ERIKA RUSSELL Interior DEsign Portfolio
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ERIKA RUSSELL
Phone: 513. 259. 5727 Email: erika@russell1.com Website: erikarussell.com
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HELLO My name is Erika Russell and I am an upcoming design graduate from the University of Kentucky. I am inspired by the places I go, the people I meet, and the things I see. Throughout the course of design school, I have experienced many different opportunities that have enabled me to bring my passionate and creative ideas and visions to life. I aspire to utilize my skills, conjoined with the talent of others, to design meaningful and impactful designs for the future.
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TABLE OF CONT ENTS
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Retail
4
16
Hospitality
24
Workplace
32
Community+ Education
36
Cultural
42
Study Abroad
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up!
unlimited possibilities
>> unlimited possibilities
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Jacksonville, FL
RETAIL
Individual Project | Fall 2013 | 2nd Year | University of Kentucky Project Duration: Semester (Revised in 4th Year)
RESPONSIBILIT IES DESIGN OBJECT IVE:
The objective of this project was to design a retail store located in Jacksonville, Florida. Given the challenge of handling a small amount of square footage in a mall setting, the design was to attract clientele to new technology products, specifically phones and tablets. From conceptual development and schematic design, to specific construction details and planning, this project took on a full approach from beginning to end.
Programming Research Concept Development Logo Design and Branding Space Planning FF&E Selections Architectural Drawings - Floorplan, Sections, Elevations Construction Drawings Interior Renderings (Digital + Hand) Custom Product Design
SKILLS UT ILIZED Hand Rendering, AutoCad, InDesign, Photoshop, Illustrator, Google SketchUp, SU Podium Hand Sketching - Concept development and space planning
DESIGN CONCEPT:
Through the unique application of form and shape, UP! captures the idea of accentuation and movement through a space. The name UP! focuses on the idea of the ever-changing technological world and the unlimited approach that technology provides to us on a daily basis. It captures the energetic personality of the store and reflects the overall positive user experience.
DESIGN SOLUT ION: By implementing a symmetrical approach, the design of UP! allows for an interactive experience. The whimsicle design of the flooring establishes boundaries set for the products and provides organization and means of progression towards the cash wrap. The strong use of accent colors combined with the clean and sleek white finishes provide a crisp design that supports the sale of the products. In addition, the custom design of each furniture fixture emphasizes the ‘arching’ form that is used to reflect the concept of growth.
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F LOOR PLAN
>> IMPORTANT CONSIDERATIONS
UNIVERSITY OF KENTUCKY - COLLEGE OF DESIGN 117 PENCE HALL LEXINGTON, KY 40506
SHEET 1 OF 3
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USER EXPERIENCE UPON ENTERING THE SPACE
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ID 221: RETAIL PROJECT FALL SEMESTER RETAIL FLOOR PLAN
INTERACTION OF PRODUCTS AND CUSTOMERS
DUE DATE
USE OF MATERIALITY TO ENHANCE BRANDING COMPONENTS
01-30-2015
MOVEMENT TO THE BACK OF THE STORE TOWARDS THE CASHWRAP
DATE: 01-30-2015
REVISIONS DESCRIPTION RETAIL FLOOR PLAN
CUSTOM BUILT FIXTURES THAT ATTRACT INDIVIDUALS AND PROMOTE CONCEPT ERIKA RUSSELL ERIKA.RUSSELL@UKY.EDU 513-259-5727
RENDERINGS
Custom Product Display
Store Front - Interior Rendering
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CONSTRUCT ION DOCUMENTAT ION >> CONSTRUCTION PLAN
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One of the main components of this project was the development of the construction documentation related to the space. This consisted of: FF&E plans, lighting plans, ADA plans, construction plans, as well as custom casework/millwork drawings. Since each piece of furniture was custom designed, the communication of how these pieces were to be built and where they were to be placed was crucial. This process not only taught me the importance of clear and precise communication, but also the significance of defining minor design details.
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CONSTRUCT ION DOCUMENTAT ION >> FF+E PLAN
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FURNITURE S C H E D U L E MARK
M'FGR.
CATALOG #
A B C D E F G
CUSTOM FURNITURE HERMAN MILLER CUSTOM FIXTURE DISPLAYS2GO KNOLL HERMAN MILLER ULINE
N/A NELSON PEDESTAL TABLE N/A FOLDR2646 FLORENCE KNOLL BENCH RENEW SIT TO STAND DESK H-1915
COLOR WHITE SILVER BASE WHITE SILVER BASE BLACK SILVER BASE LIGHT GREY
REMARKS MOVEABLE (RM100) WHITE LAMINATE FOR TOP (RM 100) MOVEABLE (RM100) 27" DIAMETER (RM100) RM 100 RM 103 RM 103
FIXTURE S C H E D U L E MARK
M'FGR.
CATALOG #
A-2 B-2 C-2 D-2
CUSTOM CASEWORK IKEA LAMPS PLUS CUSTOM SHELVING
N/A EKBY HEMNES FIESS INFINITY RECTANGULAR 36" HIGH WALL MIRROR N/A
COLOR WHITE BLACK N/A LAM-1
REMARKS CW-1 (REFER TO PLAN) (RM 100) ROOM 103 ROOM 102 CW-2 (REFER TO PLAN) (RM 101&103)
EQUIPMENT S C H E D U L E MARK
M'FGR.
CATALOG #
A-1 B-1 C-1 D-1 E-1
SCORPION SECURITY SCORPION SECURITY CDW STAPLES POSGUYS
MECHANICAL STAND POWER CONNECTION HP POINT OF SALE SYSTEM HP LASER JET PRO P110SW PRINTER TOUCH DYNAMIC CASH DRAWER (CD-BL-2000)
POWER
12V
REMARKS
CHARGES UP TO 8 DEVICES WIRELESS
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CONSTRUCT ION DOCUMENTAT ION >> LIGHTING PLAN
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LIGHT FIXTURE SCHEDULE CATALOG #
R1 A1 T(4)1 T(6)1 F1
LIGHTOLOGY LIGHTOLOGY LIGHTOLOGY LIGHTOLOGY EARTH LED
JUN22508 ET21005 R551WH (JUN25972) R551WH (JUN25972) CREE ZR24-40L
Y Z
ACUITYBRANDSLIGHTING LHXC W 1 RW CH3 ACUITYBRANDSLIGHTING EU2 LED M12
CATALOG #
R1 A1 T(4)1 T(6)1 F1 Y Z
LIGHTOLOGY LIGHTOLOGY LIGHTOLOGY LIGHTOLOGY EARTH LED ACUITYBRANDSLIGHTING ACUITYBRANDSLIGHTING
JUN22508 ET21005 R551WH (JUN25972) R551WH (JUN25972) CREE ZR24-40L LHXC W 1 RW CH3 EU2 LED M12
LIGHT FIXTURE SCHEDULE
# MARK OF LAMPS M'FGR.
LAMP
CATALOG COLOR#
MOUNTING
R1 1 A1 1 T(4)1 4 T(6)1 6 F1 1
LIGHTOLOGY 50W/120V LIGHTOLOGY 60V/120V LIGHTOLOGY 50W/120V LIGHTOLOGY 50W/120V EARTH LED44W/120V
Y Z
ACUITYBRANDSLIGHTING 16W/120V LHXCWHITE W 1 RW CH3 SEE PLAN EU2 LED M12 1.8W/120V WHITE SEE PLAN ACUITYBRANDSLIGHTING
2 2
JUN22508 WHITE CEILING ET21005 BLACK GLOSS CEILING R551WH WHITE (JUN25972) CEILING R551WH WHITE (JUN25972) CEILING CREEWHITE ZR24-40L GRID
CONTROLS
DUE DATE MANUAL
DIMMER - INCANDESCENT DIMABLE DIMABLE DIFF. HANGING HTGTS.,DIMABLE EMERGENCY LIGHT + EXIT SIGN EMERGENCY LIGHT
1 1 4 6 1 2
50W/120V 60V/120V 50W/120V 50W/120V 44W/120V 16W/120V
WHITE BLACK GLOSS WHITE WHITE WHITE WHITE
CEILING CEILING CEILING CEILING GRID SEE PLAN
2
1.8W/120V
WHITE
SEE PLAN
LAMP
COLOR
# REMARKS OF LAMPS
MOUNTING
MOUNTING
MANUAL MANUAL MANUAL
WHITE BLACK GLOSS WHITE WHITE WHITE
CEILING CEILING CEILING CEILING GRID
AUTOMATIC AUTOMATIC
EMERGENCY 2 LIGHT16W/120V + EXIT SIGN EMERGENCY 2 LIGHT1.8W/120V
WHITE WHITE
SEE PLAN SEE PLAN
ERIKA RUSSELL
MANUAL MANUAL MANUAL MANUAL MANUAL AUTOMATIC AUTOMATIC
COLOR
ERIKA.RUSSELL@UKY.EDU 513-259-5727
REMARKS
LAMP
REVISIONS DESCRIPTION
REFLECTED CEILLING PLAN
CONTROLS
# OF LAMPS
1 50W/120V DIMMER 1 - INCANDESCENT 60V/120V DIMABLE 4 50W/120V DIMABLE 6 50W/120V DIFF. 1HANGING HTGTS.,DIMABLE 44W/120V
03/02/2015 MANUAL
DATE:
M'FGR.
M'FGR.
03/02/2015
MARK
MARK
UNIVERSITY OF KENTUCKY - COLLEGE OF DESIGN 117 PENCE HALL LEXINGTON, KY 40506
ID 375 : RETAIL PROJECT FALL SEMESTER REFLECTED CEILING PLAN - REVISIONS
LIGHT FIXTURE SCHEDULE
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Hotel
Edesia
>> Boutique Hotel
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Rome, Italy
HOSPITALIT Y
Individual Project | Fall 2015 | 4th Year | Florence University of the Arts Project Duration: Semester
RESPONSIBILIT IES
DESIGN OBJECT IVE:
With a focus on Mediterranean influence, the objective of this project was to renovate and transform an existing building into a boutique hotel. Located in the heart of Rome, Italy, the design was to capture tourism through its unique and hospitable design. The scope of this project included a double bedroom, lounge area, and fine-dining restaurant.
Location Research + Site Mapping Programming Research Concept Development Logo Design and Branding Space Planning Unit Conversion (European vs. American) FF&E Selections Architectural Drawings - Floorplan, Sections, Elevations Interior Renderings Budget + Cost Analysis Precedent Studies
SKILLS UT ILIZED
AutoCad, InDesign, Photoshop, Illustrator, Google SketchUp, SU Podium Hand Sketching - Conceptual development and space planning
DESIGN CONCEPT:
The concept of this design is traced all the way back to its roots where ancient Mediterranean trade took place. The ancient harbor city of Rome, commonly known as Ostia Antica, combined with the architectural works of Kengo Kuma are the main sources that contributed to the overall inspiration of the work. The combination and application of these two elements work together to bring to life a unique and simplistic, but also beautifully elegant boutique hotel.
DESIGN SOLUT ION: Through the implementation of natural materials and unique design elements, the interior of Hotel Edesia is simplistic, but also naturally elegant. Through the incorporation of the two main sources of inspiration, the design of the hotel utilizes unique ways in which furniture takes function within the space. The user experience is taken into account within the double bedroom by strategically planning for an “awe� moment when rounding the corner of the room. In addition to this, the transparency of elements within the dining area allow for a unique experience for the visitors of the space.
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F LOOR PLAN
>> DOUBLE BEDROOM
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RENDERINGS INT ERIOR RENDERINGS >> DOUBLE BEDROOM
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CONCEPTUAL SKETCHES
Double Bedroom
DESIGN CONSIDERAT IONS User Experience - Strategic space planning to evoke a sense of emotion upon entering the hotel room. Integration of natural materials and sources of inspiration throughout the space that reflect the work of Kengo Kuma and Ostia Antica. Lighting - Utilizing unique light fixtures that capture the essence of these two sources of inspiration and provide adequate lighting to illuminate the entire space. Applying minor design details that add to the overall character of the space - wood plank, mosaic tiles, unique furniture functioning, etc.
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F LOOR PLAN
>> FINE-DINING RESTAURANT
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INT ERIOR RENDERINGS >> fine-dining restaurant
CONCEPTUAL DEVELOPMENT The fine-dining experience of the restaurant Edesia involves characteristics of both transparency and interaction. The design utilizes materials that create boundaries throughout the space, while also allowing visual translucence of the dining experience. The customers are involved in an interactive process that allows them to grasp the complete understanding of how their food is prepared until it reaches their table. This is enhanced through the installation of the glass partition that separates the kitchen from the dining space. In addition to creating a connection between the customers and the staff members, this glass partition also serves as a sensory barrier to block out unwanted smells, noises, temperatures, and more.
DESIGN CONSIDERAT IONS
User Experience - Creating a sense of transparency during the food preparation process by means of materiality and connectivity. Integration of branding throughout the space Natural materials to promote the concept of serving healthy, all-natural, well-prepared courses Lighting - natural light from the exterior during the daytime and dimmed lighting at during dinner hours
MAT ERIAL SELECT IONS
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a
>> ACCESS213
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2-3
4-5
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Las Angeles, California
213
WORKPLACE
Team Collaboration | Spring 2015 | 3rd Year | University of Kentucky Project Duration: 2 weeks
RESPONSIBILIT IES
DESIGN OBJECT IVE:
After beginning with the design of a single workstation and progressing to the design of several work environments, the objective of this project was to develop a large-scale advertisement agency that sparks creativity and innovation. In teams of nineteen, we were to come up with workspace solutions, as well as create a life-size installation that explains our overall concept. The final outcome was to reflect the on-going research that has been recorded thus far related to workplace strategy.
SKILLS UT ILIZED
Location Research + Site Mapping Programming Research Concept Development Logo Design and Branding Design Development Group Collaboration + Communication
InDesign, Illustrator, Photoshop Hand Sketching - Conceptual development and planning
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DESIGN CONCEPT:
Focused around converging, emerging, and engaging the community, both in and out of the office, ACCESS213 is an innovative advertising agency that is focused around complete connectedness. It specifically integrates the local city of each branch through the use of materials, customs, branding, and its overall atmosphere and performance. ACCESS213 provides an approach to understanding diverse cultures and environments while cohesively uniting them as a whole.
DESIGN SOLUT ION: ACCESS213 provides a vibrant and interactive atmosphere that sparks creativity and promotes innovative ideas. Through the strong application of branding, the unique characteristics of ACCESS213 are able to be carried out to other branches and locations. The headquarters provides ample opportunity that allows people to work in numerous different ways and to choose where and how they work. With an emphasis on well-being, design choices were made to enhance productivity and engagement within the workplace.
focus. break out spaces
open office space
(small) private conference room
large conference room
coffee bar
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GRAPHIC ILLUSTRAT ION >> BRANDING + SIGNAGE
My main responsibility of this project revolved around the branding and marketing of the advertising agency and space. These branding applications were extremely necessary in order to achieve our concept of accessibility and overall cohesiveness. I wanted my graphics to be clear in communication and accurately depict the research that has been carried on throughout each phase. In addition to this, it was my responsibility to successfully plan out the graphics for the life-size installation space. This involved signage and way-finding, as well as space planning in regards to the overall installation experience.
SIT E PLAN:
with a
coffee shop
So why the coffee shop? Like eating a muffin with your coffee, everything comes in a combination, just like..
Gensler’s Work Modes Similar to a coffee shop, we are providing a variety of work modes and amenities that revolve around access to focus, collaboration, learning, and social spaces
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Like all great ideas, it began
E AV
1 2 3 4
Focus
Private Office Just like a coffee shop can be used for heads down work, the workplace should provide people with an environment that allows for a retreat from distractions found in the office
Cafe
Collaboration
A lot of times, we come up with forms of inspiration through the interaction with others. By implementing spaces that promote positive communication, these interactions become the stepping stones of future ideas.
Learning
Children’s Area
How does one grow? Just as the barista learns to build your favorite drink at your local shop, one must be surrounded by elements that will teach and inspire them. This can be incorporated through many means of health & wellness, as well as different learning opportunities.
Social
Lobby
Like running into your next door neighbor in line, the environment should provide necessary opportunities for spontaneous interactions. These casual meetings help to increase the sharing of ideas and the growth of community culture within a workplace.
So a coffee shop gives you:
Demographics
Focus Areas Collaboration Learning Opportunities Social
Los Angeles, CA
But what do these help to create?
COMMUNITY ST
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0-1
2-3
4-5
6-7
Los Angeles, CA Area Code : 213
Manhattan, NY Area Code: 212 646 917
8-9
Gender
29 minutes
50.2 %
A
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Color & Number Relationships
60%
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By combining local “coffee shop� methods with local cultural practices like graffiti, we are able to create a community that thrives on inspiration, innovation, progression, and the movement towards urbanization.
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2+ Languages spoken in Households
In a thriving advertising agency, we are constantly looking for means of inspiration. By looking at the roots of the LA Arts District, we are able to apply the same techniques within our workforce to create a cohesive and successful sense of branding. This allows for location to location, region to region ACCESS
Ethnicity
Female
49.8 % Male
50
Avg. Household Income
40 Percentage
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3,800,000
Avg. Travel Time to Work
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By highlighting the LA Arts District, a brand, a name, and a culture developed. This culture was formed through the incorporation of local characteristics that could be implemented location to location, region to region.
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What is this community?
Population
$49,500.00
30 20
Avg. Household Size
10 0
White Hispanic Black Ethnicity
Asian
Other
2.87 people
Cincinnati, OH Area Code: 513
Denver, CO Area Code: 303 702 Lexington, KY Area Code: 859
this is access213. 25
>> NOVEL
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Los Angeles, California
WORKPLACE
Team Collaboration | Spring 2015 | 3rd Year | University of Kentucky Project Duration: 3 weeks
RESPONSIBILIT IES
DESIGN OBJECT IVE:
Working in teams of four, the objective of this project was to design a workplace that was functional for four specific usertypes: copywriters, administrative personel, financial advisors, and human resource managers. In order to make the design functional, research on the necessities of the overall workplace, as well as these specific positions, was essential. With a large emphasis on branding, the space was to be cohesive and creatively designed to promote maximum employee performance.
Programming + Research Concept Development Logo Design and Branding Space Planning Collaboration + Communication Interior Renderings (Lobby) Design Drawings (Sections + Elevations)
SKILLS UT ILIZED
AutoCad, InDesign, Illustrator, Photoshop, Google SketchUp, SU Podium Hand Sketching - Conceptual development and planning
DESIGN CONCEPT:
Novel is a cutting-edge, innovative advertising agency that adapts to the current trends of the industry. The seamless transitions of dynamic shapes, forms, lines, and colors allow for the office space to come to life. The integration of color theory, sense of place, and the dynamic interaction of bold material selection sets Novel apart from other workspaces. The strong focus on seamless transitions takes the agency to the next level of innovation.
DESIGN SOLUT ION:
Taking into account the needs of these four specific positions, providing environments that served for both private and public activities were essential. By designing large exterior windows, the space enhances the well-being of the employees and emphasizes the concept of biophilia. The lobby serves as a community space that stimulates spontaneous interaction and connection within the workplace. Through a bold branding application, Novel sets themselves apart as an agency and provides seamless transitions throughout each space.
Teammates: Aleigh Oney + Jannette Marmo + Hali Foreman
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SECT IONS
>> WORKPLACE DESIGN
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INT ERIOR/EXT ERIOR RENDERINGS >> WORKPLACE DESIGN
DESIGN CONSIDERAT IONS Dynamic spaces that inspire the user and challenge employees to push innovation and creativity Spontaneous interaction in the space through the central lobby circulation + visible central elevator design Bold application of color that is used to set the company apart from others and make it unique Building upon shape and form - the use of elements and principles to ground a concept of seamless transition through private and public settings
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mausoleum design >> a place of remembrance
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Sicily, Italy
CULTURAL
Individual Project | Fall 2014 | 3rd Year | University of Kentucky Project Duration: 4 weeks
RESPONSIBILIT IES
DESIGN OBJECT IVE:
The objective of this project was to design a mausoleum located in Sicily, Italy. The architecture was to be reflective of traditional values, as well as encompass the emotional needs of the users. Providing a private setting was an important factor to keep in mind considering the emotion that comes along with the passing of a family member or close friend. The mausoleum was to serve as a place of remembrance and capture the beauty of a life once lived.
Programming + Research Concept Development Space Planning + Layouts Material Selection Renderings Design Drawings - Floorplan, section, elevation
3D Printing, AutoCad, Rhino, InDesign, Illustrator, Photoshop, Google SketchUp, SU Podium Hand Sketching - Conceptual development and planning
mausoleum design material’s board
DESIGN CONCEPT:
terazzo
The concept of the design is focused on the beauty found within the passage of time. Through the incorporation of natural materials, the mausoleum serves as a place for peace, remembrance, as well as a reflection of family values and traditions.
DESIGN SOLUT ION:
SKILLS UT ILIZED
stone
copper - metal marble
The concept for this design is implemented through the materiality choice of the mausoleum as well as the experience upon entering the architectural monument. In addition to stone, the application of copper is used to emphasize this over-arching idea. As time goes by and this material is exposed to the nature and outdoors, the copper turns into a beautiful patina which reflects the beauty that comes with time. I wanted this unique transformation of materiality to reflect the beauty that comes with age. In addition, the far side of the mausoleum looks out into the outdoor landscape which evokes a further sense of peace and calmness.
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F LOOR PLAN >> DEVELOPMENT
elevated flooring
plant
built-in seating
elevated flooring
built-in seating
urns
elevated surface
plant
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3D PRINT ED MODEL A main responsibility of this project was to print a finalized model of the mausoleum utilizing the 3D printer. Although this was originally designed in SketchUp, the file was converted and manipulated using the program ‘Rhino’ and then printed into three-dimensional form. After the work was printed, we were to set up an installation that showed the spacial relationships between the designed mausoleum and existing structures surrounding it.
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>> CHRIST CHURCH CATHEDRAL
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Lexington, KY
COMMUNIT Y - EDUCAT ION Individual Project | Spring 2014 | 2nd Year | University of Kentucky Project Duration: 6 weeks
RESPONSIBILIT IES
DESIGN OBJECT IVE:
Christ Church Cathedral, located in Lexington, KY, is a community that embodies many strong values and beliefs. The intent of this project was to design a space that serves for two distinct functions: housing homeless men through a program known as “Room In the Inn”, as well as holding youth group functions and gatherings. Given these two very distinct and different user types, the interior was to be cohesive to fit the needs of both groups. The first phase of this project consisted of the design of a ‘homeless pod’. From there, we were to implement the design of our pods into the design of the basement interior.
Programming + Research Concept Development FF&E Selections Space Planning Collaboration + Communication Interior Renderings Design Drawings - Floorplan, Section, Elevations
SKILLS UT ILIZED
AutoCad, InDesign, Illustrator, Photoshop, Google SketchUp, SU Podium Hand Sketching (Concept Development + Space Planning )
DESIGN CONCEPT: A commonality between the homeless men and the members of the youth group is the lack of understanding in regards to what their next life-steps should be. In order to promote well-being and enhance self-growth, the design should be impactful and enriching, as well as encourage interaction among each community group to better prepare them for the future.
DESIGN SOLUT ION: Through the incorporation of different settings, individuals are able to explore their distinct interests and connect with others through a variety of activities. Although simple, some of these activities are associated with problem solving, arts and creativity, reading and writing, as well as others. There are designated private spaces located in the design which allow individuals to meet and discuss future steps with those connected through the church. The space is uplifting and provides for the needs of both user groups.
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F LOOR PLAN
>> COMMUNITY + EDUCATION
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INT ERIOR RENDERINGS >> COMMUNITY + EDUCATION
Quiet + Reading Space
Interest Exploration Area
Group Gathering Space
Interest Exploration Area
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CREAT IVE >> artistic works
Throughout the course of my undergraduate career, I have worked on many different projects that have challenged and evoked my sense of creativity. Each of these works have been completed using a variety of unique mediums and methods. While some of these projects took place during my study abroad experiences, others were simply a matter of building upon design elements and principles.
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STUDY ABROAD >> INTERNATIONAL experiences
Throughout the journey of my undergraduate career, I have participated in various international study abroad experiences. In the winter of 2013, I accepted the opportunity to partake in a program that took place in Thailand and Cambodia. During these three weeks, I observed and documented the inter-cultural relationships present throughout this region and their influence on the architecture and design. In the fall of 2015, I took part in a semester-long studio located in the heart of Florence, Italy. This experience allowed me to explore the influence of European design and to collaborate with individuals on a variety of projects. Overall, the combination of these abroad experiences have enhanced my perspective on our global culture and has revealed my strengths relating to leadership, communication, and positivity.
THAILAND. CAMBODIA. ITALY. CROATIA. SPAIN. SLOVENIA. GERMANY. AUSTRIA. SWITZERLAND. CZECH REPUBLIC. 40
The places that I have seen and the people that I have met have not only allowed me to grow as a person, but have enabled me to approach design with an entirely unique perspective. Being immersed within these cultures have pushed me into unfamiliar situations that have taught me the importance of communication, organization, and flexibility. I could not be more grateful for the adventures that life has brought to me thus far and I look forward to the adventures that are yet to come! 41
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THANK YOU
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