The Atlanta Ballet: Snow White April 2022

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leadership 10 leadership 14 14 || leadership GENNADI NEDVIGIN NEDVIGIN (Artistic (Artistic Director), Director), in inFebruary February2016, 2016,was wasnamed named GENNADI Atlanta Ballet’s fourthartistic artisticdirector director the Company’s then 87-year GENNADI NEDVIGIN (Artistic Director), in February 2016, was named Atlanta Ballet’s fourth ininthe Company’s then 87-year history. Nedvigin, bornartistic Rostov, Russia, began histraining training age Atlanta Nedvigin, Ballet’s fourth director in began the Company’s then 87-year history. born ininRostov, Russia, his atat age 5. 5. AtAt 10,10, he was accepted accepted intothe the BolshoiRussia, BalletAcademy. Academy. Upongraduating, graduating, history. Nedvigin,into born in Rostov, began hisUpon training at age 5. he Athe 10, he was Bolshoi Ballet joined Moscow Renaissance Ballet, asaasoloist, soloist,before before was invited he wasMoscow accepted into the Bolshoi Ballet Academy. Upon graduating, he joined Renaissance Ballet, as hehe was invited toto dance with Le LeJeune Jeune Balletde de France Paris.Inbefore In1997, 1997,while while tour in the joined with Moscow Renaissance Ballet, as in ain soloist, he was invited dance Ballet France Paris. onon tour into the U.S., San Francisco Ballet (SFB) Artistic Director Helgiwhile Tomasson offered dance with Le Jeune Ballet de France inDirector Paris. In Helgi 1997, on tour in the U.S., San Francisco Ballet (SFB) Artistic Tomasson offered Nedvigin soloistcontract. contract. After threeyears, years,he hewas waspromoted promoted to principal U.S., San Francisco Ballet (SFB) Artistic Director Helgi Tomasson Nedvigin aa soloist After three tooffered principal dancer. While atSFB, SFB, Nedvigin won the International Competition’s Erik Nedvigin a soloist contract. After three years, he was Competition’s promoted to principal dancer. While at Nedvigin won the International Erik Bruhn Prize (1999). HeNedvigin hasalso alsoreceived received threeIsadora Isadora Duncan Dance dancer.Prize While at SFB, won the International Competition’s Erik Bruhn (1999). He has three Duncan Dance Bruhn Prize (1999). has alsoAlong received three Isadora Duncan Dance toto Awards (2001, 2010He and 2017). Alongthe the way,Nedvigin Nedvigin was fortunate Awards (2001, 2010 and 2017). way, was fortunate Awards (2001, 2010 and 2017). Along the way, Nedvigin was fortunate to work with many world-renowned choreographers. addition dancing work with many world-renowned choreographers. InInaddition toto hishis dancing work with many also world-renowned choreographers. In addition to his dancing career, Nedvigin classes ballets inin the U.S. career, Nedvigin alsotaught taughtmaster master classesand andstaged staged ballets the U.S. career, Nedvigin also taught master classes and staged ballets in thesat U.S. and abroad before becoming an director. Recently, Nedvigin onon and abroad before becoming anartistic artistic director. Recently, Nedvigin sat and abroad an Competition artistic director. Recently, Nedvigin sat on juried panels at World ininOrlando, International juried panelsbefore atthe thebecoming WorldBallet Ballet Competition Orlando,the the International juried Competition panels at theheld World Ballet Competition inand Orlando, the International Ballet Mississippi, America Ballet Competition heldininJackson, Jackson, Mississippi, andthe theYouth Youth America Ballet Competition held in Jackson, Mississippi, and the Youth Americathe Grand Prix. guidance, Atlanta has established Grand Prix. Under UnderNedvigin’s Nedvigin’s guidance, AtlantaBallet Ballet has established the Grand Prix. Under program, Nedvigin’s guidance, Atlanta Balletperformance has established the Academy training includes a atop-tier Academy training program,which which includes top-tier performance Academy training program, which includes top-tier performance ensemble, Atlanta his commitment toto training forfor thethe ensemble, AtlantaBallet Ballet2,2,representing representing hisa commitment training ensemble, Atlanta Ballet 2, representing next generation of dancers. next generation ofprofessional professional dancers.his commitment to training for the next generation of professional dancers. TOM TOM WEST WEST (Executive (Executive Director) Director) assumed assumed his his role role as as Atlanta AtlantaBallet’s Ballet’s assumed his role as Atlanta Ballet’s TOM WEST (Executive Director) Executive Director at top 2021 Season. West’s career inin Executive Director atthe the topof ofthe the 2021| |2022 2022 Season. West’s career Executive Directorspans at thefor top of the 2021 | years 2022 Season. West’s career in arts management more than 20 leadership roles arts management spans for more than 20 yearsincluding including leadership roles arts management spansCenter for more 20 years including leadership roles at the John for the Arts, Segerstrom at the John F. F. Kennedy Kennedy Center forthan thePerforming Performing Arts,the the Segerstrom at the John F. Kennedy for Film the Arts, the Segerstrom Center for Arts American Institute. actor and theatre Center for the the Arts and andCenter American FilmPerforming Institute.An An actor and theatre Center for Arts and American Institute. An in actor and theatre director by training, West received aaMaster ofofArts administration director bythe training, West receivedFilm Master Arts inarts arts administration director by training, West and received a Master of Arts in arts administration from American University his ininarts management atat the from American University andbegan began hiscareer career arts management the from American and began his career in arts management at the Kennedy Center in he to the asasVice ofof Kennedy CenterUniversity in 1997, 1997,where where herose rose to theserve serve VicePresident President Kennedy Center in 1997, where he rose toprograms the servefor as Vice President of Development, overseeing all Development, overseeing allfundraising fundraising programs forthe theNational National Development, overseeing all fundraising programs for theleading National Symphony Orchestra and Suzanne Ballet, and effort Symphony Orchestra andthe the SuzanneFarrell Farrell Ballet, and leadingthe the effort Symphony Orchestra and the Suzanne Farrell Ballet, andWest leading the effort to fund of Don InIn2007, asas to fund aa remount remount ofBalanchine’s Balanchine’s DonQuixote. Quixote. 2007, Westserved served to fund a remount of Balanchine’s Don Quixote. In 2007, West served as Vice President of Development for the Segerstrom Center for the Arts inin Vice President of Development for the Segerstrom Center for the Arts Vice President of Development for the Segerstrom Center for the AdvanceArts in Costa Mesa, From West asasthe Chief Costa Mesa, California. California. From2010-2021, 2010-2021, Westserved served the Chief CostaOfficer Mesa, California. From 2010-2021, West served as the Chief Advancement for the American Film Institute Los Angeles, he where Advancement Officer for the American FilminInstitute in Loswhere Angeles, ment Officer the for development the American of Film Institute in Los Angeles,bridges where he championed new programs to provide to the he championed the development of new programs to provide bridges to championed theunder-represented development of new programsintoHollywood. provide bridges to the film industry for storytellers West also the film industry for under-represented storytellers in Hollywood. West also film industry forsenior under-represented storytellers Hollywood. West also for served on AFI’s leadership team, shaping in organizational strategy served on AFI’s senior leadership team, shaping organizational strategy for served on AFI’s senior leadership team, shaping organizational strategy for the Institute’s filmmaker training programs and working with major studios the Institute’s filmmaker training programs and working with major studios the Institute’s training programs working major developing on filmmaker targeted diversity initiatives, and as well as its with strategy forstudios developing on targeted diversity initiatives, as well as its strategy for developing the on targeted initiatives, as well as its for weathering COVID-19diversity pandemic. West established thestrategy AFI National weathering the COVID-19 COVID-19 pandemic. pandemic.West Westestablished establishedthe the AFINational National weathering the Council in 2011, a community of philanthropists from acrossAFI the United Council in 2011, 2011, aa community community of ofphilanthropists philanthropists fromacross acrossthe theUnited United Councilwho in States serve as champions for excellence infrom the art of film and States serve as champions champions forexcellence excellence theart artofoffilm filmand and States who who serve as for ininthe opportunities for the next generation of great storytellers. opportunities for the the next next generation generationof ofgreat greatstorytellers. storytellers.” opportunities for SHARON STORY (Dean of the Centre for Dance Education) joined of Dance Education) joined SHARON STORY (Dean of the the Centre Centre for Dance Education) joined Atlanta Ballet after(Dean a professional dancefor career that spanned more than 20 Atlanta Ballet aftertenures professional dance career that spanned more than Atlanta Ballet after aa professional dance career that spanned more than 20 years and included with Joffrey Ballet, the School of American Ballet, 20 years and included tenures with Joffrey Ballet, the School of American years of and included tenures with Joffrey Ballet, of American Ballet, Stars New York City Ballet, Atlanta Ballet andthe 10 School years with Boston Ballet. Ballet, Stars of New York City Ballet, Atlanta Ballet and 10 years with Boston Stars of New Yorktenure City Ballet, Atlanta Ballet andtours 10 years Boston Ballet. Her Boston Ballet included international withwith Rudolf Nureyev. In Ballet. Her Boston Ballet tenure included international tours with Rudolf Her Boston Ballet international tours with Rudolf Nureyev. In 1996, along with hertenure role asincluded ballet mistress, Story became dean of Atlanta Ballet Nureyev. In 1996, along with her role as ballet mistress, Story became dean 1996, along with her role as ballet mistress, Story became dean of Atlanta Ballet Centre for Dance Education (Centre), which has grown to become one of the of Atlanta Ballet Centre for Dance Education (Centre), which has grown to Centre dance for Dance Education (Centre), has to become one of the largest schools in the dance nation. Thewhich Centre is grown nationally recognized become one of the largest schools in the nation. The Centre isfor its largest dance community schools in the nation.Under The Centre isdirection, nationally recognized for its programs Story’s the CentreUnder achieved nationallyand recognized forinitiatives. its programs and community initiatives. programs and with community initiatives. Under Story’s direction, the achieved accreditation theCentre National Association of Schools of Dance (NASD). She Story’s direction, the achieved accreditation with theCentre National accreditation with the National Association of Schools of Dance (NASD). She serves on theof board of directors for NASD. In 2021, Story received Atlanta Association Schools of Dance (NASD). She serves on the board ofBallet’s serves onAlexander the boardAward. ofIndirectors for NASD. In2015 2021, Story received Atlanta Dorothy SheStory received the Women Making a Mark Ballet’s Award directors for NASD. 2021, received Atlanta Ballet’s Dorothy Dorothy Alexander Award. She the 2015 Women aSeries Mark Award from Atlanta Magazine and wasreceived featured inWomen the Arts ATLMaking Legacy 2018. Alexander Award. She received the 2015 Making a Mark Award from Atlanta Magazine and featured ininthe ATL Series 2018. Story is committed to providing noncompetitive atmosphere and access to from Atlanta Magazine andwas wasa featured theArts Arts ATLLegacy Legacy Series Story is committed noncompetitive atmosphere and access dance education thattoisproviding shaped bya the community’s needs,atmosphere is innovative andto 2018.Story is committed to providing a noncompetitive and dance education that is shaped byisthe community’s needs, is innovative and access to education shaped by the thetrademarks community’s needs, Ballet. is inspires thedance commitment and that excellence that are of Atlanta inspires the and commitment and commitment excellence thatand are excellence the trademarks Atlanta innovative inspires the thatofare the Ballet. atlantaballet.com | @ atlantaballet trademarks of Atlanta Ballet. atlantaballet.com | @ atlantaballet


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