Erin Lacey | Design Portfolio by Erin Lacey

Erin Lacey design portfolio

_Contents

Kerslake Hall Graduating Project, 2012 - Residence hall

RoC Art Hotel 3 r d Ye a r, 2 0 1 1 - H o t e l d e s i g n

Second Life 4 t h Ye a r, 2 0 1 2 - P o p U p E v e n t

Greenthumbs Kitchen 2 n d Ye a r, 2 0 1 0 - R e s t a u r a n t d e s i g n

Professional Work

Personal Interests

Existing building pho to graphs

_Kerslake Hall G r a d u a t i n g P r o j e c t [ 2 0 1 2 ] The design intent for this tradi tional residence hal l was to create social opportuni ties and interaction amongst residents, to build a communi ty. Transform and flexibili ty are the key design concepts; by designing elements and spaces wi th flexible and transforming quali ties al lows the resident greater variety of choice and personal control while residing in such a â&#x20AC;&#x2DC;publicâ&#x20AC;&#x2122; living environment. Choice in al ternate social, study and sleeping environments, and greater personal control in obtaining the desired level of privacy and social interaction wi th other residents.

KITCHEN & DINING

COMMON ROOM

INTERNAL COURTYARD

FEMALE WING

DIS. BATH

M STUDY GROUP STUDY

PRAYER ROOM F

Throughout the design process obtaining a sustainabili ty sensi tive scheme was essential - water, waste, energy and social aspects, as wel l as material selection for a heal thier indoor air environment.

F MAIN ENTRY

G rou n d Floor

Typical bedro o m

Al lowing personalisation encourages a resident to psych ological ly integrate into the environment and adapt a sense of terri tory to the space

Ma in Entry / Gro up Study

In tern a l Co ur tya rd

K i tchen / Central fo o d sto rage

_Kerslake Hall 4 t h Ye a r T h e s i s R e s e a r c h [ 2 0 1 2 ]

Due to the increasing number of female enrolments at universi ty, an investigation of current student accommodation facili ties is required. Are residence hal ls, in general, addressing current ‘social satisfaction’ needs; the desired level of privacy and social in teraction?

Male vs. Female Strongly Disagree

Disagree

Neutral

Agree

Strongly Agree

A resul t from the design proposal testing of an existing layout provided evidence that the design layout can in fact affect social satisfaction. This indicates that i t ’s not the residence hal l style (as a whole) that affects social satisfaction but the design layouts of the individual spaces.

Uni t vs. Corridor-style vs. Tradi tional hal l

Kerslake Hal l- International vs. Domestic

Strongly Disagree

Disagree

Neutral

Agree

Strongly Agree

Is your bedroom a comfortable size to sleep in?

Is your bedroom a comfortable size to sleep in? M

Disagree

Neutral

Agree

Strongly Agree

Is your bedroom a comfortable size to sleep in?

I D

T Is your bedroom a comfortable size to study in? M

Is your bedroom a comfortable size to study in?

C Do you feel comfortable using uni-sex bathrooms?

Do you feel comfortable using single-sex bathrooms? Do you feel comfortable using single-sex bathrooms?

F Do you feel comfortable using the common room to socialise with other residents?

Is your bedroom a comfortable size to study in?

I D

A survey was conducted on al l residents in three di fferent styles - uni t-style, corridor-style and tradi tional hal l resul ting in a discovery of some distinct di fferences in gender, and issues addressed by women in the public spaces. These areas were further investigated through a series of speculative design proposals of di fferent terri torial gradients of personal control, to identi fy key design att ribute s which could improve social satisfaction.

I D

Do you feel comfortable using uni-sex bathrooms?

T Do you feel comfortable using uni-sex bathrooms?

I D

Do you feel comfortable using the common room to socialise with other residents?

C Do you feel comfortable using the common room to socialise with people other than your residence hall?

T Do you feel comfortable using the common room to socialise with other residents?

M F

I D

U C T 0-5

6-10

11-15

16-20

20+

0-5

In a week, how many hours do you: Socialise in the common room with other residents? M

6-10

11-15

16-20

0-5

20+

6-10

11-15

16-20

20+

In a week, how many hours do you:

Socialise in the common room with other residents?

I D

T Socialise in the common room with people other than your hall residents?

Socialise in the common room with people other than your hall residents?

Socialise in the common room with people other than your hall residents? M

I D

T In a week, how many times do you cook meals in the kitchen provided?

In a week, how many times do you cook meals in the kitchen provided?

In a week, how many times do you cook meals in the kitchen provided? M

C T

I D

Design Proposal Resul ts / Design layouts most comfortable according to size of group sharing the facili ties

P ublic Space Findings

Large Group

Smal l Group

_B athroom

• Ma le s w e re m o re co m fo rt able [agre e o r s t ro ngly

B ath room B lock (u ni-sex)

a g re e ] us ing uni- s e x bat hro o m s (83%) co m pare d

• S ep arate the func tions

to 4 2 % o f w o m e n [F ig 1]

• Minimal c onfrontation b et w een u s er &

• D o m e s t ic re s id e n t s liv ing at Ke rs lake H al l fe l t

func tion

mo re c o m fo r t a b le u s ing uni- se x (84%) and s ingle -

• Contained in one sp ac e

s e x ( 8 4 % ) b a t hro o m s co m pare d t o int e rnat io nal re s id e nt s ( 3 2 % uni- se x, 58% single - se x) [F ig 3] • Fe m a le o nly f ind ings ;

Single B athro o m (uni-sex) • G rea t er s ep a ra t i on in fu n c t ion • Min im a l c on fron t a t ion

S in g le B ath room (single-sex) • S ep aration b etween fun c t ion s • Contained in one sp ac e

_ 1 4 % o f i nt e r na t io nal s t ude nt s re s iding a t Ke r s la ke w e re c o m fo rt able us ing uni- se x ba t hro o m s c o m p a re d t o 78% o f do m e s t ic s t ude nt s _ C o m fo r t a b i l i ty rat e do uble s i f t he bat hro o m s a re s ing l e - s e x i ns t e ad o f uni-se x [ T his finding is c o ns is t e nt a c ro s s al l re s ide nce hal l s ty le s re g a rd l e s s o f ho w many re side nt s share t he

_Ki tchen/Dining/Living

ba t hro o m o r t he d esign layo ut o f t he bat hro o m ]

• Pa r t ia l s ep a ra t ion in t h e c om m u n a l

_Common Room & Ki tchen • D o m e s t ic re s id e n t s so cialise gre at e r in t he co m m o n ro o m ove r t he int e rnat io nal re s ide nt s, a l t ho ug h t he int e r nat io nal re s ide nt s co o k m o re me a ls t ha n d o m e s t ic re side nt s [F ig 3] [ T his im p l ie s t ha t t he k i t che n is a ke y s o cialis ing space ] • Wo m e n c o o ke d m o re o ft e n t han m e n pe r w e e k wh i le m e n s o c ia l is ed m o re o ft e n t han w o m e n in the c o m m o n ro o m [F ig 1] • Tra d i t io na l ha l l [Ke rslake ] re s ide nt s s o cialis e d gre a t e r w i t h e a c h ot he r in bo t h t he co m m o n ro o m a nd k i t c he n t ha n t he o t he r t w o s ty le s [F ig 2]

l iv in g & k i t c h en / d in in g s p a c es

_Ki tchen/Dining • A b alanc e b etween soc i a l i n t era c t i on & p r ivac y op p or tuni ties • Al low ind ivid ual c ontro l of t h e t em p ora r y ter r i tor y

• B a la n c e of s oc ia l in t era c t ion & p r iva c y op p or t u n i t ies

1. http://www.bettgallery.com.au/artists/oconnor/core/04boyfriend.html 2. http://www.bettgallery.com.au/artists/

Ro bert O’Co nno r ’s artwo rk

_RoC Art Hotel 3 r d Ye a r P r o j e c t [ 2 0 1 1 ] The brief was to redesign an existing hotel into an art hotel using a local artist. Tasmanian artist, Robert O’Connor, has a fresh, bold and slightly controversial style. There is a comical element in his work that removes the seriousness from the classical depictions, and through mul tiple layers of en cryptions, modi fies i t int o the 21st Century. The core concept for this hotel is the experience. B y playing wi th the mind’s perception i t stimula tes curiosi ty and exploration. These ideas are reflected through a play on sc ale, depth perception, and material use.

Lo bby entrance

Cro ss sectio n

oconnor/deusexmachina/04coldugly.html 3. http://www.bettgallery.com.au/artists/oconnor/additional/05egotrippin.htm 4. http://www.bettgallery.com.au/artists/2011preview/29ocor.html

COURTYARD

ART GALLERY

FEMALE

BAR KITCHEN MALE

OFFICES

RECEPTION

DIS.

E D

GALLERY OFFICE FURNITURE GALLERY

ENTRY BAR

BAR EXTENSION

B ar en t ra nc e

Gro und f lo o r

A. D ep t h p erc ep t ion B. C u r ios i ty b oxes /

visual & sound interpretations of local tourist attractions

C . C onvex m ir ror s D. Mir ror room en t ra n c e E. Ref lec t ive s t a irc a s e

_RoC Art Hotel 3 r d Ye a r P r o j e c t [ 2 0 1 1 ]

Typ ic a l s ui t e

B athroom layout flexibili ty al lows the psychological interior enviornment to be adjustable to match the user â&#x20AC;&#x2122;s comfort level whilst creating interest in exploration

_Second Life 4 t h Ye a r P r o j e c t [ 2 0 1 2 ]

Guests were encouraged to participate in creative making activi ties which cul tivated new li fe to the spaces through the night. The pop-up event was made entirely from biodegradable, recycled and reused materials.

Flo o r p la n

C B

S e c t io n A

This group project was a col laboration of the Interior Design Honours students who celebrated World Interiors Day and i ts theme, â&#x20AC;&#x2DC;Find the new in the oldâ&#x20AC;&#x2122;. The theme was interpreted in the form of a li fe cycle through birth, death and re-creation; using the inspiration of the autumn leafs, seasonal change and transi tional period.

Si te pho to s

_Greenthumbs Kitchen 2 n d Ye a r P r o j e c t [ 2 0 1 0 ] The brief was to design a restaurant along the Tamar River, Launceston, Tasmania, for renowned cook Stephanie Alexander. Alexander ’s philosophy in cooking was interpreted as ‘the link between the garden, ki tchen and table’. Wi th this in mind my design intent wa s connection, and the cycle of li fe and death. Polar opposi tes and interconnection formed spaces and elements wi th metaphoric symbology. These analogies were also translated through forms of di fferent eating experiences, intimate and secluded, open and lively, as wel l as seasonal and time of day.

Si te P lan

B.O.H

B a r /Ca fe

First floor

TO COMMUNITY GARDEN

HERB GARDEN

RECEPTION ENTRY KITCHEN

BAR/CAFE GARDEN STORE WINE CELLAR

Ma in dining G rou n d floor

_Professional Work Over view / 2012

UTAS Newnham Campus

2011

Hyflux Corporate Office

2010

St Aidan’s Anglican Girls’ School

2009-10

University of Tasmania

Urban design / Research Assistant / Placemaking concepts Areas: Newnham Campus

Robertsons Design Singapore

Interior decoration / FF&E Schedule Areas: Complete Office

Brand & Slater Architects

Interior design development / Detail drawings Areas: Classrooms / Offices / Admin area

Sunnybank Community & Sports Club

Brand & Slater Architects

Interior design development / Detail drawings Areas: Renovation of the Lounge bar / Dining servery

2009

Logan Central Library

2007-08

Makadi Golf Hotel

2008

Orchid Hotel

2008

Lanesborough Hotel

2007

6* Hotel London

2007

6* Hotel Mentmore Towers

2007-08

Brand & Slater Architects

Interior design development / Complete joinery drawings Areas: Lobby / Main library / Community centre / Offices

Hotel Design Inc

Co-project managed / Interior design development / Complete drawing package / Part FF&E / Liaise with architect Areas: Guestrooms / Restaurant / Bar / Lobby / Terrace / Golf shop / Public bathrooms

London, UK

Hotel Design Inc

Budget: Approx. £86 million Interior design development Areas: Renovation of existing building & new hotel attachment Guestrooms / Spa / Public bathrooms

Hotel Design Inc

Budget: Approx. £96 million Interior design development Areas: Renovation of existing building & new hotel attachment Guestrooms / Orangery / Gym / Spa

2D Presentation Drawings

D1 Tower

2006

Private Residence

2005

Sunland Group Head Office

2005 2005

Buckinghamshire, UK

Hotel Design Inc

2006

Hurghada, Egypt

London, UK

Palazzo Versace

Brisbane, Australia

Hotel Design Inc

Complete drawing package Areas: Renovation of cigar garden room

2006

Brisbane, Australia

Hotel Design Inc Eilat, Israel

Langley Park, Durham, UK / Sheraton Grand Hotel, Edinburgh, UK / Chateau Cantanec, Cantanec, France / Yamit Park Plaza, Tel Aviv, Israel / Orchid Hotel, Eilat, Israel / Private High-End Apartment, Tel Aviv, Israel / Private Apartment, Ramat Gan, Israel

Brisbane, Australia

Interior design development / Complete package drawings for presentation Areas: Restaurant / Lounge bar / Reception lobby / Outdoor terrace

Launceston, Australia

Sunland Group

Budget: Approx. $88 million Space Planning Areas: Guestrooms / Condominiums

Dubai, United Arab Emirates

Sunland Group Dubai, United Arab Emirates

Budget: Approx. $200 million Space Planning Areas: Apartments / Lobby / Lounge bar / Gym / Health spa (Public & residents)

Sunland Group Gold Coast, Australia

Interior design development / Complete drawing package / Part FF&E Areas: Complete House 5bed, 4bath (470 sqm)

Sunland Group

Gold Coast, Australia

65” Sports Cruiser

Precision Cruisers

Gold Coast, Australia

58” Sports Cruiser

Precision Cruisers

Gold Coast, Australia

Interior design development / Detail drawings / Part FF&E Areas: Complete Office level (1170 sqm) Interior technician / Updating technical drawings Areas: Complete Cruiser

Interior technician / Updating technical drawings with on-site measuring Areas: Complete Cruiser

_University Campus Project / U TA S N e w n h a m C a m p u s , Ta s m a n i a [2012] Company / U n i v e r s i t y o f Ta s m a n i a Role / Research Assistant / Urban designer; _schematic design _presentation drawing

7 7-

7 6.07_1 7

16 16-

_Community & Sports Club

Project /

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R.24

LM: SELECTED LAMINATE FINISH. REFER INTERIOR FINISHES SCHEDULE

BAR DINING 6.07_1

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6 6.07_1 17 17

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Sunnybank, Queensland [2010] R.31

Company / 1

6.07_1

Role /

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R.37 R.37 R.37

2 -

M/WC 2 M/WC (EX) 2 (EX) E M/WCE2 (EX) E

R.27 & R.36

ST2

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A/L (EX)

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R.28 R.28 B.O.H. R.28 B.O.H.

A/L A/L (EX) (EX) A/L (EX) SP SP

KEY PLAN

B.O.H.

AP 15 AP

AP AP

6.07_1

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SP STAFF

9 -

ROOM ROOM

1:50

R.27 & R.36

6.07_1 11 6.07_1

5 6.07_1 6.07_1

S S

LOADING DOC A/L DOC M/WC 2LOADING S (EX) (EX) A E LOADING DOC E

R.37

SP S

6.07_1 7

6.07_1

D 22 D

ST2

6.07_1

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LOADING DOCK (EX) ELEVATION 1 1-

_ d o c u m e n t ROOM ation SP

B B B

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Interior Designer;

M/WC 2 (EX) E

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R.27 1:50 1:50

R.28

KEY PLAN

R.27 & R.36

Brand & Slater Architects 12

5 KEY PLANKEY R.27 & PLAN R.36

1 1-

R.2

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S/S: STAINLESS STEEL BY STAINLESS - STEEL NOMINATED SUBCONTRACTOR

6.07_1

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162

10 FR6.07_1

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AS: SELECTED ACRYLIC SOLID SURFACE FINISH. REFER INTERIOR -FINISHES SCHEDULE

15 6.07_1 15

2 2 6.07_1 6.07_1

R.31 R.31 FR R.31 FR

1 4 6.017_1 4 6.07_1 6.07_1 6.07_1 1 4 6.07_1

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B.O.H.

R. 26

1 1-

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COOL ROOM

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R.32 16

R.24 R.24 B.O.H. R.24 B.O.H.

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R.32 R.32 COOL R.32 COOL

SP STAFF

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ELEVATION ELEVATION R.27 BAR 3

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ELEVATION

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internal elevations and joinery

ST2 D 22

detailing

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ELEVATION

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1:50

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ELEVATION 1:50 ELEVATION 1:50 R.27 BAR 3 1:50 3R.27 ELEVATION BAR 3 1:50 - ELEVATION R.27 BAR 3 R.27 BAR 3

SECTION

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1:50 6 V1 ELEVATION ELEVATION 1:50 6R.27 BAR 3 R.27A.F.F.L BAR 3 SUSPENDED TIMBER BATTEN @3000mm ELEVATION 1:50 5 CEILING ELEVATION 1:50 6 @3000mm SUSPENDED CEILING LIGHT FEATURE BOXES SUSPENDED TIMBER BATTEN A.F.F.L - CEILING

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SUSPENDED TIMBER BATTEN CEILING @3000mm A.F.F.L SUSPENDED CEILING LIGHT FEATURE BOXES

1:50

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ELEVATION 1:50 8 ELEVATION 1:50 8R.36 BAR 2 R.36 BAR 2 ELEVATION 1:50 1:50 8ELEVATION

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SUSPENDED TIMBER BATTEN CEILING @3 SUSPENDED CEILING LIGHT FE

SUSPENDED TIMBER BATTEN CEILING @3000mm A.F.F.L SUSPENDED CEILING LIGHT FEATURE BOXES

6.07_1

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SUSPENDED CEILING LIGHT - FEATURE BOXES

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SECTION DETAIL

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AY SHELF (TYPICAL)

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BAR

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DISPLAY SHELF (TYPICAL)

R.28

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SECTION DETAIL S

1:10

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COLUMN PLAN

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CLEAR ANNODISED ALUMINIUM AMBER ALBION BAT.

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COLUMN PLAN COLUMN PLAN PLAN 2 2COLUMN COLUMN PLAN COLUMN PLAN WALL DETAIL 1:2 2

3 3-

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SECT. DETAIL R.27 BAR 3

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SECT. DETAIL

1:2

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WALL DETAIL

2mm CHAMFERED EDGE TO BAR FRONT (VERTICAL EDGES ONLY)

SECT. DETAIL

1:2

2mm CHAMFERED EDGE TO - (VERTICAL 3mm SEMI-TRANSPARENT 3mm SEMI-TRANSPARENT 3mm SEMI-TRANSPARENT BAR FRONT COLOURED COLOURED ACRYLIC COLOURED FIXED ACRYLIC ACRYLIC FIXED FIXED 3mm SEMI-TRANSPARENT EDGES ONLY) TO 16mm HMR TO 16mm MDF TOHMR GLUED 16mm MDF HMR GLUED MDF GLUED COLOURED ACRYLIC FIXED 1:10 TO16mm BAR FRONT TO BAR FRONT BAR FRONT 3mm SEMI-TRANSPARENT TO HMR MDFTO GLUED COLOURED ACRYLIC FIXED COLOURED ACRYLIC FIXED -2mm CHAMFERED TO BAR FRONT 2mm CHAMFERED 2mm EDGE TO EDGE EDGE TOHMR R.27 &CHAMFERED R.36 SIDETO ACCESS PANEL TO&16mm MDF GLUED PANEL R.27 R.36HMR BACK ACCESS TO 16mm MDF GLUED BARCHAMFERED FRONT BAR (VERTICAL FRONT BAR FRONT (VERTICAL (VERTICAL 2mm EDGE TO TO BAR FRONT TO BAR FRONT EDGES ONLY) EDGES EDGES ONLY) ONLY) BAR FRONT (VERTICAL 1:10 2mm CHAMFERED EDGE TO 2mm CHAMFERED EDGE TO EDGES ONLY) 3mm SEMI-TRANSPARENT BAR FRONT (VERTICAL BAR FRONT (VERTICAL R.27 & R.36 S PANEL COLOURED ACRYLIC FIXED EDGES ONLY) - R.27 & R.36 BACK ACCESS EDGES ONLY) TO 16mm HMR MDF GLUED DISPLAY REFER KITCHEN TOCAKE BAR FRONT CONSULTANTS DWGS 1:10 1:10 - 1:10 1:10 2mm CHAMFERED EDGE TO 1:10 1:10 1:10 - & R.36 - SIDE BAR FRONT -(VERTICAL - & R.36 - BACK R.27 R.27 &R.27 R.36 ACCESS &SIDE R.36ACCESS PANEL SIDE ACCE PAN R.27 R.27 &R.27 R.36 ACCESS &BACK R.36ACCESS PANEL BACK ACCESS PANEL PANEL R.27 & R.36 SIDE EDGES - ACCESS PANEL 1:10 ONLY) R.27 1:10 1:10 & R.36 SIDE ACCESS PANEL CAKE

9 18

LIGHT BOX DETAIL

18 LIGHT BO 9 9 9 9 9 9 LIGHT BOX LIGHT DETAIL BOXBOX DETAIL DET 18 LIGHT 18 18 LIGHT LIGHT BOX LIGHT DETAIL BOXBOX DETAIL DETAIL 13 DETAIL 13 13 18 LIGHT BOX LIGHT BOX DETAIL 1:10 18 LIGHT BOX DETAIL 13 LIGHT BOX DETAIL R.27 & R.36 BACK ACCESS PANEL BOX DETAIL 18 LIGH 13 LIGHT BOX DETAIL LIGHT BOX DETAIL 13PANEL R.27 & R.3618 BACK LIGHT ACCESS 9 CONS - SIDE ACCESS PANEL R.27 & R.36 R.27 & -

COLOURED ACRYLIC FIXED TO 16mm HMR MDF GLUED TO BAR FRONT

R.27 BAR 3

13 LIGHT BOX DETAIL 9 9

9 9

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- R.27 & R.36 BACK ACCESS PANEL

CAKE DISPLAY REFER KITCHEN CONSULTANTS DWGS

LIGHT BOX DETAIL 1:10

STAFF ROOM

CAKE DISP CONSULT

16mm HMR MDF LAMINATE ABS EDGING

S.STEEL BENCHTOP AND FRAMING WORK UNDER REFER KITCHEN CONSULTANTS DWGS.

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S.STEEL BENCHTOP S.STEELS.STEEL BENCHTOP AND BENCHTOP AND AND FRAMING FRAMING WORK UNDER FRAMING WORK REFER UNDER WORK UNDER REFER REFER S.STEEL BENCHTOP AND KITCHENWORK CONSULTANTS KITCHEN KITCHEN CONSULTANTS DWGS. CONSULTANTS DWGS. DWGS. FRAMING UNDER REFER S.STEEL BENCHTOP AND KITCHEN CONSULTANTS DWGS. FRAMING WORK UNDER REFER KITCHEN CONSULTANTS DWGS.

S.STEEL BENCHTOP AND FRAMING WORK UNDER REFER KITCHEN CONSULTANTS DWGS.

16mm H ABS ED

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LIGHT BOX

CAKE DISPLAY CAKEREFER DISPLAY CAKEKITCHEN DISPLAY REFER R K CONSULTANTS DWGS CONSULTANTS DWGS D CAKE DISPLAY REFER KITCHEN - CONSULTANTS & R.36 SIDE CONSULTANTSR.27 DWGS

R.27 & R.36 BACK ACCESS PANEL CAKE DISPLAY REFER KITCHEN CONSULTANTS DWGS

WALL DETAIL WALL DET 5 5WALL WALL DETAIL

5 5

WALL WALL DETAIL WALL DETAIL DETAIL 4 DETAIL 4 4WALL

9 SECT. DETAIL SECT. DETAIL DETAIL 1:2 1:2 1:2 3 3SECT. EXPOSED FACE SECT. 1:2 - BARR.27 -DETAIL R.27 3 BAR R.27 3 SEMI-TRANSPARENT BAR 3 3mm SECT. 1:2TILES ON FC. 3 ACRYLIC R.27 BAR 3 COLOURED FIXED DETAIL STONE TO 16mm HMR GLUED 3mm SEMI-TRANSPARENT - MDF LIGHT BOX DETAIL 1:10 R.27 BAR 3 13 TO BAR FRONT 9

1:10

LOADING DOCK (EX)

WALL DETAIL

ALUMINIUMSTONE AMBERTILES ALBION ONBAR FC. FRONT (VERTICAL BAT. EDGES ONLY)

STONE TILES ON FC.

6.07DETAIL WALL

TILE FINISH TILE(TYPICAL) FINISH TILE FINIS (TYP WALL DETAIL 1:2 4FINISH -ANGLED (TYPICAL) EXPOSEDTILE FACE 10mm CERAMIC TILES ADHESIVE FIXED. WALL DETAIL 1:2 R.27 BAR 3 5FINISH ANGLED WALL -ANGLED TILE WALL -WALL TILE (TYPICAL) FINISH - TILE FINISH (TYPICAL) (TYPICAL) TILE FINISH (TYPICAL) 5 ANGLED WALL - TILE FINISH (TYPICAL) WALL DETAIL 1:2 REFER FINISH SCHEDULE 1:2 4 CLEAR WALL DETAIL ANGLED WALL - TILE FINISH (TYPICAL) ANNODISED CLEAR ANNODISED CLEAR ANNODISED - 4 TILE FINISH (TYPICAL) 10mm CERAM ALUMINIUM ALUMINIUM AMBER ALUMINIUM ALBION AMBERSTONE AMBER ALBION ALBION TILES ON FC. - CLEAR ANNODISED 2.5mm CLEAR ANODISED ALUMINUM BAR ANGLED WALLBAT. - TILE FINISH (TYPICAL) ANGLED WALLFLAT - TILE FINISH (TYPICAL) REFER FINISHE BAT. BAT. ALUMINIUM AMBER ALBION SECT. DETAIL 1:2 COLUMN PLAN 1:10 2 TO WALL APPROX. 2mm PROUD OF TILE FINISH. CLEAR ANNODISED BAT. CLEAR ANNODISED 3mmALBION SEMI-TRANSPARENT ALUMINIUM AMBER ALBION ALUMINIUM AMBER R.27 BARBAT. 3 EXPOSED FACE EXPOSED FACEFACE R.27 BAR EXPOSED 3 WA 5 COLOURED ACRYLIC FIXED BAT. EXPOSED FACE 1:2 TO 16mm HMR MDF4 GLUED WALL DETAIL TILE SECT. DETAIL 3 STONE TILES STONE ON STONE TILES FC. 1:2 ON TILES FC. ON FC. TO BAR FRONT EXPOSED FACE EXPOSED FACE ANGLED WALL - TILE FINISH (TYPICAL) 3mm SEMI-TRANSPARENT R.27STONE BAR 3TILES ON FC. CLEAR ANNODISED 2mm CHAMFERED EDGE TO

R.27 BAR 3

STUD WALL

DISPLAY SHELF (TYPICAL)

COLUMN PLAN

2 2

1:10

COLUMN PLAN

CLEAR ANNODISED ALUMINIUM AMBER ALBION BAT.

9mm FC TO STUD WALL CLEAR A TILES ADHESIVE FIXED 9mm 10mm FC TOCERAMIC STUD WALL 2.5mm CLEAR ANODISED FLAT BAR SELECTEDSELECTED TILE ON SELECTED FC TILE FIXED ON TILE FC FIXED ON FCALUMINUM FIXED REFER FINISHES SCHEDULE FOR DETAILS TO WALL APPROX. 2mm PROUD OF TILE FINISH. TO STUD FRAMING TO STUD TO FRAMING STUD FRAMING SELECTED TILE ON FC FIXED 10mm CERAMIC TILES ADHESIVE FIXED. TO STUD FRAMING REFER FINISH SCHEDULE R.27 BAR 3 SELECTED TILE ON FC FIXED 1:2 SELECTED TILE ON FC FIXED 10mm C 1:2 CLEAR ANNODISED CLEAR ANNODISED CLEAR ALUMINIUM ANNODISED ALUMI AMB TO STUD FRAMING STUD FRAMING 2.5mm CLEAR ANODISED ALUMINUM FLAT BAR REFER FIN CLEAR TO ANNODISED ALUMINIUM AMBER 9mm FC TO 9mm STUD FC9mm WALL TO STUD FC TOWALL STUD WALL TILE FINISH (TYPICAL) ALBION B CLEAR ANNODISED ALUMINIUM AMBE - 1:10ANGLED WALL - TILE FINISH (TYPICAL) 9mm FC TO STUD WALL ALBION BAT.TO WALL APPROX. 2mm PROUD OF TILE FINISH. 9mm FC TO STUD WALL ALBION BA CLEAR ANNODISED ALUMINIUM AMBER C 10mm CERAMIC 10mm CERAMIC TILES 10mmADHESIVE CERAMIC TILES ADHESIVE FIXED. TILES ADHESIVE FIXED. FIXED. CLEAR ANNODISED R.27 BAR 3 9mm FC TO 9mm STUD FC9m WA TO 10mm CERAMIC ALUMINIUM TILES ADHESIVE FIXED. 9mm FC TO STUD WALL 9mm FC TO STUD WALL ALBION BAT. 9mm FC TO STUD WALL AMBER ALBION FINISH REFER SCHEDULE REFER FINISH FINISH SCHEDULE 1:2 10mm CERAMICREFER TILES ADHESIVE FIXED. SCHEDULE 9mm FC TO STUD WAL - ADH REFER SELECTED TILE ON FC FIXED BAT. FINISH SCHEDULE 10mm CERAMIC 10mm CERAMIC TILES 10mm ADHESIVE CERAMIC TILES FIX TIL REFER FINISH SCHEDULE -ANODISED 10mm CERAMIC TILES ADHESIVE FIXED 10mm CERAMIC TILES ADHESIVE FIXED. TO STUD FRAMING 2.5mm CLEAR 2.5mm ANODISED CLEAR 2.5mm ANODISED CLEAR ALUMINUM ALUMINUM FLAT BAR ALUMINUM FLAT BAR FLAT BAR 10mm CERAMIC TILES ADHESIVE FIXED. 9mm FC STUD WALL(TYPICAL) REFER REFER REFER FINISHES SCHEDULE FINISHES SCHEDULE FOR DETA SCHE ANGLED WALL -TO TILE FINISH 10mm FINISHES CERAMIC TILES ADHESIVE FIXEF 2.5mm CLEAR ANODISED ALUMINUM FLAT BAR 1:10 1:10 1:10 REFER FINISHES SCHEDULE FOR DETAILS REFER FINISH SCHEDULE TO WALL APPROX. TO ANODISED WALL TO2mm APPROX. WALL PROUD APPROX. 2mm OFPROUD TILE 2mmFINISH. PROUD OF TILEOF FINISH. TILE REFER FINISH.FINISH SCHEDULE 2.5mm CLEAR ALUMINUM FLAT BAR REFER FINISHES SCHEDULE FOR DETAIL CLEAR ANNODISED TO WALL APPROX. 2mmEXPOSED PROUD OF TILEFACE FINISH. 10mm 1:10 1 TO WALL APPROX. 2mm PROUD OF TILECERAMIC FINISH. TILES ADHESIVE FIXED - BAR - 3 BAR ALUMINIUM AMBER ALBION CLEAR ANNO R.27 R.27 R.273 BAR2.5mm 3 CLEAR ANODISED ALUMINUMBAT. FLAT BAR CLEAR ANODISED REFER2.5mm FINISHES SCHEDULE FORALUMINUM DETAILS FLAT BAR REF 1:2 1:10 9mm FC TO STUD WALL 1:10 1:2 1:2 1:2 R.27 BAR 3 STONE TILES ON FC. TO WALL APPROX. 2mm PROUD OF TILE FINISH. 1 TO WALL APPROX. 2mm PROUD OF TILE FINISH. -

1:10

COLUMN PLAN

9mm FC

DISPLAY SHELF (TYPICAL)

SELECTED TILE ON FC FIXED TO STUD FRAMING -

S/S: STAINLESS STEEL BY STAINLESS STEEL NOMINATED SUBCONTRACTOR

4 TILE ON FC FIXED 6.07 6.07 6.07SELECTED 9mm FC TO STUD WALL TO STUD FRAMING 6.07 92mm METAL STUD 4 FRAMING 10mm CERAMIC TILES ADHESIVE FIXED. 6.07 REFER FINISH SCHEDULE

6.07

AS: SELECTED ACRYLIC SOLID SURFACE FINISH. REFER INTERIOR FINISHES SCHEDULE

6.07

92mm METAL STUD FRAMING

SECTION SECTION SECTION DETAIL DETAIL DETAIL SECTION DETAIL 1:10 DISPLAY SHELF DISPLAY (TYPICAL) DISPLAY SHELF (TYPICAL) SHELF (TYPICAL) SECTION DETAIL DISPLAY SHELF (TYPICAL) 1

92mm METAL 92mm STUD METAL 92mm FRAMING STUD METALFRAMING STUD FRAMING 92mm METAL STUD FRAMING

SELECTED TILE ON FC FIXED 92mm METAL STUD FRAMING TO STUD FRAMING

SECTION DETAIL

6.07_1

CTION DETAIL

6.07_1 BAR FR

.O.H.

R.27

COOL ROOM

6.07 92mm METAL STUD FRAMING

R. 26

R. 26 BAR DINING BAR DINING

SILICONE SEALED

ADDITIONAL TIMBER NOGGINGS LM: SELECTED LAMINATE SILICONE SEALED FINISH. REFER INTERIOR FINISHES SCHEDULE LM: SELECTED LAMINATE FINISH. REFER INTERIOR FINISHES SCHEDULE AS: SELECTED ACRYLIC SOLID 3mm SEMI-TRANSPARENT SURFACE FINISH. REFER COLOURED ACRYLIC COVER INTERIOR FINISHES AS: SCREW FIXED SCHEDULE SELECTED ACRYLIC SOLID 6.07_1 SURFACE FINISH. REFER 12mm SOLID 3mm SEMI-TRANSPARENT INTERIOR FINISHES SURFACE(MARBLO) BOTTLE COLOURED ACRYLIC 6.07_1COVER SCHEDULE S/S: DISPLAY GLUE FIXED. REFER 6.07_1 SCREW FIXED STAINLESS STEEL BY FINISH SCHEDULE. STAINLESS STEEL 12mm SOLID 50x50x6mm S/S EQUAL ANGLE NOMINATED S/S: SURFACE(MARBLO) BOTTLE WELDED TO 10 mm S/S PLATE SUBCONTRACTOR STAINLESS STEEL BY 3mm SEMI-TRANSPARENT 3mm SEMI-TRANSPARENT 3mm SEMI-TRANSPARENT DISPLAY GLUE FIXED. REFER 3mm SEMI-TRANSPARENT FIXED TO STUD WALL @ 900 COLOURED COLOURED ACRYLIC COLOURED COVER ACRYLIC ACRYLIC COVER COVER 3mm SEMI-TRANSPARENT STAINLESS FINISH SCHEDULE. 6.07_1 STEEL COLOURED ACRYLIC COVER CRS SCREW FIXED SCREW SCREW FIXED FIXED COLOURED ACRYLIC COVER NOMINATED SCREW FIXED 50x50x6mm S/S EQUAL ANGLE 3mm SEMI-TRANSPARENT 3mm SEMI-TRANSPARENT SCREW FIXED SUBCONTRACTOR LED LIGHT, REFER 12mm SOLID 12mm SOLID 12mm SOLIDWELDED TO 10 mm ACRYLIC S/S PLATE COLOURED ACRYLIC COVER COLOURED COVER 12mm SOLID ELECTRICAL ENGINEER'S SURFACE(MARBLO) SURFACE(MARBLO) BOTTLE FIXED BOTTLE BOTTLE 12mm SOLIDSURFACE(MARBLO) TO STUDFIXED WALL @ 900 SCREW FIXED SCREW SURFACE(MARBLO) BOTTLE DOCUMENTS. DISPLAY GLUE DISPLAY FIXED. DISPLAY GLUE REFER FIXED. GLUE FIXED. REFER SURFACE(MARBLO) BOTTLE CRSREFER DISPLAY GLUE FIXED. REFER 12mm SOLID 25x25x6mm S/S EQUAL ANGLE FINISH SCHEDULE. FINISH SCHEDULE. FINISH SCHEDULE.12mm SOLID DISPLAY GLUE FIXED. REFER LED LIGHT, REFER FINISH SCHEDULE. SURFACE(MARBLO) BOTTLE SURFACE(MARBLO) BOTTLE FIXED TO WALL, TO FINISH SCHEDULE. 50x50x6mm 50x50x6mm S/S EQUAL 50x50x6mm S/S ANGLE EQUAL S/S EQUAL ANGLE ANGLE 3mm SEMI-TRANSPARENT ELECTRICAL ENGINEER'S DISPLAY GLUE FIXED. REFER DISPLAY GLUE FIXED. REFER CONTINUE THE LENGTH OF 50x50x6mm S/S EQUAL ANGLE WELDED TO WELDED mm WELDED TO S/S 10 PLATE mm TO S/S 10 mm PLATE S/S PLATE 50x50x6mm S/S10EQUAL ANGLE COLOURED ACRYLIC COVER DOCUMENTS. FINISH SCHEDULE. FINISH SCHEDULE. BOTTLE DISPLAY SHELF. WELDED TO 10 mm S/S PLATE FIXED TO FIXED STUD WALL TO FIXED STUD @SCREW TO 900 WALL STUDFIXED @WALL 900 @ 900 WELDED TO 10 mm S/S PLATE 25x25x6mm S/S EQUAL ANGLEANGLE FIXED TO STUD WALL @ 900 50x50x6mm S/S EQUAL ANGLE 50x50x6mm S/S EQUAL 10mm CERAMIC TILES CRS TO STUD CRS WALL CRS@ 900 FIXED WALL, TO TO 10 mm S/S PLATE CRS WELDED TO 10 mm S/S PLATE 12mmFIXED SOLIDTO WELDED ADHESIVE FIXED CRS LED LIGHT, LED REFER LIGHT, LED REFER LIGHT, REFER CONTINUE THE LENGTH OF @ 900 FIXED TO STUD WALL @ 900 SURFACE(MARBLO) FIXED TOBOTTLE STUD WALL LED LIGHT, REFER 9mm FC ELECTRICAL ENGINEER'S ELECTRICAL ENGINEER'S ENGINEER'S BOTTLE DISPLAY SHELF. LED LIGHT, ELECTRICAL REFER CRS DISPLAY GLUE FIXED. REFER CRS ELECTRICAL ENGINEER'S DOCUMENTS. DOCUMENTS. DOCUMENTS. ELECTRICAL ENGINEER'S FINISH SCHEDULE. 10mm CERAMIC TILES DOCUMENTS. LED LIGHT, REFER LED LIGHT, REFER STUD WALLDOCUMENTS. 6.07_1 - S/S 25x25x6mm 25x25x6mm S/S EQUAL 25x25x6mm ANGLE EQUAL S/S EQUAL ANGLE ANGLEANGLE ADHESIVE FIXED 50x50x6mm S/S EQUAL ELECTRICAL ENGINEER'S ELECTRICAL ENGINEER'S 6.07_1 25x25x6mm S/S EQUAL ANGLE FIXED TO FIXED WALL, TO TO FIXED WALL, TO TO WALL, TO 25x25x6mm S/S EQUAL ANGLE WELDED TO 10 mm S/S PLATE DOCUMENTS. DOCUMENTS. FIXED TO WALL, TO 9mm FC CONTINUE CONTINUE THETO LENGTH CONTINUE THE OF LENGTH THE OF WALL OF FIXED TO WALL, FIXED TO LENGTH STUD 900EQUAL ANGLE CONTINUE THE LENGTH OF 25x25x6mm S/S EQUAL ANGLE 25x25x6mm@S/S BOTTLE DISPLAY BOTTLE BOTTLE SHELF. DISPLAY DISPLAY SHELF. SHELF. CONTINUE THE LENGTH OF CRS STUD WALL BOTTLE DISPLAY SHELF. FIXED TO WALL, TO FIXED TO WALL, TO BOTTLE DISPLAY SHELF. 10mm CERAMIC 10mm CERAMIC TILES 10mm CERAMIC TILES TILES 1:10 CONTINUE THE LENGTH OF CONTINUE THE LENGTH OF LED LIGHT, REFER 10mm CERAMIC TILES ADHESIVE ADHESIVE FIXED ADHESIVE FIXED FIXED 10mm CERAMIC TILES BOTTLE DISPLAY SHELF. DISPLAY SHELF. ELECTRICALBOTTLE ENGINEER'S ADHESIVE FIXED (TYPICAL) ADHESIVE FIXED DOCUMENTS. 9mm FC 9mm FC9mm FC 10mm CERAMIC TILES 10mm CERAMIC TILES 9mm FC 9mm FC 25x25x6mm S/S EQUAL FIXED ANGLE ADHESIVE FIXED ADHESIVE 1 1:10 STUD WALL STUD WALL STUD WALL FIXED TO WALL, TO STUD WALL FC 9mm FC STUD WALL CONTINUE THE LENGTH OF DISPLAY9mm SHELF (TYPICAL) BOTTLE DISPLAY SHELF. STUD WALL STUD WALL 6.07_1 6.07_1 10mm CERAMIC TILES ADHESIVE FIXED 1 1 1 1:10 1:10 1:10

18mm HMR MDF ADJUSTABLE SHELVES. BLACK MELAMINE FINISH. BLACK ABS EDGING TO ALL EXPOSED EDGES

13 13 -

18mm H SHELVE FINISH. ALL EX

13 -

ELEVATION

R.27 BAR 3

1:50

ELEVATION

R.27 BAR 3

SECTION

R.27 BAR 3

1:50

4 -

S.STEEL BENCHTOP AND FRAMING WORK UNDER REFER KITCHEN CONSULTANTS DWGS.

1:50

ELEVATION 1:50 2 SECTION 1:50 R.27 BAR 3 R.27 BAR 3

SECTION DETAIL

BAR - BEER TAPS (TYPICAL)

1:10

SECTION DETAIL

BAR - BEER TAPS (TYPICAL)

ELEVATION

R.27 BAR 3

1:50

SECTION DETAIL

BAR - FRONT BAR LIGHT BOX (TYPICAL)

BEER TAPS (TYPICAL)

1:10

SECTION DETAIL

1:10

BAR - BEER TAPS (TYPICAL)

16 SECTION SECTION SECTION DETAIL DETAIL DETAIL 6 6 1:10 1:10 1:10 DETAIL 7 6 SECTION 1:10 DETAIL 6 - SECTION 1:10 - - BEER - TAPS 6.07_1 BAR BAR - BEER BAR (TYPICAL) -TAPS BEER(TYPICAL) TAPS (TYPICAL) BARTAPS - FRONT BAR LIGHT (TYPICAL) SECTION SECTION DETAIL DETAIL 7 BAR - BEER (TYPICAL) 6 BOX 1:10