Popology ID-12 Louis’ Record Store ID-13 The Brew House ID-14 The Trumpeter
informational I-1 Hotel Information I-2 Front Desk Hours/Manager I-3 Baggage Check Hours
directional
restricted
I-4 Grab-n-go Hours
D-1 Exit Signage
R-1 Staff Only
I-5 Starbucks Hours
D-2 Hotel Directory
R-2 Employee Offices
I-6 Popology Hours
D-3 Restrooms
R-3 Storage
I-7 Louis’ Record Store Hours
D-4 ATM
R-4 Mechanical
I-8 The Trumpeter Hours
D-5 Elevators
R-5 Staff Only Kitchen
I-9 The Brew House
D-6 Stairs
R-6 Manager’s Office
HOSPITALITY
WAYFINDING FOR THE BRONSON The Bronson Hotel is an industrial-themed boutique hotel located in the heart of the Arts District. Popology, Louis’ Records, Starbucks, The Brew House, and The Trumpeter are all conveniently located within the hotel for the guests as well as other visitors in the Arts District. The renovation of the 1910 warehouse allows for new wayfinding solutions that will benefit not only the hotel guests, but also the staff and other contract employees. The signage is copper in color and texture with brown text in all caps for ease of reading.
EDUCATION
EDUCATION DESIGN SC H O O L OF CONS TR U C T I O N A T USM
The School of Contruction project originated because of our
curr ent space called the Kate Hubbard Building. It’s a small house on the outskirts of campus and, as designers, we are always coming up with new things to add or rennovate. Hence, this project includes the demolition of our current building and the addition of a huge School of Construction building that is to encompass interior design, architecture, and construction work spaces.
We were given a program to guide us in designing the new two
story building but we were also given free reign to add things that we would like in a workspace as students in the department. We also interviewed other students, faculty, and staff to include in our research. One big component of this project was to include ‘Global Design’ in our building. Southern Miss has over 180 countries represented in its student population, so designing for different cultures is an important part of the design.
EDUCATION
PRESENTATION FIRST FLOOR PLAN
PRESENTATION SECOND FLOOR PLAN
HEALTHCARE
HEALTHCARE DESIGN L UM BER TON CLINIC Lumberton, Mississippi is considered 100% rural according to City-data.com. I ts population is 2,149. In such a rural area, healthcare is very limited and not up to par. While designing the Lumberton Healthcare Clinic, the needs of the people and how much special technology would be needed for the clinic were key factors in the design process. For example, a visiting specialist exam room is provided because the majority of Lumberton citizens cannot afford to travel, even for health services. The median income for Lumberton residents is $20,631 whi ch is significantly low since the Mississippi
median is $36,919. These families are not making enough money for traveling, since the specialists they need are sometimes quite a di stance away. One of the features of a rural healthcare clinic must be that it can accommodate a visiting specialist. (Citydata.com) Another promising addition to healthcare design is telemedicine. Telemedicine is the practice of talking on the phone or skyping with a doctor in a different location from a local doctor’s office. Telemedicine cuts costs completely because neither th e patient nor the specialist have to travel. These
appointments are set up by the doctor’s office and help patients out a lot. It is also helpful for homebound adults who are unable to go to the clinic. They can set up appointments over the phone and over skype that can be done right from their living rooms. Another plus to telemedicine is that the patients are able to record the conversation on the computer to refer back to when needed and also have instant access to all of their medical records. Cons of telemedicine are also prevalent especially for traditional southerners. First of all, the direct physical contact between the doctor
and patient is missing from the exam. The doctor is able to see the patient on the screen, but not touch his or her physical body which is sometimes necessary when dealing with certain illnesses. Another prevalent concern is for the age of the doctors and patients. Many of them may be older and not as comfortable with technology as the younger generation is. More practically, things such as power outages and loss of internet connection can lead to miscommunication between the doctor and patient.
HEALTHCARE
DESIGN GOALS Relatable to the Lumberton Residents The design for Lumberton Healthcare will promote an at-home feeling for the patients so that they feel comfortable and cared for. In order to make them feel at home, the design will be embellished with greens and browns emblematic of Lumberton’s biggest industry, logging. There will also be touches of Lumberton heritage such as old documents, local artwork, and logging photos. Infection control In order to control the spread of infection, the clinic will have Crypton and Vinyl coverings for furniture and non-porous flooring in all treatment areas. The furniture in the waiting room will be easily maintainable and have removable fabric coverings for added cleanliness. Easily navigable The way-finding for Lumberton Healthcare is very important. It’s imperative that the patients are able to find their way and that nurses can easily explain how to get from Point A to Point B. This will be achieved through good signage and the overall Space Plan of the clinic. The clinic is designed to be easily navigable because of the different pods. The five pods include Business, Diagnostic, Staff area, Examination area, and Nursing area. This design allows the patients to only be in certain parts of the clinic and keeps them from walking into private rooms. Timeless Design A timeless design for Lumberton Healthcare is very important. From the furniture to the fabrics, it should all stand the test of time. In order to achieve this goal, the furniture, fabrics, and other finishes will be classic colors and a neutral pattern or texture. Timeless design is even more important for Lumberton because of their financial situation. It’s very important for the design to last a long time because money for renovations in the future will be scarce.
BUBBLE DIAGRAM
TRAFFIC PATTERN PLAN
HAND DRAFTED FLOOR PLAN
HEALTHCARE
LUMBERTON CLINIC FLOORPLAN
HEALTHCARE
Health H-1
Walls in ALL bathrooms MUST be impervious to moisture.
H-2
Each examination/observation room shall have a minimum clear floor area of 80 sq. feet
H-3
Room arrangement shall permit a minimum clear dimension of 2’-8” at each side and at the foot of the examination table, recliner or chair.
H-4
A hand-washing station shall be provided in the exam room
H-5
Provisions shall be made for separate collection, storage and disposal of soiled materials (Soiled Holding Area)
H-6
Toilet rooms with hand-washing stations shall be provided adjacent to procedure room(s) if procedures provided require patient toilet facilities.
Welfare W-1 W-2 W-3
Bathrooms MUST be accessible (barrier-free) with a 5’-0” turning circle (shown as a dashed line).
W-4
Bathroom grab bars MUST be indicated in appropriate locations on the plan. This includes two (2) grab bars for a toilet. Refer to lecture notes and slide show for more details.
Public corridors shall have a minimum width of 5’.
W-5
H-8
Hand sanitation dispensers shall be provided in addition to hand –washing stations.
W-6
ALL accessible (barrier-free) wall mounted cabinets or shelves located above a work surface MUST NOT exceed 46” AFF.
H-9
Selected flooring surfaces shall be easy to maintain, readily cleanable and appropriately wear-resistant for the location.
W-7
There MUST be a MINIMUM of 44” between parallel work surfaces.
W-8
ALL accessible (barrier-free) counters require clear knee space of at least 30”w x 19”D.
H-10 Wall finishes shall be washable. In the vicinity of plumbing fixtures, wall finishes shall be smooth, scrub able, and moisture-resistant.
H-11 Wall protection devices and corner guards shall be durable and scrub able. n/a- The medical records area shall be located to maintain confidentiality of records and shall be either restricted to staff movement or remote from treatment/public areas.
S-1 S-2
Safety Exits MUST open in the direction of exit travel, and when open in any position, shall NOT project more than 7” into any corridor. Paths of travel leading to an exit MUST NOT pass through a secondary space that is subject to closure by doors or that contains storage materials or has items that project into the path of travel.
S-3
Flooring in ALL public bathrooms MUST be slip-resistant.
S-4
ALL grab bars at toilets MUST be 36” to 42” long, mounted at 34” AFF.
S-5
ALL exposed hot water pipes and drains MUST be insulated or otherwise protect wheelchair users from burns on the legs.
S-6
ALL objects located on a wall between 27” and 80” AFF MUST NOT protrude more than 4” into an egress path of travel.
S-7
Staff-only corridors shall be permitted to be 3’-8” wide unless a greater width is required by NFPA 101.
S-8
Slip resistant flooring products shall be considered for flooring surfaces in wet areas (e.g. Kitchens, shower, and bath areas), ramps, and entries from exterior to interior spaces, and areas that include water for patient services. Highly polished flooring or flooring finishes that create glare shall be avoided.
S-9
S-10 Sharp, protruding corners shall be avoided.
W-10
Provisions shall be made to preserve patient privacy from observation from outside and examination/treatment room through an open door
W-11
A counter or shelf space for writing or electronic documentation shall be provided in the exam room.
W-12
A toilet for patient use shall be provided separate from the public use toilet(s) and located to permit access from patient care areas without passing through publicly accessible areas. Conveniently accessible provisions for drinking water shall be provided
W-15
W-6 S-1 W-19
S-6
W-7
S-10
W-9
W-11 W-12
W-17
H-6
W-10 W-10
H-8
W-1 W-15
H-3 H-9
ALL accessible (barrier-free) base cabinets require a 3”D x 9”H toe kick.
W-14
W-8
W-18
W-9
W-13
S-2
H-5
ALL accessible (barrier-free) counters (sinks, reception, etc.) MUST be a maximum of 34” AFF and a minimum of 27” clear knee space below.
Sinks in ALL public bathrooms MUST have clear knee access
H-7
S-7
ALL door openings shall be a MINIMUM of 3’-0” wide with an 18” clear space on the pull side of the door and a 12” clear space on the push side of the door.
Consideration should be given to special needs of specific patient groups in a share/general waiting area, such as separation of adolescent and geriatric patients. Provisions shall be made for securing medical records of all media types
W-16
Flooring surfaces shall allow for ease of ambulation and selfpropulsion.
W-17
Flooring surfaces shall provide smooth transitions between different flooring materials.
W-18
Color contrast between walls and floors and minimized transitions to different types of flooring may reduce falling risk.
W-19
Flush thresholds should be used to reduce tripping.
W-14
W-16
H-7 W-4 S-5
H-10
S-3
S-4 H-1 W-5
W-3
H-2 W-2
H-11
W-13 S-9 H-4
S-8
HEALTH, SAFETY, WELFARE PLAN
H-4
Health
Safety
Welfare
HEALTHCARE
CF Stinson Vinyl Seating Diva Limelight DVA 49
CF Stinson Crypton Performance Fabric Aegean Jambi Stripe 62317
Maharam Upholstery Chime 465350
RENDERED LOBBY
LOBBY RENDERED FLOOR PLAN
HEALTHCARE
ADA: A. 5’ wheelchair turning radius B. 30”x48” wheelchair space at sink C. 32” door clearance D. 34” max lavatory height E. 27” knee clearance at sink F. 18” from wall to CL of toilet G. 44” long, 12” from side wall grab bars H. 48” mounting height for paper towel dispenser I. 48” mounting height for soap dispenser J. 48” mounting height for mirror K. 19” mounting height for toilet paper dispenser
L
F
A
G K
INFECTION CONTROL: L. Nonabsorbent flooring M. Rounded ceramic base N. Sensor faucets
I D N
B
J E H
C
ADA CompliantPUBLIC Restroom ADA COMPLIANT RESTROOM
RECEPTION DESK/CHECK-IN
TYPICAL EXAM ROOM
CREATIVE
CREATIVE
CREATIVE ROCK ME MAMA LIKE A WAGON WHEEL CHARCOAL ON BRISTOL
CREATIVE
CONEY ISLAND
CHARCOAL ON GRAY BRISTOL
TEACHER’S PET INK ON BRISTOL
CREATIVE
DISCORD
INK ON PAPER
BALLIN’
CHARCOAL ON BRISTOL
GET IN TOUCH P ER SO N A L CO N T A CT 9707 Richmond Ave Houston, TX 77042 334.322.9034 emily.s.stinemetz@gmail.com