Composed for John Adler CD timings are given for rehearsal purposes
CANTUS
»§º
For Trumpet and Electronics
Meditative h
Eric Nathan (b. 1983) ASCAP
poco accel. + wa wa wa wa wa wa wa wa wa (simile) etc, ad lib. 3 5 & c Ó ˙ ˙ ˙ ˙ ˙ ˙ ˙ œ œ œ œ œ œ œ œ œœœ 2nd valve slide removed P p *See performance note at bottom of page Fingering: 3 wa wa 3 Harmon mute (stem in) wa
Trumpet in C
& c
Electronics
ª
7
Elec.
&
& ˙.
& Ó
23
:43
&
1
1 2
1
a tempo
1 1 1 1 1 1 2 2 2
3
˙. :20
œ w p
(Broken glass/de-tuned piano sounds)
Fingering: 3 slow gliss. (3rd slide extended) (w/3rd slide)
Ó Œ #œ :29 #w
(synth sound)
w
w P
slow gliss.
w
w
#w w
gliss.
w w
w
(de-tuned piano sounds end)
ª
Elec.
Œ
&
23
poco accel. 1 1 1 1 2 2
>o b‚ ‚ bœ ‚ œ ‚ bœ ‚ œ ‚ œ ‚ œ ‚ œ 5 3 3 p ƒ 1 2
f
13
C Tpt.
˙.
:12
13
Elec.
cresc. poco a poco
a tempo 1
ª C Tpt.
w (b œ)
+ b w & f
7
C Tpt.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ simile
#œ.
b˙ p 1
(de-tuned piano sound)
j #œ ˙
> ˙ n˙ P 1 3
w
œ b œ- ‚ . œ- ‚ . œ- ‚ . b œ- ‚ . ‚ ‰ Ó J p 1 1 2
1 1 1 2 2
1 1 2
?
(low rumbling sounds)
&
PERFORMANCE NOTE: - When the 2nd valve slide is removed, many of the fingerings in this movement will result in microtones. - For each microtone, the closest sounding tempered pitch is notated (diamond notehead) - All glissandi in the movement are achieved by extending the 3rd valve slide (unless otherwise noted) - The trumpeet should play into a microphone with a reverb delay of at least 3 seconds. Microphone levels may be turned down when the harmon mute is removed. ©2008 - All rights reserved.
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