P O RT FO L I O projects by Endora Siu B.Arch 2016
TA B L E O F C O N T E N T S 0
Curriculum Vitae
1
PROFESSIONAL Los Feliz Residence
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Regents Park Apts
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Yummy Marketplace
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Guggenheim Helsinki
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ACADEMIC The Pop Message
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Recovery Campus
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Tropical Urbanism
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OTHER WORK Stairway Series
NAME CONTACT
Endora Siu endora.siu@gmail.com +1 408 355 8875 Los Angeles, California
PLEASE CONTACT FOR FULL CURRICULUM VITAE
EDUCATION
EXPERIENCE
University of Southern California. Los Angeles, California, USA August 2010 - May 2015. Bachelor of Architecture (B.Arch) Warrren Techentin Architecture. Los Angeles, California, USA June 2014 - Present. Designer (1 year 6 months) PDP London. Central District, Hong Kong, China June - August 2013. Architecture Intern (2 months) Ko Architects, Inc. Palo Alto, California, USA May - August 2012. Architecture Intern (3 months) MTR Corporation Limited. Kowloon Bay, Hong Kong, China June - August 2011. Student Intern (2 months)
RECOGNITION
Robert Allen Rogaff Architectural Delineation Award 2015. 1st Place for thesis project, USC. National Concrete Masonry Association 2012. 1st Place for CMU Warehouse Competition group project, USC. National Concrete Masonry Association 2012. Honorable Mention for CMU Unit Design Competition group project, USC.
SKILLS
Advanced use ofAutoCAD, Rhino 3D, VRay, SketchUp, Adobe Photoshop, Illustrator, InDesign, Lightroom, and Vectorworks. Some experience with Revit.
LANGUAGE
English (native), Cantonese (fluent), French (intermediate), Mandarin (basic), Spanish (basic)
2015
LOS F E L I Z RE SI D E N C E FIRM: Warren Techentin Architecture
This project is a ground floor remodel and second story addition to a single family residence in the Los Feliz neighborhood of Los Angeles. Some of the drawings I produced: (1) library and bar interior elevations, bar details (2) studio w.c. detail plan and interior elevations; master bathroom and walk-in closet interior elevations 1
2
PTD. GYP. BOARD
wtarch
PTD. GYP. BOARD
PTD. GYP. BOARD
PAINT (E) WOOD FLOOR
ALUMINUM ASTRAGAL
109
7'-1112"
ALUMINUM ASTRAGAL
7'-1112"
7'-1112"
7'-1112"
105
TOP OF TILE WAINSCOAT 1 A5d
ALUMINUM ASTRAGAL
3'-434"
TILE
TILE TILE WAINSCOAT
A STUDIO WC PLAN
2
SCALE: 1/2"=1'-0"
TILE WAINSCOAT
1'-9"
TILE WAINSCOAT TILE
4'-121"
DMAC Engineering 15800 El Prado Road Unit C, Chino, CA 91708 T.909.927.8688 F.909.597.0666 www.dmacse.com
ALUMINUM ASTRAGAL
(E) SINK
(N) TILE
STUDIO WC PLAN
warren techentin architecture, inc 2801 hyperion ave. studio #103 los angeles, CA 90027 e: warren@wtarch.com t :323.664.4500 f :323.664.4544 www.wtarch.com
PTD. GYP. BOARD
B
C
D 1
SCALE: 1/2"=1'-0"
11'-4" 5'-10"
CLOSET
ROBERN MEDICINE CABINET
(E) CABINET
© WARREN TECHENTIN ARCHITECTURE, INC. 2015 All rights reserved. The adjacent drawings, designs, and ideas embodied therein are the property of Warren Techentin Architecture, Inc. (WTARCH) and shall not be copied, reproduced, disclosed to others, or used in connection with any work other than the specified project for which they have been prepared, in whole or in part, without the prior written consent of WTARCH.
F
Drawn by
4 A5d
Issued to
BENCH
Date
5'-8"
TILE
TILE BENCH
BENCH
4
H 3
7'-1112"
7'-1112"
DRAWERS
CLOSET
80 3/4"
7'-1112"
CLOSET DRAWERS
1012" TYP.
9"
SCALE: 1/2"=1'-0"
9"
CLOSET
JAMES RESIDENCE 4322 SUNSET DR. LOS ANGELES, CA 90027
SCALE: 1/2"=1'-0"
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BATHROOM INT. ELEVATIONS
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A5d
6
AS NOTED
dwg title
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2"
14 JULY 2015
I WALK-IN CLOSET INTERIOR ELEVATION
date
42"
42"
80 3/4"
215
dwg no
201
CLOSET
7'-1112"
1012" TYP.
Description
G MASTER BATHROOM TOILET
D
SCALE: 1/2"=1'-0"
Issue/Revision
17"
1'-9"
GLASS SHOWER ENCLOSURE
2'-9"
C MASTER BATHROOM INTERIOR ELEVATION
5
2"
SCALE: 1/2"=1'-0"
(E) CABINET
TOWEL BAR (E) FULL HEIGHT CABINET
7'-1021"
MASTER BATHROOM PLAN
7'-1112"
7'-1112"
7'-1112"
TOWEL BAR 217
48"
3'-621"
217
7'-1112"
215
3 A5d
scale
WETSTYLE 41x60
Checked by
E
B
W.T. I.W.
1012"
A
TILE
5'-11"
(E) WINDOW
PLUMBING WALL ROBURN MEDICINE CABINET, TYP
W.T. M.B. I.W.
TILE 1'-10"
2'-9"
2'-9"
48"
5'-8"
3'-2"
(E) CABINET
217
7"
OPEN TO MASTER CLOSET
CLOSET
7'-1112"
7'-1112"
7'-1112"
TOWEL BAR
CLOSET
7'-1112"
6'-9"
6 A5d
3
(3) (4) (5) (6)
interior wall detail fireplace exterior elevations chimney and fireplace detail plan fireplace interior elevation
4
6
7
2015
REG E N T S PA RK A PA RT M E N T S FIRM: Warren Techentin Architecture
5-story mixed-use development in Los Angeles, with ground floor as dedicated commercial space and living units located above. Some of the drawings I worked on: (1) building elevations (2) building sections
1
2
(3) stair detail elevations (4) stair detail plans
3
4
2015
Y U M M Y M ARK E T P L AC E FIRM: Warren Techentin Architecture
New market location for Yummy.com, currently undergoing construction. Includes a grocery and a deli area. Some of the drawings I produced: (1) market equipment layout plan and schedule (2) deli detail plan, section, interior elevations, and details with equipment placement 1
2
(3) shelf and gondola anchoring details (4) employee locker room and bathroom detail plan and interior elevations
wtarch warren techentin architecture, inc 2801 hyperion ave. studio #103 los angeles, CA 90027 e: warren@wtarch.com t :323.664.4500 f :323.664.4544 www.wtarch.com
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MJM Consulting Structural Engineering, Inc. 1623 S Hayworth Avenue . Los Angeles . CA . 90035 323.931.9471 O 323.931.7212 F
ANCHORING DETAIL H SCALE: 1:2
RETAIL AREA GONDOLA FIXTURE
4
ANCHORING DETAIL B SCALE: 1:2
1
RETAIL AREA SINGLE SIDED GONDOLA FIXTURE
OWNER: Yummy Foods 1135 N Mansfield Avenue . Los Angeles . CA . 90038-1109 tel: 323.465.0553
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© WARREN TECHENTIN ARCHITECTURE, INC. 2015
SCALE: 1:2
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ANCHORING DETAIL C SCALE: 1:2
2
Checked by
ANCHORING DETAIL F
8
Issued to
SCALE: 1:2
W.T. I.W.
E
STORE SHELVING ANCHOR DETAIL, TYP.
I.W. M.G. E.S.
E
All rights reserved. The adjacent drawings, designs, and ideas embodied therein are the property of Warren Techentin Architecture, Inc. (WTAARCH) and shall not be copied, reproduced, disclosed to others, or used in connection with any work other than the specified project for which they have been prepared, in whole or in part, without the prior written consent of WTARCH.
Drawn by
SCALE: N.T.S.
SCALE: 1:2
MADIX GONDOLA SHELVES FLOOR ANCHOR BRACKET ASY-046 SFA-HD, SEE DETAIL #11. GONDOLA FIXTURE MAX. COLUMN LOAD 4500# PER MANUFACTURER SPEC.
E
MADIX GONDOLA SHELVES ANCHOR INSTALLATION, TYP.
ANCHORING DETAIL E
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CHANGING ROOM LOCKERS
ANCHOR BOLT TO WALL W/ STRAP
Date
G
ANCHOR BOLT TO FLOOR
STOCKROOM/DELI-PREP SHELVING FIXTURE
1/4" DIA, 1" LONG METAL FASTENER SCREW LARR #25678
F HUSSMANN MULTI-DECK MEAT OR DELI CASE UNIT BOTTOM BACK CORNER, TYP.
H
L-SHAPED METAL STRAP BRACKET PER MANUFACTURER SPEC Description
F
METAL STUD WALL FASTENING BOLT
Issue/Revision
H
ROXBURY MARKET
SCALE: 1:2
6
ANCHORING DETAILS
ANCHORING DETAIL D SCALE: 1:2
3
A-9.2 AS NOTED
dwg title
10
2 JUNE 2015
ANCHORING DETAIL G
dwg no
SCALE: N.T.S.
STOCKROOM SHELVING/CHANGING RM. LOCKERS ANCHOR DETAIL, TYP. 9 SCALE: 1:2
scale
REFRIGERATION EQUIPMENT ANCHOR DETAIL, TYP.
date
9769 WEST PICO BLVD. LOS ANGELES, CA 90035
G
4
2014
COMPETITION: GUGGENHEIM HELSINKI Warren Techentin Architecture
The firm’s entry for the Guggenheim Helsinki Design Competition in 2014. I was part of a 6-person design team. My involvement includes schematic design, 3D modeling, rendering, diagrams, and submittal board graphics. urban considerations The International network of Guggenheim Museums collectively offer curitorial economy in organizing exhibitions: one show can be exhibited in multiple venues worldwide: all within the same institution. Our scheme for Helsinki provides artist and curator friendly galleries which support the ability to repeat nomadic programming at the same time as supporting new forms of exhibition. All Guggenheim Museums are connected by water. A boat could be used to transport art and exhibitions between all of the Guggenheims! There are over 100 tankers “moth-balled” each year. What if the Guggenheim aquired and reconditioned just one of them... ¤
reGistration nuMber: Gh-7147412589
helsinki
new york 1959
bilbao 1997
abu dhabi est. 2017
helsinki 2014
¤
+
¤
¤
The site for Guggenheim Helsinki can contribute critically to the making of a rich and vibrant South Harbor. We want to maintain the busy atmosphere of the harbor and reinforce it as a gateway into Helsinki. Our goal is to make as many connections to other active areas of the harbor – with the activity of the Guggenheim itself significantly animating the environment. To embrace the waterfront, we have nested our scheme into a sculpture park which extends southward from Market Square, through and around our proposal before continuing above the existing dockside parking and cargo, the future terminal reconstruction building, and shipping and receiving for the Guggenheim as a giant Green roof. This constructed ground serves as a catalytic ‘green blanket’ for the re-pedestrianization of the area and connects to points in the Tahititornin Vuori Park to the west. People filter across this raised ground down around the side of the Guggenheim along the waterfront and into the sculpture park.
iMaGine that GuGGenheiM!
Once we integrated the sea into our thinking we grew fonder of the harbor and the animated life it could support. Our proposal contributes to this animation with a museum which supports and choreographs harbor activity. To move art from the boat as well as onsite we suggest buying a crane.
birds eye lookinG south
iss pohjo
university
rth a no atam
helsinki
museum
r harbou
perhaps siMilar to those in Marseille - they have a beautiful new harbor.
sederholmin talo
ki’s um of helsin
history &
culture
upenskin cathedral
A new Guggenheim Helsinki has the opportunity to help define the future of the harbor and transform it into an active, vibrant part of the city- a gateway to Helsinki. Any future building must architecturally hold the image of the harbor as building that is unmistakenly NOT associated with logisitics to become a catalyst. This necessitates iconicism. The model of museum = factory will destroy the transformation of the harbor. However, we seek to keep the livliness of harbor activity. A redefined use of the western docks may be a new way for people to enter the city and to circulate at the edge of the water.
muse
tuo m
io
kirk
ko
ca thed
ral
ka up
pa to
etel äsat am a
sout
ri
taja ka
m ark et
h ha rbor
portti
k no
ka
nd isla
section b
port
valkosaari island
MuseuM as threshold to the water.
museum
aXonoMetric site plan
arch finnish
ko
h urc ch
laiv as
illa
nka tu
road
rk o pa
MuseuM as urban parkland.
design
kirk
puist
of museum
MuseuM as participatory urban environMent.
road
tähtitorninvuoren
u inkat hard bern
itecture
cygnaeukse
n galleria
manne
rheim
museu
m
view lookinG across south harbor
01
CONCEPT
REGISTRATION NUMBER: GH-7147412589
ART V. ARCHITECTURE One of the ongoing tropes leveled at the Guggenheim is the critique of the uneasy relationship between the Art it displays and its Architectural setting. This is a matter of debate of course. But perhaps more than any other institution worldwide, the Guggenheim has become synonymous with ambitious architecture. Because the architecture is so present, a show at a Guggenheim museum necessitates a dialog from the artists with the building. Our proposal embraces this pro-architectural agenda but also returns to the idea of the traditional gallery setting – galleries independent from the architecture which contain them. We provide both an ambitious architectural environment and the provision of high-quality, “neutral” galleries (the proverbial “white cube”) nested within to provide maximum flexibility to artists and curators to have absolute control of how the work is exhibited and perceived. A stroll through our galleries - arrayed around the central atrium -offers contrasting experiences of interiority and of richly divergent material palettes.
HOLS HAUZEN - METHOD OF STACKING FIREWOOD
19
VIEW FROM PARK EXTENSION LOOKING NORTH
A
A
A
A
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B
B
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7
15
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7 11
FIRST FLOOR 10
20
SCALE = 1:800
1 2 3 4 5 6 7 8 9 10
multifunction classroom / laboratory performance / conference hall shared copy & storage room mechanical small conference offices large conference atrium space pedestrian bridge makasiiniterminaali
270 m² 472 m² 65 m² 34 m² 36 m² 125 m² 77 m² 315 m² 830m²
SECOND FLOOR 1 2 3 4 5 6 7 8 9
atrium cathedral gallery project room valkosaari gallery bilbao gallery south gallery pedestrian bridge roof entrance to terminal skylight field
8
315 m² 594 m² 52 m² 475 m² 419 m² 455 m²
THIRD FLOOR 1 2 3 4 5 6 7 8 9
atrium observatory gallery market gallery micro gallery peggy gallery exterior viewing deck north gallery square gallery harbor gallery
A
10
A
70 m² 315 m² 52 m² 92 m² 271 m² 222 m² 102 m² 121 m² 255 m² 622 m² 444 m² 466 m² 191 m² 235 m² 105 m² 3 spots 172 m length 640 m² 100 spots 10 m²
6
A
entrance atrium ticketing & information storage shop maintenance & operations mechanical art storage collections management terminal & loading drop-off makasiiniterminaali kitchen fine dining cafe visitor screening/coat & bag check ada parking & drop-off crane tracks ampitheater / skyspace bicycle parking port security
4 12
8
A
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
9
4
5 7
GROUND FLOOR
315 m² 510 m² 268 m² 36 m² 176 m² 164 m² 150 m² 224 m² 390 m²
02
ARTIST COLLABORATION
REGISTRATION NUMBER: GH-7147412589
Helsinki lacks a serious collection of art - at least by the standards found in London, Paris, or New York. The construction of this museum will provide the opportunity to curate a diverse collection of high quality early 21st century art: all in the form of artist-designed fabrications for the building. We are using the Guggenheim Helsinki process as an opportunity to work collaboratively with artists in its making - as a project of cultural construction for the city of Helsinki rather than simply another destination for the international art world. In fact, our design will seek to form as many artist integrations as is feasible. Most of the detail in our renderings is to be considered a placeholder for something else an artist would design and we would integrate. As an example, we plan to work with Olafur Eliasson in the making of the platinum-glazed tile cladding of the galleries; or perhaps Jorge Pardo in the making of the lobby. Additional collaborations – to name a few - will include elevator installations, flooring installations, and light installations or all sorts to nurture ambient glows. We have also made spatial transcriptions from other Guggenheims: our atrium for instance is similarly sized and proportioned to the atrium in New York albeit very different in feel. This may make it easier for complex shows - like that of Maurizio Cattelan’s - to travel from New York. Similarly, we included a gallery which is nearly the same size and proportion of the gallery in Bilbao.
GALLERY INDEX
The Atrium size: 327 m2 At the entry. At 27m tall it is the grandest space of the museum The Atrium dedicated size: 327 mto2 site specific installations. Nearly in At the entry. At 27midentical tall it is the proportionspace to theofatrium in New grandest the museum York City. to site specific dedicated installations. Nearly identical in proportion to the(Hissi atrium in New Elevator Gallery Galleria) York size: City. 21 m2
third floorthird galleries floor galleries
second floor second galleries floor galleries
Large art moving elevator which is also a site for long term, curated Elevator Gallery (Hissi Galleria) installations. size: 21 m2 Similar to Barbara Krugerart installation at the Los Large moving elevator which is Angeles County Museum of Art. also a site for long term, curated installations. Similar to Barbara Kruger installation at the Los Angeles County Museum of Art. Bilbao Gallery (Bilbao Galleria) size: 420 m2 Large irregularly shaped gallery with fully controllable Bilbao Gallery (Bilbao lighting Galleria)with 2 views420 west Bemhardinkatu size: malong Road. irregularly Proportianally similar to Large shaped gallery Guggenheim Bilbao. lighting with with fully controllable views west along Bemhardinkatu Road. Proportianally similar to Guggenheim South HarborBilbao. Gallery
VIEW FROM FORECOURT
size: 455 m2 Large gallery space with fully controllable lighting. South Harbor GalleryDirectional space455 provides flexible exhibitions. size: m2 Wood gallery ceiling.space with fully Large controllable lighting. Directional space provides flexible exhibitions. Wood ceiling.
solar panel
skylight
Cathedral Gallery (Katedraali) size: 595 m2 Large gallery with view of cathedral. Fully controllable Wood Cathedral Gallerylighting. (Katedraali) ceiling. size: 595 m2 Large gallery with view of cathedral. Fully controllable lighting. Wood Project ceiling. Room (Projekti Huone) size: 153 m2 Small gallery for fast changing, single exhibitions with fully Projectartist Room (Projekti Huone) controllable size: 153 m2lighting. Small gallery for fast changing, single artist exhibitions with fully controllable lighting. Valkosaari Gallery (Valkosaari) size: 475 m2 Proportionally square gallery with view of Valkosaari island inlcudes Valkosaari Gallery (Valkosaari) fully controllable lighting. Wood size: 475 m2 ceiling. Proportionally square gallery with view of Valkosaari island inlcudes fully controllable lighting. Wood ceiling.
Observatory Gallery (Observatorio) size: 510 m2 Large gallery with view of Observatory. Gallery Naturally lighted with Observatory (Observatorio) ceiling510 skylights. size: m2 Large gallery with view of Observatory. Naturally lighted with ceiling skylights. Market Gallery (Markkinoiden) size: 268 m2 Square gallery with view of the Market.Gallery Naturally lighted with Market (Markkinoiden) ceiling268 skylights. size: m2 Square gallery with view of the Market. Naturally lighted with ceiling skylights. Micro Gallery (Mikro Galleria) size: 36 m2 Mini gallery for site specific or extremely small exhibitions. Micro Gallery (Mikro Galleria) size: 36 m2 Mini gallery for site specific or Peggy’s Gallery extremely small exhibitions. size: 180 m2 Medium-sized gallery for unique exhibitions. Naturally lighted with Peggy’s Gallery ceiling180 skylights. size: m2 Medium-sized gallery for unique exhibitions. Naturally lighted with ceilingHarbor skylights. North Gallery (Pohjoinen) size: 150 m2 Small rectalinear gallery for rotating exhibitions. Naturally with North Harbor Gallery lighted (Pohjoinen) ceiling150 skylights. size: m2 Small rectalinear gallery for rotating exhibitions. Naturally lighted with ceiling skylights. Square Gallery (Neliö Galleria) size: 224 m2 Square, evenly proportioned gallery. Naturally lighted with Square Gallery (Neliö Galleria) ceiling224 skylights. size: m2 Square, evenly proportioned gallery. Naturally lighted with ceiling skylights. Harbor Gallery (Satama) size: 390 m2 Large gallery. Naturally lighted with ceiling skylights. Harbor Gallery (Satama) size: 390 m2 Large gallery. Naturally lighted with ceiling skylights.
snow melters
lighting strip
truss
scrim
dropdown lighting
gallery wall
floor power outlet
wood floor
SKYLIGHT GALLERY
radiant heating
concrete transfer beam
fan duct lighted ceiling
ATRIUM
SKYLIGHT DETAIL - 1:50
SECOND LEVEL GALLERY
03
CIRCULATION
FEASIBILITY & SUSTAINABILITY
PROGRAM
STRUCTURE roof level skylight system
roof level concrete plate
Our building incorporates landscape as a way of connecting the city and our proposal more directly with South Harbor and the seasonal natural systems of Helsinki. Our building is immersed in landscape. Not only does the extensive landscaping help develop the livelihood of the waterfront and counteracts the industrial nature of the docks, but it also helps to regulate water run-off and flow onsite. In addition to working to incorporate the work of many artists, the building endeavors to reduce its carbon footprint by careful selection of materials and the introduction of solar panels and other energy generating devices throughout. Most significantly we have introduced a natural air venting and fan system that uses the stack effect to help keep the air from ever feeling stale. Construction of our project uses a number of conventional methods such as concrete floor plate construction and steel trusses wraped in wood framing.
SUSTAINABILITY
REGISTRATION NUMBER: Gh-7147412589
to Kauppatori
roof level: gallery roof trusses integrated with skylights. servo activated vents and fans for stack effect.
third floor gallery circulation
multi-level metal lattice atrium liner.
atrium liner
natural light galleries third floor gallery: truss system cantilevered in some locations along floor plates and clad in wood framing.
third floor gallery program
third floor gallery concrete floor plates
second floor gallery circulation
third floor gallery concrete floor plates
north facing clerestory 60o solar panels with darkened fins to promote heat gain. all upper galleries are naturally lighted. water captured for filtration and re-use. high-performance, dual glazed glazing between galleries radiant flooring throughout gallery spaces
sustainably harvested wood for gallery framing operable fresh air intakes with localized conditioners fan system to move air within galleries.
rocky schoal
third floor gallery: concrete floor plate and columns. black box galleries
green roofs for thermal mass. regional harvested wood used to clad interior.
second floor gallery program
second floor gallery concrete floor plates
views within galleries connect visitors with the city.
second floor gallery: truss system cantilevered in some locations along floor plates and clad in wood framing.
LANDSCAPE
operable fresh air intakes with localized conditioners. fan system to move air within galleries.
first floor mezzanine sequence
second floor gallery concrete floor plate
second floor gallery: concrete floor plate and columns.
kitchen and art drop off zone
DOwNY BIRCh TREES
mossy tundra
sculpture crane
vestibule with dirt trap.
first floor: mezzanine concrete floor plate.
first floor mezzanine program
ampitheater
mechanical room. fresh air intakes allow elimination of air conditioning.
revolving door connected to electricity capture system. humidity controls for room by room art handling.
ground floor entry sequence colossal programmatic columns for lateral load reistance.
wooden plank
birch trees
square pavers
grasscrete
ground floor program
MAP LIChEN
concrete ground floor over column grid built up over existing port elevation.
combined centralized program arrangement
bicycle parking
green roof
main galleries
colossal programmatic columns for lateral load reistance.
vertical circulation combined centralized program arrangement
programs & events
BIRD ChERRY BUSh
skylights
green roofs for thermal mass
combined structural system arrayed around a central atrium.
bathrooms
allocated electric vehicle parking kinetic energy pavers
performance hall
widened pedestrian/ bicycle path
museum offices
MOSS CAMPION PLANT
fine dining
mechanical room
programmatic spaces
kitchen prep
programmatic spaces
vertical circulation
open cafe
green roof and landscape
atrium circulation
building services
radiant flooring
vertical egress
visitor services
regional wood cladding
bridge entrance
employee services
high perfomance glass
delivery drop off
bookstore & retail
cast concrete with fly ash
skylights
pedestrian bridge
passenger terminal access
DwARF wILLOw GROUND COVER
rocky schoal
existing portside function
Puisto
portside access security checkpoint
pedestrian deck
ROSEROOT PLANT
to Olympiaterminaali
ARCTIC COTTON GRASS snow melters
GLACIER BUTTERCUP PLANT
artist ceramic dimensional tile
solar panels
water catchment
skylight
upper vestibule
operable vent
scrim wood wall
anchor point
in wall truss wood floor
water catchment
BROOK SAXIFRAGE PLANT
wood
tile roof lighted ceiling
high gloss ceiling
in wall truss
wood floor
TRAILING AZALEA GROUNDCOVER
bridge
green roof
lighted ceiling
lighted ceiling
luminous column
LANDSCAPE PLAN
metal lattice
TUFTED SAXIFRAGE PLANT
grand stairway
existing dock
ALPINE CLUB MOSS
SECTION A - 1:200
04
2015
STUDIO THESIS: T H E P O P M E SSAGE INSTRUCTOR:
Andy Ku
Final studio project at USC School of Architecture. Research of pop culture and consumption habits led to the development of a fold-out cafe concept. Programs used: AutoCAD, Rhino 3D, VRay, Adobe Photosthop, Illustrator, InDesign
2014
ST U D I O P RO J ECT : R E C OV E RY C A M P U S INSTRUCTOR:
Lorcan O’Herlihy
4th year studio research project at USC School of Architecture. This project is an architectural rebranding proposal for the Amity Rehabilitation campus in South Los Angeles. Programs used: AutoCAD, Rhino 3D, VRay, Adobe Photosthop, Illustrator, InDesign
RESIDENTIAL PROGRAM BACK
FRONT
AMITY foundation HOUSING
AMITY LOUNGE
FRONT BACK
BEERS LOUNGE CENTER PROGRAM
clifford BEERS supportive HOUSING
FRONT BACK
clifford BEERS supportive HOUSING
BEERS LOUNGE
1
3
BACK FRONT
downtown arts district refugee HOUSING
ARTISTS LOUNGE
2 BACK FRONT
downtown arts district refugee HOUSING
ARTISTS LOUNGE
PATIO
BACK
STUDIO
FRONT
AMITY foundation HOUSING
AMITY LOUNGE
BACK
FRONT
AMITY foundation HOUSING
AMITY LOUNGE
CENTER PROGRAM 3
DINING
1 PERFORMANCE
CENTER PROGRAM 1
3
1
3 STUDY
2
2
2
LAB
PATIO
STUDIO
Miscellaneous PROGRAM
PATIO
STUDIO
WOODSHOP
3
GYM
DINING
1 PERFORMANCE
3
DINING
CLINIC
amity housing
studio
beers housing
patio
study
artists housing
lounge amity housing
WOODSHOP
PERFORMANCE lounge
beers housing
DINING
LAB
GYM lounge
CLINIC
artists housing FACILITY CARD ACCESS RESIDENTIAL CARD ACCESS PUBLIC ACCESS
2013
ST U D I O P RO J ECT : T RO P I CAL U RBA N ISM INSTRUCTOR:
Warren Techentin
4th year studio research project at USC School of Architecture. Focuses on the future urbanization of the Maldives, with aquaculture used as a starting point to expand the country’s global reach. Programs used: AutoCAD, Rhino 3D, VRay, Adobe Photosthop, Illustrator, InDesign
Exclusive Economic Zone
abundance of the 8 most commonly caught fish in the maldives
L
M
S
SOLD TO TOP IMPORTING COUNTRIES OF FISH
SMALL PRODUCE PROCESSED ON SITE THEN EXPORTED
LARGE PRODUCE SHIPPED TO FACTORIES BEFORE EXPORT
QUACULTURE NURSERY & MAITENANCE
FIRST FLOOR BELOW WATER
ENERGY PLANT
FOOTPATH, PARKS & SHOPS
SECOND FLOOR DOCK FISH COLLECTION & MARKETS
CHANNEL: OPERABLE TO LET BOATS THROUGH
AQUACULTURE HABITAT: PROVIDES SHELTER FOR FISH AND BUOYANCY FOR VESSEL
ANCHORED TO ISLET FLOOR
HOUSING
THIRD FLOOR ABOVE WATER
INFRASTRUCTURE
ROOF SOLAR PANEL
FLOATING PARKS: PROVIDES RECREATIONAL SPACE AND BUOYANCY FOR VESSEL
DOCK: PARKING FOR RESIDENTS AND PRODUCE COLLECTION
PHYTOPLANKTON FARM
2013
P H OTO G R A P H Y : S TA I R WAY S E R I E S INSTRUCTOR:
Michael Arden
Final project for an architectural photography class. The focus is on the intricacies of the geometric patterns generated by a set of egress staircases on the USC campus.