CLASS NAME | SEMESTER
EMILY WIRT Selected Works 2016 - 2018
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TABLE OF CONTENTS Resume Fermor Study Center BioBulb Core II Avenue Collective Core I The Veil Core III Rigid & Fluid
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EMILY WIRT EDUCATION
HONORS + AWARDS
Georgia Institute of Technology School of Architecture Master of Architecture Expected Graduation: May 2019 NAAB – accredited
2018 | Portman Prize Winner 2018 | Dorothy P. Spence Scholarship 2018 | John William Sandeford Scholarship 2017 | Georgia Tech Student Representation to AIA Large Firm Round Table 2017 | a/e ProNet David W. Lakamp AIA Scholarship 2017 | Alan Salzman Memorial Scholarship 2017 | Art on the Beltline Competition Winner 2017 | Georgia Tech Graduate Ambassador 2016 | Nix Mann Fellowship Georgia Institute of Technology 2016 - 2017 | Architecture Archives Georgia Institute of Technology
The University of Georgia Lamar Dodd School of Art BFA, Emphasis in Interior Design Minor in Art History Graduation: May 2012 | Magna Cum Laude CIDA – accredited
SKILLS AutoCAD Rhino Grasshopper SketchUp Revit Bentley Microstation Adobe Creative Suite
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PROFESSIONAL AFFILIATIONS Contract Administration As-Built Documentation FFE Specification Space Planning Model Building 3D Printing Submittals
NCIDQ Certificate No. #30960 LEED Green Associate Georgia Tech Women in Architecture American Institute of Architecture Students
www.emilywirt.com | ejwirt@gmail.com | 1.706.442.5344
EXPERIENCE Architectural Intern BLDGS Atlanta, GA | May 2018 - August 2018
Contract Architectural Designer Greg Harrell Architect Atlanta, GA | March 2017 - June 2017
Graduate Research Assistant Georgia Institute of Technology Atlanta, GA | August 2017 - Present
Interior Design Project Manager Somdal Associates Shreveport, LA | August 2015 - October 2016
President Women in Architecture Atlanta, GA | April 2018 - Present
Interior Designer Hendrick, Inc. Atlanta, GA | April 2013 - July 2015
Architectural Intern ASD | SKY Atlanta, GA | May 2017 - August 2017
Contract Staff Designer LeVino-Jones Medical Interiors Atlanta, GA | August 2012 - March 2013
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Architecture and Language: Syntaxes of Inhabited Space Fermor Study Center; Mani, Greece
How does it feel to discover another world through a
CAVE OF ARTIFACTS
swimming with a sense of lightness while engulfed within the earth’s walls? Fermor describes his sensation of
Instructor: John Peponis Individual Project
passage
of
water,
a “ sea cave ” as one of swimming “through the heart of a colossal sapphire .” The extension of the Fermor Study Center provides retreat, research, and creation with an emphasis on
material
situated artifacts .
While Fermor’s house remains the focus for socialization and conviviality, everyday life in the new extension straddles between two spheres, fractured fissures on the surface and eroded stalactites underneath. Three fingers extend from the house, settling into three different relationships to the lay of the land: atop, amidst, and within . The architecture echoes Mani’s own vernacular of arches juxtaposed with crumbling stone facades. As one moves closer to the sea, in elevation or plan, the buildings transform into ruins , losing mass and mirroring the effect of erosion .
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The three levels of structure and form index purpose. The highest level serves inhabitation – the individual respite. Rammed earth walls embrace the homes, mimicking the remainder of site’s idiomatic architecture. A screen of undulating brick provides shade to the west facing residences while, echoing the eroding rocks on the sea shore. The middle level offers work space, resting just below the ground’s surface. Light diffuses from perforations. Sculptors inhabit the cool underground expanse of the studio. The lowest level, that of the sea cave, provides a unique exhibition environment. A
controlled excavation
caps the edge of the sea cave and makes a mark along the coast. Water delicately streams through sea inlets, allowing exploration of the caves during high or low tide, on foot or by swimming. The spirit of the sea ripples on the site to create a surrealist pattern of perspectival twists and distortions . In this way, a tension is set between Patrick Leigh Fermor’s home and garden, evoking a lasting sense of settlement and inhabitation, and the new environment, highlighting
of time .
the
effects
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The spirit of the sea ripples on the site to create a surrealist pattern of perspectival twists and distortions. In this way, a tension is set between Patrick Leigh Fermor’s home and garden, evoking a lasting sense of settlement and inhabitation, and the new environment, highlighting the effects of time.
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EQUILIBRIUM: Living and Learning at Sea Level
BIOBULB Instructor: Michael Gamble Individual Project
BioBulb straddles the beach front and sea at Virginia Key to bring awareness and action to the revitalization of endangered species local to South Florida while fostering renewable energy production. Virginia Key in the past has been home to many animal and plant species, but today sea turtles and many plants within the mangrove environment are becoming more extinct due to human contact, predators, and storm interference.
BioBulb consists of 3 animal and plant revitalization efforts: • a floating botanical garden housing endangered Floridian plants • sea turtle nesting site protection and research facilities • algae production as food and protection for young turtles at sea
The BioBulb is a prototypical mobile floating botanical garden that adapts and integrates multiple renewable energy system options: • algae energy is harvested on an innovative interlocking glass and aluminum skin • rainwater collection with internal irrigation system through garden’s interior • water desalination network • solar energy receptors
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Amorphous silicone photovoltaic glass
Rainwater collection cistern with internal irrigation system
Tesla Lithium-Ion battery pack information system collection
Lithium-Ion powered low RPM water propulsion system 13
Virginia Key North Point Trails
Norris Cut
Miami South Channel
Central District Treatment Plant
Virginia Key Outdoor Center
Lamar Lake
Marine Stadium
Ri
ck
en
ba
ck
er
Ca
us
ew
ay
Miami Seaquarium
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University of Miami Oceans & Human Health Center
NOAA Southeast Fisheries Science Center National Marine Fisheries Service
Historic Virginia Key Beach Park
Bear Cut
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EMILY WIRT | PORTFOLIO
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LEGEND: 1. PUBLIC FACITLIES: ENTRY, DINING, RESTROOM 2. PUBLIC / SEA TURTLE CLASSROOMS AND RESEARCH LABS 3. RESEARCHER RESIDENTIAL UNITS 4. RESEARCHERS’ HUB: DINING, LAB, AND MAKERS SPACE 5. BOTANICAL GARDEN 6. BOTANICAL CLASSROOM 7. WATER RECREATION AREA 8. UNDERWATER CORAL REEF SEA WALL 9. ALGAE GROWTH LINES 10. TURTLE DATA COLLECTION 11. RESIDENTIAL PAVILION
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1” = 100’
3 3 7 6 5
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SCHEME AT SEA | 1” = 50’
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9
1” = 500’
BIOBULB | FALL 2017
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CORE STUDIO II Instructor: David Yocum Individual Project
Canonical House Study This body of work includes first an intensive study of Casa Tolo, designed by Alvaro Leite Siza, creating orthographic drawings and a rendering axon depicting important themes within the house. The three main themes identified were views, stacking stairs, and material qualities juxtaposed with the natural topography.
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SOUTH SECTION
Images via www.alvaroleitesiza.com/casa-tolo/
COMPOSITE FLOOR PLAN
SOUTH ELEVATION
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CORE STUDIO II | SPRING 2017
Intervention Following the study of Casa Tolo, an intervention was designed as a public auditorium sitting at the base of Casa Tolo’s magnificent hill. The auditorium features three layers of stacked stairs, each with a different vantage point for the viewer.
ROOF PLAN
UPPER FLOOR PLAN
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SECTION AXONOMETRIC
LOWER FLOOR PLAN
SITE PLAN
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Highland Avenue Mixed Use Utilizing the principles developed in the Intervention, a new mixed use developed was created for a lot in Atlanta, Georgia. The site hosts five condo apartments, a restaurant space, and an outdoor theater event space.
AXONOMETRIC VIEW
WEST SECTION ELEVATION 22
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BUFORD HIGHWAY CORRIDOR
N
NORCROSS CARTER CORNER
DORAVILLE OAKCLIFF ODYSSEY CLAIRMONT CROSSING. text SHALLOWFORD SOUJOURN. text
GENERATOR: Buford Highway
CHAMBLEE SHALLOWFORD STAGE
GA-400
OAKCLIFF ODYSSEY. text CARTER CORNER text
Instructor: Ryan Gravel Individual Project
I-285
BROOKHAVEN CLAIRMONT CROSSING
I-85
Avenue Collective is a gathering of street level performance spaces situation in the center of intersections along Buford Highway to house free and public access to the arts. Four locations will be constructed along the highway, each one blurring the lines of city jurisdictions. Avenue Collective redefines the interface of Buford Highway through collaboration with GDOT and the formation of Avenue Collective, a nonprofits arts organization to maintain the spaces. Pedestrians reclaim the land of Buford Highway as traffic is diverted and lanes are decreased at each of the performance spaces.
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Rendered Image: Serpentine Pavilion 2015, Selgascano. Photo: Democracy Monument, Suttihichart Phichitwong via Shutterstock. Collage: Emily Wirt
Pavilion by Selgascano, Photograph by Iwan Baan, Collage by Emily Wirt
SIZE COMPARISON
SHALLOWFORD STAGE | 13,000 SF Buford Highway
KROG POCKET PARK | 7,000 SF Atlanta, Georgia
PARTHENON | 16,000 SF Rome, Italy
LEGACY FOUNTAIN | 35,000 SF Atlanta, Georgia
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CORE STUDIO I Instructors: Brian Bell & Marisabel Marratt Individual Project
Trace Models
Beginning as a material study, randomly assigned materials were explored to their material limits. In the images above, chipboard (the primary study material), aluminum sheet, and acrylic sheet were shredded, twisted, heat formed, and folded to create new surprising forms. The models also were assigned to trace an action, and in this case, the action was that of preparing and eating a meal. 26
A Room and Its Passages Following the trace models, a spatial journey was proposed through a courtyard installation within the School of Architecture’s campus. The schemes were then depicted in both hand drawing and physical model form. This pavilion is created from cast-acrylic panels wrapping around from different concrete panel vantage points. The concrete acts as a seat or water feature during natural rain storms. 27
THE VEIL Instructor: Daniel Baerlecken Group Project: 10 member design team 4 member fabrication team Role: Design, Construction Documents, Fabrication and Installation Installation: December 2017, October 2018
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Created through an independent study in the spring of 2017 and in cooperation with the studentled organization Women in Architecture, a pavilion installation was designed to be entered in the Art on the Beltline competition in Atlanta. After the project’s acceptance, funding was acquired from Georgia Tech’s Student Government Association, the construction team worked with fabricators to create the structure. It stood on the Beltline from December 2017 to June 2018, and it is currently installed on Georgia Tech’s campus
PLAN, ELEVATION, AND AXON DRAWINGS
ART ON THE BELTLINE | 2016 - 2017
INSTALLATION ON GEORGIA TECH CAMPUS
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RESEARCH IMAGERY
CORE STUDIO III Instructor: Keith Kaseman Individual Project
Bee Bevy Through a series of iterative exercises, a bee colony and distribution facility was created as a large habitat for bees and drones primarily, with minimal human interference and maintenance. As an upside-down structure with a lightweight skin, the habitat floats as a glowing habitat supporting the life cycle of the honey bee.
INITIAL CIRCULATION MODEL AKA:
DIGITAL CONSTRUCT STUDY Tags:
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JOINT 32
DETAIL MODEL
MASSING
METAL FRAMEWORK
LIGHTWEIGHT SKIN
INTERNAL CIRCULATION
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PORTMAN PRIZE COMPETITION Instructor: Jennifer Pindyck Team Members: Marco Ancheita, Emily Wirt, Stephanie Wright First Place Portman Prize Winner, Spring 2018
Rigid & Fluid When contemplating the relationship of land use and ecology in regards to Amicalola Falls and surrounding North Georgia, a pivotal moment in time exists in which the two terms begin to have a dialogue. The fervor of gold, wealth, and expansion led to the 1832 Land Lottery in which the Cherokee Nation was forcibly removed and the land subdivided, without regard to existing natural systems, for its commoditization. It is at this juncture where the term “land use� becomes imposed on the land as it could be perceived that the previous occupants were living with it, rather than on it. The forging of a rigid 40 acre grid system upon the fluidity of natural systems has resulted in cultural and physical manifestations that have molded the way in which land is perceived and not perceived. The premise behind this proposed Center for Ecological Interpretation and Land Use History lies at this crossroads of rigid and fluid forms reflected as the scales of impact of this human imposition. SITE MAP
36 MAP BY MARCO ANCHEITA
2018
2118
Existing Condition Site at project design phase
Pond as actual (temporary) infraRecreational Pond Dam & Road used to allow for construction of pavilion
Peak Operation
Water Released Road & Pond removed; previously impervious areas of site regraded to allow for natural hydrological function
Slow decay
Site restoration and implementation of grid projection environment complete. Site & Building in full operation
Site & building are allowed to decay over time. Structure servers as passage through trail and remnant of a Parks Service
Remnants of the grid Only gneiss elements remain as clues to previous impositions.
IMPOSITION OF THE GRID / ILLEGIBLE AT HUMAN SCALE 1832 CHEROKEE COUNTY
SECTIONS
Land Survey
4th
3rd
2nd
1st
DISTRICT
LAND LOT
5th District
Land Lot 339
CONSTRUCTION SITE
GEORGIA
REFLECTING THE GRID SPATIAL PROJECTION OF RIGID AND FLUID INTERSECTION
PROJECTION THE GRID
REFLECT THE “GRID” (A NEW SURFACE-NORMAL)
DIAGRAMS COLLABORATION OF MARCO ANCHEITA AND EMILY WIRT
THE INTERSECTION OF RIGID AND FLUID
CULL REFLECTIONS
REFLECTION AS VOLUME 37
EXTRACTION SITE / EXTRACTING FOR THE FUTURE (NON-HUMAN USE)
Loam
Weathered Bedrock
Sand
Sandy Clay Loam
Clay Loam
Fine Sandy Loam
DRAWING BY EMILY WIRT 1ST SECTION | 5TH DISTRICT : LAND LOT 286 AS EXTRACTION SITE ZONE A & B: TIMBER ZONE A
Loam
Weathered Bedrock
Sand
Sandy Clay Loam
Clay Loam
Fine Sandy Loam
ZONE C
RECREATE
+ CLAY + PINE
ZONE D: THATCH HEMP ROPE
ZONE D
HEMP
Gneiss
BUFFER
ZONE B+C: RAMMED EARTH
BUFFER
ZONE B
+ STONE + SAND + OAK
Land Lot 339: Construction Site
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N
O
TI
C SE
ZONE B: DIMENSIONAL GNEISS
A 20
50
100
200
DIAGRAMS AND RENDER BY STEPHANIE WRIGHT
Gneiss
F
E
D C
G
B
EXHIBITION CENTER / FLOOR PLAN A- Ramped Entry / Outdoor learning B - The Land Before 1832 C- Civic & Human Implications of the Grid D- Rigid & Fluid: The grid and terrain E- Persistence of Natural Systems F- Direct flow on to trail G- Operations / Restrooms (compost)
A
PLAN BY EMILY WIRT
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H1- 0 to 10 inches : stony loam
H2- 10 to 48 inches : loam
1
40 2
H3- 48 to 60 inches : gravelly fine sandy loam
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1 SITE & BUILDING SECTION, (DRAWING BY EMILY WIRT) 2 ENTRY VESTIBULE / THE LAND BEFORE 1832 (RENDER BY STEPHANIE WRIGHT) 3 THATCH PARCEL / CIVIC & HUMAN IMPLICATIONS OF THE GRID (RENDER BY STEPHANIE WRIGHT) 4 RIGID & FLUID / THE GRID & THE TERRAIN (RENDER BY STEPHANIE WRIGHT) 5 APPROACH VIEW OF EXHIBITION SPACE / FIELD OF GNEISS (RENDER BY MARCO ANCHEITA)
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www.emilywirt.com
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