THESIS STUDIO II Final Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performing Arts Theater
FINAL PRESENTATION 4-5-19
ERIC HARRIS PROF. SUSAN KLIMAN ARCP 550-01 SPRING 2019 SOURCE: DEZEEN.COM
MOTIF DANCE STUDIO + PERFORMING ARTS THEATER
2
PRESENTATION CONTENTS 1. INTRODUCTION 2. BACKGROUND 3. METHODOLOGY
4. SCHEMATIC DESIGN 5. DESIGN DEVELOPMENT 6. FINAL DESIGN SCHEME
7. REFERENCES
3 SOURCE:COLINSHREENAN.COM
INTRODUCTION
4 SOURCE: BODIESINMOTION.PHOTO
Context WHAT IS A SPACE?
SPACE DEFINED
LANGUAGE OF SPACE
•
Architectural space is the process of creating volume out of void.
•
Dance is the movement through space.
•
The word choreography means space-writing.
•
Architecture and dance share the same language of movement.
•
There is a synergy between dance and architecture.
•
Motif communicates the dance idea or theme and is capable of being developed. It provides shape and structure to a dance.
•
Architecture is what we produce when we move through buildings.
•
Our movement gives things (buildings) their meaning.
5 SOURCE: GOOLEIMAGES
INVESTIGATION 1
Dance Facilities
1
SOURCE: THE KENNEDY CENTER
The Dance Institute of Washington: Columbia Heights, NW DC
KEYWORD: OUTREACH
2
SOURCE: THE WASHINGTON LOBBYIST
City Dance DREAM: U Street, NW DC
KEYWORD: CAREER
3
SOURCE: ARCHITECTURAL RECORD
The Kennedy Center For Performing Arts: Foggy Bottom, NW DC
KEYWORD: PERFORMANCE
6
MOVEMENT 2
Exploration of Movement Performing Arts
1
SOURCE: NEWJERSEYSTAGE
2
SOURCE: KENNEDYCENTER
3
SOURCE: WARNER THEATER
D
Cynthia Oliver Co. – Virago Man Dem
Diavolo Dance Theater
Redbull Flying Bach
DANCE PLACE
THE KENNEDY CENTER: EISENHOWER THEATER
WARNER THEATRE
7 SOURCE: KENNEDYCENTER/DANCEPLACE/WARNER THEATRE
INVESTIGATION
DISTANCE BETWEEN DANCE INSTITUTIONS
2
1
COLUMBIA HEIGHTS NW
1.3 MILES
2 Interdisciplinary Dance Studio & Performance Art Theater
4
U STREET NW
1.7 MILES DUPONT CIRCLE NW
1.1 MILES
3
FOGGY BOTTOM NW 8 SOURCE: GOOLE IMAGES/MAPS
PROBLEM •
Deficiency to integrate dance studio into performance and facilitate spaces for events.
•
Inefficient resources, space and outreach initiatives.
•
Design not conducive for the type of program required to foster dance opportunities and environment.
•
Inability to cultivate local dance community.
•
Some pockets of neighborhood are not as vibrant as they used to be. 9 SOURCE: VALENCESTUDIO.COM
EXPLORATION Interdisciplinary Dance Studio & Performance Theater: DuPont Circle, NW DC •
This institution will show the spatial relationships between movement and architecture.
•
Building is a catalyst for dance education, performance, and outreach.
•
This facility increases the presence of performing arts and adds to the value of the DuPont neighborhood and to the field of dance.
10 SOURCE: THETOWNMOUSE.WORDPRESS.COM
OBJECTIVE •
Analyzed how dance (movement) creates form that inspires design and architecture.
•
Designed a dance performance and theater that informs the users of dance and allows dance to inform the definition of the architectural space.
•
Appropriated a dance facility in the heart of downtown DC.
11 SOURCE: STEVEN HALL ARCHITECTS
BACKGROUND
12 SOURCE: BODIESINMOTION.PHOTO
SITE 1
Background DuPont Circle
1 • Historically a brickyard 2 and
• Spans a distance of 170 Acres.
3
4
5
6
7
slaughterhouse.
• Pierre Charles L’Enfant – 1791 “Federal City” Plan Designer (Washington, DC) • In 1871, the U.S. Army Corps of Engineers began construction of the traffic circle, then called Pacific Circle.
• On February 25, 1882 Congress renamed it “DuPont Circle”. • In recognition of his service in the Civil War Rear Admiral Samuel Francis DuPont was commemorated with a bronze statue in 1884.
SOURCE: HOUSEHISTORYMAN.BLOGSPOT.COM
13
SITE 2
Background DuPont Circle SOURCE: TRVL.COM
1
2
3
• The central fountain designed by Daniel Chester French provides seating, and long, curved benches around the central area were installed in 1964.
4
5
6
7
• Architectural Style: Late 19th And 20th Century Revivals, Queen Anne, Romanesque. • Overall neighborhood designed by architects McKim, Mead & White; Carrere & Hastings. • Currently Populated with single and singlefamily homeowners.
14
Demographics Profile
SITE 3
SOURCE: AREAVIBES.COM/DUPONTCIRCLE
Population
Demographics DuPont Circle
Population Density
21,083
Median Age
32 y/o
Male/Female Ratio
Population Breakdown
4
13,972
Caucasian
5
0:9:1
80. 07%
African American
4.77%
Asian
9.31%
American Indian
0.95%
Native Hawaiian
1.00%
Mixed Race
3.77%
Other Race
1.12%
Age Breakdown (M/F) 25 - 34
42.9/51
35 - 44
17.2/13.2
45 - 54
11.9/7.0
55 - 64
8.6/6.5 15
DUPONT CIRCLE
SITE •
This section of the submarket largely defines its identity. It is DuPont Circle’s key retail corridor and its small, creative shops (such as Kramer books) have become local institutions.
2. P Street
2
• •
This section is comprised of Residential and Commercial/Retail space Adding a dance facility will increase the exposure of N street and revitalize the area that is consumed with commercial and retail businesses. The performing arts would foster communal interactions.
3
LOWER CONNECTICUT M Street Northwest
4
19TH Street Northwest
4. Business District/Residential
B
M Street Northwest
This section is circulating with local-serving, offbeat shops and restaurants.
This area is essentially a separate submarket (part of the business district)
N Street Northwest P Street Northwest
DUPONT CIRCLE
3. Lower Connecticut Ave •
17th Street Northwest
P STREET CORRIDOR
20TH Street Northwest
•
UPPER CONNECTICUT
B
19th Street Northwest
Commercial, Retail, Residential DuPont Circle 1. Upper Connecticut Ave
A1
20th Street Northwest
4
P Street Northwest
DUPONT CIRCLE
N Street Northwest
A = Major Intersection
= Minor Intersection = Neighborhood Intersection = Sub- Section A
= Section 1 = Section 2 = Section 3 = Section 4
= Sub- Section B
= Public space
16 SOURCE: GOOGLEMAPS
SITE Site Location 1900 N Street NW, Washington DC 20036 Between 19th & 20th Street NW
Ward 2
19TH ST. NW
N ST. NW
20TH ST. NW
5
DISCTRICT OF COLUMBIA WARDS
17 SOURCE: GOOGLE IMAGES/MAPS/ARCGIS
SITE 6
1
Street View 1900 N Street NW
2
East Side
4
South Side
Eight-story 114,000 S.F. Class B office building; D-5 Constructed in 1981 159 Parking Spaces
4
2
3 19th STREET NW
1
N STREET NW
20th STREET NW
• • • • •
North Side
JEFFERSON PL NW
3
West Side
M STREET NW
18
2
3
SITE 7
Building Views DuPont Circle 4
2
Rooftop Panoramic
4
1
1 3
NE Corner, Looking East
NW Corner, Looking North
NE Corner, Looking South SOURCE: GOOGLE IMAGES/ARCGIIS
19
SITE 8
Building Code Analysis DuPont Circle D-5 Zoning
1
I § 540.1 - Maximum Height: ~100/110’ (Right-of-Way + 20’) I § 539.1 - FAR: Residential: Unrestricted Non-Residential: 6.5 (without credits) ~174,290 GSF I § 202 - Lot Occupancy: 100% N STREET NW I § 205.2 - Rear Yard: None Required for Through Lot, including a lot fronting on three (3) streets I § 206 - Side Yard: None Required I § 543.1 - Off-Street Parking: None Required I § 212.5 – Bicycle Parking: required per Subtitle C, Chapter 8
I § 208 – Green Area Ratio: 0.2
SITE
MU 16 -22
RA 5 -10
D5 20
SITE 9
DuPont Circle – Zoning Requirements Historic District
Buildings/Lots
Site
Building Code Analysis DuPont Circle This project is proposed to be in a D-5 zone and is not listed in any Historic Zone: U § 700.6 (g) – Matter-of-Right Use: D-Zone (3) Art or performing arts school, including but not limited to schools of dance, photography, filmmaking, music, writing, painting, sculpting, or printmaking; U § 512.1 (f) – Matter-of-Right Use: MU-Use Group E Entertainment, assembly, and performing arts uses, except that a bowling alley shall be subject to the following conditions: 1.
2.
The use shall not be within twenty-five feet (25 ft.) of a residentially zoned property unless separated by a street or ally; and Soundproofing to the extend deemed necessary for the protection of adjoining and nearby property shall be required
21 SOURCE: PROPERTYQUEST.DC.GOV/DCMR 11
SITE 10
Accessibility DuPont Circle
Project Site
SOURCE: GOOGLE IMAGES/MAPS
Metro
1525 20th ST NW 0.1 MILE (3 Min) Walk
Bus
Conn Ave & N ST NW 0.1 Mile. (3 Min) Walk
Circulator
303 19th ST NW 305 FT. (1 Min) Walk
Bike (CABI)
20TH & O ST NW 0.2 Mile (3 Min) Walk
Parking
1250 Conn. Ave NW 0.1 Mile (3 Min) Walk
22
SITE 11
Amenities DuPont Circle Banks 1. 2. 3. 4. 5. 6.
PNC Bank Bank of America Eagle Bank SunTrust Citibank Wells Fargo
Hotels 1. 2. 3. 4. 5. 6. 7. 8. 9.
Hotel Palomar Topaz Hotel The Fairfax at Embassy Row Courtyard Marriott The Dupont Circle Hotel Ritz-Carlton The Westin Georgetown Park Hyatt Marriott
Restaurants 1. 2. 3. 4. 5.
Panera Bistrot Du Coin Urbana Tabard Inn Komi
Project Site
6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34.
Obelisk Panas Hanky’s Oyster Bar Firefly Mandu Founding Fathers Le Diplomate Keren Quill Lincoln Bub and Pop’s Boqueria Roti Mediterranean Grill Pizzeria Paradiso Nando’s Peri Ris Scion Restaurant Lauriol Plaza Starbucks Circa Café Little Serow Black and Orange Moby Dick Shop House Agora Restaurant Dupont Italian Kitchen Shake Shack DC Café Kramerbooks &Cafe
23 SOURCE: GOOGLE IMAGES/MAPS
PRECEDENTS 1
1 STEVIE ELLER DANCE THEATER
Stevie Eller Dance Theater Tucson, Arizona
ZAGREB DANCE CENTER
Zagreb Dance Center Zagreb, Croatia
5 MONT-LAURIER MULTIFUNCTIONAL THEATER
Mont-Laurier Multifunctional Theater Mont-Laurier, QC, Canada
3
2 WRITERS THEATRE
TELUS Center for Performance & Learning Toronto, Canada
8
7
6
Wagner Noel Performing Arts Center Midland, Texas
TEULUS CENTER
Writers Theatre Glencoe, IL
WAGNER NOEL PERFORMANCE CENTER
4
HOUSTON BALLET CENTER FOR DANCE
Houston Ballet Center for Dance Houston, Texas
DANCE PLACE
Dance Place Washington, District of Columbia
24 SOURCE: ARCHITECTUREWEEK.COM
SOURCE: GOOLGE MAPS/IMAGES
PRECEDENTS 1a
1
2
• •
Architects: Donna Barry, Jose Pombo, Gould Evans
Stevie Eller Dance Theater
29,000 S.F. complex
•
Tucson, Arizona
300 seat theater
• •
50 performances a year
•
Costume & Scene Shop •
1737 E University Blvd, Tucson, AZ 85719
3 A – STADIUM B – LIBRARY C – SHOPPING D – SPORTS CENTER E - MALL
C B
Pilates studio Dressing rooms
•
A
Built in 2003
•
Outdoor stage
4
E D
25 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS
APPLICATION
1b
• Extend to Public Space • Views from Building to engage Public • Connect with the Community
FACING MALL
NORTH FACING STADIUM
STEVIE ELLER 26 SOURCE: ARCHITECTUREWEEK.COM
SOURCE: GOOLGE MAPS/IMAGES
PRECEDENTS 2a
2
1
Writers Theatre Glencoe, IL
325 Tudor Ct, Glencoe, IL 60022
3 4
A
B
C
A – STARBUCKS B – PULBIC LIBRARY C - RESTAURANTS
•
Built in 2016; LEED Gold Certified
•
Architects: Studio Gang Architects
•
36,000 S.F.
•
250 seat theater; 99 Seat Box theater
•
Rehearsal space & Public Zones
•
Canopy walk hung from wooden glulam roof beams
•
Theater engages its surrounding through transparent visual connections and ivy-covered backdrops to the surrounding parks
27 SOURCE: STUDIOGANG.COM
PRECEDENTS 2b
APPLICATION • Rooftop Terrace • Box –Style Theater • Flexibility of Spaces
• Multi-function of Spaces
250 SEAT MAIN THEATER AND 99-SET FLEXIBLE BLACK BOX ROOM
WRITER’S THEATRE 28 SOURCE: ARCHITECTUREWEEK.COM
SOURCE: GOOLGE MAPS/IMAGES
PRECEDENTS 3a
2
1
Mont-Laurier Multifunctional Theater Mont-Laurier, QC, Canada
543 Du Pont Street, Mont-Laurier, QC J9L 0L4, Canada
3
B B
A A – HOSPITALITY CENTER B – PARK C – RESTAURANTS D – OTHER AMENITIES
4
B
A
C
C
A – STARBUCKS B – PULBIC LIBRARY C - RESTAURANTS
D
•
Built in 2015
•
Architects: Les Architectes FABG
•
35,0000 S.F.
•
270 - 700 Seats
•
Mezzanine of 184 Seats
•
Theater, Convention Center and Concert Hall
•
Telescopic seats that retract to provide additional floor space when needed
29 SOURCE: ARCHDAILY.COM/OFFICE/FABG
PRECEDENTS
APPLICATION • Telescopic Seating
3b
• Box – Style Theater • Use of space for other activities and programs
MONT-LAURIER 30 SOURCE: ARCHITECTUREWEEK.COM
SOURCE: GOOLGE MAPS/IMAGES
PRECEDENTS 4a
2
1
Houston Ballet Center for Dance Houston, Texas
601 Preston St, Houston, TX 77002
3
B
B
A A
4
A
A – PARK B – PERFORMING ARTS CENTER C - RESTAURANTS
C
B
B
A C
•
Built in 2010
•
Architects: Gensler
•
115,000 S.F. (Ballet and Academy)
•
9 Dance studios
•
200- seat Dance Laboratory
•
Administrative and Support Facilities
•
West-facing studios have automated blinds that lower as the afternoon sun increases
•
Autism friendly performances
31 SOURCE: HOUSTONBALLET.ORG
PRECEDENTS 4b
APPLICATION • Outreach • Create Spaces
• Inclusive Programs Offered • Cultivate local artists
HOUSTON BALLET 32 SOURCE: ARCHITECTUREWEEK.COM
SOURCE: GOOLGE MAPS/IMAGES
PRECEDENTS 5a
2
1
Dance Place
Washington, District of Columbia
3225 8th Street NE, Washington DC 20017
3
D
B C
4 A
B A – PERFORMING ARTS B – STOREFRONT CORRIDOR C – RESTAURANTS/DINING D – UNIVERSITY
A A
B
C
B
A
•
Renovation in 2013; completion 2014
•
Architects: Hickok Cole Architects
•
9500 S.F. (Institutional/Cultural)
•
Backstage area, dressing, offices
•
144- seat Dance Theater
•
Dance School
•
Work / study and internship programs
•
Community based, outreach oriented
33 SOURCE: HICKOK COLE ARCHITECTS/DANCE PLACE
PRECEDENTS
APPLICATION • Community Based
5b
• Metro Accessible • Dance Classes • Work/Study/Internship Programs
DANCE PLACE 34 SOURCE: ARCHITECTUREWEEK.COM
SYNTHESIS 6a
1
2
APPLICATION • Community Based
Building Analysis/Synthesis 1900 N Street NW
• Metro Accessible • Dance Classes
BLDGS
SITE
PATHS
ENTRANCE
2 3
• Work/Study/Internship Programs
FLOW
1
• Outreach • Inclusive Programs Offered
3
• Cultivate local artists
• Use of space for other activities and programs • Extend to Public Space • Connect with the Community
35 SOURCE: GOOGLE.COM/MAPS
METHODOLOGY
36 SOURCE: BODIESINMOTION.PHOTO
GENEALOGICAL TREE OF DANCE
MOVEMENT 1
Evolution of Dance Timeline • • • • • • • • •
African Dance Ballet Ballroom (Waltz) Latin American Ballroom (Salsa) Modern Jazz Modern Dance Contemporary Broadway Jazz (Tap, Swing)
• • • • • • • • • • •
Disco Funk (Locking, Popping) Hip-hop (Old School) Breaking, Rocking, Bounce* Waacking House Break Dance Street Jazz Pop, Commercial Krump Hip-hop (New Style), Twerking*
• Laban (LMA)
1500 1600
1800
1920’s 1970’s 1980’s
1990’s 2000’s 2010’s
37 SOURCE: SDHS.ORG
MOVEMENT 2
LABAN MOVEMENT ANALYSIS Created by Rudolf Laban, LMA is a theoretical framework and language for describing, visualizing, interpreting and documenting human movement.
by: SILA SVETA
38
SOURCE: MOVESCAPECENTER.COM
MOVEMENT 3
LABAN MOVEMENT ANALYSIS
Laban Movement Analysis is separated
into three categories: time, weight of the movement, and the way you move through space.
Time pertains the rhythm of the movement (sustained or quick). The weight refers to how the movement is organizing itself in gravity (light or strong). Space, relates to how the movement travels through space (either indirect or direct). Flow: The fluidity of the movement (free or bound) Laban defines manner in eight effort actions: press, punch, dab, flick, slash, wring, float, and glide.
by: SILA SVETA
39
SOURCE: KEYWORDSUGGEST.ORG
MOVEMENT 4
LABAN MOVEMENT ANALYSIS The basic concepts of Body, Effort, Shape, and Space are explored through movement experiences, observations, and theoretical discussion. The human body moves through space dynamically, in constantly changing patterns.
by: SILA SVETA
40
SOURCE: ASCTHEATRECAMP.WORDPRESS.COM
MOVEMENT 5
8 LABAN EFFORTS CHART
Indirect Light
Direct flow Free
Bound
time Slow
Quick
Heavy
ENERGY/FLOW
WEIGHT
SPACE
TIME
PUNCH
Heavy
Direct
Quick
Bound
PRESS
Heavy
Direct
Slow
Bound
SLASH
Heavy
Indirect
Quick
Bound
WRING
Heavy
Indirect
Slow
Bound
DAB
Light
Direct
Quick
Free
GLIDE
Light
Direct
Slow
Free
FLICK
Light
Indirect
Quick
Free
FLOAT
Light
Indirect
Slow
Free
EFFORTS = ENERGY
by: SILA SVETA
41
SOURCE: DANCETHERAPY.CN
MOVEMENT 6
LABAN MOVEMENT ANALYSIS
The way the body changes shape during movement indicates the movement of the body’s internal components in supporting or influencing external activity.
The body is interacting with the environment and the body's relationship the environment. 42 SOURCE: DANCETHERAPY.CN
MOVEMENT 7
LABAN EFFORT DIAGRAM
LABAN MOVEMENT ANALYSIS Movements can create a kinesphere centered around an object in the environment, or around another person. Body movements can also be organized or arranged around centers anywhere in the external space.
by: SILA SVETA
43
SOURCE: ASCTHEATRECAMP.WORDPRESS.COM
MOVEMENT 8
1
Building Design Concept
IDENTIFY BUILDING PROGRAM LAYOUT + CIRCULATION
2
DIAGRAM LABAN PROGRAM (bubble diagrams)
3
TRANSLATE LABAN INTO ARCHITECTURAL SPACES
4
ARCHITECTURAL SPACES TRANFORM INTO BUILDING FORM
(adjacencies + bubble diagrams)
DANCE (MOVEMENT)
QUALITATIVE ENERGY
SPACE + SYNERGY
=
BUILDING FORM (Architecture)
44
SCHEMATIC DESIGN
45 SOURCE: BODIESINMOTION.PHOTO
PROCESS 1
Building Site & Massing
HIGH DENSITY DEVELOPMENT
BUILDING SITE
COMMERCIAL/ MIXED USE
(COMMERCIAL/MIXED-USE)
MULTIPLE DWELLING UNIT RESIDENTIAL DEVELOPMENT
46
BUILDING FUNCTION DIAGRAM
PROCESS 2
Bar
Lounge
13.5’
Spatial Relationships: Programming A.
B.
Entrance/Street View • Theater 2 • Theater 3 • Gallery/Display • Bookstore • Cafe • Outdoor Landscaping/Seating Theater Production/Rehearsal Hall • Dressings Rooms • Locker Rooms • Backstage • Concession / Admin
C.
Dance Studios/Dance Labs • Classrooms • Multi-functional
D.
Board Room/Restaurant • Board Room • Conference Room • VIP Lounge • Green Rooms • Restaurant
E.
Rooftop • Bar & Lounge • Terrace
Rooftop Terrace Restaurants
Green Rm Brd Rm Conf Rm VIP Lounge Offices Classroom/Studios
15’
Classroom/Studios Dance Labs
14.5’
Rehearsal
Cafe Multi-functional
15’ 14.5’
Green Rm Shop
Theater Production
Theater 1
11.5’
14’
Theater 2
Theater 3
Theater 2
Theater 3 Gallery/Display Bookstore
Concession
Admin
30’ Cafe
PARKING
47
PROCESS 3
Adjacencies
MATRIX
THEATER 1 LOBBY/ENTRANCE THEATER 2 THEATER 3 GALLERY DISPLAY BOOKSTORE CAFÉ GIFTSHOP RESTROOMS ELEVATORS
PRIMARY SECONDARY
STAIRS
48
PROCESS 4
BUILDING PROGRAM FLOORS 1 TO 9 PENTHOUSE
Building Program
Dance and Video Mapping Performance 49
PROCESS 5
LABAN PROGRAM FLOORS 1 TO 9 PENTHOUSE
Laban Program
Dance and Video Mapping Performance 50
PROCESS 6
LABAN EFFORTS IMAGERY
flick
wring
float
punch
punch
slash
glide
float
dab press
flick
press
wring
51 SOURCE: GOOGLE IMAGES
8 LABAN EFFORTS
PROCESS 7
SLASH
FLICK
PRESS
FLOAT
PUNCH
GLIDE
Building Design Concept
DAB
WRING 52
PROCESS 8
Bubble Diagrams & Functions
53
PROCESS 9
8 Laban Efforts
WEST SIDE
light
G L I D GLIDE
F L O A T FLOAT
D A B
DAB
G L I D E
PUNCH
FLOAT
P R E S S
PUNCH
P U N C H
P R E S S
E
WRING
P U N C H
W R I N G
PUNCH
D
SLASH
F L I C K
P R E S S
GLIDE
D A B
D A B
P R E S S
F L O A T
F L I C K
D A B
P R E S S
F L I C K
F L I C K
D A B FLOAT
G L I D E
S L A S H FLOAT
G L I D E
D A B DAB
F L I C K
direct direct indirect indirect
sudden sustained sudden sustained
free free free free
dab glide flick float
heavy heavy
direct direct
sudden sustained
bound bound
punch press
heavy heavy
indirect indirect
sudden sustained
bound bound
slash wring
143’-0”
ROOF
128’-0”
PENTHOUSE
114.5’-0”
9th FLOOR
103’-0”
8th FLOOR
88’-0”
7th FLOOR
73’-0”
6th FLOOR
58’-6”
5th FLOOR
44’-0”
4th FLOOR
A B
F L O A T
G L I D E
light light light light
CORE BUILDING – NORTH SIDE
A B
F L I C K
MIN
heavy
light
Building Design Concept
D
MAX
MIN
GLIDE
FLOAT
D A B
GLIDE
P U N C H
W R I N G P R E S S
WRING PRESS
PRESS
D A B
P U N C H
FLOAT
G L I D E
P U N C H
PUNCH
FLOAT
D A B
SLASH
FLICK
30’-0”
DAB
3rd FLOOR 2nd FLOOR
0’-0”
1st FLOOR
54
PROCESS 10
Building Design Concept
Penthouse 9th Floor 8th Floor
7th Floor 6th Floor 5th Floor
4th Floor 3rd Floor
2nd Floor Ground Floor Underground Parking
55
DESIGN DEVELOPMENT
56 SOURCE: BODIESINMOTION.PHOTO
DESIGN DEVELOPMENT 1
Building Mass
57
DESIGN DEVELOPMENT 2
Building Mass
NORTHEAST SIDE
SOUTHEAST SIDE
NORTHWEST SIDE 58
DESIGN DEVELOPMENT 3
Building Mass & Site Context
AERIAL VIEW NORTHWEST 59
DESIGN DEVELOPMENT 4
Building Mass & Site Context
AERIAL VIEW EAST 60
DESIGN DEVELOPMENT 5
Site Plan N STREET NW 19TH STREET NW
20TH STREET NW SITE/ROOF PLAN SCALE: 1/16” = 1’0”
OUTDOOR PUBLIC SPACE CORE BUILDING OUTDOOR SEMI-PUBLIC
61
DESIGN DEVELOPMENT 6
Floor Plans
55 PARKING SPACES
UNDERGROUND PARKING PLAN
CIRCULATION
SCALE: 1/32” = 1’0”
FUNCTION
62
DESIGN DEVELOPMENT 7
Floor Plans
DISPLAY
MAIN ENTRY
GALLERY
BOOKSTORE
LOBBY
MAIN THEATER
BOX THEATER
CAFE
GROUND FLOOR PLAN SCALE: 1/32” = 1’0”
WOMEN’S MEN’S
OUTDOOR THEATER AREA
PROGRAM CIRCULATION FUNCTION
63
DESIGN DEVELOPMENT 8
Floor Plans
CONCESSION
BOX OFFICE MAIN THEATER
BOX THEATER
WOMEN’S MEN’S
2nd FLOOR PLAN SCALE: 1/32” = 1’0”
PROGRAM CIRCULATION FUNCTION
64
DESIGN DEVELOPMENT 9
Floor Plans
STORAGE WOMEN’S
THEATER PRODUCTION
3rd FLOOR PLAN SCALE: 1/32” = 1’0”
WORKSHOP
MEN’S
PROGRAM CIRCULATION FUNCTION
65
DESIGN DEVELOPMENT 10
Floor Plans GREEN ROOM DRESSING ROOM REHEARSAL REHEARSAL
STORAGE
GREEN ROOM
WOMEN’S
DRESSING ROOM
MEN’S REHEARSAL
GREEN ROOM
DRESSING ROOM
4th FLOOR PLAN SCALE: 1/32” = 1’0”
PROGRAM CIRCULATION FUNCTION
66
DESIGN DEVELOPMENT 11
Floor Plans
DANCE LAB
DANCE LAB
MULTIFUNCTONAL
MEN’S
WOMEN’S
MULTIFUNCTONAL
5th FLOOR PLAN SCALE: 1/32” = 1’0”
PROGRAM CIRCULATION FUNCTION
67
DESIGN DEVELOPMENT 12
Floor Plans
STUDIO
CAFE
STUDIO
STUDIO
STUDIO
MEN’S STUDIO
6th FLOOR PLAN SCALE: 1/32” = 1’0”
WOMEN’S
STUDIO
PROGRAM CIRCULATION FUNCTION
68
DESIGN DEVELOPMENT 13
Floor Plans
STUDIO
STUDIO
STUDIO
STORAGE STUDIO
MEN’S STUDIO
7th FLOOR PLAN SCALE: 1/32” = 1’0”
WOMEN’S
STUDIO
PROGRAM CIRCULATION FUNCTION
69
DESIGN DEVELOPMENT 14
Floor Plans
BOARD ROOM
CONF. ROOM
CONF. ROOM
CONF. ROOM
CONF. ROOM
CONF. ROOM
CONF. ROOM BOARD ROOM
GREEN ROOM MEN’S
ADMIN SUITE
WOMEN’S
LOUNGE GREEN ROOM CONF. ROOM
8th FLOOR PLAN SCALE: 1/32” = 1’0”
PROGRAM CIRCULATION FUNCTION
70
DESIGN DEVELOPMENT 15
Floor Plans RESTAURANT KITCHEN
KITCHEN
RESTAURANT
KITCHEN
RESTAURANT
MEN’S
WOMEN’S
RESTAURANT
KITCHEN
9th FLOOR PLAN SCALE: 1/32” = 1’0”
PROGRAM CIRCULATION FUNCTION
71
DESIGN DEVELOPMENT 16
Floor Plans
TERRACE
TERRACE
LOUNGE
BAR
LOUNGE MECHANICAL WOMEN’S
MEN’S
TERRACE
TERRACE
PENTHOUSE FLOOR PLAN SCALE: 1/32” = 1’0”
PROGRAM CIRCULATION FUNCTION
72
DESIGN DEVELOPMENT 17
Elevations
NORTH ELEVATION |SCALE: 1/16” = 1’0” 73
DESIGN DEVELOPMENT 18
Elevations
SOUTH ELEVATION |SCALE: 1/16” = 1’0” 75
DESIGN DEVELOPMENT 19
Elevations
EAST ELEVATION|SCALE: 1/16” = 1’0” 77
DESIGN DEVELOPMENT 20
Elevations
WEST ELEVATION |SCALE: 1/16” = 1’0” 79
DESIGN DEVELOPMENT 21
B
Section A
A. CROSS-SECTION EAST SIDE
B. LONG-SECTION NORTH SIDE
81
DESIGN DEVELOPMENT 22
Building Modeling & Site Context
NORTH VIEW Facing WEST 82
DESIGN DEVELOPMENT 23
Exterior Building Materials COPPER
MARBLE CLAD
GREENERY
BLACK PLYWOOD
SMOKED BRICK
GLAZING
83
FINAL DESIGN SCHEME
84 SOURCE: BODIESINMOTION.PHOTO
FINAL DESIGN SCHEME 1
Rendering
NORTHEAST VIEW FACING WEST
Application
Houston Ballet
Outreach 85
FINAL DESIGN SCHEME 2
Rendering
OUTDOOR PERFORMANCE SPACE FACING SOUTH
Application
Stevie Eller
Extension to Public Space 86
FINAL DESIGN SCHEME 3
Rendering
LOBBY/ENTRANCE GROUND FLOOR
Application
Writer’s Theatre
Multi-Function Spaces 87
FINAL DESIGN SCHEME 4
Rendering
MAIN THEATER GROUND FLOOR
Application
Mont-Laurier
Telescopic Seating 88
FINAL DESIGN SCHEME 5
Rendering
CAFÉ GROUND FLOOR
Application
Dance Place
Amenities; Commercial/ Retail
89
FINAL DESIGN SCHEME 6
Rendering
DANCE STUDIO SIXTH FLOOR
Application
Houston Ballet
Inclusive Programs; Cultivate Artists
90
FINAL DESIGN SCHEME 7
Rendering
ROOFTOP TERRACE OUTDOOR SPACE FACING EAST
Application
Writer’s Theatre
Rooftop Terrace 91
FINAL DESIGN SCHEME 8
Rendering
NORTHWEST VIEW FACING EAST
Application
Dance Place
Community Based; Metro Accessible
92
FINAL DESIGN SCHEME 9
Rendering
BIRD’S EYE VIEW FACING NORTHWEST
Application
Stevie Eller
Views from Building to Engage Public
93
MOTIF DANCE STUDIO + PERFORMING ARTS THEATER
94
REFERENCES 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42.
Duncan, Isadora. “The Dance of the Future.” Dance as a Theater Art: Source Readings in Dance History from 1581 to the Present. Ed. Selma Jeanne Cohen. Princeton, NJ: Princeton Book Company, Publishers, 1992. Onians, John. “Greek Temple and Greek Brain.” Body and Building: Essays on the Changing Relation of Body and Architecture. Ed. George Dodds and Robert Tavernor. Cambridge, MA: The MIT Press, 2002. Squillante, Sarah. “What do street dance and ballet have in common? Blog. https://ums.org/2014/01/23/what-do-street-dance-and-ballet-have-in-common/. Published Jan 23, 2014. Tzonis, Alexander. Santiago Calatrava: The Poetics of Movement. New York: Universe Publishing, 1999. Yudell, Robert J. “Body Movement.” Body, Memory, and Architecture. By Kent C.Bloomer, Charles W. Moore and Robert J. Yudell. New Haven: Yale University Press, 1977. Blog. https://erenyazicioglu.wordpress.com/2016/11/14/dance-and-architecture/ Web. https://www.pinterest.com/pin/41447259044172963/?lp=true Web. http://robohub.org/the-relationship-between-dance-and-robotic-fabrication-with-video/ Web. http://www.kennedy-center.org/ Web. http://www.dancingstrong.com/architecture.html City Dance. Web. https://www.citydance.net/ The Dance Institute of Washington. Web. http://www.danceinstituteofwashington.org/ Voorthius, Jacob. http://www.voorthuis.net/. 1994 – 2014. Web. http://www.areavibes.com/washington-dc/dupont+circle/livability/?ll=38.91165+-77.04346 Web. http://www.derivative.ca/events/2012/SilaSveta/ Web. https://www.archdaily.com/797079/steven-holl-and-jessica-langs-tesseracts-of-time-explores-the-relationship-between-architecture-and-dance Web. https://planning.dc.gov/publication/dupont-circle-retail-action-strategy Web. http://dance.arizona.edu/about_us/facilities/stevie_eller_theatre/ Web. http://www.etsy.com http://dance-in-architecture.blogspot.com/2011/08/visualizing-movement-of-dance.html http://www.dsgnr.cl/2017/10/camaras-bailarines-nexo-danza-fotografia-arquitectura-jacob-jonas/ https://www.yatzer.com/jacob-jonas-company-camerasanddancers http://microcities.net/portfolio/measuring-space/ Newlove, Jean, 1993, Laban for Actors and Dancers, Putting Laban’s Movement Theory into Practice, A Step-by-Step Guide, Nick Hern Books, United Kingdom https://www.theatrefolk.com/blog/the-eight-efforts-laban-movement/ http://www.movementhasmeaning.com/wp-content/uploads/2010/09/LMA-Workshop-Sheet.pdf Web. https://www.google.com/search? q=architecture+and+dance&safe= active&source=lnms&tbm=isch& sa=X&ved= 0ahUKEwjorrihhu3YAhVJ3FMKHaWaB g4Q_AUICigB&biw=1371&bih=673# imgdii=PfEGZUKKPmdGeM:&imgrc= CDqm-u9PkC_QoM Web. https://ar.pinterest.com/pin/ 666321707337780985 Web. http://www.academia.edu/6253327/The_architectural_spaces_and_Their_psychological_impacts Web. https://www.wired.com/2011/04/the-psychology-of-architecture/ Web. https://sydney.edu.au/architecture/documents/staff/garymoore/28.pdf Web. http://www.bbc.com/future/story/20170605-the-psychology-behind-your-citys-design Web. http://www.kopvol.com/downloads/2009_Vollmer%20Koppen_The%20Psychological%20Quantum%20of%20Architecture.pdf Web. https://issuu.com/madhurjain22/docs/human_psychology_in_rehabilitative_ Web. http://portico.space/journal//architectural-concepts-circulation Web. https://www.aaai.org/Papers/Symposia/Spring/2005/SS-05-06/SS05-06-025.pdf Web. https://www.researchgate.net/publication/228646158_Space_Syntax_in_Architectural_Design https://creators.vice.com/en_uk/article/jpvekb/how-motion-can-bring-us-together-through-architecture http://www.soma-architecture.com/index.php?page=theme_pavilion&parent=2# https://www.bdcnetwork.com/shape-shifters-kinetic-architecture-allows-buildings-perform-beyond-their-intended-purpose http://www.pavegen.com/permanent http://househistoryman.blogspot.com/2012/02/changes-over-time-to-dupont-circle-park.html
95
THESIS STUDIO II Final Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performing Arts Theater
ERIC HARRIS PROF. SUSAN KLIMAN ARCP 550-01 SPRING 2019
THANK YOU! FINAL PRESENTATION 4-5-19
SOURCE: DEZEEN.COM